Curtains

Watch Free Movies

1983  FULL HOT MOVIE  Six young actresses auditioning for a movie role at a remote mansion are targeted by a mysterious masked murderer.   *  #watchfreemovie  #watcnow  #fullmovie  #watchonlinemovie  #freestreaming  #StreamingNow  #MovieRecommendations  #MustWatch  #ClassicMovies  #Thriller  #Mystery  #WatchOnline  #TopRatedMovies  #CinemaLovers  #DramaFilm  #ForeignFilms  #AwardWinning  #MovieOfTheDay  #InstantClassic  #FeelGoodMovies  #RetroMovies  #MovieClips  #BestCinematography  #StreamingTonight  #LateNightMovies  #RomanticDrama  #Top10Movies  #PopcornTime  #MovieMarathon  #LoveStory  #romanticmovie  #WatchFree  #FreeMoviesOnline  #FilmOfTheYear  #BestMoviesEver  #Comedy  #FunnyMovie  #mustwatchmovie  #Movie  #Film  #filme  #Movies  #FullMovies  #ActionMovies  #ComedyMovies  #HorrorMovies  #DramaMovies  #RomanticMovies  #ThrillerMovies  #EuropeanFilms  #europeanmovie  #FrenchCinema  #SpanishMovies  #ItalianFilms  #GermanMovies  #EuropeanMovieClips  #EuropeanFilmFestival  #BestEuropeanMovies  #TopEuropeanFilms  #ClassicEuropeanCinema  #EuropeanDramaFilms  #EuropeanFilmAwards  #ScandinavianMovies  #EuropeanHorrorFilms  #EuropeanComedyMovies  #EuropeanArtFilms  #EuropeanIndieFilms

Transcript

00:00:00The End

00:00:30Not again, not ever again.

00:01:00You've betrayed me for the last time.

00:01:05God, I was such a fool.

00:01:09A woman in love.

00:01:12No more.

00:01:13I wouldn't bother to kill you except I'm so looking forward to every last ounce of blood seeping out of your wretched body.

00:01:25If I believed in demons, I'd damn your soul forever.

00:01:32I'd put a stake through your heart if only you had one, you bastard.

00:01:35I just wish that I could do to you what you did to me.

00:01:46This will have to do.

00:01:48I don't believe it.

00:01:56No?

00:02:00No.

00:02:01Audra could never pull the trigger.

00:02:04A woman discovering her lover in bed with someone else?

00:02:08You don't know much about women or love or me.

00:02:16Well, what do you think?

00:02:25I mean, I know it needs work.

00:02:30The lighting will help.

00:02:32The camera moves.

00:02:33The camera moves.

00:02:34The camera moves.

00:02:35The camera moves.

00:02:36The camera moves.

00:02:37The camera moves.

00:02:38The camera moves.

00:02:39The camera moves.

00:02:40The camera moves.

00:02:41The camera moves.

00:02:42The camera moves.

00:02:43The camera moves.

00:02:44The camera moves.

00:02:45The camera moves.

00:02:46The camera moves.

00:02:47The camera moves.

00:02:48The camera moves.

00:02:49The camera moves.

00:02:50The camera moves.

00:02:51I don't know.

00:03:21I don't know.

00:03:52May I help you?

00:03:53We're here to see Dr. Pendleton.

00:03:55Have you got an appointment?

00:03:56He's expecting us.

00:03:58Your name?

00:03:59Stryker.

00:04:01There's a Mr. Stryker and a lady to see Dr. Pendleton.

00:04:05Yeah, I knew that.

00:04:12Uh, the doctor will see you right away.

00:04:15It's the first room on the right, just down the corridor.

00:04:17Excuse me, Ms. Sherwood.

00:04:19May I have your autograph?

00:04:21Some other time.

00:04:38Oh, Jonathan.

00:04:40Arthur?

00:04:41It's good to see you again.

00:04:43Good to see you.

00:04:44Samantha, this is Dr. Arthur Pendleton.

00:04:46Hello.

00:04:48Won't you sit down?

00:04:54Well, now, everything seems to be in order.

