- 6/24/2025
Shifty S01E05
Category
🦄
CreativityTranscript
00:00:00Now big respect in every aspect to all the massive and all the crew, remember there is only one ruling selector, and it's the bug, and this is Tipper Iris saying this, ha ha, may I tell you, look on set, boom, so many things it get me angry, and so many things it get me mad, so many things it get me angry, and I got a
00:00:29see, so many things it get me angry, and so many things it get me mad, so many things it get me angry, and I got to see, when I think about motion I think about where, and my people living in fear, and every country them interfere with the suicide but them everywhere, and they Brad PET thanks for questioning
00:00:49my atmosphere, the plot's all here, never been out, to me people in Africa, I've all been shut up, honey up here, it's funny how they just not goin down here, so many things it get me angry, and so many things it get me angry, and
00:00:59So many things that get me mad
00:01:01So many things that get me angry
00:01:03I gotta see
00:01:05So many things that get me angry
00:01:08And so many things that get me mad
00:01:10Politics Programme 1, The Distribution of Power
00:01:13VT 6T 242 111
00:01:18Take 1
00:01:21No, I must say, it won't be as if I'm coming out to completely new territory
00:01:26because I remember it since I was so high
00:01:29You know, I used to come on some sort of riding holidays in the Peak District
00:01:33The last classical occasion was I had a terrible hunting accident
00:01:39You are chairman of all the YCs in this association?
00:01:42No, I'm just chairman of one of the brunches
00:01:44YC, who's the chairman of the whole lot?
00:01:47Is he here?
00:01:48But he obviously has the chapter worked through, isn't he?
00:01:50That's right, yes
00:01:51How old are yours?
00:01:577, 5 and 2
00:01:58A vote for Lyle is a vote for Labour
00:02:02I ask for your support on March 31st
00:02:05On March 31st, I ask you to support the Labour Party
00:02:08This is Bart Lyle, your Labour candidate for this division
00:02:11I ask for your support
00:02:13Financial restrictions
00:02:29Well, can you get in for a minute?
00:02:32Well, it's urgent this
00:02:33I can't tell you that
00:02:35I'm not allowed to disclose that
00:02:36We don't deal with that sort of thing
00:02:38Not available
00:02:39Now I'm completely defenseless
00:02:45Where are we going?
00:02:46I'm going to make it.
00:02:54Yeah, yeah, yeah, yeah.
00:02:59Is there anything, White?
00:03:01Yes, yeah.
00:03:02Maybe.
00:03:16Yeah.
00:03:36After I had this conversation with Max, he said, what are you doing on Friday night?
00:03:39And I said, I don't know.
00:03:40He said, well, come down here and we'll go to this sort of film premiere.
00:03:43I said, OK, well, fine.
00:03:45So I came down.
00:03:46He introduced me to this Katie Baring.
00:03:47He said, by the way, this is Katie Baring.
00:03:49He said, she's part of this banking family.
00:03:52We're going to sort of spread the line that you've been all over the world with her,
00:03:55having a wild sort of passionate affair with her.
00:03:58And I was a bit stunned by all this at first.
00:04:01I thought, hang on a minute.
00:04:02And the next minute, there it is, blasted on the front page of The Sun
00:04:05that we'd been on sort of exotic trips to Kenya and everything else.
00:04:09Derek's a good example of the crossover.
00:04:11That's getting a client involved with something which promotes them and maybe a couple of other clients at the same time.
00:04:19Over there, we have an example of that, which is a front page of The Sun where Derek was supposedly caught out at a London nightclub,
00:04:26which I happened to be promoting at the time, with a young lady who was an aspiring actress who happened to be a distant cousin of Princess Di's.
00:04:34The paper got their story.
00:04:36Derek had the publicity.
00:04:38The club had the publicity.
00:04:40Katie Baring had the publicity.
00:04:42So it was a three-way crossover.
00:05:12You used to make jackets for...
00:05:25The Prince of Wales.
00:05:26Yeah.
00:05:27Charles and all that.
00:05:28And that you used to write obscene things in the lining.
00:05:32Uh, I did actually, yeah.
00:05:37I'm in Savile Row, at the top of this old building, like, with a load of old tailors.
00:05:42And when you first go into a tailing apprenticeship, they sit you on this bench with your legs crossed like this.
00:05:47And you get the canvas and you start padding the canvas, which makes the jacket...
00:05:51You know, you sort of think you're going out of your mind and you start doodling on the canvas.
00:05:54You're not going to see it because it's between the fabric and the lining.
00:05:57Right.
00:05:58So I just started doing the...
00:06:00It just happened to be Prince Charles' jacket I was working on at the time.
00:06:03And so I draw this big willy on it.
00:06:06You know, like you do.
00:06:09It's all, like, swear words all over these people's jackets that...
00:06:12And, you know, there was one word, like, I am oblique, on his chest.
00:06:15So he might still be wearing it now, for all we know.
00:06:18Actually, I did see him with it the other day.
00:06:20It's a Prince of Wales check, two-piece suit, yeah, with double-breasted lapels.
00:06:23It's good that he wears Prince of Wales check, though, isn't it?
00:06:25It is, isn't it?
00:06:26It's uncanny, that.
00:06:27It is.
00:06:28I'm just showing Grandad my multi-effects processor.
00:06:34The Corg A5.
00:06:36And, er...
00:06:38Here's what I made earlier.
00:06:48That's the sound I made earlier.
00:06:51Johnny is into heavy metal.
00:06:54Yeah, he's into heavy metal, I see.
