- 5/26/2025
JUVENTUD AMBICIOSA (YOUNG AND WILLING, 1943, Full movie, Spanish) HD
Category
🎥
Short filmTranscript
00:00:00This is a work of fiction. Any resemblance to actual people, events, or events is purely coincidental.
00:00:30This is a work of fiction. Any resemblance to actual people, events, or events is purely coincidental.
00:00:34This is a work of fiction. Any resemblance to actual people, events, or events is purely coincidental.
00:00:38You have nothing to fear!
00:00:59The telegraph! The telegraph just went off.
00:01:03The telegraph! The telegraph just went off.
00:01:08The telegraph has just come out, the telegraph.
00:01:15The telegraph has just come out, the telegraph.
00:01:22She sleeps on a soft mattress. Is she a woman or is she made of iron?
00:01:25The telegraph has just come out, the telegraph.
00:01:38She sleeps on a soft mattress. Is she a woman or is she made of iron?
00:01:43The telegraph has just come out, the telegraph.
00:01:48She sleeps on a soft mattress. Is she a woman or is she made of iron?
00:01:51The telegraph has just come out, the telegraph.
00:02:02Hey, what's going on?
00:02:06Tony, please, go away.
00:02:08You can't say that about my wife.
00:02:10But he's the director of the store you hit. Do you want to leave?
00:02:13Oh, my God.
00:02:14Run, honey.
00:02:16Honey, are you okay?
00:02:17Oh, yes. It's nothing.
00:02:20I'm sorry, Margie, but that man told me some things that...
00:02:22I know. He was arrested.
00:02:24I deserved it.
00:02:26I've been fired. I will not rest in my sweet rest.
00:02:30Is it my fault?
00:02:31No, the boss told me that I had ruined everything.
00:02:34Tony, have you found anything today?
00:02:38You shouldn't have married me.
00:02:40Tony, I don't want to hear you say that.
00:02:44It's just a bad season on the show business, Tony.
00:02:48But we'll find something.
00:02:50At least while we eat so much and we have a place to live.
00:02:53But it's not our house, is it?
00:02:55No, it's not our house, but...
00:02:58Tony, I wish...
00:03:00It's horrible to be married and not be able to tell anyone.
00:03:02As if it were something immoral to be married.
00:03:05Well, we all promised not to fall in love.
00:03:09I can't wait to see what happens when they find out we're married.
00:03:12Yes, me too.
00:03:14It won't always be like that, honey.
00:03:16When Mr. Kenny includes us in his work and we all have a job,
00:03:19we'll be able to shout it from the stairs of the courthouse.
00:03:21From the Empire State Building.
00:03:24Hello, guys.
00:03:25Hello, brother.
00:03:26Well, I have great news.
00:03:28Do you know about the young man's role in Love at Night?
00:03:31Yes.
00:03:32They haven't given it to me.
00:03:35Why don't we go home?
00:03:41There was no luck.
00:03:43You should have seen how young the role was given to him.
00:03:45Young.
00:03:46He's got canes on the stage.
00:03:48He must be 40 years old.
00:03:5040?
00:03:51Yes.
00:03:53Don't you realize that the public likes to see young people playing young people?
00:03:57Well, now that Kenny's back, maybe it'll be different.
00:04:00He believes in new faces.
00:04:02Well, ours, of course, are...
00:04:03Yes, that's another thing.
00:04:04The biggest producer in the city has to go around the country looking for new talents
00:04:07when New York is full of them.
00:04:09Yes, they have them in the courtyard of their house.
00:04:11Well, at least in their own building.
00:04:18Slowly, I don't want to be heard in the house.
00:04:23What a day.
00:04:41Good evening.
00:04:42I was waiting for you.
00:04:44Yes, Mrs. Garnett?
00:04:45Yes, the rent, you know.
00:04:47Well, you'll have to talk to Mrs. Coburn about that, Mrs. Garnett, you know.
00:04:50The apartment is yours.
00:04:52Sometimes I don't know whose apartment it is.
00:04:55It's very confusing.
00:04:57Well, sometimes it confuses us too, Mrs. Garnett.
00:05:00I know how you feel.
00:05:02The last time I mentioned the rent,
00:05:04Mrs. Coburn told me she was waiting for a check from her father.
00:05:08Oh, that.
00:05:09Yes, that.
00:05:10Well, that.
00:05:11I was waiting.
00:05:12Oh, yes?
00:05:13Vera, Mr. Coburn had an accident.
00:05:16Oh, yes?
00:05:18Oh, yes.
00:05:19Vera ran to the side of her brother, Moribundo,
00:05:22and completely destroyed the car.
00:05:24And Dottie had to send the money to get him out of jail.
00:05:27He did perfectly well.
00:05:29My God, what an animal.
00:05:31We knew you would understand, Mrs. Garnett.
00:05:33That's Mr. Kenny's apartment, isn't it?
00:05:35Of course it is.
00:05:38Does it mean anything to you that you're there?
00:05:40He's back in town, Mrs. Garnett.
00:05:42Who?
00:05:43Mr. Kenny.
00:05:44Oh.
00:05:45Well, if he's not coming back,
00:05:47what were you doing in his apartment?
00:05:49Oh, oh.
00:05:50I was preparing him for Mr. Kenny, the producer, you know.
00:05:54That's what we were asking, Mrs. Garnett.
00:05:56Has Mr. Kenny returned?
00:05:58Ask him more slowly.
00:06:00I'm sure you don't know.
00:06:01I just got a call to prepare his apartment.
00:06:04Did Mr. Kenny call you personally?
00:06:08Oh, no.
00:06:12My God, I hope he's okay.
00:06:15Who?
00:06:16Mr. Coburn's brother.
00:06:18Why?
00:06:19Oh, yes.
00:06:20We're waiting for him, too.
00:06:34Hello, George.
00:06:35Hello, dear.
00:06:37Hello, George.
00:06:39Hello, George.
00:06:40Hello.
00:06:43Look at this, Norman.
00:06:46You never get bored of having George here.
00:06:49You never know what movie he's going to be in.
00:06:51You see, I'm supposed to be an old man.
00:06:53No, you're not.
00:06:54You're an old man.
00:06:56What did Stanislavski say about this?
00:06:58Is he back?
00:06:59Yes, dear.
00:07:00He's here.
00:07:01Tell me, old man.
00:07:02Has La Colada returned?
00:07:04No, not yet.
00:07:05But I hope she shows up at any moment.
00:07:09Of course I'd look good in a shirt.
00:07:11I'm sick of going around in a coat.
00:07:14Do you have mail?
00:07:15Yes, I do.
00:07:16Do you have it?
00:07:17Of course I do.
00:07:19Let's see.
00:07:23The army?
00:07:24Yes.
00:07:25Physical exam?
00:07:27Maybe they won't take you.
00:07:29What do you mean, they won't take him?
00:07:31He's not married or anything.
00:07:32Why won't they take him?
00:07:34Well, maybe not.
00:07:35I passed the physical exam today.
00:07:37How did they grade you?
00:07:39Five G.
00:07:41Five G?
00:07:45I didn't know that existed.
00:07:46That's what the doctor who examined me said.
00:07:50It's useless to worry the girls, isn't it?
00:07:54Don't say anything about this.
00:07:56At least until you know something.
00:07:58All right.
00:08:08Don't you think he's acting strangely?
00:08:10Yes, he's acting very strangely lately.
00:08:13Do you know what I think?
00:08:14What?
00:08:15He's in the clouds.
00:08:17In love.
00:08:18Don't be silly.
00:08:19We made a deal, didn't we?
00:08:20It's not the same.
00:08:22If he's done something like that, I'll break his neck.
00:08:25So hold me because I'll break it.
00:08:28All clear, Mr. Kelly.
00:08:35Philip, be careful.
00:08:36It's made of aluminum and it's illegal or something.
00:08:41Welcome home.
00:08:44Don't tell anyone that I'm here tonight.
00:08:49It's Mr. Kenny, isn't it?
00:08:52When I'm here, I'm in the dark.
00:08:55Remember that.
00:08:56What are you talking about, Mr. Kenny?
00:08:58In the dark.
00:09:00This is a respectable house, Mr. Kenny.
00:09:03I hope you remember that.
00:09:05You don't think you can come here and do whatever you want, do you?
00:09:10After 15 years of conversation, you must have learned, right?
00:09:14Yes, of course.
00:09:15Right?
00:09:16Yes.
00:09:32Great.
00:09:33I've been reading Stanislavski's book, but I don't understand.
00:09:37I think he's crazy.
00:09:39Listen, George.
00:09:41Stanislavski is the greatest artist of all time.
00:09:45He's great.
00:09:46He simply said this.
00:09:48Don't pretend to be a character.
00:09:49You have to be one.
00:09:50Live it.
00:09:51Yes, yes, of course.
00:09:52But some of the examples he gives you to practice are like...
00:09:55Like...
00:09:56Pretend you're an apple growing on a tree.
00:09:59What the hell is that?
00:10:00No, George.
00:10:01No.
00:10:02Don't pretend.
00:10:03Be an apple growing on a tree.
00:10:05Be it.
00:10:06Feel the seed inside you.
00:10:08Just a seed?
00:10:10How can I know how many seeds you have?
00:10:12You're the apple, not me.
00:10:13Look.
00:10:14Feel the seeds inside you.
00:10:16Feel the rays of the sun and your flesh softening.
00:10:19Your skin about to burn, coloring with red stripes.
00:10:23And what do I do when I'm ripe?
00:10:26What do you do?
00:10:27You fall from the tree.
00:10:28Flash!
00:10:29A beautiful sphere of lust.
00:10:31Norman.
00:10:32Well, I was just trying.
00:10:34Norman, I was just kidding.
00:10:35Maybe you should try it.
00:10:37If I had a tree.
00:10:39If you had a tree?
00:10:42What did Stanislavsky say about that?
00:10:44Improvisation.
00:10:45There's your tree.
00:10:48Isn't it beautiful?
00:10:51It's strange I haven't seen it.
00:10:52I've been here all the time.
00:10:55Are you sure it's an apple?
00:10:57I'm afraid you don't get it, George.
00:10:59Oh, yes, I get it.
00:11:01Wait and see.
00:11:02In a moment you'll see the juiciest apple you've ever seen.
00:11:15How are you?
00:11:16I was looking for Dorothy Coburn.
00:11:18Me too.
00:11:19For the rent, you know.
00:11:33Oh!
00:11:35Oh!
00:11:49Oh!
00:11:50Oh!
00:12:02Oh!
00:12:08Oh!
00:12:12How are you?
00:12:16I'm Muriel Foster.
00:12:20What are you doing there?
00:12:25I think I just felt the seed.
00:12:29Two, I think.
00:12:31Two precious little seeds.
00:12:36Does Miss Dorothy Coburn live here?
00:12:38Do you see any red stripes?
00:12:41I see.
00:12:42I'm Muriel Foster.
00:12:44I went to school with Dottie in Husby, Illinois.
00:12:49What's wrong?
00:12:50You know, I think I just felt a bee.
