So Sweet So Dead_1972

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1972   UNCUT HOT MOVIE  Sylva Koscina, Femi Benussi   *  #watchfreemovie  #watcnow  #fullmovie  #watchonlinemovie  #freestreaming  #StreamingNow  #MovieRecommendations  #MustWatch  #ClassicMovies  #Thriller  #Mystery  #WatchOnline  #TopRatedMovies  #CinemaLovers  #DramaFilm  #ForeignFilms  #AwardWinning  #MovieOfTheDay  #InstantClassic  #FeelGoodMovies  #RetroMovies  #MovieClips  #BestCinematography  #StreamingTonight  #LateNightMovies  #RomanticDrama  #Top10Movies  #PopcornTime  #MovieMarathon  #LoveStory  #romanticmovie  #WatchFree  #FreeMoviesOnline  #FilmOfTheYear  #BestMoviesEver  #Comedy  #FunnyMovie  #mustwatchmovie  #Movie  #Film  #filme  #Movies  #FullMovies  #ActionMovies  #ComedyMovies  #HorrorMovies  #DramaMovies  #RomanticMovies  #ThrillerMovies  #EuropeanFilms  #europeanmovie  #FrenchCinema  #SpanishMovies  #ItalianFilms  #GermanMovies  #EuropeanMovieClips  #EuropeanFilmFestival  #BestEuropeanMovies  #TopEuropeanFilms  #ClassicEuropeanCinema  #EuropeanDramaFilms  #EuropeanFilmAwards  #ScandinavianMovies  #EuropeanHorrorFilms  #EuropeanComedyMovies  #EuropeanArtFilms  #EuropeanIndieFilms

Transcript

00:00:00a razor could have been a weapon very sharp the bruises on her face

00:00:10were caused by a hand that gripped her like a vice

00:00:17the face immobilized with a hand the blade made the mortal wound there are several cuts

00:00:28well those were inflicted on the body in an uncontrollable fit of savagery but for no

00:00:36purpose by then the victim was dead to cause any person to be so inhuman he has to hate his victim

00:00:42or be a maniac who else would leave photographs of her in the arms of a man a lover presumably

00:00:48with his face scratched out so he can't be identified yes when the autopsy is over i'd

00:00:53like to have a report as soon as possible doctor why certainly inspector and in full detail

00:00:59i think we'd better be going inspector

00:01:12i was examining the photos left beside the body if we could first figure out why the

00:01:17killer erased the man's face from them we might have a lead yeah maybe the face of the man was

00:01:23scratched away by a razor blade something sharp i could have the photos blown up large enough to

00:01:29show every mole and blemish on the body yeah but then what get every male in town to strip

00:01:36i try everybody who moved to the same circle as the victim

00:01:42it's a closed one she was a general's wife a member of the well-to-do set

00:01:47i don't think that any of her friends are going to tell us who went to bed with her

00:01:50they've too many secrets of their own is there a way you intend to find him oh the usual throw out

00:01:59the net pull in all the bad fish and see what we come up with

00:02:02and on date in question was confined to a hospital for clinical tests

00:02:11it's out of my business you've got time to waste there's no women at all in my record

00:02:14i pity the fellows they get their paws on poor freaks yeah and not only that aren't you a woman hater

00:02:22no i don't hate no one i'm for gay liberation that's what i'm for anyway sergeant why do you

00:02:28keep saying murderer could be murderess yeah and which would you be clear patrick neither i may be

00:02:32homosexual but i'm not homicidal his brother-in-law's a colonel i know so we're nowhere inspector

00:02:40these jerks never bust anybody else do they mr clean i'm a taxpayer inspector well now cleopatra

00:02:54i thought you were a lady these jerks are these paper men all here there's a slew of them in the

00:03:00main entrance the usual crime busters they know about the roundup sure they're all waiting outside

00:03:06to see what'll come of it well i don't think we'll find what we're looking for in this bunch but

00:03:14keep trying i'm going home try to get some rest inspector call me if you need me yes sir

00:03:23hey superman's taken off how about who pays for us for the business we lose yeah calm down calm down

00:03:31first we type up everyone's story after that you may return to your endeavors to make an honest living

00:03:40what a ball breaker is it the investigation what's wrong why don't you relax

00:03:49why don't you drop it i only wish i could it's this total silence i don't know worse than the mafia

00:03:58and not a trace of the victim's lover the victim's lover and who's going to name her the betrayed

00:04:05husband her parents think of the scandal the problems are always for those left behind

00:04:15mine for example the papers are always attacking the police chief gave me hell

00:04:21bring in the suspects he says create activity but be careful capuana don't offend the wrong people

00:04:31do it please him what could it cost you what'll it cost me the risk of being sued times have changed

00:04:41i can't question people that's the magistrate's job well i can round up the pimps and the whores

00:04:47but the victim's husband huh he's untouchable our friends they're all above suspicion but the killer

00:04:56or maniac is it possible he didn't leave a clue he left a very special one photos of the naked woman

00:05:05embracing a lover there's some purpose a plan i know it do you think that he'll kill again

00:05:18i think so i'm sure it will

00:05:39oh

00:05:47oh

00:06:02come back soon

00:06:17oh

00:06:39oh

00:06:45oh

00:06:51oh

00:06:55oh

00:06:59oh

00:07:11oh

00:07:13No!

