- 2 years ago
It's a love story that seems impossible. But what if it works HD ( Comedy, Drama, Romance )
Category
🎥
Short filmTranscript
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00:02:20Hey, getting married?
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00:03:20As quick as you like.
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00:03:27There is a shower and a sink if you need it.
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00:03:36Well done.
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00:03:53Please don't touch my car with your shoes.
00:03:56I didn't mean to run into your car.
00:04:08Are you all right?
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00:04:29Oh.
00:04:37Over here.
00:04:41On its side.
00:04:43All of them on their side.
00:04:48Excellent.
00:04:49Thank you.
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00:05:17You can take the car if you want.
00:05:19Mate, you're going to need a tow truck for that.
00:05:21Just roll it in your garage, I'll give you a hand.
00:05:23Oh, I don't have a remote for the garage.
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00:06:58Tuesday, 1.33 p.m.
00:07:00Adrian, Stan, I know you're disappointed by the suspension.
00:07:04I'm hoping three months might be enough to get back on track.
00:07:08Premium Motors need you as much as you need us, believe me.
00:07:12Call me or maybe respond to an email.
00:07:16Tuesday, 1.33 p.m.
00:07:18Adrian, just your father.
00:07:20Wondering how the new therapist is going.
00:07:22Call us.
00:07:25Adrian, Stan, again.
00:07:27Remember me, your boss?
00:07:29Are you alive?
00:07:31Any progress?
00:07:32Any plans to call me back?
00:07:39Have you spoken to your parents since you moved?
00:07:42No, no, no, I'm letting them get over the money they wasted on that radical treatment center.
00:07:45See, they paid for two months and I was only there for two hours,
00:07:48but I did email them twice.
00:07:50Two hours?
00:07:51Why did you agree to go at all?
00:07:54Forced mental health leave really brought out my sense of adventure.
00:07:58I mean, ever since Melinda, my only successful relationship has been my research position.
00:08:02Until Premium Motors suspended me because, well, evidently not turning up and missing deadlines,
00:08:06it loses its mystery after a while.
00:08:08I was given three months to improve or lose my position permanently.
00:08:11I agreed to this therapy as a condition of my suspension.
00:08:14You've mentioned Melinda several times.
00:08:16Was the end of that relationship a significant turning point for your obsessive compulsive disorder?
00:08:24Why did it end?
00:08:27There was an incident. I'm not proud of it.
00:08:30Let's talk about that.
00:08:32Well, we'd have to rewind three years now, wouldn't we?
00:08:37Okay, well, Melinda and I are taking a walk,
00:08:41and then I see this huge, slobbering dog.
00:08:44Oh, my God!
00:08:45So I take cover behind her, pushing her accidentally into the bike lane.
00:08:51Then suddenly, she gets hit by an ice cream bike vendor.
00:08:55And I just run away.
00:09:07And then Melinda says something I'll never forget.
00:09:11If this house was on fire, and I was trapped,
00:09:15and you were in the bathroom in one of your rituals,
00:09:20would you be able to break out and save your life?
00:09:26Save my life?
00:09:37And that was it.
00:09:39Melinda wouldn't answer my calls.
00:09:41Anyway, my OCD, it skyrocketed.
00:09:44I can't leave my house very often.
00:09:46I can't finish my work on time.
00:09:48So, well, here I am with two months left to babysit my panic.
00:09:52Was Melinda the last person with whom you engaged in any physical affection?
00:09:58Yes.
00:09:59How does that make you feel?
00:10:01Fine.
00:10:07I'm so sorry.
00:10:12This was put through as urgent.
00:10:14I shouldn't be interrupted unless it's a patient matter.
00:10:18Adrian, I'm terribly sorry, but I have an urgent...
00:10:21Family matters.
00:10:22I'll be right back.
00:10:32I know you're probably surprised to see me here.
00:10:34Yeah, first time.
00:10:36I'm kept locked up because I'm too sexual,
00:10:38and it makes everybody uncomfortable.
00:10:41But I need to get a few things off my chest.
00:10:45I've tried them all.
00:10:46Straight-laced cocky bankers.
00:10:48Married cheaters.
00:10:49Young, horny kids who think they're old enough.
00:10:51Oldies on Viagra who think they're young enough.
00:10:53Party maniacs.
00:10:54Empty shells who just want to please you.
00:10:56Aloof, disconnected assholes who just want to pound you until they pass out.
00:11:01Needy drainers who touch you too much.
00:11:05And secretive egomaniacs who can never touch you enough.
00:11:09But Sledgehammer has taken the cake.
00:11:14Sledgehammer's a person?
00:11:16Supposedly.
00:11:18He says he loves me, but he doesn't even know me.
00:11:21Love is a spontaneous fucking reaction.
00:11:24And he just wants to possess me.
00:11:26Let's make one thing clear.
00:11:28I don't do love.
00:11:30We don't make love.
00:11:32We sleep together.
00:11:33But as soon as I'm not turned on anymore like after an orgasm,
00:11:37I don't want to lie underneath him.
00:11:39Or anyone.
00:11:40I don't want to feel his weight or his sweat or his breath.
00:11:43It's boring.
00:11:44It's worse than boring.
00:11:45It is empty and gross.
00:11:49It's a reoccurring thing for me.
00:11:52Have you ever felt anything like that?
00:11:53Yes.
00:11:54Sweat and breath.
00:11:56It can be awful.
00:11:58Yeah, too right.
00:12:00But you can't suppress your natural urges now, can you?
00:12:04Oh, don't look so perturbed.
00:12:07It's only natural.
00:12:09There is nothing like a bit of spontaneous action in life.
00:12:14And that's me.
00:12:16I'm all about action.
00:12:22You don't know much about spontaneity, do you?
00:12:25Yes, it promotes freedom.
00:12:26It allows you to turn off your analytical mind
00:12:28so that creativity can shine through.
00:12:30Pretty smart for a shrink.
00:12:34But why are you just standing there?
00:12:36You would be so cute if you weren't so rigid.
00:12:41Is it some kind of technique?
00:12:42Because actually it just looks fucking nuts.
00:12:44No, it is nuts.
00:12:46But I'm not...
00:12:47Whatever, stand there if you want to.
00:12:49We need to talk about Sledge.
00:12:51Oh, we do?
00:12:52Okay, here's the situation.
00:12:55After we screw in the cubicle,
00:12:57Sledge gets clingy as usual.
00:13:02Hey, let's paint together.
00:13:03Then he delivers the big news for our collective.
00:13:06He's Skyped with the top online international street art gallery in London.
00:13:10So, I just got this email from Street Art Universe.
00:13:13Street Art fucking you inviting Cognandus to do the collective exhibition.
00:13:17Do you know what this fucking means?
00:13:19We've been waiting for this for ages.
