- hace 1 día
Karina Ayala (Maria Elena Swett) es una diseñadora famosa, tambien conocida con el apodo de Kari, influyente en toda la sociedad y cabeza creativa de su propia boutique de moda, que viene de un humilde pasado, con su esfuerzo y talento ha logrado todo lo que tiene. Sin embargo, un dia, a los 40 años, Kari lo pierde todo por culpa de su marido Paulo Simone (Cristian Riquelme), un guru de la clase alta, quien en realidad no es mas que un simple chanta que la involucra en una estafa tan grave que arruina de golpe su carrera y su vida. Ante esta situacion, Kari decide regresar a casa de sus padres en el Barrio Matta, lugar donde nacio y crecio, para empezar desde cero y luchar para recuperar todo por lo que tanto trabajo, incluyendo a sus mejores amigas, quienes siempre han sido su cable a tierra. Kari empieza su nueva vida en el barrio y para sobrevivir, inicia un nuevo negocio en base a una tienda de ropa reciclada. Es en este nuevo rubro en el cual conoce a su nuevo y encantador vecino Ramon Mateluna (Cristian Arriagada), quien es dueño de una sandwicheria popular en el barrio y, luego de enviudar, prometio nunca mas volver a enamorarse.
Encuentra todos los capitulos en https://sites.google.com/view/cyberhome-nicaragua
Encuentra todos los capitulos en https://sites.google.com/view/cyberhome-nicaragua
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TVTranscripción
00:08Why did they lie to me about that too?
00:10I don't know, I have no idea, but...
00:12This rooster is clearly obsessed with your mother-in-law.
00:16So these two have been together for a long time.
00:19A long time? Well, look at how young the old woman looks.
00:23So you knew Paulo from before.
00:26Well yes.
00:27I mean, I don't know, I guess, maybe.
00:30No, no, I don't know, I need to know, I need to understand who this guy is and what he has to do with Joao.
00:35There's more to it than that.
00:36It has to do with...
00:39But with...
00:41I need proof that really...
00:43Look.
00:44What's that?
00:45Look, look, look.
00:46What's that?
00:49But let's see...
00:51Look at that hand.
00:53Look at that hand with a ring.
00:55Look, who is the man here? It's human hands.
00:59No, I don't know, I have no idea.
01:01But clearly those are the eyes of a woman in love.
01:04Look.
01:05Look.
01:09No, I'm dying.
01:10They're coming this way.
01:11They're coming this way.
01:11Agate, they saw.
01:12They're coming this way.
01:13They're coming this way, they're not going to look.
01:15The truth is, I think he's a thief.
01:16Okay, calm down.
01:17Okay, calm down, calm down.
01:17That is...
01:18And if it's a dog.
01:19Wait.
01:21No, no, no.
01:22No, no, no.
01:22Wait.
01:23Yes, I came back.
01:24You stay.
01:25Relax.
01:27Okay, we have to go.
01:38Already.
01:39Already.
01:40Where?
01:41With the tusk.
01:42With the tusk.
01:43Yes, everything.
01:45Already.
01:45Okay, that's it.
01:46Come on.
01:48Come on.
01:53Okay, okay.
01:54Alright.
01:55Good.
02:01I'm afraid.
02:02I'm really, really scared.
02:03This feels like a horror movie.
02:05I can't believe it.
02:06I mean, these guys, both of them, went completely crazy.
02:09They've been lying to me all this time.
02:11That's what they've done.
02:12And how can this sick man have an altar there with photos of the witch?
02:17In other words, not even you.
02:18Neither you.
02:19There is no widower with your wife dead for ten years.
02:21There is no...
02:22It's a reference to what I'm saying.
02:24No, it's okay, it's okay.
02:26That's enough.
02:26The point is understood.
02:27Don't worry, we understand the point.
02:30And what should he say to the doll?
02:32Pablo.
02:33Who else?
02:34No, I don't want to see it.
02:35I mean, I can't see it, no.
02:36Ah, because you're afraid of what I might say.
02:38Because you don't want to be lied to.
02:39That's what happens.
02:40Of course, he's not used to lying to everyone to their face.
02:42I've told you that hundreds of times.
02:44That rooster is a fraud.
02:47A...
02:54Yeah, listen.
02:57Peaceful.