00:07:32No!

00:07:38No!

00:07:43No!

00:08:13No!

00:08:14No!

00:08:15No!

00:08:16No!

00:08:17No!

00:08:18No!

00:08:19No!

00:08:20No!

00:08:21No!

00:08:22No!

00:08:23No!

00:08:24No!

00:08:25No!

00:08:29No!

00:08:30No!

00:08:34No!

00:08:35No!

00:08:36No!

00:08:38No!

00:08:40No!

00:08:42No!

00:08:44Oh, my God.

00:09:14Your panic's unjustified, I would say.

00:09:23You won't be recognized in that photo.

00:09:26I advise you as your lawyer not to move yet.

00:09:30Unless they can prove it was you.

00:09:32But they're sure to hear gossip about me and Serena.

00:09:35So what?

00:09:37That inspector's well informed.

00:09:40He cares about his position, his career.

00:09:42He's well aware as a policeman that he'd better take certain basic precautions

00:09:47and use the most guarded discretion.

00:09:50But murder means he'll follow the usual routine.

00:09:52And most of all, he'll want to know if she played around.

00:09:54Where will I be then?

00:09:56Sure, there's routine.

00:09:58But exceptions are made.

00:09:59Remember the victim in the first crime.

00:10:03There's no scandal.

00:10:04Like our poor friend Serena, she made a fortunate marriage.

00:10:08I know her husband wouldn't let his name be sullied.

00:10:09All right.

00:10:10What should I do?

00:10:12Just go on living as you have every day.

00:10:15Don't worry if Capuana starts poking around.

00:10:18I'm close by the phone.

00:10:21Ciao, Papa.

00:10:22Oh, sorry.

00:10:24I should have knocked our guest.

00:10:25I've finished.

00:10:25I'm leaving now.

00:10:26How have you been?

00:10:27Fine, thanks.

00:10:28What's the problem?

00:10:29Nothing much, Papa.

00:10:30I'll be back later.

00:10:31Bye, Johnny.

00:10:32Bye, Bettina.

00:10:38So keep in touch.

00:10:40Fine time as usual for tennis.

00:10:42Saturday bridge.

00:10:43Go to parties.

00:10:44Mingle.

00:10:45And do it all calmly.

00:10:46All right.

00:10:47I'll do my best.

00:10:48But it's a tough act.

00:10:49This case is a carbon copy of the first one.

00:10:59In fact, the weapon used is the same.

00:11:01It certainly looks like the previous crime.

00:11:03And the same method used in killing her.

00:11:06And the photographs with the lover.

00:11:08Tell me how the husband reacted.

00:11:10He's in a state of collapse.

00:11:13First the murder and then discovering his wife was a whore.

00:11:15But are you really quite sure he had nothing to do with the murder?

00:11:19He might be pretending.

00:11:21It may have been to defend his honor.

00:11:23We've checked out his alibi.

00:11:24It's all in order.

00:11:26We're also keeping tab on our ex-lover.

00:11:28We know he consulted his lawyer.

00:11:30But so far, we have nothing on him.

00:11:33Doesn't it seem odd to you, someone having photographs taken naked of a woman and himself,

00:11:37to arrange around a cadaver exposing all but his face to the police?

00:11:40That's right.

00:11:41That's Gastone.

00:11:46The one who prepares the cadavers.

00:11:48It's his way of rejoicing when he approves of his own work.

00:11:53Come.

00:11:54Have a look.

00:11:55Have a look.

00:11:56Have a look.

00:11:57Have a look.

00:11:58Have a look.

00:11:59Have a look.

00:12:00Have a look.

00:12:01Have a look.

00:12:02Have a look.

00:12:03Have a look.

00:12:04Have a look.

00:12:05Have a look.

00:12:06Have a look.

00:12:07Have a look.

00:12:08Have a look.

00:12:09Have a look.

00:12:10Have a look.

00:12:11Have a look.

00:12:12Have a look.

00:12:13Have a look.

00:12:14Have a look.

00:12:15Have a look.

00:12:16Have a look.

00:12:17Have a look.

00:16:24All I know is that some madman has killed two prominent citizens' wives.

00:16:33And both were unfaithful.

00:16:35Be careful, Capilano.

00:16:37Don't step on too many toes.

00:17:54I'm sorry.

00:18:24Hm?

00:18:25Please.

00:18:30Smoke?

00:18:31No.

00:18:36You were saying?

00:18:37I didn't say anything.

00:18:41Oh, yes.

00:18:43You do like your job.

00:18:45Surely.

