GHOSTS ON THE LOOSE (La casa encantada, 1943, Full Movie, English, Cinetel) HD

Perkins William

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00:13:47good how's your voice Danny it's much better I think don't use it till you

00:13:53have to sing

00:13:57tight oh it's all in your mind that's not tight you got lots of room there yeah

00:14:03you see that

00:14:06look look what we got yeah mother's a little bit oh that's beautiful now that's got some class

00:14:16what's that rest in peace

00:14:23in loving memory to Louie the lug from the gang

00:14:32we didn't mean to shoot you Louie honest where did you get that we're on the

00:14:40street you know on a truck fell off you know that sacrileurious no kidding take

00:14:51it back guys ain't got no conscience you imagine a thing like this hey wait a

00:14:57minute I don't suppose there would be any more sacrileurious if we brought it back

00:15:05after the wedding put it in the parlor wait a second got to return that after the wedding

00:15:13take it away yeah hold on to those hey that's funny this is Louie's suit what are you doing

00:15:23I ain't wearing this don't worry about nothing Louie don't need that suit until tomorrow yeah but can't

00:15:28I wear my check suit with the belt on the back no you can't it's a high-class wedding you're gonna

00:15:31wear that suit right there oh the mug just don't belong to Louie I bet I know what killed him just

00:15:38call it choked him to death what are you taking a collar off well what's the matter with you I'm sorry

00:15:46you must not move to that house I tell you you made one mistake but not buying it from the elders

00:15:55don't make another mistake get that face from Gibson yeah but Gibson's getting married today

00:16:01why don't we just wait do you question my orders no it isn't that I know it's just that I can't see

00:16:10why this guy'd be any worse than that house in the old woods you can't see that old couple was

00:16:15too frightened to interfere but nobody knows what this young fool will do all right I'll get it and try

00:16:22to use your head get him alone all right come on get off again it's about time to get started what's

00:16:33the matter his neck was a little bit too big for the collar but it's okay now oh well where's the tie

00:16:38there's a fellow outside says he has to see you I can't see him now I'm getting married he says it's

00:16:45important who is he I don't know but he says it'll just take a few minutes okay I'll be right back

00:16:50fellas

00:16:58hi Jack so I haven't seen you for a long time where have you been I've been busy I know you're in a hurry and

00:17:06I won't take a bunch of your time I want to buy that house on Elm Street well they'll be crazy I

00:17:11just bought it myself I know you did I know what you paid for it I represent a party that well they're willing to

00:17:18double what you gave what do they want my place what does it make they want it willing to pay for it

00:17:26now the answer is no oh wait a minute you can't take a bribe in a house like that look suppose you

00:17:34tell me what all this mystery about that house is huh haven't you heard you know that big estate next door

00:17:40yeah it's haunted what do you know all right laugh if you like but then why do you think they sell it to

00:17:50you so cheap who lives next door and why do you want my place well let's say that they're eccentric they

00:18:00don't like neighbors all right now that's perfect don't touch nothing okay line up like I told you

00:18:11and don't forget you Christian those and dim you in those and I don't want no altercations in the lyrics

00:18:16let's go you're out of step your log

00:18:24so you can see why you don't want to take your wife to a place like that no I guess I don't she has a

00:18:50heart said I'm going there tonight I understand it look Jack there's five hundred dollars to buy

00:18:56the deal take your wife away for a few days you know on a honeymoon you have to do that anyway explain

00:19:02about the house when you get back if I had more time I oh look get all about business till you come

00:19:07home yeah when you get ready to close the deal write me at this address they'll get in touch with me

00:19:13this is a place next to mine huh a haunted house okay okay just a word of warning when you do get back

00:19:25write to me don't go out yeah okay I'll see you later hey Dave Dave

00:19:43bring to me only with thine eyes and I will bless with my heart

00:20:07or leave a kiss within the cup and I'll not have for wine

00:20:19the thirst that from the soul doth rise the faster drink of wine

00:20:31about the pride I am Joe's nectar suck I will not pay for thine

00:20:46are you ready glimpy yeah

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00:23:53Well, I'd like to very much, Daddy, but, uh...

00:23:55Well, it's all right, darling.

00:23:57We're not going out there tonight, anyway.

00:23:59Not going to our new house, but, Jack, why not?

00:24:01Well, it's...

00:24:03Well, that ain't some extra money, so...

00:24:05I thought we'd take a little trip first.

00:24:07You know, a honeymoon.

00:24:09You know anything about that, Climpy?

00:24:11Smooth to me.

00:24:13Well, the place needs an awful lot of fixing up, you know?

00:24:15Oh, yeah?

00:24:17I...

00:24:19I hope you don't mind all the time.

00:24:21Oh, no, darling, anything you want to do is all right with me.

00:24:25You've got lipstick all over me.

00:24:27Oh.

00:24:33322 Elm Street.

00:24:35That must be his new house.

00:24:37Certainly is, maybe.

00:24:39Well, folks, I guess we'd better go.

00:24:41Come on, darling.

00:24:43You oh!

