- 9 months ago
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TVTranscript
00:00How many times a week do you change it?
00:02What day do you want to say?
00:04But from now on I'm free.
00:06Really? Why?
00:07Because Leonidas is coming.
00:09What is this? Where did you find it?
00:11Oh, it's Eleni's.
00:13Who is Eleni?
00:15Who is Eleni?
00:16And where is she now?
00:17In the kitchen. She's drinking water. Didn't you see her?
00:19No one is in the kitchen.
00:21Eleni!
00:23No, she's in a group.
00:25Leonidas?
00:26Her name is Nila.
00:28And she's your daughter.
00:30If you want, you can test me.
00:32What?
00:34Look how I dressed up.
00:35You understand that it's not enough that I became a woman.
00:37Now I've become a father of a mother.
00:42That's a lot, huh?
00:44Oh, a glass.
00:46Half an hour, guys, to get a coffee.
00:48Okay?
00:54What happened, guys?
00:58Yes.
01:00We were at the point where
01:02you were explaining how important this agreement was.
01:05And Argyris was saying that we couldn't show the prices.
01:08No, no.
01:09I was talking about the services
01:11that our hotels offer.
01:13Yes.
01:14Honestly, I can't understand what kind of job I have in here.
01:17Please, Mrs. Angelopoulia, sit down.
01:19Papagellou, Papagellou.
01:20I'm sorry, I'm sorry, I'm sorry.
01:22How can I sit down?
01:23Since the woman here sleeps upright.
01:25I'm sorry, I'm sorry.
01:26I'm sorry, I'm sorry.
01:27It's not like you say, Lola.
01:29She's just a little tired
01:31from the load of work, you see.
01:33Due to the alertness of her erratic professionalism.
01:35Yes, yes.
01:36Do you see him?
01:37Can you see him?
01:38Yes.
01:39How is he?
01:40What?
01:41Dad?
01:42Some dad?
01:57Dad?
02:08What's wrong now?
02:10Come on, my little girl.
02:11Come on.
02:12What's she doing?
02:14Get some sleep and rest.
02:16She'll sulk at me like a female.
02:18She slept with a pigeon in her hand and now it's impossible.
02:20It's okay.
02:21She's a jerk.
02:22Argyris, don't worry.
02:23I'll call you tomorrow, darling.
02:25And if necessary, I'll go to the office and I'll do it all for you, okay?
02:27If you take it.
02:28Okay.
02:28If you take it, my dear, will you tell me?
02:29I'll take it, yes. I'll take the phone, yes.
02:44Come on, come on, don't do this to me now, don't do this to me.
02:49What can I do?
02:55Lola.
03:15Lola.
03:17Lola.
03:20Lola, are you okay?
03:22What happened? What happened?
03:24What happened?
03:25Do I have to change her diapers?
03:26Which one?
03:28Oh, Fotis.
03:30Oh, Fotis.
03:31Fotis, I can't believe what I'm doing.
03:33I mean, I'm completely crazy.
03:36I mean, I can't believe it.
03:37What happened? What happened?
03:38Tell me, Lola.
03:39What happened?
03:40I mean, why is this happening to me?
03:42They brought me a baby.
03:45They brought me a baby and I thought...
03:48I never thought I'd be a father.
03:50Wait, wait, wait.
03:51Mother!
03:52Okay, okay.
03:53Lola, Lola.
03:54Don't worry.
03:55Okay, this is nothing.
03:56Take it easy.
03:57What do you mean, take it easy, my child?
03:58Are you kidding me now?
03:59I'm ready to throw up.
04:01You don't have to do anything.
04:03I'll help you.
04:04I know you need a baby.
04:06I'm telling you the truth.
04:09Believe me, Fotis.
04:10You haven't met this baby.
04:13Seriously?
04:14I mean, what is this baby doing?
04:16This baby is crying all night.
04:20It's smoking.
04:22It's a machine.
04:23As soon as I turn my head, it starts crying.
04:26This can't be happening.
04:27Calm down.
04:28That's how all babies are.
04:29Mom, poop and nanny.
04:30Okay.
04:32How did you find this baby?
04:34Who brought it?
04:38I'm sorry, Fotis.
04:39I have to go back to his office.
04:40Okay, okay, okay.
04:41On my way.
04:43I'm coming, I'm coming.
04:44So, I'm going and you'll tell me later what you said.
04:47Yes, yes.
04:50I'm coming.
04:51I'm coming.
04:52I'll wait for you.
04:58I heard she left me a size 4.
04:59I can't believe it.
05:00I heard she left a size 4.