00:04:57I spoke with Dr. Harrison and he confirmed what you told me, Jonathan.

00:05:01So we're all set?

00:05:02Yes, I just need a couple of signatures.

00:05:05Now, if you'll sign here.

00:05:08All right.

00:05:08It's an honor to have you here, Ms. Sherwood.

00:05:13I'm a longtime fan of yours.

00:05:14I am looking forward to seeing Audra.

00:05:17The film has been shelved temporarily.

00:05:21I didn't realize.

00:05:23Oh, I need one signature from you, Ms. Sherwood.

00:05:26If you'd sign here.

00:05:33That's it.

00:05:34I must say, Ms. Sherwood, from Dr. Harrison's report, I, uh, expected somewhat more severe

00:05:42behavior from you.

00:05:44But I see no reason why you shouldn't be back in front of the camera in no time.

00:05:47Those days are over, Doctor.

00:05:50I only hope she faces...

00:05:51Samantha!

00:05:52Attendant!

00:05:53Get in!

00:05:57Let's go of me!

00:05:58Let's go of me, I think!

00:06:00Let's go of me!

00:06:02Let's go of my hands!

00:06:03Let's go of me!

00:06:04What do you...

00:06:05Don't do this!

00:06:07Get away!

00:06:12You're going!

00:06:18You're going!

00:06:19You're going!

00:06:19Set her down over there.

00:06:22Good.

00:06:28You all right?

00:06:29Yeah.

00:06:30I see what you mean.

00:06:31i think you should leave now doctor i'd like to have a moment alone with her if i may

00:06:39you think that's wise well look at it what harm could you do me or anyone else like that

00:06:43all right we'll be outside if you need us come with me

00:07:01audra herself couldn't have done it better i think that poor doctor was in shock he's not the

00:07:09only one are you all right darling you almost took my head out well the thought did occur to me

00:07:14what a performance oh method acting you have to believe it to do it well i'm convinced isn't

00:07:19you really think this whole charade is necessary well if i'm going to play a mad woman i've got

00:07:23to know what it's really like this is going a bit too far call it research all for the sake of a role

00:07:29on a film all for the sake of getting it right and you as my director you should applaud my dedication

00:07:34you better go i like you like this oh yes what sort of women have you been seeing lately none like you

00:07:59so

00:08:29I don't know.

00:08:59I don't know.

00:09:29I don't know.

00:09:31Samantha.

00:09:33You look beautiful.

00:09:49Stick to directing, Jonathan.

00:09:51You make a terrible actor.

00:09:53you too. I believe you. Why so defensive? Come on, Jonathan. Get enough psychiatric

00:10:03babble in here as it is. Dr. Pendleton said that you're doing well. Crazier than ever.

00:10:11That's what you wanted, isn't it?

00:10:23Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.

00:10:38People here tonight. Alice, what a pretty dress. Never seen you wear that one before.

00:10:44Oh, it's there's nothing. Don't get too many chances to wear it here.

00:10:48It's pretty. May we dance?

00:10:53I think the better dance itself.

00:11:23And like the look, it's very convincing.

00:11:30They believe it.

00:11:32They believe everything.

00:11:35Are they all so vacant?

00:11:38The sane ones.

00:11:42That's how you get by in here.

00:11:47You can drop all this in front of me.

00:11:50Relax. Save it for the film.

00:11:52So sad.

00:11:56What is?

00:11:57Even their laughter is sad.

00:12:00Because you're crying.

00:12:22I'm crying.

00:12:24I'm sorry.

00:12:26I'm crying.

00:12:28I can see the number of adults.

00:12:32I'm crying.

00:14:04Have you ever wanted something so badly you would do anything for it?

00:14:15Well, me, I want to be an actress.

00:14:23You know, I wanted to be in pictures so badly, I screwed a guy from Photomat.

00:14:27You know when they say in and out in 24 hours?

00:14:34He was in and out in 24 seconds.

00:14:37I am off to a casting session.

00:14:46Don't you wish you were going to be there with me?

00:14:49Now, kind of imagine this.

00:14:52Six actresses going to the same house to audition for the same part.