00:12:55I don't know what you're doing up there or what you're talking about.
00:12:58I don't...
00:12:59I must have been crossed with some strange tropical fruit.
00:13:03No northern apple has ever felt like this.
00:13:11Well, I guess I was wrong about the apartment.
00:13:14But Dottie gave me that address.
00:13:16Let's rehearse a little before we leave.
00:13:18We can do the second act scene.
00:13:20Here it is.
00:13:22I beg you.
00:13:30Here you are.
00:13:31What happened to that corpse?
00:13:33You mean the one from the ritual, sir?
00:13:35It's gone.
00:13:37I'm not sure you're clean.
00:13:40Why would I want to kill that poor girl?
00:13:43If I only knew.
00:13:47All right.
00:13:48What happened?
00:13:49Excuse me.
00:13:50Is Miss Coburn here?
00:13:51I don't know anything.
00:13:52I've never seen that girl.
00:13:53It's your fault.
00:13:54I've already paid her.
00:13:55You were in the room when she was stabbed.
00:13:58It's $1.83.
00:13:59Speak, damn it!
00:14:00I said it's $1.83.
00:14:03Please, Mrs. Garnet.
00:14:05For the last time,
00:14:06something very strange is going on tonight in Brooklyn.
00:14:09That peculiar woman...
00:14:10Don't talk about her.
00:14:11She's good, kind, and pure.
00:14:13She's my life, my guardian angel.
00:14:15I don't care.
00:14:16It's $1.83.
00:14:18Please, Mrs. Garnet.
00:14:19We're rehearsing.
00:14:21How can we rehearse with so many interruptions?
00:14:23Oh, you're acting.
00:14:26You gave us a play.
00:14:28Don't you remember?
00:14:29Oh, yes.
00:14:30I'm so kind.
00:14:32It's strange.
00:14:34There were nine men's shirts
00:14:36and six pairs of pajamas.
00:14:38And underwear?
00:14:39Yes.
00:14:40Six women's
00:14:41and four men's.
00:14:43Good.
00:14:44Well, I don't think so.
00:14:46When Miss Coburn took this apartment,
00:14:48she said a young woman would come to visit her from time to time.
00:14:51But, well,
00:14:52nine men's shirts.
00:14:54Nine men's shirts.
00:14:55Good.
00:14:56I'll talk to Miss Coburn when she comes.
00:14:58I hope so.
00:14:59I thought the laundry man was very funny.
00:15:02I thought he was a Santa Claus.
00:15:04I can't.
00:15:05No.
00:15:06I tried, but it didn't work.
00:15:10Say goodbye to your angel.
00:15:12Goodbye.
00:15:14Ah.
00:15:23Hey, Tony, did you have two underwear in the laundry?
00:15:26No, one.
00:15:27Oh, it must be George's.
00:15:30A girl.
00:15:32I'm ripe.
00:15:37George!
00:15:38George!
00:15:40I'll get some water.
00:15:43You're so slouchy.
00:15:51Listen, everyone.
00:15:52Guess.
00:15:53You have a job.
00:15:54Oh, Daddy.
00:15:55It's something wonderful.
00:15:56Behind the hamburgers.
00:15:57No, it's not that.
00:15:58Don't tell me you won.
00:15:59No, it's great.
00:16:00Kenny's back.
00:16:01What?
00:16:02Kenny?
00:16:03How do you know?
00:16:04I saw light in his apartment.
00:16:05Light in his apartment?
00:16:08Oh, I hope Mrs. Garnet doesn't find out.
00:16:13There's someone down there.
00:16:14Margie, come.
00:16:15Mr. Kenny's back.
00:16:16How do you know?
00:16:17Have you seen him?
00:16:18No.
00:16:19Do you see Norm?
00:16:20No, I don't see him, but I smell onion.
00:16:22The producers smell.
00:16:23Do you see anyone?
00:16:25No, I guess Mrs. Garnet left the light on.
00:16:27What are you looking at?
00:16:29Who's this?
00:16:31Don't ask me.
00:16:32Maybe she's always been here.
00:16:33We didn't notice her.
00:16:35Dottie told me you were coming.
00:16:37Oh, yes.
00:16:38I'm so happy to see you.
00:16:39When did you get here?
00:16:40Do you know these people?
00:16:41No, thank you.
00:16:42Well, Muriel Foster, these are my roommates.
00:16:44You mean you all live here, in an apartment?
00:16:49Why not?
00:16:50Well, I don't think that's right.
00:16:52I know what you're thinking, and it's not right either.
00:16:56But what will people say?
00:16:58My dear Miss, what's wrong with three girls and three boys sharing the same apartment?
00:17:04We live here for financial reasons, with no other purpose.
00:17:07Do you understand?
00:17:08No other purpose.
00:17:10But I wasn't thinking about that.
00:17:13Oh, no.
00:17:15She wasn't thinking about that.
00:17:17You're really unpleasant.
00:17:19If Dottie's father knew about this...
00:17:21But he doesn't know.
00:17:22I mean, if he did, he'd be very worried.
00:17:25But he won't know, right, dear?
00:17:27Right, dear?
00:17:30Well, it's none of my business.
00:17:32If Dottie wants to live in a...
00:17:34An aren?
00:17:35I wouldn't classify it so badly.
00:17:37Oh, no, Muriel, it's fun.
00:17:39I don't think so.
00:17:41An isolationist, eh?
00:17:43I suppose you don't want to be a gregarian either, do you?
00:17:47No, I don't.
00:17:48And I'm leaving right now.
00:17:50Dottie will walk you to the door to make sure you're leaving.
00:17:55Of course.
00:17:56I don't know what your father will think of this.
00:17:58Three boys living with three girls, alone.
00:18:01No one's ever alone.
00:18:02You can't live with just four rooms.
00:18:04Sure, there's the bathroom, but with six people, it's hard to be there alone, too.
00:18:08I still don't see the need to live here with three men, just to get on a stage.
00:18:12I live with three men.
00:18:13The others are Tony and George.
00:18:15Oh, I get it.
00:18:16If we didn't live together, Norman would have to go back to Rhode Island
00:18:19and stay there and end up being a dentist with no vocation.
00:18:23And I think I'd die, Muriel.
00:18:25Well, all this is very interesting.
00:18:28I have a surprise for your father.
00:18:30Oh, really, Muriel?
00:18:31What is it?
00:18:32You'll see.
00:18:34Goodbye.
00:18:39Suppose that Muriel goes and tells Mr. Coburn that we all live together.
00:18:43It could cause us a lot of trouble, if he wants to.
00:18:45Yes, and I think he wants to.
00:18:47If Dottie's father wants her to be alone, what will we do?
00:18:51I've discovered that encroachments are very nutritious.
00:18:55George, bring the burgers.
00:19:03Good evening, Mr. Kenny.
00:19:05How are you?
00:19:15He's there, guys, he's there!
00:19:17Who? Who?
00:19:18Maybe he's referring to Mr. Kenny.
00:19:20He's the one we wanted to see, right?
00:19:22One moment, are you sure?
00:19:23I saw him downstairs, at the door.
00:19:29Do you see him?
00:19:30He's wearing a white hat.
00:19:32Yes, I see his head.
00:19:33Is he moving?
00:19:34Or has he gone?
00:19:36He can't stay still.
00:19:37Yes, I can hear you.
00:19:38Here he comes.
00:19:40Oh, my God, I could spit on him.
00:19:42Oh, come on, George.
00:19:43I've never spit on a producer.
00:19:45I'd love to spit on a producer.
00:19:47But not this one.
00:19:48It's our only chance.
00:19:49We can catch him just like this.
00:19:51It's funny, I've never seen a producer in person.
00:19:54Well, he's downstairs.
00:19:55Let's go see him.
00:19:56Not all at once.
00:19:57He'll think we're crazy.
00:19:58Someone should come down.
00:20:00Yes.
00:20:01And it should be a girl.
00:20:02Producers like girls.
00:20:05I'm not.
00:20:06I'm scared to death.
00:20:08Dottie's not.
00:20:09She's too silly.
00:20:14Understood.
00:20:15All right.
00:20:17He's acting like a tyrant.
00:20:18Let's see.
00:20:19I played the leading role.
00:20:20The woman of all.
00:20:21I'll play the second act.
00:20:22Remember?
00:20:23Yes, the audience went home.
00:20:25I remember.
00:20:26But he's pregnant.
00:20:27Don't you think, Kate?
00:20:28This isn't a play, Margie.
00:20:46I hope I never end up...
00:20:48...sipping all night with you.
00:20:52Hello.
00:20:53How did you get in?
00:20:54I had to go through the pipe, I always do.
00:20:57Please, leave.
00:20:58I'm busy with the bouillabaisse.
00:21:00That's a good title for a song.
00:21:02Busy with a bouillabaisse.
00:21:03I don't want to hear it.
00:21:05I'm busy with the bouillabaisse.
00:21:07Please, leave.
00:21:08I'm busy with the bouillabaisse.
00:21:10That's a good title for a song.
00:21:12I'm busy with the bouillabaisse.
00:21:14That's a good title for a song with a bouillabaisse.
00:21:17You know, I always sing when I do the bouillabaisse.
00:21:20Better?
00:21:21No.
00:21:22Yes.
00:21:23Do you see someone?
00:21:24No.
00:21:27You're a very pretty girl, you know.
00:21:30Why did you say you were coming?
00:21:32We want to be an actress.
00:21:33I mean, we're an actress.
00:21:35Well, I can't imagine why you're coming to me.
00:21:37Aren't you Arthur Kenny?
00:21:38Me? Oh, no, no.
00:21:39Oh, no?
00:21:40No, no, I'm just the chef.
00:21:42Do you want to talk to him about me?
00:21:44I mean, if he's not afraid.
00:21:45No, I'm not afraid to talk to him.
00:21:47In fact, he respects my tastes.
00:21:49What makes you think you can act?
00:21:50My teeth, for example.
00:21:52The most beautiful teeth in America, they say.
00:21:54Trying to get into the theater, huh?
00:21:56And besides, I'm the healthiest girl in Creek County.
00:21:59Where is that?
00:22:00In Iowa.
00:22:01I was a beauty queen there.
00:22:02I'd love to help you.
00:22:04Have you said healthy?
00:22:05You see?
00:22:06You see that I have something that may interest Arthur Kenny.
00:22:08Yes, I think you have it.
00:22:09I mean, what will interest him?
00:22:11He comes here sometimes, doesn't he?
00:22:13I know he doesn't live here, but he comes from time to time.
00:22:16I wonder why.
00:22:18Well, Arthur is a very sentimental man.
00:22:20Believe it or not, I lived here when I was very poor.
00:22:22It was in this apartment where Arthur wrote his first work.
00:22:25Something very beautiful.
00:22:26And was it successful?
00:22:28I never knew.
00:22:29He came home one night and found it closed.
00:22:32Mrs. Garnett.
00:22:33Do you know her?
00:22:34I know her.
00:22:35Well, her trunk was in the house and her work in the trunk.