02:59Peaceful.
02:59No, leave me alone, leave me alone.
03:01Let me.
03:04Do you know what's going on?
03:05You need to rest, that's it.
03:06I'm fine.
03:07No, you need to rest.
03:08If you want, I can take you somewhere.
03:10Tell me, wherever you want.
03:11I don't want to see anyone.
03:12Honestly, I don't want to see anyone.
03:13No, I don't want to see my dad.
03:15I don't want to see my friend.
03:16I don't want to see anyone, no.
03:18The thing is...
03:20It just can't be.
03:22Pablo wouldn't lie to me like this.
03:24Look, I know him.
03:27I know him.
03:29He is my husband.
03:31He would never do anything to me that...
03:33That it hurt me so much.
03:35Okay, don't think about it anymore.
03:37Okay, don't think about it anymore.
03:38If you're not going to blow your brains out, relax.
03:39That's enough for today.
03:41Already.
03:42That.
03:43That's good.
03:44Breathe.
03:45That's good.
03:46Breathe.
03:47That.
03:48That's it, don't worry.
03:50That.
03:50That will do you good.
03:53Look, so...
03:55You can stay at my house.
03:59Yeah, I wouldn't call myself that.
04:00No, don't overdo it.
04:01I'm serious.
04:02Really.
04:03The light blue one is over there, but if you want you can stay in my room so she doesn't see you and...
04:07I'll stay sleeping there on the clean sofa.
04:12What do you think?
04:26Calm.
04:31Hello, my love?
04:34Honey, I don't know anything about you.
04:35I'm starting to get worried.
04:37I need you to please, please, when you hear this, call me back right away.
04:43I need to talk to you, my love.
04:49No, no, no.
04:52No, no, no.
04:57Let's go.
04:59Let's go.
05:00Let's go.
05:03Let's go.
05:05Let's go.
05:06Let's go.
05:06Wait, wait.
05:08It doesn't happen anymore, it happens, it happens.
05:33Tari.
05:35Tari.
05:37Tari.
05:38Tari.
05:38Hey, you scared me.
05:41You scared me.
05:42You?
05:43Yes, yes.
05:44Okay, listen, try to relax, I'm not going to bother you.
05:51With my pajamas and my computer, I'm ready.
05:57Am I wearing pajamas?
05:58Yeah.
05:59Can you lend me one to sleep in?
06:01I mean, I don't have any other pajamas, but I can lend you a t-shirt I have and...
06:06Yeah.
06:07Permission.
06:08No.
06:13Yes, that could be it.
06:15Thank you.
06:16You are welcome.
06:18Anything else?
06:21Thank you.
06:23You are welcome.
06:25It's the least I can do after everything that happened.
06:32Well, if you're feeling hot, I don't have a fan or air conditioning, but...
06:37What I do?
06:38Open the window, eh...
06:40Yeah.
06:42And I'll be in the living room.
06:48Good night.
06:49Good night.
06:53No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
07:20no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
07:30Thank you!
07:52Where are you, Cari?
08:14Hello.
08:15Hello.
08:18Do you want me to give you a ride?
08:20Where to?
08:21To the altar?
08:23Thanks for asking.
08:24Let me find a pretty veil.
08:26Okay, girl, forgive me.
08:28I had to invent that because my brother is too traditional.
08:31No, you know what?
08:32No, I don't even see the need for your brother to have invented it.
08:35Furthermore...
08:36Let's get married, Lola.
08:38We hadn't even talked about that.
08:40It's not that unusual.
08:42Well, that's a nice way to ask it, then.
08:45Did you know?
08:47I came here to live with you because you needed it, because you needed money.
08:52No, it wasn't quite like that.
08:53Besides, nobody pressured you.
08:55Well, and then I went to a pickup game with your friends to fit in.
08:58Well, I did put pressure on you there.
09:00And yesterday, the game is still going on with your brother, why don't you want to scare him away?
09:04No, Lola.
09:06We've been living together for two weeks.
09:08And if we want this to work, we have to do our part.
09:14I have to go.
09:15Bye.
09:16Bye.
09:20Bye.
09:47And you?
09:48Huh?
09:49I thought you were there in the shower.
09:50Uh, no.
09:52No, no, not yet.
09:54No.
