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00:00It's so bad, it's so bad.
00:27so shall we talk about tomorrow yeah there'll be no official autopsy no photos no record of death
00:43we'll just um identify the body then they'll burn it no one gets the ashes no one will know
00:49not even his family what about danny no not even danny richard roper will remain a missing person
00:56and you jonathan pine he never came to this godforsaken place
01:04you all right yeah i didn't sleep last night just last night don't worry you'll sleep well after this
01:26no just one of you will perform identification who says
01:43i see now listen here i've had enough of this shifting bloody sands angela it's all right
01:49it's not all right none of this is all right she'll do it we've both waited so long for this
01:56you've waited longer
02:01Gala.
02:05Gala!
02:16Ready?
02:23Can you confirm? This is Richard Rocker.
02:26Yeah, that's him.
02:27So?
02:31Yeah.
03:01Gala.
03:07Felix?
03:12Felix?
03:13One second.
03:18Teresa, hi.
03:19Hi.
03:20Clarky escaped again.
03:21Ah, I'm so sorry.
03:22Did he wake you?
03:23Um, well, no, because it's 4.30 in the afternoon.
03:26Of course it is. Of course it is. Sorry. Yeah.
03:29You, sir, are a flirt.
03:32What are you doing disturbing our neighbour, eh?
03:34Um, you work at night, don't you?
03:36I do, yes.
03:37Yeah, what do you do? You're like vampires?
03:40Um, I work in the bank. So, yes, basically, yeah, I am.
03:46Yeah, all right. Um, I'd love to have dinner soon, if you dare to journey across the hall.
03:53Um, yes, maybe, one day.
03:57Yeah.
03:58Yeah.
03:59Sorry again.
04:00Oh, good.
04:01Okay, come on you.
04:02Yeah, bye.
04:03Bye, bye.
04:06Corky.
04:09Get me into trouble.
04:10This is the MI6 quarterly evaluation for Alex Goodwin, director of the Night Owls Unit.
04:18Shall we begin?
04:19Sure.
04:20So, Alex, is there anything keeping you awake at night?
04:25No, er, no.
04:29And how's your family?
04:31Family's great, yeah.
04:33And romantically, any developments on that front?
04:37Yeah.
04:38Actually, I've started going out with my neighbour.
04:43I see you've requested to stay with the Night Owls for another three years.
04:46Yes, yep.
04:47How do you feel about that?
04:49I feel good. Um, I love working for Rex Mayhew.
04:53I love my team.
04:57From a central ops point of view, we've learned more from the Night Owl Surveillance Unit,
05:02led by Alex Goodwin, than from a dozen agents in the field.
05:05Nocturnal Surveillance of the top hotels has proved pivotal to our clean-up operation in the City of London.
05:16The Night Owl's patience and diligence has allowed us at MI6 to infiltrate hostile networks and avert terror threats across the city.
05:23The Night Owl's, that's a nocturnal surveillance unit?
05:26That's right, yeah.
05:28It's not exactly glamorous.
05:31Does it need to be?
05:32No.
05:33Hello?
05:34I...
05:43Hey Ben.
05:44A visitor from the river.
05:45Thanks, Greg.
05:46It's quiet work.
05:47It's, er, not the most dramatic.
05:48But who needs heroes?
05:49Hello, Alex.
05:50How's that?
05:51Just dropping off the new wishlist.
05:52Usual rogues gallery.
05:53Don't know how you do it.
05:54Stuck here every night.
05:55Sat in the dark, watching the world through a screen.
05:57I'm worried you'll go blind.
05:58Well, as head of the River House Supervisory Council, I am formally sanctioning a further three-year extension for the Night Owl unit, under the leadership of Alex Goodwin and the Director of the River House Supervisory Council, I am formally sanctioning a further three-year extension for the Night Owl Unit.
06:13Under the leadership of Alex Goodwin and the continued supervision of Rex Mayhew. Thank you very much.