00:22:39When she came back with the money to get it back, it was gone.
00:22:42It was a hard blow.
00:22:43Like losing your first child.
00:22:45And where was it?
00:22:47You said you knew Mrs. Garnett.
00:22:49Well, she thinks she sold the trunk, but she's not sure.
00:22:52That's why Arthur keeps this apartment and comes back sometimes to run away from everything.
00:22:56And also waiting for Mrs. Garnett to remember what happened to the trunk.
00:23:00That's a lot of waiting.
00:23:02Well, I always...
00:23:03He can always cook.
00:23:04Arthur loves to cook.
00:23:10Here it is.
00:23:18No.
00:23:19No.
00:23:20No.
00:23:24Wait a minute.
00:23:26You're throwing all that food away.
00:23:28I wouldn't give it to my pigs.
00:23:30Capitalist, fat, fat pig.
00:23:33What did you call me?
00:23:34Pig.
00:23:35Pig.
00:23:36What did you call me?
00:23:37Pig.
00:23:38Wait until I meet Arthur Kenny.
00:23:39I'll meet Arthur Kenny.
00:23:41He's not that kind of man.
00:23:42And you know it perfectly.
00:23:44He's not the kind of man who takes food out of people's mouths.
00:23:46I haven't taken anything out of anyone's mouth.
00:23:48And now get out of here.
00:23:50When I think of those guys up there dying for a hamburger...
00:23:54Pig.
00:23:56Pig.
00:24:05Go ahead.
00:24:06Spit it out.
00:24:07What did Kate tell you?
00:24:09She won't receive us?
00:24:11It wasn't him.
00:24:12It was her cook.
00:24:13What?
00:24:14Didn't she tell you when Mr. Kenny was coming back?
00:24:15He doesn't know anything.
00:24:16He only knows how to cook.
00:24:17He's as happy as a fish.
00:24:22It's probably Mrs. Garnet who's coming to collect the rent.
00:24:26I suppose you don't have any loose eggs around here, do you?
00:24:29What?
00:24:30I have a very exciting idea and I need an egg.
00:24:34I don't have any loose eggs.
00:24:37No, I thought so.
00:24:38I wanted to ask those people, but there's no one here.
00:24:44The tragedy of Othello.
00:24:46I'll cross the river.
00:24:49I'll cross the river.
00:24:51I'll cross the river.
00:24:53I'll cross the river.
00:24:55Cross the river.
00:24:56I'll cross the river.
00:24:58I'll cross the river.
00:24:59I'll cross the river.
00:25:07Where will Othello go?
00:25:14Now?
00:25:15What's happening?
00:25:18This man is going to wash my soul.
00:25:23And Phoenix will take her from me.
00:25:29You too? What are you reading?
00:25:32A letter from my house.
00:25:34Why are you crying?
00:25:36Our dog ate one of his puppies.
00:25:39What?
00:25:40They do that sometimes.
00:25:42Very smart.
00:25:44It's something the human race should practice.
00:25:46Norman, don't say that.
00:25:48I'm serious.
00:25:53The problem is the overpopulation.
00:25:56Shouldn't we all fall in love at some point?
00:25:59Like Mr. Kenny's mother fell in love to give birth to him.
00:26:02I suppose so.
00:26:04Norman, don't be grumpy.
00:26:05It's very depressing when you get grumpy.
00:26:07I'm hungry.
00:26:08And you know, it's also very depressing to be hungry.
00:26:10I'm coming.
00:26:14I don't know what you're talking about.
00:26:16But if it weren't for Dottie, you wouldn't eat anything.
00:26:20Did you hear that?
00:26:22I'm here and you're paying the bills.
00:26:24Please, don't be mad at me, Norman.
00:26:26If you want, I'll stop paying.
00:26:28Dottie!
00:26:29And let four innocent people starve to death by our side?
00:26:33I never want to do anything to make you mad at me, Norman.
00:26:36I'm not mad at you.
00:26:38Don't you see that I hate myself so much that I can hardly stand it?
00:26:41Don't you see that?
00:26:43I guess not, Norman.
00:26:44Don't think I don't know how miserable I am.
00:26:46Letting you pay for the food and the bills.
00:26:49A girl.
00:26:51I wish you didn't feel that way, Norman.
00:26:53I'm happy here.
00:26:54I don't want to be anywhere else.
00:26:56I want to be with you.
00:26:58I mean, with all of you.
00:26:59Well, I guess this is different from the life of Husby and Lily-Noise.
00:27:02Yes, it is.
00:27:03That's why I'm always afraid that my father will find out that we all live together.
00:27:07I don't think he'll like it.
00:27:09No.
00:27:10You know, he's half wolf, half lamb, and he's also Lutheran.
00:27:13I see.
00:27:15You'll understand that a man like that probably wouldn't understand that you don't want to end up being a dentist.
00:27:20Please, don't say that word.
00:27:23I'm sorry.
00:27:24But people who aren't in the theatre can't understand why it means so much to those who are in it.
00:27:29My father probably thinks that ending up being a dentist is a good profession.
00:27:36Have you ever looked someone in the mouth?
00:27:40No, I don't think I've ever done it.
00:27:42I see.
00:27:43Well, look at mine.
00:27:47Well, would you like to spend the rest of your life looking at something like that?
00:27:51I wouldn't mind.
00:27:53I mean, it all depends on the point of view.
00:27:55From every point of view.
00:27:57It's horrible.
00:27:58Well, don't worry.
00:28:01We'll find something.
00:28:02Yes, darling.
00:28:03We'll make Mr. Kenny...
00:28:04He hasn't come here in weeks.
00:28:05But he'll come any night now.
00:28:07We'll be able to see him.
00:28:09If we could hold out.
00:28:12If that's the case, it'll be thanks to you, Dotty.
00:28:15And when I'm successful, you know what I'll do first?
00:28:18What, Norman?
00:28:19I'll buy you first-row tickets for all the shows.
00:28:26I'll clean the cigarette butts.
00:28:33I suppose no one knows anything about Tony, right?
00:28:36He's gone to do some tests. Isn't that enough?
00:28:38That's what he said, right?
00:28:40Yes, but...
00:28:42I didn't know there were tests for a show in New Jersey.
00:28:45I don't understand.
00:28:47I guess so.
00:28:48Because shows have always premiered in Atlantic City.
00:28:50And I guess they'll keep doing it all their lives.
00:28:52I guess.
00:28:53No, I thought it was strange.
00:28:55He left a long time ago.
00:28:56So what?
00:28:57Maybe it's a good show.
00:28:58Haven't you thought about it?
00:28:59Besides, I want Tony to come back as much as you want him to.
00:29:03He had to do the dishes.
00:29:06Don't you think he would have told us if something had gone wrong?
00:29:09For God's sake, Tony's not here.
00:29:11We don't know anything about him.
00:29:12Someone's going to die because of that.
00:29:15I need to see Tony.
00:29:17Why?
00:29:19It's none of your business.
00:29:29I hope it's a job.
00:29:34Hello?
00:29:36Yes.
00:29:37What?
00:29:38This is Mrs. Coburn's apartment.
00:29:40What?
00:29:41Who?
00:29:42Mr. Coburn.
00:29:44Mr. Coburn?
00:29:46You mean Mr. Coburn, Dottie's father?
00:29:48Oh, me?
00:29:49I'm Norman.
00:29:51Yes, Norman.
00:29:53Of course.
00:29:54What do you think?
00:29:55I'm the plumber.
00:29:57I've come to fix a small leak in the radiator.
00:30:00Yes, I suppose you'd like to talk to your daughter, Mr. Coburn.
00:30:03She'll be proud.
00:30:04She's wonderful.
00:30:05I'll call her.
00:30:07Who's your father, Dottie?
00:30:08My father wouldn't make a conference unless he died or something serious happened.
00:30:11It's something serious because he's on the phone.
00:30:13It's Dottie's father.
00:30:15What?
00:30:16Dottie, be careful.
00:30:17Yes, it's Dad.
00:30:18I said yes, it's Dad.
00:30:20Isn't that right?
00:30:21Oh, Norman.
00:30:22He's the one who picked up the phone.
00:30:24Norman, where are you?
00:30:25I'm the plumber.
00:30:26He says he's the plumber.
00:30:28Don't be silly.
00:30:29Of course not.
00:30:30It's Dottie's father.
00:30:31From the north?
00:30:33Men?
00:30:34Oh, Dad, don't be silly.
00:30:36You can come and see for yourself.
00:30:38Tell him to walk.
00:30:39It's a good exercise.
00:30:41Dad, walk.
00:30:42It's a good exercise.
00:30:43Very good, Dad.
00:30:44Hurry up.
00:30:45See him as soon as possible.
00:30:47Very good, Dad.
00:30:48Goodbye.
00:30:50Isn't it wonderful?
00:30:51Dad's at the station and he's coming right away.
00:30:53Yes, it's lovely.
00:30:54Oh, pick this up a little before he gets here.
00:30:56Dottie, did he tell you he thought there were men here?
00:30:59Oh, yes.
00:31:00How could he know?
00:31:01He knows.
00:31:02That Muriel.
00:31:03We should have destroyed her.
00:31:05Dottie, let's eat.
00:31:06George, let's pick up our clothes and go.
00:31:08I'll pick mine up.
00:31:09Dottie, leave this and go put on something elegant.
00:31:11Yes, something very feminine.
00:31:12So it looks like you're not doing anything.
00:31:13Yes, put on the red dress, Dottie.
00:31:15Okay.
00:31:17Hurry up, guys.
00:31:19These are all my clothes.
00:31:20Yes, let's not be too meticulous to put them in here.
00:31:24Your coat, George, put it in.
00:31:26And the shoes?
00:31:27In the kitchen.
00:31:28And your raincoat?
00:31:29Oh, Kate, Kate, bring me the raincoat.
00:31:31It's in the pan.
00:31:32It's in the pan?
00:31:33And what does it do in the pan?
00:31:34It keeps the bread fresh.
00:31:35Are you sure you have everything?
00:31:37I'm surprised there's so much.
00:31:39Come.
00:31:40The pipe.
00:31:41Yes, the pipe.
00:31:42The girls don't smoke pipe.
00:31:43Yes, take the bread.
00:31:46If Dottie's father finds out about this, he won't like it.
00:31:49Yes, and don't forget to tell Dottie's father that she doesn't even know what a man is like.
00:31:52And that you guys watch her every moment.
00:31:54Don't worry.
00:31:55I'll take care of it.
00:31:56Leave at once.
00:31:58Are you sure this is all?
00:32:00The laundry.
00:32:01I'll bring it.
00:32:02This towel, take it.
00:32:03Oh, don't be silly.
00:32:04Girls use towels.
00:32:05But not with these labels.
00:32:08Here you go.
00:32:09Hurry up, she'll be here any minute.
00:32:11Yes, wait.
00:32:16Listen, we'll go to the bar across the street and we'll see when she leaves.
00:32:19Yes, and don't forget, don't let her take Dottie.
00:32:22No.
00:32:23Yes, tell her whatever.
