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00:03React
00:15Thank God he reacted
00:18What happened?
00:19What I do?
00:24Well, yes
00:25You seem to be doing well.
00:26You need to breathe, please.
00:28Sir, don't be so stupid.
00:30I?
00:31What did you crash into me?
00:32It wasn't my fault
00:33If you don't know how to ride, why ride?
00:35If you don't know first aid, why give it then?
00:37You can't help anyone in this country anymore.
00:39If you like, I'll take you to the village.
00:41If she's very angry
00:43No, thanks
00:44I'm telling him to get on board.
00:45Get out!
00:46Leave me alone!
01:07Oh, stop!
01:09Please help me
01:10Please, I need to put it in the car
01:12No, he's not dead, quick, please.
01:14Who is it?
01:14No, no, I have no idea.
01:15If you don't know him, why would you pick him up?
01:17But then what? Do I let him die?
01:20Yes, yes, yes!
01:21Yes, yes, yes!
01:22I'll pay for the call.
01:23I'm going to call him so he can congratulate himself.
01:25Isn't she getting married?
01:26Yes? Why don't you congratulate me alone?
01:29And why are we going to write it?
01:31If we are a divine day
01:34Look, if what you wanted was to leave me out of the house
01:37That?
01:37That?
01:38That?
01:40Marcelo, why aren't you answering me?
01:45No, that's all I needed, a mailbox
01:49Marcelo, call me quickly
01:51That...
01:52Ah!
01:52My battery died!
01:55Okay, that's it, right?
01:56No, no, no
01:57I have to come, Maria Jose
01:57Why? Why?
01:59My cell phone?
02:00No, you're going to call her
02:01No, no, no
02:02I'm just going to pay for it
02:04Dress me
02:04Give me a kiss
02:09Thank you
02:13But first
02:14Yes, of course, I knew.
02:19Marcelo, call me quickly
02:20That?
02:21What?
02:22That?
02:26That's when she got angry.
02:28Look, crazy girl
02:30Never take my phone away from me again.
02:32That?
02:32Are you threatening me?
02:34No, it's not a threat
02:37It's a piece of advice.
02:39I don't want her to marry Lucas.
02:43Then convince me otherwise
02:45But not with threats and things like that, no
02:49Because you're the one who loses out.
02:54Don't let him die on me, sir.
02:56I beg you, please
02:59I know you can hear me, I know
03:01Think about the nice things in your life
03:04In his wife
03:06Or his girlfriend
03:07Because I imagine it has
03:09Look, I think any woman would die to be with you
03:13No, it's not that I'm lying to him
03:16You are one of the most handsome men I have ever seen in my life
03:23The horse arrived, but without Juan.
03:25See, Guita
03:25I swear, my sweet little Pachuchito
03:27I wonder if something has happened to Juan.
03:29I begin my own crusade of revenge.
03:31That's for sure.
03:33Revenge
03:34Did you hear that, little black boy?
03:34And what could have happened to Juan?
03:37What's going on, brother?
03:39Look, Guita, as I would say
03:41You more than anyone know that if it were my problem
03:43I would open my heart and my chest wide to you.
03:46Otherwise, it's disrespectful to the man, you understand?
03:48Why don't you come with me and we'll go look for it?
03:50Okay, just a moment
03:52Why so much mystery, little black boy?
03:55I don't even know what skirts to wear
03:56No, what skirts or hot bread?
03:59It's Juan's business and secret.
04:00But of course, this mouth isn't mine.
04:02That mouth is not yours.
04:03Then these feet aren't mine either.
04:05If you're not going to tell me
04:07Go by yourself, black man, I'm very busy.
04:09Okay, let me go alone
04:11But I even appear at the very horseshoe
04:14Because yes, they do answer me for Juan, but that's it.
04:18Where?
04:19Horseshoe
04:21That is the gentlemen's estate
04:23Hey, what's your friend looking for over there?
04:27Man, Guita, you can't tell everything, man
04:30You don't have to tell me because I already know.
04:34Mystery, danger, the horseshoe
04:35White is what the hen lays, of course.
04:38Oh yes, well you know so well
04:40Okay, what's this about, spit it out?
04:42And what will it be about?
04:43Well, from the treasure
04:44No wonder you're worried, brother.
04:46Because those people keep that house very well maintained.
04:49And not just those people.
04:50Look, behind that little trunk
04:52There's a tough friend of mine
04:54Powerful, listen
04:55And don't even think, then, that your friend Juan
04:57He's going to wipe his ass with it.