00:18:46Otherwise, I wouldn't go on doing it.

00:18:48As you wouldn't go on doing yours, if you didn't like it.

00:18:52You're quite right.

00:18:56When you're not working, what do you do?

00:18:59But I really go out.

00:19:01I take care of the house.

00:19:05Hm, nice place you have.

00:19:07Well kept.

00:19:11You live alone?

00:19:16You want to know why I'm not married?

00:19:18Oh no, that's none of my business.

00:19:24It's lovely here.

00:19:27What's over there?

00:19:30Through that door?

00:19:31The bathroom.

00:19:33I have only two rooms.

00:19:35No woman is going to marry a man who works at my job, you see.

00:19:40Sooner or later, they find out about the corpses.

00:19:48And it's finished before I can get started.

00:19:56Here's another room.

00:19:58It's my small photographic lab.

00:20:01Oh, I'm not making a search.

00:20:06It's getting late.

00:20:08Do you want to have a look at it?

00:20:11If you like.

00:20:12Please.

00:20:13I would like your opinion.

00:20:23Go on.

00:20:25I know this will sound absurd.

00:20:27But if you didn't know them, would you say they were dead?

00:20:32Look at them.

00:20:34How perfect.

00:20:36How lovely they are.

00:20:38Better than live girls.

00:20:40There's no more trace of sin or human misery.

00:20:43Because I have erased it.

00:20:45That's why I love my work.

00:20:51There we are. Three minutes.

00:20:52Agostini would have made it faster.

00:20:54Big joke.

00:20:57Anyway, you slow me down.

00:20:58Oh my God.

00:21:02Oh my God.

00:21:13I got news.

00:21:14You like me a lot.

00:21:15Well, it could be.

00:21:16But I like school these days much better.

00:21:18Lecturing the professors and joining collectives.

00:21:20I like my special collectives.

00:21:21Just you and me together.

00:21:23You reactionary.

00:21:24You're spoiled bourgeois who skips current events that shake the world.

00:21:26The maniac who's clobbering whores in the best of families.

00:21:30Where do we fit in that?

00:21:32He's preventing our dates.

00:21:33Even in the daylight.

00:21:34My folks won't let me out.

00:21:37Quit that.

00:21:38I'm only allowed to spare you a few minutes.

00:21:40Betray the revolution.

00:21:42Obey the bourgeoisie.

00:21:44I'll disobey them for you.

00:21:45But not if you air your political views.

00:21:56Yes?

00:21:57Who's this calling?

00:21:58You're mistaken.

00:21:59This is the residence of Franco Sant'Angeli.

00:22:00Why did you hang up?

00:22:02Who was it?

00:22:03The one who always rings up our number?

00:22:04Don't ask me who the person was.

00:22:06Pretend I'm complacent.

00:22:07Only don't try and make me an imbecile.

00:22:09If it's going to be put on that level, do you think I don't know about you and your crummy mistress?

00:22:10So I can be just as free as you.

00:22:11Really?

00:22:12Well, that's plain enough.

00:22:13But what we have, we hang on to.

00:22:14So you say.

00:22:16The proprieties must be defended.

00:22:17Only respectability can guarantee what I'd like for our daughter.

00:22:21For baby's sake or papa's.

00:22:22The women who always rings up our number.

00:22:23The woman who always rings us.

00:22:24The woman who always rings up our number.

00:22:25Don't ask me who the person was.

00:22:27Pretend I'm complacent.

00:22:28Only don't try and make me an imbecile.

00:22:29If it's going to be put on that level, do you think I don't know about you and your crummy mistress?

00:22:32So I can be just as free as you.

00:22:33Really?

00:22:34Well, that's plain enough.

00:22:36But what we have, we hang on to.

00:22:37So you say.

00:22:39The proprieties must be defended.

00:22:40Only respectability can guarantee what I'd like for our daughter.

00:22:43baby's sake or papa's. I want yours as well. Your private life I leave to you, but not

00:22:52if you cause a scandal. This maniac was on the prowl. It's only women he likes to catch

00:22:58in adultery. He does a good job. He might kill me to your great good fortune. No, it

00:23:04would complicate things. I want to prevent just that. Pay a visit to your mother. Your

00:23:10favorite pretext, right? But this once really visit her. I bet you're worried. In my opinion,

00:23:16the solution is credible and logical. When they catch the murderer, come back and relax

00:23:22at home. Franca, please do as I tell you. Here you're in danger. Lily!

00:23:40Lily!

00:23:46Okay.

00:24:16Good day at school?

00:24:40Fine.

00:24:41Ciao.

00:24:42Ciao.

00:24:43Ciao.

00:24:44Ciao.

00:24:45Ciao.

00:24:46Ciao.

00:24:47Ciao.

00:24:48Ciao.

00:24:49Good morning.

00:24:50Magnificent plant, senora.

00:24:53They're the envy of my wife.

00:24:56How is your wife?

00:24:57How is your husband?

