- 2 days ago
Starring Claudette Colbert and Ben Lyon.
Category
🎥
Short filmTranscript
00:00:00THE END
00:00:30THE END
00:01:00THE END
00:01:29THE END
00:01:34Yeah?
00:01:36All right, put him on.
00:01:39Hello, Miller. What's the beef this time?
00:01:42Oh, why shouldn't I squawk?
00:01:43I stay out all night on revenue boats chasing rum runners
00:01:46and there's no story.
00:01:47Besides, haven't you heard?
00:01:49They don't bring it in anymore.
00:01:50They ship it out.
00:01:51Being a newspaper man, you wouldn't know that.
00:01:54And my new cap, ruined by the fog.
00:01:56Not to mention the seagull.
00:01:57Well, cry on somebody else's shoulder. I'm busy.
00:02:00If I do any crying, it'll be on my pillow.
00:02:02Goodbye with a raspberry.
00:02:04Hey.
00:02:09Hey.
00:02:14No, no.
00:02:15Not tonight, Josephine.
00:02:18Hey.
00:02:27Hey.
00:02:27No, no.
00:02:32Not tonight, Josephine.
00:02:35Hey.
00:02:36Well, who are you?
00:02:43Oh, nobody much.
00:02:45Just the guy that owns the bed and the gin.
00:02:47Very bad.
00:02:49All three of them.
00:02:50What do you mean, three?
00:02:52Book you're writing.
00:02:54Oh.
00:02:54Who are you, anyway?
00:03:00There's a letter over there.
00:03:02Tell you all about it.
00:03:12Oh.
00:03:13So you're a newspaper man, huh?
00:03:16Friend of Pete Barrett's.
00:03:18Old classmate of mine.
00:03:20Hey, how is he?
00:03:20As useless as ever?
00:03:21Father, how's he doing in Chicago?
00:03:24Fine.
00:03:27Great newspaper town, isn't it?
00:03:30What are you doing in this dump?
00:03:32Looking for work.
00:03:34Any good jobs in your shop?
00:03:36No, I got the only good one, and that's terrible.
00:03:39Take my advice and go back to Chicago.
00:03:41I wish I could.
00:03:42Looks pretty good to me right here.
00:03:44Yeah?
00:03:45I thought so once.
00:03:47Well, Pete says you cover the waterfront.
00:03:49Sounds like a good assignment.
00:03:51Yeah.
00:03:52You cover everything from black plague to herring smells.
00:03:55And don't get anywhere.
00:03:58I've been doing it so long, the seagulls know me.
00:04:03Well, you mind if I get the bed?
00:04:08I'll tell you what.
00:04:09I'll cover the waterfront, you go back to Chicago, and I'll keep the bed.
00:04:15Come on, Gibb, will you?
00:04:16What a fine host you turned out to be.
00:04:21Now, look what you've done.
00:04:23I'm wide awake.
00:04:26All right.
00:04:28I might as well see what this place looks like in the daytime.
00:04:30Oh, what a little harbor.
00:04:42It's grown.
00:04:49It's a giant, beautiful harbor.
00:04:50I think so.
00:04:53There's an old guy out there with a rowboat full of junk.
00:04:56Seems to be dragging the harbor.
00:04:58The only one around here that's got the depression leak.
00:05:01And his own boss, too.
00:05:03He drags the bottom of the harbor and lives off the stuff other people throw away.
00:05:07Anybody left that's got anything to throw away?
00:05:09Oh, shut up, will you?
00:05:30Who's the floozy?
00:05:34Oh, just the girl I want to marry.
00:05:36I'm sorry.
00:05:38You love her?
00:05:40Local talent?
00:05:41I should say not.
00:05:43Vermont.
00:05:44Is that where you want to get out?
00:05:46That's one reason.
00:05:50Oh, it never fails.
00:05:56Oh, so you're going to play Indian.
00:06:03Hello?
00:06:05Listen, weeping Willie.
00:06:07I've got a hot lead for you.
00:06:09A woman just phoned in that a girl is swimming in Santiana Cove without any clothes on.
00:06:14Then send the fashion editor out to cover it.
00:06:17I've been out all night chasing down one of your crazy leads.
00:06:19Now, lay off me, will you?
00:06:20I need some sleep.
00:06:21I don't pay you to sleep.
00:06:22Go out and get that story.
00:06:24From the way the old lady described it, it's news.
00:06:27I'll switch the call.
00:06:30Switch this call.
00:06:32Here you are.
00:06:33No clothes at all.
00:06:34Dating right in front of my house.
00:06:36Then how do you know she hasn't got any clothes on?
00:06:39I have a telescope.
00:06:42Then what are you kicking about?
00:06:43Bye.
00:07:04I suppose you look through keyholes, too.
00:07:15Is there any around your house I do from now on?
00:07:18Are you going to give me my suit, or do I have to go over there and get it?
00:07:22Is this your suit?
00:07:23No.
00:07:24No, it's my grandmother's, but she lets me use it.
00:07:26Well, then why don't you?
00:07:29Because I like to swim without one, don't you?
00:07:32Now, don't change the subject.
00:07:33This is business with me.
00:07:35You don't think I'm here because I like it.
00:07:37Oh, pardon me.
00:07:39I just had an idea you were sitting there looking at me because I didn't have any clothes on.
00:07:44Oh, haven't you?
00:07:45I hadn't noticed.
00:07:46Oh, you're very funny.
00:07:49Come on now, give me that.
00:07:51You know, I'm supposed to get a story about you.
00:07:54There have been complaints.
00:07:56What?
00:07:57About my swimming here?
00:07:58Yeah, the neighbors.
00:07:59They're kicking.
00:08:01What neighbors?
00:08:03Up there.
00:08:05A telescope made them very close neighbors.
00:08:08Oh, I bet it was a woman.
00:08:10Of course.
00:08:11No gentleman would say a word.
00:08:14And you're a gentleman, of course.
00:08:16I haven't said a word.
00:08:18Come on, give me that suit.
00:08:20By the way, what's your name?
00:08:25Julie Kirk.
00:08:27Kirk?
00:08:28Eli Kirk's daughter?
00:08:29Yeah.
00:08:31Say, I know your old man.
00:08:33Isn't that just dandy?
00:08:36Come on now, will you please give me my suit?
00:08:39Sure.
00:08:41Take it out and have it filled for me.
00:08:43Well, I'll be seeing you.
00:08:44You've seen too much of me already.
00:08:48Oh, cheer her up.
00:09:17You can't pressibly feel as bad as I do.
00:09:19Oh, that plucked Phelps chasing me all over the bay for squibs and fillers that could be handled by the rewrite desk.
00:09:24All editors are fatheads.
00:09:27Except when you're looking for a job.
00:09:29Give me Phelps.
00:09:30Yeah?
00:09:35Well, the girl's name's Kirk.
00:09:36Julie Kirk.
00:09:37She swims raw because she likes it.
00:09:38And you know what you can do with the story.
00:09:41Okay.
00:09:42We'll play it up big.
00:09:43Make it a nudist colony.
00:09:44Police refuse to interfere.
00:09:46Decent citizens up in arms and so forth.
00:09:48Go ahead.
00:09:49Plaster her all over the front page.
00:09:50But if you had any real editorial sense, you'd let me go after her father.
00:09:53There's a real story there.