00:32:24Whatever.
00:32:28How did he get here so fast?
00:32:29It can't be.
00:32:31Yes, but it can be.
00:32:34Oh, let's see if we can fix this.
00:32:36Sing, sing.
00:32:55That's very nice.
00:32:56I love the music.
00:32:58Oh, God.
00:32:59Why don't you call when you're here?
00:33:01Why don't you call when you're here?
00:33:02I've already called.
00:33:03No, better not.
00:33:04No, what?
00:33:05Call when you're not here.
00:33:06What do you want, Mrs. Garnett?
00:33:08It's about the rent.
00:33:09Oh, the rent?
00:33:10Yes, I want to see Miss Coburn.
00:33:12I'm afraid you can't.
00:33:13Not now.
00:33:14Why? She's not here?
00:33:15Yes.
00:33:16She's in her room, shedding tears.
00:33:19It's about her father, you know.
00:33:21Her father?
00:33:22Yes, the accident.
00:33:26Oh, yes.
00:33:27It was terrible for her.
00:33:28Poor thing.
00:33:29I know what she needs.
00:33:31Get out.
00:33:34What the hell were you talking about?
00:33:35Just a little bit of Stanislavski.
00:33:36Come on, George.
00:33:37Let's get out of here.
00:33:42Oh, she's here.
00:33:43Did you hear that?
00:33:44No, it's the one at the bottom door.
00:33:45You can still get out.
00:33:46Go upstairs.
00:33:47Yes.
00:33:56How do I look?
00:33:57Don't forget, Dotty,
00:33:58you need a man's opinion.
00:34:00What the hell are you wearing?
00:34:01Isn't it feminine?
00:34:02But Dotty, that's my dress.
00:34:04The one from the first act of The Woman of All.
00:34:06And you were very feminine, I remember.
00:34:08I hope you don't get into acting.
00:34:10I know.
00:34:12It's too late to do anything now.
00:34:13Your father is already upstairs.
00:34:15Dotty, please.
00:34:16Tell him you like being here.
00:34:17Tell him you're fine and all that.
00:34:19Don't tell him anything about how we have to eat.
00:34:21But if I like this, I'm not going anywhere.
00:34:23Very well.
00:34:24Tell him you don't want to go.
00:34:25I love this.
00:34:26Very well.
00:34:27Now go to your father.
00:34:31What's she going to do?
00:34:39Hello, Muriel.
00:34:40Is Muriel here?
00:34:41Yes, she is.
00:34:42I hope you're Mr. Coburn.
00:34:43Yes, I am.
00:34:44Of course you are.
00:34:45Please, come in.
00:34:46Of course we will.
00:34:50Dad!
00:34:51Dotty!
00:34:52I don't even know your name.
00:34:53What did you say?
00:34:54I haven't seen you in a long time.
00:34:55I almost didn't remember you.
00:34:56How long have you been wearing clothes like that?
00:34:58It doesn't matter to you, Mr. Coburn.
00:35:00I was just rehearsing something.
00:35:02I told you I had a surprise for your father.
00:35:04But you should have told us.
00:35:05Dotty, don't you think you should introduce us?
00:35:08Of course.
00:35:09This is Kate Benson, Dad.
00:35:10Nice to meet you.
00:35:11How are you?
00:35:12And this is Margie.
00:35:13Dotty, we've heard so much about you.
00:35:15It's like we've known you forever.
00:35:17Dotty, didn't you tell me you lived with such a lovely girl?
00:35:21There are many things Dotty hasn't told you.
00:35:23What do you mean?
00:35:24Well, Muriel told me...
00:35:26Yes, where are the others?
00:35:27They just...
00:35:28What others?
00:35:29You know.
00:35:30I have no idea what you're talking about.
00:35:33I've noticed the doorbell on the street.
00:35:36There are several more names.
00:35:38Oh, that.
00:35:39That makes it very simple, doesn't it, Kate?
00:35:42Yes, of course.
00:35:43Those are the names of those who lived here before us.
00:35:46We haven't taken it away yet.
00:35:48We should have.
00:35:49Yes, of course.
00:35:50But we've taken away everything else.
00:35:52Would you like to sit down, Mr. Coburn?
00:35:54Well, thank you, but...
00:35:56I just came to see how...
00:35:58how Dotty was doing.
00:36:00Very well, Dad.
00:36:03Here are the Ales.
00:36:04Not now, Mrs. Garnet.
00:36:05And the Ales, Mrs. Coburn.
00:36:07Mrs. Garnet, please.
00:36:08What's going on here?
00:36:09Who are you?
00:36:10I'm Mr. Coburn, Dotty's father.
00:36:15It's good to know that Mr. Coburn hasn't had any accidents.
00:36:18I'm glad to hear that.
00:36:20But how is your brother?
00:36:22Well, his rheumatism bothers him from time to time.
00:36:26I know how he must be feeling.
00:36:28You see, I usually get a little pain right here.
00:36:31And here.
00:36:32He'll tell you tomorrow.
00:36:34It's really unbearable.
00:36:35Of course it is.
00:36:36Sometimes it makes me creaky.
00:36:42Who's that?
00:36:43Mrs. Garnet.
00:36:44The maid.
00:36:45I thought Dad had had an accident.
00:36:47He's always up to something to talk about his rheumatism.
00:36:50He has a very poor life.
00:36:51It's a shame, isn't it?
00:36:53Dotty, are you sure this is the right place to live?
00:36:56The right place, Mr. Coburn?
00:36:57I don't understand.
00:36:58Well, Muriel has told me some very strange things.
00:37:02Oh, really?
00:37:03I don't know what you mean.
00:37:05You know very well.
00:37:06You know very well what Dotty does.
00:37:08Muriel, I don't see any evidence of that.
00:37:11Evidence of what?
00:37:12Well, Muriel has told me about some...
00:37:16some men who live in this apartment.
00:37:19Men?
00:37:20Men?
00:37:21I don't even know what a man is like.
00:37:22Oh, Muriel Foster.
00:37:23Men?
00:37:24But where did you get that idea?
00:37:26I saw them from there.
00:37:28Repressed, no doubt.
00:37:30How old are you, Muriel?
00:37:3219, but I'm sure.
00:37:33That usually happens at that age, doesn't it?
00:37:35Why don't you look in the rooms?
00:37:37Oh, yes.
00:37:38Which room do you want to look in?
00:37:40Well, I...
00:37:41You'll understand.
00:37:42I must make sure, especially Dotty.
00:37:44I know how he feels.
00:37:45We also want to make sure, Dotty.
00:37:47Yes, of course.
00:37:48Let's start with the kitchen, shall we?
00:37:50As you wish.
00:38:01This is the kitchen.
00:38:02It's very nice.
00:38:03Yes, we have a good oven.
00:38:06You see, Muriel?
00:38:07There are no men.
00:38:08Let's look in the bedrooms, please.
00:38:10Is that where you'd hide the men if you had them?
00:38:12You've never had any men.
00:38:13You know that very well.
00:38:14Yes, of course.
00:38:15We know that very well.
00:38:16Let's go this way.
00:38:27Dad, this is the girls' bedroom.
00:38:29Why the girls' bedroom?
00:38:31Because girls sleep here, silly.
00:38:33I can't think of any other reason.
00:38:35What about you, Margie?
00:38:36No, I can't think of any other reason.
00:38:37What about you, Dotty?
00:38:38No.
00:38:39Shall we continue, Mr. Coburn?
00:38:40If you like.
00:38:43What's in there?
00:38:44Just old clothes.
00:38:46You see, dear?
00:38:48No men.
00:39:11Well, Dotty,
00:39:12I think you have a nice place to live.
00:39:15Oh, yes, he does.
00:39:16He loves living here.
00:39:17Tell your father how much you like living here.
00:39:20I love it here.
00:39:22Well, Muriel,
00:39:23I think you've been a little alarmist.
00:39:25No, I haven't.
00:39:26She thinks so, and I don't.
00:39:28There are men living here.
00:39:30I saw them.
00:39:31What kind of men did you see, dear?
00:39:33Well, one was in that window,
00:39:35and he grew up, and he fell, and...
00:39:37What?
00:39:38And...
00:39:39And the other two were stabbing each other with knives.
00:39:41Muriel.
00:39:42I think she's very unbalanced, right?
00:39:44I don't know what's wrong with you, Muriel.
00:39:46I don't care.
00:39:47I know it sounds crazy, but they're crazy.
00:39:50And one of them is wearing boots.
00:39:52Muriel, what kind of story is that?
00:39:54It's not a story.
00:39:55It's true.
00:39:56What's more,
00:39:57they were looking at someone on the floor,
00:39:59and one of them wanted me to make fun of her.
00:40:02That's it.
00:40:03Muriel Foster,
00:40:04you want to cause me trouble with my father.
00:40:07No, no, no, Dottie.
00:40:08Muriel, I'd like you to leave.
00:40:10I'll see you later at your uncle's house,
00:40:12and we'll get to the bottom of this.
00:40:14Sir, I suppose you'd like to be part of the harem.
00:40:17I suppose you'd like to live here and grow up.
00:40:20I'd like you to leave, Muriel.
00:40:26I don't know what's wrong with girls when they come to New York.
00:40:29They seem to become strange.
00:40:33What's that noise?
00:40:35It's the stage door. Don't go in.
00:40:37It looks like we have an escape.
00:40:39The pipes, you know.
00:40:41A big escape.
00:40:43George, Norman, where are the towels?
00:40:46Well, who are you?
00:40:47I'm Dottie's father.
00:40:48Would you like to know who you are?
00:40:50What the hell are you doing here?
00:40:52Well, I just came to take a bath.
00:40:53What a story.
00:40:54What a story.
00:40:55Who is this man?
00:40:56I have no idea,
00:40:57but of course he's shameless.
00:40:59What an idea,
00:41:00to enter an unknown apartment to take a bath.
00:41:02What an idea.
00:41:03I've never seen anything like it.
00:41:05Yes, well, I have to go.
00:41:07Goodbye.
00:41:08Wait a minute, young man.
00:41:09Not so fast.
00:41:11But I needed a bath and clothes.
00:41:13Look.
00:41:14And what makes you think you'd find it here?
00:41:15I don't know.
00:41:16And how did you get in?
00:41:17I don't know.
00:41:18Maybe you had a key?
00:41:19Yes.
00:41:20What?
00:41:21No, I didn't.
00:41:22Do you know these girls?
00:41:23I don't know anything.
00:41:24He doesn't even know what a girl is like.
00:41:25Tell me.
00:41:28Tell me what all this is.
00:41:29Or I'll take it out on you.
00:41:30But I don't know anything.
00:41:31I'm stupid.
00:41:32I'll make you not know anything.
00:41:34Mr. Coburn, stop.
00:41:35You can explain it to me.
00:41:36Well, it's just that...
00:41:38Excuse me.
00:41:39Have you seen anything?
00:41:40Just in time.
00:41:41He hasn't become violent yet.
00:41:42Don't do anything to excite that man.
