Beyond Tomorrow (1940) | Heartwarming Holiday Fantasy | Full Classic Movie - video Dailymotion

Film Vintage

Beyond Tomorrow” (1940) is a touching Christmas fantasy about hope, kindness, and life after loss. When three elderly businessmen invite two lonely strangers to dinner on Christmas Eve, a deep bond forms — but a tragic event soon turns this holiday tale into a heartwarming story of love, redemption, and ghostly guidance from beyond the grave.  This beautifully told story blends romance, the supernatural, and holiday spirit, making it a timeless classic for fans of old Hollywood and uplifting dramas.  🎬 Original Title: Beyond Tomorrow 📅 Year: 1940 🎥 Director: A. Edward Sutherland 🌟 Starring: Harry Carey, C. Aubrey Smith, Charles Winninger, Jean Parker 🎄 Setting: Christmas in New York 👻 Theme: Ghosts, Friendship, Second Chances 💖 Genre: Drama, Romance, Fantasy  📌 ATAC Categories:  • Holiday-Themed Film  • Supernatural Drama  • Classic Romance  • 1940s Cinema  • Feel-Good Storytelling  • Christmas Ghost Tale  • Black-and-White Classic  • Emotional Character Journey  Whether you’re drawn to stories of human connection or timeless ghostly tales with a moral core, Beyond Tomorrow is a perfect watch for the holidays — or any time you need a little heartwarming magic.  📌 Tags: Christmas movie, classic drama, ghost story, 1940s romance, holiday spirit, full movie, old Hollywood, supernatural film  https://www.FilmVintage.com

Transcript

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00:04:29they were coming often ripe is coming here yes and i was lucky to get them too they're fascinating

00:04:35people they're world traveled they'll give you all the latest news about india chad so come on

00:04:41we'd better be getting dressed joseph see that the living room gets cleared up and mix the tom

00:04:47and cherries yes mr

00:04:59it's a lot of childish nonsense

00:05:13and liqueurs short dress and cream de mount don't forget brandy for major chadwick yes excellency

00:05:26joseph remember the last christmas in saint petersburg just before the war yes excellent

00:05:34here joseph

00:05:35the order of stanislav for me you were a great friend to follow me to america joseph

00:05:47it was no longer my rosh without you there excellent

00:05:56joseph when i had jewels and lands and palaces i was often weary and discontent when everything was

00:06:14taken away except my life i learned that the way to be really happy is to serve others to be needed

00:06:24so don't be sorry for me or for what was lost come the guests will be here and nothing will be ready

00:06:35madame tanya hear me sir brian will you please please my tie you know i'm all thumbs when it comes to tying a proper bow

00:06:43and the team oh it's magnificent thank you sure it is magic how you do it

00:06:55yes it really seemed like christmas in those days

00:07:08what we should have george is a troop of grandchildren

00:07:14yeah blowing horns and beating drums all over the place not for me

00:07:19oh well here's a merry christmas to you anyhow merry christmas merry christmas

00:07:23good evening chadwick christos was crazy that's for easter oh christmas so so it is

00:07:30well a merry christmas to you there you're looking very festive madame tanya

00:07:34thank you major chadwick and here is your presence such a big

00:07:39best whatever can it be

00:07:55i shall have to sit down well we thought it would surprise you but we didn't think it'd knock

00:08:00it out george get it homagerie for the coach come now you must try it on and see how it looks

00:08:09ah it's beautiful but it will keep me no warmer than your kindness has all these years

00:08:25zdarovia and don't tell me that doesn't mean your health it does vasha zdarovia and merry christmas

00:08:32merry christmas many of them and don't you try to duck out and have a tray in your room

00:08:39you're sitting at the table i'll be there and now i must be looking after things the guests are

00:08:46very distinguished and as the hostess i must see that everything is perfect

00:09:02hey telegram sir

00:09:20oh what's wrong now the van ripers they can't come oh oh that's odd at the last moment

00:09:29can't be helped illness in the family illness in the family you shouldn't have let them know i'd be

00:09:34here

00:09:38don't be ridiculous george you had nothing to do with it didn't i oh i can hear them

00:09:45george vale melton isn't he the fellow was mixed up in the shreve case acquitted lack of evidence oh for

00:09:53pity's sake george don't be so sensitive that's all past and forgotten sure it is and don't flatter

00:09:59yourself that anybody remembers to tell you the truth i'm relieved that the van ripers are not coming

00:10:09he's telling the same jokes he told 20 years ago and she dyes her hair i think it's a shrimp pink now

00:10:14i don't know why i asked them to come at all at all

00:10:24the trouble with us is we're in a rut too much work no play

00:10:29we don't take time to see our old friends yes not so many of our old friends left michael

00:10:37well then we ought to make new ones

00:10:40what we ought to do is

00:10:41oh come on have a drink

00:10:53confusion to our critics and to us a merry christmas merry christmas

00:11:11well there must be some lonely souls out in that crowd you're a sentimentalist

00:11:23huh i have an idea chat get out your cards gentlemen what are you up to now

00:11:29these are some of the gift wallets that were left over with ten dollars in each of them

00:11:33put your cards in them gentlemen we'll throw them out of the window and maybe they'll bring back

00:11:37somebody to have dinner with us what strangers out of the street oh there are no strangers on christmas

00:11:42eve besides it's better than sitting around and hooting at each other like three old owls in a band

00:11:48that matter one of them comes back i'll take you up on that dinner appears for all of us

00:11:53and the loser pays you heard chad it's a bet that's all right i can't lose how long do we wait win or lose

00:12:01we dine at seven

00:12:08saint anthony send us back an honest soul

00:12:14with an appetite

00:12:22mine goes first

00:12:23it's gone

00:12:31your turn chad

00:12:36i can't see without my glasses all right you're next george come on come on let it go

00:12:41well i doubt if you'll find anybody worth feeding but if it gets unbearable george and i can pop

00:12:51around to the club for a rubber of bridge don't worry nobody will come back with him

00:12:57you're a man of very little faith george come away from the window before you break the charm

00:13:12well finders keepers any money in it ten dollar bill george vale melton engraved by uh tiffany

00:13:22he'll never miss the money here you are robin merry christmas thank you madam you have a heart of

00:13:27gold with other people's money i tell you england's territorial expansion has quite a different

00:13:34significance no matter how thin you slice it a grab is a grab grab that's a specious term

00:13:41england carried civilization into the wilderness what was australia before she redeemed it from

00:13:46the aborigines she made it a thriving territory a ranking continent for her own special benefit

00:13:52of course for the benefit of the whole world for the benefit of australia itself

00:13:59the proof is there isn't an acre of the empire that isn't proud to fly the british flag

00:14:03and furthermore let me down oh will you stop that noise noise is it what do you two think you'll

