Igra sudbine Epizoda 1428,Igra sudbine 1429,Igra sudbine 1428,Igra sudbine Epizoda 1429, Igra sudbine Epizoda 1428,Epizoda 1429 Igra sudbine ,Epizoda 1428 Igra sudbine
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00:00What are you up to tonight?
00:15Nothing, why? Do you have any ideas?
00:19I'd like to meet you at a party.
00:22Game, for example. Half past nine.
00:25If you haven't planned anything else.
00:27I haven't, actually. Sure, sure. See you tonight, then.
00:32This is incredible.
00:34And what am I supposed to do?
00:37Belgrade is a small city, you always find out everything.
00:40You're messing with some suspicious guys here, and that's why you got caught.
00:43Really? And who's talking about that?
00:45Well, that's not important at all.
00:49Hey, I'll get you a package.
00:54What package?
00:56I have no idea.
00:58What does it say?
01:00Do you want to know the truth?
01:01Yes.
01:02I have no idea.
01:05What if it's a bomb?
01:07I just want to clear all this up.
01:10What exactly do you want to clear up?
01:13Who I see in my free time?
01:15No, I don't care who you see in your free time or what you do.
01:19But this ordination has to work.
01:21And as a medical ordination.
01:23It works.
01:24Really? And where's your doctor of practice?
01:26We're in the process of hiring.
01:30Why are you so upset? It's work.
01:32It's work, Mido. It's work.
01:36Don't ask me anything.
01:38I had to shoot the same clip twice,
01:41because the previous one had some technical deficiencies.
01:46What's wrong?
01:47No, no, that.
01:49That's how hard it is.
01:52Believe me, Mido.
01:54I'd rather go through the North Pole
01:57than shoot the same clip twice,
02:01with the same heat.
02:03Come on, Mido.
02:04I want to do an article with you in my magazine.
02:08An article?
02:09Yes.
02:10About me?
02:11Yes.
02:12What do I deserve to be in a magazine?
02:15Please.
02:17What do you deserve?
02:19Look, we need strong, stable women like you, you know?
02:24Why are you so upset?
02:26I should be the one to tell you.
02:29Is it because of this campaign problem?
02:33It's not just that.
02:34Wherever I go, there are always problems.
02:37What's wrong with you?
02:39Why are you bothering me? Make me a cup of coffee.
02:41Ok, ok. I'm sorry.
02:43What's wrong with you?
02:45Mido.
02:47Mido.
02:51Mido.
02:53Is this going to work?
02:55It will, it will.
02:57Mido.
02:59Isn't he going to call us?
03:01No, he's not.
03:02Let me go, for God's sake.
03:05Are you out of your mind?
03:07Did you do your homework?
03:11Now, to calm them down and not make them suspicious,
03:14I have to hire a doctor.
03:17So that Biljan and Noksimchich's ordination
03:21works as it should.
03:25Good evening.
03:27Such a beautiful, beautiful, comfortable, young, successful woman.
03:33She should hear everything about you.
03:35Yes, I don't know how to tell you.
03:38What do you mean, how to tell me?
03:40Tell me, come on, say it with your own words.
03:42Well, ok, I think that this invitation was of a different nature,
03:48if you don't understand.
03:50So, why did you call me?
03:53Things got a little complicated.
03:55Really complicated.
03:57In what sense?
03:59In the sense that we have to postpone the campaign.
04:02How? I mean, why?
04:04That's why.
04:07Well, yes, it's not your fault.
04:10I mean, there's something.
04:12I want to say, I liked you.
04:16I mean, at first glance, I liked you.
04:18You attracted me.
04:20But...
04:24But...
04:26There was a but?
04:27Yes, there was a but.
04:28I realized very quickly that you attract me more professionally.
04:34It's just that there's no going back.
04:36We should both know that, you know.
04:38Croatia is your reward.
04:41You heard what he told me over the phone.
04:44Well, nice.
04:46I just didn't expect you to treat me like that.
04:50Ok, but don't get upset.
04:54Ok, darling.
04:59You should know that this was a phenomenal idea.
05:02I enjoyed it so much.
05:04It was so nice.
05:06I'm glad.
05:08I knew you'd like it.
05:10You know everything.
05:12I just wanted to tell you that you have a guest.
05:14What guest?
