00:00Colleen, are you ready for your first scene?
00:02Direk, Colleen couldn't sleep. She's thinking about the scene.
00:05Our first take, Direk, I think I almost fainted.
00:09What did you see?
00:10Earlier, in the scene, I think I saw something on the monitor.
00:16LJ, do you believe a place can be haunted?
00:20Wait for me. I'll get you back.
00:22And cut!
00:23Alright, that's a wrap everyone. Thank you for today.
00:26Thank you for your support earlier.
00:29I needed that.
00:30You're welcome, Direk.
00:32So, come back to Santa Castella.
00:36I want you to oversee the renovation personally.
00:39This project is very important to me.
00:42Can I count on you?
00:44I won't let you down, Dad.
00:47That's good.
00:50Because only one person can do this for me.
00:59So…
01:02So…
01:05What?
01:28Bro!
01:30You're back!
01:32Of course. Santa Castella needs me.
01:35Hey, LJ. It's always great to see you.
01:38Hello.
01:42Direk, Bunny and I will just talk for tomorrow.
01:46Okay.
01:47I'll go ahead.
01:48Okay, Miss Bunny.
01:49Take care.
01:50Bye.
01:58Bye.
02:09It's a good thing I have the keys to the kingdom.
02:13This is how you shoot a movie, right?
02:15It's like an assembly line.
02:17Yup. It takes a village.
02:20But I have to hand it to you, Ben.
02:22It's interesting to see how you make your movie magic.
02:24That's how you make it scary, right?
02:26A few props, a few sounds.
02:29And…
02:30Boo!
02:32Bro!
02:33You're still a kid, Ben.
02:34Come on, man. How did you become a horror director?
02:42Do you remember when we were kids, Ben?
02:44This house was our playground.
02:48And we didn't know how important it was inside.
02:54Tristan!
02:57Ben, hurry up!
03:00Tristan, wait for me!
03:02Tristan!
03:07Tristan!
03:12Tristan, where are you?
03:18Tristan?
03:21Tristan!
03:23Tristan, are you there?
03:25Tristan, let me out of here!
03:27Tristan, what's wrong?
03:29Tristan, what's wrong? Let me out of here!
03:31I don't want to!
03:32Tristan!
03:35Tristan!
03:36I don't want to!
03:37Tristan, I can't breathe!
03:38Give it to me!
03:39Tristan!
03:47Ben?
03:52Why did you ask me to come here?
03:54So you can be brave.
03:56So you won't be bullied by other kids.
03:58We'll put them there when they come back to this house.
04:02I thought you don't like to be bullied.
04:04Why are you doing this?
04:05I don't like to be bullied.
04:07But you need to know how to fight, Ben.
04:10The next time someone fights you,
04:11especially the trespassers here,
04:13you know what to do.
04:15You push them there.
04:16Then, run.
04:19Yet here we are.
04:20Look at us.
04:22You're making a movie about what you're afraid of.
04:26And as for me,
04:28well, I'm taking over everything for that.
04:31In fact, he asked me to refurbish this house.
04:34He wants to turn this house into a museum
04:36to showcase Santa Costella's rich history.
04:39Wow! That's great, bro!
04:42Hey, I hope we're not interrupting.
04:45You? Never, Ben. Never.
04:49In fact, take anything you need.
04:50Maybe you'll find someone who can help you with your movie.
04:53Meanwhile, I have things to do.
04:55I'll do what I need to do.
04:56Alright?
04:57Thanks, bro.
05:05Ma'am, you know what?
05:06This fabric should be made of velvet.
05:08So it'll look more feminine, thicker.
05:11Ma'am, ma'am, velvet.
05:13That's expensive.
05:14Miss Patty doesn't want that.
05:16Yes, that's right.
05:17Let's find a way.
05:18Okay, okay.
05:19Ma'am, here are the things.
05:20Inventory it,
05:21and tomorrow,
05:22we'll prepare what we need for the shoot.
05:24We might forget something.
05:25Okay, yes, bestie.
05:28LJ.
05:30Hey.
05:31You're late.
05:32Are you still busy?
05:34I'm used to it.
