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00:01That's it. Keep it coming. That's it.
00:03Keep it coming. Keep coming.
00:06Keep coming. Whoa!
00:08Good morning, son.
00:15You know you're about to change my life, right?
00:20So where's this going?
00:27I'll find a place for it.
00:29Thanks a lot, mate.
00:33Hey, sir.
00:34Hmm?
00:35All right, if I come in?
00:36Yeah, yeah, come through.
00:41Is that...?
00:42The answer to my prayers? Oh, yes.
00:45Did you buy it?
00:46Nah, renting it.
00:48And for a pittance.
00:50I'll tell you this, dear Thomas.
00:51So what do you want about Saint Marie?
00:52What you do?
00:53But it's dirt cheap here.
00:55It's got that going for it, if nothing else.
00:57You literally have no filter.
01:02Also, take a look at this.
01:10Check that out.
01:11Oh!
01:14So you've also got a satellite dish.
01:17Great.
01:19So, um...
01:21What's the thinking behind all this?
01:23Well, I've not got long left here, right?
01:26And now with my mum's case put to bed, I thought, you know, might as well try and enjoy myself.
01:30The commissioner mentioned you closed the case.
01:35You feeling all right about it?
01:37Yeah.
01:38Of course.
01:40I'm good.
01:42Especially now I can watch the footy.
01:44With air con.
01:45It's heaven.
01:47I mean, no offence.
01:48Offence coming.
01:49But the TV out here is not good.
01:52Sorry, did you want something?
01:57Actually, yes.
01:59There's been a poisoning.
02:01Accidental.
02:03Three people in hospital, one dead.
02:06That wasn't at a rum distillery by any chance?
02:10Yeah, it was.
02:11The Ambrose rum distillery.
02:13Why did you know that?
02:24The victim's name is Patrick Ambrose, 37 years old.
02:29He owns the whole distillery.
02:32Like the other victims, he had a single shot of rum and started filling ill shortly after.
02:39Mm-hmm.
02:42Mm-hmm.
02:44Mm-hmm.
02:46Is that all you've got to say, Inspector?
02:49Mm-hmm.
02:51Is there a reason he's been like this?
02:54I think so.
02:55But he won't tell me what it is.
02:57Well, that's helpful of him.
02:59The paramedics know why Mr. Ambrose died and everyone else didn't.
03:03They assumed that he must have drunk a bit more than the others.
03:07It's a good way to go though, right?
03:08I mean, if you got to go, you might as well die with a glass of rum in your hand.
03:13I don't think it was very pleasant for him, Officer Rose.
03:16I'm just saying it.
03:18Bingo.
03:20I knew it'd be in here somewhere.
03:24Two days ago, I got a call on my mobile.
03:26D.I. Wilson speaking.
03:32Hello?
03:34Whoever it was didn't speak, and seconds later they hung up.
03:38So I checked my number out, and the call was made from this distillery.
03:42Called it back, went to reception, who said that call could have been made from any phone on the estate.
03:49No way of finding out who it was.
03:52Except now, I do know.
03:55But that's your number, sir?
03:58It is.
04:00Just got shivers when you said that.
04:02So, it was Patrick that was phoning you?
04:05D.I. Wilson speaking.
04:10Hello?
04:13What do you think you wanted to say?
04:15Not Scooby.
04:17But him turning up dead two days later.
04:20Feels like too much of a coincidence for my money.
04:23You're not thinking it's suspicious?
04:27I am.
04:28The Food, Health and Safety officers have confirmed it is contaminated.
04:37We-
04:38What?
04:39No.
04:40I must have distilled at the wrong temperature and not removed all the methanol.
04:45Could be a faulty thermometer or human error.
04:49Either way, this is on me.
04:52Okay.
04:53Let's not get ahead of ourselves.
04:55Just talk me through.
04:57I drew the rum three days ago.
05:00The bottle was capped and sealed.
05:02I gave it to Patrick.
05:04It's been in his possession ever since.
05:07And this evening?
05:09It was Patrick who opened the bottle.
05:11I handed round four glasses.
05:14Put some ice in everyone's apart from his.
05:19Patrick poured them each a shot.
05:22And they all sipped their drinks.
05:23Cora was pouring Patrick a second shot.
05:27While I was refreshing the glasses when-
05:30Are you all right, Patrick?
05:35They all started feeling ill not long after him.
05:40And why were these particular people here this evening?
05:43Patrick was selling the distillery to Miss Dulice.
05:45They were about to sign the contract.
05:50But they didn't.
05:54So the distillery stays in the family?
05:57I suppose. I mean, there is only Cora left.
06:02I guess it's hers now.
06:03Right, well, uh, thanks for your time, Miss Bower.
06:07Um, so, uh, you're not arresting me then?
06:13Not yet.
06:17Is it me or is this suspicious thing number two?
06:20Minutes before Patrick Ambrose is about to sign a contract
06:24concluding the sale of this entire estate.
06:27He ends up dead.
06:29Why isn't?
06:31We need to get on to the Ambrose lawyers first thing tomorrow.
06:36But Patrick poured the drinks.
06:39Sir?
