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00:01Previously on Project Runway.
00:03Oh, my God.
00:05Designers, your clients for this challenge.
00:07The divas from WWE.
00:09Oh, no.
00:11You think this is too much, though?
00:13It's a little Wonder Woman.
00:15I just think it's...
00:16Hideous.
00:17Really ugly.
00:23Congratulations.
00:25Chris.
00:26Of course, I ended up winning the Tackiest Challenge.
00:30I feel like it looks a little unfinished to me.
00:32I don't like it as a costume.
00:35Ricky, that means you're out.
00:43The winner of Project Runway will receive a spread in Elle magazine,
00:46an opportunity to sell their line on bluefly.com,
00:49an all-new 2008 Saturn Astra,
00:52and $100,000 to start their own line,
00:54furnished by Tresemme Professional Hair Care.
00:57This is Project Runway.
00:59Let's go.
01:00Hell, yes, I'm the best.
01:01You're either in or you're out.
01:03I'm in, they're out.
01:05I wouldn't be caught dead in his clothes.
01:07Fashion is my life.
01:08Who will be the next big fashion designer?
01:10That's me.
01:11Bottom line, I'm the best.
01:13I will own the runway.
01:15For these 15 designers, Project Runway is a chance of a lifetime.
01:24There's five of us left.
01:29I was surprised that Ricky was the one sent home.
01:33I'm happy that I dodged that bullet.
01:36I so do not feel ready to go.
01:38I think a lot of the designers are kind of freaking out.
01:42But I am used to the moment that comes when you have to do it.
01:48It's been a dream for me to be a designer since probably the age of five.
01:53So this is rooted on a much deeper level.
01:57I came here to show in Fashion Week.
02:00And I'm hopeful that I get there.
02:02So excited for the challenge.
02:04Great.
02:11Hello.
02:12Hi.
02:15Before we talk about your next challenge,
02:17let's bring out the winning and losing designers models.
02:27Models, this is a competition for you too.
02:30The model paired with a winning designer will get a fashion spread in L Magazine.
02:35Chris, you were the winner of the last challenge.
02:38So you have the option of swapping models with a fellow designer.
02:42Your model was Marcia.
02:44If you decide to stay with her, Amanda will be out.
02:48If you decide to swap, I will bring out all the models for you to choose from.
02:53What do you want to do?
02:55I have to stay with Marcia.
02:58I'm sorry, Amanda.
02:59Okay.
03:00You can leave the runway.
03:02That means, Amanda, you're out.
03:08Bye, guys.
03:09Good luck.
03:10Bye, Amanda.
03:11Are you ready for your next challenge?
03:13Yes.
03:14Yeah.
03:15Because it will decide which three of you will make it to Fashion Week.
03:19And two of you will be out.
03:21You're going on one last field trip.
03:28Tim is waiting for you on Fifth Avenue and 82nd Street.
03:32And I see you on the runway.
03:33Bye.
03:34Bye.
03:35I don't live here, so I'm like, what's on the Upper East Side?
03:42The other designers were like museums and fabulous stores.
03:47And you guys, we go to the lab.
03:48I'm so excited.
03:49We're all kind of speculating.
03:51Well, what's east of Madison Avenue that's worth going to visit?
03:56Wow-wee.
03:57Yay.
04:01We arrived in front of the Metropolitan Museum of Art.
04:04I've never been to it, so it's quite exciting.
04:07Designers, welcome to the Metropolitan Museum of Art,
04:10one of the premier arts and cultural institutions in the world.
04:13Follow me inside, and I'll tell you about your next challenge, okay?
04:18Come on up.
04:23The first thing I noticed walking in, it's huge.
04:28It was like a great privilege to be part of the Final Five
04:32in the Metropolitan Museum of Art with no one else there.
04:37There's nothing more phenomenal and inspiring in this country.
04:49Designers, throughout time, art has served as a critical and essential inspiration for fashion.
04:55For your next challenge, you will choose a work of art
04:58to serve as the inspiration for a look of your choice.
05:03I'm extremely happy.
05:04This is every designer's dream.
05:06I love this.
05:07That's amazing.
05:08What more can any of us ask for?
05:10It's just about artwork.
05:13The Met contains 5,000 years of art,
05:15and it's one of the largest museums in the world.
05:18So we've narrowed the galleries from which you will choose your inspiration to three.
05:22The Greek and Roman Sculpture Courtyard, where we are now,
05:25the European Painting Wing, and the Temple of Dendur.
05:28You will have 45 minutes to seek your inspiration,
05:32and I have cameras for each of you to record the source of your inspiration.