00:24:44Come on!

00:24:45Come on, come on!

00:24:46Come on!

00:24:47Come on!

00:24:48Come on!

00:24:49Come on!

00:24:50Come on!

00:24:52Come on!

00:24:53What, oh!

00:24:54Come on!

00:24:55Oh!

00:24:56Old White.

00:24:57That's...

00:24:58Coming day I hope to get married.

00:24:59You know that, Scruton?

00:25:00Good man!

00:25:01Come on, hey!

00:25:02What do you got there, Scruton?

00:25:03Man, this is rice!

00:25:04What's the idea of the pan?

00:25:05Nothing!

00:25:06I just had my mom to cook it, so it'd be nice and soft!

00:25:08Look at here.

00:25:09I see what you mean.

00:25:10All right?

00:25:11Hey, where are those gangsters that are supposed to be here?

00:25:16Gangsters?

00:25:17Yeah, gangsters.

00:25:18Well, maybe they lost the address, or maybe you scared them away.

00:25:22Yeah, you look like an old-time scarer.

00:25:25Why don't you use some diplomacy?

00:25:27I got my diploma when I graduated from school.

00:25:29Where did you graduate? Kindergarten?

00:25:31Oh, I skipped kindergarten. I was too old.

00:25:33Kindergarten!

00:25:41More vanilla.

00:25:50Louie isn't going to like this.

00:25:57You shouldn't have sold that nice young couple the house without warning them.

00:26:01No, Sarah. There's no use starting something that we can't actually prove.

00:26:06You know in your heart, John, there's something going on in that house next door that isn't strictly honest.

00:26:10But we don't know positively, Sarah.

00:26:13Why, John Elwood, how can you say that after all we've seen and heard in the last six months?

00:26:19Now, now, let's not talk about it anymore.

00:26:21We're out of there and finished with the whole thing.

00:26:24But I'm not finished with it.

00:26:28What are you going to do?

00:26:30Phone the police!

00:26:33Now, wait a minute, wait a minute.

00:26:35They'll ask a lot of questions, and the first thing you know, we'll be held as material witnesses.

00:26:39They don't have to know who gave them the information.

00:26:42Well, I wouldn't do it now, Sarah.

00:26:45Well, I would.

00:26:48Give me the police.

00:26:54Police department.

00:26:56Lieutenant Brady speaking.

00:26:57This is Mrs. John G.

00:26:59I wish to report some mysterious goings-on at 322 Elm Street.

00:27:09322 Elm.

00:27:11What kind of goings-on?

00:27:13Oh, there's noises and screams and people going in and out all hours of the night.

00:27:18All kinds of funny businesses.

00:27:21Who is this speaking?

00:27:22This is Mrs. John G.

00:27:24Hello?

00:27:30Hello?

00:27:33Trace that call.

00:27:36Turn in Mulligan and O'Brien.

00:27:42Well, I think that's the place.

00:27:44Don't look very cheerful, though, does it?

00:27:46You certainly do not.

00:27:47Ah, come on, get your tools.

00:27:48We've got a hard night's work.

00:27:50Come on, Glam.

00:27:51Okay.

00:27:58Ooh, look at the beautiful flowers.

00:28:01Can't put ketchup on flowers.

00:28:04Hey, that's a pretty big place with two people, ain't it?

00:28:06Yeah.

00:28:08Hey, there's a house down there.

00:28:09Looks more like the place Jack was talking about.

00:28:14Yeah, it does at that.

00:28:16What did I do with that card?

00:28:19Hey, Climpy, my eyes ain't so good.

00:28:21What's the number on that house?

00:28:27322.

00:28:28Well, what's the number on that card?

00:28:32322.

00:28:32That must be the place, then.

00:28:34Looks like it.

00:28:35Hey, what are you guys waiting for?

00:28:36We want to decorate this house tonight, not tomorrow.

00:28:38Let's go.

00:28:39We're coming, we're coming.

00:28:40Come on, guys, let's go.

00:28:42All right.

00:28:45You got all the accessories?

00:28:46Yeah, we got everything.

00:28:47Okay.

00:28:48Hey, Climpy.

00:28:54Give me the key.

00:28:56Me, me, me, me.

00:28:57322.

00:28:58322.

00:28:59322.

00:29:00322.

00:29:00The key to the house.

00:29:02What key?

00:29:02You crazy?

00:29:03Look, I got the address.

00:29:05It's a little detail we overlooked, I guess.

00:29:07Well, let's go home.

00:29:08Yeah, come on back here.

00:29:10Ain't you got no one, Ginuti?

00:29:12Give me that hammer.

00:29:19Mind me to put a new glass in there in the morning.

00:29:22Hey, Muggs, watch out.

00:29:23You might cut your jug a bit.

00:29:24What's the matter with you guys?

00:29:32You scared?

00:29:32Well, I'm not a bit.

00:29:34All right, then go on in.

00:29:36The rest of you lies can perceive me.

00:29:38What's eating you?

00:29:40Man, if I get lost in there, ain't nobody ever going to find me.