06:40If this was murder, and the poisoning was intentional,
06:45how could the killer be certain that Patrick could pour a lethal dose
06:49into his own glass and not into everyone else's?
06:52Now, something about this doesn't make sense.
07:01Commissioner?
07:03You after me?
07:05I heard what happened at the Ambrose distillery.
07:07I guess you should know we're treating Patrick Ambrose's death as suspicious.
07:12Until we've reasoned not to.
07:14I was unaware he'd come back.
07:16Come back?
07:20It must have been about 18 years ago now.
07:24Patrick had a falling out with his father, Carnell Ambrose.
07:29And do you know the reason for their fallout?
07:31Carnell never said.
07:33And where's the dad now?
07:35He passed away.
07:37Six weeks ago.
07:39Sir Patrick must have only recently inherited the distillery.
07:44Then came back to sell it.
07:46The fact that Patrick Ambrose has been gone for 18 years,
07:51then ends up dead not long after he returns.
07:54Suspicious thing number three.
07:56Thank you, sir.
07:58We'll keep digging into it.
08:00Let you know what we find.
08:02Okay.
08:04Okay.
08:09Commissioner.
08:13Are you doing all right, sir?
08:16You know, in light of your own situation?
08:19I'm doing absolutely fine.
08:22Thank you for asking, Officer Curtis.
08:24Officer Curtis.
08:25Officer Curtis.
08:26Officer Curtis.
08:28Officer Curtis.
08:30Officer Curtis.
08:32Officer Curtis,
08:34you know, I've just got a силy job of being a job.
08:36You have to take care of yourispons.
08:38Officer Curtis.
08:39Inspector? You in there, sir?
09:02Morning. I wasn't sure...
09:04T.S. Thomas, are you ready for this?
09:06Ready for...
09:08Whoop!
09:11That's really cold!
09:14That is temperature perfection.
09:1618 degrees Celsius, bang on.
09:19I mean, the downside is you have to keep all the doors and windows closed.
09:23Otherwise, it doesn't work properly.
09:24But it's a small price to pay, right?
09:27I'd rather be able to see the view myself, but each to their own.
09:33Oh, sir. I don't think Harry's enjoying this as much as you are.
09:43Oh. Sorry to know you were there.
09:46Go on. Go and get warm, mate.
09:48So is this how you plan to spend the next couple of months?
09:56Shut up in here, not enjoying the island?
09:59Yeah.
10:00Anyway, down to business.
10:03Did you get anything of interest from the Ambrose family lawyers?
10:07Oh, yes.
10:08The victims are all doing well, sir, and are being discharged from hospital today.
10:14Now, ever since Patrick left home 18 years ago, Cora Ambrose has been helping her father to run the distillery.
10:23And from what they're saying, it took a long time for Cora to earn his respect.
10:30Sounds like he was pretty old-fashioned.
10:33Always wanted his son to take over the family business.
10:36But over time, she slowly convinced him that she could do it.
10:42But he never got round to changing the world, so she'd inherit.
10:45No.
10:46Apparently, Cora was devastated.
10:48She was about to lose everything she spent the last 18 years working for.
10:55Okay.
10:56I'll speak with Cora.
10:57You check in with Antonin Janelle Delise.
10:59Okay.
11:04So, I suppose I might as well be honest with you.
11:08Not a bad thing to be when the police were involved.
11:12Patrick and I never got on.
11:14That little scar near his forehead from one of our fights when we were teenagers.
11:20You must have been made up then.
11:22When he ran away 18 years ago.
11:25Well, I can't say I wasn't.
11:28And at first, Daddy kept putting money into his account, his monthly allowance.
11:34But after a year had passed, he stopped, hoping it would force him to come home.
11:38Well, I don't know what I'm supposed to say to that.
12:04But, apart from, you're right.
12:11My brother's death has left me with everything I've ever wanted.
12:20Well, you're not exactly dressing it up for me, I'll give you that.
12:22But I told you I'd be honest.
12:24And I am being.
12:26No more so than when I tell you it was not me that killed Patrick.
12:31I promise you.
12:34Oh, ho, ho, ho.
12:51The man has his own minibar.
12:55It's like the coolest thing ever.
12:57Oh, I mean, if I ever run my own business, I would totally get a minibar.
13:02That.
13:04And a big box of cigars.
13:07And everyone would be like,
13:09See that man over there?
13:11Him are the boss.
13:13Right?
13:14What did you say? I'm sorry.
13:16Is everything okay, Officer Curtis?
13:23I just can't stop thinking about the poor Commissioner and him losing his job.
13:28Yeah, I know.
13:29Officer Rose, why are you photographing the minibar?
13:46This isn't even a crime scene.
13:49Yeah, I know.
13:50But it's my new approach to my investigative process.
13:55Because I think one of my thoughts is that sometimes I feel like I'm not doing enough.
14:03And I miss things.
14:05So, what's the new approach?
14:09From now on, I'm going to do too much.
14:16Cora Ambrose definitely had reason to want her brother dead.
14:20She doesn't refuse to.
14:21As to whether she went to spy with murdering the guy.
14:28What about those two?
14:30Nothing to suggest a motive.
14:32Miss Delise only met Patrick Ambrose for the first time a few days ago.