00:14:15make the next thing you'll be digging trenches in the rung yes but i'm bound to refute his

00:14:20unenlightened bias bias my foot he always takes the other side of the argument to get your goat

00:14:26well it looks like you pay for the dinner o'brien maybe i do

00:14:39and then again maybe i don't

00:14:40oh good evening good evening sir somebody here lose a wallet yes yes come in come in which one

00:14:54did you i mean my name is o'brien that's the name all right there's ten dollars in it ten dollars it

00:15:00is here you are sir well merry christmas wait wait stay and have a bit of cheer with us well i'll

00:15:09oh come along come along uh what is your name lad uh james houston sir houston is mighty nice of

00:15:17you well it's nicer of you sir i mean to bring back my wallet come along come along mr melton mr

00:15:23chadwick this is mr houston good evening proud to know you sir mr houston brought back my wallet and

00:15:29now he's going to have a drink with us what do you have lad oh whatever you're having sir i'm having

00:15:35tom and jerry myself how about you chad oh just a spot and you george no thanks i got to watch out

00:15:41from my back it really feels like christmas eve in here a mighty nice bar oh everyone another log let me

00:15:49do that sir nothing like an open fire we always have them down home

00:16:01hey uh you're from the west texas sir i'm from oklahoma myself oklahoma well i declare howdy neighbor

00:16:10that's a small world isn't it here sit down thank you sir thank you michael merry christmas

00:16:19merry christmas been up here long it was since september i came up with a rodeo to madison square

00:16:27garden thought i'd stay around and look the town over stayed a little too long i guess now i'm working

00:16:34for a steak to get back to texas well you're going someplace dinner perhaps no no sir no place in

00:16:42particular just walking around i've never been away from home on christmas before well so long as you're

00:16:49not going anywhere why not have dinner with us well now that's right kind of you sir but i don't well

00:16:55after all michael it's no inducement for a young fellow to dine with three old fogies like us you know

00:17:00well now if if you put it that way i i can't very well refuse major chadwick this young lady says

00:17:10she found your wallet hmm oh yes of course of course

00:17:16good evening oh good evening are you mr chadwick yes oh i believe it's customary to describe lost

00:17:27starry golf oh yes that's right of course of course well it was a sort of a wallet a square wallet

00:17:36with my card inside any money of course

00:17:45oh yes ten dollars here you are oh yes yes thank you thank you very much very welcome

00:17:53merry christmas merry christmas wait a minute wait a minute don't go come over to the fire it's

00:17:57cold outside get a tom and jerry for the young lady george it'll warm you up oh you didn't what's your

00:18:03name jean lawrence my name's james houston man how do you do mr houston yes this is mr houston

00:18:11put those two places back i believe mr o'brien will have guests for dinner after all

00:18:18yes the last time i had a tom and jerry was back home in new hampshire new hampshire then you're

00:18:24not spending christmas eve with your family no i was just going out to the movies why don't you stay

00:18:30and have dinner with us oh well thank you very much but i could why not have you had dinner no but i

00:18:36had a late lunch and dinner is served that settles it come along we'll not take no for an answer come

00:18:44along now it's all planned it's a little game we're playing i'll tell you all about it you see there

00:18:50were three of us here and we made a bet and uh one of us lost

00:19:05love for christian men be sure rank or wealth possessing ye who would now bless the poor shall

00:19:26yourselves be blessed hey boy you can sing hey fellas come up we want some music up here

00:19:38i dream of genie with the light brown hair born like a vapor on the summer air

00:19:59i see her tripping where the bright streams play happy as the daisies that dance on her way

00:20:17many were the wild notes her merry voice would pour many were the blithe birds

00:20:29that warbled there more i dream of genie with the light brown hair floating like a vapor

00:20:54that's a good idea joseph alfonso and catherine come here we're all going to sing sure come on uh how about

00:20:58jingle bells

00:21:02jingle bells

00:21:04jingle bells

00:21:08jingle bells

00:21:12oh

00:21:26Oh, Jingle Bells, Jingle Bells, Jingle Bells

00:21:31Oh, what thunder is to ride in a one-house open slam

00:21:35Jingle Bells, Jingle Bells, Jingle all the way

00:21:38Oh, what thunder is to ride in a one-house open slam

00:21:42Bubenчики, Bubenчики, Bubenчики, звенья

00:21:46Как радостно, как весело, намчата на санях

00:21:50Fingle, flake, fingle, flake, fingle, fingle, вей

00:21:53Как радостно, как весело, намчата на санях

00:21:56Jingle Bells, Jingle Bells, Jingle Bells

00:21:58Jingle Bells, Jingle Bells, Jingle Bells

00:22:00All the time, Jingle Bells

00:22:02All the time, Jingle Bells

00:22:03All the time, Jingle Bells

00:22:04Jingle Bells, Jingle Bells

00:22:06Jingle Bells, Jingle Bells

00:22:07All the time, Jingle Bells

00:22:08All the time, Jingle Bells

00:22:10Jingle Bells, Jingle Bells

00:22:11Ah, Colleen, sure you make me wish I was 22 again.

00:22:16I like you the way you are. Good night.

00:22:18Good night, young lady.

00:22:19Don't forget, we have a date tomorrow.

00:22:20Three o'clock at the clinic.

00:22:21Good night, gentlemen.

00:22:22Good night, gentlemen.

00:22:23Good night.

00:22:24Good night, gentlemen.

00:22:25I had a lovely time.

00:22:26Bless you, child.

00:22:27We'll all stay.

00:22:28Good night, ma'am.

00:22:29Good night, Jimmy.

00:22:30Wait.

00:22:31We are forgetting your overcoat.

00:22:33Oh, I didn't have an overcoat.

00:22:39That's not my overcoat.

00:22:41Your overcoat.

00:22:52You'll have a good tailor.

00:22:53Good night.

00:22:54Good night, ma'am.

00:23:08Good night, Steve.

00:23:10Good night, good night.

00:23:12Come on.

00:23:13Good night.

00:23:14Thank you,��per.

00:23:15Have a good night.

00:23:16Give us time for wine, unbelievable.

00:23:17Come here.

00:23:18Good night.

00:23:19Good night.

00:23:20Oh, my god.

00:23:21Ah, they're grand youngsters.

00:23:30That boy reminds me of David.

00:23:34I thought you two were going out to the club to play bridge.

00:23:37Now, Michael, don't gloat.

00:23:40Look at the Irish.

00:23:44I'm turning in.

00:23:46Good night.

00:23:47Good night, Doug.

00:23:48Good night.

00:23:51Tough guy.

00:23:53Gave the lad his pet overcoat.

00:24:02Well, here we are.

00:24:05I can hardly believe it's all been real.

00:24:07Neither can I.

00:24:09Maybe we're dreaming.

00:24:14You know, I wouldn't be a bit surprised to see Santa Claus.

