- 4 months ago
Join us this Monday on Pitik as we sit down with two legendary photographers—Carlito So, co-founder of the Images Camera Club and Photoworld Asia 2024 chairman, and Erwin, a multi-awarded visionary with a passion for adventure and storytelling. Dive into their inspiring journeys, timeless artistry, and powerful insights into the world of photography. Don’t miss it!
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LifestyleTranscript
00:00Thank you for listening.
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05:59Thank you for listening.
06:29Thank you for listening.
06:59From 1985,
07:29Thank you for listening.
07:59Thank you for listening.
08:29Thank you for listening.
08:59Thank you for listening.
09:29So,
09:59Thank you for listening.
10:29Thank you for listening.
10:59Thank you for listening.
11:29Wow.
11:59Thank you,
12:29Thank you for listening.
12:59Thank you,
13:29Thank you,
13:59Thank you,
14:29Thank you,
14:31Thank you,
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21:03Thank you,
21:04Thank you,
21:05Thank you,
21:31Thank you,
22:01Thank you,
22:31Thank you,
22:33Thank you,
22:34Thank you,
22:36Thank you,
22:38Thank you,
22:40Thank you,
22:42Thank you,
22:44Thank you,
22:46Thank you,
22:48Thank you,
22:50Thank you,
22:52Thank you,
22:54Thank you,
22:56And you're a lot
23:02and Just for,
23:04,
23:26So, it's okay.
23:28It's okay, it's okay.
23:30It's okay.
23:32There are many good factors.
23:36When they were in India,
23:38they were in Japan.
23:40They were in Japan.
23:42They were in Japan all the time.
23:44It's applicable.
23:46The other thing is,
23:48the photographers,
23:50they are in gear.
23:52They are in gear.
23:54They are in gear.
23:56They are in gear.
24:00But not all the time.
24:02What do you say?
24:04Not all the time.
24:06Not all the time,
24:08I'm better at my gear.
24:10I used to use the kit lens.
24:12In the film?
24:14Yes.
24:16So, how do you want to develop?
24:18Island photo.
24:20Island photo.
24:22What if the film is scan?
24:26Or print?
24:28Print.
24:30It depends.
24:32I develop the negative.
24:34It's a contact print for it to be able to choose or print it to be able to choose.
24:40It's a machine for Norizu.
24:42But the printing before, it's chemical.
24:45When you use the film, it's developed through chemical.
24:54You scan it to be digital.
24:57When you print it, it's chemical.
25:04You've been able to do it.
25:06You've been able to print it.
25:08You've been able to print it.
25:10You've been able to print it to be dark room.
25:12Black and white.
25:13I've got a one.
25:15I don't have a hassle.
25:17Black and white.
25:18I don't have a color.
25:20It's a color.
25:22Total darkness.
25:23That's the black and white.
25:25It's a red light.
25:27Red light.
25:28Okay, right.
25:29First of all, we've got a look at Julius Garcia.
25:33It's here to blow up.
25:34It's a dark room.
25:36The least I can contribute to the dark room is to grab.
25:42I don't want to grab.
25:45But the color color, I don't want to adjust.
25:49Is there a lot of discipline to take of a film camera?
26:02Right?
26:03It's in public.
26:05Especially if, before, it's starting to shoot prints.
26:10It was just when you shoot on the slides.
26:13The slides, you can use it for forgiving, you can use it for a shot, it's easy to use.
26:21You can use it over, you can use it under.
26:23The slides are positive.
26:25Yes, you can use it for perfect exposure.
26:28Or maybe you can use it for the allowance.
26:31Unlike the coloring of prints, you can adjust the machine.
26:36You can use it for a long time.
26:38The slides are exactly like this.
26:41So, if you want to use the slides first, you can use it for a long time.
26:45You can use it for 120.
26:47You can use it for a long frame.
26:49The film's role in 120, maybe it's only 12 shots.
26:55I can see it on your own photos.
26:57You can see it on your own photos.
26:59You can see it on your own photos.
27:01In Hasselblad, it's 12 shots.
27:04It's 6x6.
27:07If it's 6x4.5, it's 15.