05:01She left me a size 4 and now she's going to kill me.
05:20It's a good thing. A five-kilo baby can make such a mess.
05:26It's chaos.
05:31The good thing is that I want to be his mother.
05:34The Greatest Discovery
05:44The wet baby blanket. The greatest discovery in the baby market.
05:49Nice.
05:51Hi.
05:52Oh, they smell so good.
05:54They saved my life when my Melina was a baby.
05:57Nice.
05:59Wow, you made a mess in here.
06:02Yes, the truth is that happiness, and I can say that, is irrelevant.
06:09I mean, irrelevant. Completely irrelevant.
06:13So, listen to me.
06:14Everything is a matter of good organization.
06:17I will tell you two things and everything will be fine.
06:21So, we never lose our temper.
06:26First and foremost.
06:28Also, we don't let the baby take our breath away.
06:32That's a bit difficult.
06:34Aha.
06:36Who is the baby?
06:37The baby?
06:39Yes.
06:40The baby?
06:41Yes.
06:42Of course.
06:43The truth is that the baby...
06:46Is a father.
06:48Yes, it is.
06:49Yes.
06:50It's George's.
06:51George's?
06:52Yes.
06:53Who's George?
06:54George.
06:55Margarita's?
06:56No.
06:57Margarita's.
06:58George's.
06:59George's?
07:00George's.
07:01Do you remember him?
07:02When we went out to eat...
07:04Of course.
07:15It's been so long since I've seen you two.
07:17We are so happy.
07:18Yes, yes.
07:19We are getting better and better.
07:22Really.
07:23I'm so happy to see you two.
07:26We had such a great time that night.
07:29You're talking about it.
07:31Unforgettable.
07:32Special.
07:34Yes.
07:35Very good.
07:36So, this is little Anoula.
07:38It's you.
07:39Yes, yes.
07:40It's you.
07:42It's you.
07:45It's you.
07:46And who do you look like?
07:48Who do you look like?
07:50Her dad's shirt is the same.
07:53It's the same.
07:54It's the same.
07:55Yes, it's the same.
07:56It's the same.
07:57It's the same.
07:58It's the same.
07:59Yes, it's the same.
08:00It's the same.
08:01It's the same.
08:02You guys are having fun.
08:04Yes, you're having fun.
08:05Guys, I'm hungry.
08:06I'm hungry as a wolf.
08:07What do you say?
08:08Should we order something?
08:09Yes, guys.
08:10I'm hungry as well.
08:11Order for me as well.
08:12OK, OK.
08:13We should order.
08:15I'm hungry as well.
08:18Yes, yes.
08:19Nice. So...
08:24I'll take it too.
08:26What?
08:27Come on, slowly.
08:29Come on, come on, come on.
08:31What?
08:32It's time for the bath.
08:34Come on, I'll take it, you bring the baby clothes.
08:37I'll take it, I'll take it, I'll take it, I'll take it.
08:43And quietly.
08:50These two have a nice relationship.
08:53But in front of others.
08:55While ours is...
08:58Normal.
09:00So, I'm going to bring the delivery of the fish.
09:02Oh, oh, oh, wait a minute.
09:04You said that as soon as I come here, you will tell me who the child is, who the father is.
09:07Okay.
09:09Didn't you understand?
09:10What do I understand?
09:14It's Fotis' daughter.
09:19I got it.
09:24So, here we put this in.
09:28We put the scratch, it sticks here.
09:30We put the other one in.
09:32And the scratch here.
09:34Now, we take the underwear.
09:37Carefully, without being afraid.
09:43Here it is.
09:47Nice.
09:48Perfect.
09:49Ready.
09:50Perfect.
09:51Ready, perfect.
09:52Ready, clean and beautiful.
09:57Come here.
09:58Here, here, here.
09:59Good.
10:00Like this, like this.
10:02Don't be afraid.
10:03Good.
10:05Anyway, it will take you a week.
10:10Yes.
10:11Yes.
10:12You have to be reborn for that.
10:18That's right.
10:19I agree, Dimitris.
10:23Do you want another one?
10:25No, no, thank you.
10:27Come on.
10:28Who are you to keep me company?
10:30Okay.
10:31Beba fell asleep.
10:32You changed her diapers.
10:34What obligations do you have now?
10:36Hey.
10:37Be quiet for a while.
10:38She will wake up and we will be in trouble.
10:40Yes, guys.
10:41Lola is right.
10:42And in general, we all have to get ready to go to bed at some point.
10:47We also have jobs.
10:48We have Anoula.
10:49Yes, nice.
10:50But we have to eat something before we go to bed.
