Exclusive Conversation: Cast and Director of 'Murderbaad' | Emotional Turmoil | Roles | Storytelling  - video Dailymotion

IANS INDIA

Mumbai: During an exclusive conversation with the star cast and director of the movie ‘Murderbaad’, where they opened up about sharing the secret to sustaining passion over 5 years, nurturing their creative vision. He discussed balancing storytelling with market trends in a hyper-connected world. The cast gives insights into handling character disconnects and navigating intense emotional scenes. Sharib, Nakul, and Kanikka revealed their strategies for overcoming emotional turmoil.    #SharibHashmi #NakulSachdev #Kanikka #ArnabChatterjee #MurderBaad #UpcomingFilm #Trending #BollywoodNews #BollywoodGossips #BollywoodUpdates #BollywoodNews #Bollywood #Bollywoodcelebrity #BollywoodHindiNews #ians

Transcript

00:00Or to see them act, you get to learn so much from it, so I'm sure it enhanced my craft.

00:05And otherwise, also the part that I played, there were a lot of layers and there were a lot of things that were very conflicted with the girl.

00:15Where you get the value of being vulnerable, and you get the value of others in the world.

00:20So I think this is one of the reasons why I chose to be around.

00:23Every person has their own method, every person has their own way.

00:29So on, cut, then off.

00:31Or else you don't love the whole thing.

00:33I enjoyed the work with them.

00:36For me, he was a very special character.

00:40There was one scene, but I prepared him a lot.

00:46Kanika, regards to your part in the film.

00:49The film is a thriller, a proper set-up.

00:52There is a lot of action.

00:54On the face value, it happens too.

00:56There is also comedy.

00:58Action too.

01:00So when you get so many avenues to explore in a story, in a film, how does it enhance your craft as an artist?

01:10Of course it enhances my craft.

01:12Even if I don't get to play all the, suppose I haven't done so much action in a movie.

01:16Or maybe I haven't done so much comedy in a movie.

01:19But still, even when you spend time with so many people, because we were in Rajasthan, so we were all together.

01:24So we were all together.

01:26So even to spend time with such people, or to see them act, you get to learn so much from it.

01:32So I'm sure it enhanced my craft.

01:34And otherwise, also the part that I have played, there were a lot of layers and things that were very conflicted.

01:44So all of that is very interesting to play for an actor.

01:48You know, when it's just, it's just a few things that you're showing, they're not showing, and there are also a lot of things.

01:52So I enjoyed it.

01:54Yeah.

01:55Well, Sharif bhai said this one thing that,

01:57it's always like that you don't have to overlap with your character.

02:01But there's also a famous saying that an actor doesn't have the luxury to judge the character that he or she plays.

02:08In such a scenario, how do you move past that?

02:11If someone has given you a character and that's the moral structure or ideology,

02:19if someone doesn't fit, then how do you see it, pass through it and focus on doing justice to that part?

02:25Sir, I feel like you can hear a little bit about it.

02:31You know, just to keep the morals aside.

02:33I mean, if I take my moral grounds, then I can't do any scripting.

02:36I'm just going to make sure that I'm acting in these films.

02:39Okay.

02:40There's a challenge and there's a good opportunity.

02:44Because I always say that,

02:46this is an eclotha professional, sir.

02:48Where you get the value of vulnerable,

02:51and you get the value in the world.

02:53So I think this is one of the reasons why I chose to be an actor.

02:56So, yeah.

02:58I mean, that's how I see acting.

03:00I see acting as sports.

03:02You know, if Virat Kohli gets the value in the field,

03:04you don't take it personally.

03:05Yeah.

03:06Similarly, if I'm abusing someone, if I'm doing something,

03:08I don't think they should also take it personally.

03:12It's for the need of the character.

03:13It's the need of the story.

03:14It is there for a reason.

03:16So, I don't associate with gimmicky stories,

03:20I like it when, you know, when that,

03:23it's edgy.

03:24It pushes you.

03:25Yeah.

03:26Okay.

03:27And my next question is for all the three actors.

03:29Since you mentioned that, you know,

03:31that you know,

03:32it's a little glitch for them to explore the other side.

03:37For the actor specifically.

03:38Right.

03:39Now tell me,

03:40when you have a scene like this,

03:41it's a train wreck of an emotion.

03:43You know,

03:44it's a train wreck of an emotion.

03:46So,

03:47how do you come out of it then?

03:48What's your process?

03:49And what would be your suggestion for the younger club of talent

03:51that are trying to make their way in the world of entertainment?

03:54Anyone can take the lead and start.