27:11Now, if it's 6x7, it's 10.
27:15So, there are no megapixels in the first one?
27:17No.
27:19It's 10.
27:20Yeah.
27:21But, of course, the digital digital digital digital years...
27:25In the 1990s.
27:27End of late 1990s.
27:29Late 1990s.
27:31But now, the ones who are running.
27:33Listen to this first, if you shoot, you decide where ISO film you can use.
27:41The common is ISO 100, so it's 200, 400.
27:47Unlike when you say, hey, it's already adjusted to ISO.
27:51But first, where is ISO you can use in the right role of the film?
27:59Let's go back to Images Camera Club.
28:04What are your memories from the 80s, 90s?
28:10You can't see it.
28:13You can't see it.
28:15You can't see it.
28:19I'm the first nude shoot.
28:24Oh my gosh.
28:25It was just like a beginner, a virgin, a virgin.
28:31You can't see it.
28:33You'd still be a beginner and you were a more jako for that.
28:35It was a member, it was a member, it was a studio, so it was a models.
28:40She was a member, she had an organization, she had a model.
28:41We were a member, she worked on a model, but the Ma'am Denise Estimo,
28:45ring bearer by A'ing Kang Kang, I say, Erwin.
28:49Best man.
28:54Best man.
28:56Now, question balik.
28:58I have also witnessed
29:00your relentless shooting
29:02is truly
29:03unmatched.
29:06Multiple instances from
29:08Mascara Dinagyang Pinya Festival
29:10at Sinulog. One thing I learned
29:12from Doki Irwin that
29:13not all contingents are visually
29:16appealing in those cases.
29:18Creativity in your lens
29:20comes essential and I guess that's
29:22we often lack when
29:23shooting festivals. Just
29:26curious though, is this
29:28how you approach
29:29when taking festival
29:31photos, Doki?
29:35Question?
29:37Is this how you approach
29:39when you're taking festival
29:42photos?
29:44One of the lenses.
29:45One of the lenses.
29:46One thing I learned
29:52from Doki Irwin
29:53is that
29:56not all contingents are
29:57visually appealing.
29:59Yes.
30:00And in
30:01those cases, creativity in your
30:04lens becomes
30:05essential and I guess
30:07that's what we often
30:09lack when shooting festivals.
30:11Just curious, is this how you're
30:13approached?
30:13Yeah, in some cases
30:15there's no choice.
30:17So,
30:18if you're looking at
30:19one of the lenses,
30:19you're looking at
30:20two of the lenses.
30:20You're looking at
30:21two of the lenses.
30:21You're looking at
30:22two of the lenses.
30:23Like angles?
30:24Or maybe
30:25tricks-tricks
30:26like slow shutter
30:28or
30:29there's
30:29times
30:31where
30:31you're
30:33looking at
30:34contingents.
30:34You're not
30:35going to
30:35put your
30:36place.
30:36So,
30:37you're looking at
30:38whatever
30:39is
30:40Sir Earl,
30:43I'm going to ask you
30:44if you're
30:45going to
30:45end.
30:46But I'm going to ask you
30:47if you're
30:48going to
30:49do you
30:49sound
30:50in your
30:51club?
30:55Normally,
30:56normally,
30:57you're
30:58going to
30:58refer
31:01or
31:02recommend.
31:03And then, you prefer me, ,
31:07not that Gingone sponsor,
31:09,
31:10,
31:13,
31:18,
31:22.
31:23What's up?
31:25What's up?
31:27Fees?
31:29So, we have a provisionary period.
31:35One year.
31:37You have varied personality.
31:41So, members,
31:43you don't have to pay for the event.
31:47You don't have to pay for the event.
31:51Maybe you have to pay for the event.
31:55Maybe you don't have to pay for the event when you have to pay for the event.
32:01Are you aware of that?
32:03You don't have to pay for the event.
32:05That's why not?
32:07You don't have to pay attention.
32:09You'll know we will just respect each other.
32:13Hopefully, you cannot pay off your resume.
32:16Actually, I didn't you know or
32:18Not that you allowed to shoot
32:21Anytime that you're a craftsman
32:22Whatever, i would say.