00:09:55There you go.
00:09:56Eli Kirk again.
00:09:57I tell you, it's cold.
00:09:59The boys in the Coast Guard have been watching him for a month and haven't got a thing on him.
00:10:03Now, listen, you mental midget.
00:10:05There's Chinese smuggling going on in this port.
00:10:08And Kirk's at the bottom of it.
00:10:10Of course, if you don't want the story, I'll give it to McGurk of the Herald.
00:10:14All right, mental giant.
00:10:16Go after Kirk.
00:10:17But if you miss...
00:10:19Thanks, Big Heart.
00:10:20I take back all the mean things I thought about you.
00:10:24Now, there's a great guy.
00:10:26At last we agree.
00:10:28When two guys agree, one of them is unnecessary.
00:10:31All city editors are unnecessary.
00:10:33There you are.
00:10:46Thank you, Capitan.
00:10:48When you can't make a living off tuna, you might just as well fish for a yellowtail.
00:10:51You know, they ain't bad folks.
00:10:57And somebody's got to do the washing.
00:10:59Him, for instance.
00:11:01He give me the 700 to get him across.
00:11:03And look what he wrapped it up in.
00:11:06Pretty, eh?
00:11:08Hey, Capitan.
00:11:10That's going to look very funny, are you?
00:11:13For me?
00:11:15Well, that's for Julie, my daughter.
00:11:16Every time I look at this fish, I have to laugh.
00:11:35Oh, Capitan, you very smart man.
00:11:39And you've got to be smart these days.
00:11:41Them coast guards are on to everything.
00:11:44Almost.
00:11:46What's that?
00:11:53Looks like Coast Guard now.
00:11:55Maybe.
00:11:56Come on, let's get busy.
00:11:58Frank!
00:11:58Bring a piece of anchor chain.
00:12:00You're hot in the kitchen later.
00:12:01Pay your attention.
00:12:02Get in the hot.
00:12:03All in the beer.
00:12:04Quiet there.
00:12:05Quiet.
00:12:07Wrap that round his legs.
00:12:11Capitan, for a wide chain.
00:12:13So is your sink.
00:12:14If that cutter stops us, we don't want no evidence floating around.
00:12:18Tough on him, all right.
00:12:20He knows he's got to take a chance to get in the States.
00:12:27Looks like they're going to bore us, all right.
00:12:30Get him over the rail, but don't drop him until I get the word.
00:12:32See?
00:12:33All right.
00:12:49Let go.
00:12:50Now, Capitan?
00:12:52Yes, now.
00:12:54Let go.
00:12:54Let go.
00:12:54Let go.
00:12:54Let go.
00:12:54Let go.
00:12:56Let go.
00:12:58What do you got aboard?
00:13:22Fish.
00:13:23Mind if we take a look?
00:13:25No.
00:13:29Hello, Kirk.
00:13:30Looking for another story to write about me?
00:13:34Yeah.
00:13:35I'm going to make you famous.
00:13:37Put your picture on every front page in the country.
00:13:40If nothing happens to you.
00:13:43Nothing's going to happen to me.
00:13:45Are you sure of that?
00:13:46So sure I've got the end of the story written already.
00:13:49Your obituary.
00:13:50It says you were a pretty smart guy, Kirk.
00:13:54But you took Chinese money.
00:14:03Bullseye.
00:14:04Mm-hmm.
00:14:05Come on, Miller.
00:14:06There's nothing aboard.
00:14:09I'll be seeing you again, Kirk.
00:14:20Julie.
00:14:32Julie!
00:14:37Hello, Eli.
00:14:39Hello, kids.
00:14:42How are you, Julie?
00:14:43Fine.
00:14:44Did you have any luck?
00:14:45Oh, the luck in the world.
00:14:47Oh, the luck in the world having you to come home to again.
00:14:53Oh, now, don't get sentimental.
00:14:55Have a good cruise?
00:14:56What?
00:14:57Oh, sure, yes.
00:14:58What's the matter?
00:14:59Fish not biting?
00:15:00Yeah, sure it was biting.
00:15:02I brought you something.
00:15:05Oh, gee, thanks.
00:15:07What is it?
00:15:08Go on, open it up.
00:15:10I can't.
00:15:11Here, here.
00:15:11Wait a minute.
00:15:12There.
00:15:14There.
00:15:18Oh, say.
00:15:21Oh, that's the most beautiful thing I ever saw.
00:15:23Oh, it ain't much.
00:15:24Oh.
00:15:25Oh.
00:15:26Oh.
00:15:26Oh.
00:15:26Oh.
00:15:27Oh.
00:15:27Oh.
00:15:28Oh.
00:15:29Oh.
00:15:30Oh.
00:15:31Oh.
00:15:32Oh.
00:15:33Oh.
00:15:34Oh.
00:15:35Oh.
00:15:36Oh.
00:15:38Oh.
00:15:39Oh.
00:15:40Oh.
00:15:41Oh.
00:15:42Oh.
00:15:42Oh.
00:15:42Hello, Chris.
00:15:43Any news?
00:15:45Oh.
00:15:45Oh.
00:15:48Catching anything today?
00:15:49Oh.
00:15:50Picked up a pretty fair rubber boot over by the lighthouse.
00:15:55What, about a dime?
00:15:56Who'd buy one rubber boot?
00:15:58One-legged guy.
00:16:00Got a sack of whiskey last week.
00:16:04Any of it left?
00:16:05No.
00:16:06How much did you get for it?
00:16:08A good drunk.
00:16:11Got something.
00:16:12Hey.
00:16:12Easy.
00:16:17It might slip off.
00:16:18Yeah.
00:16:19It feels kind of funny.
00:16:23Hm.
00:16:24Get.
00:16:25Uh.
00:16:25Coming up crooked.
00:16:26Coming up crooked.
00:16:43Sharks around here getting highfalutin.
00:16:45Yellow bait ain't good enough.
00:16:48How long you think he's been in the water?
00:16:50Oh, not more than a day.
00:16:52Crabs ain't good at him yet.
00:16:56You know everything that goes on around here below the surface?
00:16:58Yeah.
00:16:59How have you got it figured?
00:17:00Well, son, this here chink didn't put them there chains around his feet himself.
00:17:06With them chains around his feet, he didn't do much jumping.
00:17:10Looks like he was dunked.
00:17:13Seeing as he's used to it, I'll dunk him again.
00:17:17Oh, no, you won't.
00:17:18This poor chink tried pretty hard to get in the United States.
00:17:21I'm taking him in.
00:17:23Now, don't go flicking your tail at trouble.
00:17:27Whoever tied them chains around him ain't going to thank you none.
00:17:30Never mind.
00:17:31Show me this chink.
00:17:32He's news.
00:17:33Huh?
00:17:34All in.
00:17:35Shell Phelps, I want to see him.
00:17:36And get a photographer.
00:17:37What do you got in the bundle, Miller?
00:17:39What is it?
00:17:41Thanks, Rico.
00:17:42Ow!
00:17:43Thanks, Joe.
00:17:45What have you got there?
00:17:46What's the idea?
00:17:47I got evidence.
00:17:48You're bringing that in here.
00:17:49Get it out!
00:17:50What is it?
00:17:51Something a tie dragged in.
00:17:53Come on.
00:17:54Get half smart, will you?
00:17:55Do you get it?