10:52Not just eat Anoula.
10:55Let me tell you.
10:56Take a look at the pizzeria.
10:57Why don't they come?
11:00Do you understand what happened, Fotilo?
11:02As soon as the baby was found at home, we immediately went to the second stage.
11:06But you see, women are like that.
11:08Super protective and good.
11:11My girl, let me tell you something.
11:13Why don't we go in and bring some dog food to feed your dog?
11:16Because it's better to eat than talk.
11:20So, we're going in for a minute.
11:22Don't you want help?
11:24No, no, Fotilo.
11:25Sit down.
11:26Sit down.
11:27We're coming.
11:36Good girl.
11:39Yes, yes.
11:40Well done.
11:41I like it.
11:43Fortunately, there are girls.
11:46It's very difficult to raise a child alone.
11:50Indeed.
11:52But you can.
11:54As long as you devote time.
11:57To devote yourself.
11:59Yes, thank you very much.
12:02But listen, man.
12:03I'm not one of those.
12:04Right now, I've put everything on the dog.
12:07I'm not ready to take responsibility yet.
12:11Ah.
12:14Look, Lola and Hara are amazing girls.
12:18And I'm sure they'll give their best to the baby.
12:22But the father's role is very important.
12:26Especially when the natural mother is absent.
12:32If you say so.
12:36Listen, Fotilo.
12:37Now bad lies.
12:39A mother is only one.
12:40And we, girls, love to destroy.
12:41And I hope you don't get me wrong.
12:43But...
12:44Anoula needs her mother more than her father.
12:49Look, yes, but...
12:52And the father is necessary.
12:55Believe me.
12:57Maybe.
12:58Maybe?
13:00Maybe, man.
13:01I don't know what to say.
13:02Maybe.
13:03Maybe.
13:04Maybe someday I'll change my mind.
13:05Anyway, right now...
13:06I really like my life as it is.
13:08I'm not ready to take responsibility yet.
13:10But the baby...
13:12The pizzas...
13:18I've told George that the baby is Foti's.
13:26Hara, I've told Foti that the baby is his.
13:33Okay, okay, okay.
13:36So...
13:38I don't know what you're talking about, Beba.
13:41A musical. What was it called?
13:44Papadio?
13:45No.
13:46Mamma Mia!
13:48It has nothing to do with that.
13:49Because in this particular movie,
13:51the father left his daughter with his mother
13:54and they raised her on their own.
13:56Whereas in this case,
13:58the mother leaves the baby with the father.
14:01Right?
14:02Right?
14:03What?
14:05You're asking me?
14:06I disagree.
14:07There are other similarities in the movie.
14:09If you remember,
14:10the mother of the baby left with three children
14:12and she didn't know who her child was.
14:14I don't know if you remember.
14:16What are you talking about, Lola?
14:17And?
14:18And?
14:19What do you mean, and?
14:20So, there's a scene where she brings you a baby
14:22and she tells you,
14:23you're the father.
14:24How am I the father?
14:25How can you prove that I'm the father?
14:26I mean, I'm the father of everyone.
14:29Lola, what are you saying?
14:30What am I saying?
14:31What am I saying?
14:32What am I saying?
14:33I'm saying, because it's a movie.
14:36Mama Mia.
14:37Do you know what it is?
14:39What is Makas and the doll doing?
14:42Let me tell you something, my sweet girl.
14:44You should tell Giorgos that the baby is Foti's.
14:46Are you okay?
14:47Do you think I'm a doll for you?
14:49And what should I tell him?
14:50Why did you tell Foti that it's Giorgos' baby?
14:52Who else should I tell that it's my baby?
14:54The boy next door?
14:56And if they find out, what should we tell them?
14:58They won't find out,
14:59because Foti is the boss
15:01and he never interferes with other people's personal lives.
15:05And I told Giorgos not to give him details.
15:09Lucky him.
15:13Anyway,
15:14women
15:15have a tendency to be jealous of their husbands.
15:20Stop it. I was right.
15:23Yes.
15:24Look,
15:25I personally believe
15:27that we, men,
15:29should help a little, right?
15:31Not that we leave everything to women.
15:33Yes, well, you may believe it,
15:35but I can't see you doing it.
15:38Wait a minute.
15:40How do you know
15:41what I do with my baby?
15:42I'm sorry, but from the little you see.
15:44But...
15:46What's up?
15:47Okay?
15:48Guys, as I told you,
15:49it's okay.
15:50If we're here, don't worry about anything.
15:53After she kicked me out,
15:54honestly, guys,
15:56I never imagined
15:57that when a woman has a baby,
15:59she gets so tired,
16:00it's an incredible thing.
