American Nightmare_1983

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1983  FULL HOT MOVIE   Lenore Zann, Lora Staley  *  #watchfreemovie  #watcnow  #fullmovie  #watchonlinemovie  #freestreaming  #StreamingNow  #MovieRecommendations  #MustWatch  #ClassicMovies  #Thriller  #Mystery  #WatchOnline  #TopRatedMovies  #CinemaLovers  #DramaFilm  #ForeignFilms  #AwardWinning  #MovieOfTheDay  #InstantClassic  #FeelGoodMovies  #RetroMovies  #MovieClips  #BestCinematography  #StreamingTonight  #LateNightMovies  #RomanticDrama  #Top10Movies  #PopcornTime  #MovieMarathon  #LoveStory  #romanticmovie  #WatchFree  #FreeMoviesOnline  #FilmOfTheYear  #BestMoviesEver  #Comedy  #FunnyMovie  #mustwatchmovie  #Movie  #Film  #filme  #Movies  #FullMovies  #ActionMovies  #ComedyMovies  #HorrorMovies  #DramaMovies  #RomanticMovies  #ThrillerMovies  #EuropeanFilms  #europeanmovie  #FrenchCinema  #SpanishMovies  #ItalianFilms  #GermanMovies  #EuropeanMovieClips  #EuropeanFilmFestival  #BestEuropeanMovies  #TopEuropeanFilms  #ClassicEuropeanCinema  #EuropeanDramaFilms  #EuropeanFilmAwards  #ScandinavianMovies  #EuropeanHorrorFilms  #EuropeanComedyMovies  #EuropeanArtFilms  #EuropeanIndieFilms

Transcript

00:00:00Transcription by CastingWords

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00:01:26Uh-huh I'm just sticking around a few minutes see if I can turn some extra bucks

00:01:56Mm-hmm

00:02:26You looking for somebody oh, Mary. I hope it's me

00:02:34I'm I'm looking for a girl Isabel Isabel Blake. I was told she lives in this building. Do you know her?

00:02:43No, I'm her brother

00:02:51Now that one

00:02:53She told me her name was Tanya

00:02:56Tanya I

00:02:58Always thought it was a bit stagey, too

00:03:02Most of girls do it, you know

00:03:05Do it

00:03:07Change the name of course

00:03:11Mine's dolly

00:03:18Anyway

00:03:19She's not at home

00:03:21And when she is at home, she lives down there

00:03:26Right at the end

00:03:28When did you last see her?

00:03:31A couple of days ago, maybe

00:03:34Can you tell me where she works?

00:03:37Sorry

00:03:38Okay

00:03:39Okay

00:03:40Come on, let's go.

00:04:01Just wait, I want to watch.

00:04:02Relax, baby.

00:04:03We'll go in a few minutes.

00:04:05Listen, I need you.

00:04:07Tanya's pulled a no-show and I've...

00:04:08Hey, forget it.

00:04:09She's off tonight.

00:04:10Didn't she call in or anything?

00:04:11Are you kidding?

00:04:12That one?

00:04:13Shit, she's probably so spaced out,

00:04:14you can't even dial a phone.

00:04:16The next time she brings her tired ass here,

00:04:18I'm going to kick it out on the street.

00:04:20I don't need an all-so-over-that bitch.

00:04:22What do you say?

00:04:24You know, one more show for Wally, okay?

00:04:27Well, I could use the dough.

00:04:29That a girl, that a girl.

00:04:30Love you, love you.

00:04:31You're on.

00:04:31But I'm doing it for Tanya, Wally.

00:04:34Look, I'm sorry, babe,

00:04:35but she's screwed if I don't take her spot.

00:04:38Yeah?

00:04:39Well, what about me?

00:04:41I'll see you after the show at your place, okay?

00:04:43So would you please give a very warm welcome

00:04:51to this year's international chairman of Unisave

00:04:53and a very dear friend of mine, Mr. Hamilton Blake.

00:04:57Well, thank you very much, Tony.

00:04:59Finally.

00:04:59So, Mr. Blake, you must be very pleased

00:05:01with the response of the film and television community

00:05:04to this year's Unisave telethon.

00:05:06Tony, everybody's on a wonderful job,

00:05:09and I know you'll agree with me.

00:05:10Ah, yes, I would.

00:05:11And I'd like to express my gratitude

00:05:13to those very talented people

00:05:14who'll be taking time out from their busy schedule

00:05:17to help our underprivileged children on New Year's Day.

00:05:20Where will the money be going this year, Mr. Blair?

00:05:22Tony, will you excuse us, please?

00:05:38Of course, Hamilton.

00:05:41Hello, Eric.

00:05:43Welcome home.

00:05:44Isabel walked out of here nearly a year ago

00:05:52and you didn't even try to stop her?

00:05:54I tried, but she wouldn't be stopped.

00:05:58Your sister is just a little...

00:06:00My sister was just a confused little girl.

00:06:03She was 16.

00:06:05There was nothing I could do.

00:06:07And you don't care where she's living?

00:06:10Or what she's doing?

00:06:11I got reports in time, Stine.

00:06:12Did your reports tell you that she's living in a slum?

00:06:17Surrounded by degenerates?

00:06:19You're well informed, Eric.

00:06:21Answer me!

00:06:23Isabel's life is her own business.

