Bell, Book And Candle By John Van Druten

Oldtuberadio

Bell, Book and Candle By John van Druten Adapted and directed by Ned Chaillet  Bewitched and bewildered, Anthony Henderson wanders into the Christmas cauldron of a Knightsbridge witches' coven just when Gillian Holroyd decides that she wants a new man in her life.  With Michael N Harbour, Twiglet, Midge and Bonaparte.  Gillian Holroyd: Beatie Edney Anthony Henderson: Stephen Moore Miss Holroyd: Ann Beach Nicholas Holroyd: Nicholas Boulton  Music By: Mia Soteriou Clarinet Merlin Shepherd Violin: Brent Snell  Saturday Playhouse: Sat 20th Dec 1997 14:30 on BBC Radio 4 FM    Do you enjoy the variety on Oldtuberadio? Like, Share and Subscribe to be notified of our new shows #radio #crime #thriller #drama To Support this channel please visit https://www.buymeacoffee.com/oldtuberadio https://ko-fi.com/oldtuberadio98 https://www.patreon.com/oldtuberadio https://locals.com/Oldtuberadio

Transcript

00:00:00The End

00:00:30It was just the same in Africa

00:00:32Were the African cats any different from the ones you know in London?

00:00:39Why don't we give you something different for Christmas?

00:00:42What would I like?

00:00:45I'd like to meet someone different

00:00:47Yes, all right

00:00:51Like the man upstairs then

00:00:53Bell, Book and Candle

00:00:58By John Van Druten

00:01:00With Beatty Edney as Gillian Holroyd

00:01:03And just now, passing Gillian's window in Knightsbridge

00:01:07Stephen Moore as Anthony Henderson

00:01:09It is Christmas Eve

00:01:13There he is, coming in now

00:01:19Did you do that?

00:01:22But he is attractive, don't you think?

00:01:25Why don't I ever meet people like that?

00:01:31What's the matter? Want to go out?

00:01:35All right then, pie-whacket

00:01:37There you are

00:01:38Also starring

00:01:43Anne Beach

00:01:43Nicholas Bolton

00:01:44And Michael N. Harbour

00:01:46Who's there?

00:01:53Oh

00:01:54Miss Holroyd?

00:01:55Yes

00:01:55My name is Anthony Henderson

00:01:57I live on the floor above

00:01:58I think you are my landlady

00:02:00Yes

00:02:00How do you do?

00:02:02Are you busy

00:02:03Or could I see you for a minute?

00:02:04Of course

00:02:05Come in, won't you?

00:02:06Thanks

00:02:06Take off your coat

00:02:08Thanks

00:02:09I won't keep you long

00:02:11I imagine you're going out

00:02:13I am too

00:02:13I've been getting some last minute presents

00:02:16I forgot

00:02:17Christmas Eve, you know

00:02:18Would you like a drink?

00:02:19I don't think

00:02:21I don't know that this is an altogether friendly call

00:02:24Oh

00:02:24Won't you sit down?

00:02:26Oh, thanks

00:02:27You've been away ever since I moved in

00:02:30Is anything wrong?

00:02:32You should have called the agent

00:02:33I did

00:02:34But, well, I'm afraid it doesn't seem to have done much good

00:02:36What's the trouble?

00:02:38The lady in the flat above me

00:02:39I think she's your aunt

00:02:40Yes

00:02:41Well, she's been in my flat a couple of times

00:02:44I found her there

00:02:45And I'm afraid I don't awfully like it

00:02:47No

00:02:47Naturally

00:02:49But how did she get in?

00:02:51She said she found the door open

00:02:52And that may have been true the first time

00:02:54Though I don't think so

00:02:55I know it wasn't true the second

00:02:58Well, I thought I'd better tell you

00:03:00Now that you're back

00:03:01Yes, of course

00:03:02I'm sorry

00:03:03Is that all?

00:03:05Well, as a matter of fact

00:03:06It's not really all

00:03:07I think your aunt is rather a peculiar lady

00:03:11I can hear her at night through the ceiling

00:03:13And it sounds as if she were reciting or something

00:03:16Oh

00:03:16You can't hear what she says

00:03:19No

00:03:20And I'm sorry, but there's another thing

00:03:22Her cooking

00:03:24Unless she's an amateur chemist

00:03:25It doesn't smell like anything I'd be willing to eat

00:03:28It's not cooking

00:03:29She makes things

00:03:31Perfumes and lotions and things

00:03:33It's not my idea of perfume

00:03:35And that is all?

00:03:38Well, I'm sorry, but there is something else

00:03:41Though I can't be sure that it's she who does it

00:03:44What's that?

00:03:44Well, ever since I caught her in my flat

00:03:46And talked to the agents about it

00:03:48Rather firmly, I'm afraid

00:03:50I imagine they spoke to her

00:03:51My telephone started ringing at eight o'clock every morning

00:03:55And about midnight, too

00:03:57And when I answer it, there's no one there

00:03:59I've talked to the engineers, but they can't trace anything

00:04:02Mr. Henderson, I'm most awfully sorry

00:04:04I'll talk to Aunt Queenie

00:04:06She is a little eccentric

00:04:08But I promise you none of this will happen again

00:04:11Well, thanks then

00:04:13I don't mean to be unpleasant

00:04:15I'm only sorry I've not been here before

00:04:17You've been travelling about, I understand

00:04:19Yes, I've been in Africa

00:04:21Where in Africa?

00:04:22I was in Kenya and all over the place

00:04:25Well, you didn't, by any chance, run into Redlich there

00:04:29Did you, the man who wrote that book on magic?

00:04:31Tidal magic?

00:04:32No, he left by the time I got there

00:04:33Why?

00:04:35Are you interested in that sort of thing?

00:04:37Well, not personally, but professionally

00:04:39I'm a publisher

00:04:40Did you publish his book?

00:04:42No, but I wish I had

00:04:43It was sensational

00:04:44And completely bogus

00:04:46They fed him with a whole lot of fake tourist stuff

00:04:49And he swallowed it whole

00:04:50Well, I hear that he's ready to change publishers

00:04:52And I'd like to be his next one

00:04:53I've written to him several times

00:04:55But I got no answer

00:04:56If you'd like to meet him

00:04:58Oh, do you know him?

00:04:59No, but I know people who do

00:05:01I can arrange it

00:05:04I'd appreciate that very much

00:05:06Well, I'll get along

00:05:09You won't have that drink now

00:05:11No, I mustn't

00:05:11I'm late, but if I may come back some other time

00:05:14Yes, of course

00:05:15I'll arrange for Redlich to be here to meet you

00:05:18That'd be fine

00:05:19I gather he's rather eccentric

00:05:20I say

00:05:23That's interesting

00:05:25Who's the painter?

00:05:26My brother

00:05:27It's a strange face

00:05:29Who is it?

00:05:30Do you know?

00:05:32It's a Brazilian girl

00:05:33Who used to dance in a nightclub here

00:05:36A place called the Zodiac

00:05:38I don't know it

00:05:39I don't imagine you would

00:05:40Why not?

00:05:41Oh, because, well

00:05:42It's a pretty sordid spot

00:05:44But you know it

00:05:45I've been there

00:05:46Well

00:05:47You've got visitors

00:05:49I must be getting along

00:05:50Oh, Aunt Queen

00:05:53Hello, darling

00:05:54Merry

00:05:55Oh, I didn't know you had company

00:05:57It's all right

00:05:58This is

00:05:59Oh, yes

00:06:01You know each other

00:06:03Yes, we have met

00:06:04How do you do, Miss Holroy?

00:06:06How do you do?

00:06:07Well

00:06:08Don't let me drive you away

00:06:09I must go

00:06:10Well, good night

00:06:12Merry Christmas

00:06:14And you

00:06:16So, you've met him after all

00:06:21Do you still think he's attractive?

00:06:23Yes, I do

00:06:24Very

00:06:24Did you bring him here?

00:06:26No

00:06:26He came here to talk to me

00:06:28About you

00:06:30Me?

00:06:30Yes

00:06:31And it's no good acting innocent about it

00:06:33I'm angry

00:06:33Really angry

00:06:34Why?

00:06:35What have I done?

00:06:36You know

00:06:36Broken into his flat

00:06:37Played tricks with his telephone

00:06:39That was because he reported me to the agency

00:06:41I don't care what it was

00:06:43He promised when I let you move in here

00:06:45What harm did I do?

00:06:47I didn't take anything

00:06:48Yes, I read his letters

00:06:50But it's not as if I were going to make use of them

00:06:53Though I'm tempted to do now

00:06:55Now that he's told on me

00:06:56To you

00:06:57Aunt Queenie

00:06:58If you do

00:06:59Well, you'll be sorry

00:07:01And you know I can make you sorry, too

00:07:04He'd never suspect, darling

00:07:06No matter what I did

00:07:08Honestly, it's amazing the way people don't

00:07:11I sit in the underground sometimes

00:07:13Or in buses

00:07:14And look at the people next to me

00:07:15And I think

00:07:16What would you say if I told you I was a witch?

00:07:19And I'd know they'd never believe it

00:07:21They just wouldn't believe it

00:07:22And I'd giggle and giggle to myself

00:07:25Well, you've got to stop giggling here

00:07:26And making messes in your kitchen

00:07:28And reciting spells half the night

00:07:30You've got to swear

00:07:31Swear on the manual

00:07:33Swear what?

00:07:35That you'll stop practising in this house ever

00:07:37You'll practice here

00:07:40I can be discreet about it

00:07:42You can't

00:07:43I've other people I can turn to

00:07:45Mrs. DePasse, I suppose

00:07:47Yes, she's done a lot for me

00:07:48Well, I wouldn't count on Mrs. DePasse

00:07:51If I turn against you

00:07:52I'm a lot better than that old battle axe

00:07:55Now

00:07:56Oh, please

00:07:59Not on the manual

00:08:00On the manual

00:08:02Come on

00:08:02Put your hand on it

00:08:04I swear that I will not practice witchcraft

00:08:07Ever in this house again

00:08:08So help me

00:08:10Tagla, Salamandre, Brasso and Vesturio

00:08:12I swear that I will not practice witchcraft

00:08:16Ever in this house again

00:08:17So help me

00:08:19Tagla, Salamandre, Brasso and Vesturio

00:08:22Good

00:08:23I think you're very cruel

00:08:26Oh, Aunt Queen

00:08:27If you'd only have a little say

00:08:28And give a critical

00:08:29Sometimes I think you're ashamed

00:08:32Of being what you are

00:08:33Ashamed?

00:08:34It's not a question of being ashamed

00:08:36But

00:08:37Aunt Queenie

00:08:39Don't you ever wish you weren't

00:08:41No

00:08:42That you were like those people

00:08:44You sit next to in the buses

00:08:45Ordinary and humdrum

00:08:46No, I was for years

00:08:49Before I came into it

00:08:50Well, you came in late

00:08:51You know how old I was

00:08:53Three

00:08:54And I don't hanker for it all the time

00:08:56Just sometimes

00:08:57Darling, you're depressed

00:08:59I know

00:08:59I expect it's Christmas

00:09:01It affects a lot of us like that

00:09:03It's always upset me

00:09:05I must get on with finishing the tree

00:09:07You wait till you get to Zoe's party

00:09:09And see all your old friends again

00:09:12I don't want to see my old friends again

00:09:14I want something different

00:09:15Well, come with me to Mrs. Departs's then

00:09:17She's got some very interesting people

00:09:19No, I think I'd just like to spend the evening

00:09:22With some everyday people for a change

00:09:24Instead of us

00:09:24With Mr. Henderson

00:09:26I wouldn't mind

00:09:27It's too bad he's getting married

00:09:30And still, I suppose

00:09:32Shall I help you with the decorations?

00:09:35He's getting married?

00:09:36Yes, quite soon

00:09:37They're announcing it on New Year's Eve

00:09:40Where do you want these?

00:09:41How do you know that?

00:09:42Oh, the telephone, I suppose

00:09:44Yes, dear

00:09:45Who's he getting married to?

00:09:47Do you know?

00:09:48I don't know her last name

00:09:49Her first name's Merle

00:09:51Merle

00:09:52The only Merle I ever knew

00:09:54Was a girl I was at school with

00:09:55Merle Kitteridge

00:09:57She used to write poison pen letters

00:10:00I caught her writing one about me once

00:10:02That's why we had all those thunderstorms that spring

00:10:05She was terrified of them

00:10:06Oh, that was you

00:10:08We had one every day for a month

00:10:10It was most extraordinary

00:10:11She was a nervous wreck by the end of term

00:10:13And you think this might be the same girl?

00:10:16What was she like?

00:10:18Small and fair and helpless

00:10:19This one's fair

00:10:20He's got her photo on his desk

00:10:22And appealing

00:10:23And underneath a liar

00:10:25And a sneak

00:10:25And a boyfriend stealer

00:10:27Did you ever know what happened to her?

00:10:30I think she became a decorator

00:10:31This one's a decorator?