32:26You know I mean i have not
32:28Serious.
32:31I don't know know.
32:33You people always call me the first time.
32:36I have to send you some people on the phone.
32:38Yes.
32:40Can you count it up?
32:43I don't know so.
32:45Ayan lang sa Higing Wong.
32:47Ayan mga paabangan.
32:49Kaya ROI.
32:51Koan,
32:52anay question
32:53from Edward Yu Garcia.
32:57Na by chance in the next few years
32:58na makaapas na ang mobile phones
33:00sa mga digital cameras?
33:04Possible?
33:05Maybe.
33:07Pas-pasman ang technology.
33:10Naan na yung mga zoom-zoom.
33:12Grabe pinakaayap.
33:13Like sa auna,
33:14I remember kaansong transition
33:16from film to digital
33:18Kinza-man, san bag dohong
33:20ako dogayman ko ni Sheikh.
33:23Oh, okay.
33:24Naig-digital na nagsigi
33:25nag-update ang digital
33:26pila naka mgapixain.
33:27Idako na ako
33:28nagsagi gapo film.
33:30So,
33:32waman,
33:32nag-expected nga
33:34eventually
33:34muhishif
33:36kfasto digital.
33:39So,
33:40g Bila niyo
33:41nakapa
33:42kuhani mo?
33:43When did you develop it?
33:45When did you develop it?
33:47You didn't develop it?
33:49Yes, it was a Kodak.
33:51I can't say to your members,
33:53they edit it here, you're stuck.
33:55I developed it. What's up, Stab?
33:57One hour developing?
33:59Okay.
34:01We had a member before,
34:03Dr. Wong.
34:05That's it.
34:07He updated his camera.
34:09So,
34:11He's a member,
34:15he's a member,
34:17he's a member,
34:19he's a member,
34:21he's a member,
34:23he's a member.
34:25Today,
34:27Agui,
34:29we have a couple photos
34:31on Saturday,
34:33we celebrate
34:35the Images Camera Club
34:37of the 48th anniversary
34:39of the shoot
34:41of the simsuit
34:43of the simsuit
34:45of the simsuit
34:46of the simsuit
34:47of the simsuit.
34:48Dr. Erwin.
34:49Those are your photoshoots.
34:52Members.
34:53Behind the scenes.
34:55Behind the scenes.
34:56The olanggo.
34:57The bird.
34:59Those are the book launching.
35:01The book launching.
35:09Oh, 1985.
35:11Oh,
35:121985.
35:13Oh,
35:141909.
35:15Oh,
35:161909.
35:17Oh,
35:181989.
35:19Ah,
35:201989.
35:21What's your age?
35:22What's your age?
35:23What's your age?
35:24Cathedral?
35:26Hermine,
35:27it's the final speech.
35:28It's the final speech.
35:29Remind.
35:35Here are your opening��고
35:38a big word,
35:39so that's what I'm doing
35:41you learned.
35:42When you're trying to
35:43put into our,
35:44in 1985,
35:45the first CMH
35:47response,
35:481984.
35:49Yeah,
35:501984.
35:51But the first thing is the basic photography course.
35:59In Guadalupe, it's a place where you can go to Guadalupe Mountain.
36:07Good Shepherd?
36:09No, in Guadalupe.
36:12It's a cemetery.
36:15No, no.
36:17It's a place where you can go to Guadalupe Mountain.
36:22In the summer of 1984.
36:24Where did you get it?
36:25On the page.
36:27Oh, okay.
36:29It's a post in this newspaper.
36:35Yes, in the newspaper.
36:37Where is it?
36:38It's a young man.
36:40It's a baby.
36:42It's a baby.
36:43You look at Sir Erwin.
36:45There's two men.
36:48It was 1988.
36:49And then it's the Kodak Image Center,
36:52and they have redesigned the island photos.
36:54Nana is in Mango.
36:57And Bang Anitas.
36:59It's in original capital.
37:01But Dalit Larry Ong is a member of Images?
37:05Yeah, an advisor.
37:07Advisor.
37:08Oh.
37:09So, when we say advisor,
37:10daily, necessarily,
37:11mo-appear sila
37:12sa tanan activities.