00:06:25Just as yours is, if I remember your words correctly

00:06:28when you stormed out of here two years ago.

00:06:31Two years ago, Eric.

00:06:33I accept no responsibility for either.

00:06:36You are one cold-blooded son of a bitch!

00:06:38You're staying long, Eric.

00:06:40Long enough to find out where she is.

00:06:42And to find out what this means.

00:06:47Dearest Eric.

00:06:50Things are really bumming out for me and I really need you.

00:06:53I mean, it's really serious.

00:06:55And it's got me all messed up

00:06:56and you're the only one I can talk to about it.

00:07:00Please come home.

00:07:02Please.

00:07:07Now doesn't she mention me at all?

00:07:09Why would she?

00:07:10why weren't you in dance class today hey i was checking out the joint down the street

00:07:36but all they want is mud wrestlers mud wrestlers shit yeah but they're packing them in i'd do it if

00:07:42the pay was better ain't enough hours in the day to make that kind of money oh the animals are out

00:07:48tonight your puppet to baldo in the front row yeah he drooled all over it hey louise have you seen

00:07:54tanya nope not for a couple of days i think she's really had it this time wally's real pissed

00:08:01off wally's always pissed off yeah but if we had a stronger union she wouldn't be getting fired

00:08:06christ not that again she didn't show up for two nights yeah but in detroit they've got a real

00:08:12strong union you want to work in detroit look if she was my roommate i'd be a lot more worried

00:08:19right now i'm not my sister's keeper oh i know but she's so young to get hooked up with a creep like

00:08:26fix there but for the grace of god go all of us don't talk like that it makes me feel cheap

00:08:36i'm sorry tina you're right and you're not cheap but you're not very smart either

00:08:43otherwise you'd marry mark like he wants you to and get out of here well what about you i mean

00:08:47if you really feel that way what are you doing here gotta go look i'll let you know as soon as i find out

00:08:54about about time okay bye

00:09:11you

00:09:24Okay, Mr. Blake, let's take five.

00:09:54Okay, Mr. Blake, let's go.

00:10:24Okay, Mr. Blake, let's go.

00:10:54Okay, Mr. Blake, let's go.

00:10:56Please, I'm her brother.

00:11:06Brother, huh?

00:11:08Give you a point for originality.

00:11:20Five minutes.

00:11:22Nearly 48 hours and you didn't call the police?

00:11:26They come and they go.

00:11:28What did you say your last name was?

00:11:32Blake.

00:11:34My sister's name is Isabel.

00:11:38Like in the Blake Corporation?

00:11:40Our father owns it.

00:11:42Well, isn't that a gas?

00:11:44Coffee made?

00:11:46Fresh pot.

00:11:48Any more questions?

00:11:52Hey, I forgot.

00:11:53There's a message for you on the service.

00:11:55Oh, why didn't you tell me?

00:11:56I want that on my desk by nine o'clock tomorrow morning.

00:12:10Why are we behind schedule?

00:12:14Hamilton, when you go into a production as ambitious as this, you can't expect everything to go on schedule.

00:12:20I can.

00:12:21And I do.

00:12:22May I remind you how important this telephone is to me and to the stockholders.

00:12:27Relax, Hamilton.

00:12:29I've never failed you before.

00:12:35Do you think this guy was on the level?

00:12:37Don't know.

00:12:38He's some hunk, isn't he?

00:12:41Isn't he?

00:12:42Mr. Butch.

00:12:47Do you know where I can find Fixer?

00:12:49Oh, Louise.

00:12:50Not the pills again.

00:12:51No.

00:12:52No.

00:12:53Okay.

00:12:56I just thought I'd ask around about Tanya.

00:13:00If you're looking for Fixer, why don't you take in a movie?

00:13:03Yep.

00:13:05Ta!

00:13:06Ta.

00:13:08Ta.

00:13:16How old is she?

00:13:17She's only 18.

00:13:21I can keep this?

00:13:27So you talked to this Louise Harmon.

00:13:29I did.

00:13:30But I'm sure she was keeping something from me.

00:13:34Okay.

00:13:35We'll have a look into it.

00:13:41Can I read you through your father?

00:13:44No.

00:13:47It's strictly between my sister and myself.

00:13:50Whatever.

00:13:51The first sign, if anything, we'll be in touch.

00:13:53Thanks.

00:13:55Thanks.

00:14:10Eddie.

00:14:11Can I see you for a moment, please?

00:14:12Are you on, Frank?

00:14:13I'll be back later.

00:14:14Run a check and see what we've got on it.

00:14:15Isabel Blake, alias Tanya Kelly, and Louise Harmon.

00:14:18It's all in there.

00:14:19Isabel Blake, alias Tanya Kelly, and Louise Harmon.

00:14:21It's all in there.

00:14:22Isabel, any relation to Hamilton Blake?

00:14:24Isabel Blake?

00:14:25It's the daughter.

00:14:27Fascinating address.

00:14:29Hey, hey, hey.

00:14:30You.

00:14:31Yeah, you.

00:14:32Come on in here.

00:14:33I won't tell your wife.

00:14:34It's all here.

00:14:35The very best that.

00:14:36The best that you'll ever see.

00:14:37The best that you'll ever see.

00:14:38Isabel Blake, alias Tanya Kelly, and Louise Harmon.

