- 9 months ago
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TVTranscript
00:00Where were you?
00:02At Lallos' house. I wanted to see Lallas.
00:06Well done. You are an exceptional talent.
00:09You almost convinced me.
00:11Why are you talking to me like that?
00:13What are you talking about?
00:14Do you think I'm stupid?
00:19Are you lying to me? Are you going to drive me crazy?
00:22What are you talking about? Are you okay?
00:24Of course I am. You go out with Lallos' friend and I'm not okay.
00:29Did you follow me?
00:31Tell me, my child. Were you with him or not?
00:35Did you follow me? How could you?
00:38You lied to me. How could you?
00:49Are you going to give this to me?
00:51Yes.
00:53Thank you very much. I will take care of it.
00:56Is he your friend?
00:58No, no. He is my cousin.
01:01Your cousin is very handsome.
01:03Thank you very much. He will like you too.
01:07You know what? When you come back from his trip, I will arrange for you to meet.
01:12Is he on vacation?
01:14I don't know. I don't know at all.
01:18Thank you very much for that.
01:28I love you.
01:30I love you too.
01:32Hello Lola, it's me again. I thought a lot about you, Lola.
01:44Hello Lola, don't hang up. Don't ignore me, Lola, Lola, Lola.
01:52Hello Lola, come and get some.
01:57It's not what you think. Lola had a problem.
02:00They are closing the show and the company is going crazy.
02:03And Grigoris...
02:04Grigoris?
02:05That's his name.
02:06Really? That's his name? Thank you very much. We don't need to say anything else.
02:09Giorgos, I'm waiting to explain to you that nothing is going on with him. Believe me.
02:13You are ruining my life.
02:15Since I met you, I've been tolerating your nonsense.
02:17And in the end, I'm the only one who is suffering.
02:19That's not true.
02:21Really? It's not true?
02:23Really? Didn't we break up because you think you're in love with Lala?
02:26And then you start flirting with Lala's boyfriend.
02:29It seems that something wrong is always going to happen in your life.
02:36What happened?
02:43Wait a minute.
02:44This Marios, is he a flirt? If he is, we don't know.
02:47But he can't.
02:48He must have a crush. Why can't he?
02:51Why?
02:52Why is he talking for hours about a stranger on the internet?
02:55He can have any woman he wants at his feet.
02:57Maybe he's a bit of a flirt.
02:59Is that what you're saying?
03:00Yes.
03:01Do you know what I'm saying?
03:02What?
03:03Don't be a pervert.
03:04Do you know how many serial killers are on the internet?
03:07What can I say?
03:08Thank you very much, one more time, for your positive energy.
03:12I'm really worried about you, I'm telling you.
03:14Something like that, perverted.
03:16They throw their nets at some women like you, lonely and desperate.
03:20I'm worried. You have to be careful.
03:22Thank you for worrying about my life.
03:24Why shouldn't I be worried? I'm your friend.
03:26Now you're going to tell me, life is this house, office, office, house.
03:29No, it's better if you scratch and I'll cut your bangs.
03:31Bah, leave it.
03:33I say I'll wait a little longer.
03:35Maybe I'll be able to go up psychologically and tighten my belly a little.
03:40To bring my body to a better physical condition.
03:43And I'll be fine.
03:44Now is not the time to talk. If you talk, you'll tell me I'm bad.
03:47Starting tomorrow morning, I'll start jogging.
03:49Every day before work.
03:51What do you say?
03:52I don't know how to think of a list of bags.
04:18You were great today.
04:20Did you see how many people called us?
04:22I think we should ask for a reservation for our show.
04:25We owe you a lot for the show.
04:28Pavlina, are you ready?
04:30Yes, George, I'm coming.
04:32Well, guys, bye. See you tomorrow.
04:34Good luck to those who are left.
04:36Hello.
04:44Hara?
04:46Come on, come back here. We're starting.
05:07My friends, here I am again.
05:09To keep you company tonight.
05:13To be the antidote to your loneliness.
05:17I've said it before.
05:19If we feel alone, close to each other,
05:23maybe we'll stop being alone.
05:26If we talk, if we open up, if we touch each other.
05:31Let's dare together.
05:34Let's talk about our worst enemy.
05:38The one who hurts us the most.
05:42The feeling of abandonment.
05:46We wonder why the other person is leaving.
05:49The partner, the partner, the man.
05:52We find thousands of reasons to make dozens of assumptions,
05:55but we don't have the answer.
05:57And we'll never have it.
06:00Because there is no answer.
06:04There is only this painful absence
06:06that fills it with questions.
06:11Did I make a mistake?
06:14Why me?
06:16What did I do wrong?
06:19And the questions have no end.
06:22Will he come back?
06:24When?
