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  • 5/16/2025
Romantic , drama

Gardener Napoleone takes a job in a southern-Italian villa and quickly finds himself embroiled in a menage-a-trois with Paola and her mother, which soon leads to sex, death and mayhem.



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Transcript
00:00:00I told you lunch is on the table!
00:00:03Why do you always have to make me repeat things twice?
00:00:06Do you want to plant it with those four broken brushes?
00:00:09Throw away that stuff and come and eat!
00:00:20Do you think you can get away with that air of an out-of-this-world artist?
00:00:24Look at him! He lives among the stars,
00:00:27collecting the harmonies of space.
00:00:30He's an incomprehensible genius.
00:00:32But he doesn't make me laugh.
00:00:42And you have to plant it, to give yourself so much importance.
00:00:45So much that no one falls for it.
00:00:47And you have to answer when I speak to you.
00:00:50Do you understand?
00:00:52Come on, answer!
00:00:55What do you think?
00:00:57That I want to be your servant all my life?
00:01:00I work like a whore all day,
00:01:02to feed you, to keep the house in order.
00:01:05And you, how do you treat me?
00:01:07As if I didn't exist.
00:01:10As long as you liked to satisfy your dirty comforts,
00:01:13I did well, didn't I?
00:01:15It's not bad to go home and find someone
00:01:18willing to get beaten as long as you want.
00:01:21Comfortable, right?
00:01:23Comfortable!
00:01:28Well?
00:01:29What would you like to do with that piece of rusty iron?
00:01:32Shoot me?
00:01:34But do me the pleasure.
00:01:35To love someone, you need courage.
00:01:37And you don't even know where the courage is at home.
00:01:41And to think that I loved you like a woman,
00:01:44like a mother, like a sister.
00:01:47I sacrificed all my life for you.
00:01:49And you? You don't even thank me, you tell me.
00:01:52And yet, there was a time when you cared about me.
00:01:55You were so kind then.
00:01:57So generous.
00:01:58You found the right words for every situation.
00:02:01And I believed those words.
00:02:02I would have thrown myself on fire for you.
00:02:06But what are you doing? Stop!
00:02:07But what are you doing?
00:02:08Don't put your hands on me, you know.
00:02:10Throw down those hands and don't be a clown, you know.
00:02:12Throw down those hands.
00:02:15And this is the result.
00:02:17Spit on the dish that keeps you.
00:02:23You suck.
00:02:25That's what you do.
00:02:26You are the most lousy, repulsive being I have ever met.
00:02:29You have no dignity.
00:02:30You have no talent.
00:02:31You have nothing at all.
00:02:33You are a broken zero.
00:02:34Clear?
00:02:35A miserable failure.
00:02:36At least you let out your breath.
00:02:39But I say once, just once,
00:02:41I could hear your voice.
00:02:43But why don't you speak?
00:02:45Why don't you speak?
00:02:52Bravo!
00:02:53Compliments!
00:02:54The house is dirty.
00:02:55You break everything.
00:02:56Mandalas of everything.
00:02:58There is this idiot who cleans, who fixes.
00:03:01And the one who breaks, buys again.
00:03:03In the house there are those who earn,
00:03:05those who work seriously.
00:03:10What do you care where the money comes from?
00:03:12As long as there is enough to fill your belly.
00:03:20I could earn them by being a whore.
00:03:22And you wouldn't care about anything.
00:03:25Am I wrong?
00:03:39The lady will come immediately.
00:03:43But...
00:03:54Good morning.
00:03:58I just finished taking a shower.
00:04:00Do you want some?
00:04:01Are you looking for someone?
00:04:04I'm not looking for someone.
00:04:07I just need a gardener.
00:04:12Are you one?
00:04:13Theoretically, yes.
00:04:15And practically?
00:04:17I've studied flowers, plants, nature.
00:04:21I have a particular tendency for everything that is not expressed with words.
00:04:25You paint, don't you?
00:04:27Do you read my mind?
00:04:28The sleeve of your shirt is still covered in tempera.
00:04:31I hadn't noticed.
00:04:35So, you're a painter.
00:04:37Theoretically, yes.
00:04:39And practically?
00:04:41Practically, I'm looking for a job.
00:04:43I don't like to look up.
00:04:51Do you have any references?
00:04:53None.