00:14:39Isabel Blake, alias Tanya Kelly, and Louise Harmon.

00:14:42Hey, hey, hey, you, yeah, you, come on in here.

00:14:47I won't tell your wife.

00:14:54Scene fixer?

00:14:55In the back.

00:15:08Oh, oh.

00:15:12You seen Tanya lately?

00:15:31Tanya.

00:15:32Cut the bullshit, I know she's one of your party tricks.

00:15:35I'm out of business, ain't you heard?

00:15:37There's heat coming down on my ass all over the place.

00:15:40And I got lots more to worry about than what garbage can that bitch is crawling in.

00:15:44Look, fixer, there might be real heat.

00:15:45Her father's a somebody.

00:15:47Beat it, will you?

00:15:51Go on, get up.

00:15:54Enjoy the show, creep.

00:15:55It's all here.

00:15:56Come on in.

00:15:57See those drones in a variety color behind the green door.

00:16:02See, and Lynch and their lovely llamas.

00:16:04Come on, fellas.

00:16:05Move your arms.

00:16:06Fill up the large...

00:16:07Turn to your line.

00:16:08Hey, hey, hey.

00:16:09You, yeah, you.

00:16:10Come on, I won't tell your wife.

00:16:11Come on.

00:16:12I won't tell your wife.

00:16:13You, you, you, you.

00:16:14Come on, I won't tell your wife.

00:16:15Hey, hey, you, come on, I won't kill you.

00:16:45Hey, hey, you, come on, I won't kill you.

00:17:15Hey, you, come on, I won't kill you.

00:17:22Louise Harmon?

00:17:23No, why?

00:17:24I'm looking for some information on a friend of Louise's.

00:17:26Do you know where I can find her?

00:17:28It's not a bust.

00:17:29It's something personal.

00:17:30Club 2000.

00:17:31She'll be dancing there tonight.

00:17:45I love you.

00:17:46Yeah.

00:17:47What?

00:17:48Yeah.

00:17:50Yeah.

00:18:11Charming.

00:18:12Your miserable face.

00:18:20Ladies and gentlemen, she's red hot, here's Tina.

00:18:24Let's go.

00:18:54Let's go.

00:19:24Let's go.

00:19:25Let's go.

00:19:26Let's go.

00:19:27Let's go.

00:19:28Let's go.

00:19:29Louise Harmon.

00:19:31I'm looking for some information on a roommate of yours, Tanya Kelly.

00:19:37Isabelle Blake.

00:19:38I'm sorry?

00:19:39Isabelle Blake.

00:19:40Yeah?

00:19:41Do you know where she is?

00:19:43No.

00:19:44I was supposed to see Detective Schuyler.

00:19:50Well, I'm sorry, but he's tied up right now.

00:19:53Look, did it occur to you that there might possibly be some connection between the death of this

00:19:57Andrea girl and the disappearance of my sister?

00:20:00Yes, sir.

00:20:01It has.

00:20:02But what we're working on is an apparent suicide.

00:20:04When I saw that Andrea girl this morning, she didn't look like anybody who was about

00:20:07to commit suicide.

00:20:08Well...

00:20:09You a psychiatrist, Mr. Blake?

00:20:11What do you mean?

00:20:12I talked to the same woman less than three hours ago, and I couldn't tell whether she

00:20:16was up, down, or sideways.

00:20:18Louise Harmon just identified the body.

00:20:20Take a statement from her.

00:20:21Okay, Frank.

00:20:22Uh, that stuff you wanted?

00:20:23Right there.

00:20:24Take a seat.

00:20:33Would you like a cup of coffee?

00:20:34No.

00:20:35I'd like some answers.

00:20:38Mr. Blake, when you've been dealing with their kind as long as we have...

00:20:40Their kind?

00:20:41Just what are you implying?

00:20:43Sorry, but it seems like your sister has not exactly been a good little girl.

00:20:46We have a few minor drug charges.

00:20:48We have one, two, three years.

00:20:50Three charges of soliciting.

00:20:53It's nothing big.

00:20:56But it's nothing good either.

00:21:02We're gonna do our best to find her.

00:21:03I can promise you that.

00:21:07You can help.

00:21:08You can talk to Louise Harmon.

00:21:09We've been questioning her about her dead roommate.

00:21:11Maybe she'll open up for you.

00:21:13Louise?

00:21:14Can we talk?

00:21:23Maybe it was a mistake.

00:21:26My leaving.

00:21:27If I'd stayed, perhaps Isabelle.

00:21:29Isabel never talked much about her family.

00:21:33She never talks much about anything.

00:21:34How did you two meet?

00:21:36Well, we were both working at this little dive out in the suburbs.

00:21:37In the attic.

00:21:38In the attic.

00:21:39My leaving.

00:21:41If I'd stayed, perhaps Isabel.

00:21:50Isabel never talked much about her family.

00:21:54She never talks much about anything.

00:21:57How did you two meet?

00:22:00We were both working at this little dive out in the suburbs.

00:22:04In the attic.

00:22:05It's more like a goddamn cellar.

00:22:11Anyway, Tanya, Isabel, needed a place to crash.

00:22:16And we thought, what the heck, you can always use another roommate.

00:22:19And Andrea and me.

00:22:27I'm sorry about your friend.

00:22:32Louise.

00:22:36The police said that Isabel has a record for soliciting.