00:13:21Hey, you should do the centerpiece, yeah?
00:13:23Gee, I want you to do the fucking centerpiece.
00:13:26Get the dog out of here.
00:13:28And then he starts on at me about the dog.
00:13:30I just feel sorry for Gunji, you know?
00:13:32Like, playing hard to get is pretty fucking cruel when you extend it to dogs.
00:13:35Grace likes dogs. I don't.
00:13:37Like, look at his face.
00:13:39That face is saying, don't be a bitch to me.
00:13:45Finally, he tries blackmail on for size.
00:13:49You know, as a starting out artist, you know what this is going to do for you, right?
00:13:53Like the fucking centerpiece of my exhibition of my life.
00:13:55I don't even get a piece like the tiniest fucking morsel of what's in your life.
00:13:59Like, if we're going to do this, let's fucking do it, okay?
00:14:01Do you want this fucking centerpiece or not?
00:14:08Okay, now you're just freaking me out.
00:14:11I switched.
00:14:13And now I'm here because Grace doesn't want to know the details, but she should.
00:14:18Okay, so who's Grace?
00:14:20Aren't you the expert on multiple personality disorder?
00:14:24Look, Dr. Descala, is it?
00:14:28Yes.
00:14:30Grace?
00:14:31Who are you?
00:14:33I'm your therapist, Karen Descala.
00:14:36Have you seen me before?
00:14:38Is my voice familiar?
00:14:41I've only ever heard your last name.
00:14:44Evidently.
00:14:49So who's that?
00:14:50Patient.
00:14:54Oops.
00:14:55Okay, I should get going, Karen.
00:14:59Thank you, Adrian.
00:15:00Yes, thank you, Adrian.
00:15:03No, no, no, thank you, Grace.
00:15:06And Karen.
00:15:20Oh, you dropped something.
00:15:44Oh, thank you.
00:15:49Thank you.
00:15:58Did we cross paths earlier at the practice?
00:16:03Yes, yes, I'm also the guy that nearly ran you over.
00:16:05Adrian.
00:16:06Grace.
00:16:07Do you live in Angus Street?
00:16:11Yeah, why?
00:16:12Oh, no, no, I moved in there a few weeks ago.
00:16:14I've seen you with the, um, dogs.
00:16:17Yeah.
00:16:18Art.
00:16:19It doesn't pay often enough.
00:16:21You're not collecting dogs now, are you?
00:16:23Oh, great, excellent.
00:16:24Well, I guess we're going in the same direction, shall we?
00:16:34Didn't you leave Karen's over an hour ago?
00:16:36Yeah, yeah, I guess I was still walking her.
00:16:38I'm not driving anymore.
00:16:40You don't drive, do you, Grace?
00:16:41No.
00:16:42Maybe one day.
00:16:43Oh, I love driving fast.
00:16:44It's just, well, I ruin my car cleaning it.
00:16:48I thought cleaning your car was a good thing.
00:16:50Um, well, my cleaning and your cleaning are probably different.
00:16:54Look, I love walking, it's great.
00:16:56Sometimes I just walk around and around my block.
00:16:59It's your block.
00:17:00Our block, I suppose.
00:17:09Oh, this is mine.
00:17:10I live in my dad's garage space.
00:17:14Cool.
00:17:16Your dad works in there?
00:17:17Oh, no, no, not anymore.
00:17:18He used to store race cars there.
00:17:19But, well, they moved to Queensland to cure his rheumatoid arthritis
00:17:21and my mother's bad temper.
00:17:23You live in that one, right?
00:17:28Well, I suppose there's one more neighbour who might get in.
00:17:30I'm sorry, I can't invite you in.
00:17:31Oh, oh, no, no, no, don't be.
00:17:33I don't have visitors ever, ever.
00:17:35It's like a policy of mine.
00:17:37Please don't take it personally.
00:17:38No, no, no, no, it's fine.
00:17:41Me neither.
00:17:42I never have guys over.
00:17:44Excellent.
00:17:46Sure, sure.
00:17:47I'm sorry.
00:17:48I'm sorry.
00:17:49I'm sorry.
00:17:50I'm sorry.
00:17:51I'm sorry.
00:17:52I'm sorry.
00:17:53I'm sorry.
00:17:54I'm sorry.
00:17:55I'm sorry.
00:17:56I'm sorry.
00:17:57I'm sorry.
00:17:58I'm sorry.
00:17:59I'm sorry.
00:18:00I'm sorry.
00:18:01I'm sorry.
00:18:02I'm sorry.
00:18:03I'm sorry.
00:18:04I'm sorry.
00:18:05I'm sorry.
00:18:06I'm sorry.
00:18:07I'm sorry.
00:18:08I'm sorry.
00:18:09I'm sorry.
00:18:10I'm sorry.
00:18:11I'm sorry.
00:18:12I'm sorry.
00:18:13I'm sorry.
00:18:14I'm sorry.
00:18:15I'm sorry.
00:18:16I'm sorry.
00:18:17I'm sorry.
00:18:18I'm sorry.
00:18:19I'm sorry.
00:18:20I'm sorry.
00:18:21I'm sorry.
00:18:22I'm sorry.
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00:18:24I'm sorry.
00:18:25I'm sorry.
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00:18:29I'm sorry.
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00:18:33I'm sorry.
00:18:34I'm sorry.
00:18:35I'm sorry.
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00:18:38I'm sorry.
00:18:39I'm sorry.
00:18:40I'm sorry.
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00:18:42I'm sorry.
00:18:43I'm sorry.
00:18:44I'm sorry.
00:18:45I'm sorry.
00:18:46I'm sorry.
00:18:47I'm sorry.
00:18:48I'm sorry.
00:18:49I'm sorry.
00:18:50I'm sorry.
00:18:51I'm sorry.
00:18:52Damn it.
00:18:59God damn it.
00:19:10Oh, shit.
00:19:13Damn!
00:19:14Grace!
00:19:23Grace!
00:19:43Excuse me, sorry.
00:20:00So I'm thinking timeline, yeah?
00:20:02For the title and theme of the exhibition.
00:20:04Timeline?
00:20:05Well, like Facebook.
00:20:06Nah I meant Facebook man, fuck Facebook.
00:20:08Like, come on it's a big moment for us, yeah?
00:20:11We should sum that up. We should sum everything up.
00:20:13Like life, birth, death, sex, innocence, deceit, trust, you know?
00:20:19Let's put every artwork in a bottle.
00:20:21The solitude of the artist, the sexual repression.
00:20:25Yeah, all right, Frida Kahlo.
00:20:27Can we just hold on the false gender dichotomy shit?
00:20:29My intergalactic neon tigers need to fit in here.
00:20:32That's right.
00:20:33Energy!
00:20:35Oh, Brigitte!