06:27Will everything be the same again?
06:30There is something worse.
06:33When you feel the abandonment of someone who is still with you.
06:37When it's in your life,
06:39but in reality it's pain.
06:42When you wait for a handshake that doesn't happen.
06:45A look that doesn't give.
06:47A sweet conversation that doesn't say.
06:50My dear Croats, don't neglect your relationship.
06:53Don't think it's self-evident, because it isn't.
06:57Make the other person feel how important he is to you.
07:02Let's go.
07:19Come on, my love.
07:20I'm the one who's in trouble.
07:23Nothing.
07:25Yes, I remembered you.
07:28I was wondering where you were.
07:31Where are you?
07:33Shopping therapy?
07:35Yes, of course. Where else would you be?
07:38What did you buy?
07:39Victor and Rolf?
07:41What kind of mania is this, Elvira, to buy t-shirts?
07:45How did you call me?
07:46Idiot?
07:48I didn't understand.
07:49Idiot?
07:50I see.
07:51This idiot, Elvira, took your father's little company,
07:54who sold out the sweet Kerkokhira,
07:56and made it the sales miracle you're enjoying today.
08:00Do you understand?
08:02What did you buy me?
08:04Cockroaches?
08:05What can I do, my child? We don't have cockroaches.
08:08How?
08:09No, no, no, no, no.
08:11No, I'm telling you, no.
08:12Leave it in its place.
08:13Leave it where it is.
08:15That's what I'm telling you.
08:17Why don't they want to tell me that I was a cockroach, too?
08:20There's nothing worse than letting misunderstandings divide people.
08:26Just think how different things would be if we were less afraid of love.
08:31Erase the world of misunderstandings.
08:33And let's build a new one.
08:35With fewer words,
08:37and more eyes.
08:47Fotis.
08:48Yes?
08:49Do you have a minute?
08:50Yes, what is it?
08:51Stella answered me.
08:53Stella?
08:54Yes, the one who sent me the picture.
08:55Ah, the...
08:56Come on, bravo.
08:57It's very beautiful.
08:58Congratulations.
08:59Yes.
09:00You know what?
09:01I'm thinking.
09:02I think it's more than beautiful.
09:05And?
09:06Is that a problem?
09:07For me, it is.
09:09I see.
09:10I understand.
09:11You have low self-esteem.
09:13I've seen you in the mirror, too.
09:15And now, what are you going to do?
09:16How are you going to make it up to her?
09:18I don't know.
09:19I'm going to...
09:20I'm going to push her as hard as I can.
09:21And...
09:22In the meantime, I've started a gym, a diet.
09:25I think I've started to build.
09:26Look.
09:27Can you see it?
09:29In my mind, no.
09:30It doesn't look like you've started to build.
09:32What are you talking about, Panos?
09:34In two days, will your muscles get tired?
09:37So, listen to me.
09:38Forget about the gym.
09:39Or rather, if you want to go to the gym, to exercise, go.
09:42But do it for yourself.
09:43For your part.
09:44Do you understand?
09:45With women, the best way is this.
09:48Be yourself.
09:50There's no way.
09:51It's not going to happen.
09:53If I don't become like the picture we sent her,
09:55I'm not going to meet her.
09:57In the meantime, I told you,
09:58I'm going to start a gym, a diet.
10:00And wherever she goes, I'm going to build.
10:02I'm going to be a beast.
10:03Listen to me.
10:04Listen to me.
10:05In a man, beauty doesn't matter as much as personality.
10:11Be relaxed.
10:12Have self-confidence.
10:13Inspire her with confidence.
10:15That's your problem.
10:17You feel insecure when you talk.
10:19You lose your words.
10:20You don't know what you're saying.
10:22Let me be like Brad Pitt.
10:24And I'll tell you how I'm going to relax.
10:26I'm going to drink a couple of shots and you'll see.
10:28You don't relax with two shots.
10:30I'll drink four, five.
10:31In Greece, I'll drink a whole cup.
10:33I'll relax.
10:34If you drink a whole cup, you won't become Brad Pitt.
10:37You'll become a pita.
10:44What are you talking about?
10:46About the couple of the year.
10:48Lola and Foti.
10:50Don't be silly.
10:51It's not a couple.
10:52Don't be so naive.
10:54It's very tasty.
10:56No.
10:57I'm on a diet.
10:58I guess you're talking about Foti and Lola.
11:00Of course.
11:01The couple.
11:02I'm not afraid of what others will say.
11:04It's obvious that Foti doesn't like Lola.
11:07It's just his boss.
11:09In this case,
11:10The position doesn't matter.
11:11But the desire.
11:12Don't you get tired of talking sweet nonsense?
11:15No, thank you.
11:16I'm on a diet.