00:22:40Is she a prostitute?

00:22:45You never stopped me.

00:22:53If that's true, does she have a pimp?

00:22:57Louise.

00:23:06His name is Fixer.

00:23:09Where can I find him?

00:23:11You can't.

00:23:12And even if you could, you shouldn't.

00:23:14He snuffed a dealer a couple weeks ago and is very dangerous.

00:23:17Take me to him.

00:23:20Not a chance.

00:23:21You know, Louise, if you were willing to cooperate with me, I could make it worth your while.

00:23:33You prick.

00:23:34I may show my ass, but I don't sell it, and I don't sell anything else either.

00:23:40Your little sister is making her life a pile of shit.

00:23:44That doesn't give you the right to treat the rest of us like dirt.

00:23:48I didn't mean...

00:23:49I know exactly what you meant.

00:23:50I don't know exactly what you meant.

00:24:16Louise, thank God.

00:24:34And then he ran right past me, almost knocked me down.

00:24:37What did the cops say?

00:24:38Oh, they wrote it all down.

00:24:41I'm sure they didn't believe me.

00:24:43They looked at me like I was shit.

00:24:44Like they always do.

00:24:54Dally, did you get a look at his face?

00:24:55No, it was too dark.

00:24:57It all happened so fast.

00:25:03I'm sure he saw me, though.

00:25:07God.

00:25:10Christ.

00:25:11What am I going to do?

00:25:14God bless you.

00:26:17Well, Mr. Blake, I don't much care what you think of me, but Andrea, she was special. You don't belong here.

00:26:29I have to find Isabel. And you're the only one who can help me.

00:26:34I don't have time to look around for somebody's little sister. I've got my own life to worry about.

00:26:41Now, if you'll excuse me.

00:26:42May I at least offer you a ride somewhere? We can talk in the car.

00:26:45Sure. You can drop me off at your dad's TV studio. I've got an interview there for the telethon. But I still can't help you.

00:26:53I can't believe you. My sister's out there. Nobody even knows where the hell she is. Quite possibly she's in a lot of trouble and she may need help.

00:27:04And all you care about is the goddamn telethon? You don't give a damn about Isabel, do you?

00:27:09Well, if making a quick buck means more to you than my sister's life, I guess I'm just talking to the wrong person.

00:27:18You don't shock my sister. Let's go what to think of my sister's life.

00:27:27Motherfucker!

00:27:31Motherfucker!

00:27:33Motherfucker!

00:27:37Motherfucker!

00:27:39Motherfucker!

00:27:43Motherfucker!

00:27:45Motherfucker!

00:27:47Motherfucker!

00:27:48Motherfucker!

00:27:48Sounds good, Eric.

00:28:05Very good.

00:28:07Listen, I've been thinking

00:28:08maybe you'd like to perform for the telephone, hmm?

00:28:12It'd be great for you, Eric.

00:28:14No.

00:28:15It'd be great for you.

00:28:17You and my father.

00:28:19Listen, my father and I have a deal.

00:28:21He does nothing for me,

00:28:23and I do nothing for him.

00:28:25Crude, but it works.

00:28:27You're not being fair, Eric.

00:28:29Your father is a real humanitarian.

00:28:33A truly great man.

00:28:35My father is not a truly great man.

00:28:37He's just always had a great PR man.

00:28:40He drove my mother to an early grave.

00:28:42He drove me out of the house,

00:28:44and he drove my sister...

00:28:46Why don't you just leave?

00:28:50Have it your way, Eric.

00:28:51I don't know.

00:29:05I don't know.

00:29:07I don't know.

00:29:08I've got fire.

00:29:12Mark, is that you?

00:29:37Oh, Christ, Dolly.

00:29:42Tina, I am so spooked.

00:29:45No kidding.

00:29:51I'm getting out, Tina.

00:29:53Well, I'll see you tomorrow, then.

00:29:55No, I mean right out of town.

00:29:57This is no place for a nice girl like Dolly.

00:30:12Can't you imagine?

00:30:26Please!

00:30:29Hello!

00:30:30Oh, oh.

00:30:33No!

00:31:03No!

00:31:33No!

00:32:03No!

00:32:05No!

00:32:25Get me out of here!

00:32:27Get away!

00:32:33Hi, Tony Shaw here, inviting you to tune in this New Year's Day for the annual Unisave Telephone.

00:32:42Do you really need those?

00:32:44Yeah, I do.

00:32:46Somebody tries to kill me, I get a little nervous, you know. Do you mind?

00:32:50I still think we should report this to the police.

00:32:54You have a right to some protection.

00:32:56Are you from Mars?

00:32:58As far as they're concerned, we ask for any trouble we get.

00:33:02One of the girls at the club went to the labor union to see about our rights.

00:33:06You know what she got? Proposition, that's what.

00:33:09We got lots of protection.

00:33:11Well, the police are investigating Andrea's death.

00:33:15You think that's why they were at the funeral?

00:33:20They were taking down names.

00:33:22Making lists of known degenerates, so that they could protect other people from us.

00:33:27Look, if it's that bad, then why don't you quit?

00:33:30And do what?

00:33:32And do what?

00:33:39So why did you go back there anyway?

00:33:41I wanted to apologize, again.

00:33:44Louise, I need your help.

00:33:47You're the only one who can help me find my sister.