05:36Your 45 minutes will begin now.
05:39Let's go, okay?
05:42The first room is the Roman and Greek Sculptures Gallery,
05:46and nothing could have been better for me.
05:57Let's face it.
05:58Rami is going to be choosing this section.
06:01There is no way he's not making something Grecian and Drake.
06:07There were so many things I was in love with,
06:09but the statue of Aphrodite was sort of like a soulmate situation for me.
06:14It was like instantly meeting my match.
06:22After that, we headed to the European Painting Gallery.
06:26And of course, for me, that was the most exciting part,
06:29just because I love European art.
06:34I'm really inspired by this beautiful Spanish military painting.
06:44There are so many amazing paintings in there,
06:46and there's actual clothing on people.
06:49There was no one there, and it was so cool.
06:57I probably could have touched a painting, but I didn't.
07:01Where to met?
07:04The Temple of Dendor is an Egyptian temple
07:07that was lifted from Egypt and put in the Metropolitan Museum of Art.
07:13It's incredible.
07:14It's almost like you're looking at a movie set, but it's real.
07:18Look, it's John Rivers carved her initials in here when she was a little girl.
07:22It's fierce.
07:26Oops.
07:27We're very lucky, all of us.
07:29I know.
07:31I think it was more the experience of being in the room that was inspiring.
07:35It was almost spiritual.
07:37All right, everybody. Our time is up at the Met.
07:40But what an experience.
07:41It's great.
07:42Let's head back to Parsons.
07:43All right.
07:44I took like 238 pictures.
07:46I want to just pick something that I like, focus on it, and get to work.
07:50It's pretty amazing.
07:51Hopefully there are no surprises.
07:56All right, designers.
07:58Choose one of the photographs of the works of art, okay?
08:01Okay.
08:02You have one hour to sketch, and then we're going to have half an hour at Mood, where you will have a budget of $300.
08:09You have two days for this challenge, and the styling and makeup will be critical elements in the evaluation of this challenge, all right?
08:16So keep that in mind as you're designing.
08:19I'll be back in an hour.
08:21Bye, too.
08:23What are you doing?
08:25I'm doing a men's outfit.
08:27I'm doing like a female version of it.
08:30I chose this fabulous Spanish military-inspired, almost Zorro, like painting.
08:37I didn't want it to be costumey, necessarily.
08:39I wanted it to be more high-fashion, avant-garde.
08:42What one are you using?
08:44Peacock.
08:45Peacock?
08:46I was thinking of that one.
08:49I love it.
08:53I don't feel shameful about choosing Aphrodite.
08:56I connected with the Grecian draping because I know that that is something I'm extremely passionate about, and this is what I do.
09:03All right, designers, you ready to go shopping?
09:11My inspiration is a peacock.
09:14I found a beautiful purple, a teal, and a rusty red that I think are just going to be fantastic.
09:20I put down that boning somewhere.
09:22Oh!
09:24Oh, my God, I need so much stuff.
09:26I needed like 10 yards of organza and white, and then I needed about 15 yards of cotton.
09:31Can I have whatever you can give me on that roll?
09:34I want to wow them.
09:35I don't want to be safe at all.
09:37Take care.
09:38Let's head back to Parsons.
09:44All right, designers, you have until midnight tonight.
09:48You have all day tomorrow, so make it work.
09:51I'll see you tomorrow.
09:52Bye.
09:53Bye.
09:54That's nice.
09:55Bye.
09:56Bye.
09:57Bye.
09:58By the way, it's him.
10:03How are you doing?
10:04I'm fine.
10:05Yeah?
10:06Are you on the track down?
10:07Yeah.
10:08I think that this painting in particular, Master of the Argonauts with the armor that they used
10:10to wear during the fight was inspiring.
10:13I'm trying to express a certain edgy side of myself.
10:16It's going to have a whole, like, corseted dressing out of the oyster stuff.
10:18out of the oyster stock.
10:19Mm-hmm.
10:20The colors are pretty.
10:22The painting that I chose as my inspiration
10:24is a portrait of an 18th century noble woman,
10:29and I wanted to do a really super modern couture version
10:32of that idea.
10:34Honey, is there any fabric left at Mood?
10:37No.
10:39We all have in the back of our heads
10:41that two people are going home,
10:42so I think that people are feeling the need to, like,
10:46over-design and add more pieces,
10:48and who has the biggest collar and the biggest sleeve
10:50is probably going to get the attention.
10:52That'll give it some poof.
10:53Yeah, it will.
10:54It's not always to me about who's the loudest.
10:57I'm not here to make noise.