00:10:33Well, there's probably more than one decorator in London called Merle

00:10:37And if he's engaged

00:10:38That rules him out

00:10:40I don't see why

00:10:41I don't take other women's men

00:10:43Though I would

00:10:45If it were Merle Kitteridge

00:10:47I could find out for you

00:10:49But two years' ease

00:10:50That wouldn't need much time

00:10:52You wouldn't need time

00:10:54Just a quick little potion

00:10:55Or four words to pie-whack it

00:10:57You once told me

00:10:58Yes, but

00:10:59I wouldn't want him like that

00:11:01That would take the challenge out of it

00:11:03Especially with her

00:11:05Other girls can make men like them in a week without that

00:11:08Why can't I?

00:11:09Did he seem to like you this afternoon?

00:11:12Not very much, no

00:11:14Gillian

00:11:15You're not falling in love with him and losing your powers, are you?

00:11:21That isn't what this is all about

00:11:23Oh, no, of course not

00:11:25Oh, thank goodness

00:11:26You don't believe that old wives' tale

00:11:29Of course I do

00:11:29It's true

00:11:30They say it's true

00:11:31It's the other way around

00:11:33We can't fall in love

00:11:35Merle Kitteridge

00:11:38I haven't thought of her for years

00:11:40Do you think

00:11:41If it were she

00:11:43I could do it in a week without tricks?

00:11:46Darling, it's no good asking me

00:11:48I never could do it at all

00:11:50But if it is

00:11:51Why don't you try a quick spell

00:11:53And have done with it?

00:11:54No

00:11:55I don't say I wouldn't be tempted

00:11:57But if I've got a week

00:11:59I'd like to see how good I am the other way

00:12:03Nicky

00:12:05Oh

00:12:06Don't must you come through locked doors like that?

00:12:09Well, it saves so much time

00:12:11Saves you getting up to open the door

00:12:13How are you?

00:12:14Fine

00:12:14I'll get the sherry

00:12:15Hello, Aunt Queenie

00:12:17Merry Christmas

00:12:17Merry Christmas, darling

00:12:19Nicky

00:12:21Will you do something for me?

00:12:23Of course

00:12:23What?

00:12:24By the telephone

00:12:25Pencil and paper

00:12:26Hmm

00:12:26Nicky, it's a number

00:12:28I want you to tie it up for me

00:12:30Why?

00:12:31Who is it?

00:12:32Someone I want to pay back for something

00:12:34But you can pull that one for yourself

00:12:36I taught you

00:12:37Yes, but I had to promise Gillian

00:12:39That I wouldn't in this house anymore

00:12:41So will you do it for me?

00:12:43Anything to oblige?

00:12:45No

00:12:45Actatus, catipta, itapan, manutus

00:12:54Sloan 3955

00:12:56What do you draw up to?

00:12:59Aunt Queenie

00:13:00They haven't done a thing

00:13:02Whose number was that you were tying up?

00:13:04No one you know, dear

00:13:06Just a little Christmas present for a friend

00:13:08No telephone for a week

00:13:10Oh, Nicky, when will you grow up?

00:13:13Pour the sherry, will you?

00:13:14And then we'll have presents

00:13:15I'm afraid mine's pretty mingy, dear

00:13:17But I've never been more broke

00:13:18I did get into a roulette game the other day

00:13:21And managed to care 20 pounds by witching the wheel

00:13:24But that doesn't go anywhere these days

00:13:26I used to wonder when I was a kid

00:13:27Why all the witches in history were always poor and miserable

00:13:30Old men and women living in hovels

00:13:32When you'd have thought they could have had everything they wanted

00:13:34And I've learnt why since

00:13:35It's only because they weren't good enough at it

00:13:38Any more than we are

00:13:39Or else they got scared, like Gill here

00:13:42She admitted to me once that she could witch the whole stock exchange if she wanted

00:13:45Oh, Gillian, could you?

00:13:47Really, dear?

00:13:49Why don't you do it?

00:13:50She said she was afraid of the repercussions

00:13:52Merry Christmas

00:13:53Merry Christmas

00:13:55Merry Christmas

00:13:56Now, Nicky

00:14:00Aunt Queenie

00:14:02For you, Nicky

00:14:04And for you, darling

00:14:06Aunt Queenie

00:14:07Gillian

00:14:08You two are the hardest people to find presents for

00:14:10I gave you both the same thing

00:14:13A book

00:14:13Tribal Magic by Sidney Redlich

00:14:16They're autographed

00:14:17Why?

00:14:18Do you know them?

00:14:19No, but Mrs. Depars does

00:14:20She got them for me

00:14:22Wow, thank you very much

00:14:23I've heard a lot about it

00:14:24I hope you haven't read it

00:14:26I have

00:14:26But I'm very glad to have it

00:14:28Thank you, Aunty

00:14:29Oh, careful with those, Nicky

00:14:31Those are records

00:14:32Oh, thanks, darling

00:14:33What are these?

00:14:35A man at a party in Nairobi

00:14:36We took some recordings of the incantations

00:14:39Oh, how wonderful

00:14:40What are they for?

00:14:41Try them and see

00:14:41You'll be surprised

00:14:42Like to have music come out of your ears?

00:14:45Oh, no

00:14:46That's the least of them

00:14:47I'll take them to Natalie's party with me

00:14:49Do you think they'll help me make any headway with her?

00:14:52Well, this man had quite a way with him

00:14:54He had a mink as his familiar

00:14:56Oh, talking of familiars

00:14:58Where's Pywhacket?

00:14:59I brought him a mouse

00:15:00Not a magic one

00:15:01No, no, dear

00:15:02Just plain

00:15:03He's outside

00:15:03Oh, this is lovely, darling

00:15:06Simply lovely

00:15:08Spanish lace

00:15:09What is it doing?

00:15:10Makes you fascinated

00:15:12You mean?

00:15:13No, Aunt Queenie

00:15:14I'm afraid it has no powers

00:15:15I just thought it was pretty

00:15:17Oh, it is very pretty

00:15:20I love it

00:15:21There's something that has got powers for you, Aunt Queenie

00:15:23It's an unguent

00:15:24You feel colours

00:15:26Quite a sensation

00:15:27Oh

00:15:27And this for Gillian

00:15:28For summoning

00:15:29You just paint it on an image

00:15:31Or a drawing

00:15:32Or a photograph, they said

00:15:33Of anyone you want

00:15:34And then set light to it

00:15:35And they have to come

00:15:36I hope it works for you

00:15:38I couldn't even make it light

00:15:39Try it

00:15:40Now

00:15:40All right

00:15:41Put the lights out, Nicky

00:15:43Oh, go on, Nicky

00:15:47Use the switch

00:15:48Now

00:15:49Who do we want here?

00:15:52Him?

00:15:53No

00:15:53I know

00:15:54Who?

00:15:55This man

00:15:55Redlidge?

00:15:56What on earth for?

00:15:57I want to meet him

00:15:58I've promised to introduce him to somebody

00:16:00I thought I'd find someone who knew him

00:16:03But this will save a lot of time

00:16:04It's got his picture on the back, aren't he?

00:16:07Do you mind if I cut it off?

00:16:08Not if I can stay and watch

00:16:10How soon is it supposed to work?

00:16:12Oh, it depends on how far they've got to come

00:16:13But within 24 hours

00:16:15Nowadays, anyway, I should think

00:16:16You'll probably turn up at your party tonight

00:16:18Auntie

00:16:19The big ashtray

00:16:20There's a little brush in the cork

00:16:23I found it

00:16:24Any words?

00:16:26They said not

00:16:27All right, then

00:16:28Got a match?

00:16:30Oh

00:16:30Mm-hmm

00:16:32Go

00:16:33You're a marvel

00:16:38Oh, not already

00:16:40Jill, that's genius

00:16:41Hey

00:16:41No, of course it isn't

00:16:43Go and see you, it is

00:16:44Wait a minute

00:16:45Yes?

00:16:47Is Miss Holroyd in?

00:16:49Oh, Mr. Henderson

00:16:50Come in

00:16:52I'm sorry if I'm disturbing you

00:16:53Oh, you're having indoor fireworks?

00:16:55Oh, no, no

00:16:56It's just some nonsense that my brother gave me

00:16:58This is my brother, Mr. Henderson

00:17:00How do you do?

00:17:01How do you do?

00:17:02Please go on with what you were doing

00:17:03It's all right, we've finished, really

00:17:05Is there something I can do for you?

00:17:08I just wondered if I might use your telephone

00:17:10Mine's really turned into a problem, child

00:17:12It's completely out of order now

00:17:13Of course

00:17:14Help yourself

00:17:15Well, thank you

00:17:15I used mine just after I left here

00:17:19And it was fine

00:17:20And for the last 15 minutes

00:17:21I've been getting nothing but a lot of hiccups in my hair

00:17:24I really must be going

00:17:25I've engaged

00:17:27May I wait just a minute?

00:17:28Of course

00:17:29Would you like to report your line?

00:17:31Oh, thanks

00:17:31Mickey

00:17:33Hmm?

00:17:34That piece of paper you put in your pocket

00:17:36I'd like to see it for a minute

00:17:38Hello, engineers

00:17:39Here

00:17:40I want to report a line out of order

00:17:42Sloan 3955

00:17:44It was Mickey

00:17:45I know

00:17:46I don't know

00:17:47I just can't get the dialing term

00:17:49But I think it's worked out wonderfully

00:17:51Good luck

00:17:53Well, um

00:17:54Goodbye, Mr. Henderson

00:17:56Goodbye

00:17:56Oh, do you mind if I leave these records here?

00:17:59I'm going to a cocktail party first

00:18:00And I don't want them to get broken

00:18:01You know, under all the coats on the bed

00:18:03I'll pick them up on my way to Natalie's

00:18:05I won't be here

00:18:06No, I can get in

00:18:07Oh, well, all right then

00:18:08Well, really

00:18:09If Mickey can

00:18:10I

00:18:11I know, auntie

00:18:12It's not fair

00:18:13It's not a bit fair

00:18:15Take her away, Mickey

00:18:16Goodbye, Mr. Henderson

00:18:18Hmm

00:18:19I hope your telephone gets well soon

00:18:22Yes

00:18:23I'll just try once more

00:18:24Then I'll go to you

00:18:26There's no hurry

00:18:26You're going out, aren't you?

00:18:28Later

00:18:29But it's not important

00:18:30Ah, luck

00:18:33But you don't need to go

00:18:35Can I speak to Miss Kittredge, please?

00:18:39Well, it's me

00:18:40I got delayed

00:18:41I tried to get you

00:18:43But the phone's gone off again

00:18:44I'm getting a taxi

00:18:46In two shakes

00:18:47But

00:18:47What?

00:18:51Well, that's wonderful

00:18:52Bless you

00:18:52I'll meet you there, then

00:18:53What is it?

00:18:56What's your idea?

00:18:59Tonight

00:18:59Announce it

00:19:02Tonight

00:19:03Wonderful

00:19:04I thought you were so keen

00:19:08On New Year's Eve

00:19:09Well, that's fine

00:19:11Let's tell them all

00:19:13Yes, I've got everything

00:19:15All the presents

00:19:16Yours

00:19:16There's

00:19:17Everybody's

00:19:18All right

00:19:20Fine

00:19:21Quarter of an hour

00:19:23I can't wait

00:19:24Goodbye, darling

00:19:25Darling

00:19:27Oh, I say

00:19:29Is that your cat?

00:19:31I've seen him on the stairs here lately

00:19:32Watching me come in and out

00:19:34What's his name?

00:19:35Hi, Wackett

00:19:35How do you do?

00:19:39Did he scratch you?

00:19:41Just a little round hole

00:19:43Bad cat

00:19:44Well, I've bothered you long enough

00:19:46Won't you have that drink now?

00:19:48Thanks

00:19:49I'm terribly sorry

00:19:50But I am late

00:19:50And tonight's a sort of

00:19:51Important night

00:19:53So, if you don't mind

00:19:54No, of course not

00:19:55Thanks all the same

00:19:56Well

00:19:58Pie, pie, Pye, Wackett

00:20:00This is Mr. Henderson

00:20:03Mr. Anthony Henderson

00:20:05Retour of Emesali

00:20:07Back to Quartar

00:20:08In a disaster

00:20:09I beg your pardon?

00:20:11I was talking to Pye, Wackett

00:20:13I think he wants to go out

00:20:15Let me help you with that

00:20:31Oh

00:20:32Yes

00:20:33Please

00:20:34Better?

00:20:37Oh, yes

00:20:38Hmm

00:20:44Say something

00:21:00What?

00:21:01Anything, it doesn't matter

00:21:03I just want to hear your voice

00:21:04Do you like my voice?

00:21:06No

00:21:07I don't like anything about you

00:21:09I'm just insane

00:21:11All of you

00:21:13You ought to know that by now

00:21:14Don't you?

00:21:15Well

00:21:15Don't you?