16:02Anyway, Foti and your baby...
16:04What?
16:05What thing?
16:06I mean,
16:08her mother.
16:10Her mother.
16:11Her mother has no contact,
16:13she doesn't see the child at all.
16:15Come on, honey.
16:16What kind of personal questions are you asking,
16:18now that you know what you're doing?
16:20We're all friends here.
16:22Come on, guys,
16:23let's close our eyes.
16:24Honestly, guys,
16:26a baby
16:27puts you on a schedule.
16:28Do you want it or not?
16:29Do you have a schedule?
16:30Some nights and so on.
16:31You forget them.
16:33You have to focus
16:35on your daughter.
16:36That's why I have another question.
16:38Tell me.
16:40It's better to have a dog than a child.
16:43You're kidding me now.
16:44I mean, honestly, you're kidding me.
16:46Why, Foti?
16:47Look at the picture.
16:48Look at the picture.
16:49Look at your little dog.
16:50You lock it up in the house,
16:52you lock it up,
16:53and you go out without any worries
16:55to go to a bar,
16:56to have a drink.
16:57While the child...
16:58Guys, he's going to go crazy.
16:59I mean, honestly...
17:00Foti, Foti,
17:01you're kidding me.
17:02It's all a joke.
17:03It's not a joke.
17:10Guys, honestly,
17:11it's better if we leave
17:12because I see Lola
17:13in a very difficult situation.
17:15Let's solve it.
17:16No, let's solve it.
17:17OK, OK, I'm sorry.
17:18One moment.
17:20Yes, yes, yes.
17:21Don't worry.
17:22Don't worry.
17:34So, now,
17:35you're going to leave, right?
17:37Aren't you going to take him with you?
17:40Yes, of course, my friend.
17:41I'll take him with me.
17:42But...
17:43Charoula insisted on locking him up.
17:46And she did very well
17:47so that he wouldn't get cold.
17:48You're lucky,
17:49he won't get cold.
17:51He's going to go crazy.
17:52Do you understand what you're saying?
17:54I'm sorry, my friend.
17:55I mean...
17:56OK, he's cold.
17:57Yes.
17:58You put him in the microwave oven,
17:59you lock him up,
18:00and that's it.
18:01Lola.
18:02I can't help it.
18:03Lola.
18:04Wake up.
18:05The kids are leaving.
18:06Which kids?
18:09Here you go, darling.
18:10The food is ready.
18:11Thank you, darling.
18:14Wait, wait.
18:15Half a minute.
18:16Half a minute.
18:17Did you talk to me
18:18about my food for so long?
18:20Why else?
18:22I was talking about the kid.
18:23That's why I was saying
18:24he shouldn't get cold.
18:25You should take care of the kid.
18:27And if you're afraid
18:28he'll get cold with the machine,
18:29leave the machine here
18:30and I'll take you home
18:31in his car.
18:33Why should I take care of the kid?
18:35Here we go again.
18:36Why should I take care of the kid?
18:38You're going to answer me historically.
18:39To hang out with Melina.
18:42That's why I said it.
18:44George, let's go, darling.
18:45Come on, come on.
18:46I'm tired, George.
18:47Good night.
18:48Bye now.
18:49Bye, bye.
18:52We had a good time today.
18:54I don't understand this guy.
18:55I mean, honestly.
18:57I can't, guys.
18:58I'm sorry.
19:00What?
19:01Okay, we're tired.
19:02It was a tough day.
19:05Okay, good night.
19:06Good night.
19:17I'm a piece of shit.
19:21I want to sleep now.
19:24My bed.
19:46I want to sleep now.
19:47I want to sleep now.
19:48I want to sleep now.
19:49I want to sleep now.
19:50I want to sleep now.
19:51I want to sleep now.
19:52I want to sleep now.
19:53I want to sleep now.
19:54I want to sleep now.
19:55I want to sleep now.
19:56I want to sleep now.
19:57I want to sleep now.
19:58I want to sleep now.
19:59I want to sleep now.
20:00I want to sleep now.
20:01I want to sleep now.
20:02I want to sleep now.
20:03I want to sleep now.
20:04I want to sleep now.
20:05I want to sleep now.
20:06I want to sleep now.
20:07I want to sleep now.
20:08I want to sleep now.
20:09I want to sleep now.
20:10I want to sleep now.
20:11I want to sleep now.
20:12I want to sleep now.
20:13Pad Ela Pomodoro, a bi PA la pa!
20:18su HIA-N K4 a serr ref.
20:27My child, what song is it?
20:28You must remember it.