00:41:44It could be dangerous.
00:41:46Who are you?
00:41:47Come here.
00:41:48Please, step aside.
00:41:49He's a psychopath.
00:41:50Move very slowly and silently.
00:41:53My God, that man...
00:41:55You remember us, don't you?
00:41:56We're your friends.
00:41:58We like you.
00:41:59Come on, come on, Stanislavski.
00:42:01We wouldn't hurt you for anything in the world.
00:42:03Thank God we made it in time.
00:42:04Right?
00:42:05He's here, he's here.
00:42:06It's a lost case, sir.
00:42:08Wait!
00:42:09Well, everything is under control.
00:42:11He won't cause any more problems.
00:42:13But what's wrong with all of you?
00:42:14Stay there, man.
00:42:15Relax.
00:42:16Don't worry.
00:42:17I don't understand.
00:42:18He comes in here and starts taking a bath.
00:42:19Completely chafed.
00:42:20And then he asked for a towel, screamed, and called someone.
00:42:23You see, he suffers from a peculiar disorder.
00:42:24He thinks he's dirty and takes a bath all the time.
00:42:26Are you trying to say I'm crazy?
00:42:28Of course.
00:42:29Crazy, lost.
00:42:30I'm not.
00:42:31I'm nothing like what they've said about me.
00:42:32I'm as crazy as you are.
00:42:33I don't know why you think I'm crazy.
00:42:35Just because I like to take a bath.
00:42:36I love to take a bath.
00:42:37And I also like to bathe other people.
00:42:39I love it, I love it, I love it.
00:42:41Take him away from here.
00:42:43We could have killed them all.
00:42:44How did he get in here?
00:42:46Well, we had taken a group of lunatics for a walk.
00:42:49And this one escaped.
00:42:50Yes, but it won't happen again.
00:42:52Of course, I hope so.
00:42:53Me too.
00:42:55Come on, come on, Stanislavski.
00:43:03Oh, my God.
00:43:04I don't know if this will be a safe place for Dottie.
00:43:07Oh, Mr. Coburn, nothing like this has ever happened.
00:43:10Dad, I've never seen anything like this.
00:43:11I can live here, I love this.
00:43:13Besides, Mr. Kenny is here, you know?
00:43:14He lives in the apartment downstairs.
00:43:16He's the biggest producer in New York, Mr. Coburn.
00:43:18And he's crazy about Dottie.
00:43:19Oh, really?
00:43:20Oh, yes, Mr. Coburn is crazy about Dottie.
00:43:23And he can do wonders with her in the theater.
00:43:25Great things.
00:43:26Interesting, isn't it?
00:43:27One day he'll be very proud of this little girl.
00:43:30When she's the biggest actress in the American scene.
00:43:33Mr. Kenny told me last night that...
00:43:37Who is it?
00:43:39Let me in, I want to go to his bathroom.
00:43:41Another lunatic?
00:43:42Well, don't worry, I'll take care of him.
00:43:45Yes?
00:43:46Come in.
00:43:47What do you want to do, drown me?
00:43:49It's Mr. Kenny.
00:43:50Well, don't worry, don't worry, everything will be fine.
00:43:54Don't worry?
00:43:55I have water up to my knees in my house.
00:43:56Do as if the water is not there and it will disappear.
00:43:58Is something wrong with this?
00:43:59No, no, no, nothing's wrong with anyone.
00:44:01We want to help you, we're your friends.
00:44:03We like you.
00:44:04I don't care about your feelings, I want to go to his bathroom.
00:44:07Wait, do you want to take a bath?
00:44:09No, no, no, I don't want to take a bath.
00:44:10I've already taken a bath, my whole apartment is a bathroom.
00:44:12Mr. Kenny, a stranger came in and opened it.
00:44:15Well, tell him to close it.
00:44:17Kenny, Kenny, I'm J. Coburn, the father of this little girl.
00:44:21He was telling me how much...
00:44:22Save the details, please.
00:44:24Mr. Kenny, we have a work that...
00:44:26Do you remember me?
00:44:28The one in the kitchen.
00:44:30Do you remember?
00:44:31Fat pig, huh?
00:44:35So that was Mr. Kenny, the one who was going to do so much for Dotty, huh?
00:44:39Well, that's enough.
00:44:40Unfortunately, I have to spend the weekend in Long Island for business,
00:44:43but on Monday morning, as soon as possible,
00:44:45I will return to take Dotty from this madhouse.
00:44:48Dad, please.
00:44:49Dotty, get ready to come with me on Monday morning.
00:44:53Well, I had to show my teeth, didn't I?
00:44:59What's wrong, Marge?
00:45:01Nothing, nothing.
00:45:23What's wrong?
00:45:24Where is Marge?
00:45:25In the kitchen.
00:45:26Well, what did Mr. Kenny want?
00:45:28He wanted us to save him from drowning.
00:45:31Tony left the tap open in the bathroom,
00:45:33and Mr. Kenny's apartment was filled with water up to his knees.
00:45:36But did you tell him about our work?
00:45:38Of course.
00:45:39What did he say, huh? What did he say?
00:45:41He was not interested in anything more than our bathroom.
00:45:44Do you mean he won't see it?
00:45:46That is to say little, my friend.
00:45:49Oh, I wish I was boiling in oil.
00:45:53Well, anyway, it went better than with Dotty's father.
00:45:56You think everything is fine, don't you?
00:45:58Oh, yes, everything is fine.
00:46:00He's going to take me with him on Monday.
00:46:02I just feel really nice.
00:46:05I just feel really nice.
00:46:07It's very depressing.
00:46:19Marge.
00:46:20Marge.
00:46:21Oh, Tony.
00:46:22Hello, Marge.
00:46:28Oh, Tony.
00:46:31Why did you take so long? Why didn't you tell me?
00:46:33Well, I was a little busy, honey.
00:46:35What do you mean, busy?
00:46:36Well, I was busy and...
00:46:39Hey, Marge.
00:46:40What, Tony?
00:46:41It would be better if I gave up this idea of being an actor and...
00:46:44Tony.
00:46:45Being an actor doesn't seem as important to me as other things now.
00:46:48I mean, there's a war and...
00:46:50Oh, but Tony, that's why actors are needed now more than ever.
00:46:53You need entertainment.
00:46:55And fun.
00:46:56And someone to make you forget the terrible things that are happening.
00:47:00Marge, honey, listen.
00:47:01War also needs people to do other things.
00:47:03Please, don't talk like that.
00:47:05I would feel very bad if we disappointed the boys.
00:47:08They have been so wonderful to us.
00:47:10And now that Mr. Kenny sees the play, it means so much to them.
00:47:13Please, don't cry, Marge.
00:47:16We got married to be happy.
00:47:18And look how we are.
00:47:19Oh, Tony, if you let us get married,
00:47:21I'll ruin everything we wanted and we were going to do.
00:47:24I'll hate him.
00:47:25Hate what?
00:47:26The baby.
00:47:27What baby?
00:47:30The one we're going to have.
00:47:31Marge.
00:47:32Don't be happy, honey.
00:47:34Please, be happy.
00:47:35Yes, I'm happy, but...
00:47:36But if you let me or him ruin everything we were going to do,
00:47:39I'll never talk to him.
00:47:40Marge.
00:47:41The poor creature will have a mother who will never talk to him.
00:47:44It would be the baby's fault, Marge.
00:47:46Well, the baby is part of you, right?
00:47:48So it would be your fault.
00:47:50And couldn't we talk about the part you have?
00:47:53Honey, promise me you won't leave,
00:47:55that you'll stay at least until Mr. Kenny sees the play.
00:47:59Okay, Marge.
00:48:01I'll make sure everything goes well.
00:48:03He has to see the play before Monday morning.
00:48:06Oh yes, he has to do it for Dottie.
00:48:08Yes.
00:48:09Dottie has to see her.
00:48:11Her father is taking her to Housville, Illinois on Monday morning.
00:48:14Oh, Marge.
00:48:16And where are you going to live?
00:48:18Well, where you live, Tony.
00:48:20Right?
00:48:21Of course.
00:48:23Of course.
00:48:24Naturally?
00:48:25Naturally, of course.
00:48:27Well, let's go back.
00:48:28I just went out to get my medicine.
00:48:29Medicine?
00:48:31Having a baby makes you sick?
00:48:33No, it's not sick, but it makes you very nervous.
00:48:36And you want to eat tons of cream and things like that.
00:48:38It's very silly how you feel.
00:48:40It's a matter of the head.
00:48:41But this is going very well.
00:48:43Although you have to be careful.
00:48:45Do you have it?
00:48:46Yes.
00:48:47One teaspoon makes you feel divine.
00:48:49But two contract the stomach and make you vomit.
00:48:52My God, then you must be careful, darling.
00:48:54Of course.
00:48:58Let's go back.
00:49:00Marge.
00:49:01What, darling?
00:49:03Thank you very much for the baby.
00:49:11Well, I guess Marge told you.
00:49:13Right, Tony?
00:49:14Oh, boy, of course.
00:49:15And what are you going to do?
00:49:17We're going to have the baby, of course.
00:49:19No, I mean the father of Dottie, who...
00:49:25What are you going to do?
00:49:26To have a baby?
00:49:30Damn it!
00:49:31Oh, no!
00:49:33You imbecile!
00:49:34Don't hit him!
00:49:36Don't hit him!
00:49:37Don't hit him!
00:49:38You imbecile!
00:49:39Don't hit him!
00:49:40We're married!
00:49:42Married?
00:49:43When?
00:49:44In May.
00:49:45And the baby will be born in April.
00:49:48I didn't mean that.
00:49:50What a joke.
00:49:52Don't worry.
00:49:54It's great.
00:49:55Yes, it's great.
00:49:56But I don't think the army wants men who are going to have babies.
00:49:59Shut up, will you?
00:50:03What did you say?
00:50:05Who?
00:50:06The army.
00:50:07What did you say?
00:50:09I said that there are few men in the army who are going to have babies.
00:50:15Very few.
00:50:17And what does it have to do with Tony?
00:50:19Nothing.
00:50:20Nothing.
00:50:21Why?
00:50:22I don't know, Tony.
00:50:23What's the matter?
00:50:24What's the matter?
00:50:25Well, I'm in the army.
00:50:27The army, eh?
00:50:28Oh, Tony.
00:50:31We couldn't say we were married, could we?
00:50:33I hadn't thought about the army.
00:50:35I didn't know how to tell you, darling.
00:50:37It's been terrible to be away from you.
00:50:39Oh, how I am, isn't it?
00:50:41I only think of myself.
00:50:42I don't think of you at all.
00:50:44Poor thing.
00:50:45You must have been very worried.
00:50:47Yes.
00:50:48I couldn't talk to the army about you or talk to you about the army.
00:50:51I can't imagine how it happened.
00:50:58Stanislavski.
00:51:06Fun Food.
00:51:07By Arthur Kenny.
00:51:15Yes, I'll tell Mr. Kenny.
00:51:17After two seasons with Mr. Robin Manley,
00:51:19they should put me with someone more talented.