11:17A long-term diet.
11:18No apple, no apple.
11:19Fine.
11:20We don't care.
11:21Natalia.
11:22Tell me how you found them.
11:23They were holding hands.
11:24They were talking in a breathless distance.
11:26Tell her.
11:27We want details.
11:28Details.
11:29So, Foti
11:30gave her up.
11:32Shut up.
11:33Shut up.
11:34Shut up.
11:35Shut up.
11:36Shut up.
11:37Shut up.
11:38Shut up.
11:40What are you talking about?
11:42About a dog in my neighborhood.
11:44Foti.
11:45Do you want a croissant?
11:46No, thank you.
11:48Aha.
11:50Food and pussies.
11:52Classic.
11:53Where are your suggestions for plotters?
11:54Here.
11:55So, check and tell me.
11:56Let's go, guys.
11:57I'll give you my office.
11:58Run.
11:59Run.
12:00This way.
12:01Run.
12:02Run.
12:09What?
12:10Are you in the office?
12:14No.
12:15I made a bread roll with my hands.
12:18Come here.
12:19Of course in the office.
12:22Come.
12:23Who did all this thinking?
12:25Mademoiselle?
12:26Be quiet.
12:27Wait.
12:28Who did all this thinking?
12:31Be quiet.
12:32Who did all this thinking?
12:35Be quiet.
12:36Be quiet.
12:37You're welcome.
12:43I got your favorite. Sashimi, solomo, tono, heli.
12:49I like sashimi when I'm in a good mood.
12:52When I'm down.
12:54Okay, I'm going to get some pita.
12:55No, no, no. Leave it.
12:58Because then you'll be a fat abandoned woman.
13:01At least now I'm just an abandoned woman.
13:03I see.
13:06I understood something from the show.
13:08But tell me, what did this fool do again?
13:12He left with someone else from the station.
13:15A new girl.
13:17Pavlina.
13:18I told you. I told you she's like that.
13:21You didn't listen to me.
13:22I didn't expect him to be like that.
13:24They left together right in front of my eyes.
13:26Okay, it happens at some point.
13:28Leonida.
13:32It's my fault.
13:33It's not your fault. It's the fool's fault.
13:36I know we had problems.
13:38But I never expected George to leave me for this fool.
13:42And don't even think about it.
13:44Forget about her CV.
13:46They'll cut it off from the station.
13:48Look, my girl.
13:49We men are crazy, my girl.
13:52We're not doing well, you know?
13:54We have the steak, but we also want the fool by his side.
13:57You understand what I mean, right?
13:58So, don't worry. You'll be better.
14:00Eat now. Come on.
14:01Come on. Let me feed you, my girl.
14:04I don't want to be better.
14:06I want him.
14:08That's how crazy we women are, my girl.
14:14That's how crazy we men are in general, my girl.
14:18That's right.
14:23At the end of a terrible day,
14:25I found out that Lala was always here like Lola.
14:28Ready to listen to me and calm me down
14:30just like real friends do.
14:52So, Stefania.
14:53Here. It's all about the article.
14:55You make it, you send it to me.
14:57Give it to Grigori.
14:58All right. Bye.
15:01They say that Lola gave details to Foti and Tevchos
15:06in a five-star hotel.
15:08No.
15:09Yes.
15:14Lola.
15:15I want you to take a look at this.
15:18I have to take a look at the press. I'm in a hurry.
15:20We received a lot of urgent calls
15:22that you have to answer immediately
15:24from the offices of Hadzakos about the Greek issue.
15:26Hold this for a second.
15:28So, the invitation to the press conference
15:31and the advisor told me that you have gathered all the details.
15:34I just wanted you to see them before we leave.
15:36Yes, Julia, my girl, but I'm in a hurry.
15:38I'm in a hurry.
15:41All right. I'll send them to you.
15:45What happened, guys? Did I say something?
15:49Hold this.
15:57Is everything ready?
15:59It's ready for printing.
16:01I'll do a final check and I'll give it to you.
16:03And tomorrow, the newspaper will be on the streets.
16:05And then, from the beginning again.
16:07The machine never stops.
16:09I've learned this from my dad.
16:11This closing, instead of relaxing me,
16:13makes me think about the next Tevchos ideas.
16:16I do the same.
16:18You know, last night,
16:20I was thinking about some ideas for the newspaper.
16:23Tell me.
16:24No, it won't do.
16:26Why not?
16:27Because the fashion editor is a hypocrite.
16:29And I'm just her assistant.
16:31I don't want them to say that I'm the boss's daughter
16:33and that I'm taking advantage of her.
16:35Come on, kid, we're going to have a nice chat.
16:37Don't be so hard on anyone. Come on, tell me.
16:39All right, but it's going to be between us, right?