10:58I'm here to make beautiful work.
11:00That's creepy.
11:01I know.
11:07Are you making a collection, honestly?
11:10Yeah.
11:11Oh, my God.
11:12I was making, like, 15 pieces.
11:13That's, like, retarded.
11:15OK, I'm, like, making my pattern.
11:17Ooh!
11:18Pitches is the last challenge.
11:19I have to do something.
11:21I sew fast.
11:22Get over it.
11:23Everyone else in that room should be sewing fast, too.
11:25If you're not, then that's your own problem.
11:28Julian's been pressing through three hours.
11:30I'm making pleats, so stop worrying about me.
11:34I feel self-conscious enough as it is.
11:36Ew.
11:37Don't get bitchy.
11:39Because damn.
11:40Christian is monitoring what everybody's doing at all times,
11:43and he's always ahead of everybody,
11:46and he's really arrogant.
11:48Julian, I'm just not saying anything around you anymore.
11:50I'm so over it.
11:51I'm over it, too.
11:54We should all stop.
11:56Coming up on Project Runway.
11:58Squeepy.
11:59Your model's late.
12:00If my dress isn't finished, for sure I'll get eliminated.
12:03I'll get to you, my darling.
12:04Thanks, love.
12:05Oh, look at her waiting for me today.
12:06Our challenge was choosing one piece of art in the Metropolitan Museum of Art to inspire
12:24fashion.
12:25Would you drop the neck on it for me?
12:26It's good tomorrow.
12:27We'll talk to you.
12:28I think at this level of the competition, you have to do what you think is right.
12:33You're right.
12:34I'm lowering it.
12:36I was getting ready to quit my business before I came here because it takes a lot to do your
12:41own line, and I'm currently out of funds, so in a way, I need to win because it'll save
12:48my business.
12:49All right.
12:50Hi, everybody.
12:51Hi.
12:52Hi.
12:53Hi.
12:54Hi.
12:55I'm sending in your models.
12:56Thank God.
12:57They're here for a fitting.
12:58Yay.
12:59Excellent.
13:00So you'll have about 30 minutes with them.
13:02All right?
13:03Have fun.
13:04Hi.
13:05Oh, my God.
13:06Where's Lee?
13:07Sweet Pea.
13:08Your model's late.
13:09Crap.
13:10Is somebody kidding?
13:11Lee has an emergency.
13:14She's fine, but she can't be here right now.
13:16At all?
13:17I don't know, but she will be here.
13:20Okay.
13:21All right.
13:22Maybe she will come.
13:23All right.
13:24Let's hope.
13:25Lee had, like, a family emergency or something personal.
13:28Now what?
13:29I'm like, what's happening?
13:31Tim says she is coming, but I'm sort of freaked out.
13:36So this is our inspiration.
13:40So you have pants, blouse, jacket.
13:43I have a lot.
13:45All right.
13:46Is it fun?
13:47Move forward a little bit.
13:48Mm-hmm.
13:49I feel good about the dress.
13:51It's not necessarily the loudest piece, but it certainly makes a strong statement.
13:56You're going high couture again here, lady.
13:59There.
14:00Chris's dress was very costume-like and over the top.
14:05It was very similar to the dress that me and him already created.
14:08So it was a little weird.
14:10Oh, sick.
14:11Sick.
14:12Fabulous.
14:13Do you have a lot to do, Jillian?
14:14Not that much.
14:15Not on the coat.
14:16Just now I have to move on to the dress.
14:18Oh, my God.
14:19See?
14:20What happened?
14:21The coat fits her perfectly, but the most difficult part is just the full execution.
14:27I'm not a fast mover.
14:29The whole dress needs to be done.
14:31I mean, there's still a lot for me to do.
14:33Oh, my girl's not here.
14:38Designers, may I ask you to gather round, please?
14:47I have a special guest I'd like to introduce.
14:53Hi.
14:58Hi.
15:00Hi.
15:01I want to welcome Collier Strong, consulting makeup artist for L'Oreal Paris.
15:05Welcome to Parsons, the new school for design.
15:07Thanks for having me.
15:08Collier is here to consult with you about the overall makeup look for the L'Oreal Paris challenge.
15:14So this is a great opportunity for you to think outside of your outfits.
15:18What we want to do is use makeup as an integral part of your artistic expression.
15:24Cool.
15:25So we're going to begin with Chris and Marcia.
15:29Okay.
15:30Cool.
15:31Go ahead.
15:32This is Marcia.
15:34Marcia.
15:35We could take this pewter color and work it into the eye.