00:17:56Kirk drowned the evidence and the tie dragged it in.
00:18:00That's simple enough for you to understand.
00:18:03Do you want me to print that?
00:18:04What do you think I want you to do with it?
00:18:06Have it stuffed?
00:18:08If we print one line about Kirk's boat and your story of finding this body,
00:18:12we'll have a libel suit on our hands.
00:18:14Probably cost us 50 grand.
00:18:15Oh, for the love of my.
00:18:17See this chain?
00:18:18Come here, will you?
00:18:22The same chain.
00:18:23Came off of Kirk's boat.
00:18:24I checked it.
00:18:25I wouldn't care if the chink had Kirk's drawers on.
00:18:28The police won't make an arrest on that evidence.
00:18:31I want an arrest.
00:18:32But it's true.
00:18:33Have I ever been wrong?
00:18:34Yes.
00:18:35The time you got that crazy countess off of the Laconia,
00:18:38said she was expecting a baby.
00:18:40Ha!
00:18:41She wasn't even married.
00:18:42Oh, well, that was the story.
00:18:43Well, she sued and collected.
00:18:45And when you pulled that yarn about the porpoise that swallowed a pint of rye
00:18:49and danced a jig on the dock.
00:18:50The greatest fish story since Jonah and the Whale.
00:18:53Can I help having imagination?
00:18:56Come in here.
00:19:02The trouble with you is you've got too much imagination.
00:19:04Now you want to accuse Eli Kirk of murder.
00:19:07On a thing like this, you can only be wrong once.
00:19:10It's a great story.
00:19:11You're right about that.
00:19:12And I want to print it.
00:19:13But I've got to have the facts first.
00:19:15All right, it's a fact.
00:19:17I found this one and it's a fact somebody murdered him.
00:19:19And I'm going to prove that Kirk did it.
00:19:21How?
00:19:23Kirk's got a daughter.
00:19:24She must know something.
00:19:25Is it worth expenses to you?
00:19:27What for?
00:19:29Gin and roses.
00:19:31You're going to make love to her.
00:19:32If I have to.
00:19:36Okay.
00:19:38Say, Julie, you don't remember much about Singapore, do you?
00:19:41No.
00:19:42Oh, grand.
00:19:44I love that funny little island, remember?
00:19:46What should?
00:19:47Yeah.
00:19:48Oh, it was fun.
00:19:52How would you like to go back there?
00:19:55You figuring to move?
00:19:57Mm-hmm.
00:19:58Oh, I've been kind of restless lately.
00:20:01Yes, I've got the tide in my blood.
00:20:04Besides, I don't like the price of fish around here.
00:20:08Eli, you're not in any trouble, are you?
00:20:12Why, why no.
00:20:15Not exactly.
00:20:17I thought you were going to stick to fishing.
00:20:22You're not going to change your mind, are you?
00:20:25Well, there ain't no money in it anymore.
00:20:28We'd better go away someplace else and start over.
00:20:33Well, when do you want to leave?
00:20:36Oh, another week or two and I'll have enough money.
00:20:41All right.
00:20:42Any time you say.
00:20:45Anywhere you want.
00:20:48Only take me alone.
00:21:12Just when I started to feel good, you poor ice wood all in the brain.
00:21:17I can't spend all Phelps do buying you liquor.
00:21:19I've got to get this story.
00:21:21Now, here's where we're going.
00:21:23Wait a minute.
00:21:24Boarding out?
00:21:25Well, I'm going to have to drag you from one speakeasy to another.
00:21:27It's all right with me, but why?
00:21:28You hear that?
00:21:29Sure.
00:21:30It's Kirk.
00:21:31When he plays the piano, he's drunk.
00:21:32And when he's drunk, he talks.
00:21:33Come on.
00:21:35Come on.
00:21:37Come on.
00:21:39Come on.
00:21:41Well, I'm going to have to drag you from one speakeasy to another.
00:21:44It's all right with me, but why?
00:21:46You hear that?
00:21:47Sure.
00:21:48It's Kirk.
00:21:49When he plays the piano, he's drunk, and when he's drunk, he talks.
00:21:52Come on.
00:22:04Isn't that beautiful?
00:22:09Oh, I eat little girls like you.
00:22:12Why, Grandma, what big teeth you have.
00:22:16Come on, Mac, they're not good to eat.
00:22:19What's the matter with you? Aren't you interested in girls?
00:22:21No.
00:22:22Oh, I forgot. You're a love. Girl of a month.
00:22:26What's the matter with her, anyway?
00:22:28Nothing's the matter with her.
00:22:29She's waited for you for five years? She must be muscle-bound.
00:22:33Oh, shut up and sit down, will you?
00:22:36What is your name, baby?
00:22:38Lucy, handsome.
00:22:42Lucy.
00:22:44I've never heard anything.
00:22:46You're so beautiful.
00:22:55What's the idea?
00:22:56I eat little girls like you.
00:22:58I am the world's greatest lover.
00:23:00Sit down while you're all in one piece.
00:23:03Come on, honey.
00:23:05Why, I'll kick that guy to death.
00:23:07Now listen, Mac.
00:23:09Have all the fun you want, but don't get in a fight.
00:23:11I'm here on business.
00:23:13You mean you're working?
00:23:14Yeah.
00:23:15In here?
00:23:16Surrounded by all this wealth and beauty?
00:23:19Yeah, and if I get what I'm after, it'll be a wire story for every front page in America.
00:23:23I'll be able to go east and get a job on a decent rag.
00:23:26Go east, young man.
00:23:27Go east.
00:23:28Get a positive ride.
00:23:29I'll cover the wall for them.
00:23:57Hello, honey.
00:23:58Oh, hello, Mother Morgan.
00:23:59Eli here?
00:24:00Why, uh, why no, he ain't.
00:24:03What's his coat doing by the piano?
00:24:05Sorry, I'll wait.
00:24:09Uh-oh.
00:24:10I think I'm gonna get that story sooner than I expected.
00:24:13I knew a guy went after a story like that.
00:24:16He's, uh, pushing up daisies now.
00:24:20You'll work on this until I get back.
00:24:23Well, he's doing it.
00:24:36Hello, swimmer.
00:24:39Oh.
00:24:40Nosy Joe, the peeping Tom.
00:24:43How are ya?
00:24:44Sick of bed.
00:24:45Let's have a drink, and I'll tell you all about it.
00:24:48No, dancing's my vice.
00:24:50Your only vice?
00:24:52No.
00:24:54Okay.
00:24:55Let's go.
00:25:04You wouldn't go for a kiss, would you?
00:25:05No.
00:25:06Not very far.
00:25:07Why?
00:25:08Well, because...
00:25:09Oh, because I'm the most beautiful girl you ever saw.
00:25:12That's right.
00:25:13What's a nice...
00:25:14Oh, I know that one, too.
00:25:15What's a nice girl like you doing in a place like this?
00:25:17Well, that's all settled.
00:25:18Now I'll give you my telephone number, and then I guess you can kiss me.
00:25:22Thanks.
00:25:23No, I'm very busy right now.
00:25:24Well, are you being kissed on Friday?
00:25:26What day is that?
00:25:27Today.
00:25:28Yes.
00:25:29Oh, ho, ho, ho, ho, ho.
00:25:30Oh, dear.
00:25:31Lucy's a great girl.