16:41Yes.
16:43It's not very original,
16:45but in England, it was the latest trend.
16:47So, black and white products
16:49with a deformed rock aesthetic.
16:53It sounds interesting.
16:56Hello.
16:57I didn't want to interrupt you.
16:59What are you talking about? You're just in time.
17:01We were talking about an idea.
17:03In particular, Natalia told me it was a great idea.
17:05Let me tell you.
17:06Foti, we said it was going to be between us.
17:08I'm just saying.
17:10No, no, listen.
17:11A black and white production
17:13based on a deformed rock aesthetic.
17:18Look, Foti, I don't know.
17:20I didn't come here for anything else.
17:22I just wanted to see how it's going to go tomorrow.
17:25Can you show me the tests?
17:27That's why I'm here.
17:28Everything is ready, don't worry.
17:30Listen to me, please.
17:32Of course, I know the idea is just aesthetic.
17:36Look, Foti.
17:37But if we go deeper...
17:38Foti.
17:39The magazine has the responsibility to deal with this.
17:42Okay?
17:44I liked Natalia's idea.
17:47I believe in her.
17:49And I want you to think about it.
17:54Okay, I know.
17:55Okay.
17:56Send me the budget and we'll discuss it.
18:01Happy?
18:13Welcome.
18:14Are you happy with the coffee?
18:15Do you want yours?
18:16We got it at the store.
18:18No caffeine.
18:19It helps calm the nerves.
18:21It's in the bag.
18:24I asked you not to bother me.
18:26So?
18:27What's going on?
18:28Are we ready for the closing?
18:30Of course.
18:32Did you manage to read Lola's article?
18:35I'd be interested in your opinion.
18:37Yes.
18:38Yes.
18:39I took a look at it, of course.
18:41It's interesting.
18:42Although I think it's...
18:44It's great.
18:45Great.
18:46I loved it.
18:47I laughed.
18:48It made me think.
18:50It helped me understand.
18:52I showed it to Elvira, too.
18:54So I could have another opinion.
18:56She loved it, too.
18:57You can't help it.
18:58You can't wait to meet Lola.
19:00Yes.
19:01Yes.
19:02That's what I said.
19:03It's very interesting.
19:04It has this hidden charm.
19:07Yes, that's what you said.
19:09The charm of the Lala.
19:11Oh, boy, this girl...
19:13She has such a temperament.
19:15She's so advanced.
19:17She's Leonidas' cousin.
19:19In fact, I find her even more so in her time.
19:22Right?
19:23I mean, she lives her time much more.
19:25Yes.
19:26Yes.
19:27Absolutely.
19:28I'm going to see what the kids are doing.
19:30To see how they are doing with the closing.
19:32Yes, yes.
19:33Go.
19:34Grigori.
19:35Yes.
19:36What happened to those proofs that Vicky was waiting for you to give them?
19:39Oh, I forgot, my dear.
19:41Look, the matter has been settled.
19:43Perfect.
19:44Perfect.
19:45You can go.
19:54Hello, Lola.
19:55How are you?
19:56Very well, thanks.
19:57And you?
19:58Very well.
19:59I really liked your article.
20:02Amazing.
20:03Come on.
20:04You know what?
20:05I was sure that you would like it more than anyone else.
20:12What do we have here?
20:26Did you read Lola's article?
20:28Yes.
20:29Immediately.
20:30Really?
20:31What?
20:32Don't tell me that you liked it too.
20:33Honestly?
20:34No, tell me.
20:35Yes, I liked it very much.
20:37I won't tell you, of course, but between us...
20:39What?
20:40I was impressed that Argyris accepted it.
20:42It doesn't match the style of the magazine at all.
20:44It's too good for Mister.
20:45I didn't like it at all.
20:47Anyway, I won't waste any more time on this.
20:49So...
20:50I'm listening.
20:55Yes?
20:58Perfect.
20:59As agreed.
21:01We'll talk soon.
21:05I may have lost a battle,
21:07but I will win the war.
21:09I will win it.
21:11We'll talk some other time.
21:13Sorry, but I have a foreign job that can't wait.
21:16Is this job a chestnut and wears a skirt?
21:20Was that a thorn, my love?
21:22No, my love.
21:23Thorn is what you'll find on Cambrio's wheel
21:25if you learn that you do nothing with bitterness.
21:27What bitterness?
21:28The one you'll get if you hire me for your relationship with Chara.
21:35Look, Tefkos is closed.
21:37All the changes have been made.
21:38Let me ask you something.
21:40Did you show the wine for the production of the restaurant?
21:43Yes, yes.
21:44But I'll show it to you so you don't worry.
21:46Come, come.
21:53Are you feeling well?
21:56Yes.