15:38I do think a beautiful compliment to her skin tone would be a bright pink.
15:42I love this.
15:43We could actually make her very androgynous.
15:46Like make her brow very masculine.
15:48Yeah, I love a really strong brow.
15:50The point here is to really make her look warrior Jonah Bark, not overly feminine.
15:55That's so fun.
15:56So what do you suggest?
15:57Grecian-y, feminine, but there's still an edginess to it.
16:02Thank you so much.
16:03I'll see you tomorrow.
16:04All right, bye.
16:05See you again.
16:06Bye.
16:07We'll see you.
16:08Are you done, Chris?
16:11Yeah.
16:12You're done with your work?
16:14Uh-huh.
16:15Why don't you take a nap?
16:16I was thinking of it.
16:17I just couldn't even get up.
16:19I knew that it wasn't going to take me that long to finish mine, so I wanted to lay down for a while.
16:28Love you, bye.
16:29Are you joking?
16:30It's the last challenge.
16:31You can't take a nap.
16:32I know I finished early, but you know what?
16:35I'm touching up, snipping threads, but whatever.
16:42All right, let's hope I got this right here.
16:49This is too much color, even for me.
16:54I think my design aesthetic has a very European classic effect.
17:00I graduated high school and basically moved to London for about three years.
17:04Ooh yeah, ooh yeah.
17:05I started working with Alexander McQueen, Vivian Westwood, and I definitely think that that helped me grow the most.
17:13I know I'm the youngest designer, but truthfully, like, I think I have the most cohesive ideas out of everyone.
17:21Oh my God.
17:22That's fabulous.
17:29Hi everybody.
17:30Hi.
17:31Hi Tim.
17:32Where's Chris?
17:33He's done.
17:34He's done and he needed to go to bed.
17:36No one's done.
17:38Well you tell him, Tim.
17:40I'm going to go check on Chris, I'll be back.
17:42Okay.
17:43We'll be here.
17:49Chris.
17:50Yes?
17:54Why aren't you in the workroom?
17:55Because I'm finished.
17:57You're not finished.
17:58You can't be.
17:59Why can't I be?
18:01Is it wow-able?
18:03Yes it is.
18:05Well can you come in and show me?
18:07Sure.
18:08I want to believe.
18:09Okay.
18:13So, talk to me.
18:15So, this is her.
18:17Chris, I don't think it's refined enough.
18:20I don't think there's enough here.
18:22Can you add to it?
18:24No, I wouldn't add a thing to this.
18:26All right.
18:27You're confident?
18:28It doesn't fit this.
18:29It fits her.
18:30All right.
18:31You own it.
18:32I do.
18:33I'm worried.
18:34Christian.
18:35Hi.
18:36Hi.
18:37What's up?
18:38I love the white shirt.
18:39I do too.
18:40It's fabulous.
18:41And the blouse looks so good on me.
18:44That's all that really matters.
18:46It really is.
18:47What's the whole hook here?
18:50It's almost as though this is like an obfuscation.
18:53I was going on the whole thing that my pieces can be worn individually.
18:58Yeah, but where else would you wear this?
19:00I think over for evening.
19:03I'm just saying in terms of cohesion, does it really make sense?
19:08The last challenge.
19:10Three people are going into fashion week.
19:12I know, ladies.
19:13Don't you worry.
19:14Okay.
19:15All right.
19:17Yeah.
19:18Hi, Tim.
19:19Hi, sweet pea.
19:20So talk to me.
19:21This whole peacock thing is what's inspired me, and this is basically what I consider the
19:27feathers.
19:28But they're not feathery.
19:30Also, I just wish that peacock were a little more apparent and exuberant in a way.
19:35And of course, it doesn't help that I'm seeing on the form, not on the model.
19:39Yeah.
19:40Where is that model?
19:41Yeah, I'm going to try and figure something out here.
19:45Okay.
19:46Make it work.
19:48So, how's Jillian?
19:50I'm doing well.
19:51I'm just cutting the lining for the jacket, and then this is the back, and then I still
19:55need to do these cutouts, and I still just need to do the skirt part of the dress.
20:01You know, it's getting late, so now I just need to finish.
20:04Okay.
20:05That's all I'm worried about, really.
20:06Do it.
20:07I will.
20:10Tommy.
20:11Hello.
20:12This is stunning.
20:14I mean, it's what I do.
20:15Can I be really honest with you?
20:17Yeah, please.
20:18Nina doesn't want to say, I've seen this look from you before.
20:22Yes.
20:23But you guys presented me with this challenge, and I had to take the grease and draping.
