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  • 5/12/2025
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00:04:37Good morning.
00:04:46Good morning.
00:04:47What is your destination in Canada?
00:04:49Niagara Falls.
00:04:50What's the name of the place?
00:04:52The Rainbow Cabot.
00:04:53What is your name?
00:04:54Mr. and Mrs. Ray Cutler.
00:04:55And where do you live?
00:04:56Toledo, Ohio.
00:04:58Where were you born?
00:04:59Toledo.
00:04:59And where were you born?
00:05:00Seattle, Washington.
00:05:02Are you bringing in anything besides your clothes and personal belongings?
00:05:05No.
00:05:05How long do you plan to be here?
00:05:08Three days.
00:05:09Honeymooner?
00:05:10That's right.
00:05:12That isn't glitter you have in that case under your coat, is it?
00:05:15Books.
00:05:16I'm going to catch up on my reading.
00:05:18Reading?
00:05:18Fine thing.
00:05:27I tell him we're on our honeymoon and you drag out a copy of Winston Churchill.
00:05:31You must think I'm a pretty hot article.
00:05:33You should have told him we're on a delayed honeymoon.
00:05:37Delayed or not.
00:05:39We agreed to treat it like a regular one.
00:05:41Didn't we?
00:05:42I'm gay.
00:05:44It'll be just as good as a regular honeymoon.
00:05:46It should be better.
00:05:49I've got my union card now.
00:06:01Hi.
00:06:02Hi.
00:06:03Where are the Cutlers?
00:06:04We're wired for reservations.
00:06:06Oh, yeah.
00:06:06Let's see how you have a Cutlers, huh?
00:06:12Room overlooking the Falls.
00:06:13We've got you down for cabin B.
00:06:14Look, honey, you can see it from here.
00:06:18The Falls are that way.
00:06:19He's talking about the shredded wheat plant.
00:06:20I work for him, but I'm seeing the joint for the first time, where breakfast food became
00:06:25a national institution.
00:06:27Why don't they have that down in that book of yours?
00:06:30Say, has there been a call from me?
00:06:32Oh, nope.
00:06:33I'd better phone over and tell him I'm here.
00:06:35Why don't you have him show you the cabin, honey?
00:06:38There's a phone in my office.
00:06:39Oh, thank you.
00:06:47Oh, it's a beautiful view.
00:06:49Oh, cabin B is ours.
00:06:51The folks in there haven't checked out yet.
00:06:53Then we can't move in.
00:06:55Come on.
00:06:56I told them last night.
00:06:58Hello?
00:06:58I wonder if I could talk to Mr. Kettering, please.
00:07:01Well, this is Ray Cutler from the Toledo branch.
00:07:04No, I'm not speaking from Toledo.
00:07:06I'm right here in Niagara.
00:07:07Mr. Kettering wrote me to get in touch with him when I arrive.
00:07:10Well, I'm the guy that won the cash prize for the most imaginative sales campaign.
00:07:14Are you there, Mrs. Loomis?
00:07:19Shh!
00:07:24Stop knocking, please.
00:07:25My husband's asleep.
00:07:26What is it?
00:07:27The new folks are here.
00:07:29You were supposed to be out this morning.
00:07:32Just a second.
00:07:33I'm also sorry about the cabin, but my husband hasn't been feeling too well.
00:07:55Please don't make me move him right now.
00:07:57He's finally fallen asleep.
00:07:59First could sleep his head more than a week.
00:08:00Uh, is he sick, Mrs. Loomis?
00:08:03Well, he's not quite himself.
00:08:05He just sits around and...
00:08:07Well, like last night, he suddenly got up and wandered around somewhere at three or four o'clock.
00:08:12I was frantic.
00:08:13Have you seen a doctor?
00:08:15Yes.
00:08:15Lately we've seen quite a few.
00:08:17But I don't want to bore you.
00:08:19You're here to have a good time, Mrs. Kettering?
00:08:22We had a good time, too, a couple of years ago.
00:08:25We were here on our honeymoon.
00:08:26And so I thought it would do him some good when he got out of Letterman.
00:08:29It was a mistake.
00:08:30I'm awfully sorry, Mrs. Loomis, but this cabin is promised.
00:08:33Well, that's all right.
00:08:34We'll take another cabin.
00:08:35You don't care, do you, honey?
00:08:36Looks like we got here the wrong time all around.
00:08:38No cabin, no Mr. Kettering.
00:08:40He won't be back till the first of the week.
00:08:41It doesn't make the least bit of difference.
00:08:43Honestly, it doesn't.
00:08:44Thanks for being so nice.
00:08:45I sure appreciate it.
00:08:47And, Mr. Coyle, I've got to run down to the market while George is asleep.
00:08:50I wonder, would you keep an eye out for him?
00:08:52Of course.
00:08:54Well, it's up to you folks.
00:08:59Cabin K is vacant.
00:09:00Well, does it look down at the falls?
