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  • 1 year ago
Join us on Pitik! as we feature Nhoy Villacampa, founder of UbecSt. and a consistent Sinulog photo contest awardee, and Raymund Nillas, a performer-turned-creative whose lens captures truth in streets, weddings, and devotion.
From photo booths to festival streets, from hobby to calling—let's talk about what it really means to chase the shot and tell a story.
Don’t miss this inspiring episode, airing only on SunStar Cebu on Monday, June 16, 2025, from 6 p.m. to 7 p.m.
Transcript
00:00:00Music
00:00:02Music
00:00:04Music
00:00:06Music
00:00:08Music
00:00:10Music
00:00:12Music
00:00:14Music
00:00:16Music
00:00:18Music
00:00:20Music
00:00:22Mayong gabi
00:00:26Mga kapitik sa Sunstar Cebu
00:00:28First day of classes
00:00:32Karong Adlawa
00:00:34Medyo sakto ang panahon
00:00:36Weather. Kamusta yun yung mga Adlawa?
00:00:38Kamusta? Kamusta?
00:00:40Namitikta ganina
00:00:42sa Kuan City Central
00:00:44Hapsayta na ng mga Kuan
00:00:46Studyante
00:00:48Nakakita pa tag-amigo dito ng Muragi
00:00:50Studyante
00:00:52Makailara ka
00:00:54Karong Adlawa
00:00:56Ang karong episode kay
00:00:58Maghimamatag mga
00:01:00Kauban sa
00:01:02Makakita na to sa mga
00:01:04Street
00:01:05Photography
00:01:06Nasad sila sa wedding
00:01:08Nasad sila sa
00:01:10Charity Works
00:01:12Sa ilang gibuhat na group
00:01:14Na
00:01:16Sila na
00:01:17Magpailaila
00:01:18Or
00:01:19I mean
00:01:20Mag
00:01:21Mag
00:01:22Story
00:01:23Kung
00:01:24Kanong saan
00:01:25Ninahitabog
00:01:26Unsa pa ba na
00:01:27Atong ilailahon
00:01:28Ang pinakagwapo
00:01:30Ah
00:01:31Pinakakute
00:01:32O
00:01:33Pinakagwapa
00:01:35Na tia
00:01:36Sa Cebu
00:01:37Dimitaw mga
00:01:39Amigo nato ngayong
00:01:40Photographers
00:01:41Si Noy
00:01:42Villacampa
00:01:43O
00:01:44Si Raymond
00:01:45Nilias
00:01:46Hello
00:01:50Hello
00:01:51Ilay ila ta
00:01:52Maun is in
00:01:53May hapon
00:01:54May hapon sa tanan
00:01:55Maun is in
00:01:56Maun is in
00:01:57Maun is in
00:01:58Maun is in
00:01:59Maun is in
00:02:00Maun is in
00:02:01Maun
00:02:02Ay
00:02:03May hapon
00:02:04May hapon sa mga nananood din sa live din sa Sunstar
00:02:07Ah
00:02:08Ah
00:02:09Watch out loud
00:02:11Tanaw lang mo sa
00:02:12Human ang
00:02:13Ang live arun sa katong Sarapol sa Macy's
00:02:16Oo
00:02:17Nayparapol ang Macy's
00:02:18Nayparapol ang Macy's
00:02:19First time na siya
00:02:20May tabo sa pitik
00:02:21Ah
00:02:22Salamat kayo Sir Cesar and Macy's
00:02:25Sir Cesar
00:02:26Shout out
00:02:27Thank you sir
00:02:28Shout out to nila
00:02:29Kanita
00:02:30Ah
00:02:31Mamataan ka ng
00:02:32Fast talk
00:02:33Ah di joke lang
00:02:34Joke lang
00:02:35Dabi dabi dabi dabi dabi dabi dabi dabi
00:02:37Atong ilay lahon ng
00:02:38Sa photography side ni Raymond
00:02:41Raymond
00:02:42Gano'n saka?
00:02:43Nagsugod?
00:02:44Hmm
00:02:45Nagstart ko Murag
00:02:47Around
00:02:482009
00:02:492009
00:02:50That was kuan
00:02:51Ah
00:02:52Cellphone pa akong gamit ato
00:02:53Ah
00:02:54Nga nung nasuod
00:02:55Sayap ko ha
00:02:56Nga nung
00:02:57Nasuod ka sa photography
00:02:59Nga
00:03:00Ako naibawaan kay Mike
00:03:01Ikaw mag
00:03:02Ah
00:03:03Yuclipong dance dance ba
00:03:04Hindi na
00:03:05Naingganyo lang ko kay Murag
00:03:08There was a time yun nakakita kog video ka ng si Jay sa Kamikaze
00:03:17Oh okay
00:03:18Ah
00:03:19He's using kuan ah
00:03:21Lomo camera
00:03:22Ah kanyang
00:03:23Tasi ah
00:03:24Sa mga na
00:03:25Lomography
00:03:26Lomography
00:03:27Mugamit na siya o plastic cameras
00:03:29Then
00:03:30Expired
00:03:31Kasi kanyang expired films
00:03:32Yeah expired films
00:03:33Oh
00:03:34And then Mo to nga
00:03:35Murag kog na
00:03:36Murag na
00:03:37Murag na capture ako ng kuan ba nga
00:03:38Murag
00:03:39Murag
00:03:40In kuan ba na
00:03:41Naganahan ko in an instance
00:03:42Naganahan dahin kung nga
00:03:43Murag naganahan ni kong mo
00:03:44Shootog mga kuan na
00:03:46Ano'y mga
00:03:47Anything
00:03:48Makakita akong art
00:03:49Anything
00:03:50Ganahan ko
00:03:51Then
00:03:52Kuan na
00:03:53Padayo na siya
00:03:54Padayo na siya
00:03:55Nagsugot kog film
00:03:56Nagsugot kog film
00:03:57Actually
00:03:58Ang
00:03:59Akong
00:04:00Iaan
00:04:01Or akong auntie
00:04:02My mother, they gave me a camera. Every time, I used to 5 years to 4 years ago, every time I used to make a camera,
00:04:12I used to paint the flash on the camera.
00:04:16It was the camera that I used to film.
00:04:19I used to say, child.
00:04:21You used to make strips.
00:04:24Yes, they used to make strips.
00:04:26I used to make it.
00:04:28I have a passion for photography, maybe because of my auntie, I'm happy to be able to do it.
00:04:39You're so happy that you have your main income.
00:04:43Yes, you're a hobby.
00:04:46But if you're a hobby, you're a hobby.
00:04:50If you turn into a profession.
00:04:53So, I don't expect that I can reach my career.
00:05:02Okay.
00:05:04What is this?
00:05:06Sir Noy.
00:05:08Sir Noy!
00:05:10Sir Noy!
00:05:12When did you get inspiration?
00:05:18Or did you succeed in photography?
00:05:22Sir Noy.
00:05:24I was a child since grade 1 in high school, I was very highly interested in drawing.
00:05:29Here's my art garden.
00:05:31I'm really interested in art.
00:05:32I was very very interested in grade 1 where I would take drawing from blackboard.
00:05:36I'm not a grade 1, you're a kid in Daryl's painting, you're still a good drawing.
00:05:41You're not as a bad-ba-ba-ba-ba.
00:05:43No, no.
00:05:44I'd recommend it too.
00:05:46When I was working with Marco Polo, I saw my friend who was a gamer.
00:05:58I started this time with photography, Mackie Carcedo. Shoutout to Sir Mack.
00:06:06When I was looking at Marco Polo, I was working on call.
00:06:14I was working on the photo booth and I didn't see it.
00:06:20I was working on the camera.
00:06:24I used the camera to film.
00:06:28I was working on the camera.
00:06:34So I worked on the camera.
00:06:36I was working on the camera's videos.
00:06:38When I saw my videos, I was also working on the camera's videos.
00:06:40And then I was working on the camera,
00:06:44and I was thinking,
00:06:46this is what I'm doing.
00:06:48At the same time, I started part of my career.
00:06:50I was working on my career.
00:06:54So, it was not the way I had taken the time.
00:07:00We had to make sure that we could have to rise.
00:07:03At the beginning, the first time I came back, I was thinking,
00:07:06I was thinking, what is the difference between the impact?
00:07:08They did, and I was thinking,
00:07:10I was thinking,
00:07:12I was thinking that I was going to go.
00:07:14When I was thinking about it,
00:07:17I was thinking about it,
00:07:18it was an investment fund.
00:07:19I mean, what would it be?
00:07:21That's my return of investment.
00:07:22That's why I was looking at the camera.
00:07:24I was thinking,
00:07:25I didn't have anything to do.