00:33:49We'll find her, Eric.

00:33:51Oh, listen, can you drop me off at the club?

00:33:54I have to see Dolly.

00:34:10I'll miss you, Dolly.

00:34:12I'll miss you, too.

00:34:15You're a class act, Louise.

00:34:19What will you do?

00:34:22I don't know.

00:34:25Settle down in some nice little town, get married, have some kids.

00:34:29You're a kid.

00:34:32Christ.

00:34:37Bye.

00:34:42When I get where I'm going, I'll phone and leave a message in your service, okay?

00:34:59You see?

00:35:00Hey!

00:35:00Come on!

00:35:01Come on!

00:35:02Come on!

00:35:03Come on!

00:35:04Hey!

00:35:05Now we have to do it right, we have to come on.

00:35:07Hey!

00:35:08Hey!

00:35:09Now we have to do it right.

00:35:10If you've gotta come and call.

00:35:11Oh boy!

00:35:12Hey!

00:35:13Hey!

00:35:14Hey!

00:35:15Now we have to do it right!

00:35:16Be careful how to become black,

00:35:21too be careful about what can't come blackie often.

00:35:24Have a great job done for yourself,

00:35:26I've never worth that!

00:35:27Come on!

00:35:28Ooh ooh!

00:35:29And if you can't do it right

00:35:35Don't do it

00:35:39Say now, Mr. Do-it-right

00:35:46If you're gonna come and call

00:35:54If you can't do it right

00:35:56Don't do it

00:36:00Don't do it

00:36:01Oh, I'm used to living mine

00:36:07I ain't mad

00:36:09I never waste my time on in between

00:36:14If you can't stand up to what I'm about

00:36:20Then you'll be checking in as I'm checking out

00:36:25Out

00:36:27Out

00:36:28Out

00:36:32Oh, say now, Mr. Do-it-right

00:36:37If you're gonna come and call

00:36:40Oh, if you can't do it right

00:36:48Look at how you did it

00:37:02You just got to go

00:37:04Come on.

00:37:34Oh, my God.

00:38:04All right. Good night.

00:38:12Listen, buddy. Nobody gets into our files.

00:38:15What would our clients think?

00:38:16Look, I appreciate your integrity. I really do.

00:38:19But the client in this case is my sister, and she's been missing.

00:38:22Forget it, Joy Boy.

00:38:24The boss says nobody gets into the files, and what the boss says goes.

00:38:29Oh, hello.

00:38:31You got a 20 on you?

00:38:32No, I'm sorry. There are no messages.

00:38:36That's right. Good night.

00:38:38You still here?

00:38:39Maybe we could make it worth your while.

00:38:41You guys cops or something?

00:38:44You ain't no cops. They got budgets.

00:38:47What was that name? Kelly?

00:38:49Tanya. Tanya Kelly.

00:38:56Yeah, here they are.

00:38:59Not many.

00:38:59I guess she didn't have too active a social life.

00:39:04Look, you want any more?

00:39:06Won't cost that much.

00:39:13Look.

00:39:15The same number.

00:39:16And this one was...

00:39:18Just three days ago.

00:39:19Right.

00:39:21Do you mind if I use your telephone?

00:39:23Thanks.

00:39:24Thanks.

00:39:29Sundown Motel.

00:39:34Hello.

00:39:35Um, may I speak to Tanya?

00:39:36Tanya who?

00:39:38Tanya Kelly.

00:39:39Never heard of her.

00:39:40Wait, wait, wait, wait. Don't hang up.

00:39:41Um, how about, uh...

00:39:43Fixer.

00:39:47It's something called the Sundown Motel.

00:39:50Oh, shit.

00:39:51You know it?

00:39:53I know of it.

00:39:54Come on.

00:40:24Throw the purse on top of the car where I can reach it.

00:40:28Come on, lady, or I'll cut a fucking eyes out.

00:40:32Take it.

00:40:38Come.

00:40:41Eric.

00:40:46Eric.

00:40:51Eric.

00:40:52Are you okay?

00:41:11You look sick.

00:41:13That was really something back there.

00:41:15You don't look like the type.

00:41:17I'm not.

00:41:19I was just scared.

00:41:21When I'm scared, I...

00:41:24I'm scared too, Eric.

00:41:30Now that Dolly's left,

00:41:32I don't want to go back there alone.

00:41:35Maybe I could stay with you tonight at your hotel.

00:41:41I could sleep on a couch.

00:41:48And I got this one.

00:41:54Advice.

00:41:56Mmm.

00:42:01You know what I think?

00:42:02Hmm?

00:42:03The thing, connect the bases.

00:42:04One, two, three.

00:42:08So you don't buy the suicide story?

00:42:10I never did.

00:42:10Well, this guy's name's Mark Cole.

00:42:15Checked his priors, strictly small potatoes.

00:42:19Who wouldn't hurt to bring him in for a chat?

00:42:22What about, um, Harmon and, um, Tina?

00:42:25What's her name?

00:42:25Do you want to put a tail on her?

00:42:27For their own safety?

00:42:28Yeah.

00:42:28Come on.

00:42:29I want you to quit.

00:42:37What?

00:42:40I don't want you to strip anymore.

00:42:43Have you seen my eye shadow?

00:42:45You know, that, that, that sparkly gold stuff?