37:14Okay.
37:15Kailan mo, guide mo.
37:16Unsan na.
37:21Bugiru o.
37:26Kani?
37:28Usually, kay,
37:29makakita ko sa inyong mga
37:31photowalk
37:31at ko sa gawas.
37:34Unsan na inyo?
37:35Inyo nasa button?
37:36Or fundings na?
37:38Or inyo na personal?
37:39Kuha na siya.
37:40Personal na na siya niya.
37:42Dipende magod-dilip
37:43man tanan nga travels
37:44nga tanan po
37:45maka-afford ba.
37:46Okay.
37:47So,
37:48kining mas maka-afford,
37:49kining mahal nga biyahe,
37:50so, kinira silang manguyog.
37:52Okay.
37:52Kining mga
37:52may GDIY nga
37:54budget meal nga trip,
37:55kinira silang manguyog.
37:57So,
37:59dipende,
38:00dipende sa
38:00biyahe,
38:02dipende sa lugar.
38:03So,
38:04muna,
38:04dipende po sa,
38:06muna,
38:07tungod ana.
38:07So,
38:08dili,
38:09necessarily nga
38:10tanan magkakuyog.
38:11Okay.
38:12So,
38:12dili said siya
38:13required na
38:15kung kinanglad nga mo
38:16kuyog.
38:16Kanya-kanya na lang.
38:18Okay.
38:19Sige.
38:20Kany sa
38:20Pilipinas,
38:21rani?
38:22Cebu,
38:22rani?
38:23Cebu.
38:23Basil,
38:24karbon.
38:24Basil,
38:25manting ali niyo.
38:25I think you...
38:26You're 90s ni.
38:28Dili na si...
38:29Dili na si
38:30Dan Ong.
38:31Asa?
38:33Kanag-i-i-tong?
38:34Luyo ay.
38:35Kanang...
38:36Akumtsuna Ong.
38:38Erwin na.
38:39Dandong Blas Ong.
38:40Ang likod?
38:41Kanag-i-grey.
38:42Salil.
38:43Dakunga kaya na.
38:45O ba?
38:45Dili na si Dan Ong.
38:47Ah,
38:47okay.
38:49Sige,
38:49next.
38:50Aka ni.
38:50Ang giyapon.
38:51Lately.
38:52Members.
38:54Napa?
38:56Okay ni.
38:56Ah, sorry.
38:57Kene, 19.
38:58Mga 89.
38:59Mga 89.
39:01Adugay na po ni.
39:02Badyan.
39:04Kawasan.
39:04Nami,
39:05nami usaka members,
39:06si Wilfred,
39:07fashion designer.
39:08So,
39:09ganaan siya mag-shoot
39:11para siyang portfolio.
39:12Iyang mga,
39:13iyang mga work ba?
39:15So,
39:16nilarga na siya
39:16Canada,
39:17nag-shoot me.
39:19Shoot lang po ni.
39:21Wala na siya
39:22nanasya sa Canada.
39:23Karun.
39:24Yeah.
39:25Kene.
39:26Ah,
39:26mga
39:27simsuit.
39:28Simsuit yun eh.
39:33Ah,
39:33kena po
39:34mabandyan ako sa
39:35images kay
39:36purutanan
39:38mga professionals.
39:41Doc Erwin.
39:42No?
39:43Oong.
39:43Dilira?
39:43Professional yun.
39:45Oo.
39:45Gamay naman lang.
39:47Meaning sa professional ni mo,
39:49ka ng livelihood?
39:51Oo,
39:51livelihood.
39:51O,
39:51di,
39:52man siguro,
39:52di,
39:52may dogman.
39:52You mean,
39:54di,
39:55ang photography
39:55livelihood nila?
39:58No,
39:58no.
39:58Ah,
40:00itahambog ba?
40:01From,
40:02from doc
40:03to
40:04docang.
40:05Ah,
40:06di,
40:06professional
40:06among things,
40:08among gear,
40:09pero...
40:09No,
40:09no,
40:09no,
40:10the
40:10work.
40:11Work?
40:12Work.
40:12Advance siguro.
40:14Advance.