00:29:44Yeah, Frank, you don't worry.

00:29:45In you go.

00:29:46In who goes?

00:29:47In we all go.

00:29:48Come on, quit stalling.

00:29:49All right, well, go on.

00:29:50What's that work to do?

00:29:51Look like a brave, Mike.

00:29:54Well, go ahead, Clint.

00:29:56Uh, don't you think the lawn needs mowing or something like that?

00:29:59What are you going to do?

00:29:59Take the water off your knees?

00:30:00Get in there.

00:30:12Hey, you kind of misty in here.

00:30:14Anybody got a match?

00:30:14Watch out, you're scared of bats.

00:30:27That's better.

00:30:29Take a look in here.

00:30:44Jack wasn't kidding when he said this place would need fixing up.

00:30:53Look at that.

00:30:54No curtains, no drapes, no lamps, no knickknacks, no nothing.

00:30:59Where are we going to get some furniture?

00:31:00What about that house next door?

00:31:02What about it?

00:31:03Well, I saw a sign that says it's not completely furniture.

00:31:06What do you want us to do, buy another house?

00:31:08Oh, just furniture.

00:31:09Let someone else buy that.

00:31:11That's good.

00:31:12It's the best idea you had in 10 years.

00:31:14Let's go take a look, brother.

00:31:16Put that stuff down.

00:31:23Monk, there's boys in the house.

00:31:26Bumble Doo.

00:31:35We'll make that place look like a million bucks.

00:31:37Oh, you aren't getting people.

00:31:38We'll get up, you're getting up.

00:31:39We'll get up.

00:31:40Hey, the door's open.

00:31:55Hmm.

00:31:56They must trust their neighbors.

00:31:57Oh, this is really nice.

00:32:08Lamps, drapes, books, everything.

00:32:11I wonder why he bought that old house next door instead of this one.

00:32:14Yeah, I guess there wasn't enough room in the yard for Victory Garden, huh?

00:32:17Could sure make some improvements over there with this stuff.

00:32:20Yeah, but do you think we should really take these things?

00:32:22Hey, certainly.

00:32:23Jack can pay for it later.

00:32:24Right, yeah, I don't care.

00:32:25I'm his brother-in-law.

00:32:26Good enough for me is good enough for my sister.

00:32:28Stop moving it, then.

00:32:28Stop moving it.

00:32:29Pick up something.

00:32:30Don't pick up nothing heavy.

00:32:31I know I'm going to get some books off my mind.

00:32:33Good evening, sir.

00:32:42Good evening.

00:32:44Oh, uh, can you give us a room and a bath?

00:32:46Yes, sir.

00:32:48What's funny, dear?

00:32:49Oh, that's an old joke.

00:32:51I say, can you give us a room and a bath?

00:32:53And he's supposed to say, well, I can give you a room, but you'll have to take the bath yourself.

00:32:59Really?

00:33:00Would you care to register, sir?

00:33:04Thanks.

00:33:10There.

00:33:12How does that look, Mrs. Gibson?

00:33:14I like it very much.

00:33:17Oh, uh, are you Mr. John Gibson?

00:33:20Oh, yeah.

00:33:21Sure, look here.

00:33:22I've got my, uh, my draft card, social security, driver's license, automobile clothes.

00:33:30Oh, uh, uh, do you want to see a marriage certificate?

00:33:33No, thank you.

00:33:34I have a message for you.

00:33:36Message?

00:33:41Call Chelsea 5518, apartment 243.

00:33:46Who the dickens is?

00:33:47Chelsea 5518.

00:33:48I don't recognize the number.

00:33:50It sounds like a hotel.

00:33:52They said it was most urgent.

00:33:54Oh, they did, huh?

00:33:54Well, where are the phone booths?

00:33:56Right, over there, sir.

00:33:57Oh, uh, well, come on, darling.

00:33:58Pull everything, huh?

00:33:59Yes, sir.

00:34:00Well, this is John Gibson.

00:34:24What can I do for you?

00:34:26Oh, Mr. Gibson.

00:34:29It's about your house.

00:34:30This is Mrs. John G. Elwood.

00:34:35I thought you should know the truth about it.

00:34:37What do you mean?

00:34:41Uh-huh.

00:34:43Uh, well...

00:34:45Well, look, when we go there, I'll take along a big box of ghost powder.

00:34:51Well, I just wanted you to know that I've reported it to the police, and they should be out there by now.

00:34:56Well, what did you do that for?

00:34:58Well, of course I mind.

00:35:00I don't want a lot of cops poking around out there.

00:35:03Oh, okay, okay.

00:35:04Well, just forget it.

00:35:05All right, goodbye.

00:35:08What's the matter, darling?

00:35:09Well, it was Mrs. Elwood.

00:35:10You sent the police to investigate the place next door to our house.

00:35:13There's something fishy about the whole thing.

00:35:14Well, I'm glad we didn't go out there now.

00:35:16Aren't you?

00:35:17No, I'm not.

00:35:18I think we ought to go out there right now.

00:35:20Right now?