00:42:47You don't have to work here anymore.

00:42:50I heard you.

00:42:51Must be in my bag.

00:42:53What?

00:42:53The eye shadow.

00:42:54I need it for tonight.

00:42:56Here it is.

00:42:57That stuff makes my eyes water.

00:43:00I, I don't know why I wear it.

00:43:02You see, Guy's wearing this stuff now, you know?

00:43:04New way they're...

00:43:05Listen to me.

00:43:08Why can't you get another job?

00:43:11Wait on tables.

00:43:12Be a reception to anything.

00:43:13Drive a fucking truck.

00:43:16The thought of you on that stage taking your clothes off

00:43:19for a bunch of drunken assholes.

00:43:24You're driving me crazy.

00:43:27I love you too much for that.

00:43:31Oh, I know you love me.

00:43:33I love you too.

00:43:36This is the only business I know, you know?

00:43:40I just need a little more time, that's all.

00:43:43Okay?

00:43:46Okay.

00:43:50Guess what?

00:43:50I've got an audition tomorrow morning for that telethon with Tony Shaw.

00:43:55Congratulations.

00:43:57Give me a smile.

00:43:59It's got to be better than stripping.

00:44:01If the last 48 hours is any indication of your lifestyle,

00:44:04then perhaps you're right.

00:44:06Nothing in the last 48 hours was any indication.

00:44:10Except my dad.

00:44:13Tonight I rather enjoyed it.

00:44:14You enjoy taking your clothes off in front of perfect strangers?

00:44:17Nobody's perfect.

00:44:23They're an audience, just like yours.

00:44:27When I'm dancing up there, all they can do is look.

00:44:30They don't touch me.

00:44:32Unless I let them.

00:44:39When I want someone to touch me, they'll know.

00:44:42Tell me, tell me before I break your damn neck.

00:45:11I tried to be nice, didn't I?

00:45:15Yeah.

00:45:16But now you're ready to talk, aren't you?

00:45:17Yeah, yeah, yeah.

00:45:18But Jesus Christ, just let me go.

00:45:20Tanya Kelly, where is she?

00:45:23Mr. Gardner, mister, I don't know.

00:45:25You better tell me what you do know.

00:45:30Tapes.

00:45:32Videotapes.

00:45:33Yeah.

00:45:34Of the girls and their customers.

00:45:37Well, not all of them.

00:45:39Just some.

00:45:39What did one have to do to qualify?

00:45:44What do you mean, qualify?

00:45:45Who got taped?

00:45:48You know, it's got big shots.

00:45:52Who decided who got taped?

00:45:56Fixer.

00:45:59Yeah.

00:46:01Yeah, it was his scam.

00:46:02I didn't have nothing to do with it.

00:46:03He made me.

00:46:07He's crazy, mister.

00:46:09Real crazy.

00:46:11How were the tapes made?

00:46:12In the usual way.

00:46:15Play mirror.

00:46:16Camera in the other room.

00:46:17She brings me all her love.

00:46:20I want the tapes.

00:46:22I don't have them.

00:46:23I wish I did.

00:46:25Who has them?

00:46:27Fixer.

00:46:28Yeah.

00:46:30And I suppose you don't know where he is, right?

00:46:32No.

00:46:34Yeah.

00:46:37I don't.

00:46:37I swear to God, I don't know.

00:46:40I swear to God, I don't know.

00:46:41You chase your dreams of good.

00:46:45And even though you find them,

00:46:48you see that you grow old.

00:47:03Turn slowly.

00:47:04That's good.

00:47:08No, a little slower.

00:47:11Now hold it there.

00:47:13Okay, now stretch up.

00:47:14Up in your toes.

00:47:16That's fine.

00:47:16Hold it.

00:47:19You're a dancer, right?

00:47:20Yes.

00:47:21It shows.

00:47:22You have good legs.

00:47:24Let's see more of them.

00:47:26I'm sorry.

00:47:27Take off your skirt.

00:47:34Now the blouse.

00:47:42But I don't.

00:47:43Look, lady, do you want this job or not?

00:47:45Yes.

00:47:52Hold it a minute.

00:47:54Yes. Hold it a minute. That's it for the day, Frank, wrap it up. If you get the job,

00:48:13you'll be expected to wear a bra, pay a scale. That'll be all, Miss Harmon. We'll let you

00:48:18know. I didn't even know you'd left. You're a deep sleeper, among other things.

00:48:48Yeah. How about Fixer? No. Louise, it's important to me.

00:49:05Well, he's usually down there, but we'll check back later tonight, okay?

00:49:08Meanwhile, let's look down the street. Oh, hey, Jojo. Have you seen Fixer?

00:49:13Oh, come on. Let's go, Eric. Come on. You may have seen him. Willie, have you seen Fixer?

00:49:26No. I haven't seen him for a week. Come on, Eric. Let's go.

00:49:43Here. Hey, you guys seen Fixer?

00:50:07So we're back where we started from.

00:50:09It's, uh, not past seven. I'm late for work.

00:50:16Want to come back for an encore? I'd love to, but I'm going to keep looking.

00:50:21I think I'll check this place out one more time.

00:50:27See you later.

00:50:29Okay.

00:50:39Eric, please be careful. He carries a gun.

00:50:41No, no, no.

00:50:57No!

00:50:58No!

00:51:00No.