00:04:55Anyway, my penance is clean.
00:04:58It's not a big deal on a day like this.
00:05:01May I?
00:05:02Yes.
00:05:09The work you should do is not too complicated.
00:05:12It's about keeping the garden in order.
00:05:14Take a look at the rabbits, the chickens.
00:05:16Well, the villa is a bit isolated.
00:05:19You know, I'd rather have someone to look after it.
00:05:23My husband is very ill, unfortunately.
00:05:25And he can't be of any help.
00:05:28That's all.
00:05:29Would you like to take the job?
00:05:31I think so.
00:05:33Do you think so, or are you sure?
00:05:35It was just a way of saying,
00:05:37I'm able to take the job.
00:05:41I don't accept strangers into my house.
00:05:44It's a rule I've never broken.
00:05:46And I don't want to make an exception.
00:05:48All right, all right, I understand. Good day.
00:05:51Wait.
00:05:52I'm not finished.
00:05:54I said, I don't want to.
00:05:56Unfortunately, I don't have much time.
00:06:00And nowadays, it's not easy to find someone willing to...
00:06:04to move from one place to another.
00:06:06Are you married?
00:06:08I mean, are you married? Do you have children?
00:06:12Totally independent.
00:06:15Perfect. You'll be my first exception.
00:06:17What's your name?
00:06:19Napo.
00:06:21What?
00:06:23Napoleon.
00:06:26Stupid, isn't he?
00:06:29Enough.
00:06:30But not for what you think.
00:06:32Do you know where my villa is?
00:06:35It's not on the ad.
00:06:37At the Elba. Napoleon at the Elba.
00:06:39You don't find it funny?
00:06:41Not really.
00:06:44All right, then.
00:06:45100,000 a month, plus rent and accommodation.
00:06:48Any objections?
00:06:49None.
00:06:50We'll leave for the island today.
00:06:52You'll take the first ferry tomorrow morning.
00:06:54Someone will be waiting for you at the dock.
00:07:00Have a good trip.
00:07:02And a stay longer than 100 days of your predecessor's.
00:07:05Yes.
00:07:09Anyway, the Elba is better than St Helena.
00:07:13See you soon.
00:07:24THE END
00:07:54THE END
00:08:24THE END
00:08:54THE END
00:09:24THE END
00:09:54THE END
00:10:09I'm Paola.
00:10:10Ah.
00:10:12They told me to pick you up.
00:10:14How did you recognize me?
00:10:16Mama described me as she was.
00:10:18And as she was?
00:10:21I thought they'd thrown a can at me.
00:10:24A can?
00:10:25Forget it. What shall we do? Take a taxi?
00:10:28I don't see any.
00:10:30The courier is over there.
00:10:32All right, let's go.
00:10:50THE END
00:11:08It's always like this. People get on the new buses.
00:11:20THE END
00:11:50THE END
00:12:20THE END
00:12:50THE END
00:13:20THE END
00:13:50THE END
00:13:55The house is over there.
00:13:56If you go along the beach...
00:13:58I'll take the suitcase.
00:14:20THE END
00:14:50THE END
00:14:53THE END
00:15:18Girl...
00:15:20Stay with me for a while.
00:15:22I want to tell you something.
00:15:24Leave me alone!
00:15:26Get your hands off me!
00:15:28But why, you murderer?
00:15:30Leave me alone!
00:15:42Bitch!
00:15:43You're more of a bitch than your mother!
00:15:45You!
00:15:50Where are you going?
00:15:52Keep your head down.
00:15:54And stay away from that house.
00:15:56The devil is in there.
00:15:59Listen to me.
00:16:00Go away.
00:16:01Until you're in time.
00:16:19THE END
00:16:38It's past midnight.
00:16:40He should have been here a couple of hours ago.
00:16:42There's been a bit of trouble with the contact at the pier.
00:16:45Besides, the road along the beach...
00:16:47has some problems.
00:16:49Follow me.
00:16:50I'll show you his place.
00:16:52THE END
00:17:14It was an old warehouse that I had fixed two years ago.
00:17:18I think it could adapt.
00:17:20That's good, thank you.
00:17:22The lunch will be ready soon.
00:17:24He won't have to work today.
00:17:26He'll start tomorrow morning.
00:17:28Good morning.
00:17:29Good morning.