00:51:21Yes, I'll tell Mr. Kenny.
00:51:22I want to see Mr. Kenny, please.
00:51:23Do you have an appointment?
00:51:24I want to see him because we're going to have a baby.
00:51:27Well, there must be some mistake.
00:51:30Mr. Kenny is a theater producer.
00:51:32Oh, no, it's not a mistake.
00:51:34Mr. Kenny has to come home, even if it's only for one night.
00:51:37Oh, well, if you sit there for a moment, please.
00:51:45Yes?
00:51:46There's a lady who wants to see you because you're going to have a baby.
00:51:49I think you should see her, Mr. Kenny.
00:51:54Well...
00:51:56All right.
00:51:58Listen on the intercom until I turn it off.
00:52:00Yes, yes, Mr. Kenny, yes.
00:52:04You can come in now.
00:52:11Hello, Mr. Kenny.
00:52:13Yes, young lady?
00:52:14What does it have to do with me that you're going to have a baby?
00:52:17I'm not the one who's going to have it.
00:52:19It's us, the six of us.
00:52:21The six of us? Where have I seen you before?
00:52:23I'm Betty Cobourg. I live just above your apartment.
00:52:26Cobourg? You're the maniacal father who wanted to give me a bath.
00:52:29My father is not a maniacal father, Mr. Kenny.
00:52:31He's half wolf, half lamb, and he's got the biggest snout in Illinois.
00:52:36Dottie!
00:52:37Kate, I'm here!
00:52:39Oh, I'm sorry, Mr. Kenny.
00:52:41It's you. I assumed your teeth were in this.
00:52:44I'm telling Mr. Kenny about our baby.
00:52:45What are you talking about?
00:52:46It's very simple, Mr. Kenny, you'll see.
00:52:48My sister's husband is in the army and they're going to have a baby.
00:52:52Dottie's father is going to take her, and that's why we want you to see our work before Monday.
00:52:56Because Tony has to go back to the camp.
00:52:57I don't know what the soldiers will say when I tell them he's going to have a baby.
00:53:00Norman gave him a cigarette.
00:53:01So you'll see our work, right, Mr. Kenny?
00:53:03What work? What are you talking about?
00:53:05Hey, do you want to get out of my office before I get angry and furious?
00:53:09All right, all right, we asked him, he doesn't have to get like that.
00:53:11Come on.
00:53:12Will you see our work, Mr. Kenny?
00:53:14No, no.
00:53:15And I won't be here when our baby is born?
00:53:17I guess not, Dottie.
00:53:18I never have fun.
00:53:19Take her out of the office, please.
00:53:21All right, all right, we're leaving, we're leaving.
00:53:22Mr. Stanislavski should see her, don't you think?
00:53:24Mr. Stanislavski wrote our work.
00:53:26He wrote it.
00:53:27No, he didn't write it.
00:53:28What did he say?
00:53:29He got confused.
00:53:30He didn't write it.
00:53:31We don't know who it was.
00:53:32What did he say about Must Be in Crime?
00:53:34We said it was a very good work and we'd like...
00:53:36A good work, of course it's a good work.
00:53:37It's great.
00:53:38How do you know it?
00:53:39Know what?
00:53:40Must Be in Crime.
00:53:41Our work?
00:53:42Mrs. Garnett gave it to us.
00:53:43Oh, really?
00:53:44Yes, I found it in an old trunk of a ruined tenant that...
00:53:47Oh, what's the matter, Kate?
00:53:49You always knew, always.
00:53:51And when I told you about her, you laughed.
00:53:54I want my work.
00:53:56Why are we going to give our work to Mr. Kenny?
00:53:58He says our work is his.
00:53:59I'm not saying it's his.
00:54:00It is.
00:54:01I wrote it.
00:54:02I stabbed her.
00:54:03They locked me up for her.
00:54:04I want my work.
00:54:05Please give it to me.
00:54:07Even if we wanted to give your work to Mr. Kenny,
00:54:09I don't think Norman would let us.
00:54:11And who is Norman?
00:54:12Norman is the most wonderful man in the world.
00:54:14And where is he?
00:54:15Where we live.
00:54:16I insist that you take me there.
00:54:17All right.
00:54:18Mr. Kenny is coming with us, Kate.
00:54:24Elba is too young.
00:54:27It's over.
00:54:29Think, think, think.
00:54:31I will go to Paris.
00:54:33I will continue until death.
00:54:35The torch of freedom will march with me.
00:54:38The torch does not go out.
00:54:40I will return to war, yes.
00:54:42Austria, Russia, even England.
00:54:45I am a man of destiny.
00:54:50Oh, Marie.
00:54:53Marie, you must receive it.
00:54:56Why do you interpret Napoleon with a French accent?
00:54:58Because he was French, right?
00:55:00No, I mean, like Charles Boyer.
00:55:02Oh, well, I was trying to be charming.
00:55:08Mr. Kenny.
00:55:09Norman, something terrible has happened.
00:55:11Mr. Kenny wrote a work.
00:55:12Our work.
00:55:13Mas Bincrimen?
00:55:14Yes, and I want it, please.
00:55:15Did you write Mas Bincrimen?
00:55:16Of course I did.
00:55:17It's mine.
00:55:18And if they don't give it to me for good, I'll have to sue them.
00:55:21Well, where is it?
00:55:22Give it to me.
00:55:23We don't have it.
00:55:24What?
00:55:25We don't have it.
00:55:26I mean, in writing.
00:55:27I mean, we don't believe in working with the script.
00:55:29So, after learning it, we throw it away.
00:55:31You don't believe in working with the script?
00:55:33Exactly, Mr. Kenny.
00:55:34So, the only way to get your work back is to interpret it.
00:55:36Isn't that right?
00:55:37I mean, you see us interpret your work,
00:55:39and you write it, and then you get it back.
00:55:42Damn, you're right.
00:55:43I have a tape recorder.
00:55:44Wait a minute, I have it downstairs.
00:55:46I'll be right back.
00:55:47Don't start anything until I get back.
00:55:49We won't.
00:55:51Tony, Tony.
00:55:52Guys, this is our chance.
00:55:53Yes, come on, I'll be right back.
00:55:54I'm going to get my crystal ball.
00:55:56We could have given him the script, it was there.
00:55:58Please, Dottie, you don't know anything about this.
00:56:00Understood?
00:56:01All right, Norman.
00:56:02Dottie, you'll have to get dressed.
00:56:04Will my graduation dress be all right?
00:56:05Yes.
00:56:06Whatever, but quickly.
00:56:07Yes.
00:56:09How do you think she'll graduate?
00:56:10Oh, influences.
00:56:11Come on, Marcy, let's get rid of these furniture.
00:56:13Oh, I forgot.
00:56:14Excuse me, sit down.
00:56:15You can't lift anything.
00:56:16Oh, yes I can.
00:56:17Sit down.
00:56:18All right.
00:56:19I hope nothing goes wrong.
00:56:20What could go wrong?
00:56:22I wish we had the body for the first scene.
00:56:24Well, we don't.
00:56:26Can I come in, Margie?
00:56:27Yes, why doesn't Mr. Kenny come in?
00:56:29He'll have to brush the records.
00:56:31Where's Mr. Kenny?
00:56:32He hasn't come back yet.
00:56:33Can you imagine what Mr. Kenny is doing?
00:56:36Oh, I said he'll have to brush the records.
00:56:39Can you imagine?
00:56:42Yes, well, let's rehearse the beginning while we wait.
00:56:44It wouldn't be bad.
00:56:45Hurry up, Kate.
00:56:46I'm coming.
00:56:47Kate, let's rehearse the beginning.
00:56:49All right, boys, let's do it right.
00:56:51It has to be right.
00:56:52Our lives depend on it.
00:56:53Are you all ready?
00:56:54Wait a minute.
00:56:55We forgot the body.
00:56:56Oh, every time I see that, I laugh instead of scream.
00:56:59Well, now we can't change them.
00:57:00All right, everyone in their places.
00:57:02Action.
00:57:06The spirit says that the girl who saw the crime must get up.
00:57:11She must go to bed.
00:57:14And she must...
00:57:15She must remove the sheet.
00:57:18No, no, no.
00:57:21Don't move.
00:57:25Who are you?
00:57:27I'm a sinister old man.
00:57:29This...
00:57:31This poor girl, why did she scream?
00:57:37Come on, Marcy, you don't have to laugh.
00:57:39I can't help it.
00:57:41It's just that this makes me laugh a lot.
00:57:43It's very funny.
00:57:44I also find it funny.
00:57:45It takes a lot of imagination.
00:57:46Every time I take out this knife, my feathers stick to my face.
00:57:48And I'm supposed to say that...
00:57:50Blood, blood everywhere.
00:57:55Well, maybe this will work.
00:57:56And listen, guys.
00:57:57We can't do this when Mr. Kenny returns.
00:57:59I'm sorry.
00:58:01We couldn't find anyone in such a hurry.
00:58:03Maybe Mr. Kenny wants to be the corpse.
00:58:05Of course not.
00:58:07Where are we going to find a corpse at this hour?
00:58:10Oh, Muriel, what a coincidence.
00:58:13Muriel, would you like to be...
00:58:15Would you like to be a corpse?
00:58:17No, no, I haven't done anything.
00:58:19Well, you're going to be a corpse, whether you like it or not.
00:58:22Please, no.
00:58:23I didn't want to cause you any trouble.
00:58:25You won't see many.
00:58:26Really, no.
00:58:27Anyway, no one believes me.
00:58:29Now I'm the one who's in trouble.
00:58:31My uncle made me apologize to your father again.
00:58:34Of course, I don't know why, but...
00:58:35Dear Muriel, we don't want you to apologize.
00:58:37We just want you to do us a favor.
00:58:38It'll be fun for you.
00:58:39You just have to be dead.
00:58:41No, I don't want to.
00:58:42Muriel, I think you don't understand.
00:58:44We just want you to play a role in our play.
00:58:46Oh, what kind of role?
00:58:48Oh, it's a great role.
00:58:50One of those you can really bite your tongue.
00:58:52It's the most important role in the play.
00:58:54Without you, there would be no play.
00:58:56You're on stage almost all the time.
00:58:58Oh, I don't know if I can learn it all.
00:59:00That's the good thing about the role, you know?
00:59:02It's all in pantomime.
00:59:03You don't have to say anything.
00:59:04Come on, what do you say?
00:59:05Ah, that's good, come on.
00:59:06And we'll fix it with your uncle.
00:59:08Okay, I agree.
00:59:09Good.
00:59:10Well, to begin with, you're on the couch, dead.
00:59:12Oh, but you said it was a great role.
00:59:14It's tremendous.
00:59:15You just have to put this knife in your heart and lie down.
00:59:17Oh, but...
00:59:18It won't hurt you, Muriel.
00:59:19Oh, it's a knife with a trick.
00:59:20You see, you go in like this.
00:59:21Oh, yes, that's it.
00:59:25That's how they do it?
00:59:26Yes.
00:59:27You'll be perfect on the role, darling.