00:24:18Reindeers and all sliding right down the sky in a minute.

00:24:21But you.

00:24:26His name's Gallagher.

00:24:31He's Officer Johnson, of course.

00:24:33He loves sugar.

00:24:35Well, I declare that's really something.

00:24:38I never expect you to find a girl near your cage, Sugar, around for a horse.

00:24:42Good evening, Miss Lawrence.

00:24:43Oh, good evening, Officer Johnson.

00:24:45This is Mr. Houston.

00:24:46Oh, so I am.

00:24:47He was just admiring your horse.

00:24:48Yeah, I raise him myself down in Texas.

00:24:51Oh, you do, huh?

00:24:51Sure is a pretty coat.

00:24:53What do you feed him?

00:24:54Rolled oats?

00:24:55Yep.

00:24:55Yeah, sure.

00:24:56You know, I haven't been on a horse for three months.

00:24:59I used to live on one, practically.

00:25:01I sure would like to ride him.

00:25:04Oh, I'm sorry, son.

00:25:06But if the sergeant ever caught me letting anybody ride my horse, I'd be pounding a beat in Flatbush.

00:25:11Yeah, sure.

00:25:12I understand.

00:25:12Yeah, well, it's mighty fine seeing him, anyway.

00:25:16He sure is pretty.

00:25:17Is it all clear?

00:25:33All clear.

00:25:44Hey, the sergeant's coming.

00:25:46Good evening, Sergeant.

00:26:02Evening.

00:26:04Anything wrong?

00:26:05Oh, nothing at all.

00:26:06Oh, it's a lovely evening, isn't it?

00:26:08Huh?

00:26:08I mean, after the snow.

00:26:09I love the snow, don't you?

00:26:11It makes everything seem more like Christmas, doesn't it?

00:26:13I was...

00:26:13Yeah, well, good evening.

00:26:15Hey, Sergeant, um, would you mind awfully if I asked you a few questions?

00:26:18All right.

00:26:19What is it?

00:26:20Uh, have you ever been to Texas?

00:26:23I have never been south of the battery.

00:26:24Oh, that's too bad.

00:26:25You ought to travel, you know.

00:26:26It's really quite broadening.

00:26:27Yes, well, I'm broad enough now.

00:26:29Oh, Sergeant, um, do you like children?

00:26:32Well, I bet I had.

00:26:33I've got six of my own.

00:26:35Oh, you don't say.

00:26:36You know, I've got 20.

00:26:37What?

00:26:38That isn't the clinic.

00:26:39I work there.

00:26:40Oh.

00:26:40Well, good night, Sergeant.

00:26:44It's nice to meet you.

00:26:46Phew, it was that close.

00:26:50Hello, Texas.

00:26:52How'd you like the ride?

00:26:54Oh, I liked it.

00:26:57Fine.

00:26:59And as for you, Johnson.

00:27:01Yes, sir.

00:27:02Merry Christmas.

00:27:06Well, Merry Christmas to you, Sergeant.

00:27:11Merry Christmas.

00:27:12Merry Christmas.

00:27:15What else do you do besides feeding sugar to a horse?

00:27:18Oh, I'm sort of a kindergarten teacher.

00:27:21I keep the children busy and amused while they're convalescing.

00:27:24You know it helps them get well quicker.

00:27:25Do I have to get sick to join your class?

00:27:27I afraid you're much too young for that.

00:27:29I hate to let you go.

00:27:33I'll see you tomorrow at three.

00:27:37Good night.

00:27:39Good night.

00:27:41Oh, Jimmy.

00:27:43You're cold.

00:27:44Oh.

00:27:47Thanks very much for letting me worry.

00:27:48You're sure welcome.

00:27:53Good night, Texas.

00:27:55Good night, teacher.

00:27:56Oh.

00:28:01Oh, here.

00:28:01Oh.

00:28:02Oh, yes.

00:28:32And how are your children, Mrs. Brown?

00:28:34They're just fine, but the little one has the measles and the big one has the mumps.

00:28:38Oh, I'm sorry to hear that.

00:28:39That's a pity, isn't it?

00:28:40Yes, it is.

00:28:41Do you take sugar?

00:28:42Yes, I do.

00:28:43Merry Christmas!

00:28:44Merry Christmas!

00:28:45Merry Christmas!

00:28:46Merry Christmas, everybody!

00:28:47Merry Christmas, everybody!

00:28:48Merry Christmas, Big Chief Freeman, the patience.

00:28:51Come on, and join the tribe.

00:28:53Hello!

00:28:54Hello!

00:28:55And who might you be?

00:28:56I can't stand.

00:28:57I'm four and Irish.

00:28:59Well, I'm Michael, and I'm 64, and I'm Irish, too.

00:29:02I'm Irish, too.

00:29:03Who's an Irish, too?

00:29:04I am.

00:29:07And then the elephant said through his big, long nose,

00:29:14I want to be the king.

00:29:29I want to be the king.

00:29:30I want to be the king.

00:29:31Here!

00:29:32It's a great king.

00:29:33Yes, I want to be the king.

00:30:04Oh, they all fell down.

00:30:29You bet your life it is.

00:30:31It's a ringer.

00:30:32A ringer.

00:30:34Hey, Madam Sanya, where do you think you're going?

00:30:37Don't I have to pick up the bottles?

00:30:40The while you're going to do that.

00:30:41We have to pick up the bottles.

00:30:44Jeannie, come on, Jeannie.

00:30:45You're next.

00:30:51Here, hold my coat.

00:30:53I'll show you what a whore I am.

00:30:55Never mind, bragging.

00:30:57Right, old fella.

00:30:58Shoot the works.

00:30:59Stand clear.

00:31:04What a champion.

00:31:08One, two.

00:31:09Ever so humble, there's no place like home.

00:31:25Ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh

00:31:55I've never seen them have such a good time.

00:32:03I'm grateful to you both.

00:32:17Ah, you know, we're going to have a lot of good times together.

00:32:20Goodbye.

00:32:21Goodbye, Jenny.

00:32:22Goodbye, dear.

00:32:25You're just like the daughter I always wish for.

00:32:27Come on, let's get going.

00:32:28Suryo, lads.

00:32:28Happy landing, sir.

00:32:29Goodbye, Madame Tanya.

00:32:31Dasvidanya, Countess.

00:32:32And don't be gone too long.

00:32:34Now, hurry back.

00:32:35We'll be back and you take good care of yourself and don't go into those bowling alleys.

00:32:39Mr. O'Brien, can't you gentlemen please take the train?

00:32:44Oh, there she goes.

00:32:46I suppose you'd like to have us take a stagecoach.

00:32:48Oh, now don't worry.

00:32:51We'll be back before you know it.

00:32:53Goodbye.

00:32:54Bye.

00:33:11I wish they were taking the train.