00:09:01Kind of looks around at them, but gets plenty of sun.
00:09:04Okay.
00:09:04Let's go.
00:09:05I'll get the key.
00:09:11Thanks.
00:09:12I'll do it, honey.
00:09:14She said her husband was in Letterman.
00:09:16What's that?
00:09:17It's an army hospital.
00:09:19Mostly psycho.
00:09:19Oh.
00:09:20Oh.
00:09:20Oh.
00:09:20Oh.
00:09:35Come on aboard.
00:09:51Made of the mist's most famous boat in America.
00:09:54Next tour starts in two minutes.
00:09:56Come on aboard.
00:10:05Come on aboard.
00:10:35Come on aboard.
00:11:05Come on aboard.
00:11:35All right, two, please.
00:11:48Size 10 and a half.
00:11:55None.
00:11:58What size, sir?
00:11:59Eight.
00:12:12You ready, honey?
00:12:13All right.
00:12:54Farther back, honey.
00:13:24What's the matter? I was coming down.
00:13:35Didn't that Mrs. Loomis say she was going shopping?
00:13:37Yeah. Why?
00:13:38Well, she sure got herself an armful of groceries.
00:13:41Come on.
00:13:54Rose, did you get the cigarettes?
00:14:21Didn't I get them to you?
00:14:23No, you didn't.
00:14:25They're in my cold pocket then.
00:14:26They're in my cold pocket.
00:14:29They're in my cold pocket.
00:14:30They're in my cold pocket.
00:14:32I'm coming down.
00:14:34They're in my cold pocket.
00:14:36Thank you, too, Georgie.
00:15:06Mmm, that feels good.
00:15:18Draw my back.
00:15:22A bunch of kids must have checked in.
00:15:24Sounds good to hear a laugh for a change.
00:15:29Mmm.
00:15:36Hey, I thought you forgot how to dance.
00:15:54Oh, there's still some shredded wheat in my joints.
00:15:56I'm thirsty.
00:15:57You are?
00:15:58Come on.
00:15:59Hi, Mr. Qua.
00:16:06Having supper?
00:16:07No.
00:16:08Great steak.
00:16:09Act one.
00:16:09Best business anybody ever had?
00:16:11No, thanks.
00:16:11Just a coat.
00:16:23Hey, get out the fire hose.
00:16:29Why don't you ever get a dress like that?
00:16:42Listen, for a dress like that, you've got to start laying plans when you're about 13.
00:16:57Would you mind playing this?
00:16:59Yeah, sure thing, lady.
00:17:02Yes.
00:17:05Kiss me.
00:17:10Won't you kiss me?
00:17:15Oh, kiss.
00:17:19Kiss me, say you miss.
00:17:24What about it, lady?
00:17:25Kiss me, kiss me, kiss me, love with heavenly affections.
00:17:37Oh, blue heart.
00:17:41Playing coke or did you just buy them?
00:17:43No, just playing.
00:17:44Would you like one?
00:17:46That's one.
00:17:51You kind of like that song, don't you, Mrs. Loomis?
00:17:54There isn't any other song.
00:17:55With all your heart.
00:17:56This is a moment of thrill.
00:18:07Thrill me, thrill me, thrill me.
00:18:10Take me, take me in your eyes.
00:18:14Take me, take me in your eyes.
00:18:18And make my life perfection.
00:18:24Perfection.
00:18:28Perfection.
00:18:30Don't forsake.
00:18:30Don't forsake me.
00:18:31Please don't forsake me.
00:18:32Don't forsake me.
00:18:33Don't forsake me.
00:18:35Don't forsake me.
00:18:37Don't forsake me.
00:18:39Kiss me, kiss me, hold me tight.
00:18:44Love me, love me.
00:18:48Me too, no.
00:19:14Gee, I'm sorry.
00:19:16He was okay before.
00:19:17I think he cut his hand.
00:19:19If you want, we have some McCullochrome.
00:19:21I wouldn't dare go in there right now.
00:19:23Well, if you don't mind, I'll do it.
00:19:25Well, thanks.
00:19:29Your husband doesn't seem to like music.
00:19:33Depends.
00:19:34You'll get right down and dig if you give him a rocking chair
00:19:36and a corny old tune like in the Gloaming.
00:19:38What is it?
00:19:50I brought you some McCullochrome for your hand.
00:19:59I'm Polly Cutler.
00:20:01I suppose she sent you to find out if I cut it off.
00:20:04Well, tell her I didn't.
00:20:06Do you want me to fix it or not?
00:20:12I guess it was silly what I did.
00:20:17But that song, she didn't tell you about that, I bet.
00:20:24Of course not.
00:20:26She didn't tell you where she first heard it or with who.
00:20:28Well, she didn't tell me either.
00:20:31Hold still, please.
00:20:32For raiding around, showing herself off in that dress
00:20:36cut down so low in front you can see her kneecaps.
00:20:40It's a stunning dress.
00:20:42Would you wear it?