00:21:17Well, you made it charmingly apparent

00:21:19Hmm

00:21:20You know

00:21:21There's a wonderful

00:21:23Suspended

00:21:24Timeless feeling

00:21:25To this moment

00:21:26And the two of us like this

00:21:28I

00:21:28I feel

00:21:29Spellbound

00:21:31Stay like that

00:21:32I don't ever

00:21:33Want to move

00:21:34What are you thinking?

00:21:37Nothing

00:21:37Not a thing

00:21:39And you?

00:21:40Nothing either

00:21:41I can't think

00:21:42Think

00:21:42Certainly not this close to you

00:21:45I've got to start soon now

00:21:48Very soon

00:21:50What about?

00:21:52A lot of things

00:21:53I think I'll have a drink

00:21:56Can I get you one?

00:21:58No, thanks

00:21:58Do you know what time it is?

00:22:05No

00:22:05It's ten o'clock

00:22:06A good three hours

00:22:08Since I came in here

00:22:09Since I went to the door

00:22:10To leave

00:22:11Well

00:22:11Nothing like this

00:22:13Has ever happened to me before

00:22:15I was on my way to a party

00:22:17And you found something

00:22:18You'd rather do

00:22:19That my girl

00:22:20Is an understatement

00:22:21I found something

00:22:22I couldn't resist

00:22:23Doing

00:22:24You don't need to explain to me

00:22:26It's fantastic

00:22:28Gillian

00:22:29Tell me

00:22:30Just

00:22:31What has it meant to you?

00:22:33Meant?

00:22:35These three hours

00:22:36They've been

00:22:37They've been

00:22:37Enchantment

00:22:38I know it doesn't make sense

00:22:41We hardly talk

00:22:42But

00:22:42Somewhere

00:22:43I've got an idea

00:22:45That I must be in love with you

00:22:46Are you

00:22:48At all

00:22:49In love with me?

00:22:50I like you

00:22:51More than I can say

00:22:52That wasn't what I asked you

00:22:53Do we have to talk about it?

00:22:55Yes

00:22:55I've got to know

00:22:56Why?

00:22:57There are people

00:22:57Waiting for me

00:22:58Wondering where the hell

00:23:00I am

00:23:00There's a whole future

00:23:02That's either got

00:23:02Completely shot to bits

00:23:03Or else

00:23:04Well

00:23:05I've got to do some talking

00:23:07Some pretty good talking

00:23:09And I'd like to know

00:23:10Where I stand

00:23:11Where

00:23:12We stand

00:23:13What do you want to do?

00:23:14Just at the moment

00:23:15I never want to stop seeing you

00:23:17Is it possible

00:23:17That I can

00:23:18Never stop seeing you?

00:23:19You can see me

00:23:20All you want

00:23:21I don't know

00:23:23Whether this is one of those things

00:23:24That burn themselves out

00:23:25But if it is

00:23:26Well

00:23:26It's a hell of a fire

00:23:28I know that

00:23:30Perhaps that's the kind

00:23:32That burns out quickest

00:23:33I don't know

00:23:34I know it's a lunatic

00:23:35To talk about

00:23:36Love yet

00:23:36But

00:23:37I just

00:23:37Wish

00:23:38I could be sure

00:23:39Of what?

00:23:40Whether

00:23:40This is it

00:23:41If it's not

00:23:42It's a pretty good

00:23:44Facsimile

00:23:44I think

00:23:46That for me too

00:23:47And that

00:23:48Will do

00:23:49For the answer

00:23:50And now

00:23:51I think

00:23:52I'd like to use

00:23:53Your telephone

00:23:54Go ahead

00:23:55And this time

00:23:55If you don't mind

00:23:56I'd like to be left alone

00:23:58Of course

00:23:59You're amazing

00:24:01More than amazing

00:24:03Tell me

00:24:03It has hit me

00:24:05Quite hard

00:24:07Is that Miss Carlson's house?

00:24:17Can I speak to Miss Kittredge please?

00:24:19And is there somewhere

00:24:20She could sit down?

00:24:21I mean

00:24:21Where she can talk

00:24:23Without being disturbed?

00:24:24Well

00:24:29This is me

00:24:31I'm

00:24:32Out

00:24:33Somewhere

00:24:35You can come back now

00:24:46Well?

00:24:48It's done

00:24:49Do you want to hear about it?

00:24:50Do you want to tell me?

00:24:51I'd rather not

00:24:52You needn't

00:24:52You're wonderful

00:24:53Taking it like this

00:24:54Are you unhappy about it?

00:24:56No

00:24:56I ought to be I suppose

00:24:58But I'm not

00:24:59At all

00:24:59Do you know

00:25:01We haven't eaten?

00:25:03No

00:25:03Let's go out

00:25:05And have caviar

00:25:06And champagne

00:25:06How does that sound?

00:25:07It sounds lovely

00:25:08We can be back here

00:25:10For midnight

00:25:10Are you sentimental

00:25:11About Christmas?

00:25:12Part of me is

00:25:13The other part

00:25:14Hates it

00:25:15It's so ridiculous

00:25:16That I know

00:25:17Nothing about you

00:25:18Nothing at all

00:25:19What do you want to know?

00:25:21At the moment

00:25:21Nothing

00:25:22Except about us

00:25:23Tell me

00:25:24When did you first know

00:25:26That you liked me?

00:25:27The moment I saw you

00:25:28Coming down the stairs

00:25:30Three days ago

00:25:30I thought

00:25:31That's for me

00:25:32Oh you did

00:25:33Did you?

00:25:34And you did nothing about it

00:25:35What can a nice girl do?

00:25:36You could have asked me down

00:25:37For a drink

00:25:38I offered you a drink

00:25:39Earlier this evening

00:25:40Three times actually

00:25:41You wouldn't have it

00:25:43Isn't that extraordinary?

00:25:45I really didn't notice you

00:25:47That sounds awful

00:25:48I'm not hurt

00:25:49Oh

00:25:51All right pie

00:25:53Out you go

00:25:54Was that why

00:25:55You offered to arrange

00:25:56For me to meet Redlich

00:25:57As a sort of come on?

00:25:59I suppose

00:25:59In a way

00:26:01Well now

00:26:01You don't need to

00:26:02Though I'd still like

00:26:03To meet him

00:26:03You'll meet him

00:26:04Have you done something

00:26:05About it already?

00:26:06I've

00:26:07Set things in motion

00:26:08When are you meeting him?

00:26:11Soon

00:26:11Damn

00:26:12Don't answer that

00:26:13Do you mind if I do?

00:26:14No

00:26:15I don't mind

00:26:15The wine

00:26:16Oh

00:26:17Just an idea

00:26:18We're going out anyway

00:26:19But close the bedroom door

00:26:21Oh

00:26:21Yes

00:26:22Miss Holroyd

00:26:26Yes

00:26:26You don't know me

00:26:28But

00:26:28I'm Sydney

00:26:29Redlich

00:26:31Yes

00:26:31Of course

00:26:32I've seen your picture

00:26:33On your book

00:26:34Come in

00:26:35Well this is the damnedest

00:26:37What is

00:26:37Well I'm sorry

00:26:39We were just talking about you

00:26:41You weren't expecting him

00:26:42Were you?

00:26:42Not quite like this

00:26:44This is Mr. Henderson

00:26:45Mr. Anthony Henderson

00:26:47You've been writing to me

00:26:49And you've not been answering

00:26:50How do you do?

00:26:52Yeah I've been up in Skate Nurse

00:26:54The last two weeks

00:26:55Only got back a couple of hours ago

00:26:56I know Christmas Eve

00:26:57Isn't really the right time

00:26:58For a call

00:26:59But I was sitting in a pub

00:27:00Around the corner

00:27:01Just now going through

00:27:02My pocketbook

00:27:02And I came across your address

00:27:04Who gave you my address?

00:27:06Some people in Africa

00:27:07You see I wrote to them

00:27:09About a mask I'd seen

00:27:11And they wrote back

00:27:12Tell me that you'd bought it

00:27:13A long black mask

00:27:15With gold eyes

00:27:15Oh

00:27:15I was wondering if you'd let me

00:27:18Photograph it for an article

00:27:19I'm doing

00:27:20It's coming with the things

00:27:21I sent by sea

00:27:22You don't happen to know

00:27:24What the mask is

00:27:25Do you?

00:27:26No

00:27:27What?

00:27:28Just one of the most

00:27:29Potent witch masks

00:27:31That I ran across

00:27:32Over there

00:27:32Oh they told me that

00:27:34But you didn't believe it

00:27:35No

00:27:36Nobody does

00:27:37Yeah

00:27:38I suppose you wouldn't feel

00:27:40Like offering a poor author

00:27:41A glass of wassail

00:27:43Would you?

00:27:43Of what?

00:27:44Wassail

00:27:45Christmas cheer

00:27:45Drink if you want it

00:27:46Simply

00:27:47Oh yes of course

00:27:48Tony

00:27:49Which's your gin?

00:27:50It doesn't make a bit of difference

00:27:51And what with it?

00:27:52Nothing with it

00:27:53Just it

00:27:53I see

00:27:54Gin?

00:27:55No thank you

00:27:56Excuse me

00:28:01Oh

00:28:01You're still here

00:28:04Uh yes

00:28:05Nicky

00:28:06This is Mr. Redlich

00:28:07Mr. Sidney Redlich

00:28:09My brother

00:28:10Well now

00:28:11Fancy that

00:28:11Pretty good eh

00:28:12I must send the shop

00:28:13A testimonial

00:28:14Thank you very much

00:28:15Thanks

00:28:16Merry Christmas

00:28:20Merry Christmas

00:28:21You writing anything more

00:28:23About witchcraft

00:28:24Mr. Redlich?

00:28:24I'm just getting ready to

00:28:26Well that interests me

00:28:27A great deal

00:28:27Oh

00:28:28And this one

00:28:30Miss Holroyd

00:28:31Is going to be

00:28:32Really hot stuff

00:28:33More witchcraft

00:28:35Where this time?

00:28:36Here

00:28:37Here

00:28:37In London

00:28:39Witchcraft at home

00:28:41Now what do you think

00:28:42Of that for a title?

00:28:43Sounds provocative

00:28:44What's it mean?

00:28:45It means exactly what it says

00:28:46Witchcraft at home

00:28:48At home

00:28:49Right here

00:28:49Is it?

00:28:51Certainly Larry

00:28:51You probably thought

00:28:53That sort of thing

00:28:54Was confined to the tropics

00:28:55And the jungles

00:28:55If you thought about it at all

00:28:57So did I do now

00:28:59You probably won't believe this

00:29:01But here

00:29:02All around you

00:29:04There's a whole community

00:29:05Devoted to just that

00:29:07That's a very novel idea

00:29:09Oh my dear

00:29:10It's the truth

00:29:11How do you know?

00:29:11Tell us

00:29:12Well

00:29:13I've met a couple

00:29:14Met them through my other book

00:29:17They let me in on a few things

00:29:20Well then from there

00:29:21Well I

00:29:22Made it my business to find out

00:29:24You two have got no idea

00:29:27They have their regular hangouts

00:29:29Cafes

00:29:30Bars

00:29:30Restaurants

00:29:30Did you ever hear of a nightclub

00:29:32Called the Zodiac?

00:29:33Yes

00:29:33Well isn't that the place

00:29:34You were talking about?

00:29:36That painting

00:29:36What painting?

00:29:37That one

00:29:37That's right

00:29:40She used to dance there

00:29:44Who did that?

00:29:46He did

00:29:46And I suppose it never occurred to you

00:29:48That he was one

00:29:49No

00:29:50Did you ever look at the proprietor there?

00:29:52Now there's a limb of Satan

00:29:53If ever I saw one

00:29:54Now don't tell me

00:29:55He's a witch too

00:29:56Well when it's a man

00:29:57They're called Warlocks

00:29:58I'd like to have this painting

00:30:02For an illustration

00:30:03I'm sure Jill would lend it to you

00:30:05Go on

00:30:06This is fascinating

00:30:06No you don't take it seriously

00:30:08No but we do

00:30:09Tell us more about them

00:30:12And their doings

00:30:14Do they have orgies?

00:30:16We won't go into that now

00:30:19There's a business side to it too

00:30:21You think of witches

00:30:23Meeting on a blasted heath

00:30:25Don't you?

00:30:26Well one of their main places

00:30:28Is just off the Tottenham Court Road

00:30:30It's an old music hall

00:30:31There's another one in East Linton

00:30:33There's an old Methodist chapel

00:30:35They've taken over

00:30:36And sometimes

00:30:38They have meetings

00:30:39In the basement

00:30:40At Caxton Hall

00:30:42You wouldn't believe what's going on

00:30:45Right under your nose

00:30:47To talk about spy rings

00:30:48And organised vice

00:30:49There's nothing compared to it

00:30:50Jill

00:30:51I wonder if we know any

00:30:52I wonder

00:30:53I bet you do

00:30:55I'm sure I could tell you

00:30:57Names that

00:30:58Oh

00:30:58Do

00:30:59Oh no chum

00:31:00I'm careful

00:31:01I've got to be

00:31:02I don't want to find myself

00:31:03With my house burning down

00:31:05Or stricken with the egg

00:31:07You mean

00:31:07They do that

00:31:08If you're told

00:31:09They do a lot worse than that

00:31:11That's why there can be

00:31:13No names in my book

00:31:14Of course I've got protection

00:31:16Up to a point

00:31:17Protection

00:31:18There's a woman

00:31:19Quite high up in the movement

00:31:20She's considered

00:31:21One of the best there is

00:31:23I've got her on my side

00:31:24Who's that?

