- 6 weeks ago
Bad Relations ( HD ).
Category
🎥
Short filmTranscript
00:00:00I missed you.
00:00:27I missed you, too.
00:00:30You okay?
00:00:37Yeah, why?
00:00:39Not you.
00:00:53Good night.
00:00:56I'm sleeping now.
00:00:59I'm not sleeping.
00:01:00Mm-mm.
00:01:05This guy, I get the concept of difference between time zones and countries.
00:01:09He's here.
00:01:10I only paint those women that are particularly special to me.
00:01:20It's intimate, sexual, yes, but it's more than that.
00:01:27It's an exact moment of ultimate connection.
00:01:31It's captured forever in paint.
00:01:33Oh, boy.
00:01:34Hey, we done here.
00:01:35Diana?
00:01:36We're not doing personal questions.
00:01:37Seems like the personal is a process.
00:01:40Oh.
00:01:41She has pointed.
00:01:42Look, Brooke, he's brilliant, but as your friend I'm calling it, the other critics will tear
00:01:55this apart.
00:01:56Did you keep your day job at Sotheby's?
00:02:00Picasso, Klimt, Lucy, and Freud, they were all called pornographers.
00:02:05Look, I know what I believe in, and if the critics don't understand us, then they're wrong.
00:02:12Hi, can I look at a few?
00:02:13Awesome.
00:02:14This is still for the cover, right?
00:02:15So, um, you're the husband?
00:02:16Yeah, hi.
00:02:17Owen Short.
00:02:18Welcome.
00:02:19She's badass, right?
00:02:20I like that.
00:02:21Yeah, I like the tiger shots as well.
00:02:22Can you go back to the tiger ones?
00:02:23Honey.
00:02:24We don't want to be late.
00:02:25Oh.
00:02:26See?
00:02:27When women get absorbed in me, we can't talk to them.
00:02:30To Brooke's amazing new gallery and the successful opening.
00:02:31Cheers.
00:02:32Cheers.
00:02:33Oh, and to me, getting to retire early and fulfill my life's purpose as a trophy.
00:02:35It's amazing.
00:02:36I like the tiger shots as well.
00:02:37I like the tiger shots as well.
00:02:38Can you go back to the tiger ones?
00:02:39Honey.
00:02:40We don't want to be late.
00:02:41Oh.
00:02:42See?
00:02:43When women get absorbed in me, we can't talk to them.
00:02:44You can't talk to them.
00:02:47To Brooke's amazing new gallery and the successful opening.
00:02:53Cheers.
00:02:54Cheers.
00:02:55Oh, and to me, getting to retire early and fulfill my life's purpose as a trophy.
00:02:59Hmm.
00:03:00Let's not jinx it.
00:03:01Hey, if that's what you want, then you should do a news story on it.
00:03:04Feel-good holiday feast days before Christmas.
00:03:06It's local news.
00:03:07No, no, no, no, no.
00:03:08Owen has already done so much.
00:03:09Oh, come on.
00:03:10Isn't going broke and bedding the farm what all good husbands do?
00:03:12Hey, Brooke is living her dream and dreams are worth the risk.
00:03:15Okay, when's our next vacation?
00:03:17That's my dream.
00:03:18Oh, yeah.
00:03:19I was thinking Paris.
00:03:20But just me and Brooke, so sorry, guys.
00:03:22Paris in the winter?
00:03:23Texas pictures.
00:03:24If your thumbs don't freeze off.
00:03:26You know, I've always wanted to do Christmas in Paris.
00:03:28Hello?
00:03:29I can't even think of a vacation until this gallery opens Friday.
00:03:33Well, I mean, we should plan it soon before things get too complicated.
00:03:37What does that mean?
00:03:39Just, you know, whatever.
00:03:41Life.
00:03:42Owen.
00:03:43Complicated.
00:03:44Are you guys pregnant?
00:03:45No!
00:03:46Because that would be like a shitty way to tell us.
00:03:48No.
00:03:49The doctor says that we could take the pressure off.
00:03:51It may happen naturally.
00:03:53What?
00:03:54We don't have to talk about this.
00:04:01Is that the brooding hunk?
00:04:02Can't be.
00:04:03I left my phone at home.
00:04:04No, it's, um, Brooke's new Irish artist, Hottie McHatterson.
00:04:08Okay, his name is Ansgar Doyle.
00:04:10He was a street artist in Dublin until a few years ago.
00:04:12But it hasn't broken here.
00:04:14Yet.
00:04:15Wait until you see the art.
00:04:16Hot.
00:04:17Ooh.
00:04:18This guy, he's always texting at 3 a.m. with a crisis.
00:04:20What's the crisis?
00:04:21He can't find his paintbrush?
00:04:22No, he's just an artist.
00:04:23They don't sleep.
00:04:24Actually, I learned from his interview that this is an artist who's not sleeping in a lot
00:04:28of married women's beds.
00:04:29That's not what he was saying.
00:04:30Actually, that's kind of exactly what he was saying.
00:04:32Well, as the two divorce attorneys at the table, I would just like to say that men like
00:04:37Ansgar are very good for our business.
00:04:38Absolutely.
00:04:39Quote our business.
00:04:40When you've been doing what we've been doing for long enough, you just can grow up.
00:04:42Everybody cheats.
00:04:43The wives are just better at not getting caught.
00:04:44Yeah.
00:04:45I mean, I've been hiring so many private investigators I could teach a course at Quantico.
00:04:49I'll be right back.
00:04:50Where'd this come from?
00:04:51Yeah, I mean, I've been hiring so many private investigators. I could teach a course at Quantico. I'll be right back
00:05:15Where'd this come from?
00:05:21They're from you. Mmm. Thank you. They're beautiful.
00:05:30Hey, I'm gonna make it up to you. Oh, I'm so sorry. I've been so busy and so bitchy.
00:05:37You've been so great.
00:05:41Okay, listen. I wasn't kidding about what I said at dinner about Paris.
00:05:45If you play your cards right, you open the gallery on Friday.
00:05:48Then we drink champagne all night to celebrate. We get in the air, on Saturday, on our way to Paris, France.
00:05:55Where we spend Christmas next week, French kissing. A little menage a doux.
00:06:04Now wait.
00:06:07Now how about this place? To let it happen naturally?
00:06:09No. Right?
00:06:12It sounds heavenly. But I can't go then.
00:06:16We don't even have any Christmas plans to break.
00:06:20And look around. We haven't even had time to decorate.
00:06:22I know, but I have so much to do after Friday night.
00:06:25I mean, that's when the real selling starts.
00:06:27And I've got more press lined up for ANSCAR 2 and you know, I can't leave him alone.
00:06:30He needs me.
00:06:34You know what I mean.
00:06:35Let me earn the vacation with sales.
00:06:37That way we can relax and we can enjoy it.
00:06:48Sorry. Yeah. Yeah. You're right.
00:06:52Okay. I'm gonna go take the trash out real quick.
00:06:54I'm gonna go take the trash out real quick.
00:06:56All right.
00:07:24I'm gonna go take the trash out real quick.
00:07:25I'm gonna go take the trash out real quick.
00:07:26I'm gonna go take the trash out real quick.
00:07:27I'm gonna go take the trash out real quick.
00:07:28I'm gonna go take the trash out real quick.
00:07:29I'm gonna go take the trash out real quick.
00:07:30I'm gonna go take the trash out real quick.
00:07:31I'm gonna go take the trash out real quick.
00:07:32I'm gonna go take the trash out real quick.
00:07:33I'm gonna go take the trash out real quick.
00:07:34I'm gonna go take the trash out real quick.
00:07:35I'm gonna go take the trash out real quick.
00:07:36I'm gonna go take the trash out real quick.
00:07:37I'm gonna go take the trash out real quick.