20:27Just keep in mind, so it needs to be fresh.
20:30Yes.
20:31I'm going to think about that.
20:33I'm trying to be true to myself, and it could be great.
20:36It could be criticized, but I feel like I'm ready to back my work up.
20:40All right, designers.
20:41Tomorrow's our last runway show, so use the rest of your time to make it work.
20:46I'll see you tomorrow.
20:47All right.
20:48Thanks.
20:49Good night.
20:50Bye.
20:51Bye.
20:52It's okay to my model.
20:53Are you okay?
20:54Okay.
20:55Me and my model, because I'm out of a standstill right now.
20:58What are you doing?
20:59We were just talking about you.
21:00Here she is.
21:01Hi, Lee.
21:02Come here.
21:03Are you all right?
21:04Lee came in at the end of the night tonight, and I'm glad she showed up.
21:16Mission accomplished.
21:17Let's try it on like this.
21:19Ooh.
21:20Are these going to be pockets, or?
21:23The fake ones at this point, I think.
21:26I feel a little overwhelmed.
21:28The dress fits, thank God, but I have a lot to do.
21:32All right.
21:33Bye, little darling.
21:34Bye.
21:35I'm just, I don't think I'm going to finish.
21:38Come on.
21:39Really?
21:40You do whatever you have to do to make it look ready for the runway, and that's all there
21:44is to it.
21:45I'm really nervous about tomorrow's runway show.
21:48Ugh, it's the last one, and if my dress isn't finished, for sure I'll get eliminated,
21:54and that sucks.
21:58Coming up on Project Runway.
22:01I need it, and nothing works.
22:03It's our last runway show.
22:05I'm tired.
22:06Waking up, day of the runway.
22:07Oh my God, I have to look amazing.
22:09So, I made sure my hair was extra fierce.
22:16The weight of this day is very heavy.
22:17It's the end of this roller coaster ride.
22:18I think that nobody really, like, absolutely hated each other.
22:23Who didn't hate each other?
22:24I sure did.
22:25I mean, damn.
22:26Every five minutes, I was ready to cut somebody.
22:28All right, let's go.
22:29No time to make your bed.
22:30Let's go, ladies.
22:31Parson's our last day.
22:32Mm.
22:33Parson's our last day.
22:34Mm.
22:35I'm going to work.
22:36Yeah.
22:37The first thing I did this morning was I'm going to work.
22:39The first thing I did this morning was I'm going to work.
22:42I'm going to work.
22:43The first thing I did this morning was run directly to my sewing machine because my dress is still
23:11I've been there from where I left off last night.
23:14Are we gonna kick ass today or what, Ronnie?
23:17Yeah, I think so.
23:19I'm a little bit worried.
23:20The whole bottom of my dress hasn't even been finished yet,
23:23so that's not a small amount of work.
23:26This is what determines who's going to Fashion Week.
23:28I don't want to go back to working in a cubicle
23:31and contributing to someone else's vision,
23:34so I hope that I make it to Fashion Week.
23:39Good morning, designers.
23:40Good morning.
23:41Good morning.
23:42It's our last day, so talk about make it work.
23:46Make it work!
23:47So you will have two hours to send your models
23:49to the Theresa May Hair Salon in the L'Oreal Paris Makeup Room.
23:52Remember, call your strongest way to be here.
23:54Remember to use the bluefly.com accessories wall, all right?
23:58Just blow the judges' socks off.
24:01Give them that electric jolt
24:04that sends Nina's shoes flying across that runway.
24:08Do it.
24:10All right, I'm sending in your models.
24:12Thanks, Tom.
24:13Come on in.
24:14Hey, Lee, I'm in here!
24:19Oh, so excited.
24:21My coat's finished, but the dress isn't.
24:24So how are we doing?
24:25I'm just now putting a zipper in,
24:27and I got kind of a lot of work to do.
24:30Are you doing the real thing for me?
24:32I'm sending you confidence and peace.
24:35Send it here, honey.
24:37Oh, my God.
24:38It's great.
24:39Perfect.
24:40Good.
24:41Christian has a whole collection, pretty much.
24:44I don't know if I personally love this group of work that he's making.
24:48It's just, like, a little bit marshmallowy.
24:51That looks so fierce.
24:53That's the thing, this fabric is just so moldable.
24:56It's like, there it goes.
24:57I was kind of at peace with the fact that if they hated my dress,
25:02and they eliminated me, that I loved it,
25:04and that I was happy to show that as my final thing.
25:08You know, going to Bryant Park would be like winning the lottery,
25:12but I don't count on it, but I don't count it out either.
