- 9 months ago
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TVTranscript
00:00This is an enterprise, original.
00:02I don't want to open this magazine.
00:04I want to close it.
00:05Get out of here.
00:06Trash it.
00:07Throw it away.
00:08Get out.
00:09It shows that Tefhos sold it out.
00:11Good idea.
00:12What idea was it?
00:13It was my idea.
00:14This Tefhos is an exclusive creation of Lola's Lounge.
00:19Tonight we celebrate.
00:21We are going to celebrate its success.
00:23What opportunity do I want to get to know Greece?
00:25Do I want to be brought here alive or dead?
00:29Look at her.
00:30She is so hot.
00:31If Lola doesn't sit down, I'll forget about the deal for the magazine.
00:35No money, no money.
00:36We are ruined.
00:37Jim will sign it.
00:38He will only sign if we give him Lola.
00:41Finally, the water is coming in.
00:44I like you so much that you want the water to come in.
00:48I want it for a long time.
00:50How long?
00:51I've been waiting for you for two years.
00:54How did you know me?
00:55Advertisement.
00:56It was leaked from the ad.
00:58Jim, when will this man come?
01:01Jim, when will this man come?
01:03Jim, when will this man come?
01:05Again?
01:06Again?
01:07Again?
01:08But this is how I am.
01:09I'm sorry.
01:10You have to take out the stick to wait for the right time.
01:13Jim, if you allow me, can I borrow it for two minutes?
01:17Yes.
01:18You can take it, but you have to bring it back to me.
01:28Advertisement.
01:59I hope everything goes according to plan.
02:02Yes, Lola handles it very well.
02:05If she doesn't do her best, we will lose the ad.
02:08What are you talking about?
02:10Don't think about that.
02:12Let's relax.
02:13Yes.
02:14Let's take advantage of the opportunity you give us to be out of the company.
02:18Yes, yes.
02:19The two of us.
02:20Yes.
02:21And here is Akis.
02:22Wait, wait.
02:23Later.
02:24No, later.
02:25Now.
02:26Come on, come on.
02:27Yes, my child.
02:28He told me that he will give it to the American.
02:32I like him, Argyris.
02:33He has principles.
02:34He has principles, but soon he won't have a magazine.
02:37Because if the stupid American doesn't sign, the deal is broken.
02:41Hi-5 will become Hawaii 5000.
02:43I'm sorry, Jim is talking to me.
02:46I think he likes you and wants to protect you.
02:48Come on, calm him down.
02:50Tell him that you don't mind talking to him.
02:54So, between us, we both have to wait until he signs.
02:58Don't tell that to Argyris.
02:59You will break their faces.
03:00Don't be crazy.
03:01He has drunk a little.
03:02He is ready to throw them all in the air.
03:04Please.
03:06Come on, calm him down.
03:07Tell him that you like him.
03:08Let's finish.
03:11Come on, let's go.
03:12I will calm him down.
03:13Anyway, let me tell you something.
03:15I deal with the stupid.
03:18I'm sorry, I called you.
03:20What happened, Argyris?
03:22What happened, my girl?
03:23Does he bother you?
03:25He doesn't bother me.
03:26Come on, he is a sympathetic person.
03:28What sympathetic?
03:29You showed him to the kids to eat.
03:31Yes, but Lola doesn't have a problem.
03:33Tell me, Lola.
03:34Tell me.
03:35Yes, okay, okay.
03:36I can't wait for him to sign and I will tell you something else.
03:41And if I don't like him, I will send him to MAPA for charity.
03:44And if I don't like him, I will send him to MAPA for charity.
03:47No, my girl.
03:48No, please.
03:49I don't want him that way.
03:50Let him go to the old place.
03:51He will find another investor.
03:53I hope so.
03:54I'm sorry, it's not easy, Argyris.
03:56We've been fighting for so long.
03:57Let me tell you something.
03:58I won't let this chance go to waste.
04:00So, calm down and let it all go.
04:02What can I tell you?
04:03If you want to take it all on yourself, take it.
04:06What can I tell you?
04:07You are an adult.
04:08You know what you are doing.
04:09What else can I do?
04:10Be patient.
04:11Tomorrow, when you go to sleep, everything will be over.
04:16It's okay, my girl.
04:17It's okay. God will help us.
04:19That's how it is, Argyris.
04:20Business is business.
04:22Okay?
04:23Unfortunately, sometimes we have to make some compromises.
04:26Yes.
04:30Did you see what I was telling you?
04:32He almost killed us, Argyris.