00:07:38I'm gonna go take the trash out real quick.
00:07:39I'm gonna go take the trash out real quick.
00:07:40I'm gonna go take the trash out real quick.
00:07:41I have my phone up here.
00:08:06Yeah, you don't want to miss any text messages from Sarah.
00:08:11Is that one of the new producers?
00:08:14Yeah.
00:08:16Thanks.
00:08:18My opening is in four days, and these light fixtures were custom ordered three months ago.
00:08:27Sorry.
00:08:28I gotta replace the pipe that goes down to the basement.
00:08:39It's gonna cost about three grand.
00:08:40What?
00:08:41Hang on.
00:08:42Just tell him to bring me the lights himself.
00:08:44Why were you talking to Amanda Geisler?
00:08:47I was just thanking her for lunch and interested me.
00:08:49Okay, well, she has a gallery full of artists who showed potential ten years ago.
00:08:52She should be taking them out to lunch.
00:08:54Wow.
00:08:55I think I'm jealous.
00:08:56I think we have a contract.
00:08:57Giaco, there's no more money.
00:08:58Figure it out.
00:08:59You'll be able to pay him soon enough.
00:09:01Told you.
00:09:02I have news.
00:09:03You may fall in love with me when I tell you.
00:09:04That good, huh?
00:09:05I haven't.
00:09:06You have who?
00:09:07The customer.
00:09:08The big one we need.
00:09:09Damien Light.
00:09:10Damien Light is here?
00:09:11Oh, he's in Paris.
00:09:12He's shooting his next movie there.
00:09:13But he saw one of my pieces in Mariah and he likes it.
00:09:14He wants to see more.
00:09:15People want us to be there for dinner the day after tomorrow.
00:09:16Wait, where?
00:09:17The hotel in the Mariah.
00:09:18Oh, the Mariah in Paris?
00:09:19Yeah.
00:09:20Yeah.
00:09:21Yeah.
00:09:22Yeah.
00:09:23Yeah.
00:09:24Yeah.
00:09:25Yeah.
00:09:26Yeah.
00:09:27Yeah.
00:09:28Yeah.
00:09:29Yeah.
00:09:30Yeah.
00:09:31Yeah.
00:09:32Yeah.
00:09:33Yeah.
00:09:34Yeah.
00:09:35Yeah.
00:09:36Yeah.
00:09:37Yeah.
00:09:38Yeah.
00:09:39Yeah.
00:09:40Yeah.
00:09:41Yeah.
00:09:42Yeah.
00:09:43Yeah.
00:09:44Look, you can leave tomorrow, still make it back in time for the opening.
00:09:47You should really answer my texts.
00:09:49Do you see this gallery?
00:09:51I can't go.
00:09:52Oh, whoa, whoa, whoa.
00:09:53I need you there.
00:09:55I'm no good at the business.
00:09:56I hate that shite.
00:09:58If this is real, this could be huge for us.
00:10:03Oh.
00:10:04You think I'm making it up to steal away with you?
00:10:12I'm going either way.
00:10:14I'll try to make it back for my opening on Friday night.
00:10:17Oh, very funny.
00:10:18Oh.
00:10:19You need to check in with the husband first.
00:10:22Um...
00:10:23Or are you more afraid?
00:10:25To leave this mess?
00:10:27To leave your husband alone.
00:10:29What?
00:10:30You'll let me leave it out to you.
00:10:33Oh, God.
00:10:34I know.
00:10:35I mean...
00:10:36I have to go.
00:10:37You have to go.
00:10:38It's Paris.
00:10:39It's work.
00:10:40Right.
00:10:41It's work.
00:10:42Oh, God.
00:10:43What do I tell Owen?
00:10:44In person's good.
00:10:45Um, run in, bring a coffee, and just tell him you have the business opportunity of a lifetime.
00:10:51Right.
00:10:52Right.
00:10:53Just be direct.
00:10:54Right.
00:10:55Downplay the fact that you're going to be in a Paris hotel with the world's sexiest
00:10:58men alive.
00:10:59Okay.
00:11:00Get out of here.
00:11:01Go talk to your husband before I have to represent you.
00:11:04It is.
00:11:05We're going to cut it.
00:11:06It's okay.
00:11:07I accept it.
00:11:08Don't worry about it.
00:11:09Hope I'm not interrupting.
00:11:11Hey.
00:11:12I thought you could use this.
00:11:14Brooke.
00:11:15Hey, that's so sweet of you.
00:11:18Uh, this is, uh, Kim, one of our new producers.
00:11:21Hi.
00:11:22Hi.
00:11:23Are you Sarah?
00:11:25Natalia, new intern.
00:11:27Hi.
00:11:28What are you doing here?
00:11:29Oh, you know.
00:11:31What's going on?
00:11:34Everybody okay?
00:11:35Uh, well, I, uh, I have a situation with Ansgar.
00:11:38What now?
00:11:39It's a long story, um, but it's actually amazing.
00:11:43Damien Light is interested in buying a few of his paintings.
00:11:47That's big news.
00:11:49I know.
00:11:50I know.
00:11:51I know.
00:11:52And I would send him a loan tomorrow, but things could get, you know, he's not a people
00:11:54person.
00:11:55And making the sale could be huge for us.
00:11:56It could really make all this hard work pay off.
00:11:58This, this is amazing.
00:11:59Yeah.
00:12:00So I'll be back from Paris in like two days.
00:12:02Yay!
00:12:03What's that?
00:12:04I said, yay.
00:12:05You're going to Paris?
00:12:10Yeah.
00:12:11Damien's filming there.
00:12:15You're telling me that you want to go to Paris with Ansgar, the myth of fidelity guy,
00:12:22tomorrow, after you told me that we can't go on Saturday?
00:12:27I know.
00:12:28I know.
00:12:29I know.
00:12:30But it's business.
00:12:31And I would say, come with me, but it's going to be all meetings.
00:12:32And then I have to fly right back for the opening Friday and...
00:12:35Owen.
00:12:36Owen, please don't be that way.
00:12:40So does this mean I'm definitely free on Saturday since we're not going to Paris?
00:12:46Well, yeah.
00:12:47I...
00:12:48Yeah.
00:12:49Hey, Kim.
00:12:50Is that shoot for the New Yorker's Christmas in Las Vegas still available for Saturday?
00:12:55I was going to give it to Jim, but it's yours if you can do it now.
00:13:04Yes.
00:13:05I am available.
00:13:06Let's book that.
00:13:07Thank you for the coffee.
00:13:09I gotta get back to work.
00:13:11Natalia, see if you can book Owen's flight with seats near us.
00:13:14Vegas, baby.
00:13:17Shit.
00:13:19This has been Owen Shore with the news you can use.
00:13:26Have a great one, everybody.
00:13:49...
00:13:52...
00:13:56...
00:13:58...
00:13:59...
00:14:03...
00:15:34Owen, I feel bad we keep missing each other.
00:15:37I'm not sure if you're getting my texts.
00:15:39Uh, my flight is tonight.
00:15:41So, uh, when you get a break, please call me.
00:15:45Okay.
00:15:46Okay.
00:15:47Okay.
00:15:48Okay.
00:15:50Okay.
00:15:51Okay.
00:15:52Okay.
00:15:53Okay.
00:15:55Okay.
00:15:56Okay.
00:15:57Hey.
00:15:58Hey.
00:15:59Hey.
00:16:00Hey.
00:16:01That assignment was late last night.
00:16:08What was the story?
00:16:09Yeah, I didn't want to wake you.
00:16:11I'm, uh, trying to get these two new producers to put me on hard news stories instead of these
00:16:18dopey features.
00:16:19Kim's the one you're going to Vegas with.
00:16:21Kim's the one you're going to Vegas with.
00:16:52I'm sorry about yesterday.