00:07:27I think that it's not a good thing for me.
00:07:31It's not a good thing.
00:07:33It's not a good thing.
00:07:35It's a good thing.
00:07:36It's a simple lens,
00:07:37a SD card.
00:07:39It's a good thing.
00:07:41It's a good thing.
00:07:43It's a good thing.
00:07:45We are going to date.
00:07:47Watchers, 88 views.
00:07:51We are just a 91.
00:07:55Claudio.
00:07:57Tuara, so good now.
00:07:59Si Clouds.
00:08:00Si Sir Kyle.
00:08:02Jun.
00:08:04Seth Nunez.
00:08:06Nooy, maahaw.
00:08:10Kestrel.
00:08:11Medalye.
00:08:13Maka-inspired sa Jun ang mga photojournalists.
00:08:15Uy, photojournalists.
00:08:19Mga idol na ko since grade 1.
00:08:21Tony SP.
00:08:23Miko Solon.
00:08:24Pa-shoutout po.
00:08:25Uy.
00:08:26Shoutout Mike.
00:08:27Miko Solon.
00:08:28Gakamang pa lang ko.
00:08:29Idol na kayo ko na.
00:08:30Ramer.
00:08:31Regards ko sa pinaka-gwapo diha.
00:08:33Hehehehe.
00:08:34Abby Lapina.
00:08:35Pa-shoutout ko sa...
00:08:36Paras Gaw.
00:08:37Paras Gaw.
00:08:38Paras Gaw.
00:08:39Paras Gata later.
00:08:40Kanyng...
00:08:41Naranin nyo kisha mga sugod ni...
00:08:44Kanyng...
00:08:45Atotasud dahin sa...
00:08:47Yubek Street.
00:08:48Uy.
00:08:49Kamu duha is...
00:08:51Ah...
00:08:52Connected...
00:08:53I mean...
00:08:54Kwan ninyo?
00:08:55Kanyng grupo ninyo ang Yubek Street.
00:08:57Yeah.
00:08:58Mm-mm.
00:08:59Actually, si Noe ang mo'y...
00:09:01Nag-found.
00:09:02Nag-found yun.
00:09:03Pwede ka mo story nabahin sa...
00:09:05Yubek Street.
00:09:06Unsan ni siya.
00:09:07Ang anong nabuhat niya yung Yubek Street.
00:09:09Um...
00:09:10Purpose.
00:09:11Yes, yes.
00:09:12Ano.
00:09:13Kwan ni.
00:09:14Ang nabuhat ni Sutroso siya kung unahong nabalik.
00:09:16Ako mga god.
00:09:17Ato nga tayo po.
00:09:18Marag medyo busy-busy.
00:09:19Taray.
00:09:20Naghan ba kayo mukuha sa nato.
00:09:21As freelance photographer sa weddings or events.
00:09:24Nighttime nga.
00:09:25Ni Akshug Mingaw siya.
00:09:27Pagmingaw niya.
00:09:29Murag...
00:09:30Kaanang...
00:09:31Laay ka sa balay.
00:09:32Gani?
00:09:34At tokog kolon.
00:09:35Balik-balik ko sa inyo.
00:09:36Halos ka na-adlog matok kolon.
00:09:37Kanya siya nga?
00:09:38After pandemic?
00:09:39Oo, murag after pandemic.
00:09:40O, after.
00:09:41After.
00:09:422023.
00:09:43Tingnan nalimot ko.
00:09:44Or 22, 23.
00:09:46At tokog kolon.
00:09:47Picture ko niya.
00:09:49Sa...
00:09:50Sa daan po.
00:09:51Misat, may ingon ka nga.
00:09:52Balik-balik ka na.
00:09:53Barik ka ng kolon straight lang.
00:09:54Ato'y butang kolon straight.
00:09:55Balik...
00:09:56I asked this question to himself and he asked me,
00:09:58I asked him to,
00:10:00but I asked him to get a photo of his wife.
00:10:04He asked me to,
00:10:06I was like,
00:10:08I'm doing this.
00:10:10There's a picture of him.
00:10:12There's a picture of him.
00:10:14I was like,
00:10:16I'm a picture of him.
00:10:18I said,
00:10:20I was like, what about the music?
00:10:28When I was in Ubik, I was like a club.
00:10:34There was a group of people,
00:10:36because I was a photographer,
00:10:38I was like,
00:10:40I'd like to go out on the street,
00:10:42and I'd like to go out on the street,
00:10:44and I'd like to go out on the street,
00:10:46and I'd like to go out on the street,
00:10:48and I was like,
00:10:52I was open to all of them,
00:10:54and full of mobile issues,
00:10:56or anything that I need to do.
00:11:00Also, we have to go out the street.
00:11:02So, where I wanted my friends,
00:11:04and my friends,
00:11:06and my friends,
00:11:08and I was like,
00:11:10What do I have done that?
00:11:12Groups?
00:11:14Groups.
00:11:16Then, there were a few years ago, every Christmas, yearly activities, feeding programs, give back to the street food.
00:11:31What did you say about your budget?
00:11:36First of all, personal.
00:11:39When we were in the group, we were in the group.
00:11:49Then, last year, there were sponsors.
00:11:53The help of our partner.
00:11:55The help of our partner.
00:11:57Mr. Gio.
00:11:59The sponsor of Gio.
00:12:01What did you think about this one?
00:12:03Juan Carlos?
00:12:05He had an expertise, we had a person with the staff and others.
00:12:12Didn't you have trouble learning?
00:12:14Wait, just a minute, ok.
00:12:16This is the industry.
00:12:17Didn't you know when I was angry with his parents.
00:12:20When I was happy.
00:12:21You were able to have a strong experience over the young people.
00:12:24This was often a typical experience.
00:12:27This family...
00:12:32They feel like they're very busy.
00:12:37They feel like they're very busy.
00:12:40You're busy with the same time.
00:12:42We're busy with the same time.
00:12:44They're busy with Christmas.
00:12:45They're busy with their family.
00:12:47Even though if you're busy with his things,
00:12:51they're just busy because he's busy with the usual.
00:12:55They're busy with the same time.
00:12:57They're busy with it.
00:13:00About street photography, what do you want to connect to the Ubeck street?
00:13:13What do you want to show in the Ubeck street style?
00:13:25What I want to show you is that they are the same, and you go to the Ubeck street street, you're the same, and you see the same.
00:13:40Yes, everything is wrong.
00:13:42Yes, the wrong side.
00:13:45See, what happened.
00:13:46There was a purpose right here.
00:13:50There was a message where they put this message and will be able to to live the way.
00:14:01What do you want to tell?
00:14:06Why would you give it to your wife?
00:14:09Around 50?
00:14:1150.
00:14:13Boyboy.
00:14:15But he's a photographer.
00:14:17He's active.
00:14:19But they're already supporting you.
00:14:21But he's a conflict.
00:14:25Photowalker.
00:14:27Photowalker club.
00:14:29He's not a club.
00:14:31Solo.
00:14:33Okay Rajan.
00:14:35But I'm still single.
00:14:37I'm still single.
00:14:39I'm still single.
00:14:41I'm still single.
00:14:43I'm still single.
00:14:45I'm still single.
00:14:47I'm still single.
00:14:49But it's really good.
00:14:51It's really good.
00:14:53So, they don't have to do it.
00:14:55You don't have to do it.
00:14:57But when you're in the group,
00:14:59there's no money?
00:15:01There's no money.
00:15:03There's no money.
00:15:05There's no money.
00:15:07There's no money.
00:15:09There's no money.
00:15:11There's no money.
00:15:13There's no money.
00:15:15If you want to join.
00:15:17Just search.
00:15:19One word.
00:15:21One word.
00:15:23I want to join,
00:15:25I want to join.
00:15:26I want to join.
00:15:27I want to join.
00:15:29I want to join.
00:15:31I want to join.
00:15:33For the photography.
00:15:35In Mon.
00:15:37To In Mon.
00:15:39From street.
00:15:41To wedding.
00:15:43To event.
00:15:45You came back in 2009, right?
00:15:47Yeah, in 2009. Actually, the idea was that I saw it.
00:15:52I saw it. I saw it. I saw it.
00:15:58Did you see it?
00:16:00Did you see it?
00:16:02Did you see it?
00:16:04Yes, it was around 2011.
00:16:07I saw it.
00:16:09I saw it.
00:16:11It was a grand prize for Michael.
00:16:14It was 2011.
00:16:16Queen.
00:16:18It was a big time.
00:16:20If you just saw it in 2009,
00:16:24your ID was in 2009.
00:16:28I didn't want to know it.
00:16:31But, I was just using one.
00:16:36Point and shoot.