00:17:50THE END
00:18:20THE END
00:18:50THE END
00:19:14Good morning.
00:19:15I'm sorry, San...
00:19:17Carlotta told me you protested.
00:19:19There's no wine.
00:19:20I found some whiskey.
00:19:21Can I use it?
00:19:22What?
00:19:24Ah, yes, the woman.
00:19:26She suffers from neurasthenia.
00:19:28Look, in this house, wine has been banned because of my husband.
00:19:32I told you he's very heart sick.
00:19:34That's why we live here.
00:19:36On the island.
00:19:37The air is good and the food is healthy.
00:19:39For him, it's a matter of life or death.
00:19:43What's the use of this gesture?
00:19:45I don't want weapons in my house.
00:19:47No, it's just a memory.
00:19:49It belonged to my father.
00:19:51It's all that they found of him.
00:19:54The plate, a shoe, the right.
00:19:59And this gesture, what do you call it?
00:20:02Excuse me.
00:20:05How did you get here?
00:20:08I still don't know.
00:20:11I had never been here since the day of his transformation.
00:20:15Is the bed comfortable enough?
00:20:19If you want, I can change the mattress.
00:20:21Don't worry, it's fine like this.
00:20:26Really?
00:20:30Well, this is the list of the most important things to hurry.
00:20:33You can study it comfortably and make a program.
00:20:36We start at seven in the morning.
00:20:39See you tomorrow.
00:20:44Good night.
00:21:14Good night.
00:21:44Good night.
00:21:45Good night.
00:22:14Good night.
00:22:15Good night.
00:22:44Good night.
00:22:45Good night.
00:23:07I don't know what this land has.
00:23:09The flowers still pass before they are born.
00:23:11Good morning.
00:23:12Good morning.
00:23:14It was hot last night.
00:23:16We are at sea.
00:23:18I don't realize it because I have my feet on the ground.
00:23:21But in practice it's like sailing on a transatlantic
00:23:24as big as this island.
00:23:26I think so.
00:23:27I have to think about the roses.
00:23:30Not for now.
00:23:31Actually, I have to ask you a favor.
00:23:33Tell me, tell me.
00:23:34My husband needs the usual medicines.
00:23:37The pharmacist knows what it is about.
00:23:40I thought you could take the car and go to buy them.
00:23:44Of course, this is not in his obligations.
00:23:46No, no, I'm going, I'm going.
00:23:48Don't worry.
00:23:49Your husband is a writer.
00:23:51Not really.
00:23:52Let's say he writes.
00:23:54It's more accurate.
00:23:55I understand.
00:23:57Well, the keys.
00:23:58Ah, here they are.
00:23:59The car is in the garage on the side of the road.
00:24:02I'm very grateful to you.
00:24:41Where are you going?
00:24:42To Portoferraio.
00:24:44What a coincidence.
00:24:46Could I have a ride?
00:24:48Speaking of coincidences, me too.
00:24:49Come on.
00:25:10Did you give your mother the keys?
00:25:12No, no.
00:25:13I intend to turn the car into a motorboat.
00:25:17Who wants to steal a car on an island?
00:25:19I never thought about it.
00:25:37See you later?
00:25:40Okay?
00:25:43For me?
00:25:45It must last a long time.
00:25:47It depends.
00:25:48We'll be there in an hour.
00:25:50Let's hope so.
00:26:18I love you.
00:26:19I love you.
00:26:49It's mine.
00:26:50Here.
00:27:01A coffee.
00:27:15Desidera.
00:27:16I'm waiting for a girl.
00:27:17She came in here a couple of hours ago.
00:27:19She must have made a mistake.
00:27:21No girl has come in here since this morning.
00:27:24Excuse me.
00:27:26Thank you anyway. Good morning.
00:27:28Where the hell did she go?
00:27:48Nowhere. I changed my mind.
00:27:50Get in.
00:27:52What kind of idea is that?
00:27:55First she asks me for a ride and then she wants to go on foot.
00:27:57She never changes her mind.
00:27:58Not so fast.
00:27:59Then it's just a matter of time.
00:28:01And time doesn't exist.
00:28:02We created it.
00:28:04Did you know that?
00:28:05With this.
00:28:06Careful.
00:28:07The brain is a dangerous tool.
00:28:09Yes, but it's essential.