00:14:59Well, it sounds like a lot of fun if you like blood baths.

00:15:03I mean, I can see it now.

00:15:04The actor's saying to me,

00:15:05Excuse me, but I think that's my knife in your back.

00:15:08So you'll audition for Stryker.

00:15:24Who does he think he is?

00:15:26I mean, God, who does he think I am?

00:15:29Relax, lady.

00:15:30Okay, the man has strange ways, but he gets it done.

00:15:33Have you seen the script?

00:15:34It's here somewhere.

00:15:36Did you read it?

00:15:37I don't read without an offer.

00:15:39Brooke, Jesus, Brooke?

00:15:41I mean, if you wait for an offer from Stryker,

00:15:44we'll both starve to death.

00:15:46Fuck you.

00:15:46You're the agent.

00:15:47Get me one.

00:15:48It was all I could do to get you the audition, dear.

00:15:50What you do for me is cash my checks.

00:15:54Nice work if you can get it, Monty.

00:15:58Just go see the man, okay?

00:16:00God, I look like shit.

00:16:05I should look so bad.

00:16:07Have you seen the trades?

00:16:09The trades?

00:16:10Yes.

00:16:10Have you seen Friday's variety, dear?

00:16:13You know I never read that crap.

00:16:17Right.

00:16:18Jonathan Stryker said that there was only one actress in the world

00:16:22who he'd consider for Audra.

00:16:24You cuckoo head!

00:16:27He said that about me?

00:16:28Yes, of course he did.

00:16:31Well, not in so many words, but that was the general gist of the thing.

00:16:34But I thought Samantha Sherwood was playing Audra.

00:16:37Samantha Sherwood?

00:16:39Health problems!

00:16:41You're the one!

00:16:45Bastard.

00:16:45I still can't believe Stryker left me in the asylum.

00:16:50If you hadn't sent Variety, I never would have known he was going ahead without me anyway.

00:16:55I figured you'd be upset.

00:16:59What are you going to do now?

00:17:00Whatever I have to do to get him back.

00:17:13Well, aren't you in enough trouble already?

00:17:16By now they're bound to know you've escaped.

00:17:19Let them come after me.

00:17:21What I have to do won't take long.

00:17:25Why don't you just forget about it?

00:17:29That's the one thing I'll never do.

00:17:31I didn't help you get out to see you thrown back in again.

00:17:33Why did you?

00:17:34You're my friend.

00:17:35I felt sorry for you.

00:17:38Stryker's the one you should feel sorry for.

00:17:41This time, he's gone too far.

00:17:43You're my friend.

00:18:13You're my friend.

00:18:36You're my friend.

00:18:37Let's go.

00:19:07Let's go.

00:19:37Let's go.

00:20:07Let's go.

00:20:37Let's go.

00:21:07Let's go.

00:21:37Let's go.

00:22:07Let's go.

00:22:37Well, you didn't put up much of a fight.

00:22:45I didn't want to run my stocking.

00:22:46This is getting a little boring.

00:23:02Well, it was always the pizza boy.

00:23:04No, you're messy.

00:23:07Besides, the pepperoni always sticks to my ass.

00:23:10That's the only way to keep it warm.

00:23:12What about Pac-Man?

00:23:14What's that?

00:23:15Well, if the press Spencer buys a home video game, she takes it.

00:23:18That night, the monster comes alive and eats everything that's well.

00:23:20Not tomorrow night, he doesn't.

00:23:21What's the matter?

00:23:22What?

00:23:22Not tomorrow night, he doesn't.

00:23:23Well, he's easy.

00:23:24How about Saturday?

00:23:25Sunday.

00:23:26Keep the little guy warmed up.

00:23:28Why, you going somewhere?

00:23:29I told you this weekend is Stryker's casting session.

00:23:32What kind of an audition is that?

00:23:34A guy invites six women up to his house and calls it work.

00:23:37At least he's original.

00:23:40I wish you wouldn't go.

00:23:42I want the part.

00:23:43More than you want my part?

00:23:45Don't be silly much more than I want your part.

00:23:49It'd be funny if it weren't true.

00:23:51I won't pass out this chance.