00:25:32All over Lucy.
00:25:33Champagne.
00:25:34Come on, dear.
00:25:35Let's sit down.
00:25:36Little girl, will you marry me?
00:25:37Later, honey.
00:25:38Eli.
00:25:39I thought I told you not to start a fight.
00:25:40Guess that'll teach another fool with me.
00:25:41One punch McCoy, that's me.
00:25:42Shut up and sit down.
00:25:43Is he all right?
00:25:44Oh, it's one of his dizzy cells.
00:25:45Give me a lift, will you?
00:25:46I was waiting to take him home.
00:25:47Come on, Eli.
00:25:48He owes for eight quarts.
00:25:49He'd give me fifty dollars.
00:25:50Thirty more are coming.
00:25:51Well, they make jokes about scotchmen.
00:25:52Here, hold them.
00:25:53Oh, my God.
00:25:54Oh, my God.
00:25:55Oh, my God.
00:25:56Oh, my God.
00:25:57Oh, my God.
00:25:58Oh, my God.
00:25:59Oh, my God.
00:26:00Oh, my God.
00:26:01Oh, my God.
00:26:02Oh, my God.
00:26:03Oh, my God.
00:26:04Oh, my God.
00:26:05Oh, my God.
00:26:11Not a cent.
00:26:12He's been rolled for us.
00:26:22Where's that money?
00:26:23What money?
00:26:24The money that was in here.
00:26:26Look who's trying to be funny.
00:26:28Oh, I know.
00:26:29You've never been so insulted in your life.
00:26:32Come on, hand it over.
00:26:34Listen.
00:26:35Any money I got in my sock, I'm going to keep.
00:26:37What you're looking for is a good slap in the face.
00:26:47Bravo.
00:26:48Bravo.
00:26:53Thanks, honey.
00:26:54Get him out of here, will you?
00:26:55He's halfway home right now.
00:27:00Gee, I'm an heiress.
00:27:02Yeah, over 500 berries.
00:27:03Say, uh, he must have been catching goldfish.
00:27:12Oh, here.
00:27:14Give her this.
00:27:15She's breaking my heart.
00:27:16All this?
00:27:17Yeah, I guess she earned it.
00:27:19And, uh, take care of the press, too, will you?
00:27:21All right.
00:27:22You ready?
00:27:23Come on, we're off.
00:27:24Oh, cutie.
00:27:25I hate little girls like you.
00:27:26Oh, do you?
00:27:27Well, that would take months and months and months.
00:27:30Oh, I'm sorry to cause you all this trouble.
00:27:31Oh, no trouble at all with you, Alon.
00:27:32He'll be in terrible shape to go off on another cruise tomorrow.
00:27:37Going out tomorrow, is he?
00:27:38Yes.
00:27:39The fish must be running, huh?
00:27:40Yeah, I guess so.
00:27:41You going along?
00:27:42No.
00:27:43When he's fishing, he won't have a woman on board.
00:27:44It says the fish don't bite.
00:27:45Well, you must have a lot of spare time on your hands.
00:27:46Yeah.
00:27:47Do you mind if I take up most of it from now on?
00:27:48The intention's honorable?
00:27:49No.
00:27:50No.
00:27:51Oh, that's not very romantic.
00:27:53Well, uh, this isn't a very romantic situation.
00:27:55Sure it is.
00:27:56Marvelous moon?
00:27:57Oh, no.
00:27:58Oh, yeah, that's great.
00:28:00Oh, no.
00:28:01Oh, no.
00:28:02Oh, no, no, no.
00:28:03Oh, no.
00:28:04Oh, no.
00:28:05No.
00:28:06Oh, no.
00:28:07Oh.
00:28:08Oh, no.
00:28:09Oh, no.
00:28:10Oh, no.
00:28:11Oh, no.
00:28:12Oh, no.
00:28:13Oh.
00:28:14Oh, no.
00:28:15Oh, no.
00:28:16Oh, no.
00:28:17Oh, no.
00:28:18Beautiful girl.
00:28:19Taking father home drunk?
00:28:21Oh, get up, you big lunk.
00:28:23Say he and I can get home by ourselves.
00:28:25That's the way you feel about it.
00:28:27I'll be waiting for you.
00:28:28Don't bother.
00:28:29Come on, Eli, get up.
00:28:31Come on, now, you gotta get home.
00:28:33Come on.
00:28:36Now, I told you we'd be all right.
00:28:39Come on, Eli, you can make it.
00:28:40Sure he can.
00:28:42Put a little help.
00:28:44See?
00:28:45He made it.
00:28:48Oh, wait a minute.
00:28:59Here, come on, let go.
00:29:02Leave me alone now, I'm all right.
00:29:04No, you're not.
00:29:06Come on, bottom's up.
00:29:07I don't like it.
00:29:09Makes me sick.
00:29:09That's what you're taking it for.
00:29:11Get rid of all that poison in you.
00:29:14If you don't, you'll have a head like a hot stove.
00:29:16Oh.
00:29:19Oh, here's your money.
00:29:21Well, what are you doing with it?
00:29:23Taking better care of it than you did.
00:29:26Now, listen.
00:29:27I don't want you coming down to that place anymore after me.
00:29:30Oh, for Pete's sake.
00:29:32If I didn't go there, I'd be going to the jail for you tomorrow.
00:29:34I guess you're right.
00:29:36I guess I'm lucky to be having you coming anywhere after me.
00:29:40All right.
00:29:41Now, don't get feeling sorry for yourself.
00:29:43You're all right.
00:29:44Julie, God bless you.
00:29:49It sounds kind of funny coming from me.
00:29:52Oui.
00:29:53I must be drunk.
00:29:54I guess I miss you.
00:30:18Bye.
00:30:19Bye.
00:30:20Bye.
00:30:20Bye.
00:30:21Bye.
00:30:21How are you coming?
00:30:28I don't know yet, but I guess it'll be all right.
00:30:42Oh, hello, honey.
00:30:45Well, that's all you were waiting for.
00:30:47Come on now, be your age.
00:30:49I knew the first time I saw you, you were nuts about me.
00:30:52Oh, sure. Men can't resist me, either.
00:30:55You know something?
00:30:57You look pretty good in swimming, but with that coat on, why, you're terrific.
00:31:01You like it?
00:31:02If I liked it much more, it'd start tearing it.
00:31:05New, isn't it?
00:31:06Mm.
00:31:07Johnny?
00:31:07My father brought it to me this morning.
00:31:10Oh, he did?
00:31:11Come on, sit down and tell me all about it.
00:31:14Well, I get it. You're a ventriloquist.
00:31:17No, I'm just a dummy.
00:31:19Oh, don't you love it here?
00:31:24The waterfront?
00:31:25No. What's that I love about it?
00:31:28Summer nights, mostly.
00:31:31When the sun goes down, supper's over, and all the lights come out on the boat.
00:31:38Sure.
00:31:40And the summer days when the sun comes up and starts to work on the fish heads lying around.
00:31:44You take a deep breath and it gets you.
00:31:47Fish, tar and bilge oil.
00:31:49The stink of the waterfront.
00:31:51You don't write that way about it.
00:31:54You read my stuff?
00:31:56Yeah.
00:31:57Shake.
00:31:57A lot of cheap baloney dished up for the farmers who come out here to rot in the sunshine.