00:20:44I'm not the kneecap type.
00:20:46She's a pretty girl.
00:20:47Why hide it?
00:20:48Don't worry about that.
00:20:51She'd like to wear that dress where everybody could see her,
00:20:53right in the middle of the Yankee Stadium.
00:20:55She's a tramp.
00:20:59I'll tell you now so you won't have to ask.
00:21:02You love her very much, don't you?
00:21:06What do you know about it?
00:21:10You're stuck on her.
00:21:13Otherwise, you'd walk off and forget her.
00:21:18Aye.
00:21:20I guess so.
00:21:22That's some confession America meant.
00:21:25Here.
00:21:27Let me fasten the animals.
00:21:32What's that?
00:21:368.30.
00:21:38Look out the window.
00:21:39Let's go out with the others.
00:22:03I can't see anybody now.
00:22:05I feel goofy after what happened.
00:22:13Let me tell you something.
00:22:16You're young.
00:22:17You're in love.
00:22:19Well, I'll give you a warning.
00:22:20Don't let it get out of hand like those falls out there.
00:22:27Up above it.
00:22:29Did you ever see the river up above the falls?
00:22:33It's calm and easy.
00:22:35You throw in a log, it just floats around.
00:22:39Let it move a little further down and it gets going faster.
00:22:41It hits some rocks and in a minute it's in the lower rapids and nothing in the world, including God himself, I suppose, can keep it from going over the edge.
00:22:51It just goes.
00:22:53Don't worry.
00:22:55I'm one of those logs that just hang around in the calm.
00:23:00Hi.
00:23:00Hey, Polly, come on.
00:23:02You're missing the big show.
00:23:04Got myself an inside table.
00:23:06Oh.
00:23:09Look at those.
00:23:11A couple of colors I never heard of before.
00:23:13This is my husband, Mr. Loomis.
00:23:15Hello.
00:23:16You got yourself quite a girl.
00:23:18Well, she'll do for a while.
00:23:21I...
00:23:23We better be going.
00:23:25Come on.
00:23:25Come on.
00:23:30What's that?
00:23:34It was a 1907 Maxwell.
00:23:37Well, you make different models from little kits.
00:23:40Look kind of nice on a mantle.
00:23:42If you have a mantle.
00:23:43Oh, it's cute.
00:23:44It'd be all right if I don't foul it up.
00:23:46I generally foul things up.
00:23:48Don't be silly.
00:23:49Well, I have lately anyway.
00:23:51Everything I've touched ever since Duluth.
00:23:53I met her in a big beer hall.
00:23:56She was the most popular waitress they had.
00:23:57I guess it was the way she put the beer on the table.
00:24:04Up in the land, I ran a pretty good sheep ranch.
00:24:06Then all of a sudden, the sheep went dumb.
00:24:08Or I did.
00:24:10That winter kept snowing and the sheep kept dying.
00:24:13Everybody gets a run of bad luck.
00:24:15That won't cover it.
00:24:16I rented it to another ranch.
00:24:18He had worse winters and made out all right.
00:24:21It's just that she was bored with the ranch.
00:24:23We spent half our time in towns, bars, nightclubs.
00:24:28After that, I followed up a couple more jobs.
00:24:32Then career.
00:24:33I went just to show I was young enough.
00:24:35They made me a company clerk and sent me home with battle fatigue.
00:24:37So don't tell me I can't foul up a 19th century.
00:24:39That's right.
00:24:42Didn't do any good to fix that hand.
00:24:45You like to suffer.
00:24:47Maybe.
00:24:47My wife told you I was neurotic, didn't she?
00:24:52She just said you weren't feeling very well.
00:24:54Well, she'd like everybody to believe I'm crazy.
00:24:56Don't be silly.
00:24:56Why would she want people to think you're crazy?
00:24:57I don't know, but she's got a reason.
00:24:59You can bet on that.
00:25:00She's got a reason.
00:25:03Got you, peaceful therapy.
00:25:04Hello.
00:25:30Is this the bus terminal?
00:25:31Well, I'd like to know what time the bus is leave tomorrow for Ottawa.
00:25:34No, no, no.
00:25:35You got the wrong number.
00:25:37This is McGran's boarding house.
00:25:41Why don't you look up the right number before you dial?
00:25:44I'm sorry.
00:25:47Now, Mrs. McGran, that wasn't for me?
00:25:50No, someone asked him for that bus terminal again.
00:25:52It's the fourth time in two days.
00:25:54Must have changed the number or something.
00:25:56Hello.
00:26:11You called.
00:26:13Listen, it's got to be tomorrow.
00:26:15Do you hear me?
00:26:16Tomorrow.
00:26:17He just made a big row in front of everyone.
00:26:19After this, nothing's going to surprise anyone.
00:26:21It's made to order.
00:26:22Can you get him there?
00:26:25There's always a way to handle George.
00:26:28Be at the place as soon as it opens.
00:26:30Okay, kid.
00:26:32It's a date.