00:33:14Oh, don't you worry.

00:33:16They'll be all right.

00:33:17Bye.

00:33:18Bye.

00:33:19Bye.

00:33:20Bye.

00:33:21Bye.

00:33:22Bye.

00:33:23Bye.

00:33:24Bye.

00:33:24Come on, Gallagher.

00:33:44Tea or coffee?

00:33:45Coffee.

00:33:47Dogs?

00:33:48Cats?

00:33:50Sugar and cream?

00:33:51Oh, that's bad.

00:33:52Oh, that's bad.

00:33:53But it's the only one you've missed so far.

00:33:54Everything else we like alike.

00:33:55You know, I had a hunch it was something to keep me here in New York, and you're it.

00:34:11Do you have somebody back in Texas?

00:34:13Oh, sure.

00:34:14Do you like her?

00:34:15Oh, you like her?

00:34:16Oh, crazy about her.

00:34:17Oh.

00:34:18Oh.

00:34:19Well, you must tell me more about her.

00:34:20What's she like?

00:34:21Well, she's, uh, pretty.

00:34:22Uh, uh, about your coloring.

00:34:23Brown eyes.

00:34:24I suppose she's crazy about you, too.

00:34:25Oh, yeah.

00:34:26Hey, every night when I come home, she runs clear to the gate to meet me.

00:34:27Oh.

00:34:28What's she gonna say about me?

00:34:29Well, I don't know.

00:34:30She'll probably say, uh...

00:34:31You and your old horses.

00:34:32Yeah.

00:34:33How many fellas you got on the string?

00:34:34Oh, not many.

00:34:35Who?

00:34:36Just Mr. Chadwick, Mr. Belton, Mr. O'Brien.

00:34:37And you?

00:34:38Oh, you.

00:34:39Oh.

00:34:40Oh.

00:34:41Oh.

00:34:42Oh.

00:34:43Oh.

00:34:44Oh.

00:34:45Oh.

00:34:46Oh.

00:34:47Oh.

00:34:48Oh.

00:34:49Oh.

00:34:50Oh.

00:34:51Oh.

00:34:52Oh.

00:34:53Oh.

00:34:54Oh.

00:34:55Oh.

00:34:56Oh.

00:34:57Oh.

00:34:58Oh.

00:34:59Oh.

00:35:00Oh.

00:35:01Oh.

00:35:02Or you?

00:35:03Hmm.

00:35:04As soon as I get a decent job, we can get married.

00:35:06Jimmy!

00:35:07You just proposed to me.

00:35:08What?

00:35:09What?

00:35:10I did.

00:35:11Well, it's...

00:35:12It's alright, isn't it?

00:35:14Darling.

00:35:19Paper, Mr.?

00:35:21Not just now, Sonny.

00:35:24Hex

00:35:27for table!

00:35:28Oh.

00:35:28I'm still pretty worried about those brussel sprouts.

00:35:30Oh, Lily.

00:35:32Well, is that it for spinach?

00:35:34Okay.

00:35:35Come on, I've got to tell somebody.

00:35:37I'll find you'll be back.

00:35:39Let's go.

00:35:51We had hope until an hour ago.

00:35:58I knew I would never see them again.

00:36:08Somehow, I knew.

00:36:28I knew I would never see them again.

00:36:36I knew I would never see them again.

00:36:38I knew I would never see them again.

00:36:40Susan, did you hear?

00:36:56What, Excellency?

00:36:57I knew I would never see them again.

00:37:15I knew I would never see them again.

00:37:21Keep the tobacco jar filled, Joseph.

00:37:35And bring the hot tuggies as you usually do.

00:37:38I know you are here.

00:37:51I cannot see you or touch you.

00:37:57But I know you've come home.

00:37:59She didn't see us.

00:38:23I remember now.

00:38:28We were flying.

00:38:32There was a storm.

00:38:34A mountain top.

00:38:36We crashed.

00:38:38Yes.

00:38:39Everything went black for a moment.

00:38:43Then we were here.

00:38:48I seem to feel all right.

00:38:50How are you, Chad?

00:38:52Splendid.

00:38:53Light as air.

00:38:56My glasses.

00:38:58They're gone.

00:39:01I don't seem to need them.

00:39:07So this is it.

00:39:09Sure, it's no more than walking from one room into the other.

00:39:13How's your back?

00:39:18Look at him.

00:39:20And my feet don't hurt.

00:39:22And I can see right through you, George.

00:39:25You always could.

00:39:28And now do you believe in the immortal spirit of man?

00:39:32It's just the hammer of being here that brought us back for a while.

00:39:36For a while.

00:39:36And then, what?

00:39:39You're not afraid, Chad.

00:39:41No.

00:39:41Only curious as to what comes next.

00:39:45We'll find that out when the time comes.

00:39:47Oh, are we still in partnership?

00:39:51Looks like we're out of business.

00:39:53Yes, and good riddance, too.

00:39:58Oh, Jim, don't be ridiculous.

00:40:00You can't have three best men.

00:40:01Who says I can't?

00:40:03Why can't I have three best...

00:40:04Joseph?

00:40:05Joseph, do you see why I can't have three best men if...

00:40:09What's the matter, Joseph?

00:40:11You have not heard.

00:40:13It can't be, Jim.

00:40:39It can't be.

00:40:40It can't be.

00:40:42Good evening, ma'am.

00:40:52Madam Tanya!

00:40:58They loved you both.

00:41:01Very much.

00:41:04You were good to her.

00:41:08They were our friends.

00:41:09They put us together.

00:41:18We came to tell him.

00:41:22Oh, Jim.

00:41:26Jamie.

00:41:29Ah, poor kids.

00:41:31They've come to tell us their good news.

00:41:33It's strange seeing it from this side.

00:41:36There's no pain for us.

00:41:38Except our grief.

00:41:41Everything seems faint and far away.

00:41:45Except loving people.

00:41:49Madam Tanya.

00:41:52Madam Tanya.

00:41:53Oh.

00:41:54Oh.

00:41:55Oh.

00:41:56Oh.

00:41:57Oh.

00:41:58Oh.

00:41:59Oh.

00:42:00Oh.

00:42:10Oh.

00:42:11In the library.

00:42:30Yes.

00:42:57What's going on?

00:42:58I left him a couple of bonds.

00:43:01Enough to get married on.

00:43:03Shouldn't have done it.

00:43:04Money's bad for kids.

00:43:08Don't forget, you still owe us a dinner from the last time you were wrong.

00:43:14Dear Jimmy and Jean,

00:43:16accept this gift for the happy day.

00:43:19I can see their eyes is not far off.

00:43:23You have a blessing.

00:43:26I'd just like him to do this for a couple of strangers.

00:43:40You are not strangers.

00:43:43You feel the very lonely place in his heart.

00:43:47But won't you need these?