00:06:56Yes, I keep trying to pull him back from heavy metal, but...
00:06:59Christian heavy metal, not bad words heavy metal.
00:07:01Johnny's...
00:07:02Johnny's group's going to...
00:07:03What's your group going to be called, Johnny, when you have it?
00:07:05Er, 4D, Fourth Dimension.
00:07:07Oh.
00:07:08Do you know why it's going to...
00:07:09Do you know why it's going to be called Fourth Dimension?
00:07:11No.
00:07:12Erm, 4D.
00:07:13Erm, Christians believe it means love, basically.
00:07:15It's God's love, other love.
00:07:17Fourth Dimension.
00:07:18Mm-hm.
00:07:19The Fourth Dimension in this world is supposed to be...
00:07:22It's time and how it's affected by space and physics and all that kind of jazz.
00:07:27It's all to do with Reinstein's theory.
00:07:29That's complicated, but basically, the Fourth Dimension is love.
00:07:32To me.
00:07:33To me.
00:08:03It involves the use of what is called, imaginary time.
00:08:10The idea was that in imaginary time, the universe has no boundary.
00:08:15No beginning or end.
00:08:18It just curls round on itself, like the surface of the Earth.
00:08:24Without boundaries, the universe has no beginning and no end.
00:08:31We don't have to explain its creation.
00:08:34The universe simply exists.
00:09:01The real amazing thing is not that life on Earth is balanced on a knife edge, but that the entire universe is balanced on a knife edge.
00:09:26You see, even if you dismiss mankind as just a mere hiccup in the great scheme of things, there's still the fact that the entire universe seems unreasonably suited to the existence of life.
00:09:37Almost contrived, we might say, a put-up job.
00:09:40If we nudge one of these constants just a few percent in one direction, then stars burn out within a million years of their formation.
00:09:54No time for evolution.
00:09:55And if we nudge it just a few percent in the other direction, then no elements heavier than helium form.
00:10:02So no carbon.
00:10:03No life.
00:10:04Not even any chemistry.
00:10:06No complexity at all.
00:10:08Atoms would be unstable.
00:10:10There'd be no stars.
00:10:12No light.
00:10:13No warmth.
00:10:14No structure at all.
00:10:15Just chaos.
00:10:16Quite a lot of people take ecstasy.
00:10:18Drips.
00:10:19Speed.
00:10:20Whiz.
00:10:21Speed.
00:10:22Whiz.
00:10:23Charlie.
00:10:24Right.
00:10:25Everything.
00:10:26Yeah.
00:10:27Say what you're on.
00:10:28Erm.
00:10:29I'm on, I'm on, I'm on speed, by the way.
00:10:33Yeah, I'm on speed as well.
00:10:35And half a, half a, um, rhubarb and custard, and they're pretty good, pretty blinding.
00:10:41Yeah, same.
00:10:42Yeah, we're just having a great time.
00:10:44It's just good.
00:10:45Good, good night out.
00:10:46I know that I'd go anywhere for your smile.
00:10:53Anywhere for your smile.
00:10:56Everywhere I'd see.
00:11:01Would you lace my shoe?
00:11:04Anything.
00:11:05Paint your face bright blue.
00:11:07Anything.
00:11:09Just relax.
00:11:10Do it all.
00:11:11No problems.
00:11:12No rush.
00:11:13Just turn in comfort, please.
00:11:14Okay.
00:11:15You still have a hard time.
00:11:16No need.
00:11:17She was no ordinary girl.
00:11:20He was no ordinary boy.
00:11:22And this is no ordinary story.
00:11:25Tomorrow, only in the sun, the intimate confessions of Antonia de Sanja.
00:11:44Yes, we are selling our story.
00:11:51Of course, it's a story.
00:11:53The whole world are interested in it.
00:11:55And we've been offered a lot of money for it.
00:11:57We are going through enormous personal trauma through this story.
00:12:03Because if he's making lies to the press to save his very old shabby face and reputation, he's going to be in very hot water.
00:12:13It's very important to me that nobody judges me right now.
00:12:42No matter what happens, at the end of the day, by the time I finish making this, doing my diary, no matter what happens, you don't judge me.
00:12:55Because if you think you're judging me, have a good look at yourself.
00:13:00See if there's anything.
00:13:03If you had a camera on you, at every high and low, sort of a year or so, just think about what would happen, what would be shown in your life.
00:13:16It's not as easy as you think it is, you know.
00:13:23M-I-R-R-O-R.
00:13:30Mirror.
00:13:32There was a time when I found they were very useful.
00:13:35They still are, of course, I have to use them.
00:13:38But it's a ghastly thing to look and see one's face, what it is now, and what you feel it should be inside you.
00:13:49One doesn't feel old, you know.
00:13:55You get, I don't know what the age is, somewhere about thirty to forty.
00:14:02And from then on, inside, you don't get any older.
00:14:08But every time you look in that confided mirror, and see what time has done, and age has done to your features, your body, your hands, everything.
00:14:20That's what I dislike more than anything.
00:14:27As a model, you're not supposed to, you're not supposed to have a voice, really.
00:14:33And in that kind of way.
00:14:35But then, I don't want to choose, I don't want to say I want my hair like this or my makeup like this, because then it's not, then I'm not being created.
00:14:43I want to become somebody else, I don't want to say I want my hair like this, because then I'd be me.
00:14:48It's nice to be able to be a canvas to, like, then become what they want you to become.
00:14:55Perfect.