04:58What do you mean? What's up, Guita?
05:00So you also think the treasure is already hidden
05:03And he's already got those gold coins this big
05:07So, tell me one thing
05:07So why has no one found it?
05:09Do you know why?
05:10Because it's not that easy.
05:11The only one who knows where he is is the old woman, Elena.
05:15Let's walk and go, let's walk and I'll accompany you
05:16Oh, well, I should have started there, man!
05:19Stupid!
05:19Didn't your mommy teach you that it's very dangerous to pick up strangers on the street?
05:26No, he didn't teach me.
05:27And you know better than to speak.
05:29You are very ill.
05:31Let's do one thing
05:32I'm going to take you to a clinic
05:35Then do whatever you want, whatever you feel like.
05:40For the first little thing
05:43Hey, do you really like it that much?
05:44That's it, he should worry about my health
05:47That's very strange.
05:48To be honest, I couldn't care less about his health.
05:52Yeah?
05:53I'm doing this to avoid a problem.
05:55Because then he blames me and sues me.
05:57And who knows, they might even charge me for it being good.
06:00Oh, really?
06:02So, you don't care about killing someone?
06:05All you care about is getting charged, right?
06:09Ready?
06:16Take me
06:16Ah, if he feels like it
06:18Ready?
06:19Fijo got too close and they caught him, Guitart
06:22That's the same thing that's going to happen to us, Negrito.
06:25The difference is that we have nothing to sing about.
06:28And that's sometimes worse, you hear?
06:31Look, Guitart, if you say so
06:32That has the entire military in the world
06:33I believe him, Dad.
06:34But I believe it, I believe it
06:36But go ahead, find out.
06:37These are the kind of people who shoot first and ask questions later.
06:40Well then, well, well, well
06:41Damn, what were you thinking, Edgar?
06:43Ah, what should I ask?
06:44Good evening, gentlemen
06:45Could this be the man who came to rob?
06:47Well, that's so crude, man.
06:48What kind of family is mine, huh?
06:49Hey?
06:49So what did we come here for, asshole?
06:51So, shall we go back?
06:53Calm down, calm down
06:53What did we come here to do? Intelligence, as they call it?
06:57Intelligence?
06:57Intelligence, but you know we came incognito.
06:59Do you understand me?
07:00Ah, incognito
07:01Yes, sir, in disguise
07:04What I do?
07:05What if I'm here?
07:11Oh, don't tell me you lost your girlfriend
07:15Oh, you poor thing!
07:17I wish that someday you would care about me like that.
07:19Oh, look, look, look, look, listen to me
07:21Why don't you ask someone else?
07:23Suddenly she called her grandmother
07:24Do you think I'm going to wake Aunt Elena up?
07:26Should she be worried because Luquitas hasn't arrived?
07:28Do you want me to kill her?
07:30That?
07:31Is that one okay?
07:33Or I don't know, he probably picked Elena up on the road
07:35And they are head over heels in love, very much together.
07:38They're very far away and they're going to spend the night together
07:41You know what? I think in a hotel?
07:43Or I don't know, because Luquitas is so divine
07:44He probably invited her to spend the night at his apartment
07:49Hey Marcelo, tell me, tell me what I should say to Lucas when he calls
07:53Hello, the call was cut off, hello
07:54Oh, it got cut off, it was Marcelo
07:56He is desperate because Lucas hasn't arrived home.
07:59And what about Doña Elena's remedy?
08:00Yes, yes, yes, I'll do it.
08:02I think I'll say goodbye here.
08:03In that way?
08:06Very badly
08:07It runs me over
08:09He finishes me off by getting me in the car
08:10The force of leaving it lying here brings me here
08:14No
08:14I hope he gets better
08:17I have to go
08:19And I hope to see her again.
08:22Marta, take him to X-ray.
08:24No
08:24No
08:25No
08:28No
08:29No
08:53Subscribe to the channel!
09:01Hey, what's wrong? What? Did you lose something? Can I help you look?
09:05No, no, I haven't lost anything. Not yet, anyway? Because if I lose it, suddenly...
09:10I'm lost.
09:11My dear father, please help me, give me a little bit of your light, man.
09:15Oh, but how did it do it automatically or what?
09:18What are you doing here? Behave yourself!
09:20No, no, no, sir. What are you doing?
09:21No, no, no, nothing, the truth is that I was already leaving.
09:24Oh, but why all the aggression towards that dog? Put it away, keep it there. Sir, please, keep it.
09:28And if she doesn't come back to me, I'll die right here. I'm not going to any clinic.