00:43:53No, Jimmy, I think.

00:43:56I'm well provided for.

00:44:01Is there anything I can do?

00:44:02Perhaps, Jimmy,

00:44:07you would come and live here for a while.

00:44:11So,

00:44:12Joseph and I would have someone

00:44:14to look after.

00:44:18Oh, I'd be glad to, ma'am.

00:44:21Go now.

00:44:23You have a lot to talk over.

00:44:24I can swear I see them all day.

00:44:48So could I.

00:44:54I beg your pardon.

00:44:55Are you related to the men who lived here?

00:44:58They were our friends.

00:44:59Could you give me some idea what they were like?

00:45:01The report is that they were eccentric old hermits.

00:45:03That's not true.

00:45:04I should say not.

00:45:05They were swell.

00:45:07Well, I'm on the daily press.

00:45:08My paper wants human interest.

00:45:10Won't you come along and talk it over?

00:45:11This is Station WRC National Network, New York City.

00:45:20You've just heard your radio reporter

00:45:22giving you the latest newsflash

00:45:23from the WRC Tower.

00:45:25The time is 15 minutes after 10 minutes.

00:45:27Want me?

00:45:28Here's a story for our next week's

00:45:29personalities on the news program.

00:45:31I'll get those kids.

00:45:33Every Wednesday evening at 7.30 p.m.

00:45:36Which brings for the air people

00:45:37who have a fear.

00:45:41I think he should, Madam Tanya.

00:45:50Don't you?

00:45:52Jim, they might give you a chance to sing.

00:45:55And all you need is a chance.

00:45:58That's right, Jimmy.

00:45:59Opportunities don't come every day.

00:46:02What about Jean?

00:46:03It says in the telegram they want her, too.

00:46:05Oh, I couldn't.

00:46:06Are you too scared?

00:46:07Go ahead and see what they say.

00:46:09Darling, if they let you sing,

00:46:11I know you'll be a hit.

00:46:12You'll be famous.

00:46:13We'll be rich.

00:46:14You'll be able to buy that big ranch

00:46:16with a million horses.

00:46:17And Madam Tanya can come stay with us.

00:46:19Yeah, we can all live happily ever after.

00:46:21I still say he'd be better off back in Texas

00:46:23on the ranch where he belongs.

00:46:25Well, I agree with Michael.

00:46:27The boy's got talent.

00:46:29Why shouldn't he do something with his voice?

00:46:31Sure, and why not?

00:46:33What's wrong with him being a singer?

00:46:34The world needs music just as much

00:46:37as it does buildings and bridges.

00:46:38All right, have it your way.

00:46:40And I'm not in favor of it.

00:46:44My name's James Houston.

00:46:46I received this telegram from Mr. Barrett.

00:46:49I'll tell him you're here.

00:46:51Mr. Barrett, Mr. Houston's here.

00:47:00Mr. Houston, you may go right in.

00:47:03Thank you very much.

00:47:06Oh, I'm...

00:47:07Aren't you going to pick it up?

00:47:14I sure hope I didn't do any damage, Miss Terry.

00:47:18Oh, that's all right.

00:47:19Where have I seen you before?

00:47:23Oh, probably in the paper.

00:47:26Mm-hmm.

00:47:28Well, Texas, are you interested in on the air?

00:47:31Well, I hope so.

00:47:33Well, let me know when you go on.

00:47:35I'd like to hear you.

00:47:36My telephone number's on there.

00:47:39Good luck.

00:47:41Why, thank you, ma'am.

00:47:49Where can I phone?

00:47:59Right here.

00:47:59Use this one.

00:48:06Oh, Jimmy, really?

00:48:08Yeah, they're going to put me on the broadcast tonight.

00:48:11Yeah, I'm going to sing.

00:48:12Oh, darling, I know you'll be good.

00:48:15Would you call Madam Tanya and tell her?

00:48:17I've got to go practice.

00:48:19I mean, rehearse.

00:48:22Yeah, I'll come by and pick you up after it's over, and we'll go celebrate.

00:48:26Bye, honey.

00:48:27I'll be singing to you.

00:48:30Goodbye, and good luck, darling.

00:48:34Churchill!

00:48:37He's going to sing!

00:48:39Sing?

00:48:40No, not him.

00:48:42I mean Jimmy.

00:48:43He's singing tonight at 7.30.

00:48:45WRC.

00:48:46I've got to tell all the nurses.

00:48:49Is my wife here?

00:48:51I don't know if she's over nine years old.

00:48:53This is a children's hospital.

00:48:57Hello, Mom.

00:48:58Mom, I...

00:49:00Yeah.

00:49:02Mom, what I called you about is a surprise.

00:49:07Yeah, I want you to tune in on WRC at 7.30 New York time tonight.

00:49:13Yeah, I...

00:49:15What?

00:49:16Oh, no, Mom, I don't need him.

00:49:20No, but Mom, it's not cold enough for him.

00:49:25But Mom, people don't wear him in New York.

00:49:28Yeah.

00:49:30Now, don't forget, Mom.

00:49:317.30 tonight.

00:49:34Yeah.

00:49:35Goodbye, Mom.

00:49:39Uh, do you mind?

00:49:45No, it's quite all right.

00:49:51Miss Terry's apartment.

00:49:52Who's calling?

00:49:53No, she isn't in right now.

00:49:55I don't know when she'll be back.

00:49:57I'll tell her you call, Mr. Houston.

00:50:00Hello.

00:50:01Uh, hello, Miss Terry.

00:50:04This is Jimmy Houston.

00:50:06Yeah, I...

00:50:07I met you at the radio station, you remember?

00:50:10Yeah, well, I'm calling you like you said, because I'm going to be on the air tonight at 7.30.

00:50:15You are?

00:50:16Yeah, singing.

00:50:17Oh, you must be swell, because Barrett's tough.

00:50:20Sure, I'll be listening in.

00:50:22Thanks for letting me know.

00:50:23Goodbye, Mr. Houston.

00:50:39Sounds pretty good.

00:50:40Pretty good.

00:50:41It's a hit.

00:50:43We can go into a fast rehearsal just as soon as Tony Marshall returns from Florida.

00:50:47Oh, poor old Tony.

00:50:49He'll be making his entrances in a wheelchair pretty soon.

00:50:51Don't worry, he's had his face lifted.

00:50:54Besides, he still brings them in.

00:50:56What about some dinner?

00:50:58Oh, it's quarter to eight.

00:50:59Quarter to eight?

00:51:00Wait a minute.

00:51:01There's something I want to hear, but I haven't missed it.

00:51:11So why should we run?

00:51:14Let's get drenched in moonbeams.

00:51:18The blossoms of romance need showers to start.

00:51:26Don't shelter your heart.

00:51:29It's raining dreams.

00:51:34I heard the thunder crash the moment we kissed.