04:34He will like the guy and he will combine the profit with the loss.
04:39What can I tell you, Grigoris?
04:40A strange pumpkin pie.
04:42Yes.
04:43And from what it seems, she likes pumpkin pie.
04:52Stop it!
04:55Tomorrow, honey.
04:57Kisses, kisses.
04:58Good bye, Jimmy.
04:59He said kisses. He found us.
05:01Kisses.
05:02He will kiss the poor American.
05:07Is this your last drink?
05:09I wasn't here for the first one. Will I be here for the last one?
05:13Hasta la vista.
05:14I'll be back, my dear.
05:16Papa's love.
05:17Good night.
05:20Katalaki!
05:22Come on, my girl. Let's go to bed.
05:27I'm coming.
05:28I'm coming.
05:29Good night.
05:32And where is Lola?
05:34If she changes her mind, call me.
05:36She won't change her mind.
05:37Hello, Lita.
05:38Don't worry. Everything is fine.
05:43So, get used to the old company for tomorrow night, okay?
05:46I'm going to sleep.
05:47Yes, you definitely have to relax today.
05:52There are some insignificant details, of course, but let them be.
05:56I'm not afraid.
05:57The insignificant details were always your light.
06:01She laughs better than the one who laughs last.
06:04We're going for a last...
06:09I'm going home to show you how huge I am.
06:11Believe me, all men think the same.
06:13No, you don't understand.
06:15I'm referring to how we're going to make Lola worthy of her name.
06:20I don't get you.
06:22What job did Jenny Karezzi do in the movie?
06:25That's what Lola is going to do.
06:29That's what you're telling me.
06:30And you're making fun of me.
06:33Yes.
06:43What a night.
06:46Horrible.
06:51But we agree on something.
06:58I was expecting a girl today, but...
07:02I don't know, maybe I didn't see her at the wedding.
07:06It's impossible for anyone else to eat her.
07:09Maybe.
07:11And I was expecting someone...
07:14to eat my girl, because he's also impossible.
07:20Let me tell you.
07:22How is your guy?
07:27Let me see.
07:28How are you?
07:29And you?
07:30No relationship.
07:33You're a doll.
07:38You're laughing.
07:40You're the one I shouldn't be looking at.
07:42And you're also attractive.
07:45That's funny.
07:46Very funny.
07:47We laughed.
07:48I laughed.
07:50Wake up, you're laughing.
07:52Tell me.
07:53Do you really think you can look at a woman?
07:59You're like Lucky Luke.
08:01The only horse without a tail.
08:04And from IQ,
08:05run, pan, plan.
08:08Come on, IQ.
08:09You're right.
08:14Cigarette, orgy?
08:15You're going to spit on my shirt.
08:17You're completely useless.
08:19You can't even help a lady.
08:25Don't listen to me.
08:26There are microbes.
08:28Don't listen to me.
08:29You're an idiot.
08:36Is this your house or my house?
08:38In the hotel next door.
08:54Good morning.
08:55Good morning.
08:56Good morning.
08:57These are the invitations for Rouva's concert.
09:00And these are the invitations for Razopoulos' premiere.
09:03If you don't want to go, I'll gladly go.
09:07Let's see.
09:08Did they send you the festival list?
09:10Wait here.
09:18Eugenia?
09:19Yes?
09:20Good morning.
09:22Good morning.
09:23Good morning.
09:25I have your CV.
09:27You can give it to me after the list.
09:35Thank you very much.
09:36You're welcome.
09:47I admire this woman's mental strength.
09:50And she gives everything for the magazine.
09:53We're not too much.
09:55She's a good worker.
09:57I told you she didn't like the money.
09:59You're different.
10:01I think she'll regret it by tonight.
10:03She'll be drunk by tomorrow.
10:05Tell me something.
10:06Do you know Jim well?
10:08Quite well.
10:10Let's suppose Lola regrets it.
10:12That would be normal.
10:14There's a chance he'll cancel the deal just to get a whim.
10:18As Oscar Wilde used to say,
10:20the difference between a whim and a passion
10:22is that the latter lasts longer.
10:24Jim is the most aggressive,
10:26the most circulatory person I've met in this field.
10:29If he regrets something, he'll regret it.
10:31What if he doesn't regret it?
10:33That's what I personally wish.
10:36Is there a chance he'll cancel the deal?
10:39Are you kidding me?
10:40It doesn't matter.
10:41Lola will regret it.
10:43She's in love with him.
10:45She confessed to me.
10:46What can I say?
10:47Women are crazy.