09:54Did you sleep on the couch?
09:56Uh, no.
09:57No.
09:58And why are all your things there, the cushions, Samantha, your computer?
10:03Ah, things, of course.
10:06Yes, the thing is, I wasn't going to fall asleep last night, so I came here to listen.
10:11I put on some music, did some calculations and, of course, I finally fell asleep here on the sofa.
10:18Hey, be careful with that because this armchair is super old and then you'll complain that your back hurts.
10:24that you catch a cold, a tummy ache.
10:26Ah, yes, yes, you're right, you're right, you're right. Aren't you going to have breakfast?
10:31No, no, actually I have to go. I have rehearsal early this morning; I have to prepare some harmonies, so I
10:38I have to go.
10:40Okay, if you want, I can give you some money so you can buy something along the way and...
10:44No, no, no, no, Dad, I am going to have breakfast at the casino.
10:49Is everything all right?
10:52Everything's great, great, yes. And you, Chinita, is everything alright?
10:56Yes all ok.
10:57Excellent.
10:58Okay, bye, duck.
10:59Are you coming for lunch today or not?
11:02Dad, I just woke up, I don't know, I'll let you know.
11:07Relax.
11:07Why are things going well for you, huh?
11:09Anyway, take care.
11:11Bye.
11:12Please close this.
11:13Uh-huh.
11:30Gari!
11:32What's happening?
11:33Uh, it's the... it's the celebrity.
11:35It's already gone.
11:37Already.
11:37So you can leave whenever you want, now.
11:39Already.
11:44Shit!
11:50Hello, Mom.
11:51Daughter, how are you?
11:53You left me worried last night.
11:55Okay, uh, has Paulo called by any chance?
11:58No.
11:58Because?
11:59Hey, if he calls, tell him I slept at the house, please, now.
12:02Already.
12:03Already.
12:04And I can understand why I have to lie.
12:06What's going on, Cari?
12:08Nothing, Mommy.
12:09Warn Bruna and her dad so they don't mess things up.
12:11Okay, I'll tell you later.
12:12Yes, that's fine.
12:14Peaceful.
12:15I'll do that.
12:16Bye.
12:25But I don't understand why Cari asked us to tell Pablo that he's staying here.
12:30I don't know.
12:31She said she would explain later, but I sensed she was very worried.
12:35So where did he sleep then?
12:37I think that where one of the Baby Balls is, what happens is that there's like a tangle, things so
12:45mega rare.
12:46But hey, all couples have had problems, moments of crisis, and they're not going to be the exception.
12:52No, of course.
12:54The issue is when the problem stops being an exception, repeats itself over and over, and ends
13:00with one of the two bored, throwing all the clothes out the window of the other.
13:07Hey, we were talking to your mom last night and we really liked your friend Juan.
13:13Ah, you all liked them a lot too.
13:16Oh, that's great.
13:17Mom, I won't be home for lunch today. I have a lot of work to do.
13:21I don't know if I'll be back either, I'm just here for lunch.
13:25You told me you were going to be here all day.
13:27Oh, it's because my friend Osvaldo called me.
13:32That?
13:33The Waldo.
13:34And he told me to please accompany him to the hospital to take care of some paperwork because he is still recovering and needs to walk.
13:44Oh, but you told me the other day that I was doing great.
13:48Did you relapse?
13:51A relapse.
13:52Here's this whole kidney thing, it's so messed up, you know, right?
13:57Okay, but don't worry because I'll let you know beforehand if I'm coming for lunch.
14:01Already.
14:02Oh, I'm running late now.
14:04The breakfast was delicious.
14:06Sentio.
14:07Excuse me, I'm going to get my things.
14:09Come in, come in, come in.
14:14Oh, do you realize that, Brunita?
14:16He'll think I'm an egg.
14:19He uses that Waldo Osvaldo, he doesn't even know his name, just to go and play.
14:24My God, I don't know what I'm going to do again, no, not again.
14:29Okay, Mom, calm down.
14:30I'm going to do something.
14:31No, what a thing.
14:33Let's see.
14:55Uh, who am I speaking to?
14:57With Bruna?
14:59Don't you have me on standby?
15:00Oh, sorry, I was mistaken.
15:04Have you arrived at the store yet?
15:05No, not yet.