00:51:41And now that we've kissed, it's raining dreams.

00:51:48I saw the lightning flash and light up the skies.

00:51:56Or was it your eyes, it's raining dreams.

00:52:03We're caught in a moon shower with no place to run.

00:52:11So why should we run?

00:52:15Let's get drenched in moonbeams.

00:52:19The blossoms of romance need showers to start.

00:52:27Don't shelter your heart.

00:52:30It's raining dreams.

00:52:36That is worse than heading off a stampede.

00:52:51How was I?

00:52:52All right.

00:52:55Here they come.

00:52:56Hello?

00:52:59Oh, yes, Miss Terry.

00:53:01Yes.

00:53:03Easier.

00:53:05You're doing fine.

00:53:08Hello?

00:53:13Well, it's nice of you to say so.

00:53:15Oh, I mean it.

00:53:16Really?

00:53:17Well, just a minute.

00:53:18My producer, Phil Hubert, wants to talk to you.

00:53:20Hello, Mr. Huston.

00:53:24Yes, this is Phil Hubert.

00:53:27Well, you're very good.

00:53:29Thank you very much.

00:53:32Well, I'd be glad to, sir.

00:53:35Yes, I have the address.

00:53:36I'll be up there directly.

00:53:39Goodbye.

00:53:40Well, we can't go very far wrong with a voice like that.

00:53:43Let's see.

00:53:44We could build him up on the radio,

00:53:45and then I'd get Kelly busy on the publicity.

00:53:48And if he looks like you say he does,

00:53:50I think maybe we've got something.

00:53:53I think we've got something.

00:53:59Jimmy!

00:54:01Darling, you were marvelous.

00:54:03Oh, thanks, honey.

00:54:04But you don't know the half of it.

00:54:05I'm on my way now to see a fellow about my singing.

00:54:07Yeah, I just came by to tell you I can't stay.

00:54:09I've got to go right away.

00:54:11Goodbye.

00:54:12I'll phone you later.

00:54:13Goodbye.

00:54:14I'll be waiting.

00:54:20Well, hello.

00:54:21Evening, ma'am.

00:54:22This is Mr. Hubert, Mr. Houston.

00:54:24Proud to meet you, sir.

00:54:25Hello.

00:54:26Congratulations.

00:54:27You stopped the show.

00:54:28Oh, no, ma'am.

00:54:29I reckon it was fixing to stop anyway.

00:54:30I came on at the end.

00:54:32Well, how did you like the applause?

00:54:34Oh, fine, sir.

00:54:36I figured half of it was good manners and the rest was on the station payroll.

00:54:41It's a crime to spoil modesty like that.

00:54:43Boy, you are a natural.

00:54:45Miss Terry and I are going over the book of our new show.

00:54:48Our old leading man is beginning to creak a little.

00:54:50We thought perhaps you might fit in with our plans.

00:54:53Well, I declare you.

00:54:55You mean on the stage, sir?

00:54:56Yes.

00:54:57Oh, no, I don't think that I...

00:54:59Oh, come on.

00:54:59Have a drink.

00:55:00Have something to eat.

00:55:01Let's get better acquainted.

00:55:03I feel lucky tonight.

00:55:05To success.

00:55:16Hello?

00:55:18Oh.

00:55:19I'm sorry.

00:55:20Dr. Brown is on day duty.

00:55:27I'm a success.

00:55:53I'm going to sing in a show.

00:55:54Lovely music.

00:55:55La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la.

00:56:01Yes, sir.

00:56:01You better go to bed.

00:56:03It's after three.

00:56:04I'm all right, Joseph.

00:56:05I'm all right.

00:56:13Good night, Joseph.

00:56:14Good night.

00:56:15La, la, la, la, la, la, la, la, la.

00:56:22Oh, well, why not?

00:56:23Who wouldn't celebrate?

00:56:25he's getting his chance yeah chance to get mixed up with a lot of cheap people

00:56:31turn his head and make a fool of him he'll drink too much and he'll laugh too much he'll lose his

00:56:37way two sides to it George the way I see it he'll give people a lot of pleasure ah he's a good lad

00:56:46and he's in love with the fine girl she'll keep him steady to be born innocent is natural but to

00:56:53die pure of heart that's a gift well stick to your faith Michael you may need it before you're

00:57:02through now you're always looking at the black side of things

00:57:23so

00:57:32George no matter what you did

00:58:01if you're sorry for it no power of darkness can touch you if you'll only say you're sorry John

00:58:07but I did need a doing

00:58:12I have no remorse I never did have

00:58:16I'd be a hypocrite to say I'm sorry now

00:58:20I'm sorry now

00:58:35I'll have you a hypocrite to say I'm sorry now

00:58:37I'll have you a hypocrite to say I'm sorry now

00:58:40I'm sorry now

00:58:42I'm sorry now

00:58:43THE END

00:59:13THE END

00:59:43THE END

00:59:53THE END

00:59:55THE END

00:59:57THE END

00:59:59THE END

01:00:01I haven't been so very many nice things in my life.

01:00:31My parents were divorced, I was on the stage when I was 14, then a bad marriage, a tough struggle.

01:00:44Success and applause isn't everything, Jimmy.

01:00:49Sit down, Jimmy.

01:00:54Sometimes I get homesick too, for someone of my own.

01:01:00Someone who really loves me, the way a woman wants to be loved.

01:01:08Oh, she's the smooth one. Smooth as silk that one is. Every move, every word is figured.

01:01:19I want someone who really loves me, the way a woman wants to be loved.

01:01:25And him taking it hook, line and sinker.

01:01:29I've made an awful mess of it. You've got to help me, Chad. You've got to help me bring the boy back.

01:01:37Chad.

01:01:39Chad.

01:01:40I heard something.

01:01:41Sure you heard something. I've been talking to you right now.

01:01:46It's the old bugle call. The last first.

01:01:57It's for me, Michael.

01:02:00Dad.

01:02:02Dad.

01:02:04David.

01:02:07Dad.

01:02:08David.

01:02:10David.

01:02:14This is my boy, Michael.

01:02:17My boy, David.

01:02:21I thought I'd never see you again.

01:02:23We all think that.

01:02:25I've come for you, Dad.

01:02:27Where now?

01:02:28What's it like?

01:02:30What do you want to be like?

01:02:34I remember the old army post at Simla.

01:02:38Without the reins, of course.

01:02:42Ah, we were happy there.

01:02:45Great country.

01:02:51Splendid regiment.

01:02:53Good horses.

01:02:54Good sport.

01:02:58Keen men.

01:03:01Then that's it.

01:03:02Every man gets his dream.

01:03:06It's gone.

01:03:07Mother's waiting.

01:03:11Molly.

01:03:11Good luck, Michael.

01:03:19Goodbye, Alan.

01:03:21No, no.