00:26:34Good luck, darling.
00:26:35Good luck.
00:27:03But we go to Chicago, you know what we're going to do?
00:27:13No.
00:27:13We're going right straight to Marshall Field.
00:27:15I'm going to buy you the slinkiest, meanest, laciest evening gown they've got.
00:27:21Price, no object.
00:27:23Yeah.
00:27:23When I put it on, we're all set to step.
00:27:26Who put one of his jealous fits and locked the door?
00:27:28Hold on, hold on, hold on, hold on, hold on, hold on, hold on, hold on, hold on, hold on.
00:27:29You wait and see.
00:27:30I'll take you to any dance place you want, and we'll have fun, the both of us.
00:27:35You know what I'm going to do?
00:27:39I'm going to take some lessons.
00:27:40They tell me that Arthur Murray and Six R's can have you doing the rumba, the samba.
00:27:46Georgie, this is quite a change.
00:27:47What brought this on?
00:27:48You know what?
00:27:56Getting late.
00:27:57Hand me my slip.
00:27:58No, I hate to move.
00:27:59When we ever fight and make up that way, I never want to leave you aside.
00:28:03Give me some more shoes, Georgie.
00:28:17You know, I'm sorry we're leaving today.
00:28:18Just as well.
00:28:29Wish we'd brought the car.
00:28:31Driving hope we could take our time on the road and stop any place we please.
00:28:34Well, what are you getting all dressed up for?
00:28:45I'm going to pick up the bus tickets.
00:28:46Pick up the bus tickets?
00:28:48We'll buy them when we get to the terminal.
00:28:50I'm not going to stand all the way to Chicago.
00:28:51I want reservations.
00:28:52Well, there are no reservations.
00:28:54We just go early and get aboard early.
00:28:56You're getting all dressed up to go out and buy tickets.
00:29:02Why?
00:29:03Where are you going?
00:29:04Here we go again.
00:29:06All right.
00:29:07I'm not going to the bus station.
00:29:08Does that make you feel any better?
00:29:09You smell like a dime store.
00:29:10I know what that means.
00:29:11Sure.
00:29:12I'm meeting somebody.
00:29:13Just anybody handy.
00:29:15As long as he's a man.
00:29:17How about the ticket seller himself?
00:29:18I could grab him on my way out.
00:29:20Or one of the kids with a phonograph.
00:29:22Anybody suits me.
00:29:23Take your pick.
00:29:24Okay, okay.
00:29:25So I don't know this guy.
00:29:27This guy you sing to.
00:29:28Hum to.
00:29:34Build you, Maxwell.
00:29:35I'll be back.
00:29:54I'll be back.
00:30:15I'll be back.
00:32:47How do you like that?
00:32:55You know what they say now.
00:32:56Mr. Kettering probably won't be back till Tuesday.
00:32:59If I'd only known that before...
00:33:01Hold it, kid, the sun's just right.
00:33:09Now, swing around and get a profile.
00:33:12Come on, Polly, profile.
00:33:14Come on.
00:33:15That's it.
00:33:19Now, inhale.
00:33:21You've got nothing to hide.
00:33:24Inhale.
00:33:25That's right.
00:33:26That's right.
00:33:30What?
00:33:34Oh.
00:33:36Oh, just a minute, please.
00:33:38Would you mind your shadow?
00:33:40I'm sorry, but have you seen my husband?
00:33:42No, I haven't.
00:33:43Isn't he in the cabin?
00:33:45Well, that's just it.
00:33:46You see, I left for the bus station, and when I got back, Mr. Kaur hasn't seen him either.
00:33:51Oh, he probably went across the street to get a magazine or something.
00:33:55He wouldn't do that.
00:33:56He knows we're supposed to be at the bus station at 11 o'clock.
00:33:58Well, you've still got 40 minutes.
00:34:00I shouldn't have left him alone, especially after last night.
00:34:04He was so upset and everything.
00:34:07Well, you saw it.
00:34:08I'm sorry.
00:34:13There's nothing to worry about.
00:34:15He's over on the other side getting one for the road.
00:34:18I don't know.
00:34:20I think I'd be worried.
00:34:22All right.
00:34:23Now get back into that same post again.
00:34:30I don't know.
00:35:00Oh, Sam, bring in the missing persons file.
00:35:08All right, sir.
00:35:17Anything important?
00:35:19Might be.
00:35:19What have we got this recent?
00:35:22Mrs. Verna McGuire.
00:35:24She says her 18-year-old daughter has been missing since yesterday noon.
00:35:27She's always missing.
00:35:28Some fraternity house down at Rensselaer.
00:35:29What else?
00:35:31A man called George Loomis.
00:35:34A transient.
00:35:35You've got to call at four.
00:35:36People named Cutter have phoned in for his wife.
00:35:44Call back.
00:35:45Tell him to meet me at Table Rock House.
00:35:46Souvenir shop.
00:35:47Very well, sir.