00:16:38There was no idea that
00:16:42you can't appeal to the contest.
00:16:44I just said,
00:16:45I got a guide.
00:16:46And then, I got access to the route.
00:16:49It was a good thing.
00:16:50But, in the technical side,
00:16:54you can see the angling,
00:16:56the exposure,
00:17:00the research.
00:17:02Internet!
00:17:03Internet!
00:17:04No matter what it is
00:17:05I haven't done,
00:17:07I haven't done any training in the workshop.
00:17:10I haven't done any training.
00:17:11No matter what it is.
00:17:14No matter what it is,
00:17:16no matter how many people
00:17:17introduce me,
00:17:18oh, join a new workshop.
00:17:19No matter where I am.
00:17:21Even me,
00:17:22what am I said?
00:17:23That's why I called myself.
00:17:24That's why I was taught.
00:17:26It's research on framing,
00:17:28composition,
00:17:29lighting, symmetry, shadows
00:17:31Tanan
00:17:32Kanyang mga
00:17:33Like
00:17:35Katawin mong giin ko na
00:17:36Nag
00:17:37Kuhaan mo na ka
00:17:38Kanyang
00:17:39Digicam?
00:17:40Digicam lang
00:17:41Nadaog lang ka to
00:17:43Wala kong kadaog
00:17:44Pag next
00:17:45Unsa ka year nadaog na?
00:17:48Funny kayo kay
00:17:49Every year
00:17:50Magsikog appeal
00:17:52Pero
00:17:52Ang akong ginabuhat is
00:17:55Kanang
00:17:57Mararagyan akong mahog siya nga
00:17:59Kanang
00:17:59Halad lang ako
00:18:01Sa itong
00:18:02Patron
00:18:03Senyor
00:18:03Sa ito ninyo
00:18:04Wala ginsa ako
00:18:05Ang thought niya
00:18:06Ganahan kong madaog
00:18:07Ani nga contest
00:18:07Ganahan kong mag-grand prize
00:18:08Ganahan kong mag-grand prize
00:18:08Any award
00:18:10Ganahan kong makakuha
00:18:11Ani
00:18:11Silby halad lang ako siya
00:18:13Every year
00:18:13Wala masikog appeal
00:18:14And
00:18:15By the time nga
00:18:17Ganahan kong
00:18:18Mustap
00:18:1810 years after
00:18:22Atong 2009
00:18:23Mustap na ako
00:18:24Apil-apil sa anip
00:18:25Pahuay ko
00:18:26Dito kong time
00:18:27Nga nakadaog
00:18:272020
00:18:282020
00:18:29Padong
00:18:29Padong
00:18:30Padembi
00:18:31Atong
00:18:32Atong
00:18:32Atong
00:18:32Fifth
00:18:33Place
00:18:33Kosa
00:18:34Kona
00:18:34Fifth
00:18:35Place
00:18:35Kosa
00:18:35Kona
00:18:36First
00:18:37First
00:18:38Time
00:18:38Kona
00:18:38Kona
00:18:38First
00:18:39First
00:18:39Kona
00:18:40Kona
00:18:40First
00:18:41Kona
00:18:41Kona
00:18:42What's your category?
00:18:44Fluvial
00:18:46Fluvial
00:18:48This is Fluvial
00:18:50Hegante, Float
00:18:52What's your name?
00:18:54Do you have any tips?
00:18:56Like joining the photo contest?
00:18:58That's right
00:19:00That's right
00:19:02I'm going to join the photo contest
00:19:04I'm going to join
00:19:06I'm going to join
00:19:08I'm going to join every year
00:19:10I'm going to join the photo
00:19:12Devote
00:19:14So what's your name?
00:19:16Okay
00:19:18What's your name?
00:19:20What's your name?
00:19:222019
00:19:24What's your name?
00:19:26Wait, wait
00:19:282019
00:19:30I'm not going to join the photo contest
00:19:32I'm going to join my friend
00:19:34I'm not going to join the photo contest
00:19:36I'm going to join the photo contest
00:19:38I'm not going to join the photo contest
00:19:40We're going next
00:19:42But that's what it's worth
00:19:44I'm going to join the photo contest
00:19:46I'm going to join the photo
00:19:48I'm going to join the photo
00:19:50However, the first child is not
00:19:53Then
00:19:54second you're going to join the photo contest
00:19:55Then
00:19:562020
00:19:58I'm going to join the photo
00:19:59So
00:19:59I'm not going to join the photo
00:20:00Do you have any tips for this?
00:20:07In 2023 or 2024?
00:20:14Do you have any tips for this?
00:20:19Do you have any tips for this?
00:20:23Any contest?
00:20:25I'm not going to joke about the contest but...
00:20:32Do you have any tips for this?
00:20:36Do you have any tips for this?
00:20:39One week?
00:20:41One week?
00:20:42Weekend to weekend?
00:20:44Do you have any tips for this category?
00:20:48Do you have any tips for this?
00:20:50Do you have any tips for this?
00:20:53I said before, we have some tips for the contest.
00:20:56We have some tips for the contest.
00:20:57Do you have any tips for the contest?
00:20:58Like anay, as the hospital
00:21:00We have all the ability to try and rip the BCMC
00:21:04We can see the BCMC
00:21:06We can see the BCMC
00:21:08As the BCMC, the Jaleebee
00:21:10There are also some sponsors
00:21:14They have to see the contest
00:21:16That's the answer
00:21:18If you shoot the photo contest, you can shoot the photo contest with one entry per category.
00:21:27You can shoot the photo contest.
00:21:33You can judge that.
00:21:37You can shoot the photo contest.
00:21:42You can shoot the photo contest.
00:21:46I'm like, I'm like, follow your heart.
00:21:50You can do it.
00:21:52Go, go.
00:21:54So, you can do it.
00:21:58Or at wedding,
00:22:02do you do it every day?
00:22:06In bookings?
00:22:08It's the first time.
00:22:10Every day, every other day, or night times.
00:22:14You can do it every day.
00:22:16You can do it every day.
00:22:18You can do it every day.
00:22:20We can do it every day.
00:22:22You can do it every day.
00:22:24But it's a season for the wedding.
00:22:26December.
00:22:28After the pandemic, you can do it every day.
00:22:32So, if you don't have a pandemic,
00:22:36May, June.
00:22:38Summer months.
00:22:40May to June.
00:22:42December.
00:22:43And then, you can go back to December.
00:22:45Bare months.
00:22:46You can do it every day.
00:22:48Every day or whatever.
00:22:50You can do it every day as a wedding photographer.
00:22:53What's your work?
00:22:54You can do it every day.
00:22:56First shooter, second shooter, third shooter.
00:22:58What's your work?
00:23:00In my part, I'm a second shooter.
00:23:03What's the matter?
00:23:05What's my work?
00:23:06What's my work is,
00:23:07I'm the groom side.
00:23:09I'm the groom side.
00:23:11I'm the groom side.
00:23:12I'm the groom,
00:23:13details from preparation.
00:23:16I can do it every day.
00:23:18I can do it every day.
00:23:20I can do the camera set up.
00:23:21I can do the details.
00:23:23Shoes, the groom.
00:23:25I can use them.
00:23:26and they have a flat lay
00:23:33They have a flat lay
00:23:36They have a flat lay
00:23:41Then when they leave the groom
00:23:46They have a best man
00:23:48They have a flat lay
00:23:50Just the groom side
00:23:52They have a family portrait
00:23:54They have a full house
00:23:56They have a flat lay
00:23:58They have a flat lay
00:24:00They have a flat lay
00:24:04They have a flat lay
00:24:06Then at the reception
00:24:08You can shoot
00:24:10At the reception
00:24:12You can also sit
00:24:14The work you have
00:24:16The years from Yoana
00:24:18If you have a flat lay
00:24:20Where mayroon sa studio owner?
00:24:23Way back in the first time,
00:24:25the photographer was good.
00:24:29The trend was that you were freelance
00:24:33but you had a lot of gear.
00:24:35They were a studio owner.
00:24:37Not like before,
00:24:39they were idolized.
00:24:41Aying, Rolando Pascua,
00:24:44Balde.
00:24:48It was the first time in the first time,
00:24:50it was 5 years.
00:24:52They were always providing the gear.
00:24:56I don't want to shoot.
00:24:58The most important time is just skills.
00:25:00If you have the skills...
00:25:02The most important time is
00:25:04the most important gear.
00:25:06Oh, it's so important.
00:25:08It's so important.
00:25:10If you want to focus,
00:25:12if you want to pay the talent fee
00:25:16depending on the second shooter.
00:25:18It depends on the future.
00:25:20It depends on the package of the studio owner.
