00:30I mean, this is a science-based project and I think it's really ironic in a way that
00:54these people barring her, they made everything they could in order to prevent her from coming
00:59back from the dead. And I and the team of Pien, we have made everything we can in order
01:07to make her come back to life. Probably she was not that well looked upon in a time, probably
01:16when they said it was a vampire, I got of course both a bit scared in a way and also
01:23I got the idea or the mental set that I would try to make her as a human and not as this
01:36monster that she's buried as.
01:53I think we'll hold it. Maybe here. I'll just pull it over a bit.
02:15How do you weigh it?
02:17If you could hold it by the back.
02:19By the back.
02:21Yes.
02:31She was found in a grave in 2022 with a sickle placed over her throat and at her left big toe
02:44there was a padlock placed and this is interpreted as signs of the people that buried
02:54her thought she was a vampire.
02:56Fantastic condition. This is 17th century.
03:01She was not more than like 18, 19, maybe 20 years old but she had one condition that caused her to
03:09faint and causing a severe headache and perhaps also mental issues.
03:39So in that aspect it's a bit of an ironic project but it also, although it is science, it is catching.
03:54I mean it's emotional to watch a face coming back from the dead so to speak and especially when you
04:01know the story about this young girl.
04:05Anyway, it's a very nice quality of the preservation of the skull.
04:10She catches your heart. It is a strong story and I'm very pleased with presenting most likely her true face.
04:35She was found in a grave in 2022 with a sickle placed over her throat and at her left big toe there was a padlock
04:45placed and perhaps also mental issues.
04:47She was found in a grave in 2022 with a sickle placed over her throat and at her left big toe there was a
04:54padlock placed and perhaps also mental issues.
04:58It's a bit more complicated than otherwise because we do a scan of the skull and then we let a 3D printer
05:08print an exact copy of the skull on which I can work.
05:18I'm not only relying on the tissue depth markers which are placed onto the skull telling me about the
05:25depth on different landmarks in the face, I also reconstruct muscle by muscle to get it as accurate as I can.
05:34A rather sick girl but she's also from a wealthy family.
05:38I want the viewer to almost get a sense of that it's a living actual person that I have reconstructed
05:48that we get a sort of emotional contact with this.
05:55For more information visit www.ISGlobal.org
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