00:20:36Fuck!
00:20:38For the circle of one, two.
00:20:41Brigitte.
00:20:42Cinépaude.
00:20:43Sad.
00:20:44Panama.
00:20:45You're here.
00:20:48Kodarian Dance 2 is going to be the basis of my first interactive video art installation.
00:20:52Yes, yes, yes.
00:20:53Installation video is the most common form of video art today.
00:20:56We know.
00:20:58Good.
00:21:08Yeah.
00:21:17Can I get you something, Doc?
00:21:19Yeah, I want to buy some coke.
00:21:21Because I don't want to drink.
00:21:24Coca-Cola, not cocaine, obviously.
00:21:27I mean, I do want to drink Coca-Cola, I don't want to drink alcohol.
00:21:30Alcohol, cocaine, it's absurd.
00:21:32It's bad for your brain and there's brain cells every time you consume it.
00:21:34And neurological damage from narcotics is immense.
00:21:37Never mind the chance of a mini-strike.
00:21:42We are in luck, because we have Coke-a-Cola.
00:22:02Thank you.
00:22:04That'll be a whole four dollars, thanks.
00:22:07Yes.
00:22:10Let's just say, you owe me.
00:22:16Jay.
00:22:18Come sit.
00:22:19It needs to be exciting, the title needs to have guts.
00:22:22Yeah, whatever.
00:22:23I still like my concept, though.
00:22:24Of course you do, right?
00:22:27Building on Sludge's concept, how about animal instincts as the theme?
00:22:31Is that original enough?
00:22:33What about animal spirits?
00:22:35It was a term chosen by John Maynard Keynes in his 1936 economic book,
00:22:38The General Theory of Employment, Interest and Money,
00:22:40to describe a human emotion that drives a spontaneous urge to action and not inaction.
00:22:45According to Keynes, animal spirits also generate human trust.
00:22:48Wait, what?
00:22:49Animal spirits.
00:22:51Of course, Keynes was applying it to an impulse that compels economic activity,
00:22:55but you can interpret it more artistically.
00:23:00It's good.
00:23:01We can each interpret a spontaneous urge to action specific to us.
00:23:07You like it, Sludge?
00:23:10Yeah, yeah, I guess the whole Neon Tigers thing fits in.
00:23:14It was a term chosen to emphasize the importance of gut instinct.
00:23:18Thank you, Mr. Keynes, for your gut instinct on what we're actually trying to do here.
00:23:22A live installation with multiple TV screens and a dance floor,
00:23:25and I want to be part of the exhibit with my 80s dance with your hero.
00:23:28And it really would be better if I had a troupe of dancers, but I don't.
00:23:31So, could everybody please learn the dance moves from 1 minute 22 seconds to 3 minutes 10 seconds.
00:23:36Yes, yes, yes.
00:23:41Oh, my God, it's a dog!
00:23:43Hey, dog! No, no, no, no!
00:23:53Friday, 9.40 a.m.
00:23:55Darling, it's Mom here.
00:23:57Been calling you all week.
00:23:59I'm wondering how your treatment is going.
00:24:02Dad's wrists are feeling better in the heat.
00:24:05We should get a mobile.
00:24:09Monday, 9.12 a.m.
00:24:12Adrian, Stan, if I wasn't so damn insightful,
00:24:15I think you weren't that frightened of losing your life's research.
00:24:18Maybe the big boss could reduce your suspension if you could just deliver Section 6.
00:24:23Try for me, will you?
00:24:25Monday, 10 a.m.
00:24:26Adrian, hey, it's me, Melinda.
00:24:32I know it's been a very long time, but I need to see you.
00:24:37I feel, um, ready now.
00:24:41Can you call me?
00:24:43I hope you do.
00:24:55Okay.
00:25:25Yes, baby, yes!
00:26:26What does G represent, do you think?
00:26:30Badness.
00:26:32Dirty stuff.
00:26:35Sex.
00:26:37I think you keep G internally isolated
00:26:41because you might be frightened that if you let her come out,
00:26:45she might contaminate all of you.
00:26:47Yeah.
00:26:49She frightens us.
00:26:52She frightens us.
00:26:56Grace, were you surprised that G turned up to therapy?
00:27:00Kind of.
00:27:02But I need her for the collective. She's got that toughness.
00:27:07I do get lonely sometimes.
00:27:09And then I imagine myself as a boyfriend.
00:27:13I always stuff it up.
00:27:16I'm not cut out for the whole falling in love thing.
00:27:21As soon as they want physical stuff, I'm out of there.
00:27:24I can't.
00:27:27You know, I'd like to think that one day
00:27:29you will be able to trust somebody enough to get close
00:27:33and trust yourself.
00:27:35The idea of me being somebody's girlfriend is pretty ridiculous.
00:27:39That somebody would have to be equally ridiculous
00:27:42to be willing to take on all of us.
00:27:45Our goal is to integrate your parts.
00:27:49The integration of G,
00:27:51that part who manages your innate sexual needs,
00:27:55is going to be most important in enabling you to engage
00:27:59in a healthy, loving and physical relationship.
00:28:05I don't know.
00:28:07What I do know is that since G joined the collective,
00:28:09she's the only one who paints.
00:28:11It's like I've lost my ability or urge.
00:28:16I want that back.
00:28:19I want that back.
00:28:38Oi, homeless man, wait up!
00:28:43Grace! Grace!
00:28:45I just gave a homeless man four kilos of almonds.
00:28:50Oh.
00:28:54So Sledge has decided to use your idea, animal spirits.
00:28:58He says pop round any time.
00:29:00But that was G at the collective, not you, right?
00:29:03Right.
00:29:04So does that mean your different parts know what each other get up to?
00:29:07Depends.
00:29:09When it comes to work and painting, I seem to remember what G does,
00:29:12but when it gets personal or physical, she's mostly blocked.
00:29:18I have walls between my parts.
00:29:21Like concrete walls?
00:29:23Yeah.
00:29:25The kind that would require a serious smashing of bricks.
00:29:30How come you know about parts?
00:29:34Well, researching ACD got repetitive.
00:29:37So you know I'm pretty weird?
00:29:39Yes, but in a contest I'd win the weirdness award, believe me.
00:29:45You don't want to be in therapy, do you?
00:29:48My post-doctoral suspension, it didn't give me much choice.
00:29:53Okay.
00:29:56Now you're just showing off.
00:30:00Post-doctoral in what?
00:30:02Quantum mechanics, robotics and the application of artificial intelligence in control engineering.
00:30:06And in English?
00:30:08Well, I like fast cars and computers.
00:30:11Are you designing a fast car fantasy game or an app or something?
00:30:14I've designed apps, but no.
00:30:16If I was going to work on a fast car app, believe me, it wouldn't be for a game.
