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00:00Danny Boyle, voglio sapere di voi quale è la metafora politica dietro 28 anni più tardi.
00:12Siamo che i filmi di horror, i filmi di horror è sempre molto politico.
00:17Una delle cose meravigliose di horror è che ti permettono di usare come una trasparenza contro il mondo.
00:26E puoi vedere il mondo con loro.
00:28C'è un'esercizio di riflettere, è un'esercizio di tutto il mondo.
00:33So Romero's zombie movies were about the Cold War or they were about consumerism or they were about racism.
00:39And I think the intolerance that's around in the world at the moment is clearly connected to the rage virus that you see as being the main horror threat in the film.
00:53So you can certainly attach significance to that in a political sense.
00:59And the image of the UK, and this is a UK film, there's no Americans in it, the only visitor is a Swede.
01:07So it's a European film, very much not an American film.
01:11You read it as Brexit, I think, an isolated island that is looking backwards.
01:16If there are any monsters in the film, before then it's actually the, it's a kind of equal responsibility we bear for dealing with what is inside us.
01:27Thank you so much.
01:32Thank you.
01:33Thank you.
01:33Thank you.
01:34Thank you.
01:45Thank you.