00:25:24It depends.
00:25:26When you have a job,
00:25:28you can only have a job.
00:25:30If you have to do it,
00:25:32you can only have a job.
00:25:34If you could only do it,
00:25:36you can always do it,
00:25:38and you can always do it.
00:25:40At this income?
00:25:42What do you think is that the amount of money?
00:25:47That's how it is.
00:25:51That's how you work.
00:25:54What do you think is that the amount of money?
00:25:59Is that the amount of money?
00:26:03Sir, they're already booking everyday by Carl.
00:26:08Every day.
00:26:10Saun na saun nating nating atin.
00:26:12Saun na narato.
00:26:14Kuya, saun na narato ako kuya.
00:26:16Oh, no.
00:26:18E mo naman may gigaya.
00:26:20Ano naman sa'yo yung mga bagong mga apot rin nga?
00:26:22Grabe po ka mga creative?
00:26:24Grabe.
00:26:26Creative ang konohay sa unang pero karo grabe mga batan on rin.
00:26:28Konohay ra ha?
00:26:30Konohay ra.
00:26:32Karong grabe niya?
00:26:34Bilibsag ko sa mga batan on rin.
00:26:36Mga kanambagong kuan ba?
00:26:38I'm going to solve it.
00:26:40I'm going to solve it.
00:26:42I'm going to solve it.
00:26:44Question, guys.
00:26:46Sir June Navarro.
00:26:48Hi, hi, Sir Joe.
00:26:50Sir Master Noy,
00:26:52one of you inspired me
00:26:54to use the double exposure technique,
00:26:56one of the best ways
00:26:58to achieve
00:27:00the result.
00:27:04Okay.
00:27:06I don't know how to do it.
00:27:08I don't know how to do it.
00:27:10Okay.
00:27:12At the same time,
00:27:14what I'm going to do is
00:27:16my mentor,
00:27:18Maki Carcedo,
00:27:20I'm going to show you
00:27:22that she has a double exposure.
00:27:24I'm going to say,
00:27:26I'm going to say,
00:27:28I'm going to say,
00:27:30I'm going to say,
00:27:32I'm going to say,
00:27:34I'm going to say,
00:27:36when I practice it,
00:27:38I'm going to say,
00:27:40I'm going to Photoshop,
00:27:42you can edit and manipulate,
00:27:44I'm going to do it.
00:27:46And I'm going to say,
00:27:48I'm going to put it in theLE,
00:27:505D,
00:27:52Mark II.
00:27:54There's a double exposure to Mark II.
00:27:56Mark III.
00:27:57Actually, in the film, it was a double exposure.
00:28:02Mark III.
00:28:04Yes.
00:28:06Mark III.
00:28:08You can call me.
00:28:10You don't want to call me.
00:28:12When you first click,
00:28:14there's an option in the camera
00:28:16that you can see your first shot.
00:28:18So,
00:28:20what I want to call is
00:28:22a live view.
00:28:24I click on the live view,
00:28:26when it's a little bit,
00:28:28there's a viewfinder.
00:28:30It's like I'm going to close my eyes.
00:28:32You're going to see it all.
00:28:34That's what I'm going to call.
00:28:36And I'm going to see it in my first shot.
00:28:38I'm going to see the first shot.
00:28:40And I'm going to see it.
00:28:42Why?
00:28:44You don't want to see the scenes.
00:28:48The editing of Moana.
00:28:50They're not editing.
00:28:52They're editing as is.
00:28:54As is.
00:28:56I'm going to do it.
00:28:58I'm going to do it.
00:29:00First, I was going to do it.
00:29:04I'm going to do it.
00:29:06Practice.
00:29:08Double exposure.
00:29:10I'm going to do it.
00:29:12I'm going to do it.
00:29:14I'm going to do it.
00:29:16I'm going to do it.
00:29:18I'm going to do it.
00:29:20I'm going to do it.
00:29:22I'm going to do it.
00:29:24I got to do it.
00:29:26I was going to do it.
00:29:28I am going to do it.
00:29:30The two of them did it.
00:29:32I was going to do it.
00:29:34I'm going to do it.
00:29:36It was not if I made a deal.
00:29:38I got to do it.
00:29:40I don't know.
00:29:42I will direct that.
00:29:44Told you.
00:29:46I can't shut me more okay I said sign your client then a hundred foot
00:29:52sila so okay guys a client I know I'm up in a cow kid is in a good money move
00:29:58shot in with it if I get a day but I'm at a support see yeah
00:30:01same as I'm working on no money I give them to do it but they need it
00:30:07but they don't get that from now only if I keep up so far I'm simple get the
00:30:11good point of the groom. Wala pa man Pud so I'm gonna give a day on like sign
00:30:18a few mga shots nga groom and bride and groom and bride and I'm not a nice
00:30:25story Pudsiya bang na. Natay question Winslow hello
00:30:32Tito Noy and Tita Moon hello when you shoot event pina street style
00:30:38Do you call it a street photography?
00:30:42When you shoot an event in street style,
00:30:48do you call it a street photography?
00:30:53Maybe it's hard,
00:30:55because he doesn't have the same in the street.
00:30:59But when you're creative,
00:31:04if you're a street photographer,
00:31:06you can use it as an art.
00:31:08Okay.
00:31:09Because I guarantee you,
00:31:10it's good.
00:31:12Daily.
00:31:13It's good.
00:31:15The streets are incorporated into events.
00:31:19When you're a street photographer,
00:31:22at the end of the day,
00:31:24I used to call it a new ubic street.
00:31:29You can use it as a camera.
00:31:32The other people are in ubic,
00:31:34they're in events,
00:31:36and they're in street.
00:31:38If you're the other one,
00:31:39you can do it as an art.
00:31:41If you're the other one.
00:31:42Okay.
00:31:43The streets are different.
00:31:45You can do it.
00:31:47And then,
00:31:48I can't do it as an art.
00:31:50I can't do it as an art.
00:31:52I can't do it as an art.
00:31:54For that decisive moment.
00:31:56Or exercise.
00:31:57It's like the next move, like for example, a vocalist,
00:32:02then you compose, and then...
00:32:05Then you can use the term that you can use in the streets,
00:32:10imagine that you can use in the streets,
00:32:12but you can use it as an event.
00:32:16Decisive moment.
00:32:18Decisive moment.
00:32:19I used to train you at the wedding at the first time.
00:32:24I used to train you at the first time,
00:32:28three days, I used to train you at the wedding.
00:32:35It's like a big deal.
00:32:37I'm afraid to ask you.
00:32:38I'm afraid to go down.
00:32:40I'm afraid to go down.
00:32:42You can go down the street.
00:32:44You can't go down the street.
00:32:46It's like a big deal.
00:32:48That's what I'm afraid to say.
00:32:51By Carl, the best thing, anong duha duo, famous Yubek photographer,
00:32:56kaya kuwaon ni mo as second shooter, kaya musabay sila sa unsa amotaste sa wedding as classic approach.
00:33:03Hmm.
00:33:04Kana kod, maupo na eh, naka nindot sa freelance photographer ka, like sa wedding.
00:33:11Kaya, for sure, kanang tao nga ni-hire ni mo na siya nakitang something nga nindot
00:33:18na pwede ma-apply sa iyang, like buta na to, kan kaya yung, classic, anak-classic photography,
00:33:24i-hire, i-hire, i-hire mini, ya, kay, nindot man mag-mix good lang, ang classic o gaang siya natong style,
00:33:32mga contemporary, kuwaan ba, kanang mga bagpuro, modern kuwaan, ya, plus creative.
00:33:39Kami ding do, ha, naka-abot mi sa katong mga unan generation nga mga wedding photographers,
00:33:45silang classic, silang don-don, chao ka din nila, sir don, sir Mikael,
00:33:50naksamot, ayin, na sila.
00:33:52Kuwaan pa ko, ato nga tayo, kanang ring-bearer pa ko, ato nga tayo.
00:33:59Kana si sir Mikael.
00:34:01Sila sir Mikol.
00:34:03Ah, sir Mikol.
00:34:04Kung ako paistoryahon, grabe ka nang hantod ka ron,
00:34:08nang limbaw to kung, nang limbaw to kung paliibo nang, nas kuwaan rin.
00:34:12Nang limbaw to kung paliibo kayo nga,
00:34:14gidool ko na ni sir Mikael,
00:34:18one time rin sa Radisson, nag-shoot mga wedding,
00:34:21di ba kayo, kanang, kanakailan namin, pero di kayo suod ba?