00:35:48Good afternoon.
00:36:05Good afternoon.
00:36:07Good afternoon.
00:36:07Which of you is Mrs. Loomis?
00:36:18I am.
00:36:19Oh, my name is Starkey.
00:36:20I work at the police station.
00:36:21Where is he?
00:36:22You know something about my husband?
00:36:24You're the Cutlers?
00:36:25Yes.
00:36:25You've heard something about my husband.
00:36:27Just that he is your husband.
00:36:29Tell me, Mrs. Loomis, is there any chance he could have come here today?
00:36:32Here?
00:36:33Yes, here.
00:36:34No, not possibly.
00:36:35He hates the falls.
00:36:37What are we doing here?
00:36:48Wasting your time, I hope.
00:36:53Hello, Mr. Starkey.
00:36:54Oh.
00:36:55Did you check again?
00:36:56Yes, sir, I did.
00:36:57And there's still one missing.
00:36:58Go over here.
00:37:03Let me see.
00:37:04Remember anything you told about the man?
00:37:09No, sir, I don't.
00:37:15Ever seen these before?
00:37:19There is.
00:37:22But why is everyone standing around?
00:37:24Do something.
00:37:25Look for him.
00:37:26Find him.
00:37:28Listen, Mrs. Loomis.
00:37:29You better go home.
00:37:31Have you got anyone to take care of you?
00:37:32Any friends or close relatives?
00:37:34No.
00:37:35Well, that is no one except these people.
00:37:37No one.
00:37:38No one?
00:37:38What about them alone?
00:37:40Will you be able to take her home?
00:37:41Sure.
00:37:43Come on.
00:37:43Come on.
00:37:43What about them?
00:37:53What about them?
00:37:55you've been very kind but thanks I'd rather walk
00:38:25you've been very kind but you've been very kind
00:38:55hold on wait a minute I think we've got him yes on the far side it's hard to say I imagine
00:39:22he's pretty heat up okay we'll run him down to the morgue
00:39:26why didn't those friends yours bring you the cutters I'm all right where is he now listen
00:39:51this isn't going to be pleasant I don't expect it to be please wait
00:39:55so
00:40:00so
00:40:37hold on
00:40:55I'm sorry I put in everything I thought she'd need
00:41:07I want to leave here
00:41:16I want to get away
00:41:26what's all this I want to talk to her come around in the evening she'll be out till then
00:41:39please
00:41:43business pretty good yeah pretty good booked up for about a month ahead how many accommodate
00:41:54here oh about 50 how's the food oh it's good well here she is anyway hi Mrs. Cutler well
00:42:01well well hello there hey since to see you belong to shredded wheat family I'm Jess Henry oh watch
00:42:08you to meet the big boss how do you do how do you do oh sure sorry we weren't here when you first
00:42:12arrived we'd have red carpet all over the bridge oh here's a little spinach for you by way of apology
00:42:18hey hey where's that prize-winning husband of yours what a boy turkey stuffed with shredded
00:42:25wheat had it right the next day and I loved it loved it loved it better move out of range dear
00:42:30Jess likes to make his voice yeah
00:42:32well this is very sweet of you they're just lovely thank you
00:42:37isn't my husband back yet he's been in and out all morning
00:42:40tell you what we'll do we'll take you along in our car
00:42:43leave word for that no good husband to join us and before we're through
00:42:46you'll see the cave of the winds gold island the old fort
00:42:50and we're going to get in some of the best fishing you ever did
00:42:53just wait till you see that little boat of ours
00:42:55look Mrs. Cutler would rather wait for her husband
00:42:58and speaking of Niagara you and I could both do with a shower bath
00:43:01I've been driving since 6 this morning
00:43:03why don't we all do that in the minute Ray gets back we'll call you
00:43:06you bet well toodle-oo for now
00:43:08pip pip
00:43:09ha ha
00:43:10come on mama
00:43:10thank you
00:43:11oh not that way Mrs. Cutler I put your things in cabin B
00:43:29and I told your husband I'm not going to charge you one cent more
00:43:31you waited long enough
00:43:33thank you
00:43:35the key's in the door
00:43:37the key's in the door
00:44:07the key's in the door
00:44:37the key's in the door
00:45:07the key's in the door
00:45:37Mrs. Cutler what is it
00:45:41Mrs. Cutler
00:45:43Mrs. Cutler
00:45:46what's the matter
00:45:53I don't know I heard a yell a minute ago
00:45:55Polly
00:45:56are you in there Polly
00:45:58Polly
00:46:00what's the matter honey
00:46:10what's the screaming about
00:46:12now get organized baby what's wrong
00:46:14I was half asleep
00:46:16yes