00:24:58A bit cross, like every morning.

00:25:03Improving rapidly, I see.

00:25:05Good morning.

00:25:06Six o'clock at our place.

00:25:09I'll be there.

00:25:11I'll be there.

00:25:12I'll be there.

00:25:24In the next morning, I'll be there.

00:25:26No, Inspector, I say you're following the wrong path.

00:25:33Castoni's somewhat strange, I don't deny, but harmless.

00:25:37He just has this morbid obsession

00:25:39to erase every trace of violence on a cadaver and then a photographing it.

00:25:45I once knew someone who would smash valuable vases just so he could fix them again.

00:25:49Listen, Capuana, I see your motive on how desperately you're trying to catch the murderer

00:25:53before someone else gets killed.

00:25:55But Castoni's not your culprit.

00:25:58Well, what makes you so sure?

00:26:00Well, I know Castoni would never be capable of committing any act of violence.

00:26:05That's why he insists on erasing every trace of it.

00:26:10Professor Casali, I learned my profession in Sicily and Sardinia,

00:26:14where two plus two makes four, where every crime has a motive.

00:26:20But what motive is there for these crimes?

00:26:23I don't know.

00:26:25Perhaps they could be traced to a homosexual.

00:26:29Homosexual?

00:26:31Yes, a jealous one.

00:26:34Supporting my hypothesis, we've got the fact that on the photos he made of the victims,

00:26:38he took care to erase all the men's faces.

00:26:40Yes?

00:26:41Or possibly.

00:26:45A husband kills other guilty wives and then his own, to create more mystery.

00:26:51Who would suspect the husband?

00:26:53Would you?

00:26:54No.

00:26:56One other motive.

00:26:59Impotency has proven to cause mortal hate in men toward any woman they cannot possess.

00:27:03It's not practical.

00:27:07How do we find all the impotent men in town?

00:27:09Advertise?

00:27:13Well, I better be going.

00:27:15I promised Barbara I'd be home for supper for a change.

00:27:18Why don't you and your lovely wife come to my house for dinner again soon, Capuana?

00:27:23I'd really appreciate it.

00:27:25I'd love to.

00:27:26When this is over.

00:27:27Sure.

00:27:27I'd love to.

00:27:57I'd love to.

00:28:27Have I kept you up again?

00:28:29No decent woman comes home at this hour.

00:28:30Go to hell.

00:28:31You're unbearable.

00:28:33Your suicide might at least have been fatal.

00:28:36A decent woman, as you say, would have had you packed up to some rest home.

00:28:39Now, if I'm permitted, I'll go to bed.

00:28:41I'll go to bed.

00:28:42I'll go to bed.

00:28:43I'll go to bed.

00:28:46Oh, that's right.

00:29:16Let's meet in the garden afterwards.

00:29:23I'm not sure.

00:29:23If Mother suffers with insomnia, it should be all right.

00:29:26She'll be ducked on the pill she takes.

00:29:36Let's go get something to drink, huh?

00:29:37Yeah, yeah.

00:29:41Kids, it's late.

00:29:42And I was told at what time you would be in for the night.

00:29:45But it's early, senora.

00:29:46Be patient, huh?

00:29:48I'm being patient, but your parents will worry if you don't go now.

00:29:55Oh, because of that woman hater.

00:29:57Yeah, why doesn't he make love?

00:29:58Love is natural only at our age.

00:30:01I'll see you home then.

00:30:02Yeah.

00:30:05Bye.

00:30:06You're welcome.

00:30:08Good night.

00:30:09Well, I'm sorry.

00:30:11Don't blame me.

00:30:12Come again.

00:30:14Goodbye.

00:30:15Thank you very much.

00:30:15Ciao.

00:30:16Ciao.

00:30:17Thanks.

00:30:18My best to your mother.

00:30:21I'll be waiting in the garden for you.

00:30:23Okay.

00:30:24Yes or no?

00:30:25Say it fast.

00:30:26You know it's yes.

00:30:28Ever since I've known you.

00:30:29Your neighbor's up late.

00:30:43Her husband's a cripple.

00:30:44The poor guy goes around on crutches, but she likes to run places, usually her boyfriend.

00:30:48Well, at least she has the good taste not to bring him to the house.

00:30:50Do you want to walk me to the gate now?

00:30:58Yes.

00:30:58Good night.

00:31:21Night.

00:31:22Night.

00:31:23Till tomorrow.

00:31:24Bye.

00:31:25Bye.

00:31:36Bye.

00:31:50Bye.

00:31:51No!

00:32:21No!

00:32:51Yeah.

00:33:07Lily? Lily?

00:33:10Lily!

00:33:12It's after 10!

00:33:21Lily!

00:33:35Lily, where the hell are you?

00:33:40Lily!

00:33:43Lily!

00:33:51Lily!

00:34:08Make sure you get all the details. I want full lengths from every angle and plenty of close-ups.

00:34:18Hello, Professor.