00:16:53I just wanted our first time in Paris to be together and Christmas there, away from all
00:17:02the stress, it just seemed like exactly what the doctor ordered.
00:17:07I'm sorry I got so upset.
00:17:14I'm sorry too.
00:17:18It's just such a huge break.
00:17:21I wouldn't be going otherwise.
00:17:23Come here.
00:17:26Oh.
00:17:27Hmm.
00:17:28You know, I can't help.
00:17:32I want you to be happy.
00:17:35Even if I don't trust that guy.
00:17:38Hey.
00:17:39You only have to trust me.
00:17:41And seriously, I look forward to a getaway of just us without the pressure of trying.
00:17:47I really, really, really do.
00:17:49Yeah.
00:17:50Well, you know, we don't have to get away.
00:17:53Start trying without trying.
00:17:56I can't.
00:17:57I have to pack.
00:17:58My car's coming in an hour.
00:18:00In case there's a gym I can work out in.
00:18:13Alone.
00:18:15I need you to be understanding here.
00:18:30So, no send off sex?
00:18:32I wish I'd just let it go.
00:18:33Cause I don't have to be even more worried about it.
00:18:35Come on.
00:18:36You guys have been together since high school.
00:18:38No way Brooke would cheat on you.
00:18:40As long as I wonder, she'll stop being interested in me.
00:18:43Are we on the Goop podcast right now?
00:18:45Am I Gwyneth?
00:18:46Another Greyhound, huh?
00:18:48Wait, no, no, no.
00:18:49Are you trying to get me in trouble?
00:18:51You said just one.
00:18:52I'm sorry.
00:18:53Cancel that, please.
00:18:54We gotta go.
00:18:55Fuck that needy orphan artist.
00:18:57If I want to get drunk to forget him, I'm gonna drink.
00:19:00Okay.
00:19:01Are you forgetting the last time you got drunk?
00:19:02You tried to find a home for every homeless guy in New York.
00:19:04I don't remember that.
00:19:05Yeah, exactly.
00:19:06Come on.
00:19:07Let's go.
00:19:08But come on.
00:19:09There's one more.
00:19:10No, I gotta go.
00:19:11I'm pretty sure Eleanor put a tracking app on my phone.
00:19:13Hi there.
00:19:17Wait a minute.
00:19:18I know who you are.
00:19:20You're Owen Shore.
00:19:22It's possible.
00:19:23You're pretty good.
00:19:25You're gonna be pretty great.
00:19:26My friend's gonna die when she gets here.
00:19:28We're studying journalism at Columbia.
00:19:30Nice.
00:19:31You said in an interview once
00:19:33that it's a reporter's job to expose without shaming.
00:19:37Wow.
00:19:38I'm good.
00:19:39I used it in a media ethics paper on microaggression.
00:19:41I'm flattered.
00:19:42I refuted it.
00:19:44Shame is a useful tool.
00:19:45Maybe you're too nice.
00:19:47I do love your reporting.
00:19:49I was actually just saying how refreshing it is
00:19:51that your stories are funny.
00:19:53They're not supposed to be funny.
00:19:55You did that one about the guy who marries dogs at a chapel.
00:19:58Ah, yes.
00:19:59That was a fine moment in broadcast journalism.
00:20:04Are you guys together?
00:20:05You mean together?
00:20:06No, but he has been hitting on me all night.
00:20:09I can't help myself.
00:20:10My wife's out of town.
00:20:11I thought he had a window.
00:20:13I don't know.
00:20:21I think your choices are superb.
00:20:22And if you want the smaller one,
00:20:24the owner number three,
00:20:25to give us a Christmas gift as well.
00:20:26Right.
00:20:27So that is five paintings in all,
00:20:29and, um...
00:20:30$152,000.
00:20:32Perfect.
00:20:33Plus, we have your permission to use Damien's name confidentially
00:20:37with the list of collectors that you've approved.
00:20:39Tout à fait, of course.
00:20:40To Damien Light.
00:20:42Please tell him how grateful we are for his patronage.
00:20:45Well, on behalf of Mr. Light,
00:20:47we are proud to be the first to champion the work of Ansgar Doyle.
00:20:51Salty.
00:20:52Enjoy the moment.
00:21:01Paris is a wonderful place to celebrate this time of year.
00:21:04We will.
00:21:06Salty.
00:21:10You're not leaving, are you?
00:21:11My friend has to meet you.
00:21:12Yeah, no, I gotta get gone, too.
00:21:14That's a shame.
00:21:15Maybe I could get an autograph before you go?
00:21:18Yeah.
00:21:20Okay.
00:21:23Two.
00:21:24Amy's fine.
00:21:25Two.
00:21:26Amy fine.
00:21:27I guess that's better for TV with Chikazine.
00:21:31Wait.
00:21:32Um, could you take a picture of us?
00:21:35Is that okay, Mr. Shore?
00:21:37Of course.
00:21:38Yes.
00:21:45Nice to see you smile.
00:21:46Oh, my God.
00:21:47That's my new profile pic right there.
00:21:48Okay.
00:21:49We gotta go.
00:21:50Uber's here.
00:21:51Nice to meet you.
00:21:52Wait.
00:21:53You can't leave.
00:21:54You have to stay and meet Brianna.
00:21:55Please?
00:21:56I don't know.
00:21:58You don't know?
00:22:00I mean, I could probably finish the calamari.
00:22:03Hmm.
00:22:04Uh, you probably have to go because of that thing you were telling me about.
00:22:08Remember?
00:22:09Why don't you both stay?
00:22:10Sorry.
00:22:11Do you mind me asking how old you are?
00:22:13How old are you?
00:22:14Okay.
00:22:15I'm out.
00:22:16I'm kidding.
00:22:17I'm gonna wait for Brianna.
00:22:19I know I had a fan club.
00:22:22Dude.
00:22:23Okay.
00:22:24If he brings up the forgotten homeless crisis, cut him off.
00:22:30So they have my favorite martini here.
00:22:36Have you ever had a monkey martini?
00:22:38Okay.
00:22:39One monkey while we wait for your friend, and then I gotta get home.
00:22:43I thought you said your wife was out of town.
00:22:45Yeah.
00:22:54I'll be right back.
00:22:55Ladies are home.
00:22:56Okay.
00:22:57Order us two monkeys.
00:22:59I really wanna ask your advice on where to send my ring.
00:23:06Two monkey martinis then?
00:23:08I'll show the check and go home.
00:23:25Listen, you were amazing.
00:23:27With, um, the way you're talking a life story.
00:23:29You made it way more romantic than...
00:23:31Okay, you know what?
00:23:32It's completely believable that you lived in the Shire.
00:23:34Oh!
00:23:35Harvests aren't Irish, okay?
00:23:37What are they?
00:23:38I don't know.
00:23:39They're from Middle Earth or something.
00:23:43Oh, look.
00:23:44I hope that you know that you deserve all of this.
00:23:46And the respect even more than the money.
00:23:48They...
00:23:49They see how special you are.
00:23:54You trusted me with your work, and I love your work so much.
00:23:57Do you know what that means to me?
00:24:03God.
00:24:04I mean, I was just in auction house a wage slave with a normal job six months ago now, I guess.
00:24:11Shh.
00:24:12Okay.
00:24:13I don't think I'll win.
00:24:15Because we're here.
00:24:18Right here.
00:24:20Ask her, we should go.
00:24:21Before we go back to our rooms, let's just have one more drink.
00:24:31I'm seriously trying to reach you.
00:24:41Okay, I guess we're done here.
00:24:42I'm sorry.
00:24:43I...
00:24:44Um...
00:24:45Yeah, yeah.
00:24:46That was phenomenal.
00:24:47Was it?
00:24:48Whew.
00:24:49Look, uh...
00:24:51I love my wife.