00:59:29Totally natural.
00:59:30But Margie, for God's sake, when you see her,
00:59:32scream because it's my only way in.
00:59:34Don't worry, this time you'll hear me.
00:59:36Good, that's how you're dead, little one.
00:59:38Terrible, but very expressively dead.
00:59:41Am I supposed to be like this?
00:59:43Yes, you're supposed to be like this.
00:59:44Can I breathe?
00:59:45No, no, no, breathe.
00:59:47The critics don't like actresses who breathe.
00:59:52Good, everyone to their positions.
00:59:53Ready?
00:59:54Good.
00:59:55Oh, sorry.
00:59:57I'm sorry I made you wait.
00:59:59I had to bring this.
01:00:01We know, we know.
01:00:02I'll need two tables, bring them.
01:00:04Phillips, put this in place.
01:00:06One here, and the other there.
01:00:08Can I do something?
01:00:09Put them in place, Phillips.
01:00:10Yes, sir.
01:00:11Connection, please.
01:00:12I'll bring you a chair.
01:00:13Good.
01:00:14This goes in front of the lady in the gypsy dress, please.
01:00:16Are you sure this is my play?
01:00:18Oh, yes, Mr. Kenny.
01:00:20Mr. Kenny.
01:00:21Good.
01:00:22Let's see if there's anyone here who wants to say something
01:00:23to see if this works.
01:00:25Oh, leave me alone, leave me alone.
01:00:28Very good.
01:00:29Ready?
01:00:30Let's see.
01:00:31Oh, I'm a sinister old man.
01:00:37This poor girl, why did she scream?
01:00:43I think that's enough.
01:00:44Now we'll listen to it to see how it sounds.
01:00:46Let's see if this works.
01:00:48Oh, leave me alone, leave me alone.
01:00:52Very good.
01:00:53Ready?
01:00:54Let's see.
01:00:55Oh, I'm a sinister old man.
01:01:01Good.
01:01:02Now we can start.
01:01:04Good, don't forget it, it's time.
01:01:06Do it well and...
01:01:07Come on.
01:01:10Good, Mr. Kenny.
01:01:11Come on.
01:01:13The spirit says that the girl who saw the crime
01:01:16must get up,
01:01:18must go to bed and must remove the sheet.
01:01:22Oh, no, no, no!
01:01:26What's wrong?
01:01:27Oh, for God's sake.
01:01:28Wait a minute. The corpse didn't say anything in my work.
01:01:32I know, Mr. Kenny.
01:01:33Muriel, you're supposed to be dead.
01:01:35Oh, I thought you were hurt.
01:01:37You don't have to think. You've been murdered.
01:01:39We should have used the real knife.
01:01:42I don't see anything to worry about.
01:01:44After all, I haven't rehearsed the role.
01:01:46Oh, she wants to rehearse to make a corpse.
01:01:49Yes, well, I'm sorry, Mr. Kenny, but...
01:01:51All right, all right, let's move on.
01:01:53Well, if I have to go on, I want to drink something. I have, I know.
01:01:57Are you thirsty?
01:01:58Yes, very.
01:01:59Since I was a little girl, I can't sleep without drinking a glass of water.
01:02:04We'd better use the coffee.
01:02:06No, no, Tony, of course you're thirsty.
01:02:08I'll bring you a refreshing drink, Muriel.
01:02:10And bring a bottle of ketchup.
01:02:12Margie.
01:02:13Mr. Kenny.
01:02:14If you'll excuse us for a moment, we'll play it all for you.
01:02:17Yes.
01:02:18Margie, you can't give her that. She's going to...
01:02:20It's bad to keep her quiet, isn't it?
01:02:21Yes, but...
01:02:22Go get the ketchup.
01:02:25That's dangerous. If it was too much...
01:02:27Don't worry.
01:02:33Here you go, Muriel.
01:02:35What is it?
01:02:36It's a surprise. I know you'll like it. Drink it.
01:02:38All right, we can start now.
01:02:39Yes, sir. One moment, sir.
01:02:41It's very good, thank you. We can start now.
01:02:45How do you feel?
01:02:46Good.
01:02:48Blood, blood everywhere.
01:02:54Now you know what a fish cake tastes like.
01:02:57Are you satisfied now, Muriel?
01:02:59We're all satisfied.
01:03:00All right, then. Everything's ready.
01:03:02To your positions.
01:03:10The spirit says that the girl who saw the crime must get up.
01:03:15She must go to bed.
01:03:17And she must...
01:03:18She must remove the sheet.
01:03:20No, no, no!
01:03:24What's the matter?
01:03:26Did someone get hurt?
01:03:28Oh, sir.
01:03:29It's Mr. Kenny.
01:03:30Oh, I'm so sorry.
01:03:31Why did you do this to me?
01:03:33I'll have you arrested.
01:03:36Please, Mr. Kenny, don't be angry with Mrs. Garnet.
01:03:38I just wanted to help.
01:03:39Yes.
01:03:40There are many places in the world where you can...
01:03:42What are you talking about?
01:03:43She says you did this to her, but we're giving it back to her.
01:03:46I don't know what's wrong with Mr. Kenny.
01:03:47Hey, listen to me.
01:03:49Let's start again.
01:03:51But I heard a scream.
01:03:53We were doing a play, Mrs. Garnet.
01:03:55A play?
01:03:56But what was that scream?
01:03:57It was part of the play.
01:03:58I have to scream.
01:04:00Listen, Mrs. Garnet.
01:04:01Don't stop telling Mr. Kenny how much you like him.
01:04:04As actors, I mean.
01:04:05We might get a job out of this.
01:04:08Of course I will.
01:04:09I hope everything goes well.
01:04:11I say this because of the rent, you know.
01:04:13Don't forget about the rent.
01:04:14No, no, don't worry.
01:04:16All right, let's go, guys.
01:04:18Let's go to the places again.
01:04:19And make sure this doesn't bother you.
01:04:22All right, everyone ready?
01:04:23Yes, of course.
01:04:24Some very attractive young men, right?
01:04:27A lot.
01:04:28And very good actors.
01:04:29Don't you like the play?
01:04:31I think it's wonderful.
01:04:33Very entertaining.
01:04:34I have no words to praise it.
01:04:36Please, Mrs. Garnet.
01:04:37Not now.
01:04:38Oh, I'm sorry.
01:04:39All right, go ahead.
01:04:42Ceylon.
01:04:44The spirit says that the girl who saw the crime must get up.
01:04:49She must go to bed.
01:04:51And she must...
01:04:52She must remove the sheet.
01:04:54Oh, no, no, no!
01:04:58I have no idea.
01:04:59What's going on?
01:05:00Come on, tell me what's going on.
01:05:01Hey, what's going on?
01:05:02Calm down.
01:05:03Don't move.
01:05:04What is this?
01:05:05All right, who screamed?
01:05:06It was me, officer.
01:05:07You have no right to come in like this.
01:05:09We have to investigate a call.
01:05:10Well, this young lady screamed, but it's all right.
01:05:12She screamed when she saw the body.
01:05:14Body?
01:05:15What body?
01:05:16She didn't mean any body.
01:05:18Yes, of course not.
01:05:19What were we going to do with a corpse?
01:05:22Officers, please, don't be ridiculous.
01:05:24There was no crime.
01:05:25We are representing a play.
01:05:26My name is Arthur Kenny.
01:05:27I suppose you've heard of Arthur Kenny.
01:05:29And how do I know who you are?
01:05:30Can you identify yourself?
01:05:32Of course, Mrs. Garnet, the housekeeper, will tell you who I am.
01:05:34Mrs. Garnet, tell them who I am.
01:05:39Mrs. Garnet, please, Mrs. Garnet.
01:05:41Do you mean it?
01:05:42Of course.
01:05:43Is the show over?
01:05:44Mrs. Garnet, the police think there's something wrong here.
01:05:47Oh, I thought they were acting, too.
01:05:50They've lost it.
01:05:51They should have been here.
01:05:52It was wonderful.
01:05:53I loved it.
01:05:54It's a shame it was so short.
01:05:56The most exciting part was when she saw the poor girl murdered.
01:06:00A murdered girl?
01:06:01Where?
01:06:02Please, Mrs. Garnet.
01:06:04Well, under that.
01:06:12Oh, my God.
01:06:14Call headquarters.
01:06:15Oh, no.
01:06:16She's not dead.
01:06:17She's pretending.
01:06:18She's not denying it, is she?
01:06:19Listen, this has gone too far.
01:06:21They're pretending.
01:06:22It's all a simulation.
01:06:23It's a play.
01:06:24They're acting.
01:06:25Or at least that's what they think.
01:06:27Yes, it's a knife.
01:06:28It's a joke.
01:06:29They just have to take it out.
01:06:31Take it out.
01:06:33As I thought, it's fake.
01:06:38Ketchup.
01:06:39Well, I think we've made a mistake.
01:06:41Of course.
01:06:42Anyone with a little intelligence would know they're pretending.
01:06:45I'm sorry, Mr. Kenny.
01:06:46We're leaving.
01:06:47Yes.
01:06:48I'll walk you out.
01:06:49Goodbye.
01:06:50Goodbye.
01:06:51Get up.
01:06:52I said get up.
01:06:55Agents, one moment, please.
01:06:57Something's going on here.
01:06:58This woman is unconscious.
01:07:00Maybe she's just tired.
01:07:02I was right.
01:07:05They've killed her.
01:07:06Oh, no.
01:07:07She's acting.
01:07:08Wake up, Muriel.
01:07:09The play's over.
01:07:10Wake up.
01:07:11She's the silliest girl I've ever seen.
01:07:13She's a good actress, isn't she?
01:07:15She's unconscious.
01:07:16What's going on here?
01:07:18It was me.
01:07:19No, it wasn't me.
01:07:20I did it so she'd stay still.
01:07:22She'd get up all the time.
01:07:23This is a misunderstanding.
01:07:24I don't want to be involved.
01:07:25And if we haven't started yet?
01:07:27No one's getting out of here.
01:07:28I'll call an ambulance.
01:07:29I'll call a van.
01:07:30Oh, no.
01:07:31George.
01:07:33Don't touch that phone.
01:07:35If you touch that phone,
01:07:37the building will fall apart.
01:07:39And you'll go with it.
01:07:41You'd better stay away from the show.
01:07:43Maybe it's not a joke.
01:07:44Stanislavski never jokes.
01:07:46Right, Stanislavski?
01:07:48I'm leaving, agent.
01:07:49You go get a phone.
01:07:50I'll take care of this until I get back.
01:07:52Have fun.
01:07:54All right.
01:07:55What's going on?
01:07:56Let me out of here.
01:07:57Don't let him out, officer.
01:07:58It was hard to get him out.
01:07:59He's made a mistake.
01:08:01We'll all confess.
01:08:03We'll all tell him.
01:08:05So he can see exactly what happened.
01:08:08Right, Stanislavski?
01:08:11Yes, of course.
01:08:12We'll tell him.
01:08:14Listen, agent.
01:08:15Quiet.