03:56You know,

03:57Sharif bhai will be the right one to begin.

03:59And then begin, you know.

04:00The director's cut is the trigger point.

04:05And I had to come out of any situation.

04:08So, the trick is not to be too serious about it.

04:11No, no.

04:12But,

04:13as you said,

04:14it's a very emotional scene.

04:16So,

04:17it does,

04:19you know,

04:20have a lasting impression on you as well.

04:22But,

04:23I think it will be more and more

04:25until the night,

04:26until the night,

04:27it will remain.

04:28Yes.

04:29But,

04:30I mean,

04:31I mean,

04:32what do you mean?

04:33Exceptional cases,

04:35like,

04:36I've done a film called Dharban.

04:37So,

04:38there were a lot of emotional scenes.

04:40I think there were a lot of emotional scenes.

04:42The only time I got,

04:43I mean,

04:44I got a lot of emotional scenes.

04:45I think that I have to be a sexual mec.

04:47And then,

04:49I'm also,

04:50a lot of emotional scenes.

04:51Then,

04:52a lot of meetings,

04:53was always relative to me.

04:54But,

04:55if,

04:57I don't know,

04:58how to get out of it?

04:59I don't know.

05:00Everybody has their own process

05:02and way to deal with it.

05:03Um,

05:04uh,

05:05so,

05:06I,

05:07have to keep their emotions

05:09It's nice.

05:10It's nice.

05:11It's nice.

05:12It's nice.

05:13It's nice to see that everyone is in a way to understand.

05:16Everyone has a way to understand.

05:18It's nice to see how they can take care of their own way.

05:23I don't know.

05:26It can happen.

05:27I'm sure that people are like,

05:29who are in the way of participating.

05:32I think I've seen that Manoj sir,

05:34who was in a while,

05:36who had a feeling of my parents.

05:38If you look at the screen, it is a salute to be able to go into a character.

05:46Whether it's an Aligad or a Gali Guli, a Satya, it's completely true characters which are all

05:55apart.

05:56But it's a craft and its experience and its experience.

06:02He is always on the edge that he can improve and improve.

06:11He keeps improving the lines, expressions, moods and mannerisms.

06:18That's awesome.

06:20And Kanika and Nakul?

06:23So the switch that I am talking about, especially when I am working, it is in my mind.

06:32Otherwise, if you are doing a, if you are in love with someone, when action is on, cut is off.

06:40Otherwise, you will always love the most.

06:46But I have done a short film which was about suicide prevention.

06:51I had to play this role in which I am Sioux's idol.

06:54So, because he was not so action oriented, he was internally feeling that he had to film.

07:01So, I have taken a lot of days to get into that zone and it was very hard for me to come out of that zone.

07:07That was done.

07:08But for many days, the thoughts are coming into me and I was very scared of what I am doing.

07:14So sometimes, I think, you know, life threatening,

07:18so in such situations, you have to be strong and tell yourself,

07:21it was a character you played, get out of it.

07:23So, it took me time.

07:25But otherwise, with what I am doing regular shoots, I am on and off.

07:28I think, technically, the most difficult thing is during the shoot.

07:32Because in the acting, there is a lot of work that you have done well.

07:37That you have done well in the take.

07:39But completely unrelated to your performance,

07:43you have to go through that again.

07:45You have to go through that again.

07:48Some lighting, some mic problems,

07:51or something completely different from your performance.

07:54So, you have to go through that again.

07:56So, I think, that's more challenging than pack-up.

08:00So, I think, that's what I am doing.

08:01Especially, if you have to keep it from your performance,

08:03and then you have to take it off.

08:04I think, wait, wait, it's obvious problem.

08:06Or you know.

08:07Yes, like the technical nuances of filmmaking.

08:10Which has nothing to do with that particular performance.

08:13But everything else around you.

08:15And Nakul?

08:16Sir, my simple thing is that when I do this, I work for myself.

08:22Whatever other people outside, like your parents, your friends or whatever, I stay away from them.

08:31And for that time, you have a family.

08:35You know, your director, your co-actors, even your light men and everything.

08:39Just go have fun with them.

08:41So you live in a bubble, you live in an ecosystem.

08:44So everything is around that.

08:46So it's on, off, it's very natural.

08:50It feels like it works for me and it works for me.

08:53The moment the film is over, I cut it from there.

08:57So I don't know, it works for me.

09:00I don't know whether it's acting technique or what it is.

09:02But I'll spend the majority of time when we are shooting in Jaipur for 16 hours.

09:08So I'll talk about my parents, my mother, my brother, my brother.

09:13I won't do that.