00:31:25A Mrs. De

00:31:26No

00:31:28I

00:31:28I shouldn't give her a name

00:31:30Though she is pretty open about it

00:31:33Sort of flaunts it

00:31:34You must have seen this woman

00:31:36She goes to first nights

00:31:37In robes

00:31:38With

00:31:38Capitalistic

00:31:39What do you call it

00:31:40All over them

00:31:41A Mrs. De Pass

00:31:42That's right

00:31:44You know

00:31:45As a matter of fact

00:31:46I'm going to a party

00:31:47At her house

00:31:48A bit later

00:31:49Oh

00:31:50I'll tell you another

00:31:51Couple of things about them

00:31:52Witches

00:31:54Don't cry

00:31:55Shed tears I mean

00:31:56Or blush

00:31:57Oh really?

00:31:58They almost all have pets

00:32:00What they call familiars

00:32:02You know

00:32:02The sort of familiar spirits

00:32:03Who carry out their masks

00:32:04As bidding

00:32:05Tony I think we ought to go

00:32:06Yes

00:32:07Oh I'm boring people

00:32:09Oh no

00:32:10Not at all

00:32:10I'm quite sure

00:32:11There's a lot of it around

00:32:12Like influenza

00:32:13All right

00:32:14Make fun of it

00:32:15I'm used to that

00:32:15If you'd let me know

00:32:17When that mask

00:32:18Turns up

00:32:19I'll give you my

00:32:20Telegram number

00:32:21Oh give it to me too

00:32:22Will you?

00:32:23Nicky

00:32:24You know where

00:32:25Aunt Queenie was going tonight

00:32:27No

00:32:27Where?

00:32:28Oh yes

00:32:29I don't think

00:32:30That's a good idea

00:32:30What do you want me to do?

00:32:32Stop it can you?

00:32:33What do you think?

00:32:34Well

00:32:34There you are

00:32:36Miss Hilroy

00:32:36Thank you very much

00:32:38I'm sorry

00:32:39To have to turn you out

00:32:40But

00:32:40We are going out

00:32:42Our telephone

00:32:42You

00:32:43Redlitch

00:32:44I'd like to hear

00:32:45Some more about this book

00:32:45I'll walk along with you

00:32:47Oh we'll stop in

00:32:48For a drink somewhere

00:32:49Fair enough

00:32:50I'll be in touch with you

00:32:51All right

00:32:51A splendid Christmas to you

00:32:54There's a place

00:32:56In the Fulham Road

00:32:58Called the Cloven Roof

00:32:59I'd like to stay

00:33:00Fascinating

00:33:01What an extraordinary

00:33:03Evening

00:33:04You seem to think

00:33:05That I was one of them

00:33:06Oh

00:33:07And now

00:33:09If we're going to have

00:33:10Our first meal together

00:33:11I'll get my things

00:33:12What are you going to do

00:33:13With all those presents?

00:33:15Have them sent round

00:33:16In the morning

00:33:17I suppose

00:33:17With apologies

00:33:18Most of them

00:33:20All these presents

00:33:22Were none for you

00:33:23Give me one

00:33:24Which?

00:33:26Any one

00:33:26Shut your eyes

00:33:27And dip

00:33:28Go on

00:33:29How extraordinary

00:33:34Why?

00:33:35What is it?

00:33:36It's a locket

00:33:37I was giving it to someone

00:33:38Do you still want

00:33:40To give it to them?

00:33:40No

00:33:41It's beautiful

00:33:45You think so too?

00:33:47It belonged to my

00:33:48Oh

00:33:49Damn it

00:33:49Why can't one say

00:33:51My mother

00:33:52Without sounding sentimental?

00:33:54You can imagine

00:33:55What's inside

00:33:56You

00:33:56Yes

00:33:57Aged

00:33:58I should have met you earlier

00:33:59I was certainly healthier

00:34:01Shall I put it on for you?

00:34:03If you're really sore

00:34:04I am

00:34:04Well then

00:34:06Thank you

00:34:08Very much

00:34:10Shall we go?

00:34:13Let's

00:34:14Home again

00:34:31Wonderful

00:34:32Always wonderful

00:34:34Darling

00:34:34Come here

00:34:35Come here

00:34:35Yes

00:34:36I've been wanting to do that

00:34:39For the last three hours

00:34:41Since before lunch

00:34:42What a lovely

00:34:45Saturday afternoon

00:34:46Lunching in Soho

00:34:48Going to an art gallery

00:34:49Walking across the park

00:34:51It's incredible

00:34:52What a bit of magic

00:34:53Can do to the most

00:34:54Ordinary things

00:34:55Magic?

00:34:56What do you mean magic?

00:34:58Well isn't it?

00:34:59Two weeks ago

00:34:59Tonight we met

00:35:00And they've been magic weeks

00:35:02I know they have

00:35:03They've been exactly that

00:35:04Oh

00:35:06No Tony

00:35:07We're going to have tea

00:35:08Be an angel

00:35:09And put the kettle on

00:35:10Will you?

00:35:11First

00:35:11Right

00:35:11Oh

00:35:13Tony

00:35:14What do you do

00:35:16With all those pins

00:35:16You're always picking up?

00:35:18Nothing

00:35:18It's just sheer superstition

00:35:20I'll throw this in the fire

00:35:21No

00:35:21Why not?

00:35:22It's bad luck

00:35:23Yes I'm superstitious too

00:35:25Give it to me

00:35:26And what are you going to do with it?

00:35:28I'll keep it

00:35:28It'll come in handy

00:35:29What for?

00:35:30Oh different things

00:35:31Consistent

00:35:32Aren't you?

00:35:33Superstitious

00:35:34Yet

00:35:34You'll have this thing

00:35:35Mask

00:35:36On the wall

00:35:37After what Redlich said about it

00:35:39What did they tell you

00:35:40It's supposed to be?

00:35:41Oh a ceremonial mask

00:35:42For disciplining witches

00:35:43Ones who don't conform

00:35:45Conform to what?

00:35:46The rules

00:35:46I suppose

00:35:47I don't know

00:35:48I just think it's friendly

00:35:50Well

00:35:51Not to me I think

00:35:52Boo

00:35:54Look darling

00:36:12We've spent all our time together

00:36:14All our meals

00:36:15And everything

00:36:16It's just occurred to me

00:36:18There must be a lot of people

00:36:19You're neglecting

00:36:20No one I care about

00:36:21I've been neglecting everything

00:36:23There's a whole stack of manuscripts

00:36:25Piled up by my bed

00:36:27Only

00:36:28I never seem to get there anymore

00:36:29Why don't you go to your party tonight

00:36:32I might join you there later

00:36:33Oh no

00:36:34Why not?

00:36:35You'd hate it

00:36:36Do you know

00:36:37I haven't met a single friend of yours

00:36:40And you're not going to

00:36:41They're awful

00:36:41What are they like?

00:36:43Like

00:36:43They're irresponsible

00:36:45And malicious

00:36:45And unprincipled

00:36:46And fun

00:36:47Well

00:36:47That's something

00:36:48I'm not sure

00:36:49That's the worst part

00:36:50Gillian

00:36:51When are we going to get married?

00:36:55What's the matter?

00:36:57I must have missed a chapter somewhere

00:36:58Darling

00:36:59After the last two weeks

00:37:00You can't say this is so sudden

00:37:02You know I'm in love with you

00:37:04Marriage is the next logical step

00:37:06Doesn't it seem like that to you?

00:37:10Gill

00:37:10Why are you dodging this?

00:37:11I don't think I'm cut out for marriage

00:37:13That's all

00:37:14In what way?

00:37:14The way I've lived

00:37:15How have you lived?

00:37:16Selfishly

00:37:17Restlessly

00:37:17One thing after another

00:37:19But there is a time to stop

00:37:21There is a moment

00:37:22When we get the chance

00:37:23To go one of two ways

00:37:25Forever

00:37:26This is it

00:37:28For me

00:37:28I hope for you too

00:37:30No?

00:37:32I don't know

00:37:33It would mean giving up

00:37:34A whole way of living

00:37:35And thinking

00:37:36I sometimes wondered

00:37:37If I could

00:37:38And wished I could

00:37:40I know we started this abruptly

00:37:42But that doesn't mean

00:37:43It can't last

00:37:43Oh I know it can last

00:37:45That's not what's worrying me

00:37:47What is?

00:37:48I told you

00:37:48Me

00:37:49So long as it's not me

00:37:50It isn't

00:37:50Then let me do the worrying

00:37:52Well

00:37:54You're tempting me

00:37:55That's better

00:37:56The kettle must be boiling by now

00:37:58They don't boil if you watch them

00:38:00Hey

00:38:01I wonder

00:38:06Pywhacket

00:38:07I wonder if I could

00:38:09Suppose he found out afterwards

00:38:12That would be bad

00:38:13And what would all the others say?

00:38:16What would that mask say?

00:38:20Don't look at me like that

00:38:21I will if I want to

00:38:24Here we are

00:38:26There

00:38:28Tony

00:38:34I will

00:38:36I'd like to hear that again

00:38:39I will

00:38:41I want to

00:38:42Oh

00:38:43Darling

00:38:44Darling

00:38:46Darling

00:38:48What do we say next?

00:38:52Where shall we live?

00:38:53Shall I buy this place from you?

00:38:55Then we can throw the other tenants out

00:38:56And

00:38:57Unconvert it

00:38:58I've only got a lease on this house

00:38:59And anyway

00:39:00I'd like to start somewhere fresh

00:39:02What again?

00:39:03I can't keep pace with your activities

00:39:06An art gallery in Chelsea

00:39:07A herb shop

00:39:08Bookshop

00:39:09Africa

00:39:09Tony

00:39:10Don't ask me questions about my past

00:39:12Is it so lurid?

00:39:13I don't mean it like that

00:39:14But

00:39:14Well

00:39:15My life has been sort of rayfish

00:39:17At least seen through your eyes

00:39:18And I don't want to talk about it

00:39:20Darling

00:39:20I just feel jealous

00:39:22Of the things about you

00:39:23That I don't know

00:39:24I know you're not jealous

00:39:26In the remotest degree

00:39:27About anything

00:39:27You knew there was another woman

00:39:29Right up to the moment

00:39:30That we met

00:39:30Yet

00:39:31You've never asked me

00:39:32One thing about her

00:39:33Yes

00:39:34But that

00:39:34Whatever it was

00:39:36Is over

00:39:37I know it is

00:39:38Even so

00:39:39A little twinge of jealousy

00:39:40Would be flattering

00:39:41I've wondered

00:39:42I've wondered if you've seen her since

00:39:44I am interested

00:39:45Really

00:39:46Just to know how something works

00:39:48How what works?

00:39:49Something like us

00:39:50What happened to us

00:39:53I wonder if you could still

00:39:55Be with her

00:39:56I've no idea

00:39:57I don't want to

00:39:58But could you?

00:39:59Darling

00:40:00Being in love with someone else

00:40:01Doesn't make one impotent

00:40:03It just makes one disciplined

00:40:04Suppose she vamped you

00:40:06Lie about on couches

00:40:07With bunches of grapes in her mouth

00:40:09Suppose I were away or something

00:40:11And she asked you

00:40:13And don't tell me women don't ask

00:40:15Because they do

00:40:16Have you ever asked anyone?

00:40:18Not asked

00:40:19But made it obvious I think

00:40:21I did to you didn't I?

00:40:23You are jealous

00:40:25You didn't really think I couldn't be

00:40:27My worst thing almost

00:40:29That and trying to get something for nothing

00:40:31Eating my cake and having it too

00:40:34But I'm going to be different from now on

00:40:36I promise you

00:40:37I swear it

00:40:38I don't want you any different

00:40:40But I want to be different

00:40:41Quite different

00:40:42I won't stand for it

00:40:44I wonder if two people have ever had a romance like this before

00:40:51Very few

00:40:52Very few

00:40:54Damn few

00:40:55Yes

00:40:55Damn few

00:40:57Hell there's life breaking in

00:41:01Tell it to go away

00:41:02We've got to start meeting it again sometime

00:41:04And now we've got the rest of our lives together

00:41:07All right

00:41:08I'll be polite to it

00:41:11Nicky

00:41:14Hello there

00:41:15And Mr. Henderson

00:41:16I've been telephoning you

00:41:17I thought you might be here

00:41:19I say

00:41:21That's a new face isn't it?