09:32And I'm going to sue her, and she'll even have to support me. I'm warning you.
09:37Is it so serious that I should leave?
09:38Bravo, bravo! Because I can't reduce the charge for running someone over.
09:43But not for abandonment, you'll see.
09:45Why not, why not stay for a little while, okay?
09:49Go ahead, please.
09:52OK that's fine.
09:54But only so that he can leave in the car.
10:01No, it should have already appeared, man.
10:04It left exactly one hour ago.
10:07And has he already proposed to her?
10:11Oh no, I didn't make it.
10:13The thing is, she called me very worried, and well, I don't know what's going on.
10:16pa.
10:18In other words, if he doesn't show up in 10 minutes, I swear we'll organize a rescue brigade, whatever it takes, to
10:22that appears.
10:23Aunt Elenita has not spoken to Luquitas.
10:26With Luquitas? What for?
10:28No, well, Marcelo called, saying that Luquitas hasn't arrived home yet.
10:32Who knows where she's been hiding, but she'll surely arrive soon.
10:35See you tomorrow, aunt.
10:37Joke, joke, dog, joke.
10:38Is there anything I can help you with?
10:39Yes, the truth is that I'm looking for a friend I lost.
10:42Oh, really?
10:44And who is it?
10:45Ah, if you tell me, I can help you look for it.
10:48His name is Tomás, sir.
10:50Does that tell you anything?
10:51Joke.
10:51It's too late for you to see yourself like Luquas, and with the distant days of my eternal everyday life,
11:03that everything is different now.
11:06We're bursting at the seams, so close to each other.
11:11And suddenly, my love, we can hurt each other, we can hate each other so much.
11:23We can lose control if we find ourselves in a war.
11:28We can hurt each other, we can hate each other so much.
11:34We can hurt each other, we can hate each other so much.
11:40We can lose control if we find ourselves in a war.
11:44And I don't want that for you.
11:50And I don't want that for myself.
12:00I asked him a question.
12:02Were you the man who called this afternoon?
12:04No, no ma'am, it hasn't arrived.
12:07And I don't know what's going on because Marcelo has also called her about 500 times.
12:13Oh, wait for him in a little while, I think he's arrived.
12:16No, it's just that Lucas's habit of leaving the keys behind... one day he's not going to find me here and
12:19He's going to have to sleep on the street.
12:20Who is it?
12:22Who is it?
12:22Already.
12:23Okay, okay, stop howling because you don't live alone in this building, okay?
12:26Lucas.
12:27He's not here.
12:28No, no ma'am, it wasn't Luquitas, it's Marcelo.
12:32Marcelo, what's wrong with Lucas?
12:34Well, I don't know, look for it at a friend's house.
12:39Ask Anita, son.
12:40And when you find out something, call me immediately.
12:44See you later.
12:49Augustine!
12:49Oh, Auntie, Lenita, but why are all the beds disappearing and I just got to put her to bed?
12:53He's going to catch a cold.
12:55Lucas hasn't arrived at his apartment yet!
12:57Oh, auntie, don't tell me she got nervous.
12:59I'm so stupid, why did I even tell him?
13:04Agustín, I need Agustín to help me find her.
13:06You wake everyone up, I need them to find her now.
13:09Yes, yes sir, I saw him in the kitchen.
13:14Augustine!
13:23Agustín, what are you doing there? What's going on?
13:26No, no, nothing's wrong, Mrs. Elena.
13:29Come here because something very strange is happening.
13:31To you, Doña Elena? And what is it?
13:33Not me, Lucrecia. She's not showing up.
13:37No, no, it can't be.
13:39Something must have happened to him.
13:41Look, come here now because we have to go out and look for her.
13:45Oh, oh, wait, wait, wait!
13:47What happened? What happened, my scream? What happened?
13:49No, he almost ended up paying for his Don Juan ways.
13:52Why? What did he do?
13:53When it's for gossip, then you're all ears, right?
13:55But when it comes to risk, what solidarity!
13:57But this time he's forgiven, little brother.
13:59Of course it's urgent, Colonel, otherwise I wouldn't have called you.
14:02Lucas always says where he is.
14:05No, what I mean is, what I need is for you to help me locate that truck, understand?
14:09The plates are BGZ 344, okay?
14:15If he saw it, a sunken rib.
14:18If I hadn't brought it...
14:19No, wait.
14:20If the horse hadn't scared me, I would be fine.
14:24Okay, sorry.
14:26So what was he doing there?
14:27Are you not from the town or not?