00:14:56That whole weird thing, like, being known by people you don't know, and they know everything about you, or they think they do, and you don't know the first thing about them.
00:15:07Isn't that rather hard?
00:15:11Yeah, that's the job.
00:15:13That's the, you know, that's the job, is to be on, you know, that's to be on, I suppose.
00:15:26And also a very special guest, someone, I want you to make yourself feel at home here, Chairman of Harrods.
00:15:44Has it been a good day so far?
00:15:46Wonderful, wonderful.
00:15:47We hope, I think, we're going to make £10 million a day.
00:15:50Phew, it's unbelievable.
00:15:51£10 million a day?
00:15:52Today, £10 million we start, and we have £100 million of goods.
00:15:57And fantastic bargain.
00:15:58Yeah, they put questions in the House of Commons.
00:16:02If somebody put questions against me, they answer these questions and put also my side of the story.
00:16:09You fight fire with fire, I told you.
00:16:12Did you pay them money?
00:16:13Of course, of course, of course.
00:16:15How can they do the job for me?
00:16:17Of course, free? No.
00:16:19This is the people, you know, because they're trash of the trash, right?
00:16:23This is the problem.
00:16:24And this is the people who are example, the people elect and put in power.
00:16:30It's just devastating.
00:16:32You can't just see how great country like that, with great history, with great civilisation,
00:16:38you can just go find yourself ruled by punch of crooks, and people have no moral, have no ethics, have nothing.
00:16:46with nothing.
00:17:16It is a direct result of the diminishing of power of the Member of Parliament, today compared with 20 years ago.
00:17:36There is an attitude that recognises that, recognises they haven't got the power that they used to have,
00:17:42and says, we've got to take commercial advantage, and every other kind of advantage of the period that we are there.
00:17:50And the power's gone, what else are you going to do?
00:17:55How are you, Rose? How are you, darling? Nice to see you.
00:17:57Nice to see you. You look brilliant. Look at it, eh? Look at the power, eh?
00:18:04What's that?
00:18:06Sidewise onto us, Derek.
00:18:07Oh, sorry.
00:18:09Yeah, this way, Derek.
00:18:12Right round to your left, Derek.
00:18:19People are telling me to go the other way.
00:18:21And it's really happening here.
00:18:23There she is. She comes out in there.
00:18:24Sensor.
00:18:25Slinky sari.
00:18:31Look at this, watch this. This is dead dirty.
00:18:36Look at this, look at this.
00:18:38It's amazing.
00:18:41They always happen to travel down there.
00:18:44And do you know when they want to censor a particular seed in an Indian film,
00:18:47they bash two flowers together.
00:18:49Naomi, you're going to come bash the two flowers together.
00:18:51What?
00:18:51Come bash two flowers together and show them how Indian censorship is done.
00:18:56This is Indian censorship.
00:18:57This is when something's kissing and canoodling and the bush is in an Indian film.
00:19:01Oh, it's sure two flowers going.
00:19:03Two flowers going.
00:19:06That's a kissy-pissy.
00:19:07I like a man to be sensitive.
00:19:12Must be romantic.
00:19:13If he's got a brain, it helps.
00:19:15Because it's all right to go out with a man and have good sex,
00:19:17but at some point you've got to talk.
00:19:19You can have, you know, stimulating conversation with.
00:19:21It's nice.
00:19:22Normally, for a man, if you're into a relationship
00:19:26and you have sex in various ways and positions,
00:19:30you can have sex, but you can also bring yourself off later on
00:19:35and it'll feel better.
00:19:37A man will look better.
00:19:38A man will, yeah.
00:19:39For some reason.
00:19:42You're telling me, you can go on, you're going to have really good sex,
00:19:44lovely job, mate, right?
00:19:45Yeah.
00:19:45You can go on with a dirty film, have a wank, and you're cool about it.
00:19:48It's nicer.
00:19:49Yeah.
00:19:49Right.
00:19:50So that's the cut of the bullshit.
00:19:51I don't even want that much.
00:19:54Because the man's in control of it.
00:19:56It's not the woman in control, it's the man in control.
00:19:59He has one hand, yeah.
00:20:00Yeah, the man knows what he wants.
00:20:21Now, what exactly have we got here?
00:20:43We've got 44,000 square feet, listed grade two star.
00:20:49Ah.
00:20:51Here was a fine room that's been divided.
00:20:54Now, the cornice is not cut or disturbed.
00:20:56No.
00:20:56So we can take those down, so we can take those down and restore the room to its former size.
00:21:01So this is fine.
00:21:02This will work, so far.
00:21:03So let's take a look upstairs and see what's...
00:21:06This is the almost inevitable result of distancing.
00:21:29The staff on one side of the wire and the patients on the other, shut in a wire compound for most of the day at Borough Court Mental Handicap Hospital near Reading.
00:21:41Alfie's cuts and bruising are the result of neglect, for these patients, spend hours in this compound, left to their own devices.
00:21:59So what we have to do is take the buildings here both to the right and to the left of the pond.
00:22:29Together with this lot here, and try and incorporate that in a planning application to demolish and relocate somewhere else, because the view from here has to be restored.
00:22:41Hello?
00:22:43Yes, have you got the completion dates?
00:22:48They've signed.
00:22:50Completion's 28 days from today.
00:22:51And which one?
00:22:52Hinnock.
00:22:54Right, right.
00:22:55They've paid a full 10%.
00:22:56That's 5.90.
00:22:57And they've signed, yeah.
00:22:58OK, thanks very much.