00:30:20You mean you could design an app for a real car?
00:30:23Maybe to start a car, I could.
00:30:27But that's not what your fancy postdoc's about.
00:30:30No, no, no, not exactly, no.
00:30:32I was being funded to build software for a car company, but, well, I got too slow.
00:30:36Ever since my breakup with Melinda, time hasn't been my forte.
00:30:39Unless I'm behind the wheel of a car.
00:30:44Did Melinda break your heart?
00:30:48Um...
00:30:51She just froze in time.
00:30:54I was a coward, I hurt her.
00:30:58I still think about her obsessively.
00:31:01Maybe because I know I'll never be in another relationship.
00:31:06How do you know that?
00:31:09Oh, uh...
00:31:11Melinda once asked me if I'd be able to break out of my rituals.
00:31:16If her life depended on it.
00:31:18I couldn't answer her.
00:31:26One night, when I was four, I was babysat by a 17-year-old neighbour.
00:31:33Mum and Dad were getting me out of the bath as he arrived.
00:31:37I was in a towel.
00:31:40He called me a tease and...
00:31:43Yeah.
00:31:45When we came out of my bedroom, I drew this teapot on the corridor wall.
00:31:49I was too young to understand what the word meant.
00:31:56And it wasn't your fault.
00:32:02Ever since, every touch holds a request.
00:32:05Can't handle it.
00:32:09Except for dogs.
00:32:11They're cool.
00:32:14You and me both.
00:32:16Oh.
00:32:17Minus the dogs.
00:32:19Mm-mm.
00:32:33Yeah.
00:32:39How does it feel to be Cross Magazine's number one Melbourne street artist?
00:32:43It's pretty cool.
00:32:45That's the cover right there.
00:32:47What's next for Cognitus Crew?
00:32:50I don't know. Guess we'll find out.
00:32:56We have one place left.
00:32:58The spot is in our Fatale section.
00:33:01So far, only acclaimed lady artists.
00:33:04But, gee, is that good.
00:33:06Maybe we should get her involved.
00:33:08Yeah. Yeah.
00:33:10She is that good, hey.
00:33:12I appreciate it, Eric, man. It's just, um...
00:33:15I don't want to capsize her canoe, you know.
00:33:17She's, uh... She's pretty green still.
00:33:19Until our collective exhibition is done, I don't want to overwhelm her or anything.
00:33:23Are you serious?
00:33:25Edinburgh would be bigger for her than your collective exhibit.
00:33:28Surely you wouldn't deny her this opportunity.
00:33:30Yeah, I appreciate it, man. I'll chat to her.
00:33:32I'll email through the details in case you change your mind.
00:33:35Yeah, sweet.
00:33:43Oi.
00:33:45Why tease me like this, G?
00:33:59Oh.
00:34:14Look at you all cute.
00:34:16Holy fuck.
00:34:24Tease.
00:34:27Cute.
00:34:38Grace, our bodies have a way of telling us things.
00:34:41You just have to read the language.
00:34:43Your teapot all over that painting was a language.
00:34:46My proctitis was a language that told me I am a lesbian.
00:34:50Your proctitis?
00:34:53The inflammation of the anus.
00:34:56Every time I sleep with a man, I get this damn inflammation.
00:35:00Man, I'm literally, uh, pain in my ass.
00:35:10Thanks, though. Did you sign for them?
00:35:26Tease. Tease.
00:35:28You're a tease.
00:35:36G.
00:35:39G.
00:35:43Gunshot.
00:35:46Poor bastard. He doesn't know whether you love him or hate him.
00:35:49Hey.
00:35:51Yeah, so, um...
00:35:53Look, I don't know where your head's at with the whole animal spirits thing,
00:35:56but I'm down, and I figure we go...
00:35:59You go all out with the centrepiece.
00:36:02Tie it all together through what's in the middle there.
00:36:05Love.
00:36:07No, I figure the centrepiece should be about love.
00:36:10But, uh, like, you do what you want, yeah? You'd be awesome.
00:36:14Love works?
00:36:18I love you, G.
00:36:20Don't tell Adrian.
00:36:23Yeah, right.
00:36:30Yes. Yes.
00:36:32OK.
00:36:34Circle up. One, two.
00:36:40Do your hair. Do your hair.
00:36:42Very good. Yes.
00:36:46Yes.
00:36:54Yes.
00:37:06That is what he gets for asking Libido to paint about love.
00:37:1484, and done.
00:37:1685, and done.
00:37:1986, and done.
00:37:2187, and done.
00:37:23Hey, Adrian.
00:37:25Oh, hello, Grace. I didn't mean to disturb you. Just walking.
00:37:28Oh, no, no, it's OK. If you just wait a minute, I'll walk with you.
00:37:32I'm almost done.
00:37:34Um, 86...
00:37:3878, 78. Damn it!
00:37:42One, and done.
00:37:44Two, and done.
00:37:46Three, and done.
00:37:48Four, and done.
00:37:50Five, and done.
00:37:53Nine, and done.
00:37:55100, and done.
00:38:01OK, Grace.
00:38:07They're on leases, aren't they?
00:38:09Yeah.
00:38:13It's good to see you.
00:38:15You too.
00:38:17Would it help if I walked on the other side of the road?
00:38:20OK. Come on, come on.
00:38:24This is nice. Yeah.
00:38:36Are you OK with this?
00:38:38Mm-hm.
00:38:48Sorry.
00:38:50How's your painting for the exhibition going?
00:38:52I don't know. It's all G.
00:38:54I'm still struggling. It's been too long.
00:38:56What? Do you miss it?
00:38:58Oh, hell, yeah. I miss getting lost in a painting.
00:39:01When I see a picture I really like,
00:39:03it gets this light around it, and it makes me feel good.
00:39:06That's hard to explain.
00:39:08Oh, you sense good energy.
00:39:10I guess. Around people, too.
00:39:12The good ones who care about others.
00:39:14They have strong likes, but that's pretty rare.
00:39:17You seem very perceptive.
00:39:19About others, maybe.
00:39:21Hey, Karen said it's important I try painting somewhere different,
00:39:25around someone new.
00:39:27Do you want to come on an expedition with me tomorrow morning?
00:39:30Maybe even help out?
00:39:32Yeah, I'd love to.
00:39:34You're really beautiful.
00:39:40Yeah, I am.
00:39:43I'm little.
00:39:45The beautiful one.
00:39:47The lovable one.
00:39:52Oopsie-daisies, you've got to catch them!
00:39:55Catch them!
00:39:56Get away from me!
00:39:58Cowardice!
00:40:00Well, that may be the fucking definition!
00:40:03Who knew it had gloves but no socks?
00:40:06You dick!
00:40:43I'm getting married.
00:40:50Congratulations.