10:55All I want from you
10:57is for Argyris to learn nothing from me.
10:59I don't want him to pass me for a fool.
11:01You know what I mean?
11:03I did it for the good of the publishing house.
11:06I know, my boy.
11:07I know.
11:08Besides, what happened?
11:10What other reason do women have in this world?
11:16THE DEAL
11:21So, we're not going?
11:23No, of course not.
11:25We'll leave her on her own.
11:27She can't be caught by anyone.
11:30Not even Karya.
11:32This deal is in Lola's hands.
11:36In general, we can say that this deal
11:39is at the edge of Lola's game.
11:41I think it's impossible for my kids to go with this Nourakotagou.
11:45I'd rather fall into the ditch.
11:47Don't worry.
11:48You're the one the Americans would want.
11:51Let me tell you something.
11:52I have another problem.
11:53Annie should go with him.
11:54Why hasn't she gone with me for so long?
11:56Because you don't have a girlfriend.
11:58While he has half the story.
12:01I bet he'll catch her.
12:03As soon as he realizes what's going on,
12:05he'll think about what's good for him.
12:07I don't have her for a good girl.
12:08Fine.
12:09Then why don't you tell her about Jim's intentions?
12:11So she doesn't have time to think
12:12and wrap it up in a different way.
12:14I want her to be very low
12:17about the position she took me in.
12:20I wouldn't want to have you at all, my enemy.
12:24Not even between us.
12:45Can I help you?
12:47No, no.
12:48Let me handle it.
12:49You'll have to pay for it.
12:50You know.
12:51I don't know what the problem is.
12:53He's done this to me before.
12:54Yeah.
12:55It looks like he took a dog.
12:56Me?
12:58Did he go to the washroom?
13:00Classic woman's excuse.
13:02Show me your belly.
13:04What belly?
13:05Do I have a belly?
13:06I've never had a belly.
13:07You, my girl,
13:08you've never had a belly
13:10because you're a boy.
13:11And boys have another metabolism.
13:13It's the same with sex.
13:15Like Lola now.
13:16If you keep eating gourd,
13:18you'll become a fat gourd
13:20and no man will fall for you.
13:23I don't want any man to fall for me.
13:25Oh, really?
13:27Then why have you been dressed
13:29in a very provocative way?
13:32What do you want me to wear?
13:33A dress?
13:34Huh?
13:35Huh?
13:36Women used to say
13:37that we should show sex.
13:39In which world
13:40is the imaginary world
13:42created by the mister?
13:52What?
13:53Why are you wearing a Barbie dress?
13:54Where are you going?
13:56To the store.
13:57The Monaco store?
13:58Because your heart is racing?
14:00Don't tell me
14:01that we're going to make this stupid
14:02and stupid again.
14:03I mean, please.
14:05I'm not going out with Giorgos.
14:06I can do that
14:08without risking
14:09falling into hell.
14:18I'm going to have an erection.
14:19Come on.
14:20I'll give you a massage.
14:24I'm stronger.
14:29I feel better.
14:40Ah!
14:59Oh, yeah!
15:01Everything will be all right.
15:03Yes, yes.
15:05Thank you, Jim.
15:09Chin-chin.
15:10Chin-chin is us.
15:11Chin-chin is the others.
15:13What are you drinking?
15:15I'm drinking with the kids.
15:16They're late.
15:17What time is it?
15:18We're playing Chinese.
15:19When our main players are here,
15:21what can they do to us
15:22if they're just romantic?
15:24Sir?
15:27One moment, please.
15:29Sir?
15:30Yeah, tell me, please.
15:31Where the hell have they gone?
15:34Sir?
15:36What am I saying?
15:37No.
15:38I can't believe it.
15:41Lola started inviting everyone.
15:43Vicky, Pano, Eugenia.
15:47But no one was answering.
15:52Don't be sorry.
15:53I'm sending you unread messages.
15:58Tomorrow?
15:59Who do you think is going second?
16:01Oh, no.
16:02What, man?
16:03Understand me.
16:05I'm sending them to find you.
16:10Yeah!
16:12Okay.
16:13Okay, good.
16:18And I'm sending them to the corner
16:20to see if I'm coming.
16:28Can't you see the others are coming?
16:30And now,
16:32the two of us.
16:35The night belongs to us.
16:38What night?
16:39Michael's night?
16:40Jimmy's night.
16:41What night?
16:42What night are we going to spend
16:44getting drunk?
16:45Unforgettable.
16:46Come on, Jimmy.