14:36And Anthony only last night.
14:38And the fact that the sale of the distillery isn't going ahead means she's lost all big time.
14:44Hmm?
14:46Hey.
14:46All right, people.
15:01What have you got?
15:02Okay, sir.
15:04The lab have come back.
15:07The bottle of rum was contaminated.
15:09There are traces in all four glasses, but nowhere else.
15:13Post-mortem confirms methanol poisoning was the cause of death.
15:19The amount found in the victim's system was higher than the amount ingested by the other three.
15:24Which brings us back to the same question.
15:26If it was murder, how could the killer guarantee that Patrick would put himself a lethal amount of poison rum,
15:32but only put enough in the other three glasses to make the meal?
15:35So, um, Mr Ambrose drank his rum neat.
15:40Everybody else had ice in theirs.
15:43So maybe the poison got diluted when the ice melted?
15:48Except it's the same amount of poison whether it's in melted ice or not.
15:52Doesn't lessen the effect.
15:53Okay, then maybe the killer didn't care who else got killed.
15:56Took a risk and got lucky.
15:59Well, I don't believe in luck.
16:01And if that was their tactic, there's a world in which Patrick was the one that lived and the other three died.
16:05The opposite of what they wanted.
16:07Anything come from the search?
16:09Ah, there's something that might be of interest.
16:12It's about Janelle Doulis.
16:17Employment records.
16:19It turns out that she worked at the distillery one summer.
16:23She would have been 19 at the time before she went to university in the States.
16:36She told us she only met Patrick Ambrose for the first time this week.
16:40But he must have been around back then, right?
16:44Not necessarily.
16:44I mean, this is the summer of 2007, 18 years ago.
16:50Hang on, that's the same year Patrick left.
16:53I mean, that could have been a coincidence or...
16:55Or maybe not.
16:57Okay, go back to the distillery first thing.
17:00Talk to anyone that worked there in 2007.
17:02See what they know.
17:07Good evening, Commissioner.
17:09Is everything...
17:09Inspector, you've caused quite a stir.
17:11I see.
17:12Get over to the shack.
17:13No.
17:14Okay, well, I'll get over there right away.
17:17I'm needed back at the shack as a situation occurring.
17:22Ooh.
17:23I appreciate it.
17:31Inspector.
17:33Please explain to me what on earth you were thinking when you stuck that thing up there.
17:40Well, I was thinking I'd finally be able to watch Match of the Day.
17:45But I suspect that's not the answer you're looking for.
17:48What's the problem with it?
17:49It's an eyesore.
17:50For which you sought no permission.
17:54Permission from who?
17:55Me.
17:56For one.
17:57As I would have told you to do so, is illegal.
18:02Seriously?
18:03Illegal?
18:05You can just shove those up in London.
18:07No one gives a hoot.
18:08This is not the wonder.
18:11I think it's because it's a public beach, sir.
18:14And an area of natural beauty.
18:18The council are really not happy.
18:20There's a penalty to pay.
18:23Of course there is.
18:23$150?
18:28Hmm?
18:29They've got to be kidding, right?
18:31No.
18:31I don't think they are.
18:32I suggest you pay that promptly.
18:35And take that down.
18:37Even more so.
18:40Nice seeing you again, Mervyn.
18:48Unbelievable.
18:48Oh, well.
18:52It's back to the dark ages for you, Mervyn.
18:55Well, sir, don't you think it's a bit of a waste
18:57to spend your last couple of months on the island
18:59pulled up watching TV?
19:01What else am I going to do?
19:04Well, you could spend some time
19:07getting to know more about your mother.
19:13Hold this for you.
19:14You could maybe visit
19:19some of the places she used to go,
19:20talk to her friends.
19:22Did her neighbour, um,
19:23Brianna, ever mention anything?
19:27I don't know.
19:30Kind of.
19:33Brianna said there was this
19:34seafood place my mum used to eat at.
19:38It was her favourite, apparently.
19:40Then why don't you go and try it?
19:42Look, I'm sure this day of the match show
19:44is really good.
19:45Match of the day?
19:47Whatever.
19:47You can watch it all you want
19:48when you get back home.
19:53Sir, this is your one chance
19:56to get to learn more about your mother's life
19:58here on St. Marie.
20:05Yeah.
20:08I guess maybe you're right.
20:09Let me think about it.
20:17Do you know anyone
20:18who needs a new satellite dish?
20:19All right, um, thank you for your hand.
20:31No worries, Doctor.
20:31It's all right.
20:33Morning.
20:34Morning.
20:34Good morning.
20:35So what'd they say?
20:37August the 22nd, 2007.
20:39Was the last time Patrick and Janela
20:41were both seen here.
20:42It's assumed that they had run away
20:44into the sunset together.
20:46But it's not definite.
20:47No one knows for sure.
20:49It's not much of a motive, though.
20:51The fact that they had a summer romance
20:52back in the day.
20:54No.
20:55But at the same time,
20:56it's odd that when Patrick returns
20:58to the distillery after 18 years,
21:00so does Janelle.
21:01Mm.
21:02And the guy ends up dead
21:03within days of them seeing each other.
21:07Anna.
21:10Hey, look.