14:29Well, I'm going to take a walk to see if I knew her.
14:33Oh really?
14:34Oh really?
14:36Seriously?
14:37This has been the best accident I've ever had in my entire life.
14:41Believe me, I've had many.
14:43Do you know what I think?
14:44Okay, what? What? Tell me, tell me.
14:46There's Juan's revenge, the one who gave the company a real thrashing.
14:51Imagine that it doesn't appear.
14:53As?
14:53The exact time when Juan was wandering around the farm was lost.
14:56Go to Bogotá, but take the same route Lucas always uses.
15:01Doña Elena, but Marcelo is already on it.
15:04Oh, Agustín, four eyes see more than two.
15:08Please go back to the village.
15:11And ask.
15:12Suddenly someone saw her.
15:13What do you mean, brother?
15:14So, did your friend kidnap the girl so that Doña Elena would confess where the treasure is?
15:20Could it be?
15:20I don't believe it, I don't believe it.
15:22The truth is that wasn't the phone.
15:24She could pass herself off as this Tomás.
15:26Could it be that it was a change of strategy?
15:28Are you going to tell me your name, yes or no?
15:31Tell me yours first.
15:33Okay, we'll put NN and get out of this little problem.
15:36But let's say NN is his fault, right?
15:38Because I used to be a normal man.
15:40I don't think so.
15:41That nonsense looks like it used to.
15:44Yes, but I used to be able to hide it.
15:47But ever since you met her...
15:49He got all worked up, I know that for a fact.
15:52Do you remember everything you said to me in the car?
15:55Clear.
15:56I behaved very badly, and only because he was kidnapping me.
16:00What a shame, I shouldn't have.
16:02It was a big problem admitting that I was helping him.
16:05That's the problem.
16:08Tell me, how am I supposed to ask her out now?
16:15How can one face the authorities?
16:18What do you say to them?
16:19No, imagine.
16:21The man kidnapped a girl and has not reappeared since.
16:24It's just that his friend, his friend is very radical.
16:27I've seen treasure hunters coming here for many years,
16:31But none so determined, so you know and understand, little black boy.
16:36Did it cost him a lot?
16:37Yeah.
16:38Quite.
16:38I'm going to charge you for every single bit of it.
16:43Miss, could I get another sedative, please?
16:47Does it hurt a lot?
16:50As a bad omission.
16:53The longer it takes, the worse it gets.
16:54Look, you know what, Edgar?
16:55Don't pollute my head with your bad ideas.
16:58Juan isn't capable of doing those things, man.
17:00Understand it.
17:01Wait and see it appear.
17:03He explains absolutely everything to us.
17:04It just appears.
17:06Because the gentlemen, in their own way, are anything but gentlemen.
17:09Look, little black boy.
17:11A grave robber sneaks in.
17:13A grave robber who doesn't tell the tale.
17:14What's more, a few years ago, they killed one of them, so you know and understand, little black boy.
17:22Well, since the topic of dating comes up so casually and easily, she says that I
17:27proposed it.
17:29Do you have a boyfriend?
17:31You did not answer any of the registration questions.
17:34I'm asking you a personal question.
17:37Does she have a boyfriend? Is she married? Separated?
17:40What do you think? That I go around telling my life story to just anyone who looks like me?
17:42No, you?
17:44No, not you.
17:45You kiss them first.
17:47Then he kidnaps them.
17:50He tells them they look cute.
17:52You are one of the most handsome men I have ever seen in my life.
17:59And he makes sure of her health, which is very good.
18:02But at least before asking if they have a boyfriend, I ask them his name.
18:08Okay, fine, whatever.
18:10If that's the requirement, could you please give your name?
18:30I know.
18:32His name is Lorenzo.
18:33If you don't care about my name, I won't tell you.
18:37You have the face of someone with a really nice name, you know?
18:41Daisy.
18:42No, my name is horrible, you can't even imagine.
18:46OK that's fine.
18:48Why don't we leave it on the runaway truck?
18:50And now we move on to the topic that interests me.
18:53Does she have a boyfriend?
18:55His sedative.
18:56Drop your pants, won't you?
18:57No, no, wait a second, I'll step out.
19:00Look, but why are you going to leave, man?
19:02We are no longer taken into account.
19:03I don't want any more shameful spectacles.
19:06I'll wait outside.
19:09Oh, she's not the prettiest girl in the world.
19:13Oh!
19:14Ana, tell me anything you know or think is important, okay?
19:18For Lucas's sake.
19:20You hear, you know what?
19:21Yes, I'm going to tell you what I know.