09:14I don't know if it works for me.

09:16So that works better for me.

09:18So, yeah, that complete disconnect from that world and being here, present is like an easier approach.

09:25So for you, it's attachment and detachment.

09:27Yeah, yeah, absolutely.

09:28I love detachment.

09:29It's the best thing ever.

09:31Okay.

09:32And Arnab, in the film, there's two Diggaj Kala Karey and then there's Manish Chaudhary.

09:37We've been seeing his work since, I don't even remember, 35 odd years now.

09:41When you have such a star cast, does it make you at ease?

09:46Does it make you feel relaxed or it keeps on your toes?

09:49If you're so beautiful, I'll get something else out of the box, out of the way.

09:54I think a bit of both.

09:56Obviously, an inspiration was that I was with senior people, acting and even my technical crew was strong.

10:04We've worked with a lot of seniors even off camera as well.

10:07My DOP, my action director, Sharif Bhai on screen, Manish Ji.

10:12So, it depends on how the mahal is.

10:15I mean, there can be, I'm sure, I've not faced it yet.

10:18But there can be maybe senior actors who can be a bit imposing on you.

10:22But with Sharif Bhai and Manish Ji, there was nothing like that.

10:26I mean, if I have both narrated, we were on the same page.

10:31Sometimes it happens.

10:33And very rightly so, that in a particular scene, I'm thinking about it.

10:37The actor's feedback is a bit different.

10:40Now, you have to respect that seniority also, if that is fitting my requirement or not.

10:46It's very collaborative.

10:50It's very collaborative.

10:51There was no problem with Manish Ji.

10:52Manish Ji with me, in fact, it was more than that.

10:54I mean, they will suggest me something from their experience.

10:57I will not take it.

10:58Because I will have to respect the body of work which Manish Ji has, which Sharif Bhai has.

11:03Amol Gupta Ji has in our film.

11:05He has also the inputs.

11:07All inputs, definitely as a person who is new in the zone, should take.

11:13I mean, you are the writer, director, producer.

11:16But at that point, you have to see what is good for your film.

11:20So, everything is positive.

11:24There is no nervousness.

11:28There is no nervousness.

11:29There is no nervousness.

11:30There is no nervousness.

11:31There is no nervousness.

11:32There is no nervousness.

11:33I am sure that Sharif Bhai, Manish Ji, Amol Sir, my D.O.P. Binodh Ji, Sham Sir, Action Director,

11:41all the inputs are given to the purpose of the film.

11:45So, there is no difference in my opinion.

11:48Okay.

11:49Okay.

11:50You have totally enjoyed it.

11:51I have enjoyed it.

11:52You have enjoyed it.

11:53I have enjoyed it.

11:54You have enjoyed it.

11:55I have enjoyed it.

11:56And my last question is for Sharif Bhai.

11:59I have enjoyed it.

12:00I have enjoyed it.

12:01I have enjoyed it.

12:02I have enjoyed it.

12:03I have enjoyed it.

12:04I have enjoyed it.

12:05Thanks.

12:06Thanks.

12:07It is an edgy scene.

12:08You managed to crack the comedy in that scene.

12:10I have enjoyed it.

12:11What did you tell Siddhar Karnand about that scene?

12:13How did he want you to do it?

12:15How?

12:16He wanted you to do it.

12:17On paper, it was a very self-explanatory script.

12:25So, I had to do it before, I was trying to save it.

12:30And then suddenly I had to break into a Russian accent.

12:34Three days later I had to work on that Russian accent.

12:40Russian accent on the Russian accent and when it was very serious, people didn't feel like what was going on.

12:48When I was talking about the first time, the whole thing was completely changed.

12:54I had a lot of fun working with them.

12:58He was a very special character for me.

13:02There was one scene, but I had a lot of preparation for it.

13:08When we were in the shoot, I really enjoyed working with Siddhaan.

13:18So with that, we have reached the end of this conversation.

13:20Do you have any other things that you want to ask me about the film?

13:26So please feel free.

13:28No.

13:30Please watch this film in the theatre.

13:34Honestly, just because I am in this film, it is not a very important opportunity for me.

13:40This film is a film that has never been discussed on the subject of India today.

13:46So that has a novelty.

13:50So please experience that on 18th of July itself.

13:53Perfect.

13:55On that note, thank you so much and I wish you all the best for Murder Bad.

14:00Thank you so much.

14:03Take care.

14:04Thank you so much.

14:06Take care.

Exclusive Conversation: Cast and Director of 'Murderbaad' | Emotional Turmoil | Roles | Storytelling

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