01:08:16Shut up.
01:08:17All right, agent.
01:08:18It was like this.
01:08:19Look.
01:08:20These people were sitting.
01:08:23And the body was covered.
01:08:26All right.
01:08:27I was outside the door.
01:08:28And this girl was in a trance.
01:08:30Like this.
01:08:32Cut.
01:08:33Wait a minute.
01:08:45No, no, no, no!
01:08:48Don't move.
01:08:51All right.
01:08:52It's out.
01:08:53Change the record.
01:08:54I want the whole thing.
01:09:02I guess Mr. Kenny is dead.
01:09:06Dead?
01:09:07What are you saying?
01:09:08Last night when he left, he said he was going to kill himself.
01:09:11At least we tried.
01:09:13It's horrible to be a failure at only 18.
01:09:16I'm sure it's no worse than going back to Creek County.
01:09:19It was better when I left.
01:09:21I don't care about that.
01:09:23When I think the poor baby will be born and his father won't know what it's like.
01:09:26Norman will have to go back to Rhode Island and finish the dentist thing.
01:09:33Any sign?
01:09:35Not yet.
01:09:51I don't know why it doesn't dry.
01:09:53Maybe it's the humidity in here.
01:09:56How are you, Muriel?
01:09:58I feel like a puzzle and I can't reassemble.
01:10:02Maybe you're missing some pieces.
01:10:04No, I have them all.
01:10:06I checked in the bathtub.
01:10:12Why did you get in the bathtub with your clothes on?
01:10:15I was stunned and I didn't realize it.
01:10:19It was as if someone had pushed me.
01:10:24I want to go home.
01:10:25Go ahead.
01:10:26What's the matter with you?
01:10:29As soon as my clothes dry, I'll tell Mr. Coburn to come back here.
01:10:33He won't wait until tomorrow to take Dottie when I tell him.
01:10:39I have to go.
01:10:44I'd like to have a toothbrush.
01:10:53I don't know why he can't wait until we know what Mr. Kenny thinks of our work.
01:10:57If he leaves, he'll have to use water.
01:10:59Or rinses.
01:11:05Maybe it's Mr. Kenny.
01:11:17Dad, you didn't have to come this morning.
01:11:19I didn't want you to stay here.
01:11:22So I decided to...
01:11:27Who are you?
01:11:28Who? I...
01:11:30I came to use the phone.
01:11:31See? I told him.
01:11:33I told him that Dottie lived with a lot of men.
01:11:35I don't even know his name.
01:11:37And where have you been?
01:11:38Your uncle is worried because you didn't go home.
01:11:40But I couldn't go home.
01:11:41We didn't want to tell him anything, Mr. Coburn.
01:11:43But it looks like she liked it.
01:11:45It's not true.
01:11:46They stabbed me and wanted me to be a corpse.
01:11:49They poisoned me and I was unconscious.
01:11:52When I came back, there were two policemen in the room.
01:11:56And I had ketchup on my dress.
01:11:58And then they tried to drown me.
01:12:04I don't think they liked it.
01:12:06We're crazy about her, Mr. Coburn.
01:12:08This is the crazy old man, right?
01:12:11And these are the two guards.
01:12:14Don't you feel ashamed?
01:12:15Don't get so upset.
01:12:16I'm not upset.
01:12:17And don't yell at me.
01:12:18Please, be quiet.
01:12:19We're going to have a baby.
01:12:21What?
01:12:22I told him, I told him.
01:12:24Oh, Dottie.
01:12:25Dottie is confused, Mr. Coburn.
01:12:26I'm the one who's going to have a baby.
01:12:28Have a cigar.
01:12:30I don't want a cigar.
01:12:31I just want my daughter to get out of here.
01:12:33Dottie, go get your things right now.
01:12:44Don't cry, darling.
01:12:45We'll see each other again.
01:12:46I promise.
01:12:47Yes, with how close you are.
01:12:48You're so far away, Billy Linois.
01:12:50The world is getting smaller, darling.
01:12:52Just think about that.
01:13:00Well, let's go.
01:13:01I'm dying of laughter.
01:13:02Mr. Coburn, I can't go now.
01:13:04I'm all wet.
01:13:05Exactly, Miss Foster.
01:13:06Exactly.
01:13:07Leave her here, Mr. Coburn.
01:13:09We'll take care of her.
01:13:11Let's go, Dottie.
01:13:12Goodbye, everyone.
01:13:13Goodbye, Dottie.
01:13:14Goodbye, Dottie.
01:13:15We'll see each other again.
01:13:16Goodbye, Dottie.
01:13:17Thank you for everything, Dottie.
01:13:18And goodbye to Jusville.
01:13:19Let's go, Dottie.
01:13:20I have something very important to tell you, Norman.
01:13:22Even though you're mad at me.
01:13:24Dottie, let's go.
01:13:27I love you, Norman.
01:13:29I've always loved you, Norman.
01:13:38It's a damn girl, isn't it?
01:13:40Yes, it must be.
01:13:42The spirit says that whoever saw the crime...
01:13:44...must get up and slowly walk towards that woman...
01:13:47...and tear her to pieces.
01:13:50That's a good idea.
01:13:52This is for Norman.
01:13:53This is for Dottie.
01:14:03How are you?
01:14:04How are you?
01:14:05I'm Phillips, Mr. Kenny's assistant.
01:14:06Oh, yes.
01:14:07I remember.
01:14:08This is Mr. Phillips, Mr. Kenny's assistant.
01:14:10Oh, hello, Mr. Phillips.
01:14:12Do you have a message for Mr. Kenny?
01:14:14Yes.
01:14:15Mr. Kenny wants you to come down to his apartment in half an hour.
01:14:17Yes?
01:14:18How did he say that?
01:14:19Yes, when he said that he was angry or happy.
01:14:21I assure you that I do not analyze Mr. Kenny's infections and tones.
01:14:24In half an hour, please.
01:14:25Yes, sure.
01:14:26We'll be there.
01:14:29I wonder what he wants.
01:14:31He didn't seem very excited to me.
01:14:33Oh, characters never get excited.
01:14:35That's why they're characters instead of people, right?
01:14:37Well, what the hell?
01:14:39We can't be worse than we are now.
01:14:41You said it.
01:14:47I like you a lot.
01:14:57Come in and make yourselves comfortable until Mr. Kenny arrives.
01:15:02Wow, this looks like our apartment, but it's decorated.
01:15:07Well, he didn't burn it, that's a good sign.
01:15:09What if he sues us?
01:15:11Don't be stupid.
01:15:12How could he sue us for selling his work?
01:15:14We didn't show it to the public, did we?
01:15:16That's bad.
01:15:17What do you mean?
01:15:18We did the right thing.
01:15:19If only so many things hadn't happened.
01:15:21Let's connect it and see what happens.
01:15:22Oh, Norman, no.
01:15:23They're our voices, right?
01:15:27Who are you?
01:15:28Oh, I just came for the rent, you know?
01:15:31Please, Mrs. Garnett, we're acting, please.
01:15:35Come on, Kate, go on.
01:15:37No, no, no!
01:15:41That's where they stab you, Kate.
01:15:43Oh, the Divine is dead.
01:15:45I wonder who will be next.
01:15:48No!
01:15:50Oh, the nervous young man will be next.
01:15:52Tony, that blow when you die was wonderful.
01:15:55I'm sorry to tell you, sir,
01:15:59that the two mysterious sisters
01:16:02were found in the well at midnight,
01:16:07completely drowned, sir.
01:16:11Sir?
01:16:13Oh, no, no!
01:16:15Oh, God, no!
01:16:20Have I gone a little overboard?
01:16:22Oh, step aside!
01:16:24Step aside!
01:16:26Step aside!
01:16:27It looks like he's singing, Dixie, doesn't it?
01:16:33How strange.
01:16:34They're all dead.
01:16:36Oh, my God!
01:16:37That means that the corpse,
01:16:39the blood that came out of my suitcase,
01:16:41that's the key.
01:16:42I killed them.
01:16:43No, Norman, turn it off.
01:16:47Oh, God.
01:16:48Let's go, Arsco.
01:16:49Yes, it's terrible.
01:16:51Hello.
01:16:52I see you were having fun.
01:16:53Mr. Kenny, excuse me.
01:16:56What's the matter with you?
01:16:57Don't you recognize a great parody when you hear it?
01:16:59What?
01:17:00Parody.
01:17:01You mean, you think that's funny?
01:17:02So funny that we'll start rehearsing right away.
01:17:05As you have represented it with interruptions and everything.
01:17:07It's great.
01:17:08No one could have written something like that.
01:17:10Now I'll give you the contracts to sign.
01:17:12Oh, a parody.
01:17:13Oh, we've always known that.
01:17:15But I'm going to have a baby.
01:17:17Well, I'm sorry, but I can't pay more for that.
01:17:19The deals are deals.
01:17:20Where's the corpse?
01:17:21It's upstairs.
01:17:22Oh, are you sure?
01:17:23It can't go anywhere.
01:17:24Where's the other idiot?
01:17:27Dottie.
01:17:28She's gone.
01:17:29Gone?
01:17:30Where to?
01:17:32Oh, she can't go.
01:17:33It's the most fun part of the show.
01:17:34Yes?
01:17:35Yes.
01:17:36Oh, I didn't have a right.
01:17:37No, she has to be there.
01:17:38I'm sorry.
01:17:40Oh, God.
01:17:41Excuse me.
01:17:42But there's a young woman downstairs
01:17:44who wants to see a young man
01:17:46who wants to see a young woman downstairs.
01:17:49What young man?
01:17:50And what young man?
01:17:51Norman said.
01:17:53But when he was young,
01:17:54young people called young people by their last name.
01:17:57But I don't know.
01:18:00Wait a minute.
01:18:02Where's Mrs. Garnet?
01:18:03Who?
01:18:04Oh, I don't know why she's not coming up.
01:18:06I don't know if she lives here.
01:18:10Dottie.
01:18:11Norman, I'm back.
01:18:12I had to do it.
01:18:14Dottie, listen.
01:18:15Mr. Kenny is going to produce our play
01:18:17and he loves you especially.
01:18:19I know how he feels because I'm back
01:18:21because I love him especially.
01:18:23Well, you know what I love, Norman.
01:18:25But how did your father let you come?
01:18:27He didn't let me.
01:18:28On the contrary,
01:18:29he put me in a hotel.
01:18:30I counted up to 18
01:18:31and that's my age.
01:18:32So I left.
01:18:34Oh, Dottie, it's wonderful.
01:18:36Wonderful for the play or for me, Norman?
01:18:39Well, wonderful for you.
01:18:41Really, Norman?
01:18:43Yes, of course.
01:18:45Oh, Norman!
01:18:46Norman!
01:18:51Oh, yes, it was serious.
01:18:53Norman.
01:18:59Oh!
01:19:00And he said he didn't even know what a man was like.
01:19:03Well, now you'll have to stop saying it.
01:19:16© BF-WATCH TV 2021
01:19:46© BF-WATCH TV 2021
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