00:24:53Okay.
00:24:54Hmm.
00:24:56Shit.
00:24:58Look, uh...
00:25:00I love my wife.
00:25:05Okay.
00:25:14Shit.
00:25:15Did you get rid of me?
00:25:16Uh, no.
00:25:17I mean, like, you know, wrap this up.
00:25:19Pretty sure you just did.
00:25:21I don't know.
00:25:22I don't know.
00:25:23I don't know.
00:25:24I don't know.
00:25:26I don't know.
00:25:27I don't know.
00:25:29Shit.
00:25:30Did you get rid of me?
00:25:32Uh, no.
00:25:33I mean, like, you know, wrap this up.
00:25:35Pretty sure you just did.
00:25:51I hope you don't think that I'm playing games with you, okay?
00:25:53I'm not that kind of guy.
00:25:55Well, maybe I'm the one playing games.
00:26:00I hope not.
00:26:03I mean, I could use someone to help my reel get into the right hands when I get my Masters in June.
00:26:10You serious?
00:26:12You're right.
00:26:13We really can't see each other again.
00:26:16No, we can't.
00:26:18We should agree on that.
00:26:20I'm sorry you wouldn't be cutting this day with this shirt.
00:26:29I hope you found the accommodation satisfactory?
00:26:31Yes.
00:26:32Just a change of plans.
00:26:33If they call me back, old Santa,
00:26:36I'll make my run.
00:26:39Here's a hit.
00:26:41I ain't like old Saint Nick.
00:26:44He don't come but once a year.
00:26:48No!
00:26:49I missed you.
00:26:50I missed you too.
00:26:51I missed you too.
00:26:52I missed you too.
00:26:54I made gold!
00:26:55Thanks, man.
00:26:56So, having it work, I want you to hang it at the centerpiece of the show.
00:27:10I would have to rearrange this entire installation to add this.
00:27:13I worked hard to finish it today.
00:27:16And trust me, it's worth it.
00:27:19What's it called?
00:27:23Brooke.
00:27:24Brooke.
00:27:27And how about dreams in Paris?
00:27:31That's even worse.
00:27:32And you spent some time with me, Vincent.
00:27:33Thanks a great taco.
00:27:34What can you say?
00:27:35Okay.
00:27:36We'll take it.
00:27:37Fantastic.
00:27:38Cheers.
00:27:39Cheers.
00:27:40Cheers.
00:27:41Cheers.
00:27:42Cheers.
00:27:43Cheers.
00:27:44Cheers.
00:27:46Cheers.
00:27:48Cheers.
00:27:51Cheers.
00:27:52Cheers.
00:27:55Cheers.
00:28:00Cheers.
00:28:02Cheers.
00:28:04Oh, there was a shit.
00:28:06I heard he paints from his imagination.
00:28:30I heard he paints from his experience.
00:28:35Where is Brock?
00:28:36Let's hang her before we go.
00:28:37Uh, yeah.
00:28:38I haven't seen her in a while.
00:28:40I don't think it's very good.
00:28:41Really?
00:28:43I think they're so sensual and immediate.
00:28:45And we just bought $10,000 worth of sensual and immediate.
00:28:52There they are!
00:28:55Bravo!
00:28:57Bravo!
00:28:58Elle, they're talking.
00:28:59How much did you drink?
00:29:00Please, please.
00:29:01I want to go talk to the artiste.
00:29:02Hey.
00:29:08Your beautiful art will hang on my walls, and every time I see it, I will think of you and
00:29:13your great time.
00:29:15Well, thank you so much.
00:29:17That means so much to me.
00:29:18It really does.
00:29:20What was all the whispering about?
00:29:22Ah, something to private.
00:29:25Why, then?
00:29:25We spoke to someone at New Museum.
00:29:29They love Ann Scar's work, and they're interested in one of the large pieces.
00:29:34Really?
00:29:35Which one?
00:29:36The new one.
00:29:37New museum.
00:29:38Adam, go buy another one right now.
00:29:40Brooke is an expert at making things happen.
00:29:43Now, if you'll excuse me.
00:29:54Hello there.
00:29:56Hi.
00:29:57You don't like you to check.
00:30:03I have to get a check for the caterer.
00:30:06I will come with.
00:30:06I want to hear more about Paris.
00:30:07Paris.
00:30:08Paris.
00:30:08Paris.
00:30:08Paris.
00:30:08Paris.
00:30:08Paris.
00:30:08Paris.
00:30:08Paris.
00:30:08Paris.
00:30:08Paris.
00:30:08Paris.
00:30:08Paris.
00:30:08Paris.
00:30:08Paris.
00:30:08Paris.
00:30:08Paris.
00:30:08Paris.
00:30:08Paris.
00:30:09Paris.
00:30:10Paris.
00:30:13Paris.
00:30:15Paris.
00:30:19Oh my god.
00:30:21What?
00:30:21That woman.
00:30:24Who is she?
00:30:25No one.
00:30:27Why does she look so familiar?
00:30:30I have a serious problem right now.
00:30:32Is that the girl from the bar?
00:30:34Fuck.
00:30:36Why would she show up here?
00:30:38She probably just knows the artist.
00:30:39No, no, I think she's looking for me.
00:30:42Why?
00:30:42I didn't give her my number. Okay, look.
00:30:44Look, we have to get our story straight.
00:30:46Our story? What the hell happened?
00:30:49Look, you have to back me up on this.
00:30:51Oh, my God. Are you stupid?
00:30:53You're the one who left me at a bar with a woman who was clearly coming on to me.
00:30:56That's our story?
00:30:57You know I can't get drunk anymore.
00:30:59All right, look, listen to me. We've never seen her.
00:31:02Bad idea, okay? Just say you met her at the bar and you don't shout a cap.
00:31:05I can't. I can't. I can't.
00:31:07You took a fucking picture with her asshole.
00:31:09Hey!
00:31:10I'm about ready to close up.
00:31:11Yeah, let's close it up, yeah.
00:31:16Who's that?
00:31:18Who?
00:31:20That woman. Do you know her?
00:31:22Uh, is it possible that...
00:31:23I don't know her.
00:31:25Maybe you've met her.
00:31:27I haven't?
00:31:28Yeah, he meets a lot of people.
00:31:29Yeah, I thought she looked familiar.
00:31:31We have, like, a bunch of new interns at the station.
00:31:34Yeah, she looks like she would be an intern.
00:31:36Let's ask her if that's how you know her.
00:31:38I've never seen her before.
00:31:40Brooke, this lovely lady was just saying how much she liked my newest painting.
00:31:44The one the new museum wants.
00:31:46Would you like to buy it too?
00:31:48If only I could.
00:31:49This is your gallery, yes?
00:31:50Yes, yes. Hi.
00:31:51Brooke Gatwick.
00:31:52Amy, hi.
00:31:53This is my husband, Owen.
00:31:55We've met.
00:31:56We've met.
00:31:57Right?
00:31:59I don't think so. Hi.
00:32:00Oh, um, you must look like someone.
00:32:03I must be confused.
00:32:05Gramercy's Wednesday?
00:32:08Oh.
00:32:09Uh, were you there?
00:32:10I thought so.
00:32:11Oh, probably off the television.
00:32:13I hear you're incredible with dogs.
00:32:15Dog weddings and a chapel.
00:32:16Yeah.
00:32:17Right.
00:32:18Oh, that's why you're going to Vegas, is it?
00:32:20Well, it's late.
00:32:21Uh, should we all get going?
00:32:23Uh.
00:32:24Just us then.
00:32:25All right.
00:32:26All right.
00:32:27I will see you.
00:32:28I will call you.
00:32:29Thank you for everything.
00:32:30Good night.
00:32:43Good night.
00:32:45Good night.
00:32:46I'm gonna be locking up in a few minutes.