00:28:11Without it, love wouldn't even exist.
00:28:14Sensuality.
00:28:15Eroticism.
00:28:16I'll give you an example.
00:28:18What's more exciting for you?
00:28:20A woman who undresses naked in front of you...
00:28:22...or another who lets herself be spied on from an open window...
00:28:25...or from the lock hole.
00:28:29I've waited almost two hours.
00:28:32I take English lessons twice a week.
00:28:45Stop.
00:28:46Why?
00:28:47I don't want my mother to see me with you.
00:28:59Is it true that your name is Napoleon?
00:29:00And with this?
00:29:30I don't know.
00:29:52I don't know.
00:30:18I don't know.
00:30:45Guapa.
00:30:51Vamos a hacer una cosa juntos.
00:30:54Vamonos.
00:30:55Vienes.
00:31:15I don't know.
00:31:35I don't know.
00:31:57Porco.
00:32:03Porco!
00:32:09Fila, vattene!
00:32:25What do you want?
00:32:26What do you want?
00:32:27I told you to stay away from that girl.
00:32:29You're the one who has to get rid of her.
00:32:30Go away!
00:32:31Fila!
00:32:32What did I do to you?
00:32:33If you touch her...
00:32:35If you touch her...
00:32:36Open those dirty ears.
00:32:44Stop!
00:32:45Stop, you two!
00:32:46Are you crazy?
00:32:47That's enough, I said.
00:32:49I told you to stay away from that girl.
00:33:11I told you to stay away from that girl.
00:33:30I told you to stay away from that girl.
00:33:59I told you to stay away from that girl.
00:34:28I told you to stay away from that girl.
00:34:57I told you to stay away from that girl.
00:34:58I told you to stay away from that girl.
00:34:59I told you to stay away from that girl.
00:35:00I told you to stay away from that girl.
00:35:01I told you to stay away from that girl.
00:35:02I told you to stay away from that girl.
00:35:03I told you to stay away from that girl.
00:35:04I told you to stay away from that girl.
00:35:05I told you to stay away from that girl.
00:35:06I told you to stay away from that girl.
00:35:07I told you to stay away from that girl.
00:35:08I told you to stay away from that girl.
00:35:09I told you to stay away from that girl.
00:35:10I told you to stay away from that girl.
00:35:11I told you to stay away from that girl.
00:35:12I told you to stay away from that girl.
00:35:13I told you to stay away from that girl.
00:35:14I told you to stay away from that girl.
00:35:16I dimounted my pants.
00:35:21And you extracted sex, did you?
00:35:27I did.
00:35:28It was of considerable proportion.
00:35:31But I did not look.
00:35:38I do.
00:35:39How so?
00:35:41Are you surprised that I'm talking about certain topics?
00:35:45Well, yes, a little, I confess.
00:35:48Are you surprised that I'm talking about it?
00:35:50Then maybe you run to buy a pornographic magazine,
00:35:53or to spy from some hole in the lock.
00:35:57Don't you think it's a bit hypocritical?
00:36:00It can be.
00:36:04Ah, thank you, now it's much better.
00:36:07It's an invitation to leave, it seems.
00:36:09Did I offend you?
00:36:10No.
00:36:14Be honest.
00:36:15No, I said no.
00:36:20So, would you like to strip in front of a stranger?
00:36:25Let's say, in front of me.
00:36:39Yes.
00:36:58I'm going to town. Do you need anything?
00:37:04No, no, thank you. If you want, I'll go with you.
00:37:06I didn't ask you, I know how to drive well enough.
00:37:09Think of the garden, instead.
00:37:10My gardening skills are a bit poor.
00:37:13It was in the beginning.
00:37:36Hello.
00:37:47Hey, you! Excuse me.
00:38:02Good morning.
00:38:03Good morning.
00:38:04You're the new gardener, aren't you?
00:38:06Yes.
00:38:07Even if I'd be inclined to consider it a simple euphemism.
00:38:10Yes, yes, yes. I can see that.
00:38:12You're a rather polite person.
00:38:14Not as much as you, of course.
00:38:16Ah, the books.
00:38:18A pile of foolishness with a few bars of truth, from time to time.
00:38:24I'm trying to clarify some essential points
00:38:26about Napoleon's stay on this island.
00:38:29I hope to publish the results as soon as possible.