00:41:23Is that the mask Redlich was talking about?

00:41:25Looks just like that German governess we used to have

00:41:27You're quite a stranger

00:41:29That's right

00:41:29Not since Christmas Eve

00:41:30I've got a surprise for you

00:41:33For you both

00:41:34Sid's new book

00:41:35Sidney Redlich

00:41:36What already?

00:41:37Oh not all of it

00:41:39This is just an outline in the first two chapters

00:41:41But it will give you an idea

00:41:42That's pretty quick

00:41:42Oh we've been at it night and day

00:41:44Did you say we?

00:41:45Oh yes dear

00:41:46Witchcraft around us

00:41:47By Sidney Redlich

00:41:48And Nicholas Holroyd

00:41:50You don't mean you're writing it with him?

00:41:53Nicky really?

00:41:54What do you know about that sort of thing?

00:41:57I know as much as he does

00:41:58You pick things up

00:41:59Well this is a surprise isn't it Jill?

00:42:02Yes it is

00:42:03We've got a surprise for you too

00:42:05I think you could stand me as a brother-in-law

00:42:09Well I never

00:42:13Bless your hearts

00:42:16Congratulations darling

00:42:18Both of you

00:42:19That was pretty quick wasn't it?

00:42:22Tony I'd like to talk to Nicky

00:42:24Do you mind?

00:42:25Well I'll go up to my flat for a bit

00:42:26And for a change

00:42:27Why don't you look at that book now?

00:42:30Now?

00:42:30Why not?

00:42:31Won't take you long

00:42:32It's good

00:42:32Well I might glance at it

00:42:34Good enough

00:42:35Bless you Jill

00:42:37Well well well

00:42:41Marriage no less

00:42:42Uh huh

00:42:42What fun

00:42:44It is

00:42:45Very

00:42:45Between us all he's going to have quite a time

00:42:49Between us all?

00:42:50Well you and me and my book

00:42:52I'm going to need your help

00:42:53You know I've kept up with all the manifestos

00:42:55Oh invent anything you like

00:42:57What's it matter?

00:42:58Oh I can't

00:42:59Sid's a stickler for accuracy

00:43:00What?

00:43:02Nicky

00:43:02You're not giving him the truth

00:43:04Of course I am

00:43:05Oh darling

00:43:06He was so idiotic that first evening

00:43:08He took me to all the places

00:43:10Kept on pointing out people to me

00:43:12Naturally I knew most of them

00:43:13But I gave them the sign

00:43:14Humans around

00:43:16And they played up

00:43:17But he went on and on

00:43:18Wanting to take me to Mrs. De Parse's

00:43:20And so

00:43:21Finally

00:43:22You told him about yourself

00:43:24It's going to pay beautifully

00:43:25I gather Tony has made Sidney a very generous offer

00:43:28You mean that's what Tony is reading upstairs now?

00:43:31You could publish that book

00:43:33I won't let you

00:43:34What harm can it do?

00:43:35There are no names in it

00:43:36But your name is going to be on it

00:43:38And it's too close to home to be safe

00:43:40Nicky

00:43:41Tony doesn't know about me

00:43:43And he's not going to

00:43:44Oh

00:43:45I suppose you're going to tell me you're renouncing too

00:43:47I have renounced

00:43:49Since when?

00:43:50Well actually

00:43:51Since about ten minutes ago

00:43:52Though I haven't done anything for a fortnight

00:43:55You don't mean this marriage is on the level

00:43:59You haven't fallen in love with him

00:44:01No of course not

00:44:02But I'm cutting all that right out

00:44:04You can't cut it out

00:44:05It's something you were born with

00:44:06There's not a thing you can do about it

00:44:08I needn't practice it

00:44:09And I won't

00:44:10Oh you wait till the first temptation comes along

00:44:12The first thing you really want

00:44:14Then it'll be

00:44:15Just this once

00:44:16And that'll lead to another

00:44:17And another

00:44:18Not for me

00:44:19My mind made up

00:44:20That's why you've got to stop that book

00:44:22I'm sorry dear

00:44:22But no

00:44:23It's important to me

00:44:24It's more important to me

00:44:25No dear

00:44:26I'm sorry

00:44:26But quite firmly

00:44:27No

00:44:27Very well then

00:44:28I'll have to do something about it

00:44:30What did I just tell you?

00:44:32I thought you'd retired

00:44:33I'll make this a farewell clearance

00:44:35To stop that book

00:44:36We've got people on our side

00:44:38Remember?

00:44:40Mrs. De Pass

00:44:41Well

00:44:42I'm not better than that old battle act

00:44:44She can take it up higher

00:44:45To the big boys

00:44:46She'll get the whole organisation behind it

00:44:47That bunch

00:44:48There isn't one of them

00:44:50Can give anyone a flat tyre

00:44:51Without having to go to bed for a week

00:44:53Now

00:44:54Will you bring me every copy

00:44:56That's in existence

00:44:57Or am I going to have to go to work?

00:45:00You know I can

00:45:01Don't you?

00:45:03Well

00:45:03What's it to be?

00:45:05Yes

00:45:06Or no?

00:45:07Not for the world

00:45:07Very well then

00:45:09Pie

00:45:12Pie

00:45:12Pie Wacket

00:45:13I don't want that book to be published

00:45:17Do you hear?

00:45:18Not by anyone

00:45:19Jill look out

00:45:20And that'll teach you to threaten me with the organisation

00:45:23Girlie your little romance is coming to a sticky end

00:45:26Tony's going to know all about you

00:45:28And before the day is out too

00:45:29Oh

00:45:31You're still here Nicky

00:45:32Good

00:45:32Hello there's Pie Wacket again

00:45:34What are you going to do with Pie now?

00:45:36I'm going to put him out

00:45:38I meant

00:45:41Now that you two are getting married

00:45:43Oh

00:45:43Did she tell you he doesn't like me?

00:45:45Can't bear me to touch him for some reason

00:45:47Did you read it?

00:45:48How did you like it?

00:45:50I don't know if you want me to talk in front of Jillian

00:45:53Yes

00:45:54Why not?

00:45:55Jill

00:45:56I'm afraid Nicky here has been a bad boy

00:45:59I don't think Aunt Queenie's the only member of your family

00:46:02Who goes in for practical jokes

00:46:04You think this book's a joke?

00:46:06It's insane

00:46:07You ought to call it

00:46:10What every young witch ought to know

00:46:13How you imagine for one moment that I believe in it

00:46:15I've just been talking to Redlitz on the phone

00:46:19And he said that Nicky had convinced him

00:46:21That he was one of them

00:46:22I think that was going a little far

00:46:24Did he tell you how he got here in the first place?

00:46:26Yes I had all that

00:46:27A luminous paint or something

00:46:29And all your references

00:46:30Including a Mrs. DeParse

00:46:32Who seems to be a sort of head witch or something

00:46:34But now the joke's over

00:46:37So you'd better tell Redlitz

00:46:38The whole thing was a leg pull

00:46:40Or this book will have to find another publisher

00:46:43No

00:46:44I don't think any other publisher would be any good either

00:46:47Now

00:46:48Do you, Jill?

00:46:50Nicky

00:46:50What are you up to?

00:46:51Oh, not a thing, darling

00:46:52All right, Tony

00:46:54I suppose it was silly of me to think you'd believe it

00:46:56Like that

00:46:57Well

00:46:58Goodbye

00:46:59And no hard feelings

00:47:01You're an ass, Nicky

00:47:02You'd better have this

00:47:03So long, Jill

00:47:05You'll be hearing from me

00:47:07Later in the day

00:47:08Is anything the matter?

00:47:14No

00:47:14Well, you look peculiar

00:47:16There's nothing wrong between you and Nicky

00:47:18No

00:47:18Tony

00:47:19I've got to tell you something

00:47:22Not if it's to prove to me that Nicky is a witch, no

00:47:24The word is warlock

00:47:26Oh, well, we don't have to get technical about it

00:47:28You don't believe there are such things at all?

00:47:30No, dear

00:47:31And it's no good trying to make me

00:47:32No matter who told you

00:47:33Look

00:47:34Nobody's threatening you with anything, are they?

00:47:37Nicky isn't?

00:47:38Is he threatening to tell something about you to me?

00:47:41Yes

00:47:41Well, that's easily dealt with

00:47:43Tell me yourself

00:47:44That's what I'm trying to do

00:47:46Well, what is it?

00:47:47Something in your past that you don't want questions asked about?

00:47:50Tony

00:47:50Will you listen quite quietly for a moment?

00:47:53Not interrupt or anything?

00:47:55Of course

00:47:55You don't believe in anything supernatural?

00:47:58Oh, God

00:47:58We're not back on that again

00:47:59How about superstitions?

00:48:01You believe in them?

00:48:02Those don't mean anything

00:48:03Then why do you defer to them?

00:48:05Habit, perhaps

00:48:06Or

00:48:07Is it just that you won't take a chance?

00:48:10In case there were rules

00:48:11Or something governing those things, yes?

00:48:13Well, for the sake of argument, perhaps

00:48:15Tony

00:48:15There are rules

00:48:18And it's just a question of

00:48:22Choosing which set of rules you live by

00:48:24The laws of gravity

00:48:26Or a whole different lot of rules

00:48:28That can set those aside

00:48:29Well, do you know a whole different set of rules?

00:48:31Yes, I do

00:48:32Rules and shortcuts to getting your own way

00:48:35And the people who use those shortcuts

00:48:37Are the people who

00:48:39I've got to say it

00:48:40Live by magic

00:48:42Magic

00:48:43Tony

00:48:44There is such a thing as magic

00:48:47I know

00:48:48I can do it

00:48:50You can?

00:48:52Yes

00:48:52Well

00:48:53Do it then

00:48:54Show me something

00:48:55No, I mustn't

00:48:56It would go on and on

00:48:59It always does

00:49:00I've broken down once this afternoon already

00:49:02You have, have you?

00:49:03What did you do?

00:49:04I stopped that book being published

00:49:05Oh, no, you didn't

00:49:07That's my province

00:49:08Sorry to spoil your story

00:49:10But I decided I wasn't going to publish it

00:49:12After I'd read two pages

00:49:14I didn't say I stopped you publishing it

00:49:16I stopped anyone publishing it

00:49:18How very useful

00:49:19What did you do?

00:49:20I can't tell you

00:49:22It would sound too silly

00:49:24Oh, come on

00:49:25What did you do?

00:49:26I put on a spell

00:49:27And how does one put on a spell?

00:49:29I used Pywhacket

00:49:30You mean

00:49:31You spoke to him about it

00:49:33And what's he supposed to do?

00:49:35Go out and call on all the publishers

00:49:36And talk them out of it

00:49:38Is Pywhacket a witch too?

00:49:40He's a familiar

00:49:40He's familiar?

00:49:43I'll tell you other things

00:49:44The luminous paint

00:49:46That was true

00:49:47Only it wasn't Nicky

00:49:48It was I

00:49:49You saw me doing it even

00:49:52You thought it was indoor fireworks

00:49:54And you're coming here

00:49:56You remember how that happened?

00:49:58Your telephone went out of order

00:50:00That was Providence

00:50:01No, that was Nicky

00:50:03He put it out of order

00:50:05Well, I've heard of repairmen

00:50:06Why would Nicky do that?

00:50:08As a prank

00:50:09That's what he uses it all for mainly

00:50:11Playing tricks

00:50:12Turning all the traffic lights

00:50:14Of Piccadilly Circus green

00:50:16At the same moment

00:50:17He's never taken it seriously

00:50:18Most people don't

00:50:20But it can be very serious

00:50:22Do you believe in the kind of God

00:50:26With a long, white beard?

00:50:28No

00:50:29But you do believe that

00:50:31If you're in trouble

00:50:32Real trouble

00:50:33Facing death or something

00:50:34There is something you could appeal to

00:50:37That could help you

00:50:38I suppose

00:50:39And even if you don't think of it as a man

00:50:41Somewhere

00:50:43Lingeringly

00:50:44There is still a picture of that

00:50:46Long, white beard

00:50:47Well, with me

00:50:49Lingeringly

00:50:51It's horns and a tail

00:50:54The devil that people sell their souls to?

00:50:56Yes

00:50:57What does the devil do with this soul?

00:50:59Is that something I've always wanted to know?

00:51:01It used to worry me too

00:51:02The nearest I ever got to understanding it

00:51:04Was that it was like votes

00:51:06He needs votes

00:51:08Supporters

00:51:08Jill, this is all table-turning nonsense

00:51:12All those things you talked about

00:51:14Nicky's business with the telephone

00:51:16Those things are coincidences

00:51:18They look like that

00:51:20They have to

00:51:20They can't do it any other way

00:51:23I can't turn this house into the Taj Mahal

00:51:26It doesn't work that way

00:51:28There has to be a rational explanation if you want it

00:51:31Then I'll take the rational explanation

00:51:33Just as you took the rational explanation of us

00:51:36There

00:51:38Now I've said it

00:51:40You mean

00:51:41That was

00:51:42Yes

00:51:43That was

00:51:45Now, really

00:51:46Well, was it rational?