01:03:21Not goodbye, old fellow.

01:03:24We'll be seeing you.

01:03:27Won't we, David?

01:03:28That's right, Dad.

01:03:31Good luck, Michael.

01:03:34Good luck.

01:03:35Good luck.

01:03:36Good luck.

01:03:37Good luck.

01:03:38Good luck.

01:03:39Good luck.

01:03:40Good luck.

01:03:41Good luck.

01:03:42Good luck.

01:03:43Good luck.

01:03:44Good luck.

01:03:45Good luck.

01:03:46Good luck.

01:03:47Good luck.

01:03:48Good luck.

01:03:49Good luck.

01:03:50Good luck.

01:03:51Good luck.

01:03:52Good luck.

01:03:53Good luck.

01:03:54Good luck.

01:03:55Good luck.

01:03:56Good luck.

01:03:57Good luck.

01:03:57Oh, don't cry, Jeannie.

01:04:25Don't cry, Connie.

01:04:26That does no good.

01:04:29Get your Irish up.

01:04:33You're prettier than she is.

01:04:35And sweeter, too.

01:04:38And younger.

01:04:41Are you going to sit back and let her run off?

01:04:45Not if you're the girl I think you are.

01:04:51Sure, and if he's worth loving at all, at all he's worth fighting for.

01:04:56Now go to him.

01:04:58And when he sees you, his heart will remember.

01:05:03Put on your pretty things and go to him.

01:05:07Go now, Jeannie girl.

01:05:10And good luck.

01:05:11Good luck.

01:05:15Good luck.

01:05:22Sometimes I get homesick for the prairie.

01:05:26Stars and quiet.

01:05:28Sound of a dog barking way off in the distance.

01:05:33Say, do you like horses?

01:05:36My father used to practically live at the tracks.

01:05:39I went with him a lot.

01:05:41Before I was ten, I knew every race horse in the country by his first name.

01:05:45No fooling.

01:05:47Say, you know, you're a pretty wonderful girl.

01:05:54Am I?

01:05:57I'm just a hick.

01:05:59I don't know why you've been so nice to me.

01:06:02I think a lot of you.

01:06:04You know that, don't you?

01:06:09Don't answer.

01:06:10Colleen.

01:06:12My ex-husband, drunk as usual.

01:06:14Colleen.

01:06:17Let me in.

01:06:18No, you'd better go out the back way.

01:06:20But I can't sneak out.

01:06:22We don't want a row.

01:06:23Unpleasant things have a way of getting into the papers.

01:06:25Think of the show.

01:06:26But I can't leave you here with me.

01:06:27Please, I can handle him better alone.

01:06:29Please.

01:06:31You're sure you'll be all right?

01:06:36Oh, Jimmy.

01:06:38Let's go away for a few days to the country.

01:06:41I need a rest, and you do too, before we start rehearsal.

01:06:45Well, what about Mr. Huber?

01:06:48Oh, I'll talk to him and make all the arrangements.

01:06:50You go home and pack a bag, and I'll telephone you when I'm ready to leave.

01:06:56Open the door!

01:07:00I thought so.

01:07:15You're Houston, aren't you?

01:07:18That's right.

01:07:21You don't look like you've been sneaking out of back doors very long.

01:07:27She doesn't want to see you.

01:07:31Get going.

01:07:36Okay.

01:07:38You'll find out.

01:07:54Hello, Jimmy.

01:07:56Hello, Jeannie.

01:07:57I was worried about you.

01:08:01I just wanted to make sure you were all right.

01:08:03Oh, I'm fine.

01:08:05I've been awful busy.

01:08:08I wanted to talk to you, but it seems like I haven't had a minute.

01:08:12But...

01:08:25You're looking mighty fine, Jeannie.

01:08:27You're looking well, too.

01:08:29I'm sorry about not seeing you, Jeannie.

01:08:31I understand.

01:08:33I understand.

01:08:35Oh, Jimmy.

01:08:37I'm so glad about your success.

01:08:39It's just what I wanted for you.

01:08:41Thanks.

01:08:42Everything happened so suddenly, Jeannie.

01:08:52I...

01:08:54Maybe later on, when things quiet down, I sort of get my breath again.

01:08:57I guess I'd better go now.

01:09:13Goodbye, Jim.

01:09:14Good luck.

01:09:15Jimmy.

01:09:20Jimmy.

01:09:21If things ever go wrong for you, or people don't treat you right, or you'll get sick or something,

01:09:25don't forget my friend.

01:09:27Let me know if you need me, won't you?

01:09:28You fool, go after her. Don't let her get away, Jimmy.

01:09:49You fool, go after her. Don't let her get away, Jimmy.

01:09:59Hello.

01:10:05Oh, hello.

01:10:07I talked to Hubert.

01:10:08Everything's all set. We can stay until Tuesday. Isn't that wonderful?

01:10:11It gives us three days.

01:10:13I'll pick you up in about 20 minutes. Will you be ready?

01:10:16You bet I will.

01:10:18Goodbye.

01:10:28If there's anything important, you can reach me at the Pinewood Inn.

01:10:47But I mean important.

01:10:51If you don't stop annoying me, I'll have you put away where you belong.

01:10:55Arlene, I've been trying to see you to tell you I've got a chance of a comeback.

01:10:59Miller's got a show.

01:11:01He's... he's gonna give me the lead if I can get on my feet again.

01:11:04And, well, I can't do it alone.

01:11:07Miller's going to give you a lead?

01:11:08Yes.

01:11:09What are you trying to do? Kid me? Look at you.

01:11:12I knew you wouldn't care.

01:11:16I know there's someone else now.

01:11:19There's always been someone else.

01:11:21But no one loves you the way I do.

01:11:28Arlene.

01:11:31Arlene!

01:11:32Arlene!

01:11:33Take your hands off me.

01:11:34Arlene, please!

01:11:42Adam Tanya, I'm worried about Jimmy.

01:11:46It's not right for him to go away with that Terry woman.

01:11:48No good will come of it. Nothing but trouble.

01:11:51Do everything you can to stop him.

01:11:56There he is now.

01:11:57There he is now.

01:12:14I'm Arlene Terry. Is Mr. Houston ready?

01:12:17I shall see.

01:12:18So long, Madam Tanya.

01:12:19Jimmy.

01:12:20Please don't go.

01:12:21What's the matter? You look worried.

01:12:22I am. That girl. Those stories in the paper.

01:12:24Oh, that's nothing but publicity. It don't mean anything.

01:12:25Jimmy. A man can't spoil his life over a woman.

01:12:27I know our friends wouldn't like you to go away with that girl.

01:12:28Well, she's fine.

01:12:29She's fine. She gave me a part in her show.

01:12:30And we both want to get away to the country for a few days before rehearsals begin.

01:12:31Jimmy.