00:34:26Like, waka ko kasut mo ni sir Mikael, dool siya na ko, story ha,
00:34:31dan mo to ni, ni kuwaan siya na ko, ni tapo siya na ko, ni ana nga, kanang,
00:34:36padayo na ang imong, imong kuwaan, like sa double exposure,
00:34:40ikay kuwaan na, imo nang,
00:34:43marag iya kung ki, kuwaan gani,
00:34:45marag nindot kisa feeling, gani nga, kanang nasa de, na,
00:34:49imong idol pa yun niya,
00:34:51i-appreciate niya ang imong trabaho ba, like sa double exposure, ni ana siya na ko nga.
00:34:55Noi, imo dyan na, noi, imo dyan ng genre, imo na, imo ng double,
00:35:00kung ninduto din sa pamati, ay!
00:35:04Ula?
00:35:05Nindut kayo pa?
00:35:07Noi, murag, murag, murag, murag!
00:35:09Worst of, ng wawrs of encouragement,
00:35:12kanang, ng kinanglan kung magpadayon.
00:35:14ayun, yung jukunda.
00:35:19Pa, pa, pa, shoutout, sir Sander, kayo, biab, from Manila ni.
00:35:22Shoutout, sir Sander.
00:35:23Shoutout, sir Sander!
00:35:24Catrice,
00:35:26Mengay, Wondersford,
00:35:29Sir Noy, do you have tips for us beginners?
00:35:33Idol beauty ka.
00:35:35Nyoki Ruiz.
00:35:36Boy Ruiz.
00:35:38Nyoki Nana's New Zealand said,
00:35:40ako ng idol.
00:35:42Shout out!
00:35:42Yops!
00:35:43Sir Earl Tavera.
00:35:45Sir Earl Tavera.
00:35:47Mayong hapon ninyo, mga idol,
00:35:49was there a time when your creativity was limited by your gear?
00:35:53And what made you want to pursue more in photography?
00:35:57Sa akong side, no kay?
00:35:59Yes, at some point ka nang malimited siya,
00:36:07ay muhang lihok kay,
00:36:09na ay camera settings nga,
00:36:11di pwede ano nga camera,
00:36:13nasa sa higher end nga camera nga makuha nimo.
00:36:18So, make the most out of your camera,
00:36:22ka nang ilailaha ang imong camera,
00:36:25ka to the point nga,
00:36:29wa na kayo mubuhat,
00:36:30ka nang murag na buhat na nakutanan inside aninya camera.
00:36:33Maka na siya.
00:36:35Dapat yun.
00:36:36Kanyang,
00:36:37kung unsay mong naanimo,
00:36:40naanimo.
00:36:41That's the best one.
00:36:43That's the best arsenal you can have.
00:36:47Pero ang pinaka best,
00:36:48yun,
00:36:49is your scales
00:36:51and your eye.
00:36:52You have the eye.
00:36:54Then you have the heart.
00:36:55Tagad law,
00:36:55yun.
00:36:56Gamita, yun,
00:36:57na tagad law,
00:36:57mapractice,
00:36:58yun.
00:36:58Practice, yes.
00:36:58Before any pictures,
00:37:02Christian Paul,
00:37:04Alicer,
00:37:05Sir Noy,
00:37:06ganyan saanimo pagpangita sa imo subject in street photography?
00:37:10What do you usually look for?
00:37:11Emotion, light, composition, or the moment?
00:37:15Tanan.
00:37:16Tanan kay sakarsada,
00:37:18mangkutan,
00:37:19mangkutan,
00:37:20kung kung kung ano lang journey mo,
00:37:23kanang,
00:37:23kanang,
00:37:24kanang,
00:37:24kanang,
00:37:25magkutan sa istorya,
00:37:30pero sa karsada,
00:37:32sa street,
00:37:32nagdahan kay kagmakit angyod nga,
00:37:35mahita bo,
00:37:35di ha?
00:37:36Then,
00:37:36kanang,
00:37:37kanang mga composition,
00:37:39mukha litra nagtunga sa imong photos,
00:37:41like,
00:37:42ako,
00:37:42ako,
00:37:42di manjub kayo ko,
00:37:44kanang master,
00:37:45anang mga basic sa photography,
00:37:48like,
00:37:48kanang,
00:37:48kanang,
00:37:49mga rules of,
00:37:50ah,
00:37:50rule of church,
00:37:51anana,
00:37:52usahe,
00:37:52pero,
00:37:54mahipong lang kayo,
00:37:54inigtan,
00:37:55ah,
00:37:55anin mo sa photo ba?
00:37:56Ano mo,
00:37:56umdeni ni Di,
00:37:57or,
00:37:58kanang,
00:37:58naamdeni ni siya sa katong mga rules,
00:38:00Di,
00:38:00ah,
00:38:01anabang,
00:38:01umdeni ni Di,
00:38:02nasaludi siya,
00:38:03Di,
00:38:03oh,
00:38:04na,
00:38:05naay koan si,
00:38:06ah,
00:38:08Raynan Opada,
00:38:10moon is,
00:38:11moon is a good,
00:38:14is good in creative shots,
00:38:16side lights,
00:38:17any tips?
00:38:19ah,
00:38:22wait lang,
00:38:23na,
00:38:24blanco,
00:38:24side lights,
00:38:25and,
00:38:25side lights,
00:38:27sa sinulog,
00:38:28or anything,
00:38:29ah,
00:38:29creative shots,
00:38:31ah,
00:38:31ah,
00:38:32yeah,
00:38:32you can use all the,
00:38:34kwan,
00:38:34the elements niyan makita ni mo,
00:38:36on that certain,
00:38:38certain,
00:38:41kanang,
00:38:42kaya tawag,
00:38:43ano yun,
00:38:43kanang,
00:38:45scenario,
00:38:45or scene,
00:38:46like,
00:38:47for example,
00:38:48sa,
00:38:49dalan,
00:38:50naamdjig kayo makita,
00:38:51diha nga,
00:38:54mga,
00:38:54linya,
00:38:55lines,
00:38:56symmetry,
00:38:58and then,
00:38:58kung init kayo ng adlaw,
00:39:00you can,
00:39:00kung,
00:39:01ang init sa adlaw,
00:39:01nga nindot is,
00:39:02buntag,
00:39:03you can,
00:39:05play with,
00:39:05with lights and shadows,
00:39:06golden hour,
00:39:08oh,
00:39:08hapon,
00:39:08may golden hour sa buntag ba,
00:39:10buntag,
00:39:10buntag,
00:39:11and then,
00:39:12padang gabi,
00:39:12sa hapon,
00:39:13padang gabi,
00:39:13isa,
00:39:14then diha,
00:39:15musudada ang,
00:39:17composition,
00:39:17you have to compose your shots,
00:39:20mag,
00:39:20think na kadaan,
00:39:21kung kung sa'y ganahan ni mo,
00:39:23mahitabo,
00:39:24sa,
00:39:24isulod ni mo si mo,
00:39:25sa mong frame,
00:39:26and then,
00:39:27anticipate,
00:39:29anticipate,
00:39:30the shots,
00:39:31decisive,
00:39:31decisive moment,
00:39:32decisive moment,
00:39:34na,
00:39:34daggan kay,
00:39:35questions ni ha,
00:39:36pero,
00:39:36ato na,
00:39:37kung anong,
00:39:37kadut ni mga pictures,
00:39:39questions,
00:39:40sige,
00:39:40ni Herbert,
00:39:41Katrice,
00:39:43Jess Rome,
00:39:45na,
00:39:45ay,
00:39:45pasyato si Enrico,
00:39:47uy,
00:39:48Christian Paul,
00:39:51na,
00:39:51nagwatch si,
00:39:52John,
00:39:53Togonon,
00:39:55Newsload,
00:39:56uban pa,
00:39:57mga award winning po na eh,
00:39:58mga award winning sa na sila,
00:40:00kani,
00:40:01ah,
00:40:02sige,
00:40:02kisa ni nga shot,
00:40:04ako ha,
00:40:04Mona,
00:40:05kani,
00:40:06unsan ni nga,
00:40:07stop taan niya ha,
00:40:08unsan ni,
00:40:09murag ko nang,
00:40:12can you explain,
00:40:14can you explain,
00:40:14can you explain,
00:40:14can you explain,
00:40:16actually,
00:40:17ito sa,
00:40:17actually,
00:40:18exactly my point,
00:40:21precisely,
00:40:22precisely,
00:40:24yeah,
00:40:25anyway,
00:40:26kuana siya,
00:40:27sunset na siya,
00:40:28sa kita nang-shoot na,
00:40:29chetong,
00:40:29tinggal niya ha,
00:40:30guli,
00:40:30guan ka tong,
00:40:31sa labangon,
00:40:32may say something,
00:40:33sa labangon,
00:40:33oh,
00:40:34sakta,
00:40:34sakta sa,
00:40:35dili niya siya ko eh,
00:40:36A.O.