00:51:01No!

00:51:02No, no!

00:51:04No, no!

00:51:06Hello!

00:51:07Hello!

00:51:08I'm Tonya's brother.

00:51:34Shit.

00:51:36How's that for a kick in the balls?

00:51:38She never told me about no brother.

00:51:41Though she probably couldn't even remember you.

00:51:44What do you mean?

00:51:45Come on, man.

00:51:46She's wired.

00:51:48She's even starting to freak out the Johns,

00:51:50and that's bad for business.

00:51:51Where is she?

00:51:52I don't know, man.

00:51:54Nowhere.

00:51:56The tapes.

00:51:57The videotapes.

00:51:58I want them.

00:52:03Okay.

00:52:03Rayhound number 337 leaving from Chicago

00:52:09is leaving at 10.15 p.m. at gate 11.

00:52:15Rayhound number 443 arriving from Detroit

00:52:20will be late.

00:52:21Will be arriving at 12.30 this morning.

00:52:26Rayhound from Oshawa will be arriving at 6.15.

00:52:32Hello?

00:52:52Hi.

00:52:53It's me.

00:52:54Did I wake you?

00:52:55No.

00:52:56Are you sure?

00:52:59Did you find him, Eric?

00:53:01Yeah.

00:53:02I'm sitting here watching these lousy videotapes right now.

00:53:05You got him?

00:53:07Yeah.

00:53:08Are you okay?

00:53:09I'm fine.

00:53:11I'll tell you about it in the morning.

00:53:12Oh.

00:53:14I might not be here.

00:53:15I got the telethon job.

00:53:18Congratulations.

00:53:19I think.

00:53:20Yeah.

00:53:21So, I have to stop by at home and pick up my wardrobe.

00:53:25I'll call you after rehearsal, okay?

00:53:27Take care of yourself, understand?

00:53:31Louise?

00:53:36I think I'm beginning to like you quite a lot.

00:53:43Yeah, me too.

00:53:55Wally, are you still here?

00:54:13Wally?

00:54:14Wally?

00:54:21Wally?

00:54:28Wally?

00:54:31I don't know.

00:55:01I don't know.

00:55:31Mark?

00:55:34Who's there, god damn you?

00:56:01I don't know.

00:56:04I don't know.

00:56:08I don't know.

00:56:09I don't know.

00:56:11I don't know.

00:56:12I don't know.

00:56:14I don't know.

00:56:15I don't know.

00:56:17I don't know.

00:56:18I don't know.

00:56:19I don't know.

00:56:20I don't know.

00:56:21I don't know.

00:56:22I don't know.

00:56:25Tina.

00:56:55Over here.

00:57:25Bitch.

00:57:31No.

00:57:33No.

00:57:37No.

00:57:39No.

00:57:41No.

00:57:43No.

00:57:45No.

00:57:49No.

00:57:51No.

00:58:00No.

00:58:02No.

00:58:04No.

00:58:08No.

00:58:18No.

00:58:19No.

00:58:21We, uh, we found a black girl.

00:58:28Is she alive?

00:58:30Oh, we fished her out of a garbage dump up around Boltonville.

00:58:35Got one good print, though, and matches.

00:58:38Shit.

00:58:40How long has she been dead?

00:58:42Oh, it's the coroner's working on it.

00:58:45You, uh, you want me to give her brother a call, or you want to do it?

00:58:49Thanks, but I'll do it.

00:58:51I really don't have time for you now, Eric.

00:58:59I hope this will be worth it.

00:59:01It'll be worth it.

00:59:04Sit down, Father.

00:59:08Behind your desk, where you belong.

00:59:12Remember, you earned it.

00:59:14Don't play games with me.

00:59:15Sit down!

00:59:16There's something I want you to see.

00:59:24Oh, my God.

00:59:33Oh, my God.

00:59:37Eric, for God's sake, what are you doing?

00:59:39What are you...

00:59:40Look at it!

00:59:42How dare you subject me to this?

00:59:44Me, your own father.

00:59:46How dare I?

00:59:48Look at it!

00:59:49That's you, isn't it?

00:59:50No, it isn't.

00:59:51That's you, you bastard!

00:59:52No, Eric.

00:59:53You fucking your own daughter!

00:59:55But, Eric...

00:59:56That's how you cared for her?

00:59:57That's how you loved her?

00:59:58Eric...

00:59:59You bastard!

01:00:01For God's sake, you don't understand...

01:00:05How long, Father?

01:00:07How long?

01:00:12I don't know.

01:00:15It was five or six years after your mother died.

01:00:17I don't know.

01:00:19I loved her, Eric.

01:00:21I loved her.

01:00:21She was my only weakness.

01:00:22What's it, God?

01:00:23My only weakness.

01:00:25She tried to black me.

01:00:27Shut up!

01:00:28Shut up!

01:00:29All I want to know is, where is she?

01:00:34Where is she?

01:00:35Oh, I don't know.

01:00:36I...

01:00:37I asked...

01:00:38I asked Tony Sean to handle it.

01:00:40I don't know, honestly.

01:00:40God, I don't know.

01:00:44What are you going to do, Eric?

01:00:48What are you going to do?

01:00:51I'm going to let this tape do it for me.

01:00:54It's called pressure, Father.

01:00:56You taught me all about it.

01:00:59Eric, I loved her.