00:32:04Bunk, fakes, dribbles.
00:32:08Why do you write it, then?
00:32:10To eat, darling.
00:32:14Did you ever try writing anything else?
00:32:16I've been trying to finish a novel for five years.
00:32:18I wouldn't be surprised.
00:32:21What do you mean?
00:32:23I'll tell you sometime.
00:32:26Always.
00:32:28Don't let's get serious on a night like this.
00:32:30All right.
00:32:31Let's get silly.
00:32:33How about a kiss?
00:32:35No.
00:32:37Ah, but we're all alone with the stars and the sea.
00:32:41Come on, let's play a love scene.
00:32:43Let's fall in love first.
00:32:50Kurt?
00:32:51Yeah.
00:32:52Oh, thanks.
00:32:52Thanks.
00:33:12Yeah?
00:33:31Uh, take a flyer on Mrs. Goosen's.
00:33:34Oh, spell it yourself, will you?
00:33:35Became a mother at 8.15 p.m. in a water taxi.
00:33:38Baby or lived, case of fright.
00:33:40Navy responsible.
00:33:41Sixteen-inch guns during night practice.
00:33:44Yeah?
00:33:45Yeah, it says she's going to sue the government.
00:33:47Oh, uh...
00:33:49Oh, yeah, I met the Empress of Britain coming in this morning.
00:33:51World cruise.
00:33:52A Mitzi Vajia aboard from Bulgaria.
00:33:54Wearing pants.
00:33:55Going to Hollywood.
00:33:56Met by three other tough foreign blondes, also wearing pants.
00:33:59And they're still kissing each other.
00:34:01Oh, a lot of notables aboard.
00:34:03All fat heads.
00:34:03Had the usual thing to say.
00:34:05Blah, blah, blah.
00:34:05What a beautiful harbor you've got.
00:34:07Good times are just around the corner.
00:34:08Blah, blah, blah.
00:34:08Write it yourself, will you?
00:34:10That Miller you're talking to?
00:34:11Yeah.
00:34:13Give me that.
00:34:16Hey, Miller.
00:34:17That Watt Floris is here for $9 more for roses.
00:34:21And the bootlegger wants $20 for a case of gin.
00:34:24What are you trying to do?
00:34:25Marry the girl?
00:34:26Well, if you don't like the way I make love, you get the story.
00:34:29But you're not getting the story.
00:34:31You haven't got any dope in three days.
00:34:33Yeah, but she's smart.
00:34:34Which is more than you are.
00:34:35Tin head.
00:34:40Thinking of me?
00:34:42Yeah, come on.
00:34:43Let's get out of here.
00:34:44Hey, this novel's getting better.
00:34:46That new love scene is good.
00:34:48You believe those two are falling in love.
00:34:50You never could before.
00:34:51You must be falling in love.
00:34:56Who, me?
00:34:57With that waterfront girl you're working on.
00:34:58Her?
00:34:59I'm only playing her to hook a fisherman.
00:35:02And I'll do it if Phelps will let me alone.
00:35:05Hey, can you imagine him kicking about that case of gin I had sent over your place?
00:35:08He's kicking.
00:35:09If there's any kicking about that lousy gin, I'll do it.
00:35:11I get the headaches.
00:35:12Finest example of the old prison hoax now in existence.
00:35:27And more poor souls have died in torture below those blood-stained decks than I should care to tell you.
00:35:35Visit the torture chamber.
00:35:37Fifty cents, please.
00:35:39Fifty cents?
00:35:40I'm Miller from the Standard.
00:35:41I've got to write my usual column about this old bathtub for the annual Booth Southern California Blah and Tripe number.
00:35:47Oh, yes, Mr. Miller.
00:35:49Charmed to have you with us.
00:35:50And the little lady, too.
00:35:52Take one of our little booklets.
00:35:54Take one of your little booklets yourself and stick it in your back pocket.
00:35:57I know more about this boat than you do.
00:36:05You wouldn't go for that kiss now, would you?
00:36:06Say, I thought you came down here to work.
00:36:08Well, if you don't think it's work getting a kiss out of you, you're nuts.
00:36:11I've been trying for three days.
00:36:13Oh, get out.
00:36:14Come on, now do yourself.
00:36:16What's this?
00:36:17Oh, oh, that's a birdcage.
00:36:19Oh.
00:36:21Well, what's that?
00:36:23Uh, well, that's a dandruff remover.
00:36:28Ah, but here's the honey.
00:36:30Come here.
00:36:31Oh.
00:36:32Now, they used to hang guys up here by the wrist.
00:36:34Uh, this little contraption is adjustable.
00:36:36They'd raise and lower it.
00:36:38Uh, it always fits you.
00:36:40Of course, they'd raise you high, so you'd have to stay on your tiptoes.
00:36:43And then when you were on your toes, why, they'd pour hot lead on your feet.
00:36:46Oh.
00:36:46Come here, I'll show you.
00:36:48They put you there and clamped this around your waist like this and locked it.
00:36:53Then one hand went in here, like this, and the other.
00:36:59Hey, wait a minute.
00:37:01In there.
00:37:02And locked that one.
00:37:04And of course, it wouldn't leave your neck bare.
00:37:06They always took this strap and tightened it up.
00:37:09Tighten it up, good and tight around there.
00:37:13And now, you little son of a, you're going to get kissed.
00:37:21How did you like it?
00:37:23That was torture.
00:37:24Not for me.
00:37:29Oh, yeah, I forgot.
00:37:30Uh, you wanted to see a newspaper.
00:37:31It might have worked in there.
00:37:33Now, let me see.
00:37:35Uh.
00:37:35Uh.
00:37:38Uh, like, uh.
00:37:4216th century.
00:37:48Spanish.
00:37:53Oh, yeah, this was, this, this was a manicure parlor.
00:37:56Now, uh.
00:37:58With these things, they take and, uh.
00:38:00Pull your fingernails out.
00:38:03And no tip to the coat room, girl.
00:38:05Uh.
00:38:0814th century.
00:38:11Spanish.
00:38:13Yeah, thanks.
00:38:15Enough torture?
00:38:18Mm-mm.
00:38:19I can take it.
00:38:26Well, oh.
00:38:29Not Spanish.
00:38:30Ha, ha, ha, ha.
00:38:31Ha, ha, ha.
00:38:33Ha, ha, ha.
00:38:33Ha, ha, ha.
00:38:34Ha, ha, ha.
00:38:34Ha, ha, ha.
00:38:34Ha, ha, ha.
00:38:35Ha, ha, ha.
00:38:35Ha, ha, ha.
00:38:38All fast.
00:38:39All fast.
00:38:40Give it to him.
00:38:46Easy now, easy.
00:38:47That's what we want.
00:38:48That's what we want.
00:38:56Sharks big enough to swallow a man.
00:38:59Hey, Captain.
00:39:01Why, why you fish for shark when tuna is running?
00:39:04There's no money in shark.
00:39:06There is for us.
00:39:09Oh, yeah.
00:39:09We want more like that.
00:39:11Big one.
00:39:11All right.
00:39:12That's what we want.
00:39:13Get out.
00:39:13It's all right.
00:39:14We want more like that.
00:39:14Big ones.
00:39:15Go all off, D'artigus.
00:39:16We want more like that. Big ones. Go all off, D'artigas.