00:34:19Morning, Inspector.

00:34:20Well, another stabbing.

00:34:22The usual photographs were left next to the body.

00:34:31An accident, I'd say.

00:34:33Hmm. Looks like it.

00:34:36Better look around, Sergeant.

00:34:37Yes, sir.

00:34:38Always the same technique.

00:34:39Hmm.

00:34:40Would you say she struggled with him?

00:34:42Of course.

00:34:43She was taken by surprise and tried desperately to resist.

00:34:44Just like the others.

00:34:45And another savage murder has just been reported.

00:34:46All three are pointing to the same person, a sex criminal or maniac.

00:34:47And all three killings appear to be unmotivated.

00:34:48The police are investigating all leads.

00:34:49Reach for it, Paolo.

00:34:50Get on top of it.

00:34:51All three are pointing to the same person, a sex criminal or maniac.

00:34:52And all three killings appear to be unmotivated.

00:34:53The police are investigating all leads.

00:34:54Reach for it, Paolo.

00:34:55Get on top of it.

00:34:56Over the net.

00:34:57Moving closer, Piero.

00:34:59Try.

00:35:00Okay.

00:35:01Let's go.

00:35:02It's like the other

00:35:05And another savage murder has just been reported all three are pointing to the same person a sex criminal or maniac and all three killings appear to be

00:35:13Unmotivated the police are investigating all leads

00:35:16Richard Apollo

00:35:18Get on top of it

00:35:20Over the net moving closer piero

00:35:28Come on set him up boys good

00:35:32Slam it across

00:35:34Good love it over now

00:35:37Move in closer

00:35:41Yeah, oh

00:35:43Wait, can I go coach? Yeah, go ahead Johnny you take over

00:35:48Hi, come on get the lead out

00:35:52We'll be close to the net

00:35:54Let's go. They keep you long. No, I just got here. Do you know what's happened? Uh-huh. I just read it. It's terrible

00:36:00Well, I saw it all what I saw it and I wish I hadn't

00:36:05When you left last night, I heard the strange sound of someone gagging I

00:36:11Saw the man though. I don't know who he was

00:36:14But you even saw her killed

00:36:17Yes, I was so frightened I I was too scared to run but my god, this is serious. Did he ever get a look at you? Yes?

00:36:24What did he look like? I don't know he his face was covered with his talking

00:36:30But he could remember your face

00:36:32Yes, I think so. I have to get my things. Come on

00:36:35Maybe we ought to tell this to your father not now piero

00:36:44My excuse to get out was studying at powers you mind taking me not a bit

00:37:05Do you want me to come back here for you later? No, I'll walk him. Thanks. Bye

00:37:35I

00:38:05Oh, my God.

00:38:35Oh, my God.

00:39:05Oh, my God.

00:39:35I don't know myself, Bettina.

00:39:37As soon as I arrive, I'll telephone to relieve your mind.

00:39:41The last time you stayed for a week.

00:39:43Yes, what a miserable time.

00:39:45I'll say goodbye, darling.

00:39:46I should be at the station early to pick up my reservation.

00:39:49Does Papa know you're leaving?

00:39:50I mean, naturally.

00:39:53He was busy with several clients, but he promised me he'd try to reach the station in time to see me off on the train.

00:39:59Have you anything to tell me?

00:40:01No.

00:40:01I hope she gets well soon.

00:40:13I'll miss you every minute you're there.

00:40:16I'll miss you.

00:40:18Have a good trip.

00:40:24Milan Brenner Express departing from track two.

00:40:28Milan Brenner Express departing from track two.

00:40:30All aboard, please.

00:40:34Local train from Reggio Calabria due at 8.15 is running 40 minutes late.

00:40:40Rome Milan Express is now arriving on track number 12.

00:40:44Milan Brenner Express.

00:41:14Welcome to the Library of the Car hàng.

00:41:44Oh, my God.

00:42:14Oh, my God.

00:42:44Oh, my God.

00:43:14Oh, my God.

00:43:44I know the routine, Inspector.

00:43:46I'm at your disposal.

00:43:48You're a lawyer.

00:43:49You realize I will have to ask you some unpleasant questions.

00:43:55I do, Inspector.

00:43:57I'm ready to answer with all frankness to avoid any misunderstanding.

00:44:02You might begin by asking me this.

00:44:05Off the record, Sant'Angeli, is it true you were on that train?

00:44:08Okay.

00:44:09That's it.

00:44:10No, it's not true.

00:44:12I saw Franco only for a couple of minutes.

00:44:15In fact, after she got on, we spoke through the window till the train started.

00:44:20I waved goodbye to her.

00:44:25Well, now, did anyone you know see you at the station?

00:44:28I wouldn't know.

00:44:32Unless one has a reason to establish, you know, by one pays no attention.

00:44:36No?

00:44:38And besides, in my case, I must say, insurance policies are out of the question.

00:44:42There's no inheritance.

00:44:43And I've never had anything but an electric razor.