21:12I understand it's your job
21:13to ask questions.
21:15But I wouldn't waste your time
21:17listening to gossip.
21:18So you're saying
21:19nothing happened between you
21:21and Mr. Ambrose?
21:21Nothing.
21:24This is your son,
21:26Anthony, right?
21:27Yes, it is.
21:29It says here his date of birth
21:30is the 28th of May,
21:332008.
21:34Yes.
21:37You sure that's right?
21:39Yes, I am.
21:41Well, that makes it
21:42nine months
21:44after you left the distillery.
21:47Nine months after the fling
21:48with Patrick Ambrose
21:49that you claim you never had.
21:52Is that a coincidence?
21:56Bear in mind,
21:57we can get a warrant
21:58for a paternity test.
22:04Patrick was his father.
22:09Did Patrick know?
22:11By the time I found out
22:12I was pregnant,
22:12he'd already disappeared.
22:14So I got on
22:15and raised Anthony by myself.
22:19And what about now?
22:21The fact that you and Anthony
22:22meet up with his father
22:24for the first time
22:24in 18 years,
22:26first time ever for Anthony,
22:28and now Patrick's dead.
22:30Is that really a coincidence?
22:33My coming back
22:34to that distillery,
22:36seeing Patrick,
22:37was purely business.
22:40For Anthony too?
22:41Anthony doesn't know
22:42that Patrick was his father.
22:43and I have no desire
22:46for him to find out now.
22:48That's my decision to make,
22:50not yours.
22:53He'll be back soon.
22:55So I must insist
22:57that you stop
22:57asking questions about it.
22:59The police were here?
23:22Mum, what's going on?
23:23Nothing.
23:24Nothing.
23:24They just had a few questions,
23:26that's all.
23:27Nothing to worry about.
23:29So any particular reason
23:48we're eating out
23:48or you just fancy a change?
23:50I'm just doing what you said.
23:52Visiting places my mum went.
23:53This is where your mum ate.
23:58Where did you think
23:59we were going?
24:00It's a good idea of yours, this.
24:03I'm glad we came.
24:07Um, we'll order now.
24:09Right.
24:10Oh.
24:11Yeah, I will have
24:12the Creole shrimp salad
24:14and a Coke, please.
24:15Plenty of ice.
24:16Great.
24:17And you?
24:17I haven't even...
24:20You know what?
24:24I'll have what he's having.
24:26Thanks.
24:27Oh, and, uh,
24:28we're on the clock,
24:29so if you could ask the chef
24:30to, uh, get a wriggle on,
24:32I'd be greatly appreciated.
24:38Nice place, this, isn't it?
24:39Yeah.
24:41It is.
24:42Maybe you could talk
24:44to some of the staff,
24:45see if they knew your mother.
24:47Or I could,
24:48if, if you prefer.
24:50What do you think?
24:55I think
24:55Janelle Delise
24:57isn't giving us
24:58the full story.
24:59And my gut is saying
25:00it's something to do
25:01with what happened
25:0218 years ago.
25:08What is it?
25:10So now you're here,
25:10you just want to talk
25:11about the case.
25:13What else is there
25:14to talk about?
25:24Francesca,
25:25would you like another?
25:27Went down a bit
25:27too easily, that one.
25:30Maybe you just needed it.
25:32Maybe.
25:34And, um,
25:35I'm not really feeling
25:38myself at the moment.
25:39I'm not surprised
25:41that everything
25:43that's happened.
25:48It's all right.
25:51Tell me.
25:54There is, um,
25:55there's something I know
25:56that I should probably
25:58tell the police.
26:00But
26:01it feels wrong
26:02if I do
26:04and
26:04and it feels wrong
26:06if I don't
26:07so I have no idea
26:08which way to turn
26:09or what to do.
26:14Then I think I do.
26:17Let me make a call.
26:19Hmm?
26:23I can't believe
26:24I've never been here before.
26:25This food is so good.
26:27I can see what was
26:28your mother's favourite.
26:28Yeah, it's really tasty.
26:33Oh.
26:36Are you finished already?
26:39If I wanted to see
26:41the station duty logs
26:42between, say,
26:44June and September
26:4518 years ago,
26:46where would there be?
26:49In the archive.
26:50Darlene would have to get it.
26:51Why?
26:52I've got a hunch
26:53about something.
26:53I'm going to pay.
26:59I'll see you back
27:00at the car.
27:01Officer Curtis?
27:03You might want to
27:04box that up to go.
27:07Check.
27:10All right, Officer Curtis.
27:11That's great.
27:12I'll see you back
27:13at the station in a bit.
27:15Thanks.
27:20What's the matter with you?
27:21You are.
27:21You're always in such a rush.
27:24Never pausing
27:25or taking a moment.
27:27Something tells me
27:28we're not talking
27:28about the case.
27:30No, sir.
27:31We're not.
27:32We're talking about you
27:34and how annoying
27:35you can be.
27:37Oh, great.
27:37Fun times.
27:38This was supposed to be
27:39a nice thing for you to do,
27:41not a quick working lunch
27:42kind of thing.
27:43And if you'd just
27:44taken a moment,
27:45you'd have seen
27:45there's a board inside
27:46with photos of customers
27:47on it.