00:40:36dili na siya,
00:40:37photoshop,
00:40:38dili na siya,
00:40:39double exposure,
00:40:40A.O. farm,
00:40:40natin tayo nga,
00:40:43nag,
00:40:43guan ko,
00:40:44nag,
00:40:44wedding,
00:40:45and then,
00:40:47kita kong something sa,
00:40:49sa hotel,
00:40:49inside sa room ba,
00:40:51ako siya,
00:40:52ginaana sa camera,
00:40:53ginaana ako sa camera ba,
00:40:55lakula,
00:40:56nindot lagi na siya nga effect,
00:40:57ay,
00:40:58mura siya nga reflect sa,
00:41:00mura siya nga reflect sa,
00:41:03kanang,
00:41:04imuhang lens,
00:41:05nindot lagi na siya,
00:41:06nakay makuka nga,
00:41:08kanang,
00:41:10other,
00:41:11other elements sa,
00:41:12background ba,
00:41:14niya,
00:41:14pwede mahimung shapes,
00:41:15pwede mahimung koan,
00:41:17then,
00:41:17mato nga,
00:41:18kato nga,
00:41:19piece of glass,
00:41:20nga kong nakuan,
00:41:22ako siyang,
00:41:23gi,
00:41:25ang sayang tawag ka ni,
00:41:25gi,
00:41:27gibuhat sa cellphone,
00:41:29so mato,
00:41:30naisi ko practice sa balay,
00:41:32ah,
00:41:32anion din siya,
00:41:34mureflect nga din siya,
00:41:35everything glass,
00:41:36sa imong lens,
00:41:37if imong ibutang sa,
00:41:38tubangan sa mong lens,
00:41:39so mato siya ka,
00:41:40kung imo siyang,
00:41:42saon mo pagpormapurma,
00:41:43imong cellphone,
00:41:44nagigit siya,
00:41:44reflection niya,
00:41:45magma,
00:41:45kuwan ka ni siya,
00:41:46reflection niya sa kuwan,
00:41:47reflection niya sa atup,
00:41:49nga naas ang mong luyo,
00:41:50para kang kinsanin na question,
00:41:52ah,
00:41:52what's up niya?
00:41:53sa doha,
00:41:54do you shoot based,
00:41:56on your feeling,
00:41:58or based on your,
00:41:59ideal concept,
00:42:01question number one,
00:42:05sa ako no,
00:42:06kuwan,
00:42:06both,
00:42:08pwede sa,
00:42:09ka nang,
00:42:10kung kung siya na feel ako,
00:42:11on that moment,
00:42:12ka na,
00:42:13ako,
00:42:14ako din niya siya i-capture,
00:42:15same,
00:42:16pero nanakoy,
00:42:17ganahon na nga concept sa kong utok,
00:42:18ka na,
00:42:19ka na,
00:42:20pero,
00:42:21depende magod,
00:42:22i-apply,
00:42:22kung,
00:42:23kung,
00:42:23delete ni mo,
00:42:24delete niya lang,
00:42:25at first,
00:42:26din mo apply,
00:42:27delete siya ma,
00:42:28kanina,
00:42:28kung sa'yo feeling ni mo,
00:42:29ano,
00:42:29dahil mang kayo ang,
00:42:32kuwan na na,
00:42:32dahil na kayo ang,
00:42:35floor,
00:42:35so,
00:42:36nagduha ako sa kong cellphone,
00:42:38ah,
00:42:38nagduha,
00:42:38duha na lang kung reflection ba,
00:42:40ano,
00:42:40ang,
00:42:41outcome is,
00:42:42kaniang,
00:42:43nahita bo,
00:42:43nga,
00:42:44nakita ang,
00:42:44morag sunset gamay,
00:42:45and then,
00:42:46ang reflect sa kuwan,
00:42:47depende sa,
00:42:47sa mood niya sa inyo,
00:42:48depende sa mood sa kuwan,
00:42:49ano,
00:42:49ano,
00:42:50ang clouds,
00:42:51morag siya na kuwan,
00:42:52na form of kuwan sa clouds,
00:42:53nalai pa kuandres si robo,
00:42:56Caroline robo,
00:42:57suslingaw,
00:42:58kuno kaayo na sila,
00:42:59sa ako lolo sa una,
00:43:01sige,
00:43:01patokok,
00:43:02next,
00:43:06tita ba ko ha,
00:43:07next,
00:43:07tita ba ko,
00:43:09kita niya po na,
00:43:14sige,
00:43:15next,
00:43:15next na to,
00:43:16para si,
00:43:17sir,
00:43:18noy na pod,
00:43:19katong morag,
00:43:19mo,
00:43:20mo,
00:43:21mo,
00:43:21mo,
00:43:21mo,
00:43:22mo,
00:43:22mo,
00:43:23mo,
00:43:23mo,
00:43:23mo,
00:43:23mo,
00:43:23mo,
00:43:23mo,
00:43:23mo,
00:43:23mo,
00:43:23mo,
00:43:23mo,
00:43:24mo,
00:43:24mo,
00:43:24mo,
00:43:25mo,
00:43:25mo,
00:43:26mo,
00:43:27mo,
00:43:27mo,
00:43:27mo.
00:43:29kata.
00:43:31Kana,
00:43:31kato,
00:43:31kato,
00:43:31kato,
00:43:32kato,
00:43:32kato,
00:43:32katong morag kuwan.
00:43:34Kana.
00:43:34Ah,
00:43:35ge,
00:43:35go.
00:43:35Kana.
00:43:36Kana.
00:43:36Usta sa best ni roy.
00:43:38Murag,
00:43:38mauroy na pinako best nako.
00:43:40Dili,
00:43:40kuah na.
00:43:42Murag,
00:43:43mauroy na first
00:43:44photo of the year
00:43:45sa amung club,
00:43:46sa photo walkers
00:43:47last year.
00:43:50First is si Enrico,
00:43:52then kana.
00:43:53kana.
00:43:53Enrico,
00:43:53ah you come to judge and oh woman no but I mean that's an Asian stories a gay
00:44:03kind of a time then I'm not going to shoot and like not people just as a
00:44:07Pika slide food so do you not see as a DS as a DP WH but again I can say
00:44:13I don't know if I don't know if I don't know if I don't know if I don't know
00:44:24happen then I'm going to shoot on your case I'm a team I'm a team Samu
00:44:30Samu am on club na me can I'm a PC namo na me one na reflection I did work for
00:44:39something ito basta nagtrabaho nga tao ba na sige kong shoot niya kong lalaking
00:44:46naglabay ka ng kukot sige kong shoot niya padung naman siya hapon sunset na
00:44:50na yung murag sige mo kidlap nga diri sa akong kilid gani
00:44:54kaya kam na siya murag naman siya sumpay naman siya sa dagat murag sapa
00:44:58nga dito na ana ba sige kong picture nga naman yung sige kidlap kidlap
00:45:02diri kay paglingin ako ka na dahil sige sila naglabay sa ilang kuhan sa ilang kana
00:45:07nakukot nila ba silang netzik is laglabay daw niya nag nag 70 200 ko kaya ako
00:45:13magudog mag street kaya mag 70 200 yun ko murag nambot akong tingin mag mag
00:45:17kung ano kanang ang every drop niya kaya na kita ang no ang pisik niya
00:45:24light ba sunlight oh kana oh pag ano siya kong murag golden hour na golden hour
00:45:29golden hour sana mga around 4 pa dong 5 naman pa burang sunset di ba
00:45:32oh diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha diha
00:46:02You have to practice, everyday practice, never-ending practice.
00:46:18You just have to take a cell phone.
00:46:21You just have to take a cell phone.
00:46:24You just have to take a cell phone, but you don't have to take a cell phone.
00:46:27At first, if you get to a cell phone.
00:46:37You just have to take a cell phone.
00:46:41You just have to use a cell phone.
00:46:47At first, if you have to take a cell phone, you have to practice again.
00:46:54apply, practice, and then that's the time you can capture that you don't capture it.
00:47:04And then if you turn down on your computer or your camera,
00:47:08oh, it's the only way I'm going to do it.
00:47:12But you get it, you get it.
00:47:14That's a good point for your shooting.
00:47:18Okay, next.
00:47:26Next.
00:47:28Next.
00:47:30You can extend 2 hours.
00:47:32I'll take it.
00:47:34You can extend it.
00:47:36You can extend it.
00:47:38You can extend it.
00:47:40You can extend it.
00:47:42You can do it.
00:47:44I'm going to do it.
00:47:46I'm going to do it.
00:47:48I'm going to do it.