40:16Dagan lang ang bugiro sa amo.
40:17Ah,
40:17requirement man na namo.
40:20Ah,
40:20ah,
40:20ah,
40:21coffee food.
40:22Ah,
40:22ah,
40:23ah,
40:23daba,
40:24ba't di ang bugiro?
40:25If you're not a Cambogero, it's the other one.
40:27I don't know.
40:29You know how it is.
40:31Okay. Okay.
40:33Where is it?
40:35Where is it?
40:37Yes, I know.
40:39There is a workshop.
40:41There are some lenses that are displayed.
40:45So, Raymond Law.
40:47So, I'm going to try to try to do that.
40:49I'm going to try to try to try to try to do that.
40:51I'm going to try to try to try to do that.
40:53Yeah.
40:55Support.
40:57That is the outreach.
40:59What is it? Outreach food?
41:01Uh, work.
41:03What are your beneficiaries?
41:05What are your beneficiaries?
41:07I'm missing a lot of shops.
41:09No.
41:11Erbita.
41:13They're every year.
41:15No.
41:17I can go to the top 10.
41:191990.
41:21He was the top 10 photographer for that year.
41:28What are some of the photojournalists in the first year?
41:33Sous, Daghan, Badayo, Tony, Santee, Ice, Arlene, Juan, Amper.
41:48No, no, no, no.
41:50Is there Tony, Apil?
41:51Apil.
41:52It's Alex's name.
41:54No, Alex.
41:55No, it's Alex.
41:56You don't just have a photojournalist, maybe in the time of your work.
42:03You can appeal at the meeting.
42:06They're required at least.
42:08Maybe one is going to attend.
42:10There's a question.
42:12Artists often go through phases of boredom or burnout.
42:17What helps to reignite your creative spark?
42:22From Jennifer Sarmiento.
42:25Like, in me,
42:28I have a lot of hobbies.
42:35Like, in this pandemic,
42:42I don't want to shoot all the time,
42:44so I have a bike bike,
42:46so I have a recharge,
42:48so I have to go back.
42:51Or I have to worry about the other photographers who work in urban.
42:54I'm just persistent,
42:58I'm just continuing.
43:00I have to go back and do some things.
43:07In terms of gear, sir,
43:11how do you upgrade?
43:13Aho, it's enough to do.
43:15Like, I don't know why.
43:18It's different.
43:20I mean, if you have upgraded the camera, it's not like that.
43:30If you shoot, if you have one gear or one lens,
43:37I would like it.
43:41For me, I'm only listening to underwater,
43:45so I would like it to upgrade.
43:51A question for Sir Kang Kang.
43:54To KK,
43:55in your photography,
43:57how do you balance time with your wife?
44:00It's not a problem.
44:02It's not a problem.
44:03It's a problem.
44:04From Sir Ralph Andre Juan.
44:08Okay.
44:10It's not a problem.
44:12I can't remember if I first love the camera.
44:16First love the camera.
44:18Oh, I know.
44:19From CBR,
44:21Frederick Kang Kang,
44:23who's a videographer?
44:26He's memorable as he is?
44:30He's a video.
44:31He's a video.
44:33He's a photographer.
44:34He's a video.
44:36He's a videographer.
44:38He's a videographer.
44:40Ah, okay.
44:42Ano ka memorable?
44:43Ah, wakana.
44:44Usuban sa mga saba.
44:46Kasi nakasaba na siya.
44:49Okay.
44:51From J. Dalumpines.
44:52Please ask, what can they say about AI-generated photos ka ron?
44:57Or AI na technology ka ron?
45:02I think it's here to stay.
45:05Sooner or later, imunagin na siya i-embrace.
45:08Parang sa digital before,
45:11na sa nakaka ng transition from film,
45:16daghan man mag-lisod i-accept,
45:19pero eventually, imunagin na siya i-embrace.
45:21Kaya diagin mo pa doon.
45:23So, kanang AI,
45:25ah, na-asad na.
45:27Kung anong imunagin,
45:27kailangan lang ka be responsible lang ka ba
45:30at least sakto nga paggamit ni mo.
45:34Sakto nga way nga
45:35dili for negative nga mga reasons ba?