20:30The child must have heard it correctly.
20:34I should just start singing it.
20:35Olympus, Olympus, Olympia
20:39my great team
20:42Shh!
20:44I can't believe it!
20:46I can't believe it!
20:48My daughter Gavrina has stopped!
20:50I can't believe it!
20:52Olympia, Olympia,
20:54with me!
20:56Olympia and my team,
20:58my big love!
21:02Olympia, my joy!
21:04That's it!
21:06The baby loves the song!
21:08You know what? You'll sing it all night!
21:10I'm not crazy enough to change clothes!
21:12You have no other choice!
21:14Have fun!
21:16What?
21:24Olympia, Olympia,
21:26Olympia and my team,
21:28my big love!
21:30Olympia, my joy!
22:00You scared me!
22:02No calls, no addresses,
22:04no nothing.
22:06No prenatal care?
22:08No, no prenatal care.
22:10Really?
22:12Yes.
22:14And how was the baby born?
22:16I don't know,
22:18it was a test.
22:20But from now on,
22:22when I become a lioness again,
22:24I'll get an ID,
22:26an address,
22:28my baby, my big love!
22:34Where are you going?
22:36Did you forget something?
22:38Oh, my keys!
22:42Apart from your keys,
22:44you forgot this, too.
22:46Don't hold it like that,
22:48because I didn't carry the baby.
22:50It's fine.
22:52There's no need to carry the baby.
22:54I'm sorry.
22:56Yes, yes, yes.
22:58Yes, yes.
23:00Listen, there's no need to carry the baby.
23:02Do you understand?
23:04We'll go in a few days.
23:06Come on, I can't.
23:08I have a lot of work at the company today.
23:10I have work, too.
23:12I have to see a sponsor for my show.
23:14I can't run with the baby.
23:16I'll take her to the company.
23:18Are you happy?
23:20Happy?
23:22I don't believe this.
23:25Come on, baby.
23:27I'll show you where I work.
23:37So, so, so,
23:39quiet, quiet, quiet, please.
23:41Your proposals are not finished.
23:43That's why if you take them back,
23:45first you finish them,
23:47and then I'll bring them to you to approve.
23:49Nothing goes forward without my approval.
23:51Of course.
23:54That's the point.
23:56The point is that Lola should be at the meeting,
23:58but for one more time, she's late.
24:00Julia, try to convince Lola, please.
24:02Yes, sir.
24:04On the other hand,
24:06as a vice-president,
24:08I could approve them
24:10and change Argeri out of many schools.
24:12Huh?
24:14Good morning.
24:16What is this?
24:18Baby, baby, baby.
24:20What is this baby?
24:23It's a baby.
24:25It's a baby of a friend of mine
24:27who has a very serious problem
24:29and I have to take care of it.
24:31Come here.
24:33Come here, baby.
24:35Come here, baby.
24:37Look, it's a little angel.
24:41Look, it's a little angel.
24:43Look, look.
24:45Hi, hi, hi.
24:47I'm a little good boy
24:49and I won't cause any trouble.
24:52Good, good, good.
24:54We used to be kids.
24:56Now we're adults.
24:58So, guys,
25:00excuse me,
25:02let's start with the
25:04debunking,
25:06the debunking of the proposal.
25:08What do you say?
25:16Without my baby,
25:18without my baby,
25:20without my baby.
25:23Don't tell me you did it again.
25:25Is it possible?
25:27Is it?
25:29Oh, Anoula,
25:31the snow, you're the snow, aren't you?
25:33Oh, what are you doing?
25:38Oh,
25:40what's all this mess?
25:42The merenda the little one made.
25:44What mess, huh?
25:46Can I tell you something?
25:48Don't worry,
25:50because look, look, look.
25:52Hi.
25:54Hi, little angel.
25:56Don't worry,
25:58now I'll wash myself
26:00and I'll be clean.
26:02I'll tell you.
26:04Do you have the proposals
26:06that Grigoris asked you?
26:08Yes, of course.
26:10Come here.
26:13Eh, eh, eh.
26:18You're welcome, you're welcome.
26:20Come, come, come, my dear.
26:22Can't you open a window in here
26:24because the whole company is in a hurry?
26:26Don't worry, I'll wash her now
26:28and she'll stop smelling.
26:30How can you do that?
26:32Let me tell you something,
26:34Kaki, my girl,
26:36do me a favor,
26:38sit down a little, my girl,
26:40I'm worried, where are you going?
26:42Oh, I'll kill her.
26:48Hi.
26:50Yes.
26:52What can I do for you, my lady?