05:35That's how life is, production.
05:37Really?
05:38Are you still sleeping?
05:39Is it that late to finish the shoot?
05:44Hurry up!
05:49Okay.
06:03Here, we can use this at the...
06:45Oh, Tristan.
06:46Didn't I tell you to tell me when you're hungry?
06:51Sorry, Mom.
06:53I'll tell you when I'm hungry.
06:55I just open the ref and eat whatever.
06:57Sit there.
06:58That's why you're so skinny.
07:01I'll make you something to eat.
07:04Here.
07:16Here.
07:30Mom.
07:33If my mom were still here,
07:36what would she tell me?
07:43I'm sure
07:44the first thing she'll say is,
07:47my son is so handsome.
07:51And he's kind.
07:53And,
07:55does he have a crush on someone?
08:01What do you mean, a crush?
08:02Mom, what is that?
08:03A crush?
08:04I know, I know.
08:06I'm sure
08:09you'll ask your mom
08:10to tell you
08:12about girls, right?
08:15Right?
08:39I'm really getting old.
08:40I'm really getting old.
08:43There are so many things I don't understand about you millennials and Gen Z.
08:48Like what, RDJ?
08:52Like...
08:55I know you like LJ, but you don't court her.
09:06You know,
09:07I think she knows, RDJ.
09:11But I don't think the timing is right.
09:15There are so many things happening.
09:18Is that why love waits?
09:24Ben, hasn't anyone told you that
09:27when the world is in chaos,
09:29love is more important?
09:38No, no.
09:40I should be professional.
09:42I should just focus on the film.
09:43I should get it right.
09:45Make sure we finish it on time.
09:47And of course, within the budget.
09:48And most importantly,
09:52I need to tell the right story.
09:56And what is that for, Ben?
10:04Someone who can beat anyone.
10:08Someone who didn't leave their love behind.
10:14Someone who can change the ending.
10:28I hope so.
10:30That's the one.
10:32It's not easy to grow old alone.
10:38You know, Nay,
10:40I often hear people talking about the myth
10:44of Liloom here in Santa Castella.
10:48But do you know what the bigger myth is?
10:51That love conquers all.
10:55That it makes us better people.
10:57Look at Dad.
11:00Mommy died when I was born.
11:03And he never left me.
11:05And he never forgave me for that.
11:11That's not true.
11:15You're your father's only son.
11:20You're the only one he can rely on.
11:23Prove to him that you can be like him.
11:30I'm not like him, Nay.
11:33I will not be like my father.
11:55Heritage House Museum.
11:59So you have a project in your ancestral home, Mr. De La Paz?
12:04Yes, Mayor.
12:06I'll have to hold on to the blueprints a little longer.
12:09Of course, we just want control over the design and, of course, the renovations.
12:13You know, we have a plan for that old house.
12:17Make it like a hotel.
12:19Tourism.
12:21You know, the local government has been taking care of it for years.
12:25Tristan,
12:26are you just going to give it back to us like that?
12:32We're still the ones paying the caretaker.
12:35Am I right, Mayor?
12:38As far as repairs go,
12:40it's like we don't see any improvements from the public funds.
12:47Wait, wait.
12:49Maybe I replaced the former mayor.
12:53I will issue a fund there to convert that house for revenue.
12:59You know, if there's no shooting there,
13:03the construction will be done.
13:06I helped my friend Ben make his movie in that house.
13:10I told them they wouldn't have a problem in the city hall.
13:15Don't embarrass me in front of my friend, Mayor.
13:17Oh, and by the way,
13:20I hope you're happy that they were able to pay in full.
13:25Wait, wait, wait.
13:28Your shooting permit and location fee
13:33goes straight to Santa Castella, not to me.
13:37Of course, Mayor. I know.
13:40Of course.
13:42I didn't audit you.
13:43Look, Mayor, don't worry.
13:46We're not taking back the ancestral house.
13:49It, technically, belongs to Santa Castella.
13:53And later on, if you want to open it to the public,
13:56all the proceeds of the museum will go to the town.
14:00I just hope you won't stop the Delapaz
14:04from renovating the place to showcase our family's legacy.