06:32Thank you, Myra.
06:33I've taken a look at your file. Six years. You've refused all promotions, all offers for posts abroad.
06:41I love being at home. Sorry to disappoint you.
06:47You don't disappoint me, Alex. If I'm honest, you frighten me.
06:57Just a reminder, nothing above the parapet. That face is too pretty to lose.
07:04A lot of intelligence officers come through this room. Some of them shout. Some of them scream at me. Some even throw things. But the ones I really worry about turn up every three months. They sit there and they smile. Just like you.
07:22They say nothing, like you. And then one day, they explode.
07:29You need to talk to me, Alex. Tell me who you really are.
07:35Tell me who you really are.
07:46I am the man who will not explode.
07:49Hi, Mike. Hey.
07:50When you're settled, do a troll on all today's phone calls through hotel switchboards.
08:04I've got the latest list of bad guys. Laszlo Carapetti and deliver them personally.
08:20Eat spangs on mum, that man.
08:23I'm sorry I'm late.
08:28St. Albans traffic is a disgrace. I'm judging you.
08:32Neither to my wife. How's your day, Alex?
08:34Fine, thank you, Elid.
08:37You managed some sleep?
08:39A little.
08:40I had to leave my house.
08:41I love you, Alex.
08:43I love you, Alex.
08:44I love you, Alex.
08:52I love you, Alex.
08:53Oh, Kaderoff's moving again.
08:54Mike, follow him.
08:55The reference is number 12 on the list.
08:58Thanks to Bulgarian mafia with a bit of child trafficking on the side.
09:01Where are you running to, Mr. Kaderoff?
09:03off. I worked at the Mumbai Carlton in the 90s. That sort of antic tended to mean a sexual
09:12assignation with the boy on reception. Oh, you're just getting a paper. That's for the
09:19white room. Sally, party in the white room tonight. Copy that. En route. Here we go.
09:28Oh, a busy room for a school night. Sally, you there yet? Just arriving. How do I look?
09:42Impeccable. Eyes only. Please? I promise. No touching.
09:52A little better. How?
09:53Have a 12. We're 10 o'clock. Whiskey on the rocks.
10:17Sally, don't win too much. You're not the show here.
10:20Never am.
10:23Mike, all angles. I want to see the whole room.
10:32So, who else is on tonight's list?
10:39Something wrong?
10:41Mike, zoom in on that man in the corner.
10:45Who is he?
10:46Just do it now.
10:46Now, I'm not.
10:53What you're looking at here is the real United Nations.
10:58Americans, Russians, Ukrainians, Serbs, Croats, Angolans.
11:03One big happy family.
11:06Yeko looks like a teddy bear.
11:08Don't let him near your neck on a bad day.
11:10I'm not.
11:11Oh, you're not.
11:12Oh, you're not.
11:13Oh, you're not.
11:25Pix.
11:25Hello, Celia.
11:26Hi.
11:26You were postiously early.
11:28I'm sorry, I was hoping to catch Rex before the party.
11:31See, you're around.
11:31No, you can't.
11:31No?
11:31He's talking to some girl.
11:33He's working on his fucking birthday.