00:23:54Might not be here when you get back.

00:23:58Well, then I just better give you something to remember me by.

00:24:02It's straight.

00:24:05No games.

00:24:07Just me.

00:24:08Just you.

00:24:10Reality.

00:24:12It's different.

00:24:28The cold weather should continue.

00:24:29Maybe with a good chance we'll see some snow before it's over.

00:24:33So find somebody warm and dig in.

00:24:35Went to bed, man.

00:24:36Woo!

00:24:36Door, need to go outside.

00:24:38Snape, time bistur!

00:24:38Or went away.

00:24:39Door, need to go outside.

00:24:40Then, control over, burner.

00:24:41I'm going away.

00:24:44년 Bible Attorney.

00:24:45That's right.

00:24:46Why?

00:24:48Oh boy.

00:24:49Oh boy.

00:24:56And you understand what I'm doing.

00:24:57But I'm not wanting to do.

00:24:59How?

00:24:59So when I'm not GW was going to be here yet.

00:25:00In my heart.

00:25:01You see...

00:25:01That's right.

00:27:02Peter?

00:27:06Come on, Peter.

00:27:12No more games, huh?

00:27:13No more games, Peter.

00:27:25I first read the book when I was a little girl.

00:27:44It was so beautiful.

00:27:47Do you know it?

00:27:50I am Audrey.

00:27:54I am Audrey.

00:27:57I'm not Audrey.

00:27:59I am Audrey.

00:28:04I am Audrey.

00:28:06I'm not Audrey.

00:28:09It's like a girl.

00:28:21I'm Audrey.

00:28:22It's a woman.

00:28:23That's 1025, lady.

00:28:24Somewhere, maybe you can work it off.

00:28:32I like older men, you know?

00:28:3314, 15?

00:28:36Hold this, please.

00:28:42Are you a writer?

00:28:43No, actress.

00:28:45Yeah, I thought I'd seen you on TV before.

00:28:47Not a chance, I would've remembered you.

00:28:51Where are you headed?

00:28:53Jonathan Stryker's place, you know it?

00:28:55Yeah, just follow the road up the hill.

00:28:57Say, do you know Miss Sherwood?

00:28:59Samantha Sherwood?

00:29:01I've heard of her.

00:29:02She was great.

00:29:03Still is, I guess.

00:29:05Thanks.

00:29:23You're really all here for the same heart?

00:29:25You obviously doesn't know what it wants.

00:29:27Are we really all here for the same part?

00:29:50He obviously doesn't know what he wants.

00:29:52What could we all possibly have in common?

00:29:55Sex?

00:29:57I mean, you were all women.

00:30:02I couldn't have told me.

00:30:10Aren't you Brooke Parsons?

00:30:14Yes, I am.

00:30:15The rest of us might as well pack it in right now.

00:30:18What are you doing here?

00:30:20I'd kill for the part.

00:30:21I'd fuck for it.

00:30:28Don't much want the part, huh?

00:30:33What would you do for it?

00:30:35I don't know.

00:30:36Tell a few jokes.

00:30:38Do a little song and dance.

00:30:40Sell my mother into slavery.

00:30:44Go down on it.

00:30:45That shouldn't be necessary.

00:30:52But I'll keep it in mind.

00:30:57One of you is missing.

00:30:59I trust you'll keep us amused, O'Connor.

00:31:05Parsons?

00:31:06I've long admired your work.

00:31:12Summers?

00:31:13Hello.

00:31:14De Milo.

00:31:15I look forward to hearing you perform.

00:31:17De Milo's a musician.

00:31:20Burns?

00:31:21You bring your skates?

00:31:22Yes.

00:31:24Yes.

00:31:26Good.

00:31:29This is Matthew.

00:31:31And one of you is Audra.

00:31:34Which one, I don't yet know.

00:31:39The next two days will be unlike any you've ever known.

00:31:43Not all of you will make it, but I promise each of you will have learned something about themselves and their craft.

00:31:53For all the good it will do you.

00:32:01We missed you at dinner.

00:32:07Ladies, may I present Samantha Sherwood, an actress I've known for some time.