00:23:00Yeah.
00:23:02Bye.
00:23:0428% above what we've been happy with.
00:23:07Lots of money.
00:23:09Shows the way things are going.
00:23:10OK.
00:23:31Bye.
00:23:33Bye.
00:23:34Bye.
00:23:34Bye.
00:23:35Bye.
00:23:36Bye.
00:23:36Bye.
00:23:37I just knew that he had something really special,
00:24:06very modern. It was about sabotage and tradition,
00:24:10which is the perfect combination, and beauty, violence.
00:24:15He would do a black coat, but then he'd line it with human hair,
00:24:18and it was blood-red inside, so it was like a body.
00:24:21It was like the flesh with blood.
00:24:24I don't want to vote, and the reason I don't want to vote
00:24:27is because I don't think anybody...
00:24:30I don't think anybody can represent my viewpoint
00:24:33when they're representing another thousand people's viewpoints.
00:24:36You know, in the end, the only person's viewpoint
00:24:38they're going to represent is their own.
00:24:42We have done it, we have done it, we have done it.
00:24:45I have lived to see the Berlin Wall going down.
00:24:48I have lived to see Mr. Mandela released from prison,
00:24:52and I have lived to see my party, my Labour Party sweep the floor.
00:24:58I was at this centre last night, and all we kept saying was,
00:25:02sweep them out, sweep them out, sweep them out,
00:25:05get rid of them, and we have swept them out.
00:25:08If you see me walking down the street,
00:25:37staring at the sky, and dragging my feet.
00:25:42You just passed me by, it still makes me cry,
00:25:47but you could make me whole again.
00:25:50Come close.
00:26:16Look at me.
00:26:26You're not afraid of a woman who has never seen the sun since you were born?
00:26:31No.
00:26:33Do you know what I touch here?
00:26:38Your heart.
00:26:41Broken.
00:26:42I sometimes have sick fancies.
00:26:46And I have a fancy I should like to see someone play.
00:26:52Play.
00:26:54Play.
00:26:56I will not shrink from the tough decisions needed
00:27:20to deliver stability for long-term growth.
00:27:23I have therefore decided to give the Bank of England operational responsibility
00:27:28for setting interest rates with immediate effect.
00:27:31Remediatry effect.
00:27:38Remediatry effect.
00:28:42It was the second day of showing and there was a queue.
00:29:06Everyone scanned the model and queued immediately to sign on and at the point of signing you paid £25,000 deposit and it wasn't going to be completed, I don't remember now, I think it was just over a year.
00:29:19And you just saw this queue and you thought, I want mine.
00:29:25You know, because of the pool, the gym, the sauna, the barbecue facility, floodlit tennis courts, that sort of thing, it has all yuppie connotations.
00:29:32The hustle-free existence, put the energies into making the money and enjoying yourself.
00:29:41Come live here.
00:30:02So this is the only access, is it, up here?
00:30:27This is the only access which is important. It has got large windows so you could sort of hoist things out with difficulty.
00:30:34Right.
00:30:35But I don't know what size your works are.
00:30:36Well, it's quite sort of three-dimensional so...
00:30:39What are your important considerations?
00:30:41The stairs might be...
00:30:42The stairs might be a big problem.
00:30:43Gosh. Here we are.
00:30:46Oh, lovely.
00:30:48Here we declare an interest. We are actually the owners. We'd be, if you're interested, we'd be your landlords.
00:30:53Right.
00:30:54And it's part of our investment portfolio because it's sort of next door to our offices.
00:30:58Yeah.
00:30:58But we're asking 20,000 a year for this.
00:31:01Right.
00:31:02So the building is occupied.
00:31:04Yeah.
00:31:04Which is sort of £400 in a week.
00:31:06Yeah, which is a lot of money, really, you know, for an artist.
00:31:09A lot of artists aren't working around here because they have been shoved out because they can't afford to be here anymore.
00:31:14Correct.
00:31:14That's the problem, isn't it?
00:31:15That is sort of the dynamics of economics, really.
00:31:19They are moving further into the East End.
00:31:21And, you know, as we sort of go around, I'll show you sort of opportunities out there.
00:31:25Okay.
00:31:26Good. It's all part of that sort of artist culture thing, isn't it?
00:31:29Where you're in your little garret and working away.
00:31:53So Sinclair Trainers has definitely packed up.
00:31:55This is not Sinclair Trailers?
00:31:56No, not Sinclair Trailers at all.
00:31:58Sinclair Trailers, they went bus two years ago.
00:32:00Right.
00:32:02Who is the person I'm going to be after?
00:32:04Well, you really want, I suppose, Mr Sinclair.
00:32:07But he's in Italy at the moment.
00:32:09Did you have anything to do with Mr Sinclair, the businesses?
00:32:12No.
00:32:13No.
00:32:13Not really.
00:32:14Bye.
00:32:14You have to put a black wire and a red wire together, and then it just starts up, and then you drive away.
00:32:33I've been in one.
00:32:36Matt!
00:32:37I'm not telling this on!
00:32:42Where have I just...
00:32:43Get off that machine, please, we can't wait.
00:32:46We're dangerous.
00:32:47What for?
00:32:49There's been no one saved there.
00:32:50So?
00:32:53Please, can you stay up there?
00:32:54Stop!
00:32:54I know what I control one.
00:32:58I've been in one.
00:32:59Why?
00:33:01Shooter?
00:33:04No, but.
00:33:06We live in Bradford, a multicultural area, supposed to be.