27:49And there's one
27:50of your mother.
27:51Sir,
27:55there's so much
27:59you're going to miss
27:59if you don't just
28:00slow down.
28:05I know.
28:09I know.
28:13It's just,
28:14it's just my default,
28:15isn't it?
28:15I'll speed through things.
28:21I understand.
28:24And I apologise
28:25if I was being a bit,
28:27you know.
28:29Narci.
28:31Says the king
28:33of Narci.
28:34King.
28:44I understand
28:47you are torn.
28:50And I don't want you
28:52to feel pressured
28:53in any way.
28:55It's just,
28:57it feels like a betrayal,
28:59telling you what I know.
29:01And it's not my secret
29:04to share.
29:06That feels like
29:07quite a weight
29:09you're carrying.
29:12It can't be easy.
29:13And it's been
29:15for so long.
29:17Well then,
29:18perhaps,
29:19let
29:20someone else
29:22help carry the weight
29:25with you.
29:25It's about
29:34Janelle Dullis.
29:37This is the
29:38coolest thing ever.
29:40Sir,
29:41your detective
29:42brain skills
29:43are seriously
29:44mad.
29:46Has anyone
29:47ever told you that?
29:48Not in those
29:49exact words.
29:50Ah,
29:51you found the
29:51duty log.
29:53Here it is.
29:54Janelle Dullis
29:56is in there.
29:57She entered
29:57the police station
29:59claiming that
30:00she wanted
30:00to report a crime
30:01on the morning
30:02of the 23rd
30:03of August
30:042007.
30:06That's the day
30:07after she left
30:07the distillery.
30:08Sergeant Lily Thompson
30:09was the officer
30:10on duty.
30:11She started
30:12taking a statement
30:13but
30:14Janelle changed
30:15her mind
30:15and walked out.
30:17So what crime
30:18was she going
30:19to report?
30:20I can answer that.
30:21Commissioner?
30:30I've just been
30:31talking with
30:32Francesca Mauer.
30:33It seems
30:34she knows
30:36what led
30:36Janelle Dullis
30:37leave her job
30:39at the distillery
30:4018 years ago.
30:41It was Patrick,
30:42wasn't it?
30:44Wait.
30:45what are you
30:46saying?
30:48The evening
30:49of the 22nd
30:50of August
30:512007,
30:53Francesca Mauer
30:54was leaving
30:55for the day
30:56when she came
30:58across Janelle
30:59running
31:00through the grounds
31:01of the distillery.
31:03She was distressed,
31:06in shock,
31:08crying.
31:08what had happened
31:10between her
31:11and Patrick
31:12that night.
31:12He raped her.
31:14Didn't he?
31:18In light of that,
31:20we need to speak
31:21to Janelle.
31:22But
31:23we need to be
31:24sensitive.
31:25So,
31:27dearest Thomas,
31:29Officer Curtis,
31:30I think you should
31:30conduct the interview.
31:38Mr. Lise,
31:47we appreciate
31:47you coming in
31:48to talk with us.
31:49Francesca spoke
31:50with you,
31:50didn't she?
31:51That's what
31:52this is about?
31:53Yes.
32:06That night,
32:07August 22nd,
32:102007.
32:12I was working late.
32:14I was in the
32:15storage room
32:15about to leave
32:16when Patrick
32:17appeared.
32:18Said he wanted
32:19a drink.
32:21I felt I couldn't
32:22see, you know,
32:23him being
32:24the boss's son.
32:26And, um,
32:27what happened then?
32:30He started
32:31ranting about
32:32his father.
32:33They'd had a big
32:34bus up that night.
32:35Do you know
32:36what it was about?
32:37There'd been a fire
32:38the week before
32:39that Patrick
32:39had caused.
32:41Burned down
32:41one of the
32:41outbuildings.
32:43Patrick had been
32:44messing about.
32:46They were about
32:46to start rebuilding
32:47and Mr. Ambrose
32:48Sr. was furious
32:49about how much
32:49it was going to cost.
32:52Patrick got it
32:52off his chest
32:53and I said
32:55I had to go.
32:57But I could tell
32:58he didn't want me to.
33:02Then he went
33:02to kiss me.
33:03I pulled away
33:05from him
33:05and tried to leave
33:06saying I really
33:08needed to go now.
33:11He grabbed me.
33:16Forced me
33:16to the ground.
33:20And he...
33:21We're so sorry,
33:30Janelle.
33:34When I heard
33:35Patrick was back
33:36on the island
33:37and putting the
33:37distillery up for sale
33:39I knew straight away
33:41I had to buy it
33:42so I could erase
33:44every memory
33:46of what happened there.
33:47How?
33:49By knocking it
33:50all down.
33:52Turning it
33:53into something else.
33:55Build it
33:55into a new business.
33:59Make it mine.
34:01Even if that meant
34:02coming face to face
34:03with Patrick Ambrose?
34:06Oh, I wanted
34:07to see him.
34:09To look him
34:10in his eyes
34:11the way I couldn't
34:1318 years ago.
34:14Because I'm
34:17stronger now.
34:18And how was it
34:20when you did?