16:47What's the point of signing the contract
16:49all night long?
16:50Of course.
16:51What's the point of signing the contract
16:53all night long?
16:54What contract?
16:55The one we agreed to do
16:57the two of us before the lottery.
16:59The two of us?
17:00What did we agree to?
17:01To become a couple.
17:02Wait, wait.
17:03When did we agree to that?
17:05We agreed to it with Argyris.
17:06We agreed to it with Grigoris.
17:07What, you're not on the day?
17:08On the day?
17:09I'm on the day tomorrow.
17:11Oh, please.
17:12That's our deal.
17:13If they want the money,
17:14they'll give it to me.
17:15Oh, yeah?
17:16Oh, oh, oh.
17:17Let me tell you something.
17:18I have to drink something now.
17:20But don't we drink champagne?
17:21Believe me,
17:22I need something much stronger
17:23to get through this.
17:24Liar!
17:26How are you going to understand?
17:27Tonight is the night of the bed.
17:29Tonight is the night of the bed,
17:30you'll understand.
17:31I'm going to get drunk tonight.
17:32Lola.
17:33Lola, my love.
17:34Open me up.
17:35Open me up.
17:36Open me up.
17:37Open me up.
17:39You're going to lose me.
17:40You're going to lose me.
17:41I'm not going to lose you.
17:42You're going to lose me.
17:43Look, after all this,
17:44don't stay.
17:45I'm going to the bathroom now.
17:46Don't leave.
17:47I'll be back.
17:52Not this time.
17:53The next time.
18:00Lola
18:01couldn't believe
18:02what she heard.
18:04She felt trapped
18:05and betrayed
18:06and didn't know
18:07how to react.
18:09And as usual,
18:10she said SOS.
18:19Lola.
18:20I don't think you can lift it.
18:22But maybe it's not necessary.
18:24And you need a personal life.
18:26And I know it's necessary.
18:28Did you know that
18:29from a contract,
18:30the most important thing
18:31is that she forgets her pen
18:32and wants to save it.
18:33Yes, but
18:34we're friends.
18:35What?
18:36Since when?
18:38She finally did it
18:39and you did her job.
18:40Right?
18:41Lola doesn't have friends.
18:42She only has subordinates.
18:44She didn't even want me
18:45to sign the contract.
18:46She told me
18:47you'd be her everything.
18:48That's how you understand
18:49how impersonal she is.
18:50If she was like that,
18:51would I be here?
18:52Although
18:53I would gladly give up
18:54all the contracts
18:55of the world to be with you.
18:57Come on.
18:58You're exaggerating.
18:59Indeed.
19:00Since I met you
19:01I've been exaggerating myself
19:02so I don't get confused.
19:03Because you're not like the others.
19:06I'm sorry
19:07because you run a lot.
19:14Lola.
19:16I'm waiting for you, my sweet.
19:18I'm coming.
19:19I'm coming, my love.
19:20I'm coming.
19:28I'm coming.
19:36I'm coming, my love.
19:41Lola.
19:42If she doesn't have God,
19:43she'll get it.
19:44She didn't want me
19:45to sign the contract.
19:46If she didn't understand something right,
19:47she's in trouble.
19:48I won't be her everything.
19:51Good night, Lola.
19:52Good night.
20:12Lola felt trapped.
20:14She didn't trust Grigori
20:16but she couldn't trust Argyris.
20:20Leave me alone, Elvira.
20:22I'm in my office.
20:23I'm not drunk.
20:25No, no.
20:26I'm sorry.
20:27I told him I'd be late tonight.
20:30What do they call it?
20:31What do they call it?
20:38What can I tell you, Elvira?
20:39If you insist, what can I tell you?
20:41What is it?
20:42Don't shout, please.
20:43Don't shout.
20:44Listen to me, Elvira.
20:46Listen, Elvira.
20:47Elvira, please.
20:48I'll put you on speakerphone.
20:49How long will I be here
20:50so you can hear me?
20:53Don't be afraid.
20:54Don't be afraid.
20:55That's what you want.
20:56Good girl.
20:57That's what you want.
20:58That's what you'll get.
20:59I'll put you on speakerphone.
21:00So you can hear everything.
21:01Yes.
21:02On the one hand,
21:03I'll study accounting
21:04and on the other hand,
21:05I'll talk about accounting.
21:06What can we do?
21:07I'll be a Caesar for you.
21:08Not the one with the decorations.
21:10The other one.
21:11Yes, the other one.
21:12The one who put the knives.