21:57Yes, I'm much better than yesterday.
21:59Good.
22:00So, I'm starting.
22:02One.
22:03Good?
22:05This one.
22:06Good.
22:07Yes, this one.
22:08Look, I told you to change the wine.
22:10Lola, are you feeling better?
22:12Don't you want to look bad?
22:14Yes.
22:15No, I'm fine.
22:16I'm better.
22:17Fortunately, although you haven't recovered yet,
22:19you have black circles under your eyes.
22:21I have?
22:22Green pimples.
22:23Green pimples?
22:24Yes, but don't worry.
22:26I can put some make-up on you later if you want.
22:29Okay.
22:30Okay?
22:36Come on, Panoulis.
22:37Here you go.
22:38Here you go.
22:39Yogurt, brown flakes, honey.
22:41Take the honey.
22:42What?
22:43I said take the honey.
22:44What's wrong with you?
22:45What happened?
22:46Until yesterday, you were eating two club sandwiches.
22:49Forget what you know.
22:50I'm on a diet.
22:51And I'm glad you're starting, because...
22:53What diet?
22:54I'm fine, don't you understand?
22:55Yes, you're fine.
22:56You.
22:57It's not just about the diet.
22:58It's also about health.
22:59Haven't you heard what we eat?
23:01Those who eat meat are more violent.
23:03While those who eat vegetables are more balanced,
23:06more calm.
23:07It's like in Greece.
23:08And those who eat beetroot, what do they do?
23:10They poop.
23:11What beetroot?
23:12Brown flakes, Greek style.
23:14They're called beetroot.
23:15And basically, they're eaten by goats.
23:27Hey, hey, hey, hey, hey.
23:46Panouli, Panouli, Panouli, get up, get up, get up, get up.
23:54Why?
23:55Why?
23:56Oh
24:26Oh
24:56I'm talking about
24:58I like Fotis and I will do everything in my power to win him
25:04Good luck then
25:06God is with you
25:08As for me, Fotis is all yours
25:12Music
25:24Excuse me
25:26Excuse me
25:28Can you prepare me a juice with carrots, tomatoes and celery?
25:30Right away
25:32I did it
25:34I knew it
25:36It happens to me for the first time
25:38I always get drunk in the morning when I'm in a hurry
25:40Put some salt on the celery and it will go away
25:42Here you go
25:44Thank you
25:46Good luck
25:48What are you doing, my boy?
25:50I'm putting salt on the celery to make it go away
25:52That's for celery from oil
25:54If you put salt on yogurt, it will become tzatziki
25:56But the girl told me...
25:58Your girl threw a bomb to unload you
26:00Let her say it now, Panoulis
26:02They will destroy you, they will go straight to my head
26:04Let her say it
26:06Music
26:08Music
26:10Music
26:12We need to talk
26:14It's a budget
26:16The previous newcomer is out, is there a problem?
26:18No, there is no problem
26:20But I checked the calculations
26:22And we have to reduce the budget for the next one
26:24And we should also be careful
26:26About the production of Natalia
26:28I am asking you not to overdo it
26:30Is the production of Natalia postponed?
26:32Yes, I will explain it to you
26:34And you will understand
26:36Do you want anything else?
26:39I want...
26:40Do you want help?
26:41I want to get a M.O.V.
26:42M.O.V.?
26:43Yes, a M.O.V.
26:44Servietta, of course!
26:45Servietta!
26:46Servietta, I have a green one.
26:47Green?
26:48Green.
26:49What kind?
26:50What kind of body?
26:51Green.
26:58Vickaki?
26:59Are we going to have breakfast together?
27:00Oh, I can't.
27:01Lolo sent me to make estimates for the budget for the next T.E.V. course.
27:04The budget?
27:05From now on.
27:06Since the producers haven't decided yet.
27:09Your own.
27:10Because some of them are probably faster than you.
27:13Let's say Natalia.
27:14She needs a high budget for an idea that Lolo sent her.
27:25Yes.
27:26A man came to see her.
27:28A brown, unkempt, handsome man.
27:32With glasses.
27:34These are glasses.
27:37Who else?
27:38A lady came.
27:40With two little girls.
27:42And a lot of money.
27:44From a company called...
27:46High Five.
27:52Grigori?
27:58What are you doing here?
28:04Can you tell me what you're doing here?
28:06Yes.
28:07Of course, I'll tell you what I'm doing here.
28:10Because your question is kind.
28:13What kind of job do I have here at Leonidas' house?
28:17Of course, I'll tell you and don't get mad.
28:21Leonidas gave me his apartment for some women's work.
28:25Do you understand?
28:26No.
28:27And Leonidas is gone now, so?
28:29Yes.
28:30And Leonidas is gone now, so?
28:32Yes.