00:47:50You're going to do it.
00:47:52I'm going to do it.
00:47:54I'm going to do it.
00:47:56When you shoot,
00:47:58it's okay to see it.
00:48:00If, in case,
00:48:02like,
00:48:04signs of poverty,
00:48:06you can do it.
00:48:08Like,
00:48:09the children.
00:48:10Like,
00:48:12the ones who come out with you,
00:48:14like,
00:48:15like,
00:48:16you don't see it.
00:48:17Like,
00:48:18like,
00:48:19these people do not get out here.
00:48:20Like,
00:48:21You have to do it.
00:48:22You have to give it?
00:48:24Like,
00:48:25like,
00:48:26you don't have a video.
00:48:28Like,
00:48:29you don't have any videos,
00:48:31or you don't have a video.
00:48:33No, it's just me.
00:48:35No, in Ubeck, I used to buy them and suggest them.
00:48:41That's why it's the word, purism.
00:48:44It's a big buy in journalism.
00:48:48It's a big buy in journalism.
00:48:51It's hot in journalism.
00:48:53It's more like a bash.
00:48:55But it depends on your purpose.
00:48:59If your purpose is to buy or give a chance to show you the situation to a person or place.
00:49:09It's the same picture of Aldo Kauban in the industry.
00:49:13This bridge from Celex.
00:49:16It's not it for Aldo.
00:49:18It's Jack Hernandez.
00:49:20It's Jack Hernandez.
00:49:22It's the opening of Celex.
00:49:27It's the background.
00:49:29It's the reality.
00:49:31It's the reality.
00:49:32It's the reality.
00:49:33It's the beginning of the group.
00:49:35But in the group, I saw them all.
00:49:40In the first walk,
00:49:42it's just a picture of the nanny,
00:49:45the kids who are flying,
00:49:47or the tiguan who are flying around.
00:49:50You can shoot that,
00:49:53but you can upload it for your koan.
00:49:56For your koan lang.
00:49:57an important message, Robo.
00:49:58an important message
00:50:01si Robo
00:50:02kidding aside, what's wrong
00:50:05in news sa mga bagong
00:50:07na hilig o photography
00:50:08sa among batch ba?
00:50:13Pamalik na mongsyon?
00:50:16Para daganas at magmakatunan
00:50:19kami mga bagong.
00:50:20Okay, mindot magot ang freelance
00:50:22judo.
00:50:23Hanggang makatunan.
00:50:26Ito lang eh next, next.
00:50:28Extend 2 hours.
00:50:312 hours.
00:50:33A young man, but he was naked.
00:50:36He was naked.
00:50:38That was for me.
00:50:40I was naked.
00:50:42I was naked.
00:50:44I was naked.
00:50:46And he was naked.
00:50:48He was naked.
00:50:50That is the same.
00:50:52He was naked.
00:50:54Then,
00:50:56I was thinking about the same thing,
00:50:58I was thinking about it.
00:51:00Like a storm from Magellan's Cross?
00:51:02I was thinking about it.
00:51:04I was thinking about it.
00:51:06It was Sunday,
00:51:08but I understood that
00:51:10I was thinking about it.
00:51:12It was a very first time.
00:51:14I remember that I was thinking about it.
00:51:16I was thinking about it.
00:51:18I was thinking about it.
00:51:20Ok, next slide.
00:51:22Swipe.
00:51:24Double exposure.
00:51:26It's a slow shutter.
00:51:28It's a tube.
00:51:30It's a tube.
00:51:32It's a tube.
00:51:34What's that?
00:51:36Copper ring?
00:51:38Yes.
00:51:40It's a cover.
00:51:42It's a cover.
00:51:44It's a glass.
00:51:46It's a candle.
00:51:48I was thinking about it.
00:51:50It's a filter.
00:51:52It's a filter.
00:51:54I gave you a flash.
00:51:56It's a shutter.
00:51:58It's a shutter.
00:52:02Ok, next.
00:52:04Next slide.
00:52:06Double exposure.
00:52:08Double exposure.
00:52:10The first one.
00:52:12The first one.
00:52:14The leaves.
00:52:16The trees.
00:52:17And then.
00:52:18Ibagay-bagay.
00:52:19Ibagay-bagay.
00:52:20Ibagay-bagay.
00:52:21Ibagay-bagay.
00:52:22Ibagay ang colors.
00:52:24Ibagay.
00:52:26But the first one.
00:52:28The leaves.
00:52:29Ibagay.
00:52:30Ibagay.
00:52:31Next.
00:52:34Ring shot.
00:52:36Oka na?
00:52:37Request ni Claudio.
00:52:38You may gatudlo.
00:52:41You request me cloud you day.
00:52:44Picnic na.
00:52:44On sound mana.
00:52:46Kuana siya.
00:52:46Tarun pa diyo ni ma-reveal ha.
00:52:49Paminan, paminan, paminan, paminan.
00:52:51Okay, dagang kang uingon nga.
00:52:52Yun sana siya.
00:52:55Double exposure na.
00:52:56Ako ba?
00:52:57Double exposure na.
00:52:58Pero kuana siya,
00:52:59kanang nasya'y magluha ka sa shutter drag.
00:53:03Imoong i-drag ang shutter into lower,
00:53:05pinaka-lower.
00:53:06Then 10 seconds.
00:53:08Kanaana siya.
00:53:10Double na.
00:53:10I-shoot sa ni muguna ang...
00:53:12First shot ka ng ring.
00:53:13O, ang ring.
00:53:14Then, dilit kang mulihok.
00:53:16Steady ni mo ang,
00:53:17ano, ang camera ka rin.
00:53:18Makita naman to ang mong first shot.
00:53:21Imoong i-lower shutter.
00:53:22Imo na i-shutter din mo din.
00:53:23I-drag din mo.
00:53:25Grabe yag mga imagination ninyo.
00:53:27Creativity ba?
00:53:28Tungod o, maulagay.
00:53:30Kasi kag-practice ba?
00:53:31Maulagay na.
00:53:32Wala kay lahing mabuhat sa imo camera.
00:53:35Imo na lang yung eksperimentuhan
00:53:36ng sulod sa imo camera.
00:53:37Maximize din mo.
00:53:38O, i-maximize din mo.
00:53:40Next, next.
00:53:43Idol, Noy,
00:53:44Bilacampa.
00:53:45Kit,
00:53:46Ayan,
00:53:46Baklay.
00:53:48Gem,
00:53:48Kanyada.
00:53:49Uy,
00:53:50Tito.
00:53:50Tito, Gem.
00:53:51What you take on the usual norms
00:53:53sa street photography
00:53:54na dapat wide lang ang lens.
00:53:57Pilay shutter speed.
00:53:59Ana,
00:53:59Sir Noy,
00:54:00Mark,
00:54:01Joseph,
00:54:01Rick,
00:54:02Rick,
00:54:03Isan niyo pagkasulti,
00:54:04Ani?
00:54:04Basi,
00:54:05Mark Joseph.
00:54:06Ana.
00:54:07Ana,
00:54:07Silhouette ni,
00:54:09Moon.
00:54:09Clubial procession na siya sa SRP.
00:54:12Okay.
00:54:12Pero wala kasi.
00:54:13Silhouette.
00:54:14By the way,
00:54:14mag-rapple ta,
00:54:15Ani,
00:54:15ha?
00:54:15Yeah.
00:54:16Rapple ta.
00:54:17Rapple,
00:54:17Rapple,
00:54:17Rapple.
00:54:18Rapple.
00:54:18Rapple.
00:54:18Rapple.
00:54:19Dagan tag koan.
00:54:21Coming from Macy's.
00:54:22Si si si si si si si si si si si.
00:54:23Si si si.
00:54:24Thank you guys si si.
00:54:25Oop,
00:54:25para.
00:54:26Tito si si.
00:54:27Makita ba na?
00:54:28Apel ba ni?
00:54:29Dagan-dagan po lang.
00:54:31Apel ta si.
00:54:32Gryl,
00:54:33James,
00:54:34Ronel,
00:54:35Gio,
00:54:36Zan,
00:54:37Rapple,
00:54:38Manilin,
00:54:39Christian,
00:54:39Eric,
00:54:40Seth,
00:54:41June,
00:54:41Winslow,
00:54:42June,
00:54:44Nyokie Boy,
00:54:44Wildly,
00:54:46Lloyd,
00:54:47Jundel,
00:54:48Raynan,
00:54:48BJ,
00:54:49Earl,
00:54:49Jem,
00:54:50Christian,
00:54:51Catrice,
00:54:52Masi,
00:54:52Meyer,
00:54:54Caroline,
00:54:55Chan,
00:54:56Tugula si Claudio.