00:35:21Yep.

00:35:22Get hungry.

00:35:23Come on, darling.

00:35:23Don't be frightened.

00:35:24Who said anything about being frightened?

00:35:26Oh.

00:35:28Yeah.

00:35:30Darling.

00:35:31Oh, you got a nice hotel here.

00:35:33We sure enjoyed our stay.

00:35:34Come on, darling.

00:35:34Come on.

00:35:44Short day.

00:35:47All right, come on.

00:35:48Step on it.

00:35:48You ain't getting no overtime for this.

00:35:50Hey, Dave.

00:35:53Come on, wake up.

00:35:53Come on.

00:35:54Get out of there and take that chair with you.

00:35:55I'll carry this ashtray.

00:35:57Watch out for the glass on the way out.

00:35:58Okay, lay it down right here.

00:36:24Now we got something to work with.

00:36:26You two fellas start to put up the wallpaper over there, and Rocky and Danny, you put up

00:36:30the curtains and drakes.

00:36:32And get them nice and cylindrical.

00:36:34Flippy, you can sweep.

00:36:36Thanks, Chief.

00:36:45What are you doing?

00:36:47Didn't you tell me I could sweep?

00:36:48Not sleep.

00:36:50Sweep.

00:36:50Now, get up off there and go to work.

00:36:53Dust off that rust.

00:36:54Okay, Chief.

00:36:55What are you going to do?

00:36:56I got to think.

00:36:57I'm the supervisor.

00:36:58Well, what do I have to do stuff for?

00:37:00I'll give you a consolidation.

00:37:02Do a good job, and I'll reduce your dues for the next three months.

00:37:04Thanks, Chief.

00:37:08Now don't split that wood with those screws.

00:37:10What is this?

00:37:11What, Mark?

00:37:12And don't get too much glue on that paper.

00:37:14It sticks out through there.

00:37:15It makes lumps.

00:37:16Okay, okay.

00:37:17Easy, Mark.

00:37:18Go under the drakes.

00:37:19Not all with them.

00:37:20Did you ever dress no houses?

00:37:21No.

00:37:42What about those lights to be gone?

00:37:43Who is that in there?

00:38:00It's that gang of kids.

00:38:01They're friends of Jack Gibson's.

00:38:03You know, the guy that bought the house next door.

00:38:06Is it some more of you bungling your stupid food?

00:38:09How do I know that we're coming out of here?

00:38:12I'll get rid of them, though.

00:38:14Come on, Bruno.

00:38:15Yeah, let me get my hands on them.

00:38:17Wait a minute.

00:38:19Why do I have such idiots around me?

00:38:23Let's find out what you know about it.

00:38:25I'll see.

00:38:45I don't get in the house.

00:38:55They broke in.

00:38:56They're still here.

00:38:57Yes, where's Monk?

00:38:58I don't know.

00:38:59He went up to the sea.

00:39:00Idiots.

00:39:01Imbassar, it's all of you.

00:39:02I'm going.

00:39:15I'm going.

00:39:45Oh, shit.

00:39:47What's that?

00:40:01Well, maybe a flame might be him.

00:40:03No matter.

00:40:03The altitude too much for you?

00:40:05No, no, no, no, no.

00:40:07That picture up there.

00:40:08He's alive.

00:40:09Who's alive?

00:40:10Here, here.

00:40:11Up there.

00:40:15Place, place, it's not a him.

00:40:17It's a her.

00:40:23Please believe me.

00:40:25There was a him a minute ago.

00:40:28Oh, you're seeing things.

00:40:30Seeing things?

00:40:31Man, I heard him growl.

00:40:33All right.

00:40:34All right.

00:40:34Just take it easy now.

00:40:35Relax.

00:40:36You've been drinking too much coffee.

00:40:38What coffee?

00:40:39Hey, where'd you get it?

00:40:40Where'd you get it?

00:40:40Go to work.

00:40:42Come on, step on it.

00:40:44Come on, Danny.

00:40:45Get those doilies hung.

00:40:47Yeah.

00:40:47Maybe we should have bought a spirit level

00:40:48to make sure they was even.

00:40:56Coffee drinker.

00:40:57Hey, Napoleon must be awful hot with that coat on.

00:41:09It's the best example of slow motion I've ever seen.

00:41:11Come on, hurry up.

00:41:18Limpy, we'll play statues later.

00:41:21Get back on that broom.

00:41:22I'm just trying to figure out where I should sweep that dust from here

00:41:26into the hall or dust from the hall into here.

00:41:28Just sweep it clockwise.

00:41:30Okay, Chief.

00:41:38The point.

00:41:49Feminine.

00:41:50Hey, box.

00:41:51Box.

00:41:51You warm.

00:41:52You warm.

00:41:52No, I'm not warm.

00:41:53Why?

00:41:54The point that took his coat off.

00:41:55If he had it on, he took it off.

00:41:57Look.

00:41:59He took his coat off, huh?

00:42:02You look.

00:42:08Well, what are you doing?

00:42:09Put it back on.