28:34That's right, so...
28:37Do you know her?
28:39Yes, Mrs. Maria.
28:40Very well.
28:41Her name is Anna.
28:43Yes, Anna.
28:44I mean Marianna.
28:46She has two names.
28:48I should go too.
28:49I have some work in the middle.
28:51Yes.
28:52Goodbye, Mrs. Anna.
28:54Oh, Marianna.
28:55And say goodbye to the kids.
28:59She has four kids, poor thing.
29:01I know she has two.
29:03She has one in Bulgaria, who is studying, so it costs two.
29:07And another one, who eats for four, so it costs four.
29:12And the poor thing works like a dog to feed them.
29:15Is that why you paid her?
29:17To feed the Bulgarian student and the overbearing one?
29:19Why else?
29:20To tell you who comes in and who goes out to our house?
29:28To tell you who comes in and who goes out to our house?
29:55Is this a girl?
29:56Yes, yes.
29:58Who?
29:59The girl from Zaris.
30:00She's pretty.
30:03I think she's looking at you too.
30:05Come on, play ball.
30:06Go talk to her.
30:09What? Like this?
30:10Panouli, that's how you do it.
30:12Chat, bam.
30:13Come on, play ball.
30:15Wait a minute.
30:16How can I talk to her if they don't do a little warm-up first?
30:19What do you mean?
30:20Well, I have to drink a drink first to get some energy.
30:24Then I have to see what she's drinking to cheer her up.
30:27Then I have to smile at her to see if she's going to reciprocate.
30:31And then...
30:32And then, and then...
30:34But there's no after.
30:40Petro, I'll be back with the money on the table.
30:42Okay.
30:43Bye.
30:44Oh, Panouli, it's so hot in here.
30:46It's hot.
30:51Listen, Leonidas gave her a little help.
30:55A little bonus.
30:57Now that Leonidas is gone, I thought I'd give her something more.
31:02Yes.
31:03Tell us now why you gave her Lafka's help.
31:06I don't know.
31:07I don't know.
31:08I don't know.
31:09I don't know.
31:10I don't know.
31:11I don't know.
31:12I don't know.
31:13Well, better to have a stronger justification
31:17because these are not mature for the bill.
31:19Which idiot hurt you and you act like this?
31:22Are you looking for your justification?
31:24Did you come here to pretend to be a philanthropist?
31:27Fine.
31:28Fine, I'll tell you.
31:29Philanthropists were mandatory.
31:32Don't tell anyone because I don't want to know what my right broad or anything website says.
31:37I came for a different reason.
31:40I was hoping that you would meet her.
31:42To meet me?
31:43Yes.
31:45I felt very nice yesterday when the two of us said it.
31:48I felt warm.
31:50There, as if time was stopping.
31:51That colony?
31:53Come on now, don't make fun of me.
31:55As if our relationship was stopping for years.
31:58It's not a coincidence that we stick together.
32:00Do you know what we mean?
32:01The fishbowl.
32:03The fact that we both loved Leonidas and his absence has left us a big gap.
32:09And we will try to fill this gap.
32:14Because don't tell me that you won't find anything from him again.
32:18At least that's how I feel.
32:22Can I call you later?
32:25I don't know.
32:28Maybe.
32:30We'll see.
32:39Bye.
33:00Natalia.
33:01Natalia, I'm begging you.
33:03When you come in here, the first thing I want you to do is to come to my office so I can assign you a job.
33:08Sorry, ma'am.
33:09But now Lola has assigned me a job.
33:11And when I'm done, I'll let you know.
33:12Yes.
33:13You don't get jobs from Lola.
33:15You get them from me.
33:16Yes.
33:17I'm sorry.
33:20Natalia, I'm begging you.
33:22Come here so I can assign you a job right now.
33:25Get out of my sight right now.
33:27And don't you dare talk to me like that again.
33:29Because you have no idea what I can do.
33:31You left me in the village and now you want to make me famous?
33:34First of all, I'm not from the village.
33:36And second, do you realize that I'm in charge of the department?
33:39Do you realize that you're unimportant, insufficient, ugly, colorless and tasteless?
33:45Everything from A to Z.
33:47While you are B.
33:49Do you see, my assistant?
33:52Did someone talk?
33:54Because I don't see anyone.
33:57You're invisible, little girl.
34:02You're invisible, little girl.
34:06You've overestimated the budget.
34:08Yes, we said to make a good job.
34:10You've made a good job many times, but with less money.
34:13I can save money wherever I can.
34:15But now the issue is very special.
34:17What men don't know about women.
34:19And what should we do to learn it?
34:21To listen to the company in the air?
34:23The lights you chose are worth a fortune.
34:25The place you want to rent is an expensive hotel, swimming pool.