11:34well she's far too attractive to boot yes will you go in there and tell those handsome young
11:42men in chino's we need more glasses glasses yes okay thank you
11:59i have to go oksana you hear anything more about this you call me
12:03okay thank you rex and you tell them now about this okay
12:26alex
12:33i got your message show me what you've got
12:44taken last night old roper field man what's he doing coming to london under a false name
12:49you sure absolutely sure you talk to anyone else about this how how could i i'm alex goodwin now
12:57and you should stay that way
12:58rex i'd like to talk to burr absolutely not angela's retired fully detached she barely leaves her french
13:08retreat and won't want to be disturbed over some soldier for hire
13:12she was a friend what kind of friend the kind you never saw my dear boy listen to me
13:25if i'd had my way you'd be on a beach in bali now with state pension in your pocket yoga teacher in your
13:33bed you chose to stay i gave you one condition jonathan pine never existed
13:40nobody in that garden has any idea who you are alex goodwin stands before me now and it so happens i'm
13:49growing rather fond of him well he's fond of you too glad to hear it roper is dead the past is the past
13:58i spent five years creating you and you let's not ruin it for one chance sighting in mayfair may
14:07i may i keep this oh i have um i have a new number let's use this from now on
14:17memorise and eat you know the drill
14:39alex what on earth are you doing don't you know it's bad luck to see an owl during the day rex said
14:47that this owl needs a bit of vitamin d so here i am wise man
14:53you know i'm so grateful to rex he's made me feel welcome from the moment i took the reins at the
14:58river that's a good man yeah he recruited you didn't he yes he did is it nigeria that's right
15:04poor harcourt private contractor i.t mainly um we met he was there and um there was an opportunity i
15:11put my hand up and good do you think he's all right
15:17why'd you ask i'm worried about him he didn't mention anything to you
15:23no no no no all right all right have a lovely time thank you you too spf okay yes no less than 50.
15:29no no no no no no i am genuinely grateful to be able to celebrate my
15:42Thank you for coming to this auspicious occasion.
15:48After this, it's just a funeral, isn't it?
15:51I am genuinely grateful to be able to celebrate my 60 years surrounded by colleagues,
15:59people who have the same love of their country and what that country stands for or should.
16:06A nation's security service is the truest expression of itself.
16:15We are its soldiers and its priests.
16:19As such, we have a choice.
16:20We can serve blindly, whatever the occasion, or we can take a view.
16:29Know thyself.
16:32So indulge an old trooper when he says the same to you now.
16:36And now, fuck off and get pissed.
16:41I said, have fun.
16:50No, Danny, the more's at the more.
16:52You're not watching the Cups, Danny.
16:56Thomas is watching the Cups, aren't you, Thomas?
16:58Thomas.
17:06There's your man.
17:27His name is Jaco Brouwer, 42 years old.
17:36South African, but he spent the last six years as a fixer for cartels in South America.
17:40He arrived at Heathrow under a Dutch Antilles passport, name of Michel Hebert.
17:45And he's staying at a small hotel in Richmond, the Rogers.
17:49So how did he end up playing poker at Mortimer?
17:51I don't know.
17:53My hunch is he was told to keep out of the main London hotels, but went off piece.
17:57Prediction issues.
17:58I want to know what he's doing in London.
18:00How do you know him?
18:01From a previous life.
18:06What previous life?
18:07I can't say, Mike.
18:08I'm not allowed to tell you.
18:09And I have no official authority to follow a trail in.
18:12So, up to you.
18:18I've never been to Richmond.
18:21Guys, cancel your plans.
18:23We're going fishing tomorrow.
18:25It'll be nice to see some light.
18:36Our gambler's on the move.
18:38Stay on his tail, Graham.
18:40Copy that.
18:42Travelling east on the tow part.
18:44Sally, take possession on the bridge.
18:46There he is.
18:49In position.
18:50Yeah, he's seen.
18:57He's heading up towards the cafe.
18:58Eyes on target.
19:07Willie, moving.
19:09Got it.
19:09On my way.
19:23Looks like he's got a date.
19:27I thought I was in coming.
19:31There they are.
19:40Who's that?
19:41You know him?
19:43No.
19:45Audio coming in.
19:45The shipment arrives in Cartagena port in three days.
19:53Once it's through customs, we're ready to press go.
19:56And you'll make the anniversary.
19:58No problem.
19:59We're on schedule.
20:01But my chief wants the shipment list.
20:03Full spec.
20:04Government stamped in a diplomatic briefcase.
20:06I'll speak to my client, but they want to keep documentation minimal.
20:10For obvious reasons.