00:42:10What's going on around here anyway?

00:42:12You're going goofy, too?

00:42:13Don't answer that.

00:42:14Just go over and lie down next to the screw notes.

00:42:17Wait a minute.

00:42:17Yeah, yeah.

00:42:18Well, it doesn't have any animosity.

00:42:20I'm sorry.

00:42:32Hey, school.

00:42:33Yeah.

00:42:34Are you sure you saw what you saw?

00:42:36Sure.

00:42:37I'm sure.

00:42:38But I try to tell him once.

00:42:40Turn back on the sweep and I've got a broom in my hand.

00:42:42I look up at the point and he's got a coat on.

00:42:43He's standing like that.

00:42:44Where are you going?

00:43:03What are you doing up there?

00:43:05Hey, look.

00:43:15Now he's in his wrong drawer.

00:43:23Get down off there.

00:43:24I'm going to send you to an optimist and have your eyes examined.

00:43:27Come on down.

00:43:29Huh?

00:43:30If I have to go up there and get you, I'll stab you at one of those horns.

00:43:35I want you two to quit clowning.

00:43:40Clowning?

00:43:40Who's clowning?

00:43:41Quit clowning.

00:43:42The thing was right.

00:43:47Stop acting like a couple of hysterical dames.

00:43:50Who's acting like a hysterical dame?

00:43:51I saw it in school and saw a toad in your school.

00:43:53Never now?

00:43:54But come on, let's go home.

00:43:55I ought to slug the both of you.

00:43:57You're imagining things.

00:43:58It's all in your mind.

00:43:59Now, who's mind is that here?

00:44:06Hey, Moses, did you hear that?

00:44:08Certainly I heard it.

00:44:08You think I'm deep?

00:44:09Come on, let's go home.

00:44:11We ain't going to go no place.

00:44:13We're going to find out what that was.

00:44:15Hear what he said?

00:44:15We're going to find out what it was.

00:44:17When you guys find out what it was, I'll be in the car waiting for you.

00:44:20You'll wait right there.

00:44:21I said we're going to find out what it was, and I meant it.

00:44:23Hey, Glimpy.

00:44:24Chief.

00:44:26You go first.

00:44:27Certainly.

00:44:27What am I saying?

00:44:31What's the matter?

00:44:31You're scared?

00:44:32Scared?

00:44:32I'm not scared of nothing, but I'm not going out there.

00:44:34You want to go out, so you're about to see what it was.

00:44:36You're going to let me go up there all alone?

00:44:38Yeah.

00:44:40Remind me when we get back to town to give you the Iron Cross for bravery.

00:44:43Right over the scuff.

00:44:45Good.

00:44:45I'll go find out what it was.

00:44:50What are you doing?

00:44:51The noise came from that direction.

00:44:54Oh, look.

00:44:55Ed.

00:44:56I thought maybe Scott got over there way here.

00:45:01Oh, I'm Yakima.

00:45:03I'll be right ahead.

00:45:06I'll be right back.

00:45:08I'll be right back.

00:45:09I'll be right back.

00:45:19And if that's the other side on my edge.

00:45:21What are you doing?

00:45:23I'll be right back.

00:45:24One o'clock, and all ain't well, no how.

00:45:49Ah, there's nothing to worry about.

00:45:54No, let's go home now.

00:46:21Come here.

00:46:22Just for that, you're gonna go first.

00:46:24Me?

00:46:25Yeah, you. Now, go on.

00:46:26Get up there.

00:46:27We'll let you go home later.

00:46:29Go on. Go up there, all of you.

00:46:31All right.

00:46:32I'm gonna be last for a change.

00:46:35Cliffy!

00:46:36Get up.

00:46:52Well, do you see anything?

00:46:56No.

00:46:57No.

00:47:00Who that? Who that?

00:47:02Who that say who that?

00:47:04When I say who that.

00:47:05Who said who that when I say who that?

00:47:07What's the matter with you?

00:47:10That's just an echo.

00:47:11Just an echo.

00:47:13See that's what I tell you.

00:47:14There's nothing to be scared of.

00:47:16That's what you think.

00:47:18Well, boys, here we go again.

00:47:20Go get it!

00:47:21Go get it!

00:47:22Go get it!

00:47:23Go get it!

00:47:28Open the door!

00:47:29Open the door!

00:47:30Open the door!

00:47:31Open that door!

00:47:32Open that door!

00:47:33Oh, there go that echo again.

00:47:35Open that door!

00:47:53Hey, Pat, gimme a hand!

00:47:58See, Pat.

00:47:59Hey, Pat, give me a hand.

00:48:07Take a look in there.

00:48:25What's that, Munch?

00:48:27Looks like a printing press.

00:48:29Jack never told me you had a printing press.

00:48:31How to destroy the Allies?

00:48:41What the new order means to you?

00:48:45How to destroy the Allies?

00:48:49What are they doing?

00:48:51Let me see.

00:48:53Let me see.

00:48:57Mark.

00:48:59The kids have found printing press and everything.

00:49:01Shall I take care of them?