45:40Di, makatabang man yun ng AI.
45:42Pas sa work.
45:43Ano, o.
45:44Dahil, anto na,
45:45may uban nga limited resources.
45:48So,
45:49they cannot afford mag-production.
45:51Yung diha, tandaan ba?
45:53So, makatabang yun.
45:54Oh, like,
45:56like kung gasyutag commercial
45:57or advertising or
46:00makatabasin.
46:01Madali.
46:03Mas
46:03dali ang work,
46:06mas gamay-gasto.
46:08Pero wala pa na,
46:09wala pa na ma-perfect,
46:11pero it's fast,
46:12kung an,
46:13fast catching up.
46:15No choice,
46:16mong pungka.
46:19Okay.
46:19Bali,
46:23karun,
46:24pilang nakabook
46:25ang images karun?
46:2780.
46:2880.
46:2980.
46:3080.
46:3180 ang kanang
46:32members,
46:33pero
46:34dili na sa sarli
46:3580 ang active.
46:36Pero,
46:38tibok Pilipinas na.
46:39Dili.
46:39I mean,
46:40tibok Kalibutan.
46:41Oh, naasalain na.
46:42Okay.
46:44So,
46:45naman may members na,
46:47ganaan dyan po silang mag-member,
46:48bisagnan na sila sa laeng countries.
46:50So,
46:51pwede gaya po silang ma-appear
46:52sa photocontest,
46:53bisagnan na sa gawas.
46:54Dali,
46:54era kayo.
46:54Ah, okay.
46:56Mas possible siya karun
46:57kaysa before.
46:59Okay.
46:59Pidira man niya,
47:00e-mail ra yung entry,
47:01dirira i-print.
47:03Kung anong lang,
47:04dili isa siya ka-appear
47:05o printing.
47:05Mahal lang.
47:06Pero,
47:07okay ra.
47:07At least,
47:08upset lang siya sa printing,
47:10inika-chismis-chismis,
47:11wala siya.
47:12So,
47:13money-purposed ka sa gawas.
47:15Kismis-chismis,
47:16wala siya ka-appear.
47:18Okay.
47:18May respect lang.
47:20Pero,
47:21kanang,
47:22inyong tapok-tapok,
47:24every,
47:25siya na,
47:26first Monday of the month ba na?
47:28Ah,
47:29usually,
47:29first Monday of the month,
47:30usually,
47:31ah,
47:31gathering naman na,
47:34ka-ka-ka-appear.
47:35Judging,
47:36sa kong-dosis.
47:37Kitsa yung madaog.
47:38Kanang madaog ana,
47:40itapok na siya na?
47:42Yes.
47:42To,
47:43pilihan na siya para,
47:45unsay ipadala sa Manila,
47:46para dito sa PwC.
47:48Ah,
47:48Photo World Cup.
47:49Ah,
47:49okay.
47:50Para mo yung mong-compete na sa dito.
47:52Karon,
47:54second place me,
47:55so,
47:55napay upat ka,
47:57team,
47:58to go,
47:59para mahibawaan na akin sanapod,
48:00ang,
48:01camera club of the year.
48:03Ah,
48:04nahibawaan na ba?
48:04Wala pa?
48:05Ah,
48:05wala pa.
48:05Wala pa man na human.
48:06Upat pa.
48:07Ay,
48:07okay,
48:08okay,
48:08okay,
48:08okay.
48:092025,
48:10upa na human.
48:11Okay.
48:12For last year,
48:14daog,
48:14daog,
48:15nine,
48:16nine times.
48:17Nine times na,
48:18girl.
48:1820,
48:192012,
48:222014,
48:2320,
48:25straight,
48:2516,
48:2617,
48:2718,
48:28ano?
48:30The straight,
48:31straight.
48:31Straight,
48:32straight upat,
48:33then,
48:33nafilde,
48:34then,
48:34straight na putulo.
48:35Ah,
48:36okay.
48:37So,
48:37kung madaog ka,
48:38Ron,
48:38sa una,
48:39sa wala pa,
48:41wala pa,
48:41ang club ni Apil sa PwC,
48:44amu-amu,
48:45ang,
48:45sa theme,
48:46amu ma-decide,
48:47maura,
48:47amu i-gamiton sa mong contest.