14:08After all, my father built this town.
14:38P-Pay, why did you remove the place you put it before?
14:42Where did you put it?
14:44I told you before, you're not allowed here.
14:47You'll lose your dignity.
14:49Don't blame us, Mayor.
14:52Director Ben told me that Sir Tristan Delapaz removed it.
14:56Oh, you're still going to blame me?
15:00This will happen next time.
15:02You'll have to try.
15:04Okay.
15:05Do you understand?
15:06I'm sorry.
15:08Okay.
15:19Where are those snow globes, Bonnie?
15:22They can't be lost. It's specified in the script.
15:25Wait, wait, it was just here earlier.
15:27Where?
15:29I don't know.
15:31Do you want me to go to the market?
15:33Maybe I can find something there.
15:34We're the killers.
15:36There are no snow globes here.
15:38That's why we went to Manila.
15:40They brought us here because there's nothing here.
15:43What can I explain to Derek?
15:47Let's just look for it.
15:49There's nothing here.
15:51Nothing.
15:52There.
15:55Okay, guys.
15:56Listen, okay?
15:58This is the scene.
15:59This is the moment Jaz will be able to escape from this old house.
16:01He's almost there.
16:02He'll be able to escape.
16:03He's already in the doorway.
16:05And Nomer is already outside.
16:07But you'll still be blocked by snow globes.
16:09So the scene is very intense, okay?
16:11Yes, Derek.
16:13Colleen, is everything okay?
16:16I'm sorry, Derek.
16:17I can't concentrate.
16:18There's this bad smell.
16:19Can't you smell it?
16:22It stinks.
16:24Okay, okay.
16:25We'll have it checked.
16:26Just relax here, okay?
16:28Thank you, Derek.
16:31Just smell it.
16:33It stinks.
16:34It's been a while.
16:37Derek, I really can't believe that Nomer is sabotaging our shoot.
16:42How are you going to explain to him that our two new cameras are defective?
16:48Okay, guys.
16:49Look.
16:50I know it hasn't been easy.
16:52Okay?
16:53But we went to Santa Castella because we believe in this project.
16:58Let's just help each other.
16:59We can still do it, right?
17:01Thank you, Derek.
17:03Concejana,
17:05can you help us so that we can shoot for the Lilong Festival smoothly?
17:11Can you?
17:12Of course.
17:15But,
17:17I have two things that I want to ask you.
17:21Oh, yes.
17:23I want you to include my son in the choreography.
17:31Oh.
17:36It's up to you, Derek.
17:37Derek.
17:40Okay.
17:41No problem, Concejana.
17:43We'll just coordinate it.
17:47And one more thing.
17:49You should give a lot of respect to Lilong in the choreography.
17:57Oh, no.
17:58That's why you'll get mad.
18:00Oh, I didn't answer you.
18:03Concejana, no problem.
18:04We won't change anything.
18:06We will shoot the festival the way it should be celebrated.
18:09We'll just base it on what you're doing here in Santa Castella.
18:12Oh, by the way, wait.
18:14The mayor liked your design of Lilong.
18:20How about this?
18:21We agree that we'll use it.
18:23Okay?
18:24Okay.
18:28My son.
18:29Derek.
18:30No problem.
18:31Okay.
18:34Oh, well, I guess we're all set.
18:37We're ready to shoot.
18:39We're all set up.
18:40Okay, Derek?
18:41What time is it?
18:42Let's go, babe.
18:44Wait, Ms. Patty.
18:45Diego has a scene at the police station.
18:49He's looking for Colleen.
18:52So you're saying that because?
18:54I just need to go there to measure and adjust the props.
18:59To find a way.
19:01If that's the case, who's going to watch here?
19:03Bonnie.
19:04She already bought everything.
19:06It's all set, Ms. Patty.
19:08Well, talk to Derek.
19:10Okay?
19:11Excuse me.
19:14What's that?
19:15LG and I are leaving.
19:18We're going to check the other location.
19:19I did say I would help the team in any way I can.
19:22So if you're ready, LG, I'll give you a ride.
19:43So it's about 63 centimeters.
