00:00I guess party's over then
00:30Do iねぇ a virus?
00:33I didn't know why I was so tired
00:36I was like a virus
00:40Oh, so it was a virus
00:45Yes, but that's not a virus
00:49I was just a virus
00:51I just got the virus
00:52I didn't know I was going to die
00:54I was just a virus
00:54I was just a virus
00:55I was just like, oh, and you can get a virus
00:57Who's a good boy?
01:27Man, wait, wait!
01:42Man, sorry about that!
01:51Come on, come get around!
01:56Hello, who this?
02:21It's Amanda.
02:23Amanda DeSanta.
02:25I met at my house.
02:26Oh, yeah.
02:27Uh, shit, where you at?
02:29Look, I know that you and my husband and Trevor Phillips are...
02:33I don't know what the fuck you're up to, but I can make a pretty good guess.
02:37There's some weird things going on.
02:39Is he okay?
02:40I don't think okay is the right word.
02:42But he's alive, you should call him.
02:45He'll appreciate that.
02:46I don't want to speak to him.
02:47I just wanted to know he wasn't dead somewhere.
02:50Thanks.
02:51Don't tell him I called.
02:53Alright.
02:54Look, he ain't doing too good without his family.
03:04I'm sorry.
03:05I'm sorry.
03:06I'm sorry.
03:07I didn't do too much.
03:08I can't see him.
03:09I'm sorry, I'm sorry.
03:10I can't see him.
03:11I can't see him.
03:12Hey, Molly. I'm outside the studio.
03:24All right. Go over the wall and find the car on the lot.
03:27And then what?
03:28Only the principal actors and stunt people are authorized to go near it.
03:31So, you could get in wardrobe and play the part or try something else.
03:36All right.
03:36When you're out of there and clear of studio security, call me.
03:42This fruit salad has pineapple in it.
03:54I don't know how many times I have to tell you I'm allergic.
03:56Do you understand? Do you understand?
03:58Now, listen to me. Just get the fuck out of here.
04:01I'm sick of looking at your face, Tina.
04:04I train eight hours a day for this part.
04:07Let's go.
04:12You need to get on set.
04:42Where the hell is Brandon?
04:43Jesus, are you going to find him?
04:45Someone's got to find him.
04:47I thought I had final approval on all stunt performers.
04:51Get that guy out of there.
04:53I haven't approved this guy.
04:54Get him out of the car.
04:55You hit him.
04:56I'm not mad at him.
04:58Oh, yeah.
04:58He's crazy.
04:59Oh, my God.
05:21This is an abduction.
05:23Pull over, creepo.
05:24Get off the wheel.
05:26I need to get the fuck out of here.
05:28Studio security are shutting your ass down, wacko.
05:32Oh, fuck.
05:33We're going to lose these guys.
05:37Is this an abduction?
05:41Nah.
05:42You cool?
05:43No.
05:43I'm not cool.
05:44Not at all.
05:45I mean, chill out.
05:47I'm just interested in the whip.
05:49What's this?
05:50Spikes?
05:51What do you mean, the whip?
05:53I could buy this car with what I make in a morning.
05:56Yeah, poos.
05:58I think you're underestimating the value of this automobile.
06:01Or overestimating your own tally.
06:03Uh, I think you're underestimating what I get paid.
06:06You get paid a couple million for a morning's worth?
06:09Shit.
06:10I should sack my agent.
06:12I should sack my agent.
06:14Yeah, shit.
06:15Hey, what happened when I pressed this?
06:18Give me control of the car.
06:20Come on.
06:22Stockholm Syndrome.
06:24My car.
06:30If you have the car, bring it to Hayes Auto in South LS.
06:33Mr. Weston is marathon training, but he can reconfigure his route to meet you there.
06:36All right, cool.
06:37I got the car.
06:39No drama.
06:40That's good.
06:40The studio has enough of a money sink without the costs that that drama can bring.
06:44What kind of shape is the car in?
06:46We plan on refitting the guns to take live ammunition.
06:48Do the traffic spikes and ejector seat need replacing, too?
06:51Uh, both of those is going to need replacing, all right?
06:54Good.
06:54One more thing.
06:55Mr. Weston's security detail are concerned about a suspicious figure near the garage.
07:00Let us know if you see something.
07:01Good.
07:10Great.
07:11Good.
07:11Good.
07:12Got him jumping from now.
07:14Hmm.
07:27You're developing quite the rep there, Slick.
07:53Insurance companies hate these kinds of claims.
07:55They don't like cats with the inside edge.
07:57Shorten them either.
07:58So how'd it go?
07:59Smooth enough, you know.
08:00Movie people.
08:01You know what the irony is?
08:02I'm a major shareholder in that same studio.
08:04So what we just did is practically legal.
08:06Ha!
08:07Practically.
08:08Whoo!
08:09Shit!
08:10Look at this motherfucker!
08:12You doing it big, my nigga!
08:14On the set!
08:15Lamar, what the fuck are you doing here?
08:17Oh, chirped your boy Trevor.
08:19It's fucked up when you gotta get your GPS location on your homeboys through a motherfucking
08:23speed freak.
08:24True that.
08:25Devin Weston, master of the two-hour female orgasm.
08:28What it is, Holmes?
08:30Lamar Davies.
08:31He was just leaving.
08:32Hey, not on my account.
08:34You looking for gainful employment, homie?
08:36Hell yeah, I'm always trying to get some motherfucking paper.
08:38Just the type of guy I like to work with.
08:40Predictable.
08:41Hey, we could bring your boy here in on the last part of the shipment.
08:43Oh, yeah, nigga, that's exactly what you could do.
08:45That's exactly what you could do right there.
08:46Hell yeah.
08:47Man, look, man.
08:48Exactly.
08:49If you want him in, then you get him to boost the rest of the shit you got.
08:51Oh.
08:52Give me my money and I can go on with my motherfucking life.
08:53Oh, oh, oh.
08:54Oh, no.
08:55Am I sensing tension here, Slick?
08:56He's the spirit.
08:58But you're the brains.
08:59Am I wrong?
09:00I can see it.
09:01Look, I need you on point when we move this stuff out of town.
09:05Yeah, whatever, man.
09:06Call me when it's done.
09:07And after this, make sure we got our motherfucking check, alright?
09:10Ciao, baby.
09:11It is what it is.
09:12Yeah, whatever.
09:14Anyway, come here.
09:16I'm gonna put you in touch with my legal counsel.
09:18Hey, don't touch me, homie.
09:19I don't get down like that.
09:21Yeah, let me tell you how the world works, Slim.