00:40:53Yeah, well, I mean, Greg's proposed.
00:40:57I haven't decided yet.
00:41:01I'm ruminating about my body again,
00:41:04and I'm not sure if I want to get married.
00:41:09I'm ruminating about my body again, and, um...
00:41:14Oh, it's just so fucking normal, you know?
00:41:30Do you still think about me?
00:41:39You look so hot like that.
00:41:41I promise you're not fucking with me.
00:41:43I promise I'm fucking you.
00:41:47Oh, my G.
00:41:49What did I say?
00:41:51I fucked you. You fucking promised!
00:42:09Mr. Keynes?
00:42:11Sledgehammer.
00:42:13I thought I'd come and see the exhibit progress.
00:42:17Sure, why not?
00:42:19Go on, come in.
00:42:21G. should be back soon.
00:42:34Just come through.
00:42:38She's pretty crazy, huh, man?
00:42:41I mean, I guess we're all fucking crazy, though, right?
00:42:44I'm fucking crazy.
00:42:46Hey, look, you guys, uh...
00:42:48You ever had, like, a fling or some shit?
00:42:50No, no, no. No fling, no.
00:42:52See, I convinced myself she was fucking you, man.
00:42:55Yeah.
00:42:57Yeah, yeah, I know.
00:42:59You know, like, we have great sex, right?
00:43:02Like, the greatest fucking sex, man.
00:43:04Like, I mean, she goes off and flirts with other dudes,
00:43:07but I guess, like, none of that shit matters when you...
00:43:10when you connect.
00:43:12Like, when you're connected to someone in that way.
00:43:14Cos she knows me better than anyone, and I'm the same for her.
00:43:17And when we paint, man, fuck, when we paint together,
00:43:19we disappear into this fucking cloud together, man.
00:43:22Creativity.
00:43:24Creativity, yeah. Yeah, yeah, that's right.
00:43:26And, you know, creativity's, like,
00:43:28the most intimate thing you can share, yeah?
00:43:30Like, you gotta be vulnerable to open yourself up to that space,
00:43:33and what's cool, man, what's really fucking cool
00:43:36is she can do that with me.
00:43:39What?!
00:43:42God, just stop passing that shit all the time.
00:43:45It's too much.
00:44:01Ice legend.
00:44:04Women's exhibit in Edinburgh.
00:44:06Huge opportunity for G.
00:44:08Hey, Eric.
00:44:10Not the right time for G.
00:44:11She has politely declined the invitation.
00:44:13I don't remember.
00:44:14What do you mean you can't remember?
00:44:15G, what are you doing?
00:44:17G, where were you?
00:44:18Are you drunk?
00:44:20Jealousy is an aphrodisiac.
00:44:22You know, I wouldn't just give this centerpiece to a mate, right?
00:44:24I'm not forcing you into anything.
00:44:26I'm just saying it's your fucking choice.
00:44:34Do you know anything about the legendary
00:44:36Kordanian-Persian aerobic dance?
00:44:38Should I?
00:44:40Yes, yes, yes, you should.
00:44:41You should research it like I have.
00:44:43Because if you haven't danced, you haven't lived.
00:45:34You met Little and Spike.
00:45:37I'm sorry about the dogs.
00:45:39Sorry about Spike's mouth.
00:45:40I can't always control my switching.
00:45:42I'm sorry we didn't get to do your painting.
00:45:44Melinda, my ex-girlfriend, she came to see me.
00:45:50Yeah, I thought that was her.
00:45:55How old's Little?
00:45:57She used to be four, but she's grown up to six now.
00:46:00She's a good girl.
00:46:03She grows up?
00:46:04Yeah, as I get better through therapy.
00:46:07Hopefully I'm slowly getting there.
00:46:09Oh, I've forgotten where there is.
00:46:15So how many are...
00:46:18There's ten of us.
00:46:22If you imagine it like a house,
00:46:24and that there's many rooms inside me.
00:46:27Oh, and you can see the rooms?
00:46:28You know where everyone is?
00:46:30Not everyone can see and hear each other,
00:46:32but I can see the house,
00:46:33and I can usually find someone if I try.
00:46:38There's a clock in the shape of a heart above the roof.
00:46:41It's always ticking.
00:46:43Certain rooms only unlock at certain times if I ask them.
00:46:48Trouble is, I can't always see the time.
00:46:51Clouds, they get in the way.
00:46:54That's fascinating.
00:46:57As if.
00:46:59Who'd want to put up with ten of us?
00:47:01Well, if a guy didn't have many friends,
00:47:03it would make a great package deal.
00:47:08What about you?
00:47:09Since Melinda, there's really been no one.
00:47:11Who'd want to put up with a guy who wears gloves instead of socks?
00:47:15Someone might.
00:47:20Usually when guys talk to me for this long,
00:47:22they want something else, but...
00:47:24you don't want to touch me.
00:47:27The funny thing is,
00:47:30I don't want to be touched either.
00:47:33Usually.
00:47:46It's about time we did something to help you out.
00:47:51You must be dying for it.
00:47:55What do you do with all that sexual energy, huh?
00:47:58Fantasize.
00:48:00Touch yourself.
00:48:02Wet dreams, maybe.
00:48:04Oh, I can see it.
00:48:05It's there.
00:48:06What do you do with it, huh?
00:48:08I drive!
00:48:11Am I tormenting you?
00:48:13No, no, no, no.
00:48:14This is perfectly normal, reasonable behavior.
00:48:16You're not a tease.
00:48:18You never were.
00:48:21I'm responsible.
00:48:22I could do you right here, on this bench, in public.
00:48:28That'd be hot.
00:48:30Don't fucking touch me!
00:48:32Fuck!
00:48:33Shit!
00:48:34This is gonna take me hours now, you stupid, stupid idiot!
00:48:38Damn it, damn it!
00:48:47Grace?
00:48:50I'm sorry.
00:48:51I'm so embarrassed.
00:48:52I saw what you just did.
00:48:54That's great.
00:48:58Every third Wednesday is my going out day.
00:49:00Maybe we could do something on Wednesday.
00:49:02I could take you out for...
00:49:03You could do your painting, or I could take you out for lunch, or both.
00:49:06Let's be spontaneous.
00:49:08How about lunch now?
00:49:09No, no, no.
00:49:11It's gotta be Wednesday, okay?
00:49:13And it's not Wednesday.
00:49:15Okay.
00:49:16Good, good, good.
00:49:17I've gotta go shower.
00:49:18I think you should shower.
00:49:19We should both shower.
00:49:20I mean, no, no, no.
00:49:21I've gotta go.
00:49:22Okay, bye.
00:49:23Sorry.
00:49:36Remember we discussed the idea of you reducing the number of times you check just one area?
00:49:41The gas, for example?