00:32:49Oh, okay.
00:32:50Um, I read your profile in Art News.
00:32:51I'm so happy to have met you.
00:32:52Oh, it is an honor, truly.
00:32:55You know, I was like, I'm gonna be able to get out of here.
00:32:57It is an honor, truly.
00:33:00You know, I'd like to buy art someday.
00:33:02I could use some pointers.
00:33:03Um, I'm gonna get going, okay?
00:33:05No, please wait, I'm almost done here.
00:33:06I'll be waiting outside.
00:33:07I would love to give you some pointers.
00:33:10You know, I should really probably get going.
00:33:12No, no, no, you just got here.
00:33:15You wanna close up?
00:33:16I can come back here in a day.
00:33:17It's okay.
00:33:19I'll give you a quick tour.
00:33:22Oh, okay.
00:33:23It would be wise to say your goodbyes
00:33:25to your paying customers.
00:33:27And I love that you're always thinking
00:33:29about pleasing the customers,
00:33:31which affords me the luxury,
00:33:33thinking about the art.
00:33:53Thanks for the ride.
00:33:58So, this way you live?
00:34:01No, I just have to drop something off.
00:34:04I need to wait, though.
00:34:05That's okay.
00:34:06I'll wait.
00:34:23Oh, what the fuck?
00:34:35What?
00:34:36Is your wife home?
00:34:40What do you want?
00:34:46Is she home?
00:34:48No.
00:34:49She's not.
00:34:50Okay, please, let me in.
00:34:52I need to tell you something.
00:34:53Oh, come on.
00:35:04For fuck's sake.
00:35:11I never talked to her about us.
00:35:13That's not why I went to the gallery, I promise.
00:35:15What?
00:35:16Okay, look.
00:35:18You have no idea of the whole story here.
00:35:21What are you talking about?
00:35:25You don't even understand.
00:35:26I actually met your wife a few days ago.
00:35:38Men like Oscar are very good for our business.
00:35:40Absolutely.
00:35:41Court of business.
00:35:42When you've been doing what we've been doing for long enough,
00:35:44you just conclude that everybody cheats.
00:35:47The wives are just better at not getting caught.
00:35:48Yeah, I mean, I've been hiring so many private investigators
00:35:50I could teach a course at Quantico.
00:35:52I'll be right back.
00:35:53Yeah.
00:35:54Are you okay?
00:35:56Owen's been giving me shit about Ansgar texting all the time, but he gets up and texts in the middle of the night too.
00:36:14Owen is a news guy.
00:36:15The news never sleeps.
00:36:16He's been acting weird lately.
00:36:18Do you think he's messing around?
00:36:21No.
00:36:22I think you're just letting this dress at the opening get to you.
00:36:25Put your phone away.
00:36:26Pay your man a little attention.
00:36:28It's all he wants right now.
00:36:31Right.
00:36:32Right.
00:36:33Just be direct.
00:36:34Right.
00:36:35Down by the fact that you're going to be in a Paris hotel with the world sexiest being alive.
00:36:42Okay.
00:36:43Get out of here.
00:36:44Go talk to your husband before I have to represent you.
00:36:52What?
00:36:53Owen told me who he was texting late at night.
00:36:56He says it's one of the new producers named Sarah.
00:36:58And?
00:36:59And I stole his iPad.
00:37:02That is a complete violation of privacy and trust.
00:37:05Do you have his pass?
00:37:06Yeah, you do.
00:37:07I'm just trying to figure out if I have a reason to worry.
00:37:09Okay.
00:37:10Well, this iPad is marital property, so legally I see nothing wrong with what's happening here.
00:37:13Okay, first, I want to say in my defense that I did not want to snoop, but I just saw his messages come in.
00:37:18And he's been acting weird.
00:37:19He's been staying out later than usual.
00:37:21And he says it's just work assignments, but I don't know where he really is or what he's really doing with her.
00:37:25So many men use the working lady excuse.
00:37:28You want to have a child with this man.
00:37:30I know, but this is Owen we're talking about.
00:37:32So many years of nothing but good.
00:37:33I'm not worried at all.
00:37:40Honestly, I don't think he's really cheating, but it just makes me wonder if he would cheat.
00:37:46It's the sliver of doubt that's killing me.
00:37:48God, I hate this about myself.
00:37:55Okay.
00:37:56There's a few ways we can do this.
00:37:58I'm listening.
00:37:59I always tell my clients, if you want to prove that your husband's cheating, you should hire a PI to tail him.
00:38:04But if you want to know for sure that your husband wouldn't cheat, you hire a decoy.
00:38:10What's that?
00:38:11I use them all the time.
00:38:13A decoy's going to flirt with him, give him an opening, and see what he does.
00:38:16And if the husband takes the bait, does the decoy go all the way?
00:38:19No, no, no, no.
00:38:20They have a professional code of ethics.
00:38:22Like hitmen.
00:38:23Damn.
00:38:24That's dark.
00:38:25I don't think I need to know that badly.
00:38:27You don't.
00:38:28Owen is the sweetest guy ever, and you're lucky he puts up with you.
00:38:31I know.
00:38:32But if you do find your insecurities keeping you up at night, call this agency.
00:38:39They're open 24 hours.
00:38:41I won't call.
00:38:42You shouldn't.
00:38:43But if you do, get my volume discount.
00:39:02Await.
00:39:03That's cool.
00:39:06.
00:39:09Do
00:39:14When Tom
00:39:16says
00:39:17The
00:39:18He
00:39:20Yeah,
00:39:21He
00:39:25ald 정도로
00:39:28Isn't
00:39:29Who
00:39:30I'm sorry, I couldn't take your call.
00:40:00I'm sorry, I couldn't take your call.
00:40:30I couldn't take your call.
00:41:00When you get a break, please call me.
00:41:04Bye.
00:41:05Right here's fine.
00:41:15Bye.
00:41:17Bye.
00:41:19Bye.
00:41:21Bye.
00:41:23Bye.
00:41:25Bye.
00:41:27Bye.
00:41:29Bye.
00:41:31Bye.
00:41:33Bye.
00:41:35Bye.
00:41:37Bye.
00:41:38Bye.
00:41:39Bye.
00:41:40Bye.
00:41:41Bye.
00:41:43Bye.
00:41:44Bye.
00:41:45Are you Brooke?
00:41:58I am.
00:42:01Are you the one there Sunday?
00:42:02Yes, Amy.
00:42:03I'm the operative.
00:42:04Operative?
00:42:05Sounds official.
00:42:06It's just a job that's paying for grad school.
00:42:10Speaking of payments.
00:42:11Yes, I take half now, and then the other half
00:42:14when I bring you the video from the video guy across the room
00:42:17and the audio from my phone.
00:42:20OK.
00:42:22Has he been unfaithful before?
00:42:25I don't think so.
00:42:26I don't know.
00:42:27Do you have kids?
00:42:29No.
00:42:31Not yet.
00:42:32Great.
00:42:34And I'll just need to see a picture.
00:42:35They said you didn't attach one.
00:42:37I'd rather not send this.
00:42:43You know, I'm not sure you're his type.
00:42:49Yeah, maybe.
00:42:50It's hard to tell.
00:42:51I'm more attractive when I go out.
00:42:56Maybe there's a perfume he likes, or?
00:42:58I'm not going to tell you what kind of perfume he likes.
00:43:00You're wearing Chanel.
00:43:01My mom has that perfume.
00:43:02Look, I know this is probably really strange for you,
00:43:04and you don't know me at all.
00:43:06But honestly, you have nothing to worry about with me.
00:43:10I have a boyfriend who I'm very much in love with.
00:43:14This gig is just really good money.
00:43:16Uh, this is my number.
00:43:17I already have you saved into my phone as Brianna.