25:19Yeah, we want eyebrows for days.
25:23It's all about L'Oreal.
25:25Wow.
25:29It's so cool.
25:36Oh, beautiful.
25:38All right, we're ready to dress you.
25:40Why does the steam stop working at the last minute
25:43when I need it, and nothing works?
25:46Okay, I'm putting it on you.
25:48When it comes down to crunch time,
25:50I'm, like, again, cramming at the end,
25:53and I need to get this dress on my model.
25:55Stand really still, Lauren.
25:57Please.
25:59It needs to be the best possible,
26:01and it was just not sitting right,
26:03and I could not see past it.
26:05I need to steam this really badly.
26:07I like it like that.
26:11But try not, try not to, yeah,
26:14try to do, like, more straight.
26:17I don't understand why Rami would make
26:20another one of these dresses.
26:22He keeps getting in trouble from the judges
26:25for another Dre Grecian-style dress.
26:28I'm so glad I finished.
26:30I love the lips.
26:31Oh, the dress looked really cute.
26:34Cut those threads off the bottom.
26:36Oh, my God.
26:37Whoa, I didn't even see those.
26:38I really loved seeing Leigh in my dress.
26:40I thought it looked great on her.
26:42It all got done with five, ten minutes to spare,
26:45and I want to win.
26:47All right, designers.
26:49It's our last runway show.
26:52Are you ready?
26:54That hem is a really big problem.
26:57If I don't make it to Fashion Week,
26:59I would be incredibly let down.
27:01I really worked my ass off, and I deserve it,
27:04but I don't know how this is going to go.
27:06All right.
27:07Here we go.
27:08Coming up on Project Runway.
27:11How predictable.
27:12I mean, come on.
27:13I expect more from you.
27:24Hi.
27:25Hi.
27:26Welcome to the runway.
27:27I want to congratulate each of you for making it this far.
27:31But only three will earn the right to show collections
27:35at Fashion Week.
27:37So two of you will be out.
27:40For this challenge, we ask you to choose a work of art
27:44to serve as the inspiration for a look of your choice.
27:48Okay.
27:49Let's meet the judges.
27:52First, we have top American designer, Michael Kors.
27:55Hey, guys.
27:56Hi.
27:57Hi, Michael.
27:58Next, we have Nina Garcia, fashion director of Elle Magazine.
28:00Hi, everyone.
28:01Hi.
28:02Hi, Nina.
28:03And legendary designer, Roberto Cavalli.
28:09We will score your designs as they come down the runway.
28:12One of you will be named the winner.
28:14And two of you will be out.
28:18Let's start the show.
28:19I was just so excited because she looked kind of like some couture Cinderella.
28:30And it looked really elegant and, you know, expensive.
28:33The outfit was so hot.
28:44I know it was really avant-garde and kind of over the top.
28:47But for the runway for show, it was perfect.
28:50It was fabulous.
28:51It was fabulous.
28:52I loved every second of it.
28:59I'm pretty confident about the way Sam looks.
29:01The dress fits perfectly on her.
29:03I'm passionate about draping, but it could go either way for me,
29:07considering that the judges want to see a variety of things.
29:16I liked the design of this dress.
29:18I feel like I'm a good designer, good at merchandising.
29:22I understand what sells.
29:24I thought it looked great on her.
29:34I think I did a good job with mine.
29:36There were definitely little issues here and there,
29:38but I don't see those anymore.
29:40I represented myself the way I wanted to.
29:55We've scored your designs.
29:58One of you will be named the winner.
30:01And two of you will be out.
30:04Let's bring out your models.
30:17Okay, I would like to start with Christian.
30:19Well, I actually chose a Spanish painting.
30:23A lot of my work has been a play on masculine and feminine.
30:26I tried to create as many pieces that could be worn different ways.
30:30What's going on under the blouse?
30:31Actually, you could completely remove this into the blouse.
30:35I love it very much, because I know how much love you put
30:39when you create something like that.
30:41It's the moment that you take off the jacket.
30:44I start to appreciate the details of the shirt.
30:47Thank you very much.
30:49You really think about the show,
30:52and you have the ability to also think practically.
30:56I think it's super, super, super chic.
31:01Chris, tell us about your design.
31:03My design is based on an 18th century painting
31:08of a French noblewoman,
31:10and I wanted to do a kind of modern couture version.
31:13I think that Chris is really maybe the most artistic for all of you.
31:20Oh, God.
31:21I can see you show in the future your collection in Paris.
31:27Maybe the haute couture.
31:29That's what I love.