19:24That?
19:25Well, you're not going to find it in that closet.
19:27Honestly, I don't understand you, Lucas, how she puts up with you.
19:29You're going to drown her.
19:30I take good care of her, which is different.
19:32Yes, of course, and one day Luquita gets bored.
19:34Take good care of her and fly away, my little one.
19:40Hello.
19:42Colonel, have they found the truck yet?
19:44In a clinic?
19:46No, no, I'm leaving now.
19:48No, they can wait for me, I'm on my way.
19:49I have to go to a clinic.
19:50Come!
19:57Oh, miss, you know what?
19:58I highly recommend them.
19:59Go in peace, there are still some exams to come.
20:01But he's going to be better.
20:02The fainting spell was due to weakness and the blow.
20:06She has anemia.
20:07Anemia?
20:08Hunger?
20:09Poor diet.
20:11Well, the doctor gave him a very strict diet,
20:13But he's going to be fine.
20:13Calm down, go away.
20:14Thank you.
20:19Do you know where the girl who was in the car is?
20:23Fine, thanks.
20:26Oh, what a delight.
20:29Doesn't he want to eat?
20:30I don't want to.
20:32I think so.
20:33Look, let's see.
20:35Just like my mom, right?
20:37He believes that everything can be solved with food.
20:40And if she doesn't eat it, I call her over so she can taste it.
20:46She can't.
20:48Well, then I'll put it down.
20:53Let's see.
20:53Look.
20:55Open the other one.
21:12Well, a little more alone.
21:14What do I have to do?
21:18Oh, Luquitas, thank God.
21:19What happened?
21:20What happened?
21:21Nothing for me.
21:22Because?
21:22What do you mean, nothing?
21:23So why are you in a clinic?
21:25And how do you know I'm at the clinic?
21:27Oh, no.
21:28Well, Mr. Marcelo, my little girl, has searched high and low for her.
21:31He's even looking for her with the police.
21:33And what's more, it worried your grandmother a lot, and I think that lady is on the verge of a heart attack.
21:38Did you know?
21:38Do me a favor.
21:40Call him and tell him I'm okay.
21:42I'm on my way there now.
21:43No, sir.
21:44I don't have anyone registered with that name.
21:46Let's see, miss.
21:47Look carefully.
21:48Lucrecia Caballero.
21:49What happened?
21:50Yes, I do have a boyfriend.
21:51I have to go.
21:53This is my cell phone and the one for the house.
21:56Reference to the hit-and-run.
21:57So that he remembers.
22:02She has to be here, period.
22:05Lower your voice, sir, this is a hospital.
22:06No, I'm not going to move from here until Lucrecia shows up.
22:09Is she in love?
22:10Please, they are waiting for me.
22:12He didn't answer me.
22:14I really have to go.
22:16Is she in love?
22:19Yeah.
22:22Look.
22:23You know what?
22:24She greets her boyfriend.
22:25And boy, boy, are they going to scold him.
22:27Listen.
22:33You see that truck over there?
22:35It's hers.
22:35So she has to be here.
22:38Lucas.
23:00Thank you, beautiful Virgin Mary.
23:03Oh, because my little girl is doing well.
23:05God, Doña Elena.
23:07There was no reason to worry so much.
23:09Now rest.
23:10And I'll take care of your prayer partner.
23:13I'm going to put him to bed.
23:17He stuck his pickaxe into the middle of the Lord's Prayer.
23:19He couldn't hold out any longer than that.
23:21Oh, you poor thing.
23:23Oh, so cute.
23:25I don't regret adopting him for a single day.
23:28Because I'm sure that somewhere someone did the same thing to Tomás.
23:35Doña Elena, please forgive me, but there is something I would like to tell you and I am going to take the risk.
23:42What's wrong, Agustín?
23:44Well, I think you start getting old when you let memories weigh you down more.
23:52than hopes.
23:54Agustín, are you calling me old?
23:57No, no, no, that's not it.
23:59What I mean is that, well, Luke is hope.
24:04On the other hand, Thomas has already made his life, wherever he may be.
24:07Lucas no.
24:09Lucas needs her.
24:11She is the one we need to worry about.
24:15Oh, Luquitas.
24:16Hey, what's up, Lucas?
24:18You ran into Marcelo, he was furious.
24:20No, I don't understand why it's so exaggerated.
24:22No, and the worst part is that he's going to get the truth out of you, that's for sure, I'm warning you.
24:26You can't imagine what happened to me today.
24:28Where was she hiding?