00:44:45You're forgetting a perfectly valid motive.

00:44:49The revenge of a betrayed husband.

00:44:52You forget the age we're living.

00:44:55We're moral opportunists.

00:44:57I knew that Franco had a lover.

00:44:59And she knew that I kept a mistress.

00:45:02Nowadays, the best of families manage without principles.

00:45:05And the easiest way to reach another kindred spirit is to run out and place a want-head.

00:45:09Do I shock you?

00:45:11I apologize.

00:45:13Where were you at the time of the murder?

00:45:15I refuse to answer that.

00:45:18By replying without knowing what time the police have established for the murder could incriminate me.

00:45:23Rephrase your question.

00:45:25Yeah.

00:45:27Well, we'll play legal games.

00:45:29All right, I'll rephrase the question.

00:45:33Where were you at 9.30 last night?

00:45:42You should ask your commissioner where.

00:45:44I was murdering him at the Hunt Club.

00:45:48In a bridge tournament.

00:45:52I hope you found our interview informative.

00:45:54Nothing else?

00:45:57All right, you can go.

00:45:58I told you I didn't call him in.

00:46:14Sant'Angelo came of his own accord.

00:46:16Come on now, Capuano.

00:46:17Don't feel I'm complaining.

00:46:19It doesn't help, you know, to shout.

00:46:21May I just refresh you on one point?

00:46:23Both of us are put on the firing line.

00:46:25They're going to blow us to pieces.

00:46:26Our career's to smithereens.

00:46:28Oh, God damn it.

00:46:29Don't you think I know the spot we're in?

00:46:31Then show it.

00:46:32You behave with that lawyer like a rookie cop.

00:46:34A rank amateur.

00:46:35He was with me and the commissioner at the club that night.

00:46:37Use your head.

00:46:38This moving into higher circles is too much.

00:46:40Do you want me to take a leave so you can pass the case on to someone else?

00:46:44No, don't be silly.

00:46:45Nobody will be pulling you off this case.

00:46:48I know it's a hot potato.

00:46:49But you'll find the answer.

00:46:50You're not chief of homicide for nothing.

00:46:52I have faith in your ability.

00:46:55I keep thinking I have the answer.

00:46:58But there's still something missing.

00:47:00In our business, the missing clue pops up where you least suspect.

00:47:07If this maniac is no ghost and he's left a clue, you'll find someplace.

00:47:10Maybe.

00:47:12But he goes on making no mistakes.

00:47:16Well, I believe this one is very intelligent.

00:47:20I agree.

00:47:21He's appointed himself moral avenger of the town's upper class.

00:47:27He knows all their secrets.

00:47:28Who the lovers are.

00:47:32Where they meet.

00:47:34He must be one of their little world.

00:47:37That's our problem, Capuana.

00:47:39The time is running out.

00:47:41We have to pull him in here fast.

00:47:43Or we'll be out too.

00:47:58You?

00:48:20No.

00:48:22You're not happy.

00:48:23Oh?

00:48:24You think you are.

00:48:26You're frightened, really.

00:48:29Of a man who's threatening you.

00:48:32What man?

00:48:33Oh.

00:48:36Your husband, Janina.

00:48:39For your own good, child.

00:48:42Don't drive him too far.

00:48:44Oh, Mama, cut it out.

00:48:46Your husband trusts you.

00:48:49And loves you.

00:48:51More than you think.

00:48:52But he's gone away.

00:48:55And tonight you're alone.

00:48:56And unprotected.

00:48:59There's a bad card here.

00:49:01Don't go home, Renata.

00:49:02It's too far away and you're alone.

00:49:05Mama, your cards are getting on my nerves.

00:49:08They know the truth.

00:49:12Renata loves to take risks like me.

00:49:14After all, that's what gives every affair its flavor.

00:49:22There's no matter.

00:49:30He's got to be around.

00:49:30I don't know.

00:49:31Oh, my God.

00:50:01Oh, my God.

00:50:31Oh, my God.

00:51:01Oh, my God.

00:51:31Oh, my God.

00:52:02No, he's really not the type who'd surprise us.

00:52:06And he won't be here before tomorrow evening.

00:52:09So don't waste another second.

00:52:12Hurry, I'm dying to make love with you tonight, Mauro.

00:52:15I'll make it fast, Gorgeous.

00:52:17I miss you.

00:52:18I miss you.

00:52:18I'll make it fast, Gorgeous.

00:52:28I'll make it fast.

00:52:30I'll make it fast.

00:56:32Another murder.

00:56:34Who was it this time?

00:56:38It's all here.

00:56:41Go on, read it.

00:56:42Oh, no.

00:56:50Renata, too.

00:56:52It's horrible.

00:56:56Where will it end?

00:56:57And here, there's an attack on the police.

00:57:06I've read it.

00:57:08And it won't be the last.

00:57:10Next, they'll be blaming us for the government crisis.

00:57:14Why do they drag in the law.