01:12:32I know our friends wouldn't like you to go away with that girl.

01:12:34Well, she's fine. She...

01:12:35She gave me a part in her show.

01:12:36And we both want to get away to the country for a few days before rehearsals begin.

01:12:41Jimmy.

01:12:42Jimmy.

01:12:43Jimmy.

01:12:44Jimmy.

01:12:45Mr. Melton lost everything.

01:12:46Home.

01:12:47Family.

01:12:48Reputation.

01:12:49Over such a woman.

01:12:50Oh, now you're making it sound much more serious than it really is.

01:12:52Now, don't you worry. I'll be alright.

01:12:54So that's a good one.

01:12:55The man can't spoil his life over a woman.

01:12:57I know our friends wouldn't like you to go away with that girl.

01:13:00Well, she's fine.

01:13:02She...

01:13:03She gave me a part in her show.

01:13:04And we both want to get away to the country for a few days before rehearsals begin.

01:13:07Jimmy.

01:13:08Mr. Melton lost everything.

01:13:10I'll be back by Tuesday.

01:13:12Goodbye.

01:13:29What was that?

01:13:31Just the luggage.

01:13:32What's the matter? You seem nervous.

01:13:34I do?

01:13:35Say, do you believe in hunches?

01:13:38Sometimes. Why?

01:13:40I got a funny feeling we're going in the wrong direction.

01:13:44On the trail, when I feel like that, I usually turn back.

01:13:47Oh, I can see you were cut out for the stage, Jimmy.

01:13:50Superstitions and everything.

01:13:52Do they have superstitions on the stage, too?

01:13:54Heavens, yes. Hundreds of them.

01:13:57Madame Tanya's the one that has hunches,

01:13:59and she's not usually wrong.

01:14:01Is she the disagreeable old lady who answers the door?

01:14:04Well, she's not disagreeable.

01:14:06She's just been through a lot.

01:14:08You know, I don't think I should have run off and left her the way I did.

01:14:12Oh, nonsense, Jimmy.

01:14:13You shouldn't be living in that musty old house with a couple of musty old servants.

01:14:17You should have an apartment of your own where you can do as you please.

01:14:20I'll find you one.

01:14:22Well, that wind too much for you?

01:14:27Snuggle down.

01:14:29Oh, you're so nice, Jimmy.

01:14:31Maybe you won't think that after you know me better.

01:14:33Why not?

01:14:34Oh, I've got a lot of old-fashioned backwoods ideas.

01:14:37Oh, we'll soon get rid of those.

01:14:40We'll have a lovely time in Pinewood.

01:14:42We'll walk and ride horseback and roast chestnuts by the fire.

01:14:46No crowds, no autograph hounds.

01:14:49There aren't many people up here this time of year.

01:14:51I'll have you all to myself.

01:15:00A part of Pinewood Inn?

01:15:01About five miles.

01:15:03Where can I get a drink?

01:15:04Right around the corner.

01:15:05Fill it up.

01:15:06I'll be right by you.

01:15:07Yes.

01:15:31Feeling any better?

01:15:32A little.

01:15:33I don't know what's wrong with me tonight.

01:15:36I feel sort of strange.

01:15:38Oh, come on.

01:15:39Cheer up.

01:15:40We're on a holiday.

01:15:43Your dinner is ready to serve this time.

01:15:45Good.

01:15:47Food is what you need and plenty of it.

01:16:03Good.

01:16:04I know.

01:16:05Good.

01:16:15Michael.

01:16:17Michael O'Brien.

01:16:19I'm here.

01:16:25It's time, Michael.

01:16:28Right now?

01:16:29now? Yes, now. I can't own now. You're called only once. But I can't leave Jimmy. He needs

01:16:45me. There's trouble coming. I got him into this. I must get him out. It means you will

01:16:56linger in the shadows of Earth for all time. I can't go now. I can't. So be it, Michael.

01:17:26It gives me great pleasure to announce, ladies and gentlemen, that we have with us

01:17:40this evening two very distinguished Broadway personalities, Miss Arlene Terry and Mr. James

01:17:46Houston. Get up and take a bow. Go on. It'll be good for the show. If we try hard enough,

01:18:03we may get Mr. Houston to give us a song.

01:18:05Oh, Jimmy. Jimmy.

01:18:32Give me a doctor. An ambulance. Quick.

01:18:40Sponge.

01:18:44Quit the heart. Let's try and suit you. One chance in a thousand.

01:18:49Take his blood pressure, nurse.

01:19:02Come on. Jimmy. Mr. O'Brien. Oh, Jimmy. Why didn't you listen? I tried to warn you.

01:19:26Jeannie. Jeannie. Jeannie.

01:19:40Jeannie.

01:19:46Jeannie.

01:19:50She shouldn't cry like that for me.

01:20:00She loves her, Jimmy.

01:20:04Whatever happened to me anyway?

01:20:08She was too young and thoughtless.

01:20:12And success came too sudden.

01:20:14And that woman, she...

01:20:17She's gone.

01:20:20She had no soul at home to go on with.

01:20:30Jeannie.

01:20:33I'm sorry.

01:20:38If I could only tell her.

01:20:42We make mistakes sometimes that can never be remedied.

01:20:47It's myself I'm blaming, Jimmy.

01:20:50Not you.

01:20:51Michael.

01:20:52Michael.

01:20:52Michael O'Brien.

01:20:54Michael O'Brien.

01:20:55Michael O'Brien.

01:21:03Michael O'Brien.

01:21:07You've come back.

01:21:21Your mother would give us no peace until we came back for you.

01:21:27If it isn't asking too much, could you be doing me a favor before we go?

01:21:34Could you give the boy another chance?

01:21:36He's a good lad.

01:21:37He's a good lad.

01:21:39And he's learned his lesson.

01:21:42Give him a chance to live.

01:21:43He's a good lad.

01:21:44He's a good lad.

01:21:45He's a good lad.

01:21:46So be it.

01:21:47Let him go back.

01:21:51Come along, O'Brien.

01:21:52You're the stubborn soul we ever love.

01:21:56Let him go back to the house.

01:22:12Why don't...

01:22:30It's George.

01:22:33George, I'm glad to see you.

01:22:37What happened? How did you get here?

01:22:41I've come a long way out of darkness.

01:22:44Darkness is a terrible thing, Michael.

01:22:47I thought of you and Chad and your faith and loyalty and friendship.

01:22:53And then the bitterness began melting out of my heart.

01:22:58And I saw a light.

01:23:01And I followed it.

01:23:03And it brought me here.

01:23:06Sometimes we have to go into the darkness alone before we can see the light.

01:23:13There's no rejoicing in heaven over one sinner that repented.

01:23:20It's my mother.

01:23:32It's my mother.

Beyond Tomorrow (1940) | Heartwarming Holiday Fantasy | Full Classic Movie

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