19:4563 centimeters. Okay.
19:49So we're finished.
19:50Okay, thank you.
19:52Chief, thank you for agreeing even if it's late notice.
19:56No problem.
19:58Chief, is it okay to ask?
20:07You've been here for a long time, right?
20:14Are you the one assigned during the party?
20:17The party?
20:19So you've seen a lot of events during the Lilong Festival?
20:24That's right.
20:27Do you have a record about that crazy woman in the middle of the plaza?
20:41The one who lost the party.
20:47The one who lost the party.
20:52Hey, what's the time now?
20:54What time is it?
20:55I'll just tell them to double time, Derek.
20:58Excuse me.
21:01Derek, I think our heads are hot now.
21:05We can't get the look.
21:07It's hard if LG is not here.
21:10If our production designer is not here in the set.
21:14Derek, it's hard if LG is not here.
21:18Exactly.
21:22I need LG here in the set because she's good at her job.
21:27Derek, I was hurt there.
21:31I'm here.
21:33Sorry, Bunny.
21:35That's not what I meant.
21:37LG is not here but we can still call her.
22:02Sorry.
22:07Hello, Derek.
22:09Hello, LJ.
22:11Are you still at the police station?
22:13Yes.
22:15Do you have any concerns about the scenes there?
22:18Nothing.
22:20Nothing, nothing.
22:22Do you think we'll have a problem if we force the scene there?
22:27I don't think I've seen a possible problem.
22:31Derek, why did you call me?
22:36Just, you know.
22:49Is there anything else you want to say?
22:52I'll talk to Chief Pete.
22:56Okay, let's talk later.
22:59Okay, bye.
23:03I'm sorry.
23:05Are you sure that no one reported about the missing woman
23:11after the dance at the fiesta that year?
23:14If someone reported to us about that woman,
23:18I'll remember that.
23:20Chief, some people say that they saw the woman
23:24in the middle of the plaza.
23:26But no one asked for your help.
23:30I don't know why you came here.
23:32Do you think that we're just going to judge you?
23:34We're investigating criminals here.
23:37Now, if you want to know what happened to the victim of the shooting,
23:42you should go to the albolary.
23:44Chief, the movie is about Lilum.
23:47It's normal to ask questions about that.
23:49I already answered her question, right?
23:52We don't have a report about that woman.
23:55I don't know what I can do for you.
23:58Excuse me.
24:02Excuse me.
24:18Are you going somewhere?
24:20Why?
24:23The shooting is out of the way, right?
24:28I'm just going to ride a tricycle.
24:29I volunteered to take you there, right?
24:32So, of course, taking me back to the set is part of it.
24:35Though I must say, I'm a little disappointed.
24:39Why?
24:44Do you really think I'm just a driver?
24:46I'm not just a friend who you don't want to have lunch with before going back to the set.
24:50Really.
24:53Okay, let's have lunch break there.
24:56Come on, where do you want to eat?
24:57Whatever you want to eat.
24:59I'll take care of Foo.
25:01Just answer the conversation, deal?
25:11Help!
25:16Help!
25:17Gina!
25:18It hurts!
25:20It hurts!
25:21It hurts!
25:23It hurts!
25:25Help!
25:27Help!
25:49When I'm feeling lost and overwhelmed,
25:52I go to this place and erase all of the things on my list.
25:56I want our fans to know what's really happening.
25:59That we're in danger because we're doing this project.
26:02I don't want to be the next victim of Lilong Diego.
26:04Help!
26:06Help!
26:09Of course, make sure you double your security at the festival.
26:14Make sure that nothing bad will happen.
26:18Someone wants to threaten us.
26:20That's clear.
26:21But the question is, what or who?
26:24There are people who believe that if Lilong is not happy with the dance he will do for him,
26:29he will get a soul as an ally for that year.
26:33There are people who say that Lilong is already a victim,
26:36but no one can speak out of fear.
26:39If you're going to ask me, we need to be prepared.
26:43Because no one can say what will happen later.
26:50That's Edgy!
26:51That's Edgy!
26:52That's Edgy!
26:55She's in Santa Castella?
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