20:11This isn't your average gun run.
20:13Think of it as his insurance policy.
20:16He knows his mind, your chief.
20:19He learned from the best.
20:21Calls himself a...
20:22Mike, Mike, can you just clean that up?
20:25On it.
20:29Well, I'll be in touch.
20:30Yeah, hello.
20:32Go and feed the docks.
20:34And no going on the Londoners.
20:35Too many guys.
20:36How are you doing?
20:54Uh, go ahead.
20:56He knows his mind, your chief.
21:00He learned from the best.
21:02Calls himself Richard Roper's true disciple.
21:06Nothing quite as pretty as napalm at night.
21:11Do you mean anything to you?
21:14No.
21:16No.
21:28Calls himself Richard Roper's true disciple.
21:31All right, Alex, I've got Yakko's coffee date.
22:00Okay.
22:05Adam Hollywell is a middleman.
22:07He connects dozens of UK companies with clients abroad, often in the shadows.
22:11He calls himself the Alternative Foreign Office.
22:15The question is, who is he working for this time?
22:25I'm a straight home park.
22:26I'm a straight home park.
22:27I'm a straight home park.
22:28I'll go.
22:29I'm a straight home park.
22:30I'll go.
22:31I'll go.
22:32Just see how I left would be great.
22:34Sally.
22:35Okay.
22:36We know who owns the house.
22:38Sally.
22:39Okay.
22:40We know who owns the house.
22:41Who?
22:42We do.
22:43I'll go.
22:44I got you back.
22:45I got you back.
22:46I got you back.
22:47I got you back.
23:05I'll call you back.
23:07I'll call you back.
23:33Rex, I'm driving down tomorrow.
23:36We need to talk.
23:38We do.
23:39When you get here, park away from the house.
23:41Use the side entrance to the library.
23:43I have something to show you.
24:06Alex!
24:13Alex!
24:14Something terrible has happened!
24:20Alex, Alex, something terrible has happened.
24:30Whoa, whoa, whoa, whoa, slow down, slow down.
24:33Tell me what's happened.
24:34Rex is dead.
24:35He's dead.
24:37Alex, Alex, I don't know what the puzzle's here and the police.
24:43You've got to come, please.
24:44I can't.
24:45Let's go to the river.
25:15How did you hear?
25:30Cedar called me.
25:33Asked me to come as soon as I could.
25:34Myra wants me to deal with the locals, keep the noise down.
25:46It seems Rex had a stash of pills Celia knew nothing about, took them in the shed with
25:51a bottle of Macallan.
25:54Classy bastard.
25:56Do you have any idea why he would take his own life?
26:00Was there something he wasn't telling us?
26:01Debts?
26:02An affair?
26:02No, Rex is the most loyal man I know, to Celia more than anyone.
26:07Then what?
26:15I'll send full cavalry tomorrow to sweep the place.
26:18Anything you can think of, call me.
26:32Celia, what happened?
26:34Oh, no.
26:35He was agitated.
26:36He said he'd found something.
26:39Wanted to talk to you.
26:40It was about your man.
26:43And then I got a call from the vets, saying that the dog's medicines were ready.
26:48When I got back, she had doors open.
26:54I just knew.
26:55I knew.
26:57What if you're going to hold me?
27:00What if you're going to hold me?
27:03Memorize and eat.
27:27You know the drill.
27:27What if you're going to hold me?
27:57What if you're going to hold him?
28:20I don't know.
28:20I don't know.
28:50It's around five years, creating UNU.
29:08Let's not ruin it for one chance sighting in Mayfield.
29:20Let's not ruin it.
29:50He knows his mind, your chief.
30:07Calls himself Richard Roper's true disciple.
30:10Rex, he said you'd call me at six.
30:22Where are you?
30:24Rex?
30:27Hello?
30:27Hello?
30:41Okay, I traced the number you sent me.
30:43Send me.
30:44It belongs to Roxana Bolaños.