48:49Karon,
48:49kaya under naman mi,
48:50sa PwC,
48:51na na sila yung own,
48:53nga themes,
48:53nga,
48:53maura mo i-sundun.
48:55Kung sa day ang kategori,
48:56nga nung,
48:57ah,
48:58unsa on pagdaog,
48:59sa usaka club,
49:00unsa yung,
49:01kung ano niya,
49:01kanina?
49:01The gankag points.
49:03Formulative.
49:03Formulative.
49:04Ah,
49:04sa photo contest.
49:05Ah,
49:0610 contest.
49:07So,
49:07the more ka magsigig,
49:09daog dito sa Manila,
49:10so,
49:11magkadaog,
49:11i-mo score.
49:12Ah,
49:12okay.
49:13And then,
49:13napod sila individual,
49:14nga,
49:16photographer.
49:16Point system for individual photographers ba?
49:20Best photographer.
49:21Kinaman sila yung photographer per year.
49:23Ah,
49:23okay.
49:25Sir,
49:27Aris,
49:28na yung Sir Kang,
49:29naakay mga advices to new photographers,
49:33if,
49:34ganahan ba,
49:37okay ba mo,
49:38join sila na lang sila at club,
49:40para makat-on,
49:40or be individual?
49:42I suggest nga,
49:43ah,
49:44join a club,
49:46so that you can compare your works,
49:48and improve faster.
49:50Okay,
49:50kung ikaw,
49:50ikaw ra,
49:51ikaw ra,
49:51ikaw ra,
49:51maang pun mong ingonin doot.
49:54Diba?
49:56So,
49:56di ka ka kita sa lain works.
49:59Da,
49:59yun,
50:00mas maimprove ang,
50:01mo join.
50:03Then,
50:03of course,
50:04nakay friends,
50:05then,
50:06kung anpo di mong,
50:07at sana,
50:08imong,
50:09kanang,
50:10eh,
50:10hindi mo bang,
50:12karakter.
50:13Okay.
50:14Okay,
50:15nagsugot ko,
50:16photography,
50:16bitaw,
50:17makatumang ko ko,
50:18anong images,
50:19mahadlok,
50:20jud ko dool.
50:22Siya to'y base,
50:23kibasin,
50:23siya to'y monadunggan,
50:24mahadlok.
50:25Kibasin,
50:26hindi naman agad.
50:28Ano ba?
50:28Hindi naman,
50:28hindi naman,
50:29ilan lang ang perception.
50:31Pero,
50:32sama,
50:33kung mahadlok ka,
50:34di,
50:35mahadlok lang ka.
50:36Hindi naman agad ba?
50:38Pero,
50:38depende na,
50:41kililain man personality.
50:42Kung makatiming ka,
50:44managad,
50:44o di,
50:45gikatag doon.
50:46Eh,
50:46tanan man,
50:47managad man ni noon.
50:48Managad man eh.
50:49Okay man,
50:49okay man.
50:51Maulang na ang una,
50:52na,
50:53mailhan.
50:54Maybe,
50:54maybe.
50:54Na to'y ni-comment,
50:55dira,
50:56dili ka ma,
50:57sa to?
50:57Dili ka images,
50:59kung dili ka hambugero.
51:00Oo.
51:02Adili,
51:02okay raman niya ako.
51:03Kalinawan Jojo?
51:04Binu-arago na naman.
51:05Binu-arago na,
51:06oo.
51:07Binu-arago na,
51:07sir Kang
51:11and sir Erwin,
51:12pwede ko mo join?
51:13We love you Kang Kang
51:14from Joe Erwin.
51:15Acho,
51:16Raymond,
51:18for both,
51:19what's one subject
51:20or theme
51:21you've always wanted
51:23to explore
51:23but haven't yet?
51:27Theme?
51:29You mean genre
51:30sa photography?
51:31T-H-E-M-E.
51:33Oo.
51:34Oo.
51:35Wala pa,
51:35siguro ko kayo balo.
51:36Oo.