34:23It was strange.
34:25He seemed
34:26a different man
34:27to how he was.
34:29All the bravado
34:29had gone out of him.
34:31He was guarded.
34:33Quiet.
34:35Like he was hiding
34:36something from the world.
34:38The truth may be
34:40of what it did to you.
34:41What?
34:44You both need
34:46to know
34:47even though
34:49I spent most
34:50of my life
34:51feeling hatred
34:51for that man
34:52I did not
34:55murder him.
34:57Because that would
34:58mean I was
34:59no better than him.
35:01And I am.
35:05I am so much
35:06better than him.
35:18Thank you, Miss
35:18Bordy.
35:24Selwyn was so good
35:25this afternoon.
35:27Calming Francesca
35:28down, reassuring
35:30her it's not
35:32right he won't
35:33be there to do
35:34that anymore.
35:34Yeah.
35:36I'm thinking
35:37you know what
35:39my favourite TV
35:40shows as a
35:41little boy?
35:42No.
35:44The Jungle Squad.
35:46Every Saturday
35:47morning 9am
35:48sharp
35:49I'd be there
35:50until one day
35:51out of the blue
35:53they got rid
35:54of my favourite
35:55character
35:55Maurice the
35:56Mongoose.
35:58But
35:58when this
36:00happened
36:00loads of
36:02school kids
36:02got together
36:03and organised
36:04a petition
36:05to get Maurice
36:06the Mongols
36:07reinstated.
36:09Ah.
36:11Inspector
36:11they've just
36:13finished interviewing
36:13Janelle Delice
36:14so we can head
36:16back to the
36:16station now.
36:19Inspector
36:20there's something
36:22bothering you.
36:23From the start
36:25we've been
36:26working on
36:26the assumption
36:27that Patrick
36:28Ambrose was
36:28the victim
36:29one of our
36:30suspects had
36:30to be the
36:31perpetrator
36:31but in some
36:33ways the
36:34opposite can
36:35also be true
36:35because now
36:37we know
36:37Janelle was
36:38a victim
36:38and Patrick
36:39was the
36:40perpetrator
36:40which makes
36:42me wonder
36:42why would a
36:44perpetrator
36:44want to phone
36:45a police detective
36:46and you'll
36:48know the
36:48answer.
36:51No.
36:53But now
36:54we're asking
36:54the right
36:54question
36:55we can start
36:57looking at
36:57this piece
36:57of evidence
36:58in a new
36:58light
36:59and give
37:00it the
37:00attention
37:01it deserves.
37:08Officer
37:09Curtis
37:09let me know
37:10how you get
37:10on with
37:10those prints
37:11please.
37:11Yes sir.
37:13Is there
37:13anything I
37:13can do
37:14Inspector?
37:15Maybe
37:15don't speak.
37:17Just ignore
37:18him Seb.
37:20What is this?
37:22It's the
37:22victim's
37:22study.
37:24His desk,
37:25his minibar,
37:27etc, etc.
37:29Why have
37:30we got
37:30these?
37:31Just in
37:32case.
37:37What
37:37exactly
37:38are you
37:38looking for
37:39sir?
37:40I don't
37:41know.
37:42But now
37:42we're looking
37:43at the
37:43victim in
37:44a different
37:44light we
37:44need to
37:45do the
37:45same for
37:45the
37:45crime
37:46scene.
37:46So
37:47victim
37:50becomes
37:51perpetrator
37:52same rules
37:54apply
37:54if you
37:56flip it
37:56on its
37:56head
37:57what have
37:59we got?
37:59Um
37:59okay.
38:01So poisoned,
38:11poison,
38:12not
38:13poisoned.
38:15Wait a
38:16minute.
38:18Maybe that's
38:18it.
38:19The bottle
38:19of rum
38:20was contaminated
38:20with methanol.
38:22The poison
38:23got diluted
38:23when the ice
38:24melted.
38:24but if
38:25that's
38:26the case
38:26how?
38:27How?
38:36You took
38:37these
38:37photos
38:38just in
38:38case?
38:39Yes,
38:39sir.
38:41Well,
38:42that's
38:42good work,
38:44officer
38:44Rose.
38:46I think
38:46they might
38:47have just
38:47solved the
38:47crime.
38:48inspector,
38:49we've got a
38:50match.
38:51But it's two
38:52different sets of
38:53prints.
38:54Who's over?
38:55Well, one of the
38:56sets of prints
38:56belongs to one of
38:57our suspects,
38:58but the other one
38:59is odd.
39:01It's matched with
39:02someone not even
39:02connected to the
39:03case.
39:04A guy called
39:05Samson
39:06Lay.
39:08Who's Samson
39:08Lay?
39:09Well, he was
39:10arrested in
39:11Guadalupe for a
39:12bank robbery back
39:12in 2007.
39:14He later
39:15absconded,
39:16and there is
39:17still an
39:18outstanding
39:19warrant phase
39:19arrest.
39:21So what's he
39:22got to do with
39:22Patrick Ambrose
39:23being murdered?
39:26Everything.
39:27There'd been a
39:28fire the week
39:29before that
39:29Patrick had
39:30caused.
39:31Burned down
39:31one of the
39:32outbuildings.