30:46She's Colombian, but works as a shipping broker out of Miami.
30:49Haven't been able to link her to Yakko or Hollywell yet.
30:52All right.
30:53We need to talk to her, now.
31:03I'm seriously going to...
31:04All right.
31:10What?
31:11We're watchers, Alex.
31:13Eyes and ears.
31:14We're not the show, remember?
31:15What's going on?
31:21Rex Mayhew was murdered.
31:25And the Riverhouse are involved.
31:28So I need to talk to Roxana Bolaños.
31:31So what is your favorite place, brother?
31:38If you live in America, you have to be able to come to the store when you get out of here.
31:41I'm so sorry, thanks, Arthur.
31:43You like to say it in English?
31:43There's a gentleman waiting for you at the front desk.
31:46He says he needs to talk to you.
31:50Sorry.
31:51Excuse me, guys.
31:51I'm just going to run to the restroom real quick.
31:54Sorry.
31:55Get me a dessert.
31:55Yes?
31:56Okay.
31:56Excuse me, did you get a name?
32:01No, just this way.
32:05Roxana Bolaños?
32:06Yes?
32:07I'm here on Rex Mayhew's behalf.
32:09Oh, yeah.
32:10You were at his house the day of the birthday party.
32:12Yes.
32:13And we need to talk.
32:14Uh, so, where's Rex?
32:18Get your things, make your excuses.
32:19I'll tell you everything in the car.
32:21In the car?
32:24Excuse me.
32:24Sorry.
32:25Um, I'm not going anywhere with you.
32:27I need to talk to Rex.
32:28This is ridiculous.
32:34Trust me.
32:36Rex won't answer.
32:37He's dead.
32:43He left his phone for me.
32:45And you and I, the only two numbers on it, so we need to talk.
32:47Your life could be in danger.
32:49Get your things.
32:50I'll wait for you outside.
32:50I'll wait for you outside.
32:55Room booked to the Brickcott Hotel, Queensway.
33:02I've called in a favour from Tony to keep watch.
33:05It's room 122.
33:07Check out that.
33:07I love you.
33:08I love you.
33:08I love you.
33:18Come in.
33:19Drink.
33:31Drink.
33:32Sure.
33:46Have a seat.
33:46Okay, listen.
34:01All I need is to ask you a few questions.
34:04How do you know Rex?
34:09How did you know him?
34:11Start at the beginning.
34:13Take your time.
34:14Take your time.
34:14I have a small trading outfit in Miami.
34:24I met Rex at one of those City of London dinners just schmoozing and we've been in contact ever since.
34:37Why were you there on the day of his birthday party?
34:39Because I've been working on something.
34:45In Colombia?
34:45Yes.
34:47An import company in Cartagena is buying UK machine tools for oil pipelines.
34:53I grew up there.
34:53My family's from there.
34:54They trusted me to broker the deal.
34:56We used to lug an intermediary.
34:58Adam Hollywell.
34:59Name of the import company?
35:02It's a buddy kiddo commerce.
35:04Is that what happened?
35:06Something started to feel wrong.
35:09What do you mean?
35:12Like I wasn't being told the whole story.
35:14About what was in the shipment?
35:15Yes.
35:17So I took it to Rex.
35:20He said that he would look into it and that's why I was calling him.
35:24Who knows you met him?
35:25No one.
35:26Ever heard of a man called Jakob Rauer?
35:32No.
35:33Why?
35:39What about this man?
35:44No.
35:44No, I don't think so.
35:45Listen, until we know what happened to Rex, you should stay here tonight.
35:58No, I can't.
35:59I have a flight booked to Miami tomorrow.
36:00I have to leave.
36:01No, we'll deal with that.
36:01No, I actually have to go.
36:04This has everything you might need.
36:06Tony will stay with you and we will need your phone.
36:09It's for your own safety, okay?
36:11I'll be back soon.