51:36Oo.
51:36Oo.
51:37Maybe photojournalism.
51:40Oo.
51:40Oo.
51:41Oo.
51:41Sige,
51:42siguro na ang photojournalism.
51:44Dissoud,
51:45dissoud man ang photojournalism.
51:47Sakop.
51:47Dagan magsagsakop,
51:48say mo underwater,
51:49if,
51:50na story,
51:51na.
51:51I mean,
51:52maybe,
51:53photojournalism,
51:54street,
51:54street,
51:55ka na si story.
51:56Ah,
51:56photography.
51:57Not as easy ba?
51:57Okay.
51:58Ikaw.
52:03Wala ra?
52:04Wala ra.
52:04Eh, nira.
52:06Ikaw,
52:06Doc,
52:07na kayong mga ma-advise
52:08sa gusto mo
52:09a pillow club?
52:11Not only in images,
52:12but...
52:12For newbies,
52:15alam mo ka,
52:15discouraged na yun
52:16kung di kayo,
52:17di kayo nindot in yung pictures,
52:19di mo ka daw
52:19kong contest kay
52:20kami.
52:22Pilagod may katuig sa...
52:23Pilagkatuig?
52:24Until now ba?
52:26Diba?
52:26Until now,
52:27pila na may ka-year sa club,
52:30I still consider myself nga,
52:31nagsige pa kong learn.
52:33Hindi maginaan,
52:34hindi maginaan,
52:35yung nga ma-perfect nga,
52:37hurot na nimi mo na katon.
52:39There's always room for
52:40improvement or...
52:42So,
52:42kanamang uban bago.
52:45Ayaw lang mo,
52:45ka-discouraged.
52:47Nung tana lang mo,
52:47paningkabot lang mo.
52:49Mas may ganit ka ron kayo,
52:50na internet,
52:51dali na kayo i...
52:52dali na kayo i-research.
52:55Nay question si Ralph...
53:00Sir Ralph 1.
53:02Kung saan pag-shoot,
53:03anang budwa,
53:04KK?
53:06Kontogtan ka.
53:09Pashout out naman dyan,
53:10mga idol Erwin
53:11and Sir Kang
53:12watching me ni Andre.
53:15Ako ning idol
53:16Doha,
53:17Kalinawan Jojo.
53:19Okay?
53:19And...
53:21Salamat kayo sa inyong time,
53:24Sir Erwin
53:25and Sir Kang
53:27ka,
53:27super busy kayo.
53:28Anyways,
53:30sige pag-ihaapon
53:31ang
53:32Images
53:32Camera Club
53:34Photo Exhibit
53:36sa SM City Cebu
53:37sa North Wing.
53:38Until...
53:39Kung na mo'y time,
53:40drop by
53:40SM City
53:42Reclamation
53:43North Wing.
53:44North Wing.
53:45Until
53:4627?
53:4728.
53:48September 28.
53:50Ma-showcase
53:51ang
53:51photos
53:53sa mga
53:54members
53:54sa...
53:5580 photos.
53:5680 photos
53:57sa members
53:58sa images.
53:58We have 80 photos
53:59lain-lain
54:00ng mga
54:01genre.
54:02Lain-lain
54:04Pudnasud.
54:05Oh,
54:05yan.
54:06Lain-lain.
54:07Napudmi
54:07sa PCP,
54:09Photo Journalist
54:09Center of the Philippines
54:10on going
54:11ang photo exhibit
54:11until October 3.
54:13Dito sa
54:13Rizal Memorial
54:16Library
54:17and
54:17Museum,
54:192nd floor
54:20sa Cebu City Library.
54:22Okay,
54:23salamat kayo sa inyong
54:23time again,
54:24Dr. Irwin
54:25and Sir Kang Kang.
54:26Salamat, Pud.
54:28Alas siya tinapod
54:29or extenta
54:30to ours.
54:32Basta na ipaniyapon,
54:33okay na.
54:35Salamat kayo
54:36sa tanang
54:37viewers na to run
54:38sa Sunstar Pitic.
54:39Sunod lunis na,
54:40Pud.
54:41Bye-bye.
54:42Ou
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