26:54Ah, you know, you know,
26:56maybe you won't cry,
26:58you know, I'll give you some chocolate.
27:00Take it, take it,
27:02take the bottle out,
27:04take the chocolate.
27:06What are you doing, my child?
27:08I'll tell you what,
27:10I don't want you to hold the bottle for so long.
27:12Give it to me.
27:14No, no, no.
27:16Are you crazy?
27:18Women!
27:20I'm sorry, Lola,
27:22but the whole company is in a hurry.
27:24Come on, Pano, come on, Pano,
27:26don't be like that,
27:28Panouli,
27:30my boy,
27:32my boy, you, you, you,
27:34you're a man,
27:36do you want to help me change it?
27:38You don't look well.
27:40Goodbye.
27:44What is it?
27:46Goodbye.
27:48Let me tell you something,
27:50don't you have nipples?
27:52I do, of course I do,
27:54but one is ten, the other is eighteen,
27:56they are very big.
27:58Yes, but it doesn't matter,
28:00because, you know,
28:02nipples, these nipples,
28:04these nipples...
28:06Eugenia,
28:08won't you help your sister to change the baby?
28:10My sister, to help you?
28:12But to warn you
28:14that my sister didn't leave me
28:16because she didn't trust me.
28:18Listen to me,
28:20I trust you completely.
28:22Take the baby,
28:24prove your worth, Eugenia.
28:28Do you want me to carry her?
28:30Of course, of course.
28:32She looks like her.
28:34My love,
28:36my love.
28:44Big, a lot, a lot,
28:46quick, quick,
28:48good, good, my girl,
28:50let me ask you something,
28:52what are you doing with the baby last night
28:54and every five minutes?
28:56What?
28:58That's what babies do,
29:00they move in the womb,
29:02my girl, under the uterus.
29:04She's crying again, I can't.
29:06What?
29:08Let me tell you something,
29:10I have to find Helen,
29:12do you understand?
29:14Because, my girl, it's dangerous,
29:16we can't keep a baby that's not ours.
29:18She won't give birth, she won't.
29:20I can't find you.
29:30Here are the plans
29:32Lola gave me.
29:38Don't look at me,
29:40Lola's baby has wet clothes.
29:44Lola's baby has wet clothes.
29:46Lola's baby has wet clothes.
29:48I'm going to discipline her.
29:54Hey, Markos,
29:56it's Grigoris.
29:58What's up?
30:02Yes, my boy,
30:04how are you?
30:06What's up, Junior?
30:08A student of 1992?
30:10I see, I see.
30:12Of course I'll come.
30:14All right,
30:16I'll come too.
30:20Tell me,
30:22do you work at Bronia or am I wrong?
30:24Yes.
30:26Yes.
30:28I want to file a complaint
30:30about a stolen baby.
30:32No, I didn't steal it.
30:34Yes.
30:36How did you remember that?
30:38That's a different baby.
30:40How did you remember the math baby?
30:42That's it, my boy,
30:44I've locked it in the bathroom
30:46to search for it and record it.
30:48Yes.
30:50Well, it's our turn now.
30:52You ordered to send
30:54a social worker.
31:06This baby is a monster.
31:08Where is Rhodi?
31:10What did you do?
31:12I've told you about my classmate,
31:14Markos,
31:16from high school.
31:18He works at Bronia.
31:32Let's go change, Pana.
31:34Again?
31:36It's a baby.
31:38I don't want it.
31:42This baby again?
31:44I hate it.
31:46If you have your own baby,
31:48you'll change.
31:50I don't want to have a baby.
31:52I don't even think about it.
31:54I don't want to ruin my silhouette.
31:56What if you make it with someone
31:58who wants to have a baby?
32:00What if I make it with someone
32:02who already has a baby,
32:04who has grown up,
32:06it's not a bad idea.
32:08Julia, wait a minute.
32:10I forgot Pana inside.
32:12What if she cries?
32:14She just woke up.
32:16How?
32:18I'll tell you.
32:20Listen.
32:22The Olympiad anthem?
32:24I don't know it.
32:26Better.
32:28Tell Panathinaikos.
32:32What are you?
32:34What are you, my heart?
32:36It's yours, my soul.
32:38It's yours.
32:40You say a lot.
32:42Take these files and send them to them.
32:44It can't be yours.
32:46Why?
32:48To have a baby,
32:50you have to have sex.
32:52You're a fool, aren't you?
33:04I'll call.
33:14Isn't Argyris here?
33:16He's got a client.
33:18That's why he doesn't answer.
33:20What to do?
33:22He blocked my card again
33:24and I had to get his card.