39:33Patrick had
39:34a falling
39:34out with
39:35his father.
39:36not first
39:37that he kept
39:38putting money
39:39into his
39:39account,
39:40his monthly
39:41allowance.
39:42He was
39:42guarded,
39:44quiet,
39:47like he was
39:48hiding something
39:48from the
39:49world.
39:50You said the
39:50other set of
39:51fingerprints was
39:52from one of
39:53our suspects?
39:54Yes.
39:55Well, who
39:55is it?
40:01Miss Ambrose,
40:02I have a
40:05question for
40:05you.
40:06Do you
40:07recognize this?
40:10It's my
40:10phone number.
40:12I, I, I...
40:14I'll tell you
40:14what, while you're
40:14trying to formulate
40:15your answer, I want
40:17you to know that we
40:19found your
40:19fingerprints on this,
40:20so we know you
40:21definitely touched
40:22it.
40:23And there are tests
40:23that can be done to
40:24confirm whether this
40:25is your handwriting or
40:26not.
40:27So I'll ask you
40:28again.
40:28Do you recognize
40:31you recognize this?
40:32Yes.
40:33Okay.
40:35Next question.
40:37Why did you write my
40:37number down?
40:39Because I think it's
40:41because a few days ago
40:42you were thinking of
40:42phoning me to report a
40:44crime.
40:44We've just checked the
40:53body currently lying at the
40:55mortuary and have
40:56confirmed it's not your
40:57brother, Patrick Ambrose,
40:59but a man called
41:00Samson Lay.
41:02You wanted to inform me
41:03that the man who
41:04returned home for the
41:05first time since 2007
41:07was an imposter who had
41:09spent the last 18 years
41:10pretending to be your
41:11brother.
41:12Am I right?
41:13What's going on?
41:15The thing is, Cora,
41:16now we know that the
41:17man who was murdered
41:17here two days ago
41:18wasn't in fact your
41:19brother, it does beg the
41:21question, where is
41:23Patrick Ambrose?
41:24I don't know.
41:26No?
41:27You see, I don't believe
41:29Patrick left this
41:30distillery 18 years ago.
41:32I think he's still here.
41:35Underneath this building.
41:37And I think it was you
41:38that killed him.
41:38No, that's...
41:40I didn't.
41:41You didn't?
41:42Because you see those
41:44people who just came in?
41:45They've got all the kit
41:46needed to determine if
41:47there is in fact a body
41:48lying underneath this
41:49building.
41:50And once they do,
41:52they'll bring in a dig
41:53team.
41:53The night of the 22nd
41:55of August 2007 was the
41:57last time Patrick was
41:59seen here at this
42:00distillery.
42:02Tell us what happened,
42:03Cora.
42:06We know another crime
42:07was committed that
42:08night by Patrick.
42:12We know what he did to
42:13Janelle.
42:13Is it connected to that?
42:17Cora, it's game over.
42:21Just tell us.
42:24I saw them.
42:27Janelle was in such a state.
42:29Patrick.
42:31He attacked me.
42:33And I realized what Patrick
42:37had done to her.
42:39And I felt so hungry.
42:42Patrick, what have you done?
42:44And he just smiled.
42:45Answer me!
42:47I grabbed the nearest thing.
42:49I had a bottle of rum.
42:51And I hit him.
42:53Hard.
42:55He fell.
42:57Bunged his head on the floor
42:58and he'd never get up.
43:01This outbuilding was being
43:02rebuilt after the fire
43:03your brother started.
43:05I assume you moved the body
43:07in here and left it to the
43:08builders, albeit unwittingly,
43:10burying for you.
43:11After that, all you had to do
43:12was convince Daddy that
43:14Patrick could run away.
43:15I filled the suitcase with
43:16his clothes, his passport
43:18and wallet, and I threw it
43:19in the sea.
43:21And when you heard not long
43:22after that Patrick was
43:23drawing money from his
43:24account, you realized that
43:26somebody found his suitcase
43:28and had taken his identity.
43:30I couldn't believe it
43:31when this man, pretending
43:32to be Patrick, turned up.
43:35No one realized apart from me.
43:38Well, why would they, right?
43:40I mean, I've seen photos
43:42of both Patrick and Samson
43:43from 18 years ago
43:44and they do kind of look similar.
43:47It was brazen of the guy,
43:49that's for sure.
43:50But after doing some quick tests,
43:52it's clear that Samson Leigh
43:53was living hand-to-mouth.
43:54So the chance of selling
43:56this distillery and making
43:57millions of dollars
43:58was a massive risk.
44:00But a risk worth taking.
44:02Which brings us full circle
44:04to his murder
44:06and why you killed him.
44:09Janelle Delis admitted
44:10to us this afternoon
44:11her plans to redevelop
44:14this distillery.
44:16We think you caught wind of that.
44:18And if the sale of the distillery
44:20went ahead, Patrick's body
44:22would be discovered.
44:23That's why
44:25you had to stop it
44:26from happening.
44:27And that's why
44:28you wrote my number down.
44:30You're considering
44:30reporting Samson
44:31as an imposter.
44:33But Samson
44:34cottoned on to
44:35what you were doing,
44:36didn't he?