34:28What do you want? To buy you a new camera?
34:31Guys, what's going on? You were outside.
34:34What happened?
34:35Nothing. I'm trying to do my job.
34:37And you're interfering with mine.
34:39Guys, calm down. Let's go inside.
34:42Fine. Tell me what happened.
34:44It's not about the budget you asked for.
34:46It's unacceptable. It can't be judged by anything.
34:48These things are obvious.
34:50At least we have to invest, okay?
34:52We can't keep doing it with cheap solutions.
34:54If you put your imagination to work, you'd find cheap and good solutions.
34:58Vicky, outside, imagination is paid for.
35:00And not by cheap products.
35:02And Fotis, when he asks for something, he doesn't throw it in the air.
35:05He thinks about it long before he asks for it.
35:07And he knows that it's of interest to him.
35:09The budget can't be judged.
35:11Of course. I'll talk to Vicky first.
35:13Excuse me. Natalia wants to say that Mr. has a profile.
35:18And we shouldn't disappoint his readers, right?
35:21Yes.
35:23I understand.
35:24But won't Natalia tell us what to do?
35:26No.
35:27No, of course not.
35:28Just because she studied in England, she knows how things work abroad.
35:31And we know how things work abroad.
35:33We didn't come from Karakarbonochori.
35:35Really, Lola? Where did you come from?
35:37From Nari.
35:38To save the newspaper from Olythros.
35:40Natalia.
35:43My life is a failure.
35:46A repeated mistake.
35:49I give too much for others, and in the end, I always end up alone.
35:54As long as Leonidas was around, I was always by his side.
35:57And now that Lola is gone, I'm by his side again, and in his wife's problems.
36:07With Giorgos telling me that he's my man, in the end, I turned my back on him.
36:14The only person who seems to be counting on me is this subtext of Grigoris.
36:19And the worst of all is that I like talking to him sometimes.
36:24How did he become my friend?
36:30In the end, what will happen? Will it be judged or not?
36:34It will be judged. The budget will be judged.
36:36What are you saying? What will be judged? Look at it in detail.
36:39There are expenses here, if we're lucky.
36:41Yes, but it doesn't matter, because Fotis deserves it.
36:43And I trust him, and he's been asking for it ever since.
36:45It's good that it happens.
36:46What are you saying? We're not leaving. We're on time.
36:48Great.
36:49Can I tell you something? I've found other sponsors.
36:51It's so easy here. Where can I find them?
36:53I'll tell you how you do your job. How have you been doing it for so long?
36:56For so long, I've been looking for sponsors for a classic men's magazine,
36:59in the cover of which there was a woman with a string.
37:02Now, the hard part is to find sponsors for strings.
37:09He got them, didn't he?
37:12Thank you very much, Lola. Thank you.
37:15It's very important that you trust me.
37:17Yes, yes, yes, I know, I know.
37:19And I have so many things to prepare.
37:22So, let's get to work, shall we?
37:24Yes.
37:25Great.
37:26We have a lot of work.
37:27Yes, a lot.
37:34Lola didn't know how she felt about Fotis.
37:37It was obvious that Natalia had already thrown herself at him for good.
37:41But she wasn't sure that she would catch him red-handed.
37:44I'm glad you were on the mic, have a great day.
37:55Come on.
37:56Come on, I'm fine.
37:57How are you?
37:58I'm not well.
37:59I'm not well. I'm terrible.
38:01I can't handle it. My stomach hurts.
38:03My legs hurt. My head hurts.
38:05My nerves are at their peak. I can't handle the situation.
38:08I mean, I enjoy killing people.
38:10It's like a capital income.
38:12Oh, I forgot to tell you.
38:14My boy, Fotis can't handle it.
38:16I mean, the person is completely out of his mind.
38:19My boy, Natalia is falling for him.
38:21And he's on the other side.
38:23Of course, he must have realized it.
38:25But he doesn't know how to react.
38:27I don't know, what do you think?
38:29Let me tell you something.
38:30It's not possible for Natalia not to see you as a woman.
38:33It's not possible.
38:34Because if this happens...
38:36That's also a problem.
38:37Now you're telling me about Fotis and whether he has a problem?
38:39No, my little girl.
38:41I'm the one who called you.
38:43I suppose you called to ask how I'm doing.
38:45And I'm not doing well.
38:46You didn't tell me.
38:47Why did you leave me?
38:48You took me for a ride with your problems.
38:50And not only with your problems, but also with Fotis's.
38:52He doesn't care about me.
38:53And nor should he care about you.
38:55Okay, don't be so hysterical.
38:57I thought you were my friend and that you were interested in my problems.
39:00Okay?
39:01Bye now.
39:03My own problem?
39:05With whom am I going to talk about it?