00:49:03Oh, we have company upstairs too, the police.

00:49:05The Gestapo!

00:49:07Did you hear the Gestapo?

00:49:09No, just two American detectives.

00:49:11Probably dumb ones too.

00:49:13Don't worry about them.

00:49:15Let me see.

00:49:17Gee, that sounds like spies.

00:49:19Yeah, do you think Jack's mixed up with them?

00:49:21I don't know. This is his house.

00:49:23Well, Jack wouldn't have nothing to do with the Nazis.

00:49:25I hope not.

00:49:27What do you mean, Munch?

00:49:29Well, he told us not to come out here, remember?

00:49:31Yeah, you're right.

00:49:32He had a lot of extra dough when he left too.

00:49:34Where did he get that?

00:49:35That's probably where this stuff comes in.

00:49:37Yeah, and how could he buy a big house like this?

00:49:39Why don't you shut your big mouth?

00:49:41You wanted me to punch her right in the nose?

00:49:43Oh, stop drooling.

00:49:45We gotta figure this thing out.

00:49:46This is no time to argue.

00:49:52Your brother-in-law.

00:49:53I can't believe it.

00:49:55I might be able to face the boy scouts again.

00:49:57I don't feel bad, Climpy.

00:49:59We're not sure it was your brother-in-law.

00:50:00We're only guessing.

00:50:01What do you got in your mind, Munch?

00:50:03I don't know.

00:50:04If anybody else found that stuff here,

00:50:06I know what they think.

00:50:07Yeah, that's right.

00:50:09Maybe we'd better get it out of here.

00:50:11Well, we're gonna take it.

00:50:12What'd you put in the house next door?

00:50:14Don't hit me.

00:50:15Don't hit me.

00:50:16Well, you're right.

00:50:17You'd think I was a bully or something.

00:50:18That's a good idea.

00:50:19Put it in the house next door.

00:50:20Go on, move it, boys.

00:50:21Go on, guys.

00:50:22Watch your hands out there, too.

00:50:24They're taking the press out.

00:50:26Let them go.

00:50:28But they're taking the press.

00:50:30Let them take the evidence next door.

00:50:32Remove all the spistle from us.

00:50:35Did you find anything in there?

00:50:37No, nothing in there.

00:50:38I'll be better take a look upstairs.

00:50:40Okay.

00:50:48Go to the room thoroughly.

00:50:49And see that nothing is left to incriminators.

00:50:51Yes, sir.

00:50:53Tony, you come with me.

00:50:57Get up!

00:51:08I guess it was okay letting Gibson buy that house, huh?

00:51:21Yes.

00:51:22That was a lucky mistake you made.

00:51:28Nothing in there.

00:51:29Huh?

00:51:30Nothing in there.

00:51:31Let's go downstairs then.

00:51:45Now, that door wasn't open before, was it?

00:51:48Was that door there when we came in?

00:51:50Was that door there when we came in?

00:51:52No!

00:51:53It just this minute grew.

00:51:58Come on.

00:51:59Let's go.

00:52:06I sure hope Jack appreciates what we're doing for him.

00:52:09He certainly should.

00:52:10As his brother-in-law, I personally thank you one and all.

00:52:13Got them down there.

00:52:14Don't look like it.

00:52:15Hey, I got a good idea.

00:52:16Let's call the cops.

00:52:17What, with our fingerprints all over there?

00:52:18The best idea you can get is not to get any more ideas.

00:52:20How am I talking?

00:52:21What, with our fingerprints all over there?

00:52:22The best idea you can get is not to get any more ideas.

00:52:27Now, here's the left.

00:52:29How am I talking about?

00:52:30Now we'll have to get our accountable for our attorneys.

00:52:32How am I laughing at my parents?

00:52:33How am I talking about this?

00:52:34How am I talking about the police identification?

00:52:36I know I'm talking about my parents.

00:52:38You're talking about my parents.

00:52:39Hmm, I'm talking about your parents.

00:52:41I have to look for them.

00:52:42What are you talking about?

00:52:43How are you talking about your parents?

00:52:44How am I talking about this?

00:52:45How am I talking about you?

00:52:46Let's see if the people in that little place know anything about it.

00:52:57Yeah.

00:53:06Wish I'd have left that door open.

00:53:12Hey, it's Jack and Betty.

00:53:16Well, we sure got them out of a tight spot just in time.

00:53:20Well, darling, here's our little love nest.

00:53:24Oh, Jack, it's wonderful.

00:53:28Yeah.

00:53:31Huh.

00:53:32With a couple of cops hammering at the door.

00:53:35I wonder who that is.

00:53:37Let's have a look.

00:53:43Well, did you find anything?

00:53:44Uh, no.

00:53:46No, there's no one around here.

00:53:47Say, by the way, who might you be?

00:53:49I'm Jack Gibson.

00:53:50This is my wife.

00:53:50We just bought that little place.

00:53:52Oh, I see.

00:53:54Uh-oh.

00:53:55We got our signals crossed.

00:53:57Jack bought that little house, not the big one.