15:07Hey, are you buying merchandise?
15:09Yes, that's what I'm working on. Why?
15:12Are you there with Ramón's truck?
15:13Yeah.
15:14Do you need to order something?
15:16No, no, that's not why.
15:18It's because of something related to my dad.
15:52Honey, my love, finally. Why weren't you answering my calls?
15:55You've got me worried, my love. Why didn't you come, Cari?
15:58Because I had a problem with my parents and I didn't...
16:01But I'm going there now.
16:03How are your parents? Are they okay?
16:05Good. They're great.
16:07But the thing is, I finished so late that I preferred to stay and sleep.
16:12Why didn't you tell me?
16:14Didn't I warn you?
16:15Are you sure that's all there is to it and there's nothing more?
16:17Uh, yes, of course. Why?
16:21You're acting strange.
16:23I have the same voice as always, Pablo.
16:26You're lying to me.
16:29Ah.
16:31Call my mom on the phone and she'll answer right here next to me.
16:35I would never do such a thing, my love.
16:38But you're lying to me, Cari.
16:40Now, if you don't want to tell me, you must have your reasons and I respect that.
16:44Let's talk when I get there, okay?
16:46Yes, of course we're going to talk.
16:47But let me tell you first, my love, that you had me very worried.
16:50You're not answering me. I'm your man. I'm worried about you.
16:52At least he should reply to my messages.
16:54When you come, we'll talk in person.
16:56Because I have something very important to tell you.
16:59Pau?
17:01Hello?
17:04Hello?
17:13No, no, no, no, no.
17:25Why are we going to talk?
17:42My love.
17:43Anything for you?
17:43Yeah.
17:44Bye.
17:44Bye, bye.
17:45I love you my love.
17:46Yes, yes, yes.
17:50Hey Rodolfo, tell Waldo to get better, okay?
17:53Yes, in his name.
17:53And your eye popped out again, huh?
17:56Ah, it's just that I'm nervous about my friend, because they've got me worried.
18:01Okay, I hope they're well.
18:02Bye.
18:04Yeah?
18:07Wretched, liar.
18:08Do you realize how our own face lies to us?
18:11Everything to go play.
18:12And that twitch in his eye gives him away.
18:15He would get like that when he was really anxious to go betting.
18:18Yes, Mommy, we still don't know the truth.
18:20Now let's find out.
18:24Gerardo?
18:26The moment.
18:30Yeah.
18:32Yes, yes.
18:33I'm leaving the house now.
18:36Arrive?
18:38Great.
18:39See you there, then.
18:42Come on, come on.
18:48Gerardo!
18:49It's open, it's open, it's open.
18:50Come on, come on.
18:50It's open, it's open.
18:51Follow us.
18:51Open, open, open.
18:52If you notice, please.
18:55It can't be done.
18:56What do you mean Gerardo called me?
18:57That's Ortiz Tapia.
18:59Let's see.
18:59Hurry up, hurry up.
19:00I need to point the turn signal to the right.
19:04Careful.
19:04Everyone, please stay calm.
19:07We go everywhere.
19:08Left.
19:09To the left.
19:09To the left.
19:10To the left.
19:10To the left.
19:18Breakfast fit for champions.
19:20Ah, to start the day off right.
19:23How are you?
19:25Oh, he's voting for you too for a reason.
19:28I heard you, Gaster.
19:30I heard you.
19:31How ugly, how ugly.
19:33What foul language.
19:35No, look, I'm not trying to do anything to deserve it.
19:37Not at all.
19:38I'm happy.
19:39Nothing else.
19:40Are you happy to vote?
19:40I'm happy.
19:41I'm happy for the mother, who is fully recovered, who is back to life, back to work.
19:49Hey, I can imagine Monica, I was just in the office, desperate because she can't sleep with anyone.
19:55Hold on a second, look, Monica doesn't give me the time of day.
19:58Monica has a different kind of leadership.
20:00That's why everyone respects and admires her.
20:05She's just caring and very empathetic, that's all.
20:08But all of that is subjective.
20:12Your mom swears she's working with Wonder Woman, man.
20:19That?
20:20I'm happy.
20:21I can't be happy, you see.
20:22I'm happy.
20:23I'm happy for the mom, I already said that.
20:24And I'm happy for you too.