00:54:57Mr. Dale.
00:54:58Troy,
00:54:59Stephen,
00:55:01Mark Dales.
00:55:04Ako mentor na yun si Mark Dales.
00:55:06Shout out.
00:55:06Ama ng uyukan.
00:55:08Apel si Claudio.
00:55:09Nakalimot na.
00:55:10Uy, ang bata.
00:55:11Apel na.
00:55:12Extend niyo siya.
00:55:12One hour?
00:55:13Huh?
00:55:13Extend ta, one hour?
00:55:16Duta no?
00:55:17Oh, aman din.
00:55:18Eroleta din na.
00:55:20Sorry,
00:55:20kaya kong hula yung ba na-appel
00:55:21kayo.
00:55:22Dagan kayo nga 1 million views,
00:55:24mandarun,
00:55:251.2 million.
00:55:26Eroleta ang pagpili.
00:55:27Eroleta ang pagpili.
00:55:29Karun.
00:55:29Kana.
00:55:31Eroleta ng bayan.
00:55:32Yes.
00:55:33Eroleta ng bayan.
00:55:34Eroleta ng bayan.
00:55:37Kaya h funding Kasa.
00:55:37Anna,
00:55:38ay hindi ko makikita.
00:55:39Yeah.
00:55:39Dina mo makikita.
00:55:44As sponsors here.
00:55:45Sponsored by Macy's camerasho
00:55:56I don't know what to say.
00:55:58I don't know what to say.
00:56:00Mr. Dale says,
00:56:02Mr. Dale says,
00:56:04Oh, great!
00:56:06Winslow!
00:56:08Winslow!
00:56:10It's a win!
00:56:12It's a win!
00:56:14You got to win!
00:56:16Winslow, congrats!
00:56:18Congrats!
00:56:20It's a great win!
00:56:22Okay, Jude.
00:56:24Ito na yung mong i-claim
00:56:26sa APM Mall, sa Macy's.
00:56:28Macy's.
00:56:29Salamat kayo si Cesar.
00:56:30Ang yung mong nadaog kay...
00:56:32House and Lot.
00:56:34House and Lot with...
00:56:36With...
00:56:37With...
00:56:38With...
00:56:39With...
00:56:40With...
00:56:41With...
00:56:42With...
00:56:43With Bluetooth.
00:56:44With Ginkgo Biloba.
00:56:46Ang yung mong nadaog kay...
00:56:48Asa man ito, uy?
00:56:50Los Tio Winslow, uy?
00:56:52Baka naman...
00:56:53Last na nang yung mga.
00:56:55Road...
00:56:56Road...
00:56:57Ah...
00:56:58Road Microphone.
00:56:59M-E.
00:57:00Worth $3,500.
00:57:02In dugu dun.
00:57:03In dugu dun.
00:57:04In dugu dun.
00:57:05Kanay.
00:57:06Kito oo?
00:57:07I don't know.
00:57:08Minos! Ani bata?
00:57:09Ay?
00:57:10Yay!
00:57:11Road Microphone, M-E.
00:57:13Thank you, Macy's.
00:57:14Thank you!
00:57:15With...
00:57:16With...
00:57:17With...
00:57:18With...
00:57:19Soap.
00:57:20Way sa ka ng mga guests.
00:57:22It's been 3 minutes, 3 minutes, 3 minutes
00:57:27It's been 1 hour extended
00:57:29It's been 1 hour
00:57:31It's been 1,000 views
00:57:32It's been 1,000 views
00:57:36Thank you for the appeal
00:57:39Next week
00:57:41You won't have a laugh, you won't have a laugh
00:57:45You won't have a laugh
00:57:50Wins
00:57:51No, no
00:57:52No
00:57:53Dapat walay appeal si Winslow sunod
00:57:56Ibratis naan
00:57:59Lasa na ni Moron
00:58:01Ibratis naan
00:58:03Apas si Russell John, Castro Fernandez
00:58:07Hello sir
00:58:08Hi sir
00:58:09Question lang for street photography
00:58:11More light, more shadows
00:58:13Kana
00:58:14Both
00:58:15Kana
00:58:16Kanan do ha
00:58:17Kanan, kanan kulon
00:58:18Kanan, kanan padung san to ninyo
00:58:19Ninduta
00:58:20Labi na
00:58:21Ako
00:58:22Ang uban mag photo walk eh
00:58:23Mga inig
00:58:24Alas novi
00:58:25Alas otso
00:58:26Manguli na
00:58:27Ako ganahan pa kong magpa-init
00:58:29Mga ano-ano
00:58:31You can play it both
00:58:32Duha lang dyan
00:58:33Pwede kainit
00:58:34Pwede kainit
00:58:35Pwede kainit
00:58:36Harsh ngayin
00:58:37Sorry kayo ha, mayroon na hiwala na appeal
00:58:39Sorry next time, appeal nakadaan
00:58:42Appeal nakadaan next time
00:58:44Noted
00:58:45Hila na
00:58:46Hila na
00:58:47Hila na
00:58:48Hila na
00:58:49Taga nga
00:58:50Magpawash out
00:58:51Pwede kainit
00:58:52Okay
00:58:53Extend one hour daw
00:58:54Pwede
00:58:55Kapayag ka
00:58:56Kapayag ka
00:58:57Kasi nga
00:58:58Masultin mo sa itong
00:58:59Like
00:59:00Advice
00:59:01To
00:59:02To all photographers
00:59:04Kasi
00:59:05Sa tanahan nga
00:59:06Kuang mga aspiring
00:59:07Salagang mga
00:59:08Mga bagong
00:59:09Mga bagong
00:59:10Mga batan
00:59:11Mga
00:59:12Hilig sa photography
00:59:13Bada yun lang dyan
00:59:14Gamit na
00:59:15Ang gonsai
00:59:16Kamerang anaan ninyo
00:59:18Di karun
00:59:19Ganahan mo mag street street
00:59:21Ang usaka
00:59:23Mauna akong usaka
00:59:24Purpose nga
00:59:25Mag street ko
00:59:26Para ma-aptic ko
00:59:27Ma-aptic
00:59:28Like
00:59:29Murag
00:59:30Mauna akong turning ground
00:59:31Gedi ha gay
00:59:32Like para i-add tune ako sa wedding
00:59:33Add tune ako sa mga events
00:59:35Pah!
00:59:36Ang din ako itong mga nag-
00:59:37Nang huy abit to
00:59:38Harus
00:59:39Para ma-appear sa SDA
00:59:40Ano?
00:59:41Pero tinolbe dyan ha
00:59:42Yung mata niyong
00:59:43Aptic ka sa street
00:59:44Maka-aptic ang street
00:59:45Maka-aptic ang street
00:59:46Maka-aptic ang street
00:59:47O
00:59:48Kuan ah
00:59:50Sa mga bago
00:59:52Karun
00:59:53Bank on your skills
00:59:55Kaya
00:59:57The money will follow
01:00:00Pero
01:00:01Don't stop
01:00:03Learning
01:00:05Na-rap ko na ta
01:00:06Mano?
01:00:07Ayos yun
01:00:08Unong
01:00:09Kanyang industry
01:00:10Lamik kanyang industry
01:00:11Man-rap ko na
01:00:12Wedding
01:00:13Any
01:00:14Kuan
01:00:15Form of Art
01:00:18Mindot ko niya sa feeling nyo
01:00:24F отвеч
01:00:25Bank on your skills
01:00:25Kana
01:00:26Salamat kayo sa anyong time
01:00:27Salamat kayo sa inyong time
01:00:29mitok
01:00:45The big street
01:00:47The photo walker spot represent
01:00:49What if you're on your merch?
01:00:51It's just a message
01:00:53They're on their merch
01:00:55They're on their pictures
01:00:57They're on their t-shirts
01:00:59Thank you Sunstar
01:01:01Thank you Sunstar
01:01:03Thank you Cesar
01:01:05Sir Papa K
01:01:07Papa K!
01:01:0920 minutes
01:01:11Next episode
01:01:13Sir Micol
01:01:15Sir Micol
01:01:17Sir Micol
01:01:19Sir Micol
01:01:21Sir Micol
01:01:23Lunes
01:01:25Thank you
01:01:27Sir Cesar
01:01:29Good morning
01:01:31Good morning
01:01:33Thank you
01:01:43I apologize
01:01:45Good morning
01:01:47Good morning
01:01:49Good morning
01:01:51I go
01:01:53Good ask
01:01:55Always
01:01:57Good night
01:01:59Good morning
01:02:01I see you
01:02:03reminds me of
01:02:04Five
01:02:05Of course
01:02:07A
01:02:09Good morning
01:02:11You
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