39:09I don't know.
39:20I've brought the details.
39:23Tell me.
39:25You were wonderful.
39:28It seems that ever since we haven't seen each other...
39:30You're getting on my nerves.
39:32You're more direct, you're more relaxed.
39:34Don't tell me now about what Dallara is doing to us.
39:36Leave Dallara alone.
39:37She's not going to do anything to us.
39:39Because she doesn't sell on the radio anymore.
39:41And you sell a lot.
39:43I don't want to exaggerate.
39:46Of course, I have to admit that you owe some of the success to me.
39:50Didn't I always tell you to be more independent?
39:52And you told me that I was teaching you.
39:54Okay.
39:55Your student heard you this time.
39:57Do you have anything else to teach me?
39:59Even though you're teaching other people right now.
40:03What exactly are you talking about?
40:05I can't understand how you got involved with a...
40:08I don't even know how to describe her.
40:10Her face is ugly and she doesn't have any personality.
40:13Do you know that she stole half of what she says in her show from me?
40:17Don't I talk to you about her voice?
40:19That she's talking and pretending to be herself.
40:24I admit that I didn't imagine that you cared so much.
40:28I don't care at all.
40:30I made a comment.
40:31Professional.
40:33I don't care at all that you got bored with Bonfile and now you want to have fun.
40:50It's the first time I celebrate and my life has changed.
40:54I always shout that you became mine.
40:59It's the first time I give...
41:01Heads, heads!
41:02Boys!
41:03They call me Panos and I'm Panos.
41:05Did something happen?
41:07I met Stella.
41:08And she's a goddess.
41:10Stella?
41:11Does she look like the picture?
41:12She does.
41:13She's much better.
41:15You could call her more elegant, more sophisticated.
41:18You could even call her a couturier.
41:20What did you say?
41:22How old people look when they're fat.
41:24And that's how you know she's a couturier?
41:26Not only that.
41:27Her look.
41:28Her look.
41:29And beyond the advice for a cleaner white.
41:32Did you move on?
41:35I looked at her.
41:36She didn't look at me.
41:38I looked at her again.
41:39She didn't look at me again.
41:41And then?
41:43Then...
41:45She left.
41:48We're talking about attachment.
41:49Come on, don't get upset.
41:50With this girl I want to go slowly and carefully.
41:54I don't want to make mistakes and press her like with the others.
41:57What others, Panoulis?
41:58The non-existent ones?
42:01If there were laws, I would press her.
42:03No, no.
42:05This time I will go slowly and carefully.
42:09Yes, that's how you got her.
42:11Slowly and carefully.
42:18I'll finish in a second.
42:20No, it's okay, you don't have to.
42:21You don't have to work.
42:22Bah, it's done.
42:24Anyway, this time I didn't have much to do.
42:27What do you mean?
42:28What do I mean?
42:29I mean that all the organization of the styling, as well as many others,
42:34was undertaken by Natalia.
42:36Bad, you're in charge.
42:39It's all my fault.
42:41Of course it's your fault.
42:42Why don't you let her take the job from you?
42:45Take it from me?
42:46What should she take from me, since you gave it to her?
42:49Let me tell you something else.
42:50This is irrelevant.
42:51This part, however, is your job.
42:54Natalia suggested something, Fotis approved it and we went to implement it.
42:59But you are the fashion editor, my child.
43:01That is, you are the alpha and the omega of styling.
43:03How are we going to do it now?
43:04However, Natalia characterizes me with other alphas.
43:08Yes, like?
43:10Like invisible.
43:12Invisible.
43:14Non-existent.
43:16I see, that's how my sweetheart was.
43:19Eugenia, let me tell you something.
43:22You don't have to, and don't forget that Leonidas valued you a lot.
43:25Okay?
43:26Yes.
43:27He never told me.
43:30Yes, yes.
43:31This happened because, you know what?
43:33Leonidas doesn't compliment.
43:34How does he not?
43:35He compliments others, not me.
43:38Come on now, men.
43:40Don't you know how they think?
43:42Yes, my child, but he really valued you a lot.
43:45That's why...
43:46Do you know what men are like?
43:47They only look at the outside.
43:48Yes, how can I not know?
43:49I don't know, because I don't look good from the outside.
43:55Eugenia, let me tell you something.
43:57I don't want any passions, okay?
43:59I want you to go in there and prove what you are worth.
44:02I want you to show them your worth.
44:04I want you to raise your image.
44:06What?
44:07That's nothing.
44:08How?
44:09I don't know.
44:10Put on heels, my child.
44:11Put on high heels.
44:12Put on a high hat.
44:13Let me tell you something.
44:15The company needs you.
44:16Don't worry.
44:17I love you, too.
44:18Excellent.
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