00:39:21I see, Captain.
00:39:30Jack! Off the full bow!
00:39:46Big ones!
00:39:48I'll say it's a big one. Slow it down.
00:40:00Passed off.
00:40:10Straighten your harpoon lines. We don't want to miss this one.
00:40:16He's a big bruiser. Easy, Capitan. Easy.
00:40:27Give it to him.
00:40:30Take off your lines! Cover him!
00:40:33He's double-backed! Only both!
00:40:43Give me that gun, quick!
00:40:46The line! The line! The line! Quick!
00:40:48I'm going to tell you!
00:40:57The line! The line! The line! Quick!
00:41:00The line! Quick!
00:41:06He's downed! Look out! He's hidden from the bomb!
00:41:08Look! He's hidden from the bottom!
00:41:14Oh, they're both corners.
00:41:16That big devil's right on top of them.
00:41:19Look out behind, you diggers!
00:41:30He's got him!
00:41:32Pull in close. We might save the skipper.
00:41:38Take it easy, boy!
00:41:43Oh, the leg! The leg is gone!
00:41:47Grab it! Quick, skipper!
00:41:51Easy now, easy!
00:41:56We've got to stop the bleeding!
00:42:03You're going to be all right now. Take it easy.
00:42:05I want to pray. I want to pray.
00:42:08Cross.
00:42:10Capitan.
00:42:11Cross, Capitan.
00:42:12You got a cross?
00:42:14Oh, something to pray to.
00:42:17Oh, my saint.
00:42:19My saint.
00:42:21Picture.
00:42:23Give me picture.
00:42:26Picture.
00:42:32Candles.
00:42:34Light candles.
00:42:35Tell me.
00:42:36Tell me.
00:42:37Oh, my leur.
00:42:51Oh, my mails.
00:42:53We're talking.
00:42:54I'm good.
00:42:56I come here, my mails.
00:42:58Don't you men know enough to dig off your hats?
00:43:26Oh.
00:43:28Perfect, isn't it?
00:43:36From where I sit.
00:43:39Wouldn't it be marvelous if we could go on like this?
00:43:42We can.
00:43:44No, we can't.
00:43:47I gotta break a promise to Eli to tell you something.
00:43:54I think a lot of you, Jill.
00:43:55So much, I couldn't go without telling you.
00:44:00Break a promise.
00:44:03Go where?
00:44:05South America, South Seas, I don't know.
00:44:09He asked me not to tell anybody.
00:44:12But we're moving on.
00:44:14But when?
00:44:16Why?
00:44:18Tomorrow, maybe.
00:44:19I don't know why.
00:44:22You don't?
00:44:26Maybe it's better.
00:44:27I feel we've had a whole lifetime of happiness these last two weeks.
00:44:34And none of the grief.
00:44:36Let's leave it at that.
00:44:39Do you really mean that, Julie?
00:44:45I don't know.
00:44:46No, Bill.
00:44:51Afraid?
00:44:54Yeah.
00:44:57Yeah.
00:44:58I'm afraid of tomorrow.
00:45:01Without you.
00:45:02Why worry about tomorrow?
00:45:10Oh, why should I think about tomorrow?
00:45:12I don't know.
00:45:42I'll always remember this place.
00:46:10Yeah, and I'll always remember this coffee.
00:46:13Of course, it puts down a little cleaning.
00:46:17I'll get busy on that today and fix it up.
00:46:19Oh, it isn't worth bothering with?
00:46:21Want some jam?
00:46:22Yeah, give me the work.
00:46:23Oh, wait till I get through it.
00:46:28It'll be swell here.
00:46:30Especially when it rains.
00:46:33Rains?
00:46:34Yeah.
00:46:35You know, with the fireplace going and rain on the roof.
00:46:39Oh, there isn't any fireplace.
00:46:42Well, we'll get one.
00:46:44Where would the cat sit?
00:46:45What cat?
00:46:47The one we're going to get.
00:46:48Oh, there isn't any use putting any money in the cat.
00:46:50Only have to give it away.
00:46:51I won't be here much longer.
00:46:52You won't?
00:47:00I mean, you're going to some other fishing town, and I'm going east.
00:47:05Have you ever been in Vermont?
00:47:11No.
00:47:12The whole place isn't sand and ocean, but earth.
00:47:16Things grow.
00:47:18The seasons change once in a while.
00:47:20Things smell better.
00:47:23Around here, everything smells of dead sardines.
00:47:26This godforsaken seaport.
00:47:27A lot of people like you in every port.
00:47:33Like me?
00:47:35Yeah.
00:47:36Always kicking about what they're doing.
00:47:38Where they live.
00:47:39Why they're not getting any place.
00:47:41They're always going away on ships, looking for something.
00:47:46Everything you want is right here.
00:47:49Even that book you're writing.
00:47:51Only you can't see it.
00:47:55You've been living here six years.
00:47:57I'll bet you, you haven't looked out of those windows once.
00:48:03Well, you couldn't, but they haven't been washed in six years.
00:48:14Yes.
00:48:22You can have Vermont.
00:48:23Not bad.
00:48:28Not bad at all.
00:48:31Men never know what the sea really looks like.
00:48:34Women do.
00:48:36And they've looked out there for years, waiting for somebody to come back.
00:48:40Joe, I'm not going away.
00:48:46You're not?
00:48:47I thought you said you were going with your father.
00:48:50I've changed my mind.
00:48:52I'm going to tell him as soon as he gets in.
00:48:56When does he land?
00:48:57Tonight.
00:48:57Where will he dock?
00:49:01Down at the Chinese settlement.
00:49:03Why the Chinese settlement?
00:49:04There's no tuna cannery there.
00:49:06Oh, he's not fishing tuna.
00:49:08He went south for sharks.
00:49:09South?
00:49:11Well, how will he feel when he knows you're not going with him tomorrow?
00:49:15You kick up a row, I guess.
00:49:17But I can handle him.
00:49:20Joe.
00:49:22Don't you understand?
00:49:25None of us are going away.
00:49:28Maybe you're right.
00:49:33Stop making much headway, Skipper.
00:49:35He's a pounding.
00:49:36I want to get in before sundown.
00:49:38Aye, aye, Skipper.
00:49:44Listen, fathead.
00:49:46We've already given the Coast Guard one bum steer on Kirk,
00:49:49and I refuse to let myself in for another razzing.
00:49:52Now, if you haven't got the real dope, I won't call him.
00:49:55Listen yourself, thickhead.
00:49:57If this isn't real dope, then what is it?
00:49:59First, when everybody's getting good prices for tuna,
00:50:02Kirk goes south and fishes sharks.
00:50:04Second, he's pulling out a hit tomorrow morning.
00:50:07Third, he's docking at the Chinese settlement tonight.
00:50:11Now, don't two and two make four.
00:50:13Yes, but that makes six.
00:50:14What have the sharks got to do with it?
00:50:16What am I supposed to be, a fortune teller?
00:50:18Maybe it's an excuse for him to go down below the border.
00:50:20But it's a natural.
00:50:22He's pulling out of here tomorrow morning,
00:50:23and he's bound to try one last haul.
00:50:25Kirk's no fool.
00:50:26The minute he sees the Coast Guard,
00:50:28if he's got anything, he'll dump it overboard.
00:50:29He did it the last time.
00:50:31And I thought it took brains to be an editor.