05:20Come on.
05:32Good evening.
05:34What took you so long?
05:44Emin.
05:45Eman.
05:50Nina?
05:52You look pretty.
05:54What happened?
06:02Nina.
06:04Nina.
06:06Nina.
06:08Nina.
06:10Nina.
06:12Nina.
06:14Nina.
06:16Nina.
06:18Nina.
06:20Nina.
06:22Nina.
06:26Nina.
06:28Nina.
06:30Nina.
06:32Nina.
06:34Nina.
06:36Nina.
06:38Nina.
06:40Nina.
06:42Nina.
06:44Nina.
06:46Nina.
06:48Nina.
06:50Nina.
06:52Nina.
06:54Nina.
06:56Nina.
06:58Nina.
07:00Nina.
07:02Nina.
07:04Nina.
07:06Nina.
07:08Nina.
07:10Nina.
07:12Nina.
07:14Nina.
07:16Nina.
07:18Nina.
07:20Nina.
07:22Nina.
07:24Nina.
07:26Nina.
07:28Nina.
07:30Nina.
07:32Nina.
07:34Nina.
07:36Nina.
07:38Nina.
07:40Nina.
07:42Nina.
07:44Nina.
07:46Nina.
07:48Nina.
07:50Nina.
07:52Nina.
07:55It's never too late when it comes to business.
07:58You're right.
08:00I hope it's not too late for you.
08:02No, no, no.
08:04I suppose you've thought about our offer.
08:08Magda and I will be in Belgrade tomorrow.
08:10Could we book a meeting and talk about everything?
08:14Of course. Why not?
08:16Please inform Alex about the meeting.
08:20Why?
08:22It would be necessary for him to be there with us.
08:26Yes, but you can also talk to me about sponsorships.
08:30It is very important to us that Alex is also present.
08:34Well, okay. If that's what you want, I'll inform him.
08:38Thank you. Love to you.
08:40Thank you, too.
08:42Of course. I hope we will have a successful meeting.
08:46I hope so, too.
08:48See you tomorrow.
08:50See you tomorrow.
09:06Your and my yard. I like that a lot.
09:10Hey.
09:12Gabriela.
09:14What are you doing here?
09:16How did we end up here? We agreed to go to the beach.
09:20Well...
09:25I completely forgot.
09:28You didn't call me. I was worried.
09:30I came to see if everything was okay.
09:32Everything is fine. I'm sorry.
09:34I don't know how I bothered you.
09:38I guess I'm not such a boring friend that you'd forget me.
09:40You're not. Believe me, I don't know where my head is these days.
09:44I'm sorry. It's my fault.
09:46I wanted to surprise you with a little surprise.
09:50Great. Good for you. I'm sure you enjoyed it.
09:53It's really stupid of me to say this now, but I did.
09:56That just means you were really bored.
09:59I hope I didn't make you feel uncomfortable.
10:02She's so stupid.
10:04You just surprised us a little.
10:06That's all.
10:08I overreacted. I gave myself too much freedom.
10:10No, no. You thought all the best.
10:12Yes.
10:14And Lule held me back a little.
10:16We even made a little house.
10:18Marijana?
10:20Yes?
10:22Can you take Lule to his room?
10:24Of course.
10:26Let's go to the kitchen to eat something sweet.
10:28I'm sorry.
10:30I have to go.
10:42I'm sorry.
10:48What happened? I asked you.
10:50Why are you crying?
10:52Nothing.
10:54No, it's not nothing. You're crying because something happened.
10:56Vito is dead.
10:58Vito is dead?
11:00What's with Vito?
11:02He doesn't have any intentions with me.
11:04He has other intentions.
11:08What intentions?
11:10He just wants to write an article about me.
11:12That's all.
11:14That's it?
11:16Yes.
11:18Well, it's not the end of the world.
11:20I started to look like a whore.
11:22You're not a whore.
11:24What are you talking about?
11:26You have beautiful eyes.
11:28What kind of whore?
11:30I was alive until he threw himself at you
11:32and kicked you when he met you.
11:34Yes, yes, Stepanči.
11:36He's interested in me.
11:38It's just a material for his article.
11:40That's all.
11:44What can I tell you?
11:46When I told you,
11:48I won't tell you.
12:04It's good for you that you have a man next to you.