00:46:17oh now look darling it was probably just a nightmare
00:46:20now calm yourself down
00:46:21now calm yourself down
00:46:22I'll get you a glass of water
00:46:24it's alright she's okay
00:46:29Ray don't
00:46:33don't go in there Ray
00:46:35oh come on honey wake up
00:46:36he's in there
00:46:37who's alive he's alive he was standing right here looking at me
00:46:40Polly you're still half under
00:46:41who was looking at you
00:46:43Mr. Loomis
00:46:44Mr. Loomis
00:46:45no Polly I gotta prove it to you
00:46:47well where is he
00:46:51under the icebox
00:46:52under the sink
00:46:53oh Polly
00:46:54Mr. Loomis
00:46:56if I hear that name once more
00:46:58I'll start yelling myself
00:46:59no wonder it got you
00:47:00we wait three years for a honeymoon
00:47:02and spend it with a couple of spooks
00:47:04here
00:47:06drink this
00:47:07Mr. Loomis
00:47:10from the time we get here
00:47:11we're patting his hand
00:47:12looking for him
00:47:13burying him
00:47:14and her
00:47:14running around sobbing
00:47:16yelling
00:47:16asking if we'll pick out a tombstone
00:47:17why it's enough to drive anybody nuts
00:47:19well
00:47:20we're gonna kiss off this place right now
00:47:22give me a hand with this stuff
00:47:24will you honey
00:47:24sport clothes
00:47:27all we needed here
00:47:28was a couple of shrouds
00:47:30sorry Winnie
00:47:34what's this thing
00:47:37oh
00:47:38the flowers
00:47:39the Kettering's brought them
00:47:41the Kettering's
00:47:42yes
00:47:42they stopped by
00:47:43here
00:47:44yes
00:47:44we're supposed to see the sights
00:47:46and have dinner with them
00:47:47well what do you know
00:47:48J.C. Kettering himself
00:47:49yes
00:47:50well it's out
00:47:52the way you feel
00:47:53the whole idea is silly
00:47:54old J.C.
00:47:57king of the V.P.
00:47:59he seems to think
00:48:00you're pretty hot stuff too
00:48:01he does
00:48:02well
00:48:04that doesn't alter this
00:48:05one way or the other
00:48:06still we'd have to eat somewhere
00:48:09just a bite maybe
00:48:10I'll tell you what
00:48:11you lie down
00:48:12and I'll get a shave
00:48:13and we'll decide later
00:48:14okay
00:48:15now lie down
00:48:16well
00:48:37yeah
00:48:39Hello. Police department. Will you put me through to Mr. Starkey, please?
00:48:58Well, do you know I can reach him? I'm Mrs. Cutler.
00:49:01No, I can't be reached either. I'm leaving now.
00:49:05We're going out with some people to see the falls.
00:49:06But would you tell Mr. Starkey when he gets back to stay there?
00:49:10I've got to talk to him. It's about Mr. Loomis.
00:49:14Here.
00:49:36All right. Now, everybody, listen to me. That's it. The Cape of the Wind.
00:49:55A great risk to life. And, Lynn, these bridges were built in 1885.
00:50:07A world-famous attraction ever since.
00:50:10Now, everyone, button up your cones real good and follow me. Let's go.
00:50:14It wasn't 1885. It was 1881.
00:50:16Don't pay any attention to him. I'll show you.
00:50:18Come on, Ray Boy. Follow me.
00:50:19Let's get to the mountain climbing. You know what we're going to do?
00:50:24We're not going to have a smoke.
00:50:26After all, it's just a lot of water.
00:50:28Yeah. I think I'll stay here. You go on ahead.
00:50:30You don't mind. I will.
00:51:13Come on, Ray.
00:51:15Come on, Ray. Come on, Ray.
00:51:17Come on, Ray.
00:53:32No, not Rose.
00:53:33She'll go to some new town and drift up to the right barstool.
00:53:38What about it?
00:53:39Please.
00:53:41I'd do the same for you if it meant as much.
00:53:43Let me stay there.
00:53:47Take your hands off me.
00:53:50Holly!
00:53:51Holly!
00:53:52Come on!
00:53:54Come on!
00:53:55We've got a lot more to see!
00:53:56Take it!
00:53:57Walk around!
00:54:04Go!
00:54:05Over!
00:54:15Fire!
00:54:16Come on!
00:54:16Come on!
00:56:17Why not 8 or 9 o'clock?
00:56:18Nonsense. Ray here wants all the time out on that river he can get. He's a real fisherman, eh, boy?
00:56:23Well, I sure like it a lot.
00:56:25Gee, I hope we're not putting you out. You've been so nice to us already.
00:56:28Putting us out? Listen, I've been wanting to meet Ray Boy here for quite a while.
00:56:32Yeah, sure.
00:56:33Okay, 5 o'clock in the morning, right here.
00:56:35Olive oil is afraid to say.
00:56:38Thanks a lot.
00:56:40Bye.
00:56:41Bye.
00:56:41Bye.
00:56:41You take this and I'll check on the mail.
00:56:55Hello.
00:57:02Hello.
00:57:03Hello.
00:57:03Hello. I've been using your view.
00:57:18Is anything wrong?
00:57:20You just stole my question.