00:33:12And yet there are many people in Bradford who don't see Bradford as their home.
00:33:17They don't regard the United Kingdom as their home.
00:33:23But they enjoy the benefits that we have to offer.
00:33:26Now, there are many within those communities who cannot understand why we have this feeling for our royal family.
00:33:40Oh, Mr. Hatton.
00:33:42Have you got one of those watches?
00:33:43It's like a Seconda.
00:33:44It's extremely accurate and shock resistant.
00:33:47But it's made a solid gold, and it costs six grand.
00:33:51No, we haven't.
00:33:53I have.
00:33:56It's made of calfskin, and then the home, the impala homes, well, Thompson-Gazale homes, if you want to be straight.
00:34:25It comes up like that.
00:34:28So it's like we've cut the Thompson-Gazale in half, and I don't know where to have them out like that.
00:34:34I prefer them like that, I think.
00:34:37Maybe sort of like surrounding a head type thing.
00:34:42And I suppose you could glass this as costume, but it's costume with a deadly meaning, so I'd like to see anyone who wears this.
00:34:52Go on the number 19, bus back to Islington.
00:34:54No.
00:35:24Bye, I'm ready to go.
00:35:26OK, but let's bustle.
00:35:28Is it out there? Is it getting ready?
00:35:30Yes.
00:35:42You see, what they can't get over
00:35:44is the fact that we went over and ruled their countries.
00:35:46Oh, yeah, we were swines.
00:35:48There's no denying that.
00:35:50But the countries will run a damn sight better.
00:35:53Than they ever have been.
00:35:58This is my first handbag, really, designer handbag
00:36:01that I ever bought.
00:36:02It's a Fendi one.
00:36:04It was about £160.
00:36:06And the scary thing is I didn't even think twice
00:36:08about paying £160.
00:36:10But, hey, I've got a Valentino here.
00:36:13I got that in Portugal.
00:36:15I went to Portugal for the New Year.
00:36:17The most expensive one, I would say, is my Prada.
00:36:22I bought this when me and Nicola went shopping to London.
00:36:26I think it was about £160, £170.
00:36:31I know it is that I'm being paid out of a sugar deal.
00:36:46Out of a sugar deal?
00:36:48Well, we've done a sugar deal being done between India and China.
00:36:53And there's a lot of cash involved.
00:36:55And I'm being paid out of that.
00:36:56And once the Italians get their money and pay me,
00:36:59I've got to pay these sugar people back.
00:37:01But what's all the delay then?
00:37:03Well, the delay, you see, is if you look at the Italian deal,
00:37:06there's the Irish bank involved,
00:37:09Bank of La Popolara involved in Italy,
00:37:12and what have you,
00:37:13and the Federal Reserve.
00:37:15There's the Bank of India involved,
00:37:17Hong Kong and Shanghai banks involved,
00:37:19and, you know, there's fucking banks involved everywhere.
00:37:22Mm-hmm.
00:37:23Mm-hmm.
00:37:24It's just pissing me off.
00:37:25I don't believe, I don't see the focus group as some marketing tool.
00:37:44I see the focus group as a way of hearing what the people have to say.
00:37:50And I see the focus group as a way to a new form of politics.
00:37:54What the people give, the people can take away.
00:38:00We are the servants, they are the masters now.
00:38:051997 was, I think, fundamentally important in that.
00:38:09I think it is the end, the end of the elitist politics
00:38:15that's dominated Britain for so much of the last hundred years.
00:38:20Morality of the way of thinking that produces the contrast
00:38:25between the needs of the people and the interests of profit-making
00:38:30that we see all around us, and some of which I have mentioned.
00:38:33But we can only do that.
00:38:35We can only preach the morality of socialism.
00:38:38I'm just going to ask my chairman what one does at this point.
00:38:49And should I carry on?
00:38:51Yes.
00:38:52Now, I hope you're all putting your mechs on,
00:38:55and if you've got umbrellas that won't get in other people's eyes.
00:38:58But I'm proposing to carry on, but I'm in a lucky position.
00:39:01I'm not getting wet.
00:39:03I'm not getting wet, please.
00:39:04Let's see.
00:39:06Let's go.
00:39:10Bye.
00:39:17Let's go.
00:39:26Patty Howard is there.
00:40:00Within our universe, there are at least a hundred thousand million black holes, and they could be all through the universe, including in this room or indeed in my head, and we wouldn't know anything about them.
00:41:32Shall I turn the page?
00:41:40Once we touch, our head's falling forward.
00:41:46Come on.
00:41:48Can you say no to me?
00:41:50Do you want me to scan down?
00:41:58Do you want me to scan down?
00:42:08Do you want me to scan down?
00:42:19Hello, mate.
00:42:20Hello, Terry.
00:42:21Any news or anything?
00:42:22Yes, I have.
00:42:23Good.
00:42:24Good.
00:42:25Good.
00:42:26Good.
00:42:27Good.
00:42:28Good.
00:42:29Good.
00:42:30Good.
00:42:31Good.
00:42:32Good.
00:42:33Good.
00:42:34Good.
00:42:35Good.
00:42:36Good.
00:42:37Good.
00:42:38Good.
00:42:39Good.
00:42:40Good.
00:42:41Good.
00:42:42Good.
00:42:43Good.
00:42:44Good.
00:42:45Good.
00:42:46Good.
00:42:47Good.
00:42:48Good.
00:42:49Good.
00:42:50Good.
00:42:51Good.
00:42:52Good.
00:42:53Good.
00:42:54Good.
00:42:55Good.