00:49:43Or halving things?
00:49:45The detergent or the soap bars?
00:49:47Have you made any progress?
00:49:49No.
00:49:50I've been too busy.
00:49:51Busy?
00:49:52Well, it's not long since I've moved in.
00:49:53The house is still filthy.
00:49:55I'm systematically cleaning each room.
00:49:56By the time I shower, watch a bit of TV, it's already very late.
00:50:00That must make contact with friends very difficult.
00:50:03Yeah, well, if you turn up three hours late to a movie, do you expect anyone to wait around for you?
00:50:06I mean, come on.
00:50:07Do you keep your husband waiting three hours and expect him to be hanging around for you?
00:50:10Well, take it from me, they give up on you eventually.
00:50:14Well, why do you keep your husband waiting?
00:50:16You should know by now how much I enjoy my work.
00:50:18Oh.
00:50:20Obsessive, huh?
00:50:23Linda used to say, love is not a mathematical equation.
00:50:25She'd say, lose the calculator.
00:50:28She's right.
00:50:29When you stop measuring and calculating and just live, then you can love.
00:50:35To love, you have to be spontaneous.
00:50:37And one simple act of spontaneity, it can change everything.
00:50:41Well, are you spontaneous with your husband?
00:50:45No.
00:50:46Well, maybe you'd like to be.
00:50:49See, there I go again.
00:50:50I have not lost my knack for ruining encounters with women.
00:50:54Encounters?
00:50:55Who are these women?
00:50:57Well, they're just figments of my imagination, really.
00:51:03There is one woman.
00:51:05She's very beautiful.
00:51:06I end up showering three times.
00:51:08Oh, you know what?
00:51:09That sounded so perverted.
00:51:10I just meant I wash myself more, that's all.
00:51:13Is this woman someone you could like or trust?
00:51:17We just talk on a park bench.
00:51:19Nothing raunchy.
00:51:20Do you still think about those times?
00:51:22Times when you could accept a hug or a kiss from someone you cared for?
00:51:27Do you?
00:51:29Is it important for you to compare yourself to me?
00:51:31It's important for me to clown around.
00:51:34Look, I know where you're going with this, okay?
00:51:36And it is nice in theory, but...
00:51:38Well, the idea of exchanging body fluids with someone, it just...
00:51:43It seems impossible.
00:51:45Impossible.
00:51:48Okay, may I?
00:51:49Yes.
00:51:50Okay, thank you.
00:51:52Because you think that they might contaminate you
00:51:55or because you feel that you may contaminate them?
00:51:58Both.
00:52:03Adrian?
00:52:04We've talked about this before.
00:52:06Adrian, we've talked about the options.
00:52:10There are no magic solutions.
00:52:12You have to be prepared to work at it.
00:52:15But there is medication.
00:52:18I told you, my brain is important to me, okay?
00:52:21I don't want my thinking to be affected.
00:52:23I've read about the side effects.
00:52:25Dizziness, headaches, the inability to drive.
00:52:28I've got to drive.
00:52:30I've got to drive.
00:52:31What if it works, Adrian?
00:52:36I don't know.
00:52:43How can I marry him when I can't even walk around naked?
00:52:46I mean, I only have sex in the dark.
00:52:48Look, what is it this time?
00:52:50Because I don't actually have much money.
00:52:53This time, my ears did stick out pathologically
00:52:57and I had no breasts.
00:52:59Who said I wanted money anyway?
00:53:01I mean, this is a very big decision to make on my own
00:53:04today.
00:53:24I'm serious.
00:53:28Hey there, lovebird fuckers.
00:53:30Who's this?
00:53:31Spike.
00:53:32What, as in giants?
00:53:33Yeah, something like that.
00:53:34I'm Adrian's neighbour and sometimes confidant
00:53:36and I want to know why the fuck you are fucking with his head.
00:53:39Excuse me?
00:53:40You heard.
00:53:41The old I'm getting married.
00:53:42Are you jealous?
00:53:43Tell me you love me because I'm shitting myself
00:53:45impending boredom of forever with some dude
00:53:47who's going to give me a picket fence and a loose vagina.
00:53:50Oh, shame.
00:53:51I feel for you.
00:53:52Sorry?
00:53:53Am I being too fucking generic?
00:53:55Are you here to prove how fully functioning you are
00:53:58in comparison to your crazy ex-boyfriend
00:54:01who can't even leave the house?
00:54:03Ha ha ha, yeah.
00:54:04Looks like I hit the nail on the head there.
00:54:07Loose vagina?
00:54:08She didn't mean that.
00:54:09I didn't say that.
00:54:10No, of course you didn't.
00:54:11You're too busy drowning your guilt in sod suds day and night.
00:54:14Guilt.
00:54:15Get it?
00:54:16You are a coward and you can't get over it.
00:54:19It.
00:54:20Not her.
00:54:21If you care so much, then you'll get those dogs away from here.
00:54:27I'm not an enabler.
00:54:28I test boundaries.
00:54:29And that's how I show my affection.
00:54:36Hose you?
00:54:59Come on.
00:55:18Come on.
00:55:19Come on, work for me.
00:55:22Come on.
00:55:30Woo!
00:55:35Okay.
00:55:45Nice, nice.
00:55:46Okay, okay.
00:55:59Come on.
00:56:30Come on.
00:56:36Come on.
00:56:49Dance with me.
00:57:00Woo!
00:57:12Hey, check it out.
00:57:15Hey, honey.
00:57:16How about a free ride for us and for you?
00:57:20Adrian?
00:57:21Venus.
00:57:22We thought you were an egg-denied dealer that you crashed that shipwreck of a car and died.
00:57:26Maybe he is dead and this is car heaven.
00:57:29What is this delicious vehicle?
00:57:31Oh, hi, Celeste.
00:57:32But I'm not supposed to be driving this car.
00:57:34My dad's storing it in my garage.
00:57:35He took away the key.
00:57:36He's trying to bribe me to change my...
00:57:38To change your sex life, that's for sure.
00:57:40Honey, come on.
00:57:41Get out or let me get in.
00:57:43I'm just a squirrel looking for a nut.
00:57:45Oh, no, no, no, nuts.
00:57:46Sorry, ladies.
00:57:47But I did bring refreshments as promised.
00:57:49Yeah.
00:57:50Lots of sugar.
00:57:51No alcohol.
00:57:52Be careful and don't scratch the paint.
00:57:54When we said drinks, we meant drinks.
00:57:57Goddamn, we just got a sugar daddy for life now instead.
00:58:00So, um, were you ladies really dancers?
00:58:04Would I lie to you?
00:58:06Queens of an exotic dance troupe.
00:58:08My career didn't end because my moves were too bad.
00:58:11No, because the smack was so good.
00:58:15I better get going now.