00:57:22At 2.45, the sergeant took a message.
00:57:24You wanted to see me about the Loomis case.
00:57:26It was urgent.
00:57:27Well, the sergeant's exaggerating.
00:57:30It wasn't that important.
00:57:31Just a silly question.
00:57:32I hope maybe that you'd heard from Mrs. Loomis.
00:57:36How could I?
00:57:37She'll be unconscious for the rest of the day.
00:57:39Mrs. Cutler,
00:57:41the doctor says only panic or fear could have broken through that drug.
00:57:45But what could have scared her so much that she came to and skipped?
00:57:48Skipped?
00:57:48Yes, skipped.
00:57:49Gone.
00:57:50Disappeared from the hospital.
00:57:52No mail, though.
00:57:55What is this?
00:57:56What do you want?
00:57:57Wait a minute.
00:57:57Look, if it's another funeral, have the corpse leave his name at the desk.
00:57:59We're bisque.
00:58:00Ray Loomis is trying to kill his wife.
00:58:02He's alive.
00:58:02Oh, honestly, Polly, you ought to have your head examined.
00:58:05She had a nightmare.
00:58:06She thinks this Loomis is alive, that he was here.
00:58:09Now, I thought we had this out.
00:58:10Now, you bring it up again.
00:58:11It wasn't a nightmare.
00:58:12He is alive, and his wife knows it, too.
00:58:14Oh, please, Polly.
00:58:15Mr. Starkey, I'm sick of this whole thing.
00:58:17Look what it's done to her.
00:58:19Now, look, if you've got a problem, take it someplace else.
00:58:21We're washed up.
00:58:22We're through with it.
00:58:22Sure.
00:58:23Good night.
00:58:23Good night.
00:58:24Thank you, sir.
00:58:24I bought your tickets for Chicago.
00:58:33Can I have a refunding one?
00:58:36Sure.
00:58:37Sure.
00:58:37That's $12.50.
00:58:42Thanks.
00:58:42Well, what is it?
00:59:12Are we leaving, or are they going to keep us here all day?
00:59:14They say there's going to be a little delay.
00:59:16The police are checking up on everybody's identification.
00:59:18Checking up?
00:59:18Why?
00:59:19The bus is supposed to leave at 5.55.
00:59:21Well, at this rate, we'll never get home.
00:59:23It won't take long.
00:59:24They're looking for some dame.
00:59:25The bus will make up for lost time once we get started.
00:59:28Let's visit Niagara Falls.
00:59:31I'm sorry I ever mentioned it.
00:59:32Hop in.
00:59:43Say, what I want to know is, can you get me to the bus station on the American side?
00:59:46If you're not in too much of a hurry, they've got some kind of a roadblock up there at the
00:59:50bridge.
00:59:50Smugglers or something.
00:59:51Well, that's no good, me.
00:59:53What about the sidewalk where you walk?
00:59:54Can I get through that way?
00:59:56Could be.
00:59:57Take that walk over there, just to the right side of the gate.
01:00:00Thanks.
01:00:26Now, the tower is under control of both countries.
01:00:39Just the same, a lot of Americans claim them bells don't play the Star Spangled Banner as
01:00:42well as they do God Save the Queen.
01:00:45Now, right over there on June 30th, 1859, Blondine, a French tightrope walker, made his
01:00:51famous walk right over the foal.
01:00:52If you follow me, I'll show you a little better where it happened.
01:00:54Hello, hello, please.
01:01:18Please.
01:02:24Too bad.
01:02:48They can't play it for you now, Rose.
01:03:07George.
01:03:37George.
01:04:07George.
01:04:37George.
01:05:07George.
01:05:16George.
01:05:34George.
01:05:36I loved you, Rose. You know that.
01:06:06I loved you, Rose.
01:06:36I loved you, Rose.
01:07:06I loved you, Rose.
01:07:36I loved you, Rose.
01:08:06I loved you, Rose.
01:08:36Just to keep things moving, you run up and get five or six bottles of beer.
01:08:38All right, now, everybody rush around. Do your job. Jump to it.
01:08:42Just try to get things organized.
01:08:44Home with the kids, he tries to organize pillow fights.
01:08:47Come on, honey, cheer up.
01:08:49Come on, come on, come on.
01:08:53Kids, we haven't got all day. Those fish are just dying to get in our bait.
01:08:56This little Canadian pound of Chippewa. Great Revolutionary War battles. The British Whipers.
01:09:05All right, now, though. Very nice people.
01:09:09Oh, Polly, get the bear in there, huh? Come on, boss. You've got to get the liver down here.
01:09:13You're the one who phoned?
01:09:21Yeah. Then I heard about it on the news later.
01:09:23There was a fellow here who seemed an awful lot like that Loomis they're looking for.
01:09:27Had a scar and everything.
01:09:28How long did it go?
01:09:29Well, maybe 10 o'clock.
01:09:30He come and asked, could he rent a boat?