33:28You have the baby?
33:30No, Lola has it.
33:32who has given it to her to keep it for a while.
33:34Well, leave the talk and bring it here.
33:37Oh, oh, my love.
33:42How sweet it is.
33:44Oh, it has an aura.
33:46Oh, it's a strong exuberance.
33:48Can I turn it off for two minutes?
33:49For what reason?
33:50Because you said it has an aura.
33:52The baby, my love, I mean the baby.
33:54It has a good aura.
33:56Good vibes, how can I say it? How can I explain it to you?
33:59I understand.
34:00How do you see this aura?
34:03I feel it.
34:04There, there, calm down.
34:07Calm down, my love.
34:10Let me tell you. No, no, no, no.
34:12We have known each other for a long time.
34:14We have met again in other lives.
34:18My doll, my doll.
34:20Let me tell you. This is it.
34:22Oh, how you like the baby.
34:24Yes, my love, it goes with my bag and my shoes.
34:27What do you say, my baby?
34:29Seriously, as I see you,
34:31you are expressing a calmness, a serenity.
34:33What are you saying?
34:34No, no, no, no.
34:36I understand what he is saying.
34:38I am really expressing a calmness, a serenity.
34:40And an innocent creature may understand this.
34:43He is not that innocent.
34:45I was talking about Beba.
34:50Yes?
34:51Mr. Teo?
34:53Are you coming from here?
34:55Okay, okay, I'll tell him.
34:57Yes, yes, yes.
34:58Bye.
34:59Yes.
35:00What did he say?
35:01Is he coming from here?
35:02What?
35:03Who?
35:04Mr. Teo.
35:06Isn't that who you were talking to?
35:07Mr. Teo.
35:08Yes.
35:09He says he can.
35:10He can?
35:11Take it, take it, take it, take it.
35:12Take the baby.
35:13I just remembered that I have a job.
35:14I have to go.
35:15Hold on a minute.
35:16Are you here for a photo?
35:17What photo?
35:18You are here for an ex-wife.
35:19And it will be a prototype.
35:20Thank you, my boy, for your kind words.
35:22But I am not a substitute.
35:24They take pictures with their baby for an ex-wife.
35:26They have done it many times.
35:28Vanna Barba, Angelina Jolie.
35:30Where do you see the prototype?
35:32A mother with her baby.
35:34Yes, but a grandmother with her grandson.
35:36You will be the best grandmother.
35:38I will kill you.
35:52Mimi.
35:53Mimi.
35:54What are you doing there?
35:55I am trying to create an atmosphere.
35:57But the sprays destroy the atmosphere.
35:59That's right, that's right.
36:01It's all Lola's fault.
36:02She carried the baby.
36:03And she makes us bring enemies to our environment.
36:06She has disorganized us.
36:08We can't concentrate.
36:10I see.
36:11So, to understand now.
36:13You.
36:14What has disorganized you?
36:17Say yes with the fans.
36:19The baby is crying.
36:20You know, you know me.
36:22The truth is that babies have a big headache until they go to school.
36:25I remember when I was with Melina.
36:28I was exhausted.
36:30You remember and you never say it again.
36:32Look, Dora.
36:33In the beginning everyone said that.
36:35But then, time goes by.
36:37You forget it and you want a second one.
36:40Come on.
36:41Do they forget that?
36:43Look, Dora.
36:44Of course.
36:45I was a special case.
36:47Melina grew up alone.
36:49And Melina wanted her mother.
36:51What you need now is a woman who doesn't want her own children.
36:55And to devote herself to your Melina.
36:58Ah.
36:59So, you wanted a child?
37:04A child with nothing.
37:07I think it would be good for Melina to have sisters.
37:13Basically, as I told you, Thoti.
37:15A child with nothing.
37:17I want many children.
37:18Many children, Thoti.
37:19And you know what else?
37:20I want to leave Athens.
37:21To go to a farm.
37:22To have dogs, horses.
37:24Animals.
37:25Many animals.
37:26What are you talking about?
37:28Yes.
37:29This is my dream.
37:31Thoti.
37:32Thoti.
37:33Hold on a second.
37:34Please.
37:35I have to go and get your milk.
37:39Bravo.
37:40Ah.
37:41Natalia.
37:42Yes.
37:43Hold on a second.
37:44I have to go and help her.
37:45Because she is in a panic.
37:46And I will stay with this?
37:47What is this?
37:48This little sweet, sweet little thing.
37:53Don't you dare to cry.
37:55Don't you dare to cry.
37:57And if you make me angry, I will ruin my future.
38:03As I told you, dear Kostas.
38:05Yes.