00:54:00I got both.

00:54:02You're right.

00:54:03We better get that press back out of there.

00:54:05Let's go.

00:54:06Well, we were sent out to look over that big place there.

00:54:12At least I know.

00:54:13People we bought our house from seem to think something funny is going on.

00:54:16We couldn't find anything wrong.

00:54:17It's probably their imagination.

00:54:18You know how old folks are.

00:54:20Well, we'll be heading back to the station now.

00:54:22If you hear anything, give us a ring.

00:54:24Well, I don't think we'll bother you tonight.

00:54:26Well, good night.

00:54:27Good night.

00:54:29Hey!

00:54:30Hey, Dad.

00:54:30What are you whispering about?

00:54:32Ouch!

00:54:33Ouch.

00:54:34I'm going to tear you out.

00:54:35Oh, yeah.

00:54:46Well, let's go.

00:54:56See, now.

00:55:00This is for luck.

00:55:17Well, Alan, here we are.

00:55:19Look it over.

00:55:25Okay.

00:55:26I'll put that press back where it was and show it to the cops.

00:55:30Car 17.

00:55:40Mulligan speaking.

00:55:41We've just looked the place all over.

00:55:43There's nothing here but a couple of newlyweds.

00:55:47Looks a little bad, doesn't it?

00:55:49I can't understand it.

00:55:51There should be more furniture here.

00:55:52Yeah, it would help, but I still think it's awful cute.

00:55:56What is it?

00:55:58Leave it just the way it was now. Okay, let's tell the law, come on, guess I might as well get the grips. Okay, we're coming right in, let's go, Paul.

00:56:28Hey, hey, what do you think of that? Their car's gone. Who? The cops. Isn't that awful? Hey, Muggs. What are you doing here? Well, just what I was about to ask you. Oh, that's a long story. We was decorating that house. Yeah, we thought it was yours. We found a printing press with a lot of nasty propaganda. Yeah, we thought it was yours, so we moved it over here. Yeah, then we found out that was yours. So we moved it back.

00:56:58We moved it back again. Matty propaganda? Sure. So that's why they didn't want us to come out here. Why didn't you phone the police? We thought it was yours. Is there a phone next door? Yeah, but that ain't yours. Well, come on.

00:57:09How long can you use it, though? Won't you have to be granted? What?

00:57:19There it is.

00:57:23Get me police headquarters.

00:57:28Hello? This is 322 Elm Street. We've got to send a couple of men out here right away. Yeah, tell them about the Nazis.

00:57:36Yes, I know they've been here, but send them back.

00:57:39Yes, they've gone.

00:57:41That's right. Thank you.

00:57:44We must get the press back to the cottage. They're calling the police.

00:57:48Hurry up.

00:57:53Come on. Let's go. Pick it up.

00:57:54Going car 17. Going car 17. Return at once to 322 Elm Street. Urgent. That is all.

00:58:04We just came from there.

00:58:08Let's go.

00:58:09Let's go.

00:58:09Who are they?

00:58:25They ought to be here any minute.

00:58:27Boom.

00:58:28Oh, he's not a priest.

00:58:31Hey, there they are now.

00:58:33Come on, Jack.

00:58:33I'm okay.

00:58:37We tried to call you back, but you didn't hear us.

00:58:38There's a lot of intimidating evidence in that house.

00:58:41Hey, what is this? A gag?

00:58:42Well, these boys have found a printing press in the basement with a lot of subversive literature all over the place.

00:58:46It must be a Nazi hideout.

00:58:47How about the people? Seen any signs of them around?

00:58:49We had a lot of noises. Didn't see no people.

00:58:51We better take a look.

00:58:52Yeah, follow me.

00:58:54We got all the evidence down to the Senate.

00:58:56It's a body. It's a body.

00:58:57It's a body.

00:58:58It's a body.

00:58:59It's a body.

00:59:00It's a body.

00:59:01It's a body.

00:59:03It's a body.

00:59:26It's a body.

00:59:27Can you picture that?

00:59:29I must be having optical delusions.

00:59:31What's the matter?

00:59:32Well, it was a printing press here ten minutes ago. Just got up and walked away, huh? Well, the thing can run

00:59:37I guess a printing press can walk

00:59:39That's right. You can still see the ink on our hands from where we touched it

00:59:42That dirt could have been on your hands for the last six months for all we know. Come on

00:59:46We better get out of here before we start seeing things ourselves

01:00:02All right, all right. It was there and you saw it, but it ain't there now

01:00:08I can't figure this thing out. We've seen that press with our own eyes. So did I. That's what I said

01:00:14It wouldn't just disappear

01:00:17Somebody must have taken it out of here. You know, I think. Yeah, I'll do all the thinking around here

01:00:21All right, go ahead. Think. You're always thinking. Think. Think a while. You're such a smart guy. We should think

01:00:26You'll never learn nothing with it. Hey, I bet that's how they got that press out of here

01:00:46Just keep quiet you follow me

01:00:56Move it in here. Let's go home

01:01:08Come on

01:01:17Tell them what are you a coward

01:01:19You're in there already. What do you got?