00:51:48What happened to you here on Christmas Eve?

00:51:50It happened

00:51:51How?

00:51:51Think back

00:51:52What did happen?

00:51:54You came in here to use the telephone

00:51:56The number was engaged

00:51:58Then you got through

00:51:59Can you remember what happened next?

00:52:01I remember every single thing

00:52:03I made my call

00:52:04You went into the kitchen

00:52:05You came back with the cat

00:52:07Go on

00:52:07I went to the door

00:52:09Turned back

00:52:10And suddenly

00:52:11I seemed to see you for the first time

00:52:14And you were in my arms

00:52:16You've left out something

00:52:17What did I do before that?

00:52:20You didn't do anything

00:52:22You sat down

00:52:23You talked to the cat

00:52:25Oh

00:52:26Damn it

00:52:29I won't believe it

00:52:31What made you suddenly take me in your arms?

00:52:33Because I wanted to

00:52:35More than I've ever wanted to do anything in my whole life

00:52:39And you think you made me do it?

00:52:41Why?

00:52:41What for?

00:52:41Because I wanted you to

00:52:43So I did that

00:52:44You mean I had nothing to do with it at all

00:52:47I'm sorry, Tony

00:52:48It's bad

00:52:49The whole thing's bad

00:52:51It's habit forming

00:52:53It's like abusing influence

00:52:56And it can destroy you as a person

00:52:58Well, now I've told you

00:53:00And I don't have to worry about anyone else telling you now

00:53:04You don't have to worry about anything

00:53:06You don't believe a word of it, do you?

00:53:09I certainly do

00:53:10You do?

00:53:11I believe you cast an absolutely wonderful spell on me

00:53:16And I'm crazy about it

00:53:18Oh, dang, don't answer

00:53:23Oh, darling

00:53:24Now that we've got the rest of our lives together

00:53:27Oh, our Queen

00:53:33Hello, darling

00:53:34Oh, hello, Tony too

00:53:36No, darling, I'm not staying

00:53:38I really don't know why I came

00:53:40But I felt an urge

00:53:42A simple, irresistible impulse

00:53:45Did you meet Nicky by any chance?

00:53:48Nicky?

00:53:49Yes, I passed him in the street

00:53:50He waved to me

00:53:52Rather a funny kind of wave

00:53:54A drink

00:53:54Ah, dear Nicky

00:53:56Oh, perhaps I came to tell you

00:54:00I shan't see you tonight

00:54:01I promised I'd dine with Mrs. Depart

00:54:03Why, what's the matter, Tony?

00:54:06Did you say Mrs. Depart?

00:54:08Why, do you know her?

00:54:09Auntie, I'd better tell you

00:54:11Tony knows

00:54:13I've told him

00:54:14Oh, how wonderful

00:54:17And is he sympathetic?

00:54:20Now, wait one minute

00:54:22Let's get this straight

00:54:23You mean she thinks she's one too?

00:54:26Yes, Tony

00:54:27How else do you think I got into your flat

00:54:29When the door was locked?

00:54:30Do you mean you can get through locked doors?

00:54:32Usually

00:54:33Could you get through that one if I locked it?

00:54:37I think so

00:54:38Good

00:54:38Come on then

00:54:39Ahem

00:54:40Oh, no

00:54:42I mustn't

00:54:43I can't

00:54:44No

00:54:44No, I suspected that

00:54:47Well, Gillian, you do it then

00:54:49No, Auntie, I've stopped

00:54:50Tony and I are getting married

00:54:52Oh, how lovely

00:54:55How exciting

00:54:57But if he knows

00:54:59That makes no difference

00:55:01I've stopped

00:55:02Oh, well

00:55:03I'm sorry

00:55:05I'm sorry, Tony

00:55:05About the door

00:55:06Well

00:55:08What's that?

00:55:10Pie-whacket

00:55:11It must be his dinner time

00:55:13Goodness, it's long past

00:55:14I forgot all about him

00:55:16Excuse me

00:55:17We shall miss you here

00:55:21Oh, how nice of you

00:55:23I know it's hard to understand at first, Tony

00:55:26You see, Gillian's been in it ever since she was tiny

00:55:30And then she started me

00:55:31Or I found out

00:55:33I don't know how much she's told you about it all

00:55:35About that spell she put on you

00:55:38Yes, I had all that

00:55:39Perhaps I should lend you some books to explain things to you

00:55:42They helped me a lot

00:55:43Did they?

00:55:44Yes

00:55:45Of course, I always knew I had something

00:55:47But I thought it was an artistic temperament

00:55:50I don't think I would ever have become a witch

00:55:52If my parents had let me go on the stage

00:55:55Miss Holroyd

00:55:56You don't really believe that Gillian has any powers

00:55:59I know she has

00:56:00She's done wonderful things

00:56:03Those thunderstorms

00:56:05While she was at school

00:56:06On account of you-know-who

00:56:08I've no idea who

00:56:09Your friend, Mel Kittredge

00:56:11Oh, nonsense

00:56:13Gillian has never heard of Mel Kittredge

00:56:15But of course she has

00:56:16I told her myself that you were getting married

00:56:19That's why she went after you with Pie-whacket

00:56:22I beg your pardon

00:56:22Oh, but I promise you

00:56:24She wouldn't have used magic

00:56:26If she'd had time for the usual feminine methods

00:56:29No matter how great enemies she and Miss Kittredge were

00:56:32You mean, she went after me because of Mel?

00:56:35Well, she thought you very attractive already

00:56:38You've no idea how much she likes you

00:56:41Or perhaps you have

00:56:42Miss Holroyd, what are you trying to say?

00:56:45Well, Tony

00:56:46With us, it's like the saints

00:56:49Saints?

00:56:50Yes

00:56:50Only the other way round

00:56:52At least, that's what the books say

00:56:54Saints love everyone

00:56:56Just everyone

00:56:57With no thought for themselves

00:56:59But with us, it's just the contrary

00:57:02Look, perhaps I'd better read some of those books of yours after all

00:57:05Yes, Tony

00:57:06Then you'll see how impractical

00:57:08Well, how impossible, really

00:57:10Love is

00:57:11Not sex

00:57:12Sex is allowed

00:57:13In fact, it's almost encouraged

00:57:16But of course, you must know that

00:57:18Miss Holroyd

00:57:19Oh, no, Tony

00:57:20Can't I be Aunt Queenie now?

00:57:23Miss Holroyd, I don't think we'd better go on with this

00:57:25Oh, dear

00:57:26I haven't been too bold, have I?

00:57:29Pywhacket is behaving very strangely

00:57:32I had to coax and coax him

00:57:34I must go, darling

00:57:36So nice to see you

00:57:38Goodbye

00:57:39Goodbye, Tony

00:57:40Dear

00:57:41Gillian

00:57:47There are some things I want to ask you

00:57:49Have you told me the truth

00:57:52About yourself?

00:57:54Yes

00:57:54And about us?

00:57:55Yes, why?

00:57:56Well, you didn't tell me

00:57:57That you knew Merle Kittredge

00:57:59You did know her, didn't you?

00:58:02You were at school together

00:58:03You knew about her and me, too, didn't you?

00:58:07You knew from the beginning

00:58:08And that was why you went after me, deliberately

00:58:11To spite her

00:58:12No, not to spite her

00:58:15Why, then?

00:58:15Because I wanted you

00:58:17Because you were in love with me?

00:58:18How could I be in love with you?

00:58:20I didn't know you

00:58:21Are you in love with me now?

00:58:22How does one tell if one's in love?

00:58:28One knows

00:58:29But how?

00:58:31Could you go on without me?

00:58:35I think that's the best test

00:58:37If I wasn't there, could you?

00:58:40I'd have to, wouldn't I?

00:58:43And there's the answer

00:58:46But wouldn't I?

00:58:47Perhaps

00:58:47But you shouldn't feel that you could

00:58:50Why do you think this is hitting me as it is?

00:58:54To find out the whole thing had no meaning of any kind

00:58:58To find that you just haven't been there the whole time

00:59:02I don't think I knew what I was doing

00:59:06But it would be like this

00:59:08I'm sorry

00:59:10That's fine

00:59:11Oh, and you needn't pretend to cry

00:59:13Because you can't do that either

00:59:14If I remember rightly

00:59:15I'm not crying

00:59:17Oh

00:59:18So you believe it now?

00:59:21No, I don't believe a word of it

00:59:22Not a damn word

00:59:24Can you take off spells that you put on?

00:59:27Because I think you'd better

00:59:27No

00:59:28No, I wouldn't do that

00:59:30No, I won't

00:59:31I won't

00:59:32All right

00:59:34All right

00:59:36Where are you going?

00:59:37I don't know

00:59:37But I'm getting the hell out of here

00:59:38No

00:59:39No, you can't

00:59:40Oh, yes, I can

00:59:41And I don't know how one deals with witches

00:59:43But don't think

00:59:44Because you put a spell on me

00:59:45That I am coming back

00:59:47Because I'm not

00:59:48Ever

00:59:49Tony

00:59:49The spell

00:59:52He'll have to come back

00:59:54Won't he?

00:59:57Taxi

01:00:00No

01:00:02No

01:00:04Good God

01:00:07No

01:00:09Tony

01:00:10No

01:00:11No

01:00:13No

01:00:14No

01:00:15Sitting in the dark now, eh?

01:00:45Never a dull moment around here

01:00:47Where's Tony?

01:00:49Out somewhere

01:00:50Oh, you two haven't had a quarrel or anything, have you?

01:00:53No

01:00:53Not a quarrel

01:00:55Just a visitor

01:00:57Thank you, Nicky

01:00:58I say

01:00:58What's happened to this pretty face?

01:01:00All the way from Africa

01:01:01And then smashed to pieces in lovely Knightsbridge

01:01:04Someone's been a bit careless

01:01:06No one has been careless

01:01:07What a pity it got broken

01:01:09It had come in so handy just now

01:01:11Don't tell me Tony broke this

01:01:13You know perfectly well who broke it

01:01:15Nicky, you've seen him

01:01:18Where?

01:01:19At Sid's room

01:01:20Ah

01:01:21He came straight there from you

01:01:22Oh, it's no good you phoning him

01:01:24He isn't there now

01:01:25Where is he?

01:01:26Well, that I'm afraid I can't tell you

01:01:28He's not with Merle

01:01:30No, but I think he thinks he ought to be

01:01:32After all, perhaps he's still in love with her underneath

01:01:35Don't think I haven't thought of that

01:01:36I've been sitting here battling with the temptation to take the spell off

01:01:41That's when I broke that mask

01:01:43If I leave things as they are

01:01:45He'll still be in love with me and loathe me for it

01:01:48Yes, I don't think it was very clever of you to tell him about the spell

01:01:52You know what it always says on love potions

01:01:54Shake well and don't tell

01:01:56Who's that?

01:01:58I'll see

01:01:58It can't be Tony

01:02:00Tony's got his key

01:02:03Tony!

01:02:04Nicky, I want to talk to Gillian alone

01:02:07Will you clear out?

01:02:07It won't take more than a couple of minutes

01:02:09Of course

01:02:09I'll go and get a pack of cigarettes around the corner

01:02:11Tony, won't you please

01:02:13Listen to me

01:02:14I've got something to say and I want to say it quickly

01:02:16I don't want to be here and I wouldn't be

01:02:18Only I was told I had to

01:02:19So here I am

01:02:20For your information, I've been to see Mrs. DeParse

01:02:23What for?

01:02:24For the hair of the dog that bit me

01:02:26Not to get her to take my spell off

01:02:29Oh, no!

01:02:30What else?

01:02:31And did she?

01:02:33Tony, did she?

01:02:34For whatever it was worth

01:02:35How?

01:02:36With a whole lot of hocus-pocus and a very dirty old paddock

01:02:39From what I've seen, it's a lot more complicated to take a spell off than to put one off

01:02:42It would be for her

01:02:43And how do you feel now?

01:02:46I don't feel anything except bloody angry

01:02:47Going all the way out to Ealing

01:02:50To that messy little house called Cauldron's Corner or whatever it was

01:02:54Having to stand hat in hand and learn a little poem

01:02:57Walk backwards round and round an oriental table

01:03:00Its stomach turning and humiliating

01:03:03I know

01:03:04Don't tell me

01:03:05You say nothing of being pounded out of pocket into the bargain

01:03:08Why?

01:03:08What did she charge you?

01:03:10I don't want to go into it

01:03:11Any of it

01:03:11The only reason that I came was that she said the thing wouldn't be complete

01:03:15Until I'd seen you and told you

01:03:17That was nice of her

01:03:18To make that a condition

01:03:20Well, now I have

01:03:21And I can go

01:03:22And by the way, she's arranged it so you can't undo this one

01:03:25And how did she do that?