00:42:56Good.
00:42:57Good.
00:42:58Good.
00:42:59Good.
00:43:00Good.
00:43:01Good.
00:43:02Good.
00:43:03Good.
00:43:04Good.
00:43:05So what he's been doing and whether they've been washing it to what I don't know?
00:43:09Yes.
00:43:10But as soon as I get it I'll be on to you.
00:43:14Hey, hey, hey.
00:43:44what was it like going for all this all over again horrible especially for the other people
00:44:06who had been there a lot longer with us we had just gone through it we knew what was going to
00:44:11happen when you what expect they didn't have a clue it's like a roller coaster one knocking on
00:44:17another just going down like dominoes this has just been wound down and sold off and it's just
00:44:28a desolated place slowly sinking in that there's nothing going to be done for us it looks like
00:44:35there's nothing good all going to be done for us and we're just on the scrap weight we're gone
00:44:49you get paper like the head of the bank of england didn't you see us something along the lines
00:45:07it's an acceptable thing that well it's a sacrifice as long as it keeps all the jobs down the south and
00:45:12it keeps the pound gone you know this keeps the interest rates sorted be an acceptable sacrifice
00:45:19not in my eyes it's not
00:45:49so
00:45:59so
00:46:03so
00:46:43They're all starting to arrive, all in high spirits.
00:46:46They're very informal people, so it's just a typical snapper for it.
00:46:51It's really good.
00:46:53I'm feeling much better today.
00:46:54Very relaxed.
00:46:55Very looking forward to it.
00:46:57Yeah, it's such a relaxing place.
00:46:59You come in here, you feel relaxed, don't you?
00:47:01It's all going to be nice from now on.
00:47:04I'll let everybody just pamper us and make the most of it.
00:47:08All right, I'll speak to you when you come.
00:47:10Cheers, mate.
00:47:11All right, that's my mate Kevin.
00:47:14He just bought the...
00:47:15There's only two things left on the wedding list.
00:47:17One of them's 500 quid, he's got to get that.
00:47:19Ha, ha, ha, ha.
00:47:21Ha, ha.
00:47:23Oh, applause.
00:48:28I understand that when you were growing up you believed that your father's telephone was hacked.
00:48:40Well, my father was a journalist and I used to receive, when I was quite young, phone calls from a campaigning MP called Tam Dayal.
00:48:48And he was looking after the sinking of the Belgrano and the fact that maybe Maggie ordered that to be sunk as a way to kickstart the war.
00:48:59And I just remember my parents at the time saying, you know, we think our phone's being hacked.
00:49:06And I just had what joy it was that, you know, in the 90s you could go to Maplin, spend 50 quid in a scanner and hack them back.
00:49:13And do we really want to live in a world where the only people who can do the hacking are MI5 and MI6 and they should target us as journalists?
00:49:22Now, for a brief period of about 20 years we have actually lived in a free society where we can hack back.
00:49:29Come here, you're up, don't come on!
00:49:50Sing it!
00:49:51Sorry, you're up.
00:50:44I'm going on holiday on the Wednesday.
00:50:50I've got another day.
00:50:52Do you take the Monday and Tuesday?
00:50:53I'll do anything like that tomorrow.
00:50:54Yeah.
00:50:55Yeah.
00:50:56And, erm...
00:51:03I'm going to do a new writing.
00:51:05I'm going to do a judgment song.
00:51:07Jimmy is too.
00:51:08They couldn't get a mortgage anymore.
00:51:10So it's not technically cold calling?
00:51:19No.
00:51:20Is it then?
00:51:21Is it?
00:51:22Yeah.
00:51:23And we buy databases from different companies.
00:51:26The stuff we've been calling has been people which we know we've got dirt on.
00:51:31People that apply for other companies.
00:51:33They're dodgy.
00:51:34Well, not dodgy, but people that have got kind of court judgments and shit.
00:51:38And we've been calling that recently.
00:51:39The more you go, the less you pay a month, the more manageable it is.
00:51:43And later on, whenever...
00:51:44I see you doing the initial fact-fine call, and as the name states, it is a fact-fine.
00:51:48It's exactly easy to find out exactly where we want to go, the financial situation, what
00:51:52we've not...
00:51:53and what that means.
00:51:54You see you.
00:52:10It's true who this is.
00:52:11Has let me talk.
00:52:12I'm clear that we're getting getting very close-up.
00:52:15Spirit, we're going to have a fog, a mist, which is going to fall slowly over the entrance.
00:52:32And in this white space, on the wall, are going to be messages.
00:52:36In the middle of this space, a question, how shall I live?
00:52:41A whole zone with just a question, how shall I live, seems, to put it mildly, an extravagant use of space.
00:52:49It's a big question, Simon, but it's banal.
00:52:52I think the question, how shall I live, is anything but banal.
00:52:56In fact, I think it's the biggest single question probably that's baked in the entire dome.
00:53:06But rather than going for the iconic look, we go for something like that,
00:53:10then there's actually no advantage in it coming down from above.
00:53:13We can make it floor-supported.
00:53:30It looks like an immense bookshelf.
00:53:33Does it look like a bookshelf?
00:53:35It's no good.
00:53:40Oh, man, you didn't see Casualty Sunday, did you?
00:53:44No.
00:53:46Don't want to know what happened.
00:53:47I was really getting into it last night, and the tape went off.
00:53:50And it was about a man who was having his house repossessed, and he had a wife and two children,
00:54:01the son of seven and a daughter of 16 months.