01:09:32Well, I didn't have nothing except the 12-footer wasn't due back till 3 o'clock.
01:09:35He's trying to reach the American side.
01:09:37Yeah. Didn't happen to notice which way he went.
01:09:39No, I was working on some tackle.
01:09:40But he seemed awful anxious to get himself a boat.
01:09:43Thanks.
01:09:44If he shows up again, phone us.
01:09:46All right.
01:10:30Hey!
01:10:52What's wrong over there?
01:10:54Hey!
01:10:55Hey!
01:11:00Hey!
01:11:01Hey!
01:11:02Hey!
01:11:03Hey!
01:11:04Hey!
01:11:05Hey!
01:11:06Hey!
01:11:07Hey!
01:11:08Hey!
01:11:09Hey!
01:11:10Hey!
01:11:11Hey!
01:11:12Hey!
01:11:13Hey!
01:11:14Hey!
01:11:15Hey!
01:11:16Hey!
01:11:17Hey!
01:11:18Hey!
01:11:19Hey!
01:11:20Hey!
01:11:21Hey!
01:11:22Hey!
01:11:23Hey!
01:11:24Hey!
01:11:25Hey!
01:11:26Hey!
01:11:27Hey!
01:11:28Hey!
01:12:29Get off this boat.
01:12:44Get off the boat.
01:12:45You're insane.
01:12:48You must be in danger.
01:12:49Get off the boat.
01:13:19Hello?
01:13:20Give me the police.
01:13:34I don't know whose boat it is.
01:13:44Yeah, it just shoved off towards the river.
01:13:46There's some girl on the boat.
01:13:47Yeah.
01:13:48Yeah.
01:13:48Yeah.
01:13:49Yeah.
01:13:50Yeah.
01:13:50Yeah.
01:14:21Sorry, you wouldn't get off.
01:14:42Are you all right?
01:14:43Of course, I'm all right.
01:14:47You turn this boat around.
01:14:49Go back to the police and give yourself up.
01:14:51It's a little late for that now.
01:14:53Talk to the police.
01:14:54Tell them it wasn't your fault.
01:14:56You should have done it two days ago.
01:14:58Are you afraid to stand up and defend yourself?
01:15:00I can't.
01:15:03Not anymore.
01:15:04I killed roads.
01:15:12Any other boat in the inlet?
01:15:30No, there's nothing fast enough.
01:15:33Sorry.
01:15:37United States River Patrol.
01:15:39Morris, on United States River Patrol, where are you?
01:15:42Come in.
01:15:43River Patrol.
01:15:45Morris speaking.
01:15:46We're a beam of Navy Island.
01:15:48Try the interceptor power launch standing out of Chippewa Slip.
01:15:51She's a 20-footer, probably on her way to Buffalo.
01:15:53George Loomis is aboard.
01:15:54Yes, sir.
01:15:56Yes, sir.
01:16:26He isn't crazy enough to head downstream, is he?
01:16:56Look, where is he trying to go?
01:17:19I guess he's making a run for Gill Creek.
01:17:23Mr. Starkey, Mr. Starkey, this is Morris on the launch speed.
01:17:26Something wrong up ahead.
01:17:28Starkey here?
01:17:29Lost headway.
01:17:31Engine trouble or something.
01:17:32They're in the drift.
01:17:33Must be some gas on board.
01:17:45I don't think so.
01:17:46They're being pulled right into the main current, sir.
01:18:05That's a 12-knot drift.
01:18:06What does that mean?
01:18:07It means they're in real trouble.
01:18:28They can't.
01:18:29You'll be torn to pieces.
01:18:31Can't you tell them to hurry up on that police boat?
01:18:33Can't they get there?
01:18:35Morris, on United States River Patrol.
01:18:37Can you reach them?
01:18:39No, sir.
01:18:40We're a thousand yards past the limit now.
01:18:42We're turning back.
01:18:43Scuttle it.
01:18:56Scuttle it.
01:18:57Scuttle it.
01:19:13When you take on enough water, it's your ground.
01:19:24Scuttle it.
01:19:38Scuttle it.
01:19:39Scuttle it.
01:19:40Scuttle it.
01:24:16Car's waiting.
01:24:17Good.
01:24:22Goodbye, Mr. Starkey.
01:24:24And thank you.
01:24:26I know you've seen enough of the falls for one trip, but don't cross us off your list.
01:24:30Goodbye.
01:24:31Goodbye and bye thanks.
01:24:33I bet that was the first time anyone ever used scuttling as a prayer.
01:24:37And had it answered.
01:24:38I know you'll see the last day.
01:24:44I know.
01:24:47May like this.
01:24:50...
01:24:51I know you've seen.
01:24:55I know.
01:24:56I know you've had the first time.
01:24:57I know you've seen a person.
01:24:58I know you've seen this.
01:24:59You know, I know.
01:24:59I know, but I know you're afraid.
01:25:01I know.
01:25:02I know you've seen it.