00:00 (plastic rustling)
00:03 Sticks and those sort of materials.
00:07 That's our favorite thing
00:08 and we have actually managed to use it in a film.
00:11 Oh, look, I love this thing too.
00:12 Sounds awesome.
00:16 Bits of metal.
00:17 I mean, doesn't all that sound excellent?
00:20 My name is Duncan Lowe.
00:21 I'm from Infidel Studios
00:23 and one of the things we do here is Foley for TV and film.
00:26 So I've got a bone, an animal bone and like a phone,
00:31 half of a phone and we're just doing a pick up and put down.
00:35 So yeah, we just experimented with a bunch of stuff
00:37 and the animal bone has a bit more like finality, I guess,
00:42 to it, it sounds a bit heavier.
00:44 We did Foley for the second season of the Newsreader,
00:48 did all the footsteps.
00:49 We've had to try and put a lot of character
00:50 into those footsteps to help tell the story.
00:52 He's walking in a forward direction
00:54 and we're walking on the spot,
00:56 which is why I'm doing this,
00:59 or I'm trying to do this kind of hip swing thing.
01:02 You've got to actually swing into it a bit more
01:05 to try and get the performance right.
01:06 The main purpose of Foley is to actually craft your sound
01:09 to the image on the screen
01:11 and not to get something out of a library
01:12 and cut and paste it in that might be okay.
01:15 We try to perform with the actors
01:17 and we try and help them tell the story
01:20 that they're trying to tell.
01:22 - Good to try? - Yeah.
01:23 (paper rustling)
01:26 I kind of feel like we're getting the job right
01:28 when the picture starts becoming three-dimensional.
01:31 The picture starts to have a bit of depth in it.
01:33 Bye.
01:34 [BLANK_AUDIO]
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