00:32:13You may remember her work.

00:32:16Samantha, may I introduce...

00:32:17No, don't bother, darling.

00:32:19You all look alike to me.

00:32:23Well, the striker.

00:32:26Is this your idea of a casting session?

00:32:29Are you going to play, Samantha?

00:32:34You know I am.

00:32:44I am.

00:33:11I am.

00:33:11It's like old times, isn't it, Samantha?

00:33:39You haven't changed a thing, Stryker.

00:33:41It's exactly as I left it.

00:33:43Why are you here?

00:33:45Why have you brought those girls here?

00:33:49Forget it, Samantha.

00:33:51Perhaps once you were, Audra.

00:33:53Today...

00:33:55But I bought you the rights to Audra.

00:33:59For which I am grateful.

00:34:01It was for us.

00:34:05Not anymore.

00:34:07Come on.

00:34:09You know I like it.

00:34:11Well...

00:34:13Come on.

00:34:15Just once.

00:34:17Come on.

00:34:19No, I don't.

00:34:21Come on.

00:34:23Come on.

00:34:25Come on.

00:34:27Okay?

00:34:29Well...

00:34:31Okay...

00:34:33Boy, you give great head.

00:34:37Gross.

00:34:39We bit past your bedtime, isn't it, darling?

00:34:41Oh...

00:34:43Has anyone seen my skates?

00:34:45I can't seem to find my new pair.

00:34:47The girl thinks she's on holiday.

00:34:49Oh, no.

00:34:50It's bad for your wind.

00:34:51I'm still in training.

00:34:53God knows why.

00:34:55I get up every morning at dawn to practice.

00:34:57Dawn?

00:34:58I bet you're fun on dates.

00:35:00Makes me feel good.

00:35:14Guess you gotta want it more than being loved.

00:35:16Isn't that how you feel about acting?

00:35:18It depends on the love.

00:35:20Ha, ha, ha, ha.

00:35:22Oh, no.

00:35:23It's bad for your wind.

00:35:25I suppose.

00:35:34Well, I'll see you in the morning.

00:35:44You don't like her?

00:35:46What's she doing here? She's just a baby.

00:35:55Are you nervous too?

00:36:00Me?

00:36:02I'm scared to death.

00:36:04But you've been doing this for years.

00:36:07But I can remember seeing you in...

00:36:10I started early.

00:36:13It never gets easier.

00:36:15Well, there's always the casting jacuzzi.

00:36:19What?

00:36:25It's like the casting couch.

00:36:28Only wetter.

00:36:31I won't give up.

00:36:32Spare me the melodrama.

00:36:34If it wasn't for me, you wouldn't even have a project.

00:36:36I'd find something.

00:36:37Oh, you're a hypocrite and a liar.

00:36:40You never intended to get me out, did you?

00:36:42I did what I thought was best for everyone involved.

00:36:45Deserting me in an asylum?

00:36:46It was your idea to commit yourself.

00:36:48But not forever.

00:36:49I'm not convinced you're cured yet.

00:36:51Oh, Stryker, I was never insane.

00:36:53Perhaps I should call the good doctor.

00:36:55Let him know where you are.

00:36:56I suspect he'd be most interested.

00:36:57Well, I'll tell him the truth.

00:36:58And I'll deny everything.

00:37:00And you, my dear, will move back into a rescue manor permanently.

00:37:04I'll die first.

00:37:08I was just passing by and I heard voices.

00:37:12Come in, my dear, come in.

00:37:15What you heard is a scene I wrote many years ago for a play.

00:37:19A very bad play.

00:37:20A very bad play indeed.

00:37:22Saved only by your talent and beauty, Samantha.

00:37:26A play?

00:37:28You mean it was all a joke?

00:37:30Well, let's call it a performance.

00:37:33But it sounded so real.

00:37:37Tricks of the trade, my dear, tricks of the trade.

00:37:40Give the people what they want to believe in.

00:37:42It's part of our profession.

00:37:43How did you know I was standing outside the door?

00:49:00I want to act.

00:51:00Put it on.

00:52:04You're beautiful.

00:53:13Medics.