00:50:34I'll draw your picture.
00:50:36We all stay undercover until Kirk ties up at the dock.
00:50:40Then we pounce on him and catch him with his pants down.
00:50:42And you'll find a chairman in his pants.
00:50:44All right, I'll go for it.
00:50:45But either you bring me back to a story or a piece of rope.
00:50:48Rope?
00:50:49Yeah, so I can tie a can to you.
00:50:51Give me the Coast Guard.
00:50:57Let it go!
00:50:58Take it up slow.
00:51:14Don't bump nothing.
00:51:15And don't let him use any hooks.
00:51:17I don't want this fish to be spilling its guts.
00:51:19Go ahead.
00:51:20Take it away.
00:51:21Wait a minute, Kirk.
00:51:23Hold everything, will we tell you.
00:51:25Hold it.
00:51:26Don't you fellas never get tired of looking me over, huh?
00:51:28Orders, Kirk.
00:51:30Don't miss anything, boys.
00:51:31Well, if you feel like wasting your time, it's all right with me.
00:51:50Miller, the standard.
00:51:51Hello, Miller.
00:51:52Hello, Kirk.
00:51:57Good catch tonight?
00:51:59What are you doing on my boat?
00:52:01Looking for that big story I promised you.
00:52:03Nobody comes on my boat while I'm unloading except in the crew.
00:52:07It's what comes off your boat that interests me.
00:52:10You'd better get out of here or I'll break your back.
00:52:13From now on, the only thing you'll break will be rock.
00:52:16For 20 years.
00:52:18That's what they give them for smuggling.
00:52:20Isn't it, Kirk?
00:52:21You get out of here.
00:52:22Do you hear me?
00:52:23Don't get tough.
00:52:24Remember me?
00:52:25One punch, McCoy?
00:52:26Oh.
00:52:27Hey, wait a minute, Kirk.
00:52:28Ah, Christmas has come.
00:52:39What's that in your pocket?
00:52:40The same to you and many of them.
00:52:42Mm-hmm.
00:52:42Kirk, did you ever read the Bible?
00:52:56What?
00:52:58Someone must have told you the story of Jonah and the whale.
00:53:01What do you mean?
00:53:06Just what I said.
00:53:08Huh?
00:53:09Find anything?
00:53:10Not this time.
00:53:11You can go ahead, Kirk.
00:53:12Take it up, Jake.
00:53:13Hey, wait a minute.
00:53:15You didn't find anything?
00:53:16No.
00:53:17Just another bum steer, Miller.
00:53:19Don't you ever get anything right?
00:53:21Oh, all this fuss was his idea, huh?
00:53:24Yeah, my eyes.
00:53:26Hey, hold that shot!
00:53:27Hey, don't be giving orders on my boat.
00:53:48So I never get anything right, huh?
00:53:49There's nothing on that boat.
00:53:51Not right now, there isn't.
00:53:52But he brought one in and he landed him.
00:53:53Well, then, where is it?
00:53:55I'm sick and tired of you loudmouthed half.
00:53:57Fake newspaper reporters?
00:53:58Half-faked, am I?
00:54:00Has anybody got a knife?
00:54:01Yeah, here's one.
00:54:02Thanks.
00:54:03You might as well admit you muffed this one.
00:54:05Yeah?
00:54:06Well, here's one nobody can muff.
00:54:11Hurry!
00:54:11Get away from that shot!
00:54:18Wait a minute, Kirk.
00:54:23You're under arrest.
00:54:24Drop that knife?
00:54:47Play to the air, read about the Chinese smugglers.
00:54:50Can these smugglers capture?
00:54:52Latest edition, tailors.
00:55:14Hello.
00:55:16Great story, Joe.
00:55:18Extra out ten minutes ago.
00:55:20It's the best story that's come out of this town in years.
00:55:24It'll hit the front page of every paper in the country.
00:55:27I'm raising you five a week with a 50-buck bonus.
00:55:30Thanks, boss.
00:55:32If you find Kirk, I'll make it 100.
00:55:34He's hit pretty hard. He can't be far away.
00:55:37Get down to the waterfront. Find him.
00:55:40If you need any help, call on me.
00:55:43I got this much of the story without help from cops or anybody, including you.
00:55:46And I'll do it alone.
00:55:48I'll get the rest of the story.
00:55:50I don't want your lousy rays. I don't want any part of you.
00:55:52I'll get the story and get out.
00:55:54And I hope I never see you or your paper this stinking waterfront again.
00:55:57How's this stuff, Joe? Now you are fired.
00:56:01Hey.
00:56:02How much rent do you pay for this place?
00:56:04Oh, get out, will you?
00:56:05No, I'm just getting in.
00:56:07You're getting out.
00:56:09But before you go, speak to Phelps about me for your job.
00:56:12Oh, you can have it. You can have this place.
00:56:14You can have anything connected with the waterfront I've got.
00:56:17You mean you're really going?
00:56:22Yeah, going just as far as I possibly can and try to forget what a mess I've made of things.
00:56:27Particularly myself.
00:56:29Well, in that case, I'll give you this.
00:56:33I opened it.
00:56:34What does it say?
00:56:36It's from Brattleboro, Vermont.
00:56:38Joe, dear.
00:56:40Since you are the dearest friend I have...
00:56:43Stop.
00:56:44I want you to be the first to know I am engaged to Walter Morgan.
00:56:49Stop.
00:56:50I'm affectionately bitterly.
00:57:00It's a tough break, kid.
00:57:01I'm sorry.
00:57:02Oh, you don't have to be.
00:57:03I wasn't in love with her.
00:57:05No?
00:57:06Just one of those things.
00:57:07That was a great story.
00:57:20Yeah, tough break on Julie.
00:57:23She believed in me.
00:57:25Listen.
00:57:26Call Phelps and tell me you're sick.
00:57:28I'll finish the story.
00:57:29No, I can't stop now.
00:57:30Mac, you ought to know that.
00:57:32A great story.
00:57:34I wish I'd done it.
00:57:36I wish you hadn't.
00:57:38I wish anybody in the world had done it but me.
00:57:56Well, meow yourself.
00:57:58Come on.
00:57:59Oh, come on.
00:58:01Hello there.
00:58:04Hello there.
00:58:05Hello there.
00:58:06Say, I got a job for you.
00:58:09Yeah.
00:58:10How would you like to sit beside a fireplace, huh?
00:58:14Oh, just the warmest, coziest fireplace you ever saw.
00:58:19Now look, isn't that good?
00:58:21It's good.
00:58:22What do you want?
00:58:23You come.
00:58:24Your father hurt bad.
00:58:25Take your doctor.
00:58:26Doctor?
00:58:27What's happened to him?
00:58:28What's happened to him?
00:58:29What's happened to him?
00:58:30What's happened to him?
00:58:50I brought you the doctor, ain't I?
00:58:52How does it look, Doc?
00:58:55I shall have to remove the bullet.
00:58:57Have you got the tools?
00:58:59Yes.
00:59:00But I have no anesthetic.
00:59:02I have plenty of that.
00:59:04Go and get started.
00:59:06Let's have done with it.
00:59:07Make me light for me.
00:59:22Here he is.
00:59:25How did it happen?
00:59:26That black-legged reporter put the police on to me and they caught me with the goods.
00:59:34What reporter?