01:03:27We won't go into it

01:03:28Any of it

01:03:29I've said what I had to say

01:03:31What about Merle?

01:03:34What about her?

01:03:36Are you going back to her?

01:03:37If she'll have you

01:03:38At the moment, the only thing I'm going to do is drink myself into a stupor

01:03:42Stupor?

01:03:43Forget the whole business

01:03:44If I can, I'll say goodnight

01:03:46I mean, goodbye

01:03:48I'll never see you again

01:03:49I see no reason why you should

01:03:51All right

01:03:52All settled

01:03:55Well?

01:03:58What's happening now?

01:04:00Oh, it's revolting

01:04:01He's getting mixed up with it

01:04:03Going to see her

01:04:04Oh, he's too good for that sort of thing

01:04:07Now, just a minute

01:04:07He is

01:04:08It's cheapening to him

01:04:10Scrabbling about in the gutters of the supernatural

01:04:12With Mrs. De Pass

01:04:14Are you going to let her get away with it?

01:04:17Come on back to us where you belong

01:04:19This is what you get for mixing with human beings

01:04:22Oh, it's all right to make use of them

01:04:24Have affairs with them if you want to

01:04:25But anything else, no

01:04:27Oh, so come back, Jill

01:04:30Come to Natalie's party with me

01:04:31Oh, um

01:04:33Come in

01:04:35Jillian?

01:04:38I've got Mr. Redlich outside

01:04:40How do you know Redlich?

01:04:41We met tonight at Mrs. De Pass

01:04:43And then we left together when Tony went in

01:04:47Will you see him?

01:04:48Just for a minute

01:04:49It's important

01:04:50I don't think you should be cross with him, darling

01:04:53Don't you?

01:04:54Bring him in

01:04:55And is he going to need a drink?

01:05:00Good evening, Miss Fowright

01:05:02It's very good of you to see me like this

01:05:05It's you I have to thank for taking Tony out to Mrs. De Pass, isn't it, Mr. Redlich?

01:05:10Taking him to be cured of me

01:05:12Oh, no, it wasn't that, Miss Fowright

01:05:15It was to put him back to where he was when he first met you

01:05:19You know, like in Shakespeare

01:05:20Be as thou wast

01:05:22Won't to be

01:05:23See as thou wast

01:05:25Won't to see

01:05:25Midsummer night's dream

01:05:26When they take off the power of the flower

01:05:29And Titania falls out of love with the ass

01:05:32Thank you for the comparison

01:05:34Oh, but

01:05:35You'll need this

01:05:37Oh, thanks

01:05:39But what I want to explain is

01:05:42I couldn't help myself

01:05:44I had an idea at the time that you mightn't altogether like it

01:05:48And then when your aunt told me you'd almost had a sort of hate on old Bianca

01:05:53Bianca?

01:05:54Mrs. De Pass

01:05:54Well, when I heard that

01:05:58That you'd always been rivals, so to speak

01:06:00We've never been rivals

01:06:02That third-rate, vulgar, self-advertising, suburban sorceress

01:06:07No, no, go slow, darling

01:06:08You've got the best in the business

01:06:09It's people like her who make me wish we had the Inquisition back again

01:06:13Do you know what she made him do?

01:06:15She made him come over here and tell me

01:06:19Tell me what she'd done

01:06:21Told him it was part of it

01:06:23Now, look, Miss Fowright

01:06:24I don't know anything about that side of it

01:06:27But I know you're not so bad yourself

01:06:30When it comes to revenge and that sort of thing

01:06:32I don't want you to take it out on me

01:06:37It was Tony's idea, the whole thing

01:06:40All I did was to take him there

01:06:43And now you're afraid of the consequences

01:06:46Why don't you ask Mrs. De Pass to protect you

01:06:50If you think so highly of her

01:06:51Or you could go to the local vicar

01:06:53And get me exorcised with bell, book and candle

01:06:57Now, Miss Fowright, don't get upset

01:06:59I only did what I was asked to do

01:07:02Suppose you've been asked to commit a murder

01:07:04Or introduce someone to a murderer

01:07:06Who'd do the job for money

01:07:07Yes, Aunt Queenie?

01:07:10What does she charge for a little thing like this?

01:07:13Well, she varies her prices, dear

01:07:15According to people's means

01:07:17She asked me about Tony

01:07:18And what did you tell her?

01:07:20I told her I thought he was quite well off

01:07:22You see, I'd seen his passbook

01:07:24And letters from his stockbroker

01:07:26And what is she going to rush him?

01:07:28She said she was going to ask

01:07:30A thousand pounds

01:07:32What?

01:07:33Now, look, Miss Fowright

01:07:34I don't want to intrude on you

01:07:37In your hour of grief

01:07:39But put yourself in my place

01:07:42I'd rather not, Mr. Redlich

01:07:44But don't worry

01:07:46I won't do anything to you

01:07:48Oh, that's wonderful of you, Miss Fowright

01:07:50Thank you

01:07:52Thank you

01:07:53And just one thing more

01:07:54About the book

01:07:56Nicky said you'd sort of

01:07:57Put a stop on it

01:08:00Hmm?

01:08:00Well, now that Tony's not

01:08:02Don't you think you might

01:08:04I mean, well, just sort of release it

01:08:07Oh, I don't mean right now, naturally

01:08:10But sometime when you've nothing else on your mind

01:08:12Mr. Redlich

01:08:13Don't you think from now on

01:08:15That you'd better stay away

01:08:17From this kind of thing?

01:08:18I don't think you've got the temperament for it

01:08:21Or the nerve, apparently

01:08:23Yes, I expect you're right

01:08:25I only meant...

01:08:27Mr. Redlich

01:08:28Go away

01:08:31Well, of course

01:08:34Of course

01:08:36And thanks a lot, anyway

01:08:38Goodbye

01:08:40All right

01:08:42I've got a little job to do here

01:08:45Oh, Bianca

01:08:46She and her thousand pounds

01:08:48With her potions

01:08:49And her...

01:08:50It'll cost her a lot more than a thousand pounds

01:08:52To get out of what I'll do to her

01:08:54She's got a lot of valuable Chinese rugs

01:08:57You once told me

01:08:58And there are those Persian tapestries

01:09:01And the mink coat

01:09:03Moths

01:09:05And come to think of it

01:09:07There's Merle, too

01:09:10Be as thou wast, won't to be

01:09:13And how was that?

01:09:15In love with Merle Kittredge

01:09:17No, she's not going to get him back

01:09:18Not if I have anything to do with it

01:09:20Where's Pie Wacket?

01:09:23Pie?

01:09:24Pie, Pie Wacket?

01:09:26Pie, where are you?

01:09:27I've never seen her like this before

01:09:31Yes, but don't stop her

01:09:32He's not there

01:09:33Well then, darling

01:09:35Why don't you wait

01:09:36And think it over till the morning

01:09:37I can do without him

01:09:38Let's see what I've got

01:09:42Moss

01:09:44Wormwood

01:09:46Where's that stuff I got in Tobago?

01:09:49Aunt Queenie

01:09:50Take these

01:09:51Bottle

01:09:52Bottle

01:09:53Owl

01:09:55Mandrake

01:09:56And Merle

01:09:57And Merle

01:09:58What are you going to do to her?

01:10:00Why don't you transport her somewhere?

01:10:02And have Tony go after her

01:10:04Then make her fall in love with someone else

01:10:06Someone very unsuitable

01:10:07A dustman, perhaps

01:10:09Here

01:10:09Here we are

01:10:12I've been waiting for an opportunity to try this

01:10:16What is it?

01:10:17Something really fancy

01:10:19Aunt Queenie, could you put the rest back?

01:10:24For revenges

01:10:25Now

01:10:26What have we got of theirs?

01:10:30Have you got anything belonging to the anchor?

01:10:33Mrs. DePars

01:10:34I've got her photograph upstairs

01:10:36But I don't think I should let you use that

01:10:38I can write her name

01:10:40And use that

01:10:41That'll do

01:10:42It'll also do for Miss Poison Pen, too

01:10:45This is a gala comeback

01:10:47Too bad you can't make it a hat trick

01:10:49Gillian, please, darling

01:10:51Auntie

01:10:52If you don't like it, you don't need to stay

01:10:55Oh, let us see

01:10:56Well, then she must keep quiet

01:10:57Bianca, eh?

01:11:01Good

01:11:02Merle

01:11:05Emily

01:11:06Kittredge

01:11:07Funny I should remember that it's Emily

01:11:10Things do come back when they need

01:11:11Nicky, the big ashtray

01:11:13Then put out the lights

01:11:15Mm-hmm

01:11:16Good

01:11:22Syatox

01:11:30Zorani

01:11:31Elastot

01:11:32Got a match?

01:11:33Mm, yes

01:11:34Dan

01:11:39It won't light

01:11:44Stuff must be old or something

01:11:46The paper won't light

01:11:48Perhaps the ashtray is damp

01:11:49That wouldn't make any difference

01:11:51I'll use two this time

01:11:53That's strange

01:11:58Oh

01:11:59What is it?

01:12:01We're not going on with this

01:12:03Why not?

01:12:06You'd better go to your party, Nicky

01:12:07Nothing else is going to happen here tonight

01:12:10Look, look

01:12:10Something is really wrong

01:12:12You...

01:12:13You haven't been defrosted, have you?

01:12:15No, of course not

01:12:16Well, show me

01:12:17Prove it

01:12:17I'll do no such thing

01:12:19I'm tired

01:12:20So

01:12:22It is true after all

01:12:25The old wives' tales are true

01:12:28Ha ha

01:12:29Well, well, well

01:12:30Um

01:12:31Let me hear from you sometime, Jill

01:12:33When you're feeling better, maybe

01:12:36Good night, Aunt Queenie

01:12:38Jill

01:12:40What is it?

01:12:42Aunt Queenie

01:12:43It is true

01:12:45You mean you have lost your powers?

01:12:49You've fallen in love?

01:12:51Yes, I think so

01:12:52I think it's happened to me

01:12:54Oh, but darling

01:12:56Now

01:12:57Now

01:12:58Yes, it's a good time, isn't it?

01:13:01I've been coming down with it all evening

01:13:03Only I didn't know what it was

01:13:05That's it

01:13:06I'm finished

01:13:08Finished as a witch, anyway

01:13:11Jillian

01:13:12What is love like?

01:13:15You know I've never had it

01:13:17Is it wonderful?

01:13:20No, it's

01:13:20Awful

01:13:22Oh, darling

01:13:26Tears

01:13:27Real tears

01:13:29Yes

01:13:30And to think I've always

01:13:32Envied people who could cry

01:13:35It feels horrible

01:13:37Oh, Aunt Queenie

01:13:39I don't want to be human now

01:13:42Jillian

01:14:03Jill

01:14:07Aunty

01:14:09I'm here

01:14:10What about a drink, then?

01:14:15Don't mind if I fix one?

01:14:17No

01:14:17Where's my painting?

01:14:24Mm-mm

01:14:24Ah

01:14:26Nicky, dear

01:14:30How nice

01:14:31Thank you

01:14:32It's been ages

01:14:35Oh, I'm exhausted

01:14:36I really can't wait

01:14:38You must stay till Jillian gets here

01:14:40That's why I've asked you to come

01:14:42You two can't go on like this

01:14:45Especially when she's so unhappy

01:14:47And she's still in love with Tony

01:14:49Yes

01:14:49And he hasn't set foot in this house since that night

01:14:52Well, what does Jill do with herself these days, anyway?

01:14:55Well, she has a job

01:14:56A job?

01:14:58Wouldn't she rather be dead?

01:14:59Nicky, you mustn't say things like that

01:15:01And look, dear

01:15:02I don't want to scold you

01:15:04But ever since your book died

01:15:05You've been very discourteous to Sidney

01:15:08Oh, Sidney?

01:15:09You know, Mr. Redlich

01:15:10Now, since when?

01:15:12Oh, quite a little while

01:15:14We have dinner every Wednesday

01:15:16Aunt Quinny

01:15:22Nicky

01:15:24Oh

01:15:25How nice

01:15:27I haven't seen you since

01:15:29Well, not since

01:15:31What brought you here?

01:15:34Oh, I just thought I'd come around

01:15:36And say hello

01:15:37Or rather Aunt Queenie thought so

01:15:39Oh

01:15:39Well

01:15:40Lovely

01:15:41Come and sit down

01:15:43Look, I can't today

01:15:45Oh, just for a little

01:15:46Won't you?

01:15:48Please, Nicky

01:15:49Please stay

01:15:50I'm late as it is

01:15:51I've got a date

01:15:51I'll come back some other time

01:15:53I really will

01:15:54All right

01:15:55How's Pywhacket?

01:15:57He ran away

01:15:58Because of...

01:15:59I suppose so

01:16:00Nothing for him to do here anymore

01:16:02You know

01:16:04Jill

01:16:05You look

01:16:06Different

01:16:07I don't know how exactly

01:16:09But...