12:06Yes, Aleks is really beautiful.
12:08I'm sorry, I beg you one more time.
12:10No, it's nothing.
12:12I'm sorry.
12:14You're sure you're not mad
12:16that I fell like this, right?
12:18I'm sure.
12:20I mean, no problem, really.
12:22We played well.
12:24We really enjoyed it.
12:26We made our little house.
12:28I see.
12:30Who was it?
12:32Jovana.
12:34Why?
12:36Did they confirm sponsorship?
12:38Yes, but they didn't say anything specific.
12:40But they said something, right?
12:42Yes, that there will be some changes.
12:44What kind of changes?
12:46I don't know. We'll find out tomorrow.
12:48They asked me to be present at the meeting.
12:50So you should be on stand-by
12:52if you need anything.
12:54Of course, no problem.
12:56I'm going now. It's getting late.
12:58Promise me we'll go for a drink
13:00on the first occasion.
13:02You can be on stand-by.
13:04Okay, I'm sorry one more time.
13:06No problem.
13:08Bye.
13:14What do I want?
13:22Do you have any idea
13:24what they're looking for?
13:26Not the least bit.
13:28I mean, if they want something so explicitly,
13:30I'm sure they want something.
13:32We'll find out tomorrow.
13:36Okay.
13:46What are you thinking about?
13:48What am I thinking about?
13:50I'm thinking about everything I told you
13:52and that this city is a jungle and blah blah blah.
13:54Do you remember?
13:56Yes.
13:58You did well this time.
14:00Did anything happen?
14:04No, of course not.
14:06Good, good.
14:08That's the most important thing right now.
14:10I don't know what to say.
14:12It all just hit me so hard.
14:16It hit you so hard,
14:18and now it's gone.
14:20Listen to what I'm going to tell you.
14:22You're young.
14:24You're very young.
14:26You're going to meet
14:28that guy.
14:30There are many like him.
14:32He's a little different.
14:34He's interested.
14:36And?
14:38Nothing.
14:40Unfortunately.
14:42Unfortunately?
14:44Okay.
14:46I can tell you he's doing you a favor.
14:48He introduced himself at the beginning.
14:50He didn't drag you into it.
14:52Okay, that's true.
14:54He was decent.
14:56At least a little.
14:58You have to learn
15:00how to know yourself
15:02and be less naive.
15:04You're a pure soul.
15:06And a pure soul
15:08is the easiest thing
15:10to put into everything that's wrong.
15:14Everything will be fine.
15:16Don't worry.
15:18You know how much love there will be
15:20in your life?
15:22Look at him.
15:24Do you believe him?
15:26Yes, I do.
15:28Then go to sleep.
15:32No, that's not a thank you.
15:34Go to sleep.
15:48Who are you talking to?
15:50I'm not talking to you.
15:52I'm not listening to you.
15:54Go to sleep.
16:16See you upstairs. Good night.
16:18Not good night, but sit down.
16:20Why should I sit down?
16:22Just a second.
16:24We need to have a business meeting.
16:26A business meeting?
16:28In the kitchen?
16:30Because the living room
16:32is taken over.
16:34They're doing something very important.
16:36Do we really have to?
16:38We have to, we have to.
16:40You're like a child sometimes.
16:42Olga,
16:44work is work.
16:46What's so important
16:48that I can't wait till tomorrow?
16:50What's important
16:52is that
16:54the performance at the business club
16:56is booked.
16:58Booked?
17:00Yes, I'm an expeditive as a manager.
17:02Other people will want to see you.
17:04I can't wait.
17:06What's wrong?
17:08Give me some enthusiasm.
17:10When did you book the performance
17:12at the business club?
17:14The performance at the business club
17:16is booked for the day after tomorrow.
17:34Good evening, photographer.
17:36Good evening to you, too.
17:38How's the photo shoot going?
17:40It's going as it should.
17:42It's a big local,
17:44a serious menu.
17:46Well, it's a big local,
17:48but while I'm taking pictures of my food,
17:50the whole youth is passing by.
17:52Come on, what does that mean?
17:54How can you say that?
17:56When a professional photographer
17:58doesn't care if he's taking pictures
18:00of a beautiful woman,
18:02a fashion magazine,
18:04a sausage shop,
18:06a stone wall,
18:08or the most eminent local in the city.