24:36Lucrecia, where were you, Ana?
24:39I'm here, in a clinic in Bogotá.
24:41What did they do to him? What? Is he badly injured?
24:43Did the knights attack him or what?
24:45No, brother, you won't see, the gentlemen didn't do anything to me.
24:49So, what are you doing over there, brother?
24:51Relax, brother.
24:52I'll tell you later, no worries.
24:54You had no reason to worry, and even less to worry Grandma.
24:57I just don't understand why.
24:59Well, why?
25:03Excuse me.
25:11So why did you leave me a message on my phone telling me to call you urgently?
25:15And then you disappear.
25:16Hey, what did you want me to do?
25:17Please, the next time you lose sight of me for five minutes, call Grandma so she can identify me on [phone number/website].
25:22my legal design.
25:23Lucas, what's happening to you?
25:26Leave me a message so I can call you urgently.
25:28I care about you.
25:29I go, I look for you, and now it turns out that I'm the bad guy of the walk.
25:32But I didn't want to worry you, love.
25:34I was completely fine.
25:36Oh, really?
25:38And completely fine, where?
25:39No, but if your intelligence service is so good, so effective.
25:43Why are you asking me that, love?
25:44You know very well where I was.
25:46Ana already told me how you went looking.
25:48Ah, well, then I imagine Ana told you how worried she was when she found out you were in the
25:51clinic.
25:53And please forgive me for worrying so much, I really do.
25:56Yes, cool, cool, why not?
25:57Look, you know what, Juanito?
25:58Put one hand on your heart and the other on your forehead, and please trust that it was what you
26:02He did, brother.
26:03Calm down, I couldn't even reach the horseshoe, I'm clean.
26:08Oh, good mother.
26:09But well, thank goodness.
26:10Tomorrow I'll be at the boarding house, yes.
26:12Yes, I'm going to tell you something else now, yes, yes.
26:14Okay, bye.
26:16Now it really happened.
26:18Nothing happened to him.
26:20Ah, at least.
26:21That was the idea, wasn't it?
26:23So why did that face scream at me?
26:27Because I messed up, I messed up.
26:29What the gentlemen didn't do to him, he's going to do to me for being so rococo.
26:33Because I wanted to talk to you and tell you that...
26:35That?
26:36What is it you want to tell me?
26:39I love you.
26:41And that I couldn't bear for anything bad to happen to you.
26:45But nothing happened to me.
26:47Yes, but what were you doing at that clinic?
26:50Hey, you took many hours.
26:52It usually takes you an hour to get from the farm to your house.
26:56And when did you time me?
26:58So, what do you mean, when?
27:00Always.
27:01Wouldn't you do the same for me?
27:03Well no.
27:04No, Marcelo.
27:07For example, today I called you many times, you didn't answer me.
27:11Where were you?
27:18Answer me.
27:19Where were you?
27:22Well, it's possible that the girl Lucas has appeared.
27:25But all of this seems very strange to me.
27:28The look on that guy's face when he heard Doña Elena say that Lucas hadn't shown up!
27:34He left like a bat out of hell.
27:37And did you see who was waiting for you?
27:39Who was driving the motorcycle?
27:40No, no, I didn't make it.
27:42I was with a man, you're absolutely right.
27:52Which man were you with?
27:53I don't know, I don't know.
27:55I picked him up on the road.
27:57Look, I made him jump off the horse and I had to help him.
28:01Oh, Lucas, please.
28:03That's the oldest trick in the book.
28:07Sorry?
28:08What is that the oldest trick in the book?
28:09Falling off a horse when you want to pick up a girl.
28:12Please.
28:19It wasn't a trick.
28:21Seriously, I made him jump off the horse.
28:23He even fractured a rib.
28:25Hey, you picked up a stranger on a random street.
28:28That is very dangerous.
28:29But that didn't occur to me at the time.
28:32Yes, I can imagine.
28:33Obvious.
28:36You don't believe me, do you?
28:42Yes, I believe you.
28:45I prefer to believe you because if I were to believe the version I imagine,
28:50I would die, Lucas.
28:53It would be good to install more cameras so that the entrance is covered.
28:57But of course, if we do that, Doña Elena is going to think that something is going on.
29:01Well, it's put on when she's not there.
29:03In other words, never.
29:04No, no, never.
29:05She's going to mass tomorrow.
29:07That?
29:09It's good that it's coming out and getting some fresh air.
29:11Because lately I've been kind of shut in.
29:14I'm going to call the technician to come tomorrow.
29:17I bet the guy was a total hottie.