00:53:15Medics.

00:53:17Medics.

00:53:20Medics.

00:53:23Medics!

00:53:27You want me to sit there, right?

00:53:30Right.

00:53:44So, I guess you're wondering why I called you here, right?

00:53:53Well, Doc, you see, it all started when my mother locked me in the closet.

00:54:01I was 21 at the time.

00:54:10You want me to wear the mask?

00:54:13No, that's not necessary.

00:54:15Too bad. Might be an improvement.

00:54:20Oh, boy, this is what you call bombing, right?

00:54:24Are you on something?

00:54:26Oh, God, don't I wish.

00:54:28Oh, I'm on nerves, actually.

00:54:30Sheer, raw nerves.

00:54:32And if we don't get on with this, I'm liable to break down right before your very eyes.

00:54:37Oh, I don't think that's necessary, either.

00:54:40In fact, this whole session isn't necessary.

00:54:42What?

00:54:44You're a very talented...

00:54:46Joke, right?

00:54:48Good for a laugh, but nothing serious, is that it?

00:54:51Oh, yeah. Tell me something I don't know.

00:54:53What makes you think you're right for Audra?

00:54:55I'm as right as anybody else you've got here.

00:54:57I mean, God damn it! You haven't spent five minutes with me, and now you're telling me I'm wrong for the part. Why? Because I haven't got a staple through my navel like that centerfold? Because I wouldn't pirouette into bed with you and skate on your face? I mean, what the hell are you looking for, anyway? And what do you want from me? I mean, who the fuck is Audra, anyway?

00:55:11You're enjoying yourself?

00:55:12I'm enjoying a little bit of Audra, huh?

00:55:13I'm enjoying a little bit of Audra.

00:55:41You bastard.

00:55:50Where's the mask?

00:55:52What do you mean?

00:55:53What the hell are you up to, Samantha?

00:55:55What am I up to?

00:55:57You bring five totally different girls here on a bogus casting session for a part that was mine in the first place, and you ask me what I am up to?

00:56:11Oh, my God. I wouldn't bother to kill you except I'm so looking forward to every last ounce of blood seeping out of your wretched body. If I believed in demons, I'd damn your soul forever.

00:56:31I'd put a stake through your heart if only you had one, you bastard!

00:56:41You're so real.

00:56:42I don't even know what to do with me.

00:56:43I don't know about to die, because you're the one.

00:56:44I don't know about that.

00:56:47You just need some επalweather.

00:56:50Put a lot together in shock and there's a lot ofDY staff.

00:56:53I'm so sorry.

00:56:55I don't know about that.

00:56:56You're right.

00:56:58Oh, my God.

00:56:59You're right.

00:57:01I've been a great week.

00:57:02I'm so sorry.

00:57:04You're right.

00:57:05I'm so sorry.

00:57:07We've been able to see you in a beautiful house.

00:57:08I'm so sorry.

00:57:09Oh!

00:57:39Oh!

00:58:09Oh!

00:58:39Oh!

00:59:03No, no, no, no, no!

00:59:06You're a man seducing a woman.

00:59:09Now forget your sex.

00:59:10Enter into his imagination.

00:59:12Become one with him.

00:59:24Use your vulnerability.

00:59:36Please do not sleep.

00:59:48Make sure to close your mind.

01:00:51What about her?

01:00:56She's dead.

01:00:59Now you've had a nightmare.

01:01:01No.

01:01:02No one is dead.

01:01:03But I saw her.

01:01:04You're imagining things.

01:01:06Let me take you to your room.

01:01:08No.

01:01:09Maybe I should.

01:01:10We'll continue later.

01:01:12Come on.

01:01:13Please, no.

01:01:13There's nothing there.

01:01:15Please.

01:01:16Come on.

01:01:21Come on.

01:01:22No, no, no, no.

01:01:24Come on.

01:01:24Please, no.

01:01:26What the hell is frightening you?

01:01:29Christy.

01:01:31Christy.

01:01:31Don't.

01:01:32Don't go in.

01:01:51There's absolutely nothing in there.

01:01:53Come on.

01:01:55Take a look.