00:57:15Why do they drag in politics?

00:57:16Why do they drag in politics?

00:57:18Because this case involves important people.

00:57:20They don't want any scandals.

00:57:22Why do they role this?

00:57:37Why won't you wait...

00:57:40Why won't you quit?

00:57:40Why won't you quit all this?

00:57:42Why won't you quit all this?

00:57:43for him take it let's move up north let them go to hell let's not go through that again

00:57:54i like my job besides i don't want to work for your father

00:57:59i know when i was transferred down here it seemed we finally found some peace

00:58:09remember

00:58:13a lovely town surrounded by green good people habitual crime neil

00:58:24then in one lousy stinking month the apocalypse

00:58:35hello capuana

00:58:39what

00:58:43what's the address sergeant

00:58:48okay i'll come right away what happened maybe i've found the winning card

00:58:53so

00:59:05open up open in the name of the law

00:59:35open up in the name of the law

00:59:41tell your men not to shoot her inspector inside

00:59:51why did you call the police

01:00:01why i was tired of killing

01:00:05i murdered all these whores

01:00:14they were only little

01:00:15bitches

01:00:16guess what made me kill

01:00:23not now later at the station

01:00:30and i won't know you're listening to me

01:00:45you're going to be бывает

01:00:47i get into the evade

01:00:49that's what i did

01:00:49are these yours yes of course those are my gloves for the killings

01:00:58confess now i've led you a merry old chase

01:01:03frankly you wouldn't have me now if i hadn't made up my mind

01:01:07i have it all figured out inspector

01:01:13do you know how it shows my victims do you know that why don't you ask me take them away

01:01:20well don't give yourself credit

01:01:24you never would have found me on your own

01:01:33he's obviously a publicity seeker i set it up i raised the whole thing and for what purpose

01:01:43i deliberately chose someone whom i think is the exact opposite of the murderer hoping the real

01:01:48one will rise to the bait is that it right giving credit to a half-wit for the murders should be

01:01:58such an insult to the killer's ego that it'll bring him out in the open the person sooner or later

01:02:03it'll confess he lied uh the magistrate it'll take a few days to discover that he can only charge the

01:02:10man with misrepresentation meanwhile i hope to trap the real killer it's your baby i hope you do

01:02:17and pray the lord you'll be safe from the killer no the news hounds they're waiting for you grumbling for

01:02:25the press conference to begin you better go good luck thanks i'll need it

01:03:02but the fermo non si può prolungare oltre due giorni chiariamo subito una cosa non si tratta di un

01:03:07fermo e non è stato spiccato nessun mandato di cattura e allora per ora è solo un test e

01:03:12a chiarimento si è presentato di sua spontanea volontà lei che pensa non sono il magistrato è lui che

01:03:20deve decidere questo è tutto signori vi ringrazio e ci rivedremo presto quelli che non sanno un

01:03:29caso vanno per tentativi e lo dico io che pare quando va il caso dell'assassino trovi i guanti neri il

01:03:35cortegno ci mancava solo che trovassero la casa pacca piena di cadaveri e poi

01:03:49inspector capuana i am the person you think you have captured why come now don't be any stupider than you

01:03:57are excuse me i don't understand really who are you you know very well i'm sorry i can't give you my

01:04:07name i'm the avenger the one you insist upon calling a maniac the man you have in custody is a moron

01:04:17if you know it and take advantage of him you're a fraud if you don't know it you're a bigger fool

01:04:21than he is in either case you're incompetent it depends on the way you look at it the fact

01:04:28that you're phoning me shows that you're deranged wouldn't you say you're the one who's deranged

01:04:33inspector all you found in that poor idiot's house were some pornographic photos clipped from sex

01:04:38magazines i'll make you look like an ass you made a big mistake and now you'll pay for it

01:04:43very dearly is that so how you don't understand go on tell me genius don't be funny i'll give

01:04:55you another couple of minutes you underestimate me that was your mistake and while you're holding

01:05:00that fool i'm going to kill again that's right and make a laughing stock of you the commissioner and

01:05:05the magistrate it will mean the end of your career wait don't hang up i have to tell you the most

01:05:10important thing yet i'm going to kill your wife this very day that took your breath away you don't

01:05:17believe your ears i said i'm going to kill your wife do i make myself clear your own wife

01:05:24you're wasting your breath and my time the maniac only kills unfaithful women whores exactly inspector

01:05:33you're the only one in town that doesn't know your wife deceives you i have photos to prove it too

01:05:38just like the others you didn't expect this did you you'll be disgraced you'll have to leave town

01:05:44a cuckold and a widower and you can't prevent it inspector because you've no idea where your wife

01:05:51leave me to love her

01:06:01Yes, Commissioner?

01:06:16No one is for anyone.

01:06:19For anyone, have you understood?

01:06:21Well, Commissioner.

01:06:31Commissioner, in casa di quel pezzente hai trovato soltanto qua?