21:14You're a historian, too,
21:15if you remember.
21:16What can I tell you?
21:17No, kid.
21:18Ancient Rome.
21:19Myth.
21:20It doesn't tell you anything, does it?
21:21Yes.
21:22What did your father send you?
21:24I'd like to know.
21:25Yes.
21:26The child?
21:27What was the child?
21:29What are you saying?
21:30Don't give me that crap
21:31about your prison.
21:33What I'm telling you,
21:35you learn from here
21:36and from here and from there.
21:39It was a difficult moment.
21:41He had two options.
21:43To leave
21:44and send the devil to the agreement
21:46or to remain
21:47and be sacrificed
21:48like a virgin in the minotaur.
21:51Because as soon as you realize
21:52that as a woman
21:54she was a virgin.
21:56Lola Lalo wanted to leave.
21:58But Leonidas Lalo
21:59wanted the agreement
22:00regardless of the sacrifice.
22:02So some would be sacrificed.
22:05They just weren't so pure.
22:17Fotis?
22:18Lola?
22:20Lola, is that you?
22:21I can't hear you well.
22:23Are you in the office?
22:24No, I'm back home.
22:26Speak a little louder.
22:27Let me tell you something.
22:28I can't speak louder.
22:29I have a big problem.
22:30I can't explain it to you right now.
22:31But I really need your help.
22:33I want...
22:34If you can go to the office.
22:36I have my electronic agenda there.
22:38I really need something.
22:40Because what happened?
22:41Where are you?
22:43Why are you talking like that?
22:44I'll explain everything later.
22:45I'm begging you.
22:46Hurry up.
22:47Go quickly.
22:48Fotis.
22:49Don't worry.
22:50I'll be waiting for you.
22:51Bye.
23:16Did you find it?
23:17Of course.
23:20Give it to me.
23:21Don't make a mess.
23:23Don't make a mess?
23:24If I don't sleep, it's a mess.
23:26If I don't wake up, it's a mess.
23:28I can't, Manolam.
23:30I can't.
23:33The siren is ringing in the yard.
23:38Long live the homeland.
23:40The homeland?
23:41I don't know if I'll live.
23:42Forget it.
23:43I'm going.
23:46Tonight, Charos will die.
23:48Today is the day.
23:50I don't know how only Charos will die if Fotis is not there.
23:52Who's Fotis?
23:54Fotis, I say.
23:55Fred Jean.
23:56Fred Jean.
23:58Fotis is not here, my child.
23:59Fotis is at work.
24:00I have to tell you about the witnesses.
24:04They are pointing a terrible arrow.
24:06The arrowhead.
24:07I'll make my own arrowhead.
24:08Let's go to the other side.
24:09Let's go to the other side.
24:10Let's go to the other side.
24:11Let's go to the other side.
24:12Let's go to the other side.
24:13Come to the grave.
24:15Help.
24:16Leave me alone.
24:17Give me a kiss.
24:18A kiss.
24:20Do you want a kiss?
24:22A lot.
24:23A lot?
24:24I can't.
24:27Why?
24:28Because I ate garlic.
24:29Oh, he's making garlic for me.
24:30He's making garlic for you?
24:31Yes.
24:32I'll tell you something.
24:33I can't communicate with garlic.
24:35I ate a lot of garlic with tzatziki.
24:38Tzatziki?
24:39You don't eat tzatziki?
24:40Tzatziki.
24:41I'm talking to you.
24:42I'm talking to you.
24:43I have to finish.
24:44To finish.
24:45And brush my teeth.
24:46Are you going to do a pijama too?
24:47Yes, I will.
24:48What?
24:49Are you going to be late?
24:50I'm sorry.
24:51That's me.
24:52Pastriko Fodora.
24:53Oh, I can't, mom.
24:54I can't.
24:55I can't.
24:56Let the doctor bring the doctor.
24:57Let the doctor bring the dorm door.
24:58I can't.
24:59Come to my breast.
25:00I can't.
25:01I can't.
25:02Let the doctor bring the door.
25:03The door.
25:04The door.
25:05I can't.
25:06I can't.
25:07The door.
25:08The door.
25:09I can't.
25:10The door.
25:11The door.
25:12Oh
25:42Oh
26:12Yeah
26:42You know
26:44Ruslana
26:45Yeah, and I think you're a vision of the sport. Yes, put it serious. We'll take notice of us
26:50It's a story about us. It's a problem. It's a problem. It's a Ruslana's
26:54Kala
26:56Agenda so you might have a unique a onomatopoeia
26:58Yeah, you know
27:01Give me a stereo. I'll put the
27:04commodity
27:05You know, I don't get it
27:07I
27:37Mean
27:40Ruslana yeah, I'm Lola Laou. I'm Leonidas Laou's cousin. Do you remember me?