00:54:06And he got a shotgun, and he decided the best way for all of them was to shoot them all.
00:54:11Oh, that's nice.
00:54:13So he chased her after his wife, and he shot her in the shoulder.
00:54:15Yeah.
00:54:45We've now got companies going out of business or having equipment standing and people having
00:55:01to be made redundant.
00:55:03Why do you think the water companies have cut back on their sewage renewal programme?
00:55:11They may have wanted to enhance their balance sheet, their accounts, they may have wanted
00:55:16to use the...
00:55:17They're profit figures in other words.
00:55:19Well they're profit figures yes and to keep the share value up, it's a help in the city.
00:55:41Has someone gone up to get the bride?
00:55:53Not that I'm aware of.
00:55:56The promises you're about to make to each other.
00:56:15The promises you're about to make to each other.
00:56:31Stay with me.
00:56:50Because we haven't got conviction ourselves, saying well if we put, you know, if we put
00:56:54the story of, the literal story of Christianity along this wall that'll keep them happy and
00:56:58if we do this here that'll keep them happy.
00:57:02Hold on Michael, I'm just asking, can we hear again what I said?
00:57:06We have a brief.
00:57:07Have you seen the flying pictures?
00:57:09Oh yes.
00:57:10So Derek made it in the end, did he?
00:57:12Derek made a good zone.
00:57:16That's one zone out of 14.
00:57:18But if that's one zone, ah, the spirit zone.
00:57:22Can you get me number 10?
00:57:23OK.
00:57:24Hello.
00:57:25Guess where I am.
00:57:29I'm in the middle of the dome.
00:57:31Oh, it's marvellous.
00:57:33Absolutely marvellous.
00:57:35Oh no, you'll think it's incredible.
00:57:39Believe me.
00:57:40There's a zone with lots of emblems of Britain in it.
00:57:44I suddenly saw a photograph of a plate of toad in the hole.
00:57:47I loved toad in the hole when I was little.
00:57:50I haven't had toad in the hole since I was probably six years old.
00:57:52I haven't had toad in the hole since I was little.
00:58:18It doesn't move me.
00:58:39It doesn't move you?
00:58:40No.
00:58:42I think it's a bit wallpapery myself,
00:58:44if I'm absolutely honest.
00:58:45It leaves me cold.
00:58:46Yeah, absolutely, me too.
00:58:48If you're ready for me, boy,
00:58:51you better push the button and let me know.
00:58:55Before I get the wrong idea,
00:58:58go, you're gonna miss the freedom I control.
00:59:03I'm busy showing him what he's been missing.
00:59:06I'm kind of showing off from his full attention.
00:59:10My sexy butters got him in a new dimension.
00:59:14Ready to do something to relieve this mission.
00:59:18After waiting patiently for him to come and get it,
00:59:22he came on through and asked me if I wanted to get with him.
00:59:26I knew I had my mind made up from the very beginning.
00:59:29Won't miss this opportunity so you and me could build it.
00:59:33If you're ready for me, boy, you better push the button and let me know.
00:59:40Just say no.
00:59:42Just say no.
00:59:43I went to Tenerife about two years ago and actually took 14 bags,
00:59:50one for every day to match all my different outfits.
00:59:52I want the Chanel bag really desperately and I think I'll get one when I go to Milan in the summer
00:59:58because obviously they'll be just that bit cheaper.
01:00:01The furthest I'm prepared to go to buy a handbag is New York.
01:00:07Gucci, Gucci, Gucci, Gucci.
01:00:09I'm going to take the lid off and let's see what's inside.
01:00:16Very gently, Margaret Thatcher's handbag is in this box.
01:00:22There we go.
01:00:24And here we are.
01:00:26So here is Margaret Thatcher's handbag.
01:00:29When the conservator opened the handbag, it had a very strong aroma of Margaret Thatcher's perfume.
01:00:43Come on, Brett.
01:00:44Go.
01:00:59So what you want is somebody who is prepared to invest in the business.
01:01:11Now, perhaps there is somebody with manufacturing capacity
01:01:16who may understand the horse trailer business as well.
01:01:19So you're saying I don't?
01:01:21No.
01:01:21I'm saying...
01:01:22So you said I'm going to educate somebody else to do it for me?
01:01:25I'm saying...
01:01:26Why not?
01:01:27Huh?
01:01:29What not?
01:01:30Why?
01:01:31Why should I?
01:01:33I know you think I'm a wanker because something's gone wrong with the business.
01:01:37No.
01:01:37But I am very, very good at my job.
01:01:40That's where you're very wrong.
01:01:42Exceptionally wrong.
01:01:43If I thought you was a wanker, you wouldn't be here now.
01:01:45I wouldn't be here.
01:01:46Paul would not be here.
01:01:47Let me make that very clear.
01:01:49If I thought you was a wanker, I wouldn't be supporting you.
01:01:51I wouldn't be trying to help you.
01:01:52What you want is not realistic.
01:01:54No.
01:01:55No.
01:01:56It isn't.
01:01:57Well, I don't want much out of this world.
01:01:58I'll need a bit of peace.
01:02:00So I want to go home now and let me dog out.
01:02:04That was a waste of time.
01:02:05Yeah.
01:02:12Who can you trust?
01:02:14When there's money involved, who can you trust?
01:02:17You can't, because money rules everything.
01:02:19This year, I've heard bits I've never heard before.
01:02:39There's actually a little backbeat to it that no one else knows is there.
01:02:42And I sit there humming along to this backbeat, and everyone's saying, well, that's not the music.