01:07:01Qualche foto pornografica e qualche ritaglio di riviste oscene.

01:07:05Ti farò fare una figura di merda.

01:07:07Hai commesso un grosso errore, commissario Capuana.

01:07:17Sei il sole in città, non sapere che tua moglie ti tradisce.

01:07:20Ho le foto che lo provano, come per le altre.

01:07:23Non te l'aspettavi, bella.

01:07:25Perderai la faccia.

01:07:31Casa Capuana, chi parla?

01:07:39Sono io, Teresa. C'è mia moglie?

01:07:41È uscita, dottore. Doveva andare dal parrucchiere.

01:07:45Desiderà altro, dottore?

01:07:47Grazie.

01:07:47Dovrai andatene di qui, cornuto e vedovo.

01:07:58E non puoi impedirmelo, Capuana, perché non sai dove si incontra con il suo amante.

01:08:03Non ridi più, eh?

01:08:04Che ritaglio di riviste oscene.

01:08:15Ti farò fare una figura di merda.

01:08:17Hai commesso un grosso errore, commissario Capuana.

01:08:20E lo pagherai caro.

01:08:22Molto caro.

01:08:31Pronto?

01:08:32Sono Capuana, c'è mia moglie.

01:08:34No, commissario.

01:08:35Ma deve venire?

01:08:36Sì, ma non è ancora arrivata.

01:08:38Ha prenotato?

01:08:39Ha prenotato. Vuole che controlli l'ora, commissario?

01:08:42No, grazie.

01:08:43Penso che non dovrà tardare.

01:08:44Mi faccia chiamare.

01:08:45Va bene, commissario. Non dubiti. Appena arriva la faccia chiamare.

01:08:51Sì, così sono molto sensibile.

01:08:54A che ora doveva venire la signora Capuana?

01:08:56Alle cinque, signore.

01:08:58Ma come al solito tarda sempre.

01:09:00Non sarà qui prima delle sette.

01:09:02Eh già, viene a rifarsi la testa dopo.

01:09:10Signora, ho le mani fatate, vero?

01:09:12È vero.

01:09:12Vedesse con i ragazzi.

01:09:14Ci dà non sapere che tua moglie ti tradisce.

01:09:16Ho le foto che lo provano, come per le altre.

01:09:18Non te l'aspettavi, vero?

01:09:21Perderai la faccia.

01:09:22Dovrai andartela di qui, tornuto e vedovo.

01:09:25E non puoi impedirmelo Capuana.

01:09:27Perché non sai dove si incontra con il suo amante.

01:09:30Non ridi più, eh?

01:09:39Perderai la faccia.

01:09:41Dovrai andartela di qui, tornuto e vedovo.

01:09:44E non puoi impedirmelo Capuana.

01:09:46Perché non sai dove si incontra con il suo amante.

01:09:48Perché non ridi più, eh?

01:09:50No.

01:09:50Perderai la faccia.

01:10:14Dovrai andartela di qui, tornuto e vedovo.

01:10:16E non puoi impedirmelo Capuana, perché non sai dove si incontra con il suo amante.

01:10:22Non ridi più, eh?

01:10:46E non puoi impedirmelo Capuana, perché non sai dove si incontra con il suo amante.

01:11:16E non sai dove si incontra con il suo amante.

01:11:46E non sai dove si incontra con il suo amante.

01:12:16All right.

01:12:46All right.

01:13:16All right.

01:13:46All right.

01:14:16All right.

01:14:46All right.

01:14:48All right.

01:14:50All right.

01:14:52All right.

01:14:58All right.

01:15:04All right.

01:15:14All right.

01:15:18Why have you come back so soon?

01:15:20I forgot something.

01:15:21Where are you going?

01:15:22I was just leaving for the beach.

01:15:24Alone?

01:15:25Ciao.

01:15:26Ciao.

01:15:26Roberto's taking me.

01:15:27You don't mind, do you?

01:15:29No, providing you don't drive as if you're racing in Le Mans.

01:15:32Don't worry.

01:15:33I won't let him race.

01:15:36See you tonight.

01:15:38See you.

01:15:39Bye.

01:16:09Thank you very much.

01:16:39Barbara?

01:16:59Pardon?

01:17:00Her husband knows.

01:17:01Don't be a fool.

01:17:02Get out of there.

01:17:04But who are you?

01:17:05Repeat that.

01:17:07But who the hell are you?

01:17:09I don't know.

01:17:39I don't know.

01:20:40Hold it, Kasali.

01:20:45I'm sure that we're dealing with a sexual maniac.

01:21:02The blade was sharp and precise.

01:21:08I'm sure that we're dealing with a sexual assault.

01:21:14I'm sure that we're dealing with a sexual assault.

01:21:20I'm sure that we're dealing with a sexual assault.

01:21:30I don't know.

01:22:00I don't know.

01:22:30I don't know.

01:22:37Hello, Rossi.

01:22:38I'm Capuana.

01:22:42Give me the chief.

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