44:37You phoned the police
44:38and tell them who I am
44:39and I'm just gonna tell them
44:41what you did to Patrick.
44:43He worked it all out.
44:45Which left you no choice
44:47other than to kill Samson Leigh.
44:49All of which brings us
44:51to the final unanswered question
44:53in this whole affair.
44:55How did you do it?
44:56Like this bottle of rum,
45:07the one that was opened
45:08two nights ago
45:08by Samson Leigh,
45:10your second victim,
45:12did not in fact contain
45:14any methanol.
45:15So,
45:16how did all four of you
45:17ingest methanol
45:18if it wasn't in the bottle
45:20of rum you drank from?
45:21Let's start with the
45:22non-lethal dose
45:23you administered to yourself,
45:25Janelle and Anthony.
45:28Just enough
45:29to make you all ill.
45:31Well,
45:32the ice
45:33answers that question.
45:36You laced the ice
45:38with methanol
45:39and when you made
45:41the three poison pieces,
45:43you put them on top
45:44of the normal ones
45:45Francesca had already
45:46put out.
45:47so when she went
45:49to serve the ice
45:50for the first round
45:51of drinks,
45:52she naturally
45:53took the ones
45:53at the top.
45:55We assume,
45:56having spent the last month
45:58with Samson in the house,
45:59you must have noticed
46:00he drank his rum
46:01neat,
46:02with no ice.
46:04Samson then poured
46:06the non-poisoned rum
46:07into each glass,
46:09causing the methanol-laced ice
46:10to slowly begin melting,
46:13administering the tiniest amount
46:14into yours,
46:16Janelle's
46:16and Anthony's drinks.
46:19Now,
46:20at this point,
46:22Samson is sipping
46:22from a glass of rum
46:23that hasn't been poisoned.
46:25So how and when
46:26did he ingest
46:27the lethal dose?
46:28Well,
46:29I believe
46:30he'd already consumed it
46:31shortly before
46:32Janelle arrived
46:33to sign the contract.
46:40Quite the soft drinks
46:41fiend was our Mr. Lay.
46:42When I spoke with
46:44young Anthony Delise,
46:45who was the first
46:46to arrive that evening,
46:47he recalls seeing
46:48Patrick finishing
46:50a can of soda
46:50when he got there.
46:52Afternoon.
46:56I'm Anthony,
46:58General's assistant.
46:59So,
47:00let's take a look,
47:01shall we?
47:05Bingo.
47:07We'll get this
47:08to the lab.
47:08But I'm in no doubt
47:10there'll be traces
47:11of methanol
47:11in this can.
47:14Just before
47:15Anthony and Janelle
47:16arrived,
47:17while Patrick was
47:17distracted,
47:19you spiked
47:19the can of soda
47:20with methanol.
47:30They're arriving.
47:31It's time.
47:32Which leaves
47:39one final task.
47:42Getting the poison
47:43into the bottle
47:45of rum.
47:45Some sort
47:46of distraction.
47:48Suffice to say,
47:49when no one
47:49was looking,
47:50in it went.
47:51Second row.
47:52Yes, please.
47:53Yes, please.
47:54Once everyone
48:02had finished
48:03the first round,
48:04you suggested
48:05another.
48:06Francesca
48:06refreshed the glasses,
48:08unwittingly
48:09disposing of
48:09the poison ice.
48:12And then you
48:13poured Samson,
48:14and only Samson,
48:16a second shell.
48:17So that his glass
48:19now contained
48:20traces of methanol.
48:21Are you all right,
48:24Patrick?
48:25Leading us to assume
48:26that the first shot
48:27must have been
48:28poisoned as well.
48:29Just like the
48:30other three were.
48:31Because they were
48:31all poured from
48:32the seemingly
48:33poisoned bottle.
48:37But it was this
48:38that really killed him.
48:41It was clever.
48:43Really clever.
48:45And you would have
48:45had us all fooled.
48:46if it wasn't
48:51for this.
48:55I'm sorry
48:55about Samson,
48:56me.
48:58I don't think
48:59he was a good man.
49:00But he didn't
49:01deserve to die.
49:06But my brother
49:07did.
49:09And I'm not
49:10sorry
49:11for what I did
49:12to him.
49:12Cora Ambrose,
49:25you're under arrest
49:28for the murder
49:28of Samson Lane.
49:30You do not have
49:30to say anything
49:31but in a corporate
49:32case...
49:33you.
49:59Petition C.S.C.
50:01of Commissioner Pato,
50:02sir.
50:03Good.
50:13Hello, Selwyn.
50:15Check your inbox.
50:33Hello, Selwyn.
51:03Hello, Selwyn.
51:33Hello, Selwyn.
52:03Hello, Selwyn.
52:33Better times and better places.
52:38This talented young woman is shot and killed at a football match and no one, including
52:46ourselves, saw or heard a thing.
52:49Each of these suspects were on the pitch at the time of the murder.
52:51So how could any one of them have shot in this?
52:54Your petition passed the 10,000 mark.
52:57Look, I don't suppose you would like a drink this evening.
52:59I would like that.
53:00I'm sorry I should have told you this before.