01:01:05Eric, I...

01:01:06I loved you.

01:01:07Let's go.

01:01:37Let's go.

01:02:07Let's go.

01:02:08Let's go.

01:02:09Let's go.

01:02:10Let's go.

01:02:11Let's go.

01:02:12Let's go.

01:02:13Let's go.

01:02:14Let's go.

01:02:15Let's go.

01:02:16Let's go.

01:02:17Let's go.

01:02:18Let's go.

01:02:19Let's go.

01:02:20Let's go.

01:02:21Let's go.

01:02:22Let's go.

01:02:23Let's go.

01:02:24Let's go.

01:02:25Let's go.

01:02:26Let's go.

01:02:27Let's go.

01:02:28Let's go.

01:02:29Let's go.

01:02:30Let's go.

01:02:31Let's go.

01:02:32Let's go.

01:02:33Let's go.

01:02:34Let's go.

01:02:35Let's go.

01:02:36Let's go.

01:02:37Let's go.

01:02:38Let's go.

01:02:39Let's go.

01:02:40Let's go.

01:02:41Let's go.

01:02:42Let's go.

01:02:43Let's go.

01:02:44Let's go.

01:02:45Let's go.

01:02:46Let's go.

01:02:47Let's go.

01:02:48Let's go.

01:02:54Maybe you know somebody can use these.

01:02:56I'll take good care of them for you.

01:02:58I'm gonna miss you, Lou.

01:03:00Wally, I think I'm in love.

01:03:02By the first time in my life, I feel like I don't have to run away.

01:03:08So why am I scared?

01:03:10You got nothing to worry about, kid.

01:03:17You take care of yourself, Wally.

01:03:27Louise?

01:03:32Louise?

01:03:47I'll be right out.

01:04:06Whatever.

01:04:10I don't magari stormed me in the ground with his vaccine.

01:04:12No, absolutely.

01:04:14Come on.

01:04:15Oh, my God.

01:04:38Louise!

01:04:45Dolly?

01:04:50Hello?

01:04:51Anybody here?

01:05:06Hi?

01:05:08Good morning, Miss Harmon.

01:05:11You're right on time.

01:05:13I admire punctuality.

01:05:16Um, I thought this was a rehearsal.

01:05:19Where is everybody?

01:05:20You're the last.

01:05:22I've been waiting for you.

01:05:29You know me, don't you?

01:05:31Of course.

01:05:32Everybody knows you, Mr. Shaw.

01:05:34Yes, they all know me.

01:05:36And Mr. Blake.

01:05:38And all that we represent.

01:05:42But scum like you, you can't stand that, can you?

01:05:47No, you try to tear us apart with your schemes.

01:05:52I don't know.

01:05:54You dream of dragging us down into your own slime where you can pick at our bones.

01:06:03Oh, my God.

01:06:05But you see, I can't let you do that to us.

01:06:09Yes.

01:06:10We tried to help you all.

01:06:13We wanted to drag you out of the gutter that you called life.

01:06:18You, Isabel, your sordid associates, and that miserable little faggot.

01:06:27You all shared in the joke.

01:06:30You all knew.

01:06:32Plotting behind our backs.

01:06:37Why are you doing this?

01:06:39All you scum had to do was to give me the tape.

01:06:44But no, you had to cheat, didn't you?

01:06:46Now, no one will ever know.

01:06:56We ought to let each other go for a chance.

01:06:58Let's go.

01:07:01No one will be.

01:07:03Let's go.

01:07:04Okay, now, let's go.

01:07:05Let's go.

01:07:07Let's go.

01:07:09Let's go.

01:07:12Let's go.

01:07:14Let's go.

01:07:16Let's go.

01:07:18Let's go.

01:07:20Oh, my God.

01:07:50Oh, my God.

01:08:20Oh, my God.

01:08:50Oh, my God.

01:09:20Miss Harmon, I've learned a great deal lately about how to use this.

01:09:30Now, I can kill you quickly, no pain, or I can kill you slowly.

01:09:37The way you and your crowd of sick degenerates tried to kill Hamilton Blake.

01:09:42Greatest man who ever lived in this country, with your lies and your sordid little blackmail games.

01:09:48Hamilton Blake, Miss Harmon! Hamilton Blake!

01:09:54Mr. Blake proposes, Mr. Shaw disposes. That's how it is.

01:10:02Shaw!

01:10:05Eric!

01:10:06Ah!

01:10:11Prodigal son.

01:10:13Do you know what your father really is?

01:10:17Do you know the vision he has?

01:10:19The people he saved?

01:10:22Now, what's she?

01:10:23Or a hundred like her compared to him?

01:10:26We're the ones worth saving, not them.

01:10:29Scum like her dragged people like Isabelle down with them.

01:10:34I had to kill her too, Eric.

01:10:36We are the ones that can change the world, not them.

01:10:40We count.

01:10:42We matter.

01:10:44I can't let you ruin that.

01:10:57Ah!

01:10:57Gary!

01:10:59Ah!

01:11:06Ah!

01:11:07Ah!

01:11:08Ah!

01:11:09Uh!

01:11:09Ah!

01:11:10Ah!

01:11:11Ah!

01:11:12Ah!

01:11:14I don't know how to do it.

01:11:16I don't know how to do it.

01:11:18I don't know.

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