01:16:09Better or worse

01:16:10Well, that depends on your taste

01:16:12I suppose

01:16:13Goodbye, Jill

01:16:14Goodbye, Aunt Queenie

01:16:16Aunt Queenie

01:16:18He's upstairs

01:16:20I saw him at his window

01:16:22As I came in

01:16:23Just a glimpse of him

01:16:25Did he see you?

01:16:27I don't know

01:16:27I'm afraid he may have

01:16:30Not afraid

01:16:31I've been so thankful

01:16:32That he's not been in the place

01:16:34That I've not bumped into him

01:16:36And now the feeling

01:16:37That he's just up there

01:16:38Is more than I can stand

01:16:40Let's not have dinner here this evening

01:16:43Let's go out

01:16:44Let's go out now

01:16:45I wish I could summon him

01:16:47Then I could tell him

01:16:49What's happened to you

01:16:50About your accident

01:16:52And what caused it

01:16:54Tell him

01:16:54I'd go to any lengths

01:16:56To stop his finding out

01:16:57But darling, why?

01:16:59Pride, I suppose

01:17:00Or shame

01:17:01They're new emotions to me

01:17:04Or else they're very old ones

01:17:06In reverse

01:17:07The other side of the coin

01:17:08Oh, it's him

01:17:10It is he

01:17:12It can't be

01:17:13Help me

01:17:14Open the door

01:17:16But don't leave me

01:17:17Promise

01:17:17Hello, Tony

01:17:22Are you busy

01:17:24Or can I see you for a minute?

01:17:25I have Aunt Queenie here

01:17:27Darling, I'm going to run along

01:17:29I have a dinner engagement

01:17:31I forgot to tell you

01:17:32But I'll phone you

01:17:34Later

01:17:34See?

01:17:36Goodbye, Tony

01:17:37It's so lovely

01:17:39You dropped in

01:17:40I'm afraid Miss Holroyd

01:17:45Has the wrong idea

01:17:46Of what I came here for

01:17:47This isn't friendly, is it?

01:17:49I didn't imagine that it was

01:17:50I'm going to America

01:17:51And I came down here

01:17:53To get some things I needed

01:17:54I've only just discovered

01:17:56That I still have a flat here

01:17:58I told my secretary

01:17:59Directly after

01:18:00That night

01:18:02To move me out of here

01:18:03And never mention

01:18:04The damn place to me again

01:18:05I didn't mean to be offensive

01:18:08I understand

01:18:08Today

01:18:09I found my stuff

01:18:11Is not in store at all

01:18:12I'm stuck with this place

01:18:14She hasn't been able

01:18:15To sublet it

01:18:16I see your hand in this

01:18:18And I don't intend

01:18:19To put up with it

01:18:21What have I done?

01:18:22You know damn well

01:18:22What you've done

01:18:23You've arranged it that way

01:18:24What did the agents

01:18:25Tell your secretary?

01:18:26I don't know

01:18:27What they told her

01:18:28I didn't let her get that far

01:18:29I intend to deal

01:18:30With this myself

01:18:30You mean deal with me?

01:18:33I can't do anything about it

01:18:34You mean you won't?

01:18:35If it will end this interview

01:18:37I'll accept that

01:18:38But I won't accept it

01:18:39This is sheer vindictiveness

01:18:41Trying to hold me here

01:18:42And I won't accept that

01:18:43The whole thing is in your lease

01:18:45As you could have found out

01:18:46If you've been willing to look

01:18:47Or listen

01:18:48Instead of jumping

01:18:49To insane conclusions

01:18:50The freeholder here

01:18:53Won't let me give

01:18:54A sublet clause

01:18:55And if you think

01:18:56I arrange that

01:18:57In some way or other

01:18:58I'll dispel that illusion too

01:19:00I don't want you

01:19:02In this house

01:19:02I'd far rather

01:19:04You were out of it

01:19:05And I'll make that clear

01:19:06By cancelling your lease

01:19:07If that will suit you

01:19:09You will?

01:19:10Gladly

01:19:10Done

01:19:10Good

01:19:11Fine

01:19:12Finished

01:19:12Thank you

01:19:13Oh

01:19:15What is it?

01:19:16I was wondering

01:19:17If my secretary

01:19:18Would still be in the office

01:19:19Do you want to phone and see?

01:19:22On that phone?

01:19:23Well if you prefer not to

01:19:24It's not my favourite telephone

01:19:26But I'd better risk it

01:19:28I'm sorry I was rude

01:19:31I was too

01:19:32How have you been?

01:19:34Fine

01:19:35And you?

01:19:36Fine

01:19:36How's Pywhagget?

01:19:38He

01:19:38He's fine

01:19:40Keeping busy?

01:19:41Him or me?

01:19:42Both of you

01:19:42Oh hello

01:19:43Miss Bishop

01:19:44I'm sorry

01:19:46I lost my temper

01:19:47I'm at Miss Holroyd's flat

01:19:49I've arranged

01:19:51To cancel the lease

01:19:52So why don't I leave

01:19:53A key here

01:19:53With Miss Holroyd

01:19:55Then you can come

01:19:56And pick it up

01:19:57Is that all right?

01:19:58Certainly

01:19:58Very well then

01:19:59What rent?

01:20:03Well haven't you been

01:20:04Well why not?

01:20:06All right

01:20:09I'll be over with it

01:20:10Goodbye

01:20:10I gather I owe you

01:20:12Some rent

01:20:13Three months

01:20:14To be exact

01:20:14No

01:20:15No you don't

01:20:16Why not?

01:20:17I owe you far more than that

01:20:18What do you owe me?

01:20:19Well

01:20:20Well a thousand pounds

01:20:22Anyway

01:20:22I beg your pardon?

01:20:24That Mrs. De Pass

01:20:25Charged you

01:20:25That was outrageous

01:20:27Well I thought it was

01:20:27A little excessive

01:20:28Myself

01:20:29But I had nothing

01:20:29To compare it with

01:20:30I wish I could repay it

01:20:31I ought to

01:20:32I know

01:20:33But I can't

01:20:34I don't see that

01:20:35It's your responsibility

01:20:36But thank you

01:20:37For thinking of it

01:20:37How is it

01:20:38Going?

01:20:39I mean

01:20:40How's Merle?

01:20:42She's fine

01:20:43I think

01:20:44You think?

01:20:45Didn't you go back to her?

01:20:47Or was that spoiled?

01:20:48No I went back to her

01:20:50Then what did happen?

01:20:51I'm sorry to be inquisitive

01:20:53But it has been rather like

01:20:54Not knowing the end of the picture

01:20:56Yes I can see that

01:20:58Well I went back

01:21:00But it didn't work

01:21:02Because of me

01:21:03What did you tell her about me?

01:21:05Nothing

01:21:06Didn't she want to know

01:21:07How you had come to leave her?

01:21:09Yes but I wouldn't go into it

01:21:11Beyond the fact that I'd been

01:21:13Well

01:21:13Bewitched

01:21:15Was the word I used

01:21:16I didn't say I meant it literally

01:21:18And then

01:21:19Something happened

01:21:21Something she had done

01:21:23I can't tell you what

01:21:24But

01:21:25It finished things

01:21:26It wasn't

01:21:27A letter

01:21:29An anonymous letter

01:21:31Was it?

01:21:31What makes you ask that?

01:21:33Was that a habit of hers?

01:21:35Mm-hmm

01:21:35Actually

01:21:36It was a letter

01:21:38She had written to my partner

01:21:39While I was

01:21:39With you

01:21:40Oh yes

01:21:41You said he had been acting strangely

01:21:43That was why

01:21:44I'm sorry

01:21:46Very sorry

01:21:48You know

01:21:49This is bad

01:21:51For you

01:21:52What is?

01:21:53All this interest

01:21:54This curiosity

01:21:55You

01:21:57You

01:21:57Look

01:21:58Different

01:21:59Too

01:21:59How

01:22:00Different?

01:22:01I don't know

01:22:01Something about you

01:22:02Something

01:22:04Different

01:22:05About this flat

01:22:06Too

01:22:06I've

01:22:08Changed some things in the room

01:22:09That's all the differences

01:22:10And look

01:22:11Please

01:22:12You don't need to stay

01:22:14And be polite

01:22:15Oh yes

01:22:16I have a great deal

01:22:17To do

01:22:17Oh

01:22:18My key

01:22:19Will you give it to my secretary?

01:22:22Of course

01:22:22That reminds me

01:22:25There's something else

01:22:26I've been wondering

01:22:28How I could go about

01:22:28Returning it

01:22:29It's the key

01:22:31To this flat

01:22:33Will you excuse me

01:22:34For a moment?

01:22:35Here's the key

01:22:41Put it down

01:22:42Will you?

01:22:45I've been wondering

01:22:45How I could go about

01:22:46Returning this to you

01:22:47What is it?

01:22:49Your locket

01:22:49I gave you that

01:22:51Under false pretenses

01:22:52I felt worse about

01:22:53Having that

01:22:54Than over anything

01:22:54Like a thief almost

01:22:56Please take it

01:22:58Well it doesn't mean

01:22:59All that much

01:23:00It does to me

01:23:01Please

01:23:01Very well then

01:23:03I feel better

01:23:05And now

01:23:06I think I'd like you to go

01:23:08Yes

01:23:10Yes

01:23:11Don't stare at me

01:23:14Please go

01:23:15It's strange

01:23:17To look at you like this

01:23:18The way I see you now

01:23:21Is like a kind of

01:23:22Double image

01:23:23Someone who's completely new

01:23:26And strange

01:23:27And someone I've known

01:23:29Intimately

01:23:29Very intimately

01:23:32It'd be hard

01:23:33To forget that

01:23:34Here especially

01:23:35Do you mind going?

01:23:38Jill

01:23:38You're blushing

01:23:40No

01:23:40Of course I'm not

01:23:41You're crying

01:23:43Too

01:23:43All right then

01:23:44I'm crying

01:23:46But I thought

01:23:47You thought we couldn't

01:23:48Didn't you?

01:23:49Well you were wrong

01:23:50Are you sure?

01:23:51Quite sure

01:23:52Well I'm not

01:23:53You're

01:23:54Different

01:23:55You're

01:23:55Completely different

01:23:57Why?

01:23:57What does it matter?

01:23:58It matters to me

01:23:59A hell of a lot

01:24:00Tell me

01:24:01Are you

01:24:02Not

01:24:03One

01:24:04Anymore

01:24:05Is that it?

01:24:07Is it?

01:24:07I've got to know

01:24:08All right then

01:24:09I've lost my powers

01:24:12Now you do know

01:24:13I suppose you're entitled

01:24:15To that much satisfaction

01:24:16And now will you

01:24:17Please leave me alone

01:24:19How did you lose them?

01:24:20They just

01:24:21Went

01:24:22Is that apt to happen?

01:24:23Under certain circumstances

01:24:25What circumstances?

01:24:26There are all kinds

01:24:27No there's only one way

01:24:29It was in that book

01:24:29Of Redlich's

01:24:30Redlich doesn't know

01:24:31Anything about it

01:24:32But Nicky does

01:24:33And he helped to write it

01:24:34Tony if you've ever

01:24:35Had any regard for me

01:24:36Please go now

01:24:38What's the point

01:24:40In going on at me

01:24:41Like this?

01:24:41Because something

01:24:42Has been happening

01:24:43Since I came into this room

01:24:45I want to be sure

01:24:47That it's the real thing

01:24:48This time

01:24:49I will go now

01:24:52And perhaps I won't

01:24:54Go to America

01:24:55Just yet

01:24:56I'd like to give

01:24:58Those images

01:24:58A chance

01:24:59To blend

01:25:00I suppose you've got

01:25:02Some idea

01:25:03What I'm talking about

01:25:04I

01:25:04Think so

01:25:06It's been

01:25:08Happening to me

01:25:09Too

01:25:10For

01:25:11Such a long time

01:25:14Has it?

01:25:16I'm only human

01:25:18Bell, Book and Candle

01:25:36By John Van Druten

01:25:38Starred Beatty Edney

01:25:39As Gillian Holroyd

01:25:40And Stephen Moore

01:25:42As Anthony Henderson

01:25:43Miss Holroyd

01:25:45Gillian's aunt

01:25:46Was played by Ann Beach

01:25:47Nicholas Holroyd

01:25:49By Nicholas Bolton

01:25:50And Sidney Redlich

01:25:51By Michael N. Harper

01:25:53Pie Whacket the Cat

01:25:56Was played by

01:25:57Twiglet, Midge

01:25:58And Bonaparte

01:25:59The original music

01:26:01Was by

01:26:01Amir Satirio

01:26:02Bell, Book and Candle

01:26:05Was adapted and directed

01:26:06By Ned Shaggy

01:26:07And David

01:26:09Was adapted and directed

01:26:09By

01:26:13On Go

01:26:14Follow

01:26:14And David

01:26:14Who

01:26:15Was

01:26:15As

Category

Transcript

Comments

Recommended