36:12Well, how long are you going to be?
36:14I promise you're in safe hands.
36:16Wait, what's your name?
36:25Bingo.
36:26That's our shipment.
36:36The ship is called the Alcestis.
36:38It left Felixstowe a month ago and it docks in Cartagena, Colombia tomorrow.
36:42We also found out who runs Barquero Commerce.
36:45I'm sending that to you now, Alex.
36:46Okay.
36:48His name is Teddy De Santos.
36:50He lives in Medellin.
36:52Now I can find nothing on him until 2018.
36:55Whoever cleaned his background knows their stuff.
36:57All I've got is a very sudden entry into legitimate business in Colombia about six years ago.
37:03The formation of Barquero Commerce and a charity foundation.
37:06What charity foundation?
37:09It's called the Aurora.
37:12Based in Medellin.
37:13Aurora queremos brindar alegrÃa y esperanza a los cientos de jóvenes que han sido marcados por las décadas de violencia en nuestro paÃs.
37:25Lo mismo vengo de ese mismo.
37:26My safe haven project for refugees is the true expression of my belief in a commitment to the wider world.
37:34Because my good fortune means nothing unless it also lifts up my fellow mayor.
37:40My name is Eduardo Dos Santos.
37:42Y Aurora tienes ese tiento.
37:46Sally.
37:47I need to know what my recauders is really sending to Colombia when the ship docks.
37:51We need to stop the cargo from leaving Cartagena port.
37:54Find a way.
37:56Bury some time.
37:57I tell Graham to stay on Yakub Rower.
38:00Okay.
38:01And where are you, Alex?
38:02Alex.
38:10Some of the stuff we started to sell on, 5-year-old rule.
38:13Okay.
38:14So we've got attics, furniture, arts, interior sculptures, documents.
38:20Through there?
38:20Through there.
38:21Richard Roper, terrible man, beautiful taste.
38:25Let me know if you need anything.
38:26I'll be upstairs.
40:20So you're a friend and family, this house?
40:22Yes.
40:24Well, I've been abroad for a few years.
40:26No running.
40:27I'm his unofficial godfather, so I thought I'd pop in and say hello.
40:31Well, apart from his mother, nobody else comes to see him, so I'm sure he'll be happy to see you.
40:38Good.
40:38Mr. Roper?
40:40Mr. Roper?
40:41Mr. Roper?
40:42Guest for you.
40:45Hi, Danny.
40:46Michael Oaks.
40:54I'll leave you to it.
40:54I'll be outside if you need anything.
40:56Hello.
40:57Hello.
40:58Hello.
40:59I'm sorry I didn't come before.
41:13There were rules I had to obey for protection.
41:16Mine or yours?
41:17Mine or yours?
41:18Both.
41:19So what's changed?
41:20Because something tells me this isn't just pastoral care.
41:25Okay.
41:30I just need to know, do you know this man?
41:35Why?
41:37Because I think your father knew him.
41:39Why did he have this photograph?
41:41Who is he?
41:42Never seen him.
41:43Danny, please.
41:44Just look again.
41:45Sorry.
41:46Just take one more note.
41:47Sorry, sorry.
41:48Michael.
41:49Is it?
41:50Yeah.
41:51You're a fucking liar.
41:53You destroyed my family.
41:54You never once were honest with me.
41:57So why should I give you anything?
42:02Huh?
42:05Okay.
42:13I shouldn't have come.
42:19Sorry.
42:24See you in another ten years.
42:43There's something I haven't told you.
42:45About your father.
42:46He was, uh, executed by his captors.
42:58When?
42:59Six years ago.
43:00That's fucked.
43:01What was it like for?
43:06When?
43:08Six years ago.
43:10That's fucked.
43:12What was it like for?
43:13What was it like for?
43:14I'm sorry you had to find out like this.
43:29I'm sorry, Danny.
43:32I'm sorry you had to find out like this.