01:01:56I...

01:01:57I just...

01:01:59Don't.

01:02:01Please.

01:02:07There.

01:02:08In there.

01:02:09Come on.

01:02:25Come on.

01:02:27I don't know what you're saying.

01:02:30Get some rest.

01:02:55I don't know.

01:03:14What do you mean?

01:03:23How is she?

01:03:42I don't know.

01:03:43The door's shut.

01:03:45Stryker's probably trying to calm her down.

01:03:48I'll bet.

01:03:49Why would she say that?

01:03:51Christy's dead.

01:03:53She's been drinking a lot.

01:03:55Yeah, but that doesn't explain Amanda never arriving.

01:03:58Matthew's disappeared.

01:04:00I'm scared.

01:04:03Maybe Brooke is smarter than we think.

01:04:06What do you mean?

01:04:08Brooke is acting just like Audra.

01:04:15Well, yeah, I suppose, but...

01:04:18Aren't you being a little...

01:04:19Cynical?

01:04:20Yeah.

01:04:21Well, all's fair in love.

01:04:25And auditions.

01:04:26That's just a bit of fun.

01:04:28I don't understand that.

01:04:30Nocipline.

01:04:34Hello?

01:04:36No.

01:04:39No, no.

01:04:41So why?

01:04:44Bye.

01:04:45Bye.

01:04:46Bye.

01:04:47Bye.

01:04:48Bye.

01:04:49Bye.

01:04:50Bye.

01:04:51Bye.

01:04:52Bye.

01:04:53Bye.

01:04:54Bye.

01:04:55I don't know.

01:05:25It's like all time has been said.

01:05:48Audra herself couldn't have done it better.

01:05:50I thought that doctor was going to go into shock.

01:05:52Are you going to play, Samantha?

01:05:56Why are you all in this room?

01:06:00Forget it, Samantha.

01:06:02Perhaps once you were, Audra.

01:06:04Today...

01:06:04What do you think?

01:06:14I don't know.

01:06:18I don't know.

01:06:19No, no.

01:06:20I don't know.

01:06:21I don't know.

01:09:22What's she like?

01:09:32Is she anything like me?

01:09:35Is she anything like the others?

01:09:36How'd you tell?

01:09:40Help!

01:09:44Help!

01:09:46Help!

01:09:52Help!

01:09:56Help!

01:10:04Help!

01:10:08Patty!

01:10:09Brooke!

01:10:10Somebody!

01:10:14Somebody!

01:10:16I'm sorry!

01:10:26I'm sorry!

01:10:27Thank you!

01:10:28I'm sorry!

01:10:32Oh, come on.

01:11:02Oh, oh, Matthew!

01:11:32Oh, come on.

01:12:02Oh, come on.

01:12:32Oh, come on.

01:12:34Oh, come on.

01:12:36Oh, come on.

01:12:38Oh, come on.

01:12:40Oh, come on.

01:12:44Oh, come on.

01:12:48Oh, come on.

01:12:50Oh, come on.

01:12:58Oh, come on.

01:13:00Oh, come on.

01:13:02Oh, come on.

01:13:04Oh, come on.

01:13:10Oh, come on.

01:13:12Oh, come on.

01:13:14Oh, come on.

01:13:16Oh, come on.

01:13:20Oh, come on.

01:13:22Oh, come on.

01:13:24Oh, come on.

01:13:28Oh, come on.

01:13:30Oh, come on.

01:13:32Oh, come on.

01:19:00Come on, come on, come on.

01:19:30Come on, come on, come on.

01:20:00Come on, come on.

01:20:30Come on, come on.

01:21:00Come on.

01:21:02Come on.

01:21:04Come on.

01:21:06Come on.

01:21:08Come on.

01:21:10Come on.

01:21:12Come on.

01:21:14Come on.

01:21:16Come on.

01:21:18Come on.

01:21:20Come on.

01:21:22Come on.

01:21:24Come on.

01:21:26Come on.

01:21:28Come on.

01:21:30Come on.

01:21:32Come on.

01:21:34Come on.

01:21:36Come on.

01:21:38Come on.

01:21:40Come on.

