00:00Sir, one more thing is that after making so many films and making so many hit films,
00:07do you have any jitters when the opening of Friday?
00:14That's what I'm asking for from my parents.
00:20This film is for us as a child.
00:23There is confidence, but there is also fear.
00:27But I'm very confident about this movie.
00:30Because we have made a patiently film.
00:32And we know that the time is very slow.
00:36The film industry is going through a difficult era in today's time.
00:40When the interpretation of the work has changed.
00:47Where is the film going? I don't know.
00:49But the first day comes that the film has 100% of the collection.
00:53The show doesn't have 100% of the collection.
00:56Where is the film going? I don't know.
00:58It's a fictitious world.
01:00It's a very difficult task.
01:03It's a very difficult task.
01:05It's a very difficult task.
01:06It's a very difficult task.
01:08It's a very difficult task.
01:10Sir, one more thing is that
01:12Mr. Asra, of course,
01:13Mr. Asra, of course,
01:14Mr. Asra is working very slowly.
01:15Yes.
01:17Mr. Asra, of course,
01:18Mr. Asra did not show the film in the theatre,
01:19Mr. Asra said,
01:20Mr. In the film now,
01:21Mr. Asra,
01:22Mr. Asra was working on this,
01:23Mr. Asra's now to the film,
01:24Mr. Asra once said,
01:25Mr. Asra's now to the film.
01:26Professor уже found this film.
01:27Mr. Asra owns the film.
01:28Mr. Asra's now to the film,
01:29Mr. Asra was forth 한�ana.
01:31Mr. Asra's now to the film.
01:32Mr. Asra says,
01:33Mr. Asra is very difficult.
01:34is one step ahead of my father's father because he was also born in this industry.
01:42And I feel that we are very proud of the industry.
01:47But yes, the corporate structure has come at this time.
01:50The parameters, the rules, the terms and conditions are probably different from us.
01:57We also want to keep our industry going.
02:03Sir, I would like to know,
02:06that the films that are being made from you,
02:09and then they release it to you.
02:12So what is the business that is down from that?
02:15The good films are always coming.
02:18Tell me which good film was not coming.
02:21It's not always like that.
02:23Some of them are looking at their levels.
02:26I remember that a film called Nadia.
02:29The film was not coming from Bombay.
02:32But it started coming from Kanpur,
02:35that the film was hundreds of crores in the 1980s.
02:39So it was a good film.
02:41I found my vision.
02:42I am closer to home.
02:44I made a film called Janwar.
02:46The Janwar film did not like Bombay.
02:49But the whole world did not like that film.
02:53It was a film in Bihar K.
02:55It was 15-25 weeks.
02:56It was 15-25 weeks.
02:57It was 15-25 weeks.
03:00It was a film in Bombay.
03:02The journalists who write their stories,
03:04write their stories,
03:05write their stories.
03:06They had to realize that the stories were not going to be written.
03:11And it was very important.
03:13Some people think that the film was in single screen theatre.
03:18The film was also in the first place.
03:20But nowadays the film is not so much.
03:23There are multiple places.
03:25There are also multiple places.
03:27and we have seen a lot of multiplexes.
03:29So, the single-screen theaters are not going to be released.
03:31What do you say about this?
03:33Look, change is a change.
03:35It's a change.
03:37So, the systems have changed.
03:39Yes, it is necessary that if the multiplexes are
03:43able to understand the cinema
03:45and not understand the hall of refreshments.
03:47If it doesn't happen,
03:49and call the audience for cinema,
03:51and call the samosa cold drink
03:53or 500-600 pop-corn
03:55I think it will be very much facilitative
03:59for the viewers
04:01to come and repeat watching films.
04:03Sir, lastly,
04:05in your filmography,
04:07which film you want to make again?
04:09I don't want to make it again.
04:11I don't want to make it again.
04:13I want to make it again.
04:15I want to make it again.
04:17I want to make it better.
04:19I want to make it better.
04:21Sir, any future projects
04:23for big stars?
04:27This is what happens on the spur of the moment.
04:31I am a storyteller,
04:33I am a writer,
04:35I am a director,
04:36I am a producer.
04:37So, all these things
04:39are different.
04:41They are different.
04:43I am instinctive.
04:45In that moment,
04:47I was standing,
04:49like I said,
04:51I have become a hero.
04:53I have become a hero.
04:55I remember that Ajay Devgan
04:57who wanted to work.
04:59They were the top stars.
05:01Right?
05:02They are today too.
05:03But Akshay Kumar,
05:04in that moment,
05:05his 13 films were flopped.
05:06So, I have done Akshay Kumar
05:07who cast.
05:08Why did he do it?
05:09It was my mind.
05:10It was an instinct.
05:11I wanted to ask one question.
05:13...
05:25...
05:28If you want to hit the music in the reels, then the songs will be hit.
05:33So, do you think that this trend is faster?
05:36In addition to that, people don't like the film or anything like that?
05:41Because the music is not in the film.
05:45There is no need to take the tempo.
05:49You have a tempo compared to the situation.
05:54There is no need to take the tempo.
06:00If there is a scene, what is the scene?
06:03He will tell you to shoot at the tempo.
06:06That's why the tempo has got nothing, no relevance.
06:10The music is being made.
06:12The music is being made.
06:14The music is being made.
06:16The music is being made.
06:18The music is being made.
06:21The music is being made.
06:23The music is being made.
06:24I didn't think that the music is good.
06:28But the music is being made so bad.
06:32Because the filmmakers, filmmakers, directors, music composers,
06:37were made by the music.
06:41What do the filmmakers do?
06:43The actors and actresses have to chase the film.
06:47But for some reason, what do the music look like?
06:50Who know that?
06:51Who needs to be made?
06:52The music is being made by the music.
06:53The music is built by the music.
06:54The music is being made by the music.
06:56That's what you do.
06:58Sir, I would like to say that there was a shift in 8 hours.
07:01Today, actors are demanding, especially female actors,
07:05that they need to do 8 hours.
07:07It means that after the pregnancy,
07:09they need to be able to do 8 hours.
07:12So, this was controversial.
07:17You understand what you're saying?
07:19The producer had to write about 8 hours in the set.
07:24If they gave 4 hours in the set,
07:28then the producer will leave their blood.
07:31Sir, do you think that this is right or wrong?
07:36If you think of senior directors and producers,
07:39what do you think?
07:40I don't want to say anything about DP's terms and conditions,
07:44because I understand the terms and conditions.
07:47I've heard the terms and conditions.
07:49But I understand that they need to work with.
07:53and that they need to work with.
07:54They need to love your films.
07:57It's not a difference.
07:59One day, DP was also new.
08:02There will be some new girls.
08:05They will continue to meet new girls.
08:07They will continue.
08:08Okay.
08:09Lastly, sir, what message would you like to give to your fans?
08:12I'm addressing my fans.
08:1630 years ago
08:17I really liked my films
08:21I watched
08:22whether it was action films
08:24like Lutere, Antikam, Ajay
08:25or emotional films
08:28like a relationship
08:29like a friend
08:32like a friend
08:34like a friend
08:36like a friend
08:37please
08:39please
08:39please
08:40please
08:41please
08:42please
08:43please
08:45please
08:47I will give you a shout
08:48if you like it
08:49and please
08:51do go and watch it
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