29:19Divine daddy.
29:21Anita, you would have died.
29:23The eyes, each one more beautiful than the other.
29:26I really hate you.
29:27If I were to run someone over,
29:29I ran over an old woman.
29:31And then my little daughter comes along and files a lawsuit against me.
29:34Okay, but what?
29:36Ah, introduce me to him.
29:38When?
29:39I doubt I'll ever see him again.
29:41In that way?
29:42No, you didn't think about your friend.
29:44Please, did you ask for her phone number or not?
29:48He didn't even give me his name.
29:50But we can fix that.
29:53I know, we're going to that clinic tomorrow.
29:55and we found out what happened next.
29:56Should we get up early or not?
29:57How can we do so much to each other?
30:02How can we hate each other so much?
30:05How can we do so much to each other?
30:11Anita, hurry up, let's go.
30:13Yes, I'm ready.
30:15Look, it's all fixed up now.
30:17Ah, well, it's in case you rule out that little guy.
30:19Because he's so handsome,
30:21then I'll keep it for myself.
30:22Well, I don't think so, because he's crazy about me.
30:27Hi babe.
30:29And what are you doing, you pretty thing?
30:32Where are you going?
30:33Uh, we're going to university.
30:35She's going to accompany me to check some notes.
30:37Oh, Ana, I'm so sorry about you,
30:40But he's going to have to leave in a small car.
30:42Yes, thanks.
30:44Bye, Luqui.
30:44Bye.
30:47My love, I came so that we can go visit your sick person.
30:51That?
30:52No, love, it's not necessary.
30:55No, of course.
30:56I know you're extremely worried about him
30:58and that you're feeling guilty.
31:00Also, please forgive me for last night.
31:01not having really understood things.
31:04But if you're so determined to help him,
31:06Well, I want to help you too.
31:08And let's do it together.
31:10Seem to you?
31:12Come on?
31:14Come on, grandma, we're going to be late.
31:17I'm coming, I'm coming.
31:19What are you doing?
31:21I'm putting this handkerchief of Tomás's in the window
31:24so that if he arrives,
31:25while I'm not at home,
31:27Know that your grandmother is waiting for you.
31:32Grandma, don't be sad.
31:35No, my love, I'm not sad.
31:37Quite the opposite, I go to church
31:39to give thanks for Luquitas
31:41And for all of you.
31:44Oh, Aunt Elenita, really.
31:45She wants me to accompany her.
31:46You know I'm so lazy.
31:48He's scared.
31:48that they don't let them into the church.
31:50Oh, Jerónimo!
31:52Come on, honey, that won't hurt.
31:55And you, Agustín, aren't you going to join us?
31:57Ah, I have my problems.
31:59I resolve them directly with God.
32:01Me too.
32:03But I'd rather stay put, aunt.
32:05Augustine's problems
32:06They are not that serious.
32:08Yes, you need special treatment.
32:10Yes, you need to shut up.
32:14Shall we go, Grandma?
32:16Oh, my little boy.
32:18And what's so picturesque about that?
32:20Why did it get so fixed up?
32:22To be on their level.
32:23Is that it?
32:25Or would it be better if he were
32:27dragging its wing around
32:28to some little girl?
32:30No, don't worry, aunt,
32:31no matter how much he drags him
32:32whichever wing
32:33that he's going to pay attention to her
32:34With that look, right?
32:37Do you know that my son looks like
32:39More and more like Tomás every day?
32:41I'm sure he
32:42It must be just like you.
32:43Who knows, Grandma?
32:45But if that makes her happy,
32:46I'm going to be just like him.
32:50Well...
32:50It's backwards, grandpa.
32:55Augustine.
32:59My love, I don't know
32:59Why are you being so difficult?
33:01You got lost yesterday
33:02for several hours
33:03for thinking about health
33:03from this gentleman.
33:04And now what do I tell you?
33:05that we go and visit him
33:06and you get annoyed.
33:07Because I know you're not interested
33:09that man's health.
33:10You just want to check
33:11I'm telling you the truth.
33:13That's not true, my love.
33:16The thing is
33:16Did you have an accident
33:18And it's best to make things clear.
33:19to avoid future problems.
33:21I already explained everything, love.
33:23I paid for the clinic.
33:24That's it, it's over.
33:25Ah, well, then
33:26a fortiori.
33:27Let's go visit him
33:28Let's see how it goes.
33:30I suppose there's no problem.
33:32Yeah.
33:36This was
33:38very dangerous, Agustín,
33:39and it needed improvement
33:40security.