01:01:22Hey!

01:01:23Come on, Pat. Hey, wait a minute

01:01:29That's funny

01:01:31Now what?

01:01:32Those lights in my cottage

01:01:34I turned them out

01:01:36Now the lights are turning themselves on and off

01:01:39Come on, Pat. Go ahead if you want them. I want to see for myself. Come on, Betty.

01:01:42I want to find out for himself, too

01:01:44I want to find out for himself, too

01:01:57All right

01:01:59But don't go! Those, look at this

01:02:02Hmm

01:02:03What's this? Looks like the printing press

01:02:06Ah, so it does

01:02:08So it does

01:02:10Ah, what are these? What do these look like?

01:02:12You got them same things we always been telling you all about

01:02:16What's it doing here?

01:02:18That's something you'll get a chance to explain, man. You'd better think fast

01:02:22Well, look, you don't think this belongs to me. This is your house, isn't it?

01:02:27Well, yes, but

01:02:29You'd better find Monk's and tell him

01:02:30You ain't kidding me

01:02:31Come on

01:02:32Take a right, come on

01:02:33Take a right, come on

01:02:34There's nothing, don't go on

01:02:38Don't go on

01:02:42Take a right

01:02:43Take a left

01:02:54There's nothing, don't go on

01:02:56Have you?

01:02:58Take a right

01:03:00Take a right

01:03:01Take it easy, put it in the bucket.

01:03:04Take it easy.

01:03:05Take it easy.

01:03:06Take it easy.

01:03:07Ah!

01:03:08Ah!

01:03:09Ah!

01:03:10Ah!

01:03:11Ah!

01:03:12Ah!

01:03:13Ah!

01:03:14Ah!

01:03:15Ah!

01:03:16Ah!

01:03:17No, you look like a gorilla.

01:03:19Ah!

01:03:20Ah!

01:03:21Ah!

01:03:22Ah!

01:03:23Ah!

01:03:24Ah!

01:03:25Ah!

01:03:26Ah!

01:03:27Ah!

01:03:28Ah!

01:03:29Ah!

01:03:30Ah!

01:03:31I don't know, this is absolutely ridiculous.

01:03:32All I know is the presence on your property.

01:03:34I will have to take you to the headquarters to talk to the Lieutenant.

01:03:37Hey, fellas.

01:03:38Jack, come here.

01:03:41He should go down the tunnel.

01:03:42They got mugs and goodby and I took them to a roof.

01:03:44All right.

01:03:45This is the last time I will believe any of you.

01:03:47O'Brien?

01:03:48Feed it back to the house and go down the basement.

01:03:50I'll look down the tunnel.

01:03:54Is Soap I realized that you couldn't say nothing.

01:03:56Are you kidding?

01:04:00You guys wait here, honey, you boys stay with her.

01:04:02Okay, Jack.

01:04:06Hurry up, they got mugging glimping in there.

01:04:08Let me have a try, Jack.

01:04:11Hey, what's that?

01:04:13Must be somebody in there.

01:04:16Must be some way to get in there.

01:04:18Yeah.

01:04:20Look around here.

01:04:22We've got to get out of here, boss.

01:04:24Come here.

01:04:30Look.

01:04:34What's the matter?

01:04:35We're all waiting.

01:04:36We're waiting.

01:04:37We're waiting.

01:04:38We're waiting.

01:04:39Here.

01:04:40Follow me, I'll show you.

01:04:48Look ready.

01:05:00Hey, Cliffy.

01:05:01Cliff.

01:05:02Hey, Mux.

01:05:03Mux.

01:05:05Hey, Mux.

01:05:06Hey, Mux.

01:05:07Mux.

01:05:09Hey, Mux.

01:05:10Hey, Glippi.

01:05:11Yeah.

01:05:20Hey, Glippi.

01:05:22Hey, Mux.

01:05:23Why don't you go home and get dressed?

01:05:26Glippi.

01:05:27Glippi.

01:05:30Look.

01:05:33Fine, honey, plainly far.

01:05:34Honey, Adam.

01:05:35In shape, honey?

01:05:36Let's go.

01:05:40What's the matter, kid?

01:05:41You feel good?

01:05:44Come on.

01:05:45Come out of it, Mux.

01:05:48You're all right, kid.

01:05:49All right.

01:05:50Steady.

01:05:51Wake up.

01:05:53Don't let out.

01:05:54A new champ.

01:05:55I knew you could do it, kid.

01:05:58What a honeymoon.

01:06:12You always gotta do everything the hard way.

01:06:14Everybody else gets plain, ordinary, common measles.

01:06:17So you gotta go out and dig up German measles.

01:06:21What are you picking on me for?

01:06:23I know them guys were Nazis.

01:06:25Don't you know I'm sick?

01:06:29I'll throw it on you.

01:06:31Don't, Mux.

01:06:32I apologize.

01:06:36And remember, you've got seven days more to go.

01:06:38I'll give you more to go.

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