00:58:17But I'll see you next time.
00:58:21Take us with you on a ball.
00:58:23Listen to your father and write something else.
00:58:26Like a woman.
00:58:39Wow.
00:58:41I didn't think you'd show up.
00:58:43Shouldn't you be furious with me?
00:58:45Oh, Spike makes me want to toughen up.
00:58:52Do you want to go for burgers?
00:58:55Okay.
00:59:03So, lunch first and then my painting?
00:59:05Yep.
00:59:06He's pulling along
00:59:08If I was you
00:59:12I'm sure
00:59:16That I'm wrong
00:59:21Mmm.
00:59:23Not that it's a touch.
00:59:26These are the best.
00:59:28Yep.
00:59:36Are you free to do something on Monday night?
00:59:38Okay, I don't know.
00:59:403am?
00:59:42What did you want to do?
00:59:44I want to take you out.
00:59:46It's a surprise.
01:00:06Yes.
01:00:36Come on.
01:01:02Stay there.
01:01:04Don't move or this whole thing won't work.
01:01:07Arms down.
01:01:14You said you wanted to toughen up so
01:01:16promise me.
01:01:18Okay, I promise you.
01:01:21So what's this new technique?
01:01:23Pigment.
01:01:25Watch.
01:01:29Ready?
01:01:31Uno
01:01:33Dos
01:01:35Tres
01:02:03Uno
01:02:05Dos
01:02:07Tres
01:02:09Uno
01:02:11Dos
01:02:13Tres
01:02:15Uno
01:02:17Dos
01:02:19Tres
01:02:21Uno
01:02:23Dos
01:02:25Tres
01:02:27Uno
01:02:29Dos
01:02:31Uno
01:02:33Dos
01:02:35Tres
01:02:37Uno
01:02:39Dos
01:02:41Tres
01:02:43Uno
01:02:45Dos
01:02:47Tres
01:02:49Uno
01:02:51Dos
01:02:53Tres
01:02:55Uno
01:02:57Dos
01:02:59Uno
01:03:01Dos
01:03:03Tres
01:03:05Uno
01:03:07Dos
01:03:09Tres
01:03:11Uno
01:03:13Dos
01:03:15Tres
01:03:17Uno
01:03:19Dos
01:03:21Tres
01:03:23One
01:03:25Two
01:03:27Just a moment.
01:03:47Being aware of Gee's sexual behavior,
01:03:50even for a few moments, is a momentous change.
01:03:54Do you wanna tell me what she did?
01:03:56with someone we don't have to talk about it is G soundproof now yeah but she
01:04:05actually she spoke to me in a dream I had the other night that's never happened
01:04:09before that's great what did she say she said she wants to
01:04:14work together with me on the centerpiece and that she wants to come out of the
01:04:19attic she's tired of it she asked me if I'd be happy to make some time to sit
01:04:24with her in the lounge room because she's feeling lonely and then she
01:04:29smiled at me really nicely and what did you say I said maybe because I felt a
01:04:36bit sorry for her but that she would have to promise not to behave badly she
01:04:44laughed said she'd think about it
01:04:49actually I feel a bit different since I spoke to her
01:05:04three
01:05:18you
01:05:48you
01:06:18you ready almost do I need to bring anything music your kind of music wait
01:06:29I saw my garage
01:06:48you should get in we have 127 minutes to go
01:07:18Oh great idea you had with the app
01:07:39thank God we were getting thirsty
01:07:48yes I'm a regular here now oh my god there's a woman in there this is grace
01:07:57my friend hey I'm great hand him a drink okay like always don't scratch the
01:08:04delicious divine and hopefully not a hallucination
01:08:13we've got to go there's only 87 minutes left I still don't know what we're
01:08:17counting down to oh I hacked into the highway police patrol schedule
01:08:22Adrian baby don't you fall from grace
01:08:34maybe I could do some painting on the walls in your garage it could be cool
01:08:51would you let me in in my garage yes I love that I'm excited
01:09:03I feel pretty honored that you have the time for me and not for Edinburgh you
01:09:07sure sure what's in Edinburgh oh I don't know I'm mixing things up tomorrow
01:09:19afternoon meet you at the garage
01:09:24is something up huh no no tomorrow I can't do it in the afternoon I promised
01:09:33Melinda I'd be somewhere but can you do the evening okay what did you promise
01:09:42Melinda oh it's somewhat personal I shouldn't say
01:09:54you still want her back
01:10:12I don't know now
01:10:23this is my favorite song
01:11:23I
01:11:53I
01:12:23I
01:12:44you did not just bring me here for some artistic opinion yeah I did this is
01:12:49Adrian's garage his blank walls need a touch of me yeah and why are we alone in
01:12:55the dark huh you know that guy would be scared of a
01:12:58spray can he came painting with me at the deserted factory fuck you gee that's
01:13:06you know you probably do want to fuck him don't you I'd like to see that
01:13:10actually bitch of the guys too fucking scared to touch his own dick maybe he
01:13:14does it like this without his hands maybe I just want to close my eyes and
01:13:19pretend that it's him maybe that's what I really want
01:13:33you guys leave
01:13:37I'm going to we should all leave
01:13:49Adrian it's me Adrian hey I'm I'm really sorry I want to make it up to
01:14:19you I made sandwiches for lunch are you free
01:14:50I I want to apologize for G showing up instead of me I I was disappointed so G
01:15:04acted out you can be honest do you want to hang out
01:15:14Adrian
01:15:3398 and done 99 done 100 and done
01:15:43Oh, I can't sit. I've got to find someone.
01:15:50Someone? What?
01:15:52So you're just running away as usual, are you?
01:15:56You're my support through this.
01:15:58We've got another appointment.
01:16:00We didn't have sex for three years.
01:16:03A guy who wants sex every night.
01:16:05I've been a neck brace for fuck's sake.
01:16:08No, nothing has changed.
01:16:09I still can't get out of the bathroom for someone I love.
01:16:12We love each other so much.
01:16:19This maniac is who we're looking for?
01:16:21Wait.
01:16:22No thanks.
01:16:23I hope you have a very happy life together.
01:16:27Just try and stay out of my face.
01:16:30This is my turf.
01:16:33It's alright for you to have sex in my garage, I suppose.
01:16:36What do you care?
01:16:37Yeah, what do you care?
01:16:38Fuck off!
01:16:40I can take care of myself.
01:16:44That crazy is totally in love with you.
01:16:48You don't like her, do you?
01:16:54Mel, I'm going to walk you home now.
01:16:56Who says I'm done here?
01:16:57Have you even heard a word that I've been saying?
01:16:59For fuck's sake!
01:17:00I heard you, okay?
01:17:03You are always going to doubt yourself, Mel.
01:17:06And I am always going to be sorry for what I did,
01:17:09but mostly for what I did not do for you.