00:38:33Well, have you ever been interested in Napoleon?
00:38:37Look, I could answer yes.
00:38:40But I'd only do it with a low sense of humour.
00:38:43Humour is an index of profound intelligence,
00:38:45but often also of scepticism.
00:38:49Do you know anything about medicine?
00:38:53As far as gardening is concerned, I paint.
00:38:55A painter.
00:38:57And what would a painter do in front of a thermometer
00:39:00to mark...
00:39:03February 39th?
00:39:05He'd call a doctor. Who's the patient?
00:39:07Paula.
00:39:08I think you've already met her.
00:39:10She caught a lot of rain yesterday, and maybe a bad flu.
00:39:13Look, there aren't many doctors here.
00:39:15It's not like the city.
00:39:16We have to do something.
00:39:17That's exactly why I asked for your advice.
00:39:19I thought you might be able to help me.
00:39:22Come with me. We'll try to do something.
00:39:24There are doctors in the house.
00:39:31Here.
00:39:32We could use this ointment.
00:39:34You know, my hands are no longer the same.
00:39:37I'll think about it.
00:39:39I'm really grateful.
00:39:40Come, come with me.
00:39:43Come.
00:39:45Come.
00:39:53Paula.
00:39:55How funny.
00:39:58Paula, listen.
00:40:01The Lord has kindly offered to help us.
00:40:04He'll apply a thermogenetic ointment.
00:40:06It will do you good, you'll see.
00:40:22He should put on his boots and take off his shirt.
00:40:24Certainly.
00:40:26Did you hear, dear?
00:40:27You have to put on your stomach and leave it to us.
00:40:30The Lord here will apply the ointment.
00:40:33It will be a real relief for you, you'll see.
00:40:35No, I don't want to.
00:40:37Dear, don't be capricious.
00:40:39It's for your own good.
00:40:41You can't be unkind to anyone who wants to help you.
00:40:54I'm very grateful to you.
00:40:56I'm really very grateful.
00:41:27The Lord has kindly offered to help us.
00:41:29He'll apply the thermogenetic ointment.
00:41:31It will do you good, you'll see.
00:41:57The Lord has kindly offered to help us.
00:41:59He'll apply the thermogenetic ointment.
00:42:01It will do you good, you'll see.
00:42:26The Lord has kindly offered to help us.
00:42:28He'll apply the thermogenetic ointment.
00:42:30It will do you good, you'll see.
00:42:46Good evening.
00:42:47Good evening.
00:42:48You're late, it seems.
00:42:49The car started making noise.
00:42:51I'm stuck in the village.
00:42:53I hope my daughter is better.
00:42:55She'll be better in a couple of days.
00:42:58How do you know?
00:43:01I'm a fortune teller.
00:43:02I read into the future.
00:43:22Wait for me, Paula.
00:43:25No, it's not for me.
00:43:31Hey.
00:43:32What's up?
00:43:33Are you coming?
00:43:34No, I'm not coming.
00:43:36I'll wait for you for breakfast.
00:43:55Don't worry, he won't fall.
00:43:58Look down there.
00:43:59It's a fantastic show.
00:44:25Look at that.
00:44:26Wow.
00:44:27That was fun.
00:44:56Why don't you worry about Paula?
00:44:58She didn't eat much.
00:44:59You should be more gentle with her.
00:45:01They behave as if they were already married.
00:45:04They completely ignore each other.
00:45:07Not all marriages have the same outcome.
00:45:10I hope their marriage is perfect.
00:45:12Hey, take it easy.
00:45:13Franco is still two years younger than me.
00:45:15He's a young man.
00:45:16He's a young man.
00:45:17He's a young man.
00:45:18He's a young man.
00:45:19He's a young man.
00:45:20He's a young man.
00:45:21He's a young man.
00:45:22He's a young man.
00:45:23He's a young man.
00:45:24He still has two years of university ahead of him.
00:45:28I want to run.
00:45:31What are you waiting for?
00:45:54Hey, Paola, aspettavi!
00:46:48Non ti muovi, se allarghi le braccia sei perfetto.
00:47:05Così va bene.
00:47:12Potrei adorarti, mio signore.
00:47:37No, non mi piace la concorrenza.
00:47:43Che cosa vuoi dire?
00:47:46Paola!
00:47:47Paola!