18:10Can I have a drink?
18:12I'll be pleased.
18:14You're an artist.
18:16Don't call me that.
18:18I'm not an artist.
18:20As far as I know,
18:22artists don't take photos
18:24of local women.
18:26You're in a bad mood today.
18:28What's wrong with you?
18:30I can still get a drink.
18:32What do you think about that?
18:34How about a cocktail?
18:36Give me something normal.
18:38Here you go.
18:40Here you go.
18:42No, I said normal.
18:44I'm asking you to take a picture
18:46for my Instagram,
18:48so I can tag a local.
18:50I'll take it in my hand.
18:52Take a picture of me.
18:54Like I'm drinking.
18:56Wait, one more time.
18:58One more time.
19:00I'll put it here.
19:02OK.
19:04Can I now?
19:06Can you give me something normal?
19:08Something ordinary.
19:10Here you go.
19:14Here you go.
19:16Is that normal?
19:18We'll see.
19:20It probably is.
19:22It's not pleasant.
19:26Don't you have
19:28a bad mood
19:30because of that girl?
19:32I'm not.
19:34You tricked me.
19:36It's normal.
19:38Yes, I'm a bit depressed
19:40because of that girl.
19:42It's not a big deal.
19:44I can see everything.
19:46I can't miss anything.
19:48I'm a doctor for love.
19:50Tell me, what's the problem?
19:52How did that girl
19:54seduce you?
19:56She didn't do anything.
19:58That's the problem.
20:00She sent me flowers
20:02and she didn't even thank me.
20:04What else?
20:08What's so funny?
20:12Everything is funny.
20:14Wait a minute.
20:16Do you really think
20:18that girls these days
20:20fall in love with flowers
20:22and old fashioned vases?
20:24What's missing?
20:26A lot of things.
20:28I can't.
20:30A lot of things.
20:32Flowers.
20:38What else?
20:40Flowers.
20:48What do you think
20:50about the day after tomorrow?
20:52The day after tomorrow
20:54is the day after tomorrow.
20:56As the name suggests.
20:58You really booked a business club
21:00for the day after tomorrow.
21:02Do I look like a serious guy?
21:04No, you don't.
21:06I thought you would
21:08talk about it in the future.
21:10I really didn't expect
21:12that to happen.
21:14This is a show business
21:16and you don't miss opportunities.
21:18If you have an opportunity,
21:20grab it.
21:22What about now?
21:24I'm not mentally prepared
21:26to go to a business club so soon.
21:28You'll get ready slowly.
21:30I'll get ready
21:32until the day after tomorrow.
21:34Slowly?
21:36No, we don't have two days.
21:38We only have one day.
21:40But your repertoire is ready,
21:42right?
21:44Unless you want to change it.
21:46I can't change it.
21:48There's no need to change it.
21:50It's perfect.
21:52Alex is the owner of the business club.
21:54There's no problem.
21:56I know, but still...
21:58No, Olga.
22:00You've performed twice in Maldives
22:02and it was great.
22:04You know what?
22:06It's not the same.
22:08The business club is not the same as in Maldives.
22:10You know what they say?
22:12What's fast is tasty.
22:14It's a serious story.
22:16Serious people are coming.
22:18If something doesn't work out,
22:20we'll break up.
22:22I'll take care of everything.
22:24Alex is the owner of the business club.
22:26He'll do everything.
22:28I'll make sure
22:30that the business club
22:32is perfect.
22:34You just need to prepare
22:36your voice and your style
22:38and you'll dominate.
22:48How's it going?
22:50There are many wise ways,
22:52but your way
22:54is not the way of a photographer.
22:56Okay, let's agree
22:58if I'm a photographer or an artist.
23:00Give me at least one of those ways.
23:02I beg you.
23:04I can't give you.
23:06Why?
23:08Because it would turn out
23:10that I'm making a fool of myself
23:12and you're making a fool of yourself.
23:14It's pointless.
23:16No, it's not pointless at all.
23:18You're arrogant,
23:20reserved and discreet.
23:22I can't believe you're a pig.
23:24What do I have to be?
23:26Rough, direct, aggressive?
23:28You don't have to be a pig.
23:30Then what? A gorilla? A leopard?
23:32No, you don't have to be that.