01:17:13But I'm not always going to be hurt by you not loving me,
01:17:15so please, just let me be sorry and stop trying to hurt me.
01:17:19It's just...
01:17:21Greg's so perfect.
01:17:23That's what's scary.
01:17:25Well, don't worry.
01:17:26He's probably not that great.
01:17:27You're just comparing him to me,
01:17:29and he's killing it on the normality scale.
01:17:32Now, shall we?
01:17:36Yeah.
01:17:50Adrian, it's Stan.
01:17:52Premium Motors don't want to wait the full three months.
01:17:55They're going to cut your retainer,
01:17:56and your research will become company property.
01:17:58So tell me you've done something, Adrian,
01:18:00because if you haven't, call me.
01:18:03Please, mate, call me.
01:18:13Grace?
01:18:17She won't be back for a long, long time.
01:18:21Oh, I see.
01:18:23What happened to your girlfriend?
01:18:25I don't have a girlfriend.
01:18:27I don't care if you do.
01:18:29Do you know much about chemistry?
01:18:31Biochemistry.
01:18:32Chemistry?
01:18:33Sexual chemistry.
01:18:34Oh, no.
01:18:36You like me, I can tell.
01:18:38I do?
01:18:39Yeah.
01:18:40You're a bit scared of me, but you like me,
01:18:42and that's because we have chemistry.
01:18:44You can't ignore it if it's there.
01:18:45You can't grow it if it's not.
01:18:46So if it is there, it's kind of crazy not to act on it.
01:18:50Oh, it's not the first time I've done something crazy.
01:18:52Oh, yeah? How crazy?
01:18:54Oh, not that kind of crazy.
01:18:56I meant the first kind of crazy you mentioned.
01:18:59In a perfect world, what would you like to do to me?
01:19:07I'd like to leave a message with Grace, actually,
01:19:10if that's how it works.
01:19:12I wanted to meet me at that bench at 4 p.m. on Wednesday
01:19:15to apologize.
01:19:17You want me.
01:19:18No, no, no, I don't want you.
01:19:20You don't want me?
01:19:22No, yes.
01:19:23Do you hate me because I make you uncomfortable?
01:19:27No, no, no, no, no, no, I don't hate you.
01:19:29I mean, it's the opposite.
01:19:31You hate me.
01:19:33You hate me.
01:19:35Go on, admit it.
01:19:36You hate me.
01:19:38No, I love you!
01:19:44I'll see you later.
01:19:46I'll see you later.
01:20:16I love you.
01:20:47I love you.
01:20:59Uh, stay.
01:21:01It's your agent.
01:21:16♪ When there's other people's questions
01:21:18♪ I wore other people's clothing
01:21:20♪ I became other people's plaything
01:21:23♪ Wow, that's what I partake
01:21:25♪ When there's other people's heartache
01:21:35You here to keep me company, Keens?
01:21:37You want to give me a hand with these boxes?
01:21:39Mm.
01:21:42So tell me, it's come to my attention
01:21:44that you've made great progress as an artist.
01:21:46What do you mean?
01:21:47I know you never told her about the opportunity
01:21:49at the Edinburgh Women's Exhibition,
01:21:51and if you don't, I will.
01:21:53Was this blackmail?
01:21:54No, no, no, what you're doing with Gee about the centerpiece,
01:21:56that would be a much more apt example of blackmail.
01:21:58Yeah, well, I didn't tell her about the Edinburgh Invitation
01:22:00because I didn't want to flood her canoe, all right?
01:22:03Edinburgh Invitation?
01:22:05Yes, yes, yes, Street Art University
01:22:07invited you to be part of an exhibition in Edinburgh,
01:22:09and he declined on your behalf.
01:22:11What?
01:22:13And you didn't tell me?
01:22:14I can't trust either of you.
01:22:16You misunderstood what I said, you know,
01:22:18with what you saw with Melinda and I.
01:22:19Oh, look, don't fucking compare me to him, OK?
01:22:21Come on.
01:22:22Stop it! Both of you!
01:22:23Sledge, I decide on my RSVP for career-altering exhibitions,
01:22:27not you.
01:22:28Yeah, well, guess what, Gee?
01:22:29This is my fucking collective, OK?
01:22:31I don't want you getting distracted by some other shit
01:22:34and pissing off when we're doing our fucking centerpiece.
01:22:37You can shove the centerpiece up your arse.
01:22:43Fuck, man!
01:23:03I am never coming back.
01:23:06Do you fucking hear me?
01:23:08You can fuck yourself, you fucking dick!
01:23:12Yeah, what are you going to do, come here?
01:23:15Big fucking threat!
01:23:41Fuck!
01:23:58I'm going to show my wife.
01:24:07I'm going to kill you.
01:24:12Fuck! Shit!
01:24:20Fuck! Fuck! Jesus! Fuck!
01:24:28Enough of this hot and cold bullshit, Gee!
01:24:30It's fucking torture!
01:24:31Sledge, I am Grace, not Gee, and I don't want this.
01:24:34I don't want this ever again between us.
01:24:36Listen to yourself, you're fucking crazy!
01:24:38I know who you are!
01:24:39No, you don't!
01:24:40No, I need you, Gee, OK?
01:24:41Yes, you need me, you need my attention,
01:24:43you need me for the centerpiece.
01:24:45You are not in love with me!
01:24:51You fucking bitch!
01:24:52You treat me like the fucking dog, do you?
01:24:54Do you know that?
01:24:55Do you know what that fucking feels like, Gee, huh?
01:24:58Do you know what that fucking feels like?
01:25:00Yes!
01:25:10Fuck!
01:25:34Is there something wrong with the front door?
01:25:36Fuck!
01:25:40This was easier.
01:25:51Thank you.
01:26:07I want you to know that it's me, not Gee.
01:26:16I want to touch you.
01:26:19I'm sorry.
01:26:36I'm sorry.
01:27:07I'm very, very happy to unveil
01:27:09my very first interactive video installation
01:27:12with the dress rehearsal of the live performance
01:27:15for the opening night!
01:27:16Dude, we told you we can't.
01:27:19Adrian!
01:27:20Ganja!
01:27:22Rajiv, are you ready?
01:27:24Come on.
01:27:29You're fucked!
01:27:31You're fucked!
01:27:35Come on, girls!
01:27:41Did you know he was doing this?
01:27:42No.
01:27:43Hey!
01:27:44You didn't know it!
01:27:48That's for Jay!
01:27:49One, two!
01:27:55You're killing me, my son
01:27:58You're killing me, my son
01:28:03Say it again
01:28:09Say it again
01:28:16You're killing me, my son
01:28:28You're killing me, my son
01:28:30You're killing me, my son
01:28:58You're killing me, my son
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