38:06We are going to make a great tribute.
38:09Yes.
38:10We better not discuss it in a cafe, right?
38:13No.
38:14No.
38:15I've arranged for us to meet at the New Conference because I want to show you the plans.
38:21There's something here that smells.
38:23No, it's nothing. It's the mayor.
38:25Who's the mayor?
38:26The mayor of Athens. He digs for the gas, you see.
38:31They took a part of the gas from the, how do you call it, natural gas from Ukraine and he dug it out.
38:36Really?
38:37Yes.
38:38Come here, Kostas.
38:39From here, please.
38:41Go inside and...
38:42Put something in your nose and I'll tell you.
38:44Julia, in five minutes everyone should be at the New Conference.
38:47And you'd better do something with this shit in here.
38:49We're going to suffocate.
38:51What?
38:52Nothing.
38:53Ah.
39:02So, based on our previous meetings,
39:05we came up with some excellent, innovative ideas
39:10and we'd like to suggest something very nice to you.
39:14What does he want?
39:15What?
39:16What does the market want?
39:18Think about it. What does the market want?
39:20What?
39:21What?
39:22What?
39:23Mr. Christos, you have to understand...
39:25Mr. Christos.
39:26Papa Christos.
39:27Ah, Papa Christos.
39:28I'm sorry. I'm tired.
39:30Mr. Papa Christos, you have to...
39:34Oh, I can't. He's crying again.
39:36I can't cry.
39:37He's crying.
39:38I can't cry. He's a stranger, you see.
39:40That's what he's reading.
39:42That's why we...
39:44We'll renovate.
39:45We'll renovate.
39:46We'll renovate because our main issue will be...
39:49The baby.
39:50The baby?
39:51No, no, no, no, no.
39:53Not that baby.
39:54Our director wants to say...
39:56Yes.
39:57That...
39:58I want to say.
40:00She wants to say that...
40:02Man...
40:03Yes?
40:05Uh...
40:06Man shapes his character...
40:08From a baby.
40:09Of course.
40:10That's why...
40:11We can, especially in this age...
40:13To catch up with the modern man...
40:16But starting from a baby.
40:19From a baby.
40:20Yes?
40:21Of course.
40:22And...
40:23What do I mean?
40:24I mean that...
40:25We can see a modern man...
40:26How from childhood and all ages...
40:28His character is shaped...
40:30Through various electronic games...
40:33Gadgets...
40:34And in general...
40:35Everything that shapes his personality.
40:37That's exactly what it is.
40:39That's it.
40:40With this logic...
40:41We should style the kids...
40:43And advertise children's products in our magazine.
40:47I remind you...
40:48That you are addressing mature men.
40:51Yes, but let's not forget...
40:53That men always have kids.
40:57Do we always have kids?
41:00What nonsense is this?
41:02How can you talk like this?
41:04How can I talk like this? Are you offended?
41:05Of course.
41:06I've been listening to your stupid suggestions for so long.
41:08This is ridiculous.
41:09No, no, no.
41:10Wait a minute.
41:11Wait a minute.
41:12Let me explain.
41:13You obviously haven't understood.
41:14You haven't grasped our spirit.
41:15We want to find alternative solutions.
41:17Do you understand?
41:18We want to leave the established.
41:20We want to do something innovative.
41:22Something innovative.
41:23Yes, yes.
41:24Exactly.
41:25And as your predecessor said...
41:29We know that the magazine is for men.
41:32And successful men.
41:33Of course, successful men.
41:35But these men, Mr. Papathristou...
41:37They used to have kids, just like you.
41:40And at some point they became parents.
41:42Or will become parents.
41:43So, let's go back to the issue of the baby.
41:47I think we were discussing a serious magazine.
41:51What is this cheap psychology?
41:53No, no, no.
41:54I said from the beginning that we need to find something else.
41:57Mrs. Director.
41:58Yes.
41:59She is obviously tired with the baby.
42:00That's why I have some alternative suggestions to tell you.
42:04Again with this crap, guys?
42:06Guys, I'm leaving.
42:08I can't co-operate with a group of useless people.
42:10What?
42:11I beg you.
42:12I beg you.
42:13I beg you.
42:14I beg you.
42:15I beg you.
42:16I beg you.
42:17I beg you.
42:18I beg you.
42:19I beg you.
42:20I beg you.
42:21I beg you.
42:22I beg you.
42:23I beg you.
42:24I beg you.
42:25I beg you.
42:26Make it stop.
42:27Please make it stop.
42:28I can't see anything.
42:29Please.
42:31Make it stop.
42:42Stop it!
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