23:34You just have to do
23:36the simplest thing in the world.
23:38Which one?
23:40You see?
23:42You don't know anything about life.
23:44You bought a candle.
23:46It's okay, it's old school.
23:48I'm surprised you didn't write a song
23:50to dedicate to it.
23:52It's also old school.
23:54What do you have to do?
23:56You just have to go to the door.
24:02I didn't expect to say this
24:04in three lives,
24:06but maybe you're right.
24:08Maybe?
24:10Well, Diana Erski
24:12is always right.
24:14Don't exaggerate.
24:16I'm not exaggerating at all.
24:18Diana Erski is an academic for love.
24:20She's a genius for love questions.
24:22She's someone who will save
24:24everyone who is in love
24:26or hate.
24:28She's a great, famous Diana Erski.
24:30Don't you want a drink?
24:32Yes, please.
24:34You don't want a cocktail?
24:36Just something simple like this.
24:38The simplest?
24:40A simple tip.
24:42A simple tip.
25:12Hello.
25:14What's up? Are you alive?
25:16I'm chatting.
25:18Where are you?
25:20How are you?
25:22How did you get the video I sent you?
25:24I got it.
25:26I got what?
25:28I got it and watched it.
25:30Why don't you say anything?
25:32I'm sitting here like on needles.
25:34I wanted to call you
25:36to tell you
25:38about the video
25:40and give you some more information.
25:42The video is great
25:44and the quality
25:46is just
25:48perfect.
25:50What kind of information?
25:52Well,
25:54I checked the timeline and...
25:56Excuse me, what did you check?
26:00Don't worry about me.
26:02I have to ask you to send me
26:04more videos as soon as possible.
26:06We're running late on the portal.
26:08People are calling me,
26:10messaging me,
26:12asking if I'm making any more videos.
26:14And, to be honest,
26:16the visit from our portal
26:18disappears as soon as your videos are gone.
26:20Well, okay.
26:22I mean, I'm tired,
26:24but...
26:26Oh, what can I do?
26:28It's my job.
26:30I'll start making videos the night before.
26:32Don't worry.
26:34I understand, believe me.
26:36I have to get back to work.
26:38I don't know where my head is.
26:40We'll talk later.
26:42Okay, Gala. Bye.
26:44Bye.
26:48Bye, Panchi.
27:06Sit down, please.
27:12How are you?
27:16What?
27:18Thank you for asking.
27:20Good.
27:22And you?
27:24I can't say goodbye.
27:26I'm glad to see you again.
27:28Us too. Especially in this meeting.
27:30That's why I wanted to ask you
27:32why you insisted that Aleks be at the meeting.
27:34Because
27:36this is about him, too.
27:38And I have a lot of trust in him.
27:40We know that.
27:42It's nice to see him at work.
27:44He speaks highly of your corporate culture.
27:48Yes, that's why I was interested.
27:50Did that bother you?
27:52No, it didn't.
27:54But within our company,
27:56we have a precise division
27:58of who does what, and I do sponsorship.
28:00Yes, and we thought about your offer.
28:02I'm glad.
28:04I suppose you've made a decision.
28:08Yes.
28:10And I suppose you'll tell us.
28:12Yes, yes.
28:14Unfortunately,
28:16we can't accept it right now.
28:32Ahem.
28:34Ah.
28:36Like this.
28:38Pour it.
28:40How are you, Mina?
28:42Are you better?
28:44Yes, thank you.
28:46Roma, it's important
28:48that you don't cut yourself.
28:50I know, but...
28:52But what?
28:54Did that jerk call you again
28:56and upset you?
28:58No.
29:00I'm sorry.
29:02Roma?
29:06Good morning.
29:08Good morning.
29:12Did the dove get up?
29:14What dove?
29:16The one in love.
29:20How was the dinner?
29:22It was awful.
29:24What do you mean awful?
29:26What happened?
29:28You're drunk.
29:30Let her go, she won't talk.
29:32What are you doing here?
29:34Let her go.
29:36He has no right to know.
29:38This is how I talk to him.
29:40I have to know that, too.
29:42So I don't get involved.
29:44It was nothing.
29:46And it won't be.
29:48Because, as Vito says,
29:50he won't have a private affair,
29:52but a business one.
29:54Vito doesn't want a love affair.