20:26Because I was talking to people, you know, about the championship we won.
20:30What did I win?
20:31How awful.
20:32How awful.
20:34Did we win?
20:34Are we a team or not?
20:36No, yes.
20:36Yes, the thing is, they told me, they told me that the prize is going to be transferred to me.
20:43account.
20:43What do you mean, am I going to start transforming into some kind of representative for you?
20:46Hey, the truth is no, no, they can't transfer the bra to a child, obviously.
20:50Oh, I'm not going to pass the news to my mom.
20:55Just like that.
20:56Just like that, Gaspar.
20:57Yeah.
20:58I, who have supported you.
20:59From the beginning.
21:01I treated you like a king.
21:03I mean, your mom wouldn't have even let you play, imagine that.
21:06But, well, well, but...
21:10But the important thing is that the two of them, right?
21:13We both want what's best for you.
21:14Right, my love?
21:17Then it would be good to start thinking about a type of investment.
21:22Dad, I'm going to save that money.
21:25But very well, my love.
21:27Very well thought out.
21:28Good, very responsible too, huh?
21:31Yes, yes.
21:33Very responsible about saving, but...
21:34But we can save some and some...
21:37Pa, pa, pa, pa, please.
21:41Monica.
21:43What, a 7, this woman?
21:44Hey, I'm going to have to hurry because we have a super important meeting today.
21:47I also have a... a super important meeting.
21:50Super, super important.
21:51Too important, really.
21:52Transcendental, I would say.
21:55Hey, what about your brother who hasn't come down yet?
21:57Don't you have class today, dude?
22:02He is lying down.
22:03I don't think he'll get up.
22:05Why not?
22:08The thing is...
22:09He's kind of depressed, man.
22:12Because?
22:13Why, Dad?
22:15Because it ended with the gasandra.
22:17That?
22:29How are you?
22:42How are you?
22:48Ask how you are
22:55Look closely, the sun has already risen
23:02Don't talk to me about him or his heart
23:09If you talk to me about Mars
23:13Maybe I'll fly there
23:16If you don't come back with me
23:21Ramón
23:22Ramón
23:23Hey, I'm...
23:26I'm here...
23:33Look, you're the little princess?
23:35Yeah, yeah, yeah
23:36You already sat down
23:38Good morning
23:39Good morning
23:40How did you sleep?
23:41Okay, okay, I dropped dead last night.
23:43I mean, not dead, I mean, from exhaustion
23:46Because so many things happened to me
23:48I slept really well, I really did.
23:50But I had barely opened my eyes
23:52The nightmare came crashing down on me.
23:53Yes, because you're in for a tough day today.
23:55Oh, terrifying
23:57Pablo is already waiting for me.
23:59And I don't know what I'm going to say to him.
24:01I have no idea
24:04But thank you
24:05Thank you for saving me again
24:08I owe you two
24:09Hey, no, but don't leave so fast
24:11But the thing is...
24:12No, no, but stay
24:13Have a coffee to clear your head a little.
24:16Look, I made you some juice
24:17I made you avocado
24:18I gave you a little cheese
24:19Butter
24:20Jam too
24:21Oh, and ham.
24:22I don't know if you like it very much.
24:23But I put a little ham there for you too.
24:24This is for me
24:27Yes, yes, it's for you
24:31Thank you, I would really stay
24:32But Pablo is waiting for me.
24:34Well, he'll have to wait then.
24:36You have a lot, a lot to process today.
24:39Also, that coffee was brought to me from Colombia.
24:43Straight here
24:44It's only for special occasions.
24:48So I'm not going to say no to myself.
24:51Okay, I'll stay
24:55I want to ask you a question
24:58Clear
25:01Why are you being so nice to me?
25:06Sorry, you don't know
25:11I want you to tell me.
25:12I saw you, I wasn't looking for anything.
25:15I liked your face on Tinder
25:18I just wanted a hobby
25:20Because for me, that was a game.
25:22I swear, that's all.
25:27Nothing else
25:32You're logical and I want love
25:34You fill my entire being
25:36What more can I say?
25:41I found you, you're meant for me
25:46You are what I believe you to be, my love
25:49You fill my entire being
25:51What more can I say?
25:56I found you, you're meant for me
26:01I found you, you're meant for me
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