31:31Well, certainly you understand drama, but I will say it's a little reminiscent of what we already saw from you with the shoulder piece.
31:40I was thinking the same thing.
31:42You kind of forget how beautiful the dress really is when you've seen it before.
31:46It's kind of the way that I wanted to reinterpret the big pewter colored bow on the front of her dress.
31:53If you take that piece out, it would have still been beautiful.
31:57Mm-hmm.
31:58And I'm sure that you have other tricks up your sleeve.
32:00Sure.
32:01It's not just this one.
32:02Right.
32:03And that's what I wanted to see.
32:04Okay.
32:05Jillian, my inspiration was the master of the Argonauts.
32:11I felt like I could interpret in a way that was very modern.
32:15I love your interpretation of this.
32:18Mm-hmm.
32:19You keep me surprised.
32:20Really?
32:21And in a good way.
32:22Okay.
32:23The details, they are fantastic, especially in the back.
32:26I like very much.
32:27I would be very happy to have you in my staff.
32:30Well, that would be an honor.
32:32As soon as she opened the coat and it was gold inside, I was like, woo!
32:36Boom.
32:37I was like, wow.
32:39You know, you're giving a nod to the painting, but I don't think it at all looks like a costume.
32:44I think the dress does great things for her body.
32:47You know?
32:48And that's what clothes are supposed to do.
32:51Okay.
32:52Sweepy.
32:53I was immediately grabbed by this Dutch painting called Peacocks.
32:58It looks like a print to me when I look at it.
33:01I think it's a nice dress.
33:03Wearable.
33:04Flattering.
33:05You know?
33:06But it's a show.
33:07You know?
33:08It's a show.
33:09This dress is the one that you have in the showroom to sell.
33:12Good.
33:13Yeah.
33:14I agree completely with you.
33:16What is more fantasy than peacock tail?
33:21Absolutely.
33:22I think that you should do something more special.
33:28You do make a lot of sweet daytime dresses.
33:31Wearable.
33:32Wearable dresses.
33:33I know you know how to make commercial clothes.
33:34I need to see the next thing.
33:36And Robby, tell us about your design.
33:40I found much beauty in the sculptures that pretty much resembled movement and flow.
33:46And I picked one that had an ease about the drape in it because I am very passionate about draping.
33:53It's too normal.
33:55You are here because you have to show what you can do.
33:58I just feel passionate about the subject and it was presented to me in this challenge.
34:04Sometimes an idea can be interesting without having to be screaming out loud.
34:09I know you're talented.
34:11I know you have great taste.
34:13And I expect more from you.
34:15You know how to make a dress that many women would like to wear.
34:21I would.
34:22I like it.
34:24It's a lovely dress.
34:25But how predictable that you picked drapery from Rome and Greece.
34:30I mean, come on.
34:31That's the first thing I thought.
34:32We always know it's going to be beautiful.
34:35It's going to be wearable.
34:36And it's always Greece and drapery.
34:38But why is it so negative that I look great?
34:39It's not negative.
34:40Every time I tell you the same thing.
34:42I want to see more.
34:43I'm really curious to see if you can do more.
34:45I want to see you out of this box.
34:48Okay.
34:51We've heard what you had to say.
34:53We're going to have a little chat.
34:54And then we'll call you back.
34:55You can move the runway.
35:07So what did we think of today's show?
35:09I think that we saw some pretty wonderful looking clothes.
35:14And some that were not as extravagant and imaginative as I would have liked to have seen.
35:20What did you guys think about Jillian's?
35:22The jacket was nice.
35:23Yeah.
35:24It was beautiful.
35:25The back was beautiful.
35:26Yeah.
35:27It was nice.
35:28I think her clothes are impeccable.
35:29I've been surprised by her design.
35:31She's ballsy.
35:32You know, she's all quiet, but her pieces are not quiet.
35:35She goes pow.
35:36Here it is.
35:37All right, let's go to Christian.
35:40For me, it's a talent.
35:41He's good.
35:42Yeah.
35:43He understands how to make clothes that are emotional in a fashion show that can be taken
35:52apart and work in real life.
35:54He delivered.
35:55Yeah.
35:56He delivered.
35:57And then there is sweet pea.
35:58I don't have so much to say about that dress.
36:04Certainly the plus with her clothes, they're the kind of dresses and the kind of clothes
36:10that, you know, they're flattering, they're wearable.
36:13Yeah.
36:14And it's more commercial vision that she has, which is fine.
36:17Yeah.
36:18Perfectly fine.
36:19That's nice for that, of course.
36:20Yes.
36:21But that doesn't make for fashion.
36:25Chris.