01:02:46But if you listen closely, it's actually there.
01:02:48I only found that.
01:02:49This year, so that's three years of listening to it.
01:02:53So, but as you go around, people listen.
01:02:55And then they actually play it out on the area now.
01:02:57You know, they have these little musical bins out there.
01:03:00They've got a toy land music coming out there.
01:03:02So you can't even get away from it when you go out there now.
01:03:04You know, this repetitive strain, stress, thing it's about now.
01:03:12I'll be surprised when somebody doesn't claim it for their hearing.
01:03:17When you wake up in the middle of the night hearing the music, it's time to pack up.
01:03:22Oh, gobbling.
01:03:34Some folks say he's crazy.
01:03:54Some folks say he's mad.
01:03:56Others say that it's the best deal that they've ever had.
01:03:59You know, the other stores in the UK think Crazy George is really crazy.
01:04:02How come?
01:04:03Well, at Crazy George is, you can buy furnishings, appliances, and home entertainments, and the right...
01:04:08What's the $1,000,000 a day being always around.
01:04:13What's the $5,000,000 they're really crazy?
01:04:13Oh, bring it up.
01:04:14Oh, he's moving on, put your worth waiting.
01:04:16어떻게 can be for you?
01:04:17That's my own price.
01:04:18How come?
01:04:20What's the $10,000,000?
01:04:23Oh, anybody that says we can die in here?
01:04:26I've got to build it.
01:04:27Oh, baby!
01:04:29Beautiful!
01:04:30Yeah, really?
01:04:31Oh, she's supposed to be a greedy student.
01:04:32That's right.
01:04:33Oh, I put that.
01:04:35Shir!
01:04:35Together we have come a long way since 1997, but we have only just begun.
01:04:45We will never lose sight of that ambition we all share, to right wrongs, to end injustices,
01:04:52to meet new needs, to give life to our people's hopes.
01:04:55The millions who share with us a faith and a belief in something bigger than ourselves,
01:05:02together as a party, as a country, under Tony Blair's leadership,
01:05:07we can build the new Great Britain of great opportunity for all.
01:05:11Join us. We have only just begun.
01:05:32Housekeeper to Reception, please. Housekeeper to Reception.
01:05:47I want to go fishing. I want to sign off in the ambulance.
01:05:53Yeah, I know, John, but they're going to need a sample, honestly.
01:05:57Yeah, well, you never know when you're going to get out of here.
01:06:01We've been up here so many times.
01:06:23You know when you were in charge at HSBC...
01:06:26I'm no commenter, mate. I'm sorry.
01:06:27Your bankers were helping people dodge tax. Why did you let them do that?
01:06:31As I think I've explained, I'm not prepared to make any comments on HSBC's business, past or present.
01:06:36I know, but you sort of have to, because at the time you were on millions of pounds,
01:06:39and yet the taxpayer was missing out because of things that you were allowing to happen.
01:06:42How can you defend that?
01:06:43I'm sorry, I'm not prepared to make any comment on HSBC.
01:06:46I think you have to, sir. I think you have to, sir. Let me ask you another question.
01:06:49After all that had gone on at HSBC, you then got promoted to the government. You must have been amazed.
01:06:55You need to talk to HSBC. I'm sorry.
01:06:57But do you think you, given what's happened at HSBC, are a fit and proper person to sit in the Lords?
01:07:02I'm sorry. As I said before, I think if you want to talk to HSBC about their business, you must talk to them.
01:07:09I'm not prepared. I think it's inappropriate.
01:07:11But you were in charge, sir. Why will you not just tell us what you think?
01:07:13I think it's inappropriate for me to make any comment about the business of HSBC.
01:07:15But the people who watch our programme at Panorama, they pay their taxes,
01:07:18and if they don't, they find themselves in trouble.
01:07:20And your bank was helping people dodge tax.
01:07:22I'm sorry. I think you need to talk to HSBC about this matters.
01:07:25One word, sir.
01:07:27Any word?
01:07:29Anything you can say that defends what happened?
01:07:40No word.
01:07:42No word!
01:07:43No word!
01:07:45No word!
01:07:46No word!
01:07:47THE END
01:08:15Come on.
01:08:17Come on.
01:08:18We've been here 30 years, ain't it?
01:08:20Come on.
01:08:22Come on, son.
01:08:23Come on.
01:08:24Come on, get up.
01:08:25Come on.
01:08:26Come on.
01:08:27Come on.
01:08:28Come on.
01:08:29Come on.
01:08:30Come on.
01:08:31Come on.
01:08:32Come on.
01:08:36He ain't gonna get up, mate.
01:08:37He ain't gonna get up with his feet there, you know.
01:08:40I think he's just worn out, isn't he?
01:08:42Yeah.
01:08:43Come on.
01:08:44Come on.
01:08:45Come on.
01:08:46Come on.
01:08:47Come on.
01:08:48Come on.
01:08:49Come on.
01:08:50Come on.
01:08:51Come on.
01:08:52Come on.
01:08:53Come on.
01:08:54I know.
01:08:55I know.
01:08:56I know.
01:08:57I know.
01:08:58I know.
01:08:59You've got a pretty nose, huh?
01:09:00Yeah.
01:09:01Yeah, I've got a...
01:09:02Queen.
01:09:03Where?
01:09:04Where's the Queen?
01:09:05Oh, there she is.
01:09:06Oh, there she is.
01:09:33When she comes, the Queen's
01:09:51Oh.
01:09:52Here we go.
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