00:43:18And if you decide at any point that you don't want to go
00:43:19through with this, just send me the message.
00:43:20Sorry, have to bail.
00:43:21Bye.
00:43:22Bye.
00:43:23Bye.
00:43:24Bye.
00:43:25Bye.
00:43:26Bye.
00:43:27Bye.
00:43:28Bye.
00:43:29Bye.
00:43:30Bye.
00:43:31Bye.
00:43:32Bye.
00:43:33Bye.
00:43:34Bye.
00:43:35Bye.
00:43:36Bye.
00:43:37Bye.
00:43:38Bye.
00:43:39Bye.
00:43:40Bye.
00:43:41Bye.
00:43:42Bye.
00:43:43Bye.
00:43:44Bye.
00:43:45Bye.
00:43:46Bye.
00:43:47Bye.
00:43:48Bye.
00:43:49Bye.
00:43:50I'm like a normal person who texts.
00:43:53Glad to have met you.
00:43:55You know?
00:43:56I didn't think I'd get any more jobs left the holidays.
00:43:59It's a slow time of the year.
00:44:01I don't know where you're going, okay.
00:44:06It's been here.
00:44:08Right here.
00:44:11This girl we should go.
00:44:12before we go back to our rooms let's just have one more drink
00:44:19oh what what i i just have to send a message and cancel something really quick
00:44:30i thought you said your wife
00:44:33i'll be right back maybe soon okay orders two monkeys i really want your advice so marisha's
00:44:44in my room
00:45:05uh
00:45:14look relax hey look where we are
00:45:21i mean is there anything better than this
00:45:27you're right i'll get now
00:45:44i'm back
00:46:53i appreciate that commitment to risk
00:46:56the feelings mutual
00:47:02and you are more beautiful
00:47:03so have you always loved artists i love art more than i love artists
00:47:18come on you like me
00:47:19well you're the exception
00:47:22so why did you choose me
00:47:28your work was the most beautiful
00:47:29you know when i look at you
00:47:37i see colors
00:47:41really
00:47:42i found out there's something different about my brain
00:47:47when i see colors i hear music
00:47:50and when i hear music i see colors
00:47:53that's called synesthesia
00:47:54yeah
00:47:55yeah i look up at the sky
00:47:59and i see blocks of color moving
00:48:01and hear music
00:48:03and everything about us
00:48:07it's color
00:48:09the music
00:48:13my brain
00:48:13i love that
00:48:28you know
00:48:30there's something in my room i want to show you
00:48:32would you
00:48:35would you like to see it
00:48:41sorry
00:48:44everything okay
00:48:46i'm just waiting on a message
00:48:48um
00:48:50i don't have any bars here
00:48:51i i think i have to go find some reception
00:48:54look your husband's probably working late
00:48:59can you just
00:49:02be here
00:49:03i can't
00:49:04i might have made a huge mistake at home
00:49:07excuse me i have to
00:49:08i have to get a hold of owen
00:49:09i think we should just say goodnight now
00:49:11i think i'm sorry
00:49:12i think i'm sorry
00:49:23can you just say goodnight now
00:49:24god
00:49:25come on
00:49:26come on
00:49:31oh
00:49:35oh
00:49:37You sure you just don't want to help me with my reel
00:49:54to get my foot in the door?
00:50:00You want to answer that?
00:50:02Yeah, I should.
00:50:04You should.
00:50:07Uh, hi.
00:50:11Hi.
00:50:12Finally, you answered.
00:50:14Yeah, everything okay?
00:50:16Yeah.
00:50:18Did I wake you?
00:50:19What time is it there?
00:50:21It's, uh, it's after 7 a.m.
00:50:24I tried to text and call you last night.
00:50:27Uh, yeah, they just came through now.
00:50:30Oh, it must have been a delay.
00:50:34How'd it go?
00:50:35Great, we sold five paintings.
00:50:40Five.
00:50:41It's not important.
00:50:44No, it is.
00:50:47Did you, uh, end up at Gramercy Bar?
00:50:54Oh, and did you go to Gramercy last night?
00:50:56I got, yeah, I got a quick drink and then I came home.
00:51:08I'll see you tonight.
00:51:09I'm coming home early.
00:51:11Oh?
00:51:12Yeah, well, mission accomplished.
00:51:14You know, I have so much work to do, I have to get back.
00:51:16All right, well, you should probably get to bed.
00:51:22I'm sure it's late there.
00:51:24Yeah, I bet.
00:51:29Owen?
00:51:36We're okay?
00:51:37Are we?
00:51:40Are we?
00:51:42Yes.
00:51:44Yes.
00:51:46I love you.
00:51:48I love you, too.
00:51:49Hey.
00:52:14Sit down.
00:52:16Where are you going?
00:52:17I have to go home now.
00:52:20But our tickets are for tonight.
00:52:23You understand why I have to get back.
00:52:27No, Brooke.
00:52:29If you have feelings for me, if there are feelings here,
00:52:33then let's not judge it.
00:52:36Let's not resist it.
00:52:37I, like, I can't stop thinking about you.
00:52:46You worked so hard to get here.
00:52:52I'm yours.
00:52:55I'm sorry.
00:52:57I have to go.
00:52:58I'll find a place for it, but you can't call it Brooke.
00:53:12And how about dreams in Paris?
00:53:15That's even worse.
00:53:29Hi there.
00:53:31Oh, hi.
00:53:32You're early.
00:53:34Um, that's okay.
00:53:35Okay.
00:53:36What?
00:53:48This...
00:53:49What?
00:53:53Was that the artist that just left?
00:53:55Yes.
00:54:04Okay, so...
00:54:06what do you have for me?
00:54:08All right, uh...
00:54:10I have to tell you something.
00:54:13I let something happen that I shouldn't have.
00:54:17Okay.
00:54:22My phone died.
00:54:24Yeah, I have too many apps or something.
00:54:27I don't know what's wrong with my battery.
00:54:29It's a new phone, too, so I didn't get any audio.
00:54:33And what about video?
00:54:34Video guy didn't show.
00:54:36Yeah.
00:54:38I know it looks really bad.
00:54:40Nothing happened.
00:54:42He was completely faithful to you.
00:54:44He passed.
00:54:45I know it looks really bad, um...
00:54:50Nothing happened.
00:54:51He was completely faithful to you.
00:54:53He passed.
00:54:56Can I get you coffee? Water?
00:54:58Yeah, I have to be somewhere, so...
00:55:00But you must have a little time to tell me what happened.
00:55:03Please, sit.
00:55:07Um...
00:55:08Okay.
00:55:11Yeah, I, uh...
00:55:13I got to the bar.
00:55:18So, no send-off send?
00:55:20I spotted your husband.
00:55:21Uh...
00:55:22Okay, wait, hang on.
00:55:23You're forgetting the last time you got drunk,
00:55:25you tried to find a house for every homeless guy in York City.
00:55:27Um, I don't remember that.
00:55:28Yeah, exactly.
00:55:29Come on, let's go.
00:55:30What? Come on, there's one more.
00:55:32That's when I noticed my phone was dead.
00:55:35No, I gotta go.
00:55:37I'm pretty sure Eleanor put a tracking app on my phone.
00:55:40Hi there.
00:55:42He was getting ready to leave with his friend,
00:55:44so I sold him by asking a question about journalism.
00:55:47Um...
00:55:49Let me ask you a question.
00:55:50Okay.
00:55:51Do you and your wife have a top five list for a hall pass?
00:55:55What, like a list of celebrities
00:55:57that we give each other the permission to sleep with
00:55:59if the opportunity will ever present itself?
00:56:01Exactly.
00:56:02No. No, what?
00:56:03Brooke would never go for such a thing.
00:56:05What?
00:56:06Ever.
00:56:07Hmm.
00:56:08Why is it on yours?