27:46So, Ruslana
27:49Listen to this
28:07Oh
28:37Oh
29:07Yeah
30:07Oh
30:37What are you going?
31:07Oh
31:37Yeah
32:07Yeah
32:09Yeah
32:11Yeah
32:13Yeah
32:15Yeah
32:17Yeah
32:19Yeah
32:21Yeah
32:23Yeah
32:25Yeah
32:27Yeah
32:29Yeah
32:31Yeah
32:33Calinique
32:59So
33:01Oh
33:31Oh
34:01What are you talking about?
34:03in the skoti
34:05Passage in a law is well. He can go again is
34:09They can't eat it. You'll have to do again. Yeah, I love black. Oh, man. I tell you police. You know
34:14Not to be a beat up
34:20Yes
34:22Silly I can't make it look at me. I found a spastic silo. He's a common cathartic
34:27I'm not a spastic silo Allah. He can't even put on a honey. Oh, but they didn't listen
34:34Saturday, I mean, oh, yes, here's Lana
34:37Me to put traffic in a pooch. Ah, I thought that don't you skippy?
34:41Pigeon and I can't steer us Lana. Oh, dear. We're going to have teen
34:45Messes a classmate after a leftover. He'll all I had you except a message to Leonida
34:49Thank you
35:19Oh
35:49It's
36:19The nipple graffiti on symbol a on
36:24They won't even tell you I'm a go-kart. Oh, no
36:30We shouldn't carry says tell your home. Don't you see all the people?
36:37Oh
37:07You can use the except the lady in a go-kart. Yeah, I mean if they have a party
37:20Let me speak I know man to grieve
37:24Yeah, I mean if I can even a telephone Ila
37:27Fine I feel it in a left
37:32I hope only Marmelada speedy move by the piano
37:57Oh
38:05Good morning
38:21Good morning
38:27Oh
38:57You know what I'm saying?
38:58I'm sorry.
38:59I'm sorry.
39:00I'm sorry.
39:01I'm sorry.
39:02I'm sorry.
39:03I'm sorry.
39:04I'm sorry.
39:05I'm sorry.
39:06I'm sorry.
39:07I'm sorry.
39:08I'm sorry.
39:09I'm sorry.
39:10I'm sorry.
39:11I'm sorry.
39:12I'm sorry.
39:13I'm sorry.
39:14I'm sorry.
39:15I'm sorry.
39:16I'm sorry.
39:17I'm sorry.
39:18I'm sorry.
39:19I'm sorry.
39:20I'm sorry.
39:21I'm sorry.
39:22I'm sorry.
39:23I'm sorry.
39:24I'm sorry.
39:25I'm sorry.
39:26You're gone and I left just in time.
39:28I want to go to the desk and sign my sighs.
39:31Okay, go and.
39:34See you later, alligator.
39:45What a wonderful woman.
39:50Oh my god.
39:56I
40:26Don't have to say it again
40:28He's ready to sign
40:35What does Argyris know?
40:37That you wanted to see him alone in the office
40:40And you saw him. Or did I make a mistake?
40:47Oops
40:49Yeah
41:05Oh
41:19Yeah
41:23Excuse me
41:25Here
41:27Here
41:29And here
41:31And here
41:33And here
41:35And here
41:37Yeah
41:41Thank you very much
41:43I have to confess
41:45It's the first time in my life
41:47That I met such a beautiful woman
41:49Like Lola Lalo
41:51She's gorgeous
41:53Arethia
41:55Arethiathi
41:59Julia
42:01Argyris
42:03And with Tsipouro I wouldn't say no
42:05Tsipouro
42:07Today is a big day
42:09Ha ha ha
42:11Ha ha ha
42:13Ha ha ha
42:15Bravo
42:17Bravo
42:39Hello
42:41Hello
42:43Hello
42:45Hello
42:47Hello
42:49Hello
42:51Hello
42:53Hello
42:55Hello
42:57Hello
42:59Hello
43:01Hello
43:03Hello
43:05Hello
43:07Thanks
43:09Speaking in Greek
43:19Speaking in Greek
43:21Speaking in Greek
43:23I'm sorry, Lola, but you owe me an explanation for yesterday.
43:39Yes, of course, I'd love to give them to you, but I have some errands to run, okay?
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