29:56Yes.
29:58Don't you work in a salon?
30:00I don't get it.
30:02He wants to write an article about me.
30:16OK, if that's your opinion.
30:18So we met here
30:20just to hear that.
30:22No, it's not just that.
30:24We can't accept the offer.
30:26But we still need
30:28some kind of cooperation.
30:32What kind of cooperation?
30:34I suggest we meet
30:36somewhere halfway.
30:38In our opinion, that would be best.
30:40Can you explain?
30:42Of course.
30:44It's clear to us
30:46that you, Alex,
30:48didn't accept the offer
30:50to sell the shares.
30:52On the other hand,
30:54the sponsorship doesn't suit us.
30:56That's why I suggest
30:58a counter-offer.
31:00As a kind of
31:02compromise.
31:04I'm listening.
31:06Our offer is to
31:08enter ownership,
31:10but in a limited scope.
31:12What does that mean exactly?
31:14It means
31:16that I would buy
31:185% of the shares.
31:20So we would have 10%.
31:22I know that
31:24we wouldn't be leading
31:26the conversation,
31:28but we would get to work.
31:30What do you think?
31:32I don't know.
31:34I'm a bit surprised by this offer.
31:36I didn't expect this.
31:38Yes, it's quite unexpected,
31:40but I think it's too early
31:42to make such a decision.
31:44We'll wait for you.
31:46Our business ethics
31:48don't allow us to interfere,
31:50so we'll let you know.
31:52We expect that from you.
32:00Goodbye.
32:02Goodbye.
32:04Goodbye.
32:18He wants to write an article about you?
32:20Yes.
32:22Why?
32:24I don't know.
32:26He wants to write about me
32:28as a successful,
32:30dynamic woman.
32:32That's what they write in Don.
32:34Let's summarize.
32:36Vitomir wants to write
32:38an article about you
32:40as a successful, dynamic woman
32:42and he won't write anything
32:44romantic or romantic about you.
32:46I see.
32:48Will you accept it?
32:50I don't know.
32:52I have no idea.
32:54I think you should accept it.
32:56Really?
32:58Yes.
33:00I think if we really
33:02tell you the truth,
33:04which is rare among today's men.
33:06A man told you
33:08that he won't have
33:10any relationship with you,
33:12no love.
33:14But he's not the first or the last.
33:16He's not.
33:18I would use
33:20that opportunity
33:22to promote
33:24my business.
33:26When you can.
33:32I think Darko
33:34is right.
33:36Why not?
33:38Why?
33:40I have one condition.
33:42Darko should go with you.
33:44Just in case.
33:46We'll see.
33:48I understand what you want to say.
33:50But it's up to me
33:52to decide.
33:54I'll think about it.
33:58Hey!
34:00What are you doing?
34:02What?
34:04I just sat down.
34:06What did you sit down for?
34:08We have work to do.
34:10To film my new video.
34:12Again?
34:14Yes, again.
34:16Yes.
34:28Yes, come in.
34:34Good afternoon.
34:36Good afternoon.
34:38I'm here to promote my business.
34:40We've met today.
34:42You're a doctor, right?
34:44Yes.
34:46Sara Berger.
34:48Veljko, nice to meet you.
34:50Have a seat.
34:54How are you, Veljko?
34:56Great.
34:58I'm just a bit surprised.
35:00Why?
35:02I didn't expect you to call me.
35:04Why not?
35:06I thought it was postponed.
35:08I'm sorry.
35:10I had a lot of work.
35:12It's okay.
35:14You know how it is.
35:16One thing follows another.
35:18I know.
35:20Anyway, we're here now.
35:22I'm glad.
35:24Me too.
35:26Of all the biographies I've received,
35:28yours caught my attention the most.
35:30Let's go.
35:36Let's go.
35:44Aleksa, did you know about this?
35:46What do you care?
35:48If you do anything to them again,
35:50I'll have my back.
35:52My trust in you will be destroyed.
35:54Look, Jovana,
35:56this is a big shock for me.
35:58You asked me to come here.
36:00Okay, let's move on.
36:02What do you think of this offer?
36:04I don't know what to think of it,
36:06but it's a lot of money.
36:08Yes, maybe even too much.
36:10Yes.
36:12You think something is worth
36:14all of this?
36:16I don't know.