00:56:10Well, I got my boyfriend to agree to a list,
00:56:12but it's, um...
00:56:15It's kind of eclectic.
00:56:17No judgment.
00:56:18Hmm.
00:56:22Okay, come on, just tell me who's number one on the list.
00:56:26Well, it's not number one, I'm afraid to tell you.
00:56:28It's...
00:56:29number four.
00:56:32Number four?
00:56:34Yeah.
00:56:36The suspense is killing me.
00:56:37Number four.
00:56:40Owen Shore.
00:56:44Shut up.
00:56:45There's some news you can use.
00:56:51We talked for 20 minutes.
00:56:54I gave him some openings,
00:56:55but he clearly was not into me...
00:56:58at all.
00:57:02I thought maybe if I could get him to have another drink,
00:57:05it might up my chances,
00:57:06but...
00:57:08he would not have one more drop.
00:57:15He was a perfect gentleman.
00:57:18Completely clear about where he stood.
00:57:21Aren't you bothered that no one's talking about the homeless crisis anymore?
00:57:25So bothered.
00:57:27I tried to reach you.
00:57:29I texted you the code to call it off,
00:57:31but you never responded.
00:57:33Well, you didn't need to,
00:57:34because he wasn't interested.
00:57:35So you talked about work for those 20 minutes?
00:57:38Yeah, we talked about the business,
00:57:40we talked about how to get a leg up.
00:57:43Breaking in.
00:57:45Huh.
00:57:48Owen gets uncomfortable when he's approached about work.
00:57:51That wasn't my perception.
00:57:54Okay, well, right now I'm getting your perception,
00:57:56but what I need are the facts.
00:57:59The fact is this.
00:58:01Your husband passed the test.
00:58:03I made some clear advances and he declined.
00:58:05Amy, I have no proof that you were even there.
00:58:10I have proof.
00:58:14Uh, this is a napkin that he autographed.
00:58:20So are we good?
00:58:24I have to pay you.
00:58:27Right.
00:58:31You know what, I'm not gonna take that.
00:58:34But it's not your fault that your phone died
00:58:36and the video guy didn't show.
00:58:37Right?
00:58:40Please.
00:58:41Take it.
00:58:45Thanks.
00:58:50You should come to the opening tonight.
00:58:53You can meet Ansgar.
00:58:55Will your husband be there?
00:58:57What does it matter?
00:58:59I think you'd enjoy it.
00:59:05Dog wedding's at a chapel.
00:59:07Right.
00:59:08Oh, that's why you're going to Vegas, is it?
00:59:15Well, it's late.
00:59:16Uh, should we all get going?
00:59:19Uh...
00:59:23Just us, then.
00:59:24There you are. I need to tell you something.
00:59:40Are you fucking crazy?
00:59:42What are you doing? You can't be here.
00:59:44You have no idea what's going on here.
00:59:45I think I do.
00:59:46No, you actually don't.
00:59:47Hey.
00:59:48Hey.
00:59:49Found you.
00:59:50Mmm.
00:59:51So, uh...
00:59:52I'd like to grab me a drink.
00:59:54I really should go.
00:59:56Well, just slowly.
00:59:57Come with me.
01:00:05Brooke, I'm leaving.
01:00:07I'll see you in the morning.
01:00:09Oh!
01:00:10And the husband scowls in the shadows.
01:00:13Fuck off.
01:00:14Fuck off?
01:00:15Well, fuck me, newsboy.
01:00:16Yeah, fuck you.
01:00:22Help!
01:00:24Help!
01:00:26Open!
01:00:27Get...
01:00:28Get off of me!
01:00:29Get off! What is wrong with you?
01:00:31You're a man so jealous he can't control himself!
01:00:33You're fucking crazy!
01:00:34Fuck you!
01:00:35It's okay, you're bleeding!
01:00:36Oh, fine.
01:00:37Oh, my God.
01:00:38Do you need to go to the hospital?
01:00:39I'm not going to the hospital.
01:00:40You are not getting the motorcycle.
01:00:41She's right.
01:00:42You're a mess.
01:00:43Look, I'm done.
01:00:44Do you want to grab a drink?
01:00:45Let's go.
01:00:46Okay, fine, fine.
01:00:47Let's go.
01:00:49Are you hurt?
01:00:51Physically.
01:00:58I'm dropping him.
01:01:00Okay, let's go home.
01:01:05Oh, and are you sure you don't know that woman?
01:01:10The one that was with Ansgar?
01:01:13I don't know her.
01:01:15So you didn't meet her at Grand Mercy Bar when I was in Paris?
01:01:19Not that I remember.
01:01:23Do you remember this?
01:01:24What?
01:01:35She gave this to you?
01:01:36When did she give this to you?
01:01:38What did she say?
01:01:39Well, I want you to tell me.
01:01:43I don't understand.
01:01:47She gave that to you?
01:01:48Yeah, she did.
01:01:53Okay, maybe I gave her an autograph.
01:01:55I don't remember.
01:01:56You know, it was crowded and I can't...
01:01:58So you talked to her.
01:02:01I just don't understand why you couldn't say that to begin with.
01:02:07Honestly, it was all a blur.
01:02:11Okay?
01:02:13Okay, look.
01:02:14All right, I...
01:02:16Right.
01:02:18I was leaving with Adam.
01:02:19Some girl comes up.
01:02:20She asks for an autograph.
01:02:23Is this thing we need to make a big deal out of?
01:02:26A girl at a bar?
01:02:27Do we need to make a big deal about it?
01:02:31Who told me?
01:02:34I don't know.
01:02:35She's a fan.
01:02:36She can say anything.
01:02:37Like what?
01:02:39Who knows?
01:02:40Crazy shit.
01:02:42You think she would do that?
01:02:44You never know.
01:02:45Like...
01:02:46What?
01:02:47You try to be nice.
01:02:48Give an autograph.
01:02:49Give him a picture.
01:02:51What?
01:02:52You took a picture with her too?
01:02:55Yeah.
01:02:56Yeah.
01:02:58On her cell phone?
01:03:00Yeah.
01:03:02She said she was gonna put it online.
01:03:04Which I was not very happy about.
01:03:06Are you sure she used her cell phone?
01:03:07Yeah.
01:03:08Adam took the picture.
01:03:11But what difference does it make?
01:03:15You're lying.
01:03:19No, I'm not.
01:03:21I want you to tell me exactly if something happened more than what you're telling me.
01:03:30Don't lie to me.
01:03:32All right.
01:03:35All right, what?
01:03:36You're right, okay?
01:03:37There's more to the story.
01:03:40There's a story?
01:03:42Look, okay, I never meant for things to get out of hand.
01:03:47What?
01:03:48And you were spending a lot of time with him.
01:03:51And I was losing it.
01:03:52Okay?
01:03:53What did you do?
01:03:54Oh, my God.
01:03:55Oh, my God.
01:03:56Um, can we just go?
01:03:57No, no, no, no, no.
01:03:58I need to get out.
01:03:59Can you let me out?
01:04:00Brooke!
01:04:01No, can you stop the car?
01:04:02Can we just stop the car?
01:04:03Stop the car right now!
01:04:04God damn it!
01:04:06Brooke!
01:04:07Brooke!
01:04:08Hey, hey, just come back to the cab.
01:04:09Okay, we can go home and talk.
01:04:10Just say what you have to say.
01:04:12Oh, my God.
01:04:14I'm sorry.
01:04:15I'm sorry.
01:04:16I'm sorry.
01:04:17I'm sorry.
01:04:18I'm sorry.
01:04:19I'm sorry.
01:04:20I'm sorry.
01:04:21I'm sorry.
01:04:23Oh, my God.
01:04:24You can't even say it.
01:04:32Brooke!
01:04:33Hey!
01:04:34Hey!