36:26He made a wrong choice taking something that memorable and doing it twice.
36:30But I will say that that looked like a couture dress.
36:33My vote was the highest, honestly, because I saw art in this piece.
36:41But yet again, I do think that he played it safe.
36:44But I do have to say, he has drama in his blood.
36:48Mm-hmm.
36:49There is undeniably that factor.
36:51He's a showman.
36:52Mm-hmm.
36:53He's a real showman.
36:54I mean, our taste or not our taste, he will put on a show.
36:57Totally.
37:01Rami.
37:02He technically is a very good designer.
37:06Yes.
37:07But he doesn't want to take any risks.
37:09Well, you don't get ahead if you don't take risks.
37:12I like his work.
37:13I think it's sophisticated, it's well done.
37:15I just think that I want him to show me something else that he can do.
37:19I agree with Nina.
37:20He's a smart, driven designer who is passionate about fashion.
37:25And those are all the things that you have to be.
37:30This is a really tough decision.
37:31Do we know what we are doing here?
37:33Are we all good, do you think?
37:34Yeah.
37:35My mind's made up.
37:36Yeah, I agree.
37:39Okay, let's bring them back out.
37:40Designers, it's been a long journey.
37:52But only three of you will make it to Fashion Week at Brighton Park.
37:57Designers, it's been a long journey.
38:12But only three of you will make it to Fashion Week at Brighton Park.
38:18Let's start with the winner of this challenge.
38:21Congratulations.
38:26Christian, you are the winner of this challenge.
38:30You have shown us a strong point of view throughout.
38:33And this win guarantees you a spot at New York Fashion Week.
38:38You can leave the runway.
38:40Thank you so much.
38:49Word.
38:51Jillian, you're in.
38:53Really?
38:54You're also guaranteed a spot to show at New York Fashion Week.
38:57You can leave the runway.
38:58Thank you all so very much.
39:00I've learned a lot.
39:09Sweet Pea, Sweet Pea you're out, we do believe in your talent, I hate to see you go.
39:33I'm out, I knew it, I just got eliminated and I'm a big cry baby but I mean I really believe
39:59what's supposed to happen will happen and I know I'm gonna be fine, I'm just a little sad.
40:10Rami, Chris, this was a difficult decision. Rami, your work has been consistent but as this challenge showed, it's been consistently safe.
40:22We question if you can bring anything new to Fashion Week.
40:29Chris, we know you can bring drama to the runway, even if it's something that we've seen from you before, like tonight.
40:37But this was your moment to show us something new. We were disappointed.
40:48Chris, you're in.
40:55Rami, you're also in.
40:58What?
41:04Rami and Chris, we were deadlocked so we're going to give you both an opportunity to create collections for Fashion Week.
41:15Now, don't get too excited because only one of you will make it there.
41:20When you return to New York for Fashion Week, you will show us your three strongest looks from your collections.
41:28We will judge these looks and determine which one of you will move on to compete at Fashion Week and which one will be out.
41:37We believe in both of you, which is the reason why we're giving you this opportunity.
41:43Congratulations, you can leave the runway.
41:57We're both in.
41:58Really?
41:59But they will choose one of us after we do the collection.
42:02Me and Chris still have to compete, so I will certainly create a collection that is very strong.
42:08Congratulations.
42:09I'm glad that they are going to give me a chance. I won't disappoint them.
42:13I'm glad I'm not done.
42:14I know.
42:15Why am I not talking?
42:16Oh, you're saying really good.
42:17Aw, you guys, congratulations.
42:18Sweet pea, I love you.
42:19Sweet pea.
42:20Hi.
42:21Sweet pea.
42:22Sweet pea.
42:23Hi.
42:24Sweet pea.
42:25It's okay.
42:26I think they deserve it.
42:29We love you.
42:30I'm so happy I made it this far and I think it was well deserved.
42:33Love you.
42:34I love you too.
42:35It was our last challenge before Bryant Park and I wanted to go.
42:48Next week on a special episode of Project Runway.
42:51Are any of you upset about anything you've heard others say about you?
42:55Yes.
42:56You know, we all say things that were under the heat of the moment.
42:59Yeah.
43:00I just have to say, if being on Project Runway didn't turn you gay, nothing will.
43:03Do you want to come sit next to me?
43:06This is just showtime times a thousand.
43:09Upset is probably the operative word for me.
43:12Victoria's always a bit uptight, no?
43:14Or is it just me?
43:15It's not just you.
43:16The winner of our fan-favorite competition is...
43:20Visit BravoTV.com to learn more about the fashions you've seen on today's show.
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