00:59:36Miller.
00:59:39Miller?
00:59:40Yes, Miller.
00:59:42Somebody tipped him off where I was going to land the stuff tonight.
00:59:52Somebody did.
00:59:56I'm going to get across the border.
00:59:58Get me a motorboat.
01:00:00Yeah.
01:00:01Don't you worry.
01:00:02I'll take care of all that.
01:00:04We both got to get out of here.
01:00:07You can't go with me, Julie.
01:00:09Oh, I've got to, Eli.
01:00:10I can't stay here.
01:00:12Why?
01:00:13Why?
01:00:14I trusted somebody.
01:00:16I thought I was in love.
01:00:19Love?
01:00:20Yeah.
01:00:21I made a mistake.
01:00:23Who is he?
01:00:24Oh, nobody.
01:00:25Nobody that matters.
01:00:28You've always told me everything.
01:00:31That's one thing I can't ever tell you.
01:00:33The light, a little closer.
01:00:35This may hurt.
01:00:37Are you hot still?
01:00:40Hold it.
01:00:47There.
01:00:51It looks kind of like a cross, don't it?
01:00:56Give it to me.
01:00:59It might come in handy later on.
01:01:03No.
01:01:04No, he's going to be all right, isn't he, Doctor?
01:01:07The chances are not good for going in boat.
01:01:10If I can get up that ladder, I'm going tonight.
01:01:14Tonight, it must go very easy.
01:01:17If you have hemorrhage, you die.
01:01:19No, no, no, you won't.
01:01:20You won't, Eli.
01:01:21You just lie quiet.
01:01:22We'll get away, all right.
01:01:24You get that boat ready.
01:01:26Yeah.
01:01:27And get in provisions enough for four days.
01:01:29You be quiet now, and don't worry.
01:01:30Julie, I...
01:01:31What do you want?
01:01:33I want to tell you something.
01:01:34Tell me nothing.
01:01:38You told me.
01:01:40You don't like the water that you did.
01:01:44I want to tell you something.
01:01:46Help me nothing.
01:01:47Julie, I...
01:01:56What do you want?
01:01:58I want to tell you something.
01:01:59Tell me nothing.
01:02:01You told me.
01:02:03You don't like the waterfront.
01:02:05Things don't grow here.
01:02:07No, not like you, they don't.
01:02:09Maybe not, but I'm sorry I had to drag you in.
01:02:11Me?
01:02:12Never mind about me.
01:02:13It's him.
01:02:14No, it isn't.
01:02:15That's my job, and he had it coming to him.
01:02:16It's you.
01:02:17I loved you.
01:02:18I didn't know it, but I know it now.
01:02:20You loved me.
01:02:21Oh.
01:02:24You just went after me to get my father.
01:02:26That's why you're here now.
01:02:27You think I know where he is, and you think they'll find him.
01:02:30They will.
01:02:31But I came here to get one thing clear in your head.
01:02:34Last night was on the level.
01:02:36I loved you, and I'll always love you.
01:02:38Don't talk about love.
01:02:40You've been digging around the muck of the waterfront so long,
01:02:43nothing means anything to you but your dirty job.
01:02:45You think you're going to find Eli?
01:02:48Well, try it.
01:02:49If you do, they'll find you dead in the harbor.
01:02:52Yeah, and that'll be okay with me, too.
01:02:55Now get out of here.
01:02:56I guess you lost your job.
01:03:11Well, let's see.
01:04:28How does that feel?
01:04:33Kind of hot.
01:04:36You don't shoot as straight as you spit.
01:04:39Straight enough.
01:04:41You'll never write no more stories about me.
01:04:44Oh, yes, I will.
01:04:48I'll still write your obituary.
01:04:52No, you won't.
01:04:55I'll be over the border by sunrise.
01:04:57Yeah, but not the Mexican border.
01:05:08You're pretty game, ain't you?
01:05:12You just won't quit, will you?
01:05:14Not till I'm through.
01:05:24Come on, Eli.
01:05:25I've got the boat.
01:05:28Eli.
01:05:31Eli, are you all right?
01:05:33Sure.
01:05:36What's the matter with him?
01:05:38Oh, I shot him.
01:05:40You shot him?
01:05:42He had it coming to him.
01:05:47He's right, Julie.
01:05:48I gave you a pretty raw deal.
01:05:56Is he the man?
01:05:57Here.
01:06:11No.
01:06:12No, Eli.
01:06:12You can't do that.
01:06:14What's the use?
01:06:15Come on.
01:06:17Come on.
01:06:18We've got to get away.
01:06:28You'll never make it, Kirk.
01:06:34You can't even get up those...
01:06:37stairs.
01:06:43We can't leave him, Eli.
01:06:45If nobody came, he might die here.
01:07:00I can't leave him.
01:07:15Where are we going?
01:07:17None of your business.
01:07:19Come on.
01:07:24Come on.
01:07:24Eli, you got twisted in the fog.
01:07:33We're back home.
01:07:35Take her outside.
01:07:35You made a mistake.
01:07:37No mistake.
01:07:38Not this time.
01:07:40Get a doctor to get that bullet out of the kid there.
01:07:43You did it on purpose.
01:07:46If you love him, he's worth it.
01:07:48It's more than I ever was.
01:07:51Eli.
01:07:52Eli.
01:07:55Oh, no.
01:07:56Eli.
01:07:56Oh, no.
01:07:57Eli.
01:07:58Eli.
01:07:58Come on.
01:07:59Let's go!
01:08:00Come on.
01:08:07Come on.
01:08:10Come on.
01:08:11We'll be right here.
01:08:11Come on.
01:08:11is that the only tune you know it's very appropriate
01:08:33say what's the matter with you have you got writer's cramp all the time in the world and
01:08:40you haven't written one line of your novel I didn't feel like writing besides I'm stuck
01:08:47for a finish well why not end it very abruptly and call it the romance of the fisherman's
01:08:54daughter that'll be enough of that well that romance ended very abruptly didn't it oh shut
01:09:02up will you I don't see any roses around here I didn't expect any have a crutch
01:09:10thanks women are all alike not all of them sure they are when you need the most they
01:09:20are conspicuous by their absence oh come on let's get out of here I'm for that the smell
01:09:27of ether intoxicates me
01:09:29hey are we in the right house yep
01:09:47what oh if you can only cook
01:09:53hey what's this thing a desk futuristic what do you think I am the society editor
01:10:02where's the pecanese that uh goes with it don't you like it like it I think it's
01:10:12this you did this yeah why I had something to say to you and this is my way of saying it
01:10:41like it I think it's well well it's too bad you won't be around to enjoy it you won't
01:10:51find a desk like that in the east you go east young man go east I got it
01:10:58I've always liked fireplaces yeah they're awfully nice when it rains
01:11:13Jerry no no Jenny I beg your pardon
01:11:26you know I've I've never seen that old harbor look so beautiful
01:11:34maybe that's because the windows are washed
01:11:38I've got the finish for my novel what is it
01:11:46he marries the girl
01:11:50that's a swell finish
01:11:54he was struck by the night
01:12:03he is dead
01:12:04he is dead
01:12:05he is dead
01:12:07he is dead
01:12:08he is dead
01:12:10yeah
01:12:11yeah
01:12:11yeah
01:12:13me
01:12:13to this
01:12:15Amen.
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