00:47:48Io vado con mia madre, ci vediamo alla villa.
00:48:17Alla prossima.
00:48:38E' chiaro che ti sei rimessa completamente.
00:48:49Non ti ho mai visto così scatenata.
00:48:52Merito di Nato.
00:48:53Non ti ha detto niente, Adolfo?
00:48:56Potresti chiamarmi papà qualche volta.
00:48:59E perché?
00:49:00Non sei mica mio padre.
00:49:01Non è una buona ragione, è mio marito comunque.
00:49:06Marito, è una parola buffa.
00:49:09Marito, marito, marito.
00:49:12Hai fatto caso che tutte le parole a pronunciarle tante volte di seguito diventano stupide?
00:49:16Marito, marito, marito, marito, marito.
00:49:19Piantala di dire sciocchezze, Paola.
00:49:21Distrai Napoleone dalle guida.
00:49:23Napoleone? Perché non lo chiami Nabo?
00:49:26E' più dolce, meno rimbombante.
00:49:29Vorrei dire reboante.
00:49:31Voglio dire meno bu.
00:49:33Hai capito benissimo.
00:49:35Adesso chiudi la bocca e stai ferma, d'accordo?
00:49:38D'accordo.
00:49:45Che cos'è questa storia di Nabo e della malattia di Paola?
00:49:49Niente, è stupidaggine.
00:49:51Nabo mi ha dato una mano a curare la ragazza in tua assenza.
00:49:54Ecco tutto.
00:49:56Da oggi in poi le sarò grata se vorrà occuparsi esclusivamente dei compiti che le sono stati assegnati.
00:50:02Come lei desidera.
00:50:05Attenzione, attenzione, Nabo.
00:50:09Chiedo scusa, me l'ho distratto.
00:50:11Me ne sono resa conto, Napoleone.
00:50:34Sottotitoli e revisione a cura di QTSS
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00:53:04Ciao.
00:53:06Perché non dormi?
00:53:08Rumori sul tetto. Qualche gatto.
00:53:11Il gatto ero io.
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00:54:41Paola.
00:55:04Sottotitoli e revisione a cura di QTSS
00:55:34Non ti preoccupare, non dirà niente.
00:55:39Non perdere tempo!
00:55:41Sbrigati!
00:55:54Dio mio!
00:55:56Dio mio!
00:55:58Piantala, stupida!
00:56:01Piantala! Piantala!
00:56:04A casa! A casa!
00:56:06Hai capito? È un ordine!
00:56:09Fuocame!
00:56:10Fila!
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00:57:05Non volevo!
00:57:08Non volevo!
00:57:10L'ho colpito per difendermi!
00:57:13Non volevo!
00:57:16Parla, figlia mia. Dimmi tutto.
00:57:18Che cosa è successo?
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01:01:53R Informazio
01:01:57Where is he?
01:02:19At the bottom of the sea.
01:02:24He was dead when I threw him.
01:02:27There are 9 chances out of 10 that you won't come back to the surface.
01:02:35What if I came back?
01:02:37Then it would be worse for you.
01:02:39You are responsible for what happened.
01:02:43You alone must pay for this death.
01:02:49What?
01:02:52You heard perfectly.
01:02:57My daughter shouldn't be involved in this.
01:03:00She is still a child.
01:03:02And you took advantage of her.
01:03:05But I didn't kill her.
01:03:07Nobody would believe you.
01:03:10Try it if you can.
01:03:15I'll kill you!
01:03:17Damn bitch, I'll kill you!
01:03:19Another murder?
01:03:30It's useless, Napoleon.
01:03:33You had your mother-in-law.
01:03:35Everybody knows that there was no good blood between you.
01:03:38There are also those who saw you fighting with him.
01:03:41If someone will have to pay for his death,
01:03:44it won't be Paula,
01:03:46but you!
01:03:47It's you!
01:03:51It's absurd.
01:03:54It's crazy.
01:03:56My daughter is not for you.
01:03:58Go away from this island.
01:04:01But don't be fooled.
01:04:03You'll be tied to a rope for the rest of your life.
01:04:06The rope that holds the body of the man you killed.
01:04:13Goodbye.
01:04:17Goodbye.
01:04:47Hey, you.
01:04:48One moment.
01:04:50You dropped something in your pocket.

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