01:04:35Hey!
01:04:36I made a mistake.
01:04:37Don't touch me!
01:04:38You have to hear me.
01:04:39Okay?
01:04:40In all the years we've been married,
01:04:41I have never done anything inappropriate.
01:04:43I've never done anything to undermine our relationship.
01:04:46Owen, did you have sex with her?
01:04:52You had sex with her?
01:05:00Look, I feel terrible.
01:05:02Okay?
01:05:03I don't know what...
01:05:04I'm sorry.
01:05:05Brooke, please.
01:05:06Just listen.
01:05:07Okay?
01:05:08Just listen.
01:05:09Hey.
01:05:10Get away from me!
01:05:11All those women at work that you go on trips with,
01:05:18your late-night outings.
01:05:20Give me your phone.
01:05:22Please just go home.
01:05:24No!
01:05:25I want your phone to look through all your texts
01:05:27and everything right now.
01:05:28No!
01:05:29Oh, my God.
01:05:59I can never even love you at all.
01:06:05I can...
01:06:06I know the truth.
01:06:09Oh, no. What did you do?
01:06:14You don't understand.
01:06:19I actually met your wife a few days ago.
01:06:22What are you talking about?
01:06:25She hired me.
01:06:29Hired you?
01:06:30Yes.
01:06:33For what? Like a job at the gallery?
01:06:35No.
01:06:36Then for what?
01:06:37She hired me as a...
01:06:39an operative.
01:06:41A decoy.
01:06:45What?
01:06:46I knew you'd be at Gramercy that night.
01:06:47She set me up?
01:06:53Yes.
01:06:57You were supposed to have sex with me?
01:07:00No.
01:07:01No, okay?
01:07:02That was my own fuck-up,
01:07:04because...
01:07:05actually,
01:07:06you really are
01:07:08number four on my list.
01:07:10I'm sorry.
01:07:22I don't want to talk about it right now.
01:07:24I don't want to talk about it.
01:07:26I don't want to talk about it right now.
01:07:41I'm sorry.
01:07:42I'm sorry.
01:07:45I didn't want to cry with the witch.
01:09:46What are you doing here?
01:09:48What are you doing here?
01:09:49I live here.
01:09:52Amy just went inside.
01:09:53This is the situation.
01:10:08Oh, shit.
01:10:11Did he call and tell you I wasn't here?
01:10:14Did you rush over?
01:10:15She just wanted us all to be on the same page.
01:10:17Look, I realize I crossed a line.
01:10:19Yeah, when?
01:10:21What?
01:10:21When did you decide to cross that line?
01:10:23I was enjoying our conversation.
01:10:26About what?
01:10:26Your boyfriend that you're very much in love with?
01:10:28I had a hall pass.
01:10:30Oh, really?
01:10:30Protecting your little prostitute?
01:10:33I'm not the one who paid her to have sex with me.
01:10:34She wasn't...
01:10:36You weren't supposed to do that to me.
01:10:40I thought that you would be able to say no.
01:10:42I was banking on the proof and in comfort of knowing with 100% certainty that my husband
01:10:46would be faithful.
01:10:47I thought that, you know, even if...
01:10:50What?
01:10:54Say it.
01:10:55Say what you did to me.
01:10:56Even if I created the circumstances.
01:10:58I have never made a move in my life that wasn't about you.
01:11:03And you're right.
01:11:04I fucked up.
01:11:06I reacted.
01:11:08And I did something wrong.
01:11:10But the ironic thing is,
01:11:12just for a second, I thought,
01:11:14yeah,
01:11:14I'm doing something fucked up.
01:11:19And I'm doing it for me.
01:11:21For me.
01:11:21Just for once.
01:11:23But it wasn't.
01:11:26You did this to me.
01:11:28Fuck you.
01:11:29Okay, I...
01:11:30just really have to say, for the record,
01:11:33that I have always been completely professional
01:11:35and I have never had an incident like this before.
01:11:39You really have no shame.
01:11:43That might be true.
01:11:44But you know what?
01:11:49I'm not the one who dangled a chick in front of my husband
01:11:52to see if you'd fuck her.
01:11:55I don't know why you'd mess all this up.
01:12:00We have a really nice apartment.
01:12:01Hey.
01:12:14Hey.
01:12:16Hey, what?
01:12:19You want to talk about it?
01:12:20I need a note, Brooke.
01:12:49Did anything happen in Paris?
01:12:59No.
01:13:01In full honesty,
01:13:03they're all cards out on the table.
01:13:06No, I'm not going to answer that question.
01:13:08Well, would you please fucking answer that question?
01:13:16Were you unfaithful to me?
01:13:20And what if I was?
01:13:23Meaning?
01:13:23I may have made a huge mistake at home.
01:13:28We should just sleep at night now, I think.
01:13:30I'm...
01:13:31I'm sorry.
01:13:32Oh, it's cheating on me.
01:13:37Oh, it's cheating on me.
01:13:39Oh, it's cheating on me.
01:14:02I know it.
01:14:05I can...
01:14:06I can feel it.
01:14:10Cheating.
01:14:11Cheating, as in fucking someone who's not me.
01:14:17That's all my fault.
01:14:18Hey.
01:14:26Hey.
01:14:30Can I show you something?
01:14:40Hey, come on.
01:14:40I want to change your mind.
01:14:50I bring you in.
01:14:53You're close to me.
01:14:56I want to change your mind.
01:15:02I bring you in.
01:15:06Closer.
01:15:07Now, can you see that corner there?
01:15:24Two years ago.
01:15:27I was sleeping there.
01:15:29On that sidewalk.
01:15:31Yeah, I know it.
01:15:34I was drawing pictures on walls with chalk.
01:15:37Some people help me.
01:15:41You most of all.
01:15:45And now I'm here.
01:15:49And you're here.
01:15:55Look.
01:15:55If I went away somewhere, then that's good news.
01:16:04It means you're free to do whatever you like.
01:16:10No rules.
01:16:11I live for each moment.
01:16:28What do you think it matters to the universe?
01:16:37Do you kiss me?
01:16:40Or not?
01:16:41I want to change your mind.
01:16:52I want to change your mind.
01:16:58I want to change your mind
01:17:05And bring you in
01:17:10Be totally with me
01:17:13Totally with me
01:17:20In this exact moment
01:17:23All cards on the table
01:17:29As they say in Vegas, baby, when you tie
01:17:32It's a push
01:17:35Meaning what?
01:17:37Meaning you hiring Amy
01:17:39Makes us even? Meaning what?
01:17:53I can't
01:17:58Meaning I don't have to tell you
01:18:01And that's what makes us even
01:18:24A statement
01:18:27I know
01:18:29I love you
01:18:31And I love you
01:18:32I love you
01:18:33I love you
01:18:37That's a nice
01:18:39Tell me
01:18:41I know
01:18:43That's me
01:18:45I can't
01:18:48I can't
01:18:49I can't
01:18:51Hey, guys.
01:19:00Hey.
01:19:04Hey.
01:19:09Hey.
01:19:12Hey.
01:19:13Hey.
01:19:17Hey.
01:19:19Hey.
01:19:20Hey.
01:19:21Are you coming back for Christmas?
01:19:31Is this it?
01:19:51Your Vegas ticket?
01:19:56No.
01:20:06Departs in three hours from JFK.
01:20:12Christmas in Paris.
01:20:16Two tickets.
01:20:21Seven tickets.
01:20:25Two tickets.
01:20:30Two tickets.
01:20:32Yes, the tickets.
01:20:36It's prices.
01:20:39Two tickets.
01:20:41Helloige Sandpuc.
01:20:42At least she wants to wake till morning to open a lot of prayers.
01:21:02Should we make some hot cocoa?
01:21:12I can't get my money back.
01:21:42I can't get my money back.
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