01:21:42Come on.

01:21:44Come on.

01:21:46Come on.

01:21:48Come on.

01:21:50Come on.

01:21:52Come on.

01:21:54Come on.

01:21:56Come on.

01:21:58Come on.

01:22:00Come on.

01:22:02Come on.

01:22:04Come on.

01:22:06Come on.

01:22:08Come on.

01:22:10Come on.

01:22:12Come on.

01:22:14Come on.

01:22:16Come on.

01:22:18Come on.

01:22:20Come on.

01:22:25Come on.

01:22:36Come on.

01:22:38There's plenty more in the refrigerator.

01:23:08Audra would know how to open a bottle of champagne.

01:23:26She would have smashed the bottle against the counter and drank from the broken neck.

01:23:30How do you know?

01:23:33It's what I would do.

01:23:37Too violent.

01:23:39Audra was mad.

01:23:42Did you know that I was in an asylum?

01:23:45I heard you were sick.

01:23:48He thought so.

01:23:51He left me there.

01:23:55Straight?

01:23:56I had myself committed to learn what Audra knew.

01:24:03What did you find out?

01:24:05That an actress must always be in control.

01:24:11If you know what you're doing, you're doing it wrong.

01:24:15That's what Stryker would have said.

01:24:21We're the same.

01:24:23He wouldn't like that.

01:24:26He was fond of disciples.

01:24:29Young, pretty ones.

01:24:31He was.

01:24:33Where is he?

01:24:35Gone.

01:24:36He left?

01:24:37He's dead.

01:24:38It wasn't supposed to be like that.

01:24:40It's all over now.

01:24:41Go back.

01:24:42Go back to the acting classes and the dinner theatre.

01:24:46The chorus line.

01:24:48Wait tables.

01:24:49Be somebody's secretary.

01:24:50Get married.

01:24:51Grow old together.

01:24:52Forget about Audra.

01:24:54Have I shocked you?

01:24:56I'm not sorry.

01:25:12Tell me what you've done.

01:25:14I killed Stryker.

01:25:16You want to call the police?

01:25:17Go ahead.

01:25:18I'm not going anywhere.

01:25:23Don't worry.

01:25:25I won't hurt any of your friends.

01:25:27It's only me.

01:25:30What do you mean?

01:25:35You're dead too.

01:25:38What?

01:25:42You?

01:25:45I...

01:25:50Have you ever wanted something so badly you'd do anything for it?

01:25:55Me?

01:25:57I wanted to be an actress.

01:26:03I mean, I wanted to be in pictures so badly I screwed a guy from Photomat.

01:26:09You know when they say in and out in 24 hours?

01:26:13He was in and out in 24 seconds.

01:26:16Yes.

01:26:19Well, I know what you're wondering.

01:26:20The question is...

01:26:22Can she?

01:26:24Right?

01:26:24That's what you're wondering.

01:26:25Why can't she make it?

01:26:26I mean, as I act.

01:26:28Just ask my boyfriend.

01:26:29Boyfriend.

01:26:30Boyfriend.

01:26:31Boyfriend.

01:26:32Better yet, ask my mother.

01:26:33Mother.

01:26:34Mother.

01:26:35Mother.

01:26:36Mother.

01:26:37Mother.

01:26:38Mother.

01:26:39Mother.

01:26:40Mother.

01:26:41Mother.

01:26:42Mother.

01:26:43Mother.

01:26:44Mother.

01:26:45Mother.

01:26:46Mother.

01:26:47Mother.

01:26:48Mother.

01:26:49Mother.

01:26:50Mother.

01:26:51Mother.

01:26:52Mother.

01:26:53Mother.

01:26:54Mother.

01:26:55Mother.

01:26:56Mother.

01:26:57Mother.

01:26:58Mother.

01:26:59Mother.

01:27:00Mother.

01:27:01Mother.

01:27:02Mother.

01:27:03Mother.

01:27:04Mother.

01:27:05Mother.

01:27:06Mother.

01:27:07Mother.

01:27:08Mother.

01:27:09Mother.

01:27:10Mother.

Category

Transcript

Recommended