36:18Don't you have a guess?
36:20No.
36:22I don't know.
36:24Something is suspicious.
36:26Did you ever think
36:28that they really believed
36:30in the success of the magazine?
36:32Honestly,
36:34I don't know what to think.
36:36I'd like them to accept this sponsorship
36:38without hesitation.
36:40Yes, it would be too good to be true.
36:42Yes.
36:56Thank you for the compliments.
36:58Okay, how are we going to...
37:00What do you think?
37:02When are you going to start working?
37:04I'm going to start right away.
37:06Yes, right away.
37:08What's so strange about that?
37:10Well, no, I mean,
37:12no one has offered me an offer yet.
37:14Maybe we should talk about some other things.
37:16That's how it is in life.
37:18Look, it's really urgent for us.
37:20We don't have a doctor,
37:22and your biography is very satisfying.
37:24There's no need to go around.
37:26Correct.
37:28Yes, I'm interested in you,
37:30if you're also interested
37:32in working here.
37:34Well, no, I am, I am.
37:36Just tell me the working conditions.
37:38Angela's office is waiting for you
37:40with a contract
37:42with all the conditions.
37:44And that's ready, right?
37:46That's right. Read it,
37:48and if it suits you,
37:50you can already become
37:52a part of our family.
37:54Wait, is this real now?
37:56Well, no, I mean, of course I agree,
37:58but I didn't expect something like this.
38:00Well, we've already
38:02solved everything.
38:04The contract is waiting for you.
38:06If you have any questions,
38:08feel free to call me.
38:10And now excuse me,
38:12my session is starting.
38:14Yes, yes, of course, I'm going right away.
38:16Thank you for everything.
38:18Thank you, and I hope for a successful cooperation.
38:20You too. Enjoy.
38:22Enjoy.
38:32Veljko, did you forget something?
38:40Good afternoon.
38:42Good afternoon, Nemanja.
38:56This is OK.
38:58Good.
39:06This is ultra-rural.
39:08Even for me.
39:10No.
39:22Well, this is OK.
39:24Well, this is OK.
39:50Hi, how are you?
39:52I just wanted to see
39:54if you thought about my offer.
39:56I did.
39:58I thought about it.
40:06Good afternoon.
40:08Good afternoon.
40:10Here we are.
40:12Come in.
40:16Here we are.
40:18That's it.
40:20OK.
40:22I called you about a few things.
40:34How do you feel?
40:36Are you OK?
40:38I am, I am.
40:40Are you sure?
40:42I am.
40:44Maybe I am not.
40:46I don't know.
40:48Can you get me a glass of water?
40:50I can, of course.
40:52I'll be there in a minute.
40:54OK.
41:10He pays, he pays.
41:12Of course he does.
41:14He's not prettier than a mongrel
41:16to the green grass.
41:18Ugh.
41:22Mina?
41:24Mina, what are you doing here?
41:40Kajo?
41:42What are you doing here?
41:44I came to see you.
41:48I came to see you.
41:56I have to repeat this.
41:58One more time.
42:00Let me see.
42:02How is it going?
42:04Milo?
42:06What are you doing there?
42:08I'm working.
42:10Do you have a tongue?
42:12I do.
42:14Whenever you need it.
42:18I'm doing some rinsing
42:20and quieting down.
42:22You should treat me a little.
42:24Darkech?
42:26Darkech?
42:28You are a little stupid, aren't you?
42:30I'm not talking about my films at all.
42:44Tell me,
42:46Is it bad for you to offer me in front of these people?
42:51You've become much more sensitive since you became a manager.
43:07You're a good friend of Pavle's.
43:10I did everything the way you explained it to me.
43:13Everything?
43:14From A to Z.
43:15Come on.
43:16Then we don't have a problem.
43:18We don't.
43:19Yes.
43:21Now we're going to...
43:24Let's go.
43:25Check...
43:26Over the phone?
43:38Come on, get in.
43:39Get in, get in.
43:40Why do we have to get in?
43:41Sit down.
43:42What's going on?
43:43You have two minutes to dedicate to your old man.
43:45In two minutes?
43:46Why are you dragging me here?
43:47Sit down.
43:48I'll tell you slowly.
43:49Okay.
43:50What's going on?
43:51What are you doing?
43:52This.