33:42Tirso.
33:43Mister.
33:43I need that camera
33:45I took
33:46everyone who passes by
33:48here
33:48up to the curve.
33:50Perfect, doctor.
33:51Okay, let's go.
33:52I want to put
33:53one inside the house
33:55and look behind you too.
33:56Augustine,
33:57You stay here
33:58and it lets me know
33:59if my mother-in-law arrives.
34:00But Doña Elena
34:01It's still taking a long time,
34:03Don Rodrigo.
34:03We don't know.
34:04She can return
34:05for any reason.
34:07You know her
34:08and we don't want to worry her,
34:10TRUE?
34:12Come on, Tirso.
34:19Somewhere in the house
34:20it has to be
34:21that damned treasure.
34:23I have searched
34:24throughout the entire property
34:25and nothing,
34:25so it has
34:26than being in here.
34:28Didn't you bring
34:29a metal detector?
34:30Of course, doctor.
34:32What happens
34:33It's because we need to organize
34:34first
34:34because with everyone
34:35those decoys...
34:37Lures?
34:37Yes, look.
34:39That metalwork
34:39All of that needs to be taken out
34:40because otherwise the detector
34:42she goes crazy
34:42And what do we get out of it?
34:44Did we get nothing out of it?
34:45No, no, no, no,
34:46But look,
34:47All I want is
34:48is that you do
34:49an idea
34:50about what the house is like
34:51so that he can tell me
34:51How long will it take?
34:53Oh, no, well, that's true,
34:54just a quick overview
34:55I think about 15 days.
34:5615, this thing
34:57It needs to be taken down.
34:58and put it back together.
35:06Oh, no,
35:07But wait a minute.
35:09No, I think
35:10that for at least a month.
35:12This is all bricks and mortar.
35:14at least a month
35:14We jumped.
35:15That's a long time.
35:16my life,
35:17I already waited
35:17all night,
35:18I don't expect
35:18Not one more minute.
35:19Take the supplements,
35:20you need
35:21eat well.
35:22Look, rather
35:22Why doesn't it do it to me?
35:23a crossroads?
35:24Do you remember?
35:24of the little girl
35:24What did he bring me yesterday?
35:25Yes of course.
35:26Will you give it to me?
35:27Of this, please?
35:28For the hit-and-run?
35:30Yes, from the one who was run over.
35:32Oh, Lucas,
35:33hey,
35:33What a drag,
35:34We forgot
35:34bring her grapes
35:35to the sick person.
35:36I ask you a favor
35:37don't go to him
35:37to leave
35:37with some hatred.
35:39No, don't worry,
35:40I know perfectly well
35:42how to treat
35:43to that type of people.
35:44As?
35:45How do you know?
35:46how to treat those people
35:46if not even
35:47Do you know him?
35:48Marcelo,
35:49What kind of people
35:49Are you talking to me?
35:50Hey, calm down,
35:51I meant
35:52to the people
35:53sick,
35:54to the compliant one.
35:56Do you think I'm stupid?
35:58I agreed to your coming
35:59Why are you getting yourself done?
35:59your little bobbles,
36:00but nothing more.
36:02Now you're not going to tell me
36:03that interests you
36:03this man's health
36:04Because I'm not going to believe you.
36:05love.
36:16Let's see, doctor,
36:17I'm not going to deceive him.
36:19I could tell you
36:20that the guaca
36:20finds her
36:21you in Parboliones,
36:22but not,
36:22That's a lie.
36:24That thing is purple,
36:25one does not find
36:25a treasure like that in such a hurry.
36:26Eagerness,
36:27Don't come at me
36:28to talk about eagerness.
36:31More patience
36:31not even the holy Job.
36:33I've been here for 20 years
36:34waiting for this thing.
36:35Next month
36:36I'm going to the guakería (a type of looting).
36:37Because that's for sure,
36:38April with a thousand rains,
36:39That is truly blessed.
36:40to find
36:41emerald in blows.
36:43Yes, Tirson,
36:44that's true,
36:46But I, this lady
36:48I'll take it out of here
36:49whatever the case may be.
36:51I swear.
36:53Is something wrong?
36:55Nothing,
36:56Nothing's wrong with me.
36:57Now that's going to make me jealous.
37:00A long time ago
37:01I didn't see you so nervous before.
37:02when you used to come to visit me.
37:06surprise.
37:07Veroso.
37:09Bye.
37:11Bye.
37:11Bye.
37:14Bye.
37:15Bye.
37:17Bye.
37:27Thanks for watching the video.