43:37I'm sorry, Danny.
43:52Excuse me, but when is your friend coming back?
43:54He won't be long.
43:55Look.
43:56I've got people expecting me in Miami.
43:57I have to get back.
43:58Please.
43:59He's been gone since last night.
44:00Can I at least have my phone?
44:01Look.
44:02I'm afraid I can't do that.
44:03Like I said, he's gonna be back soon.
44:04He's just been held up.
44:05I think I'm gonna be sick.
44:06Can I get you anything?
44:07I'm gonna be sick.
44:08I'm gonna be sick.
44:09Jaco Brower just received a delivery to his hotel.
44:10I'm afraid I can't do that.
44:11I'm afraid I can't do that.
44:12Like I said, he's gonna be back soon.
44:13He's just been held up.
44:14I think you're gonna be sick.
44:15Can I get you anything?
44:16I'm gonna be sick.
44:17I'm gonna be sick.
44:34Jaco Brower just received a delivery to his hotel.
44:36A diplomatic briefcase.
44:38He's booked on a flight to Barcelona tomorrow at 8am.
44:43Okay.
44:44Tell the team we're going to Spain.
44:46I'm on in.
44:53I'll cover the entrance.
45:02Graeme says you've asked him to bring firearms.
45:05We're night owls.
45:06Not operatives.
45:08It's just a precaution.
45:13This previous life of yours you mentioned.
45:16You want to tell me about it?
45:18I was someone else once.
45:23He had to go away.
45:25Who was he?
45:26Who was he?
45:28I'll tell you when this is over.
45:32I might just hold you to that.
45:36That's him.
45:37Taxi!
45:38Can you hold that?
45:39Taxi!
45:41Excuse me!
45:42Oh shit!
45:43No!
45:44Oh god.
45:45You bloody terminal.
45:46Yeah, fine.
45:48Thanks.
45:49Taxi!
45:57Let's go.
45:58He's taking the N2 North heading towards Girona.
46:14Copy that.
46:15We're on him.
46:16We're on him.
46:22Turn in the left into the Hotel Rossignol.
46:25See if our car has a room there.
46:26Yeah, I'll check him out.
46:27See you in there.
46:43See you in there.
46:57Hola, buenas.
46:58Algo está pasando fuera.
46:59Creo que os puedo ir.
47:00Vale.
47:01Muchas gracias.
47:08Yep.
47:09Yakko's booked into room 249.
47:10Got it.
47:14Yeah, thanks.
47:16Master key room 249.
47:27Gracias.
47:28You need to guard out of nowhere.
48:01Mr. Radarama.
48:02Beatrice.
48:03What's going on?
48:04What's going on?
48:05What's going on?
48:06Very good.
48:07All right?
48:08All right.
48:09Do we have a virtual room for you?
48:10The fourth room.
48:14Yakko.
48:15Denny.
48:16Your friend.
48:17Come here.
48:18It's so nice to see you.
48:20Tell me everything.
48:21How was London?
48:22Good.
48:25They look tired.
48:28Did you stay out of trouble?
48:30I did my best.
48:31I know.
48:32You always do the right thing.
48:36So.
48:37Have something for me?
48:38Yes.
48:39The shipment list where the government's stand has requested.
48:42But they're insisting on no more contact until the anniversary.
48:47The British.
48:48Always at arm's length.
48:49Let's go check the documents in the room.
48:51Then get some rest.
48:53It's a long flight back to Colombia tomorrow.
49:06Teddy Dos Santos is here and they're on their way up.
49:08We got him.
49:09Keep them in the room.
49:10Leave them in the room.
49:11I wanna talk to him.
49:12You are in room 249.
49:13Correct?
49:14Yeah.
49:15I said it's all.
49:16You are in the room.
49:17You are in room 249.
49:18Correct?
49:19Yeah.
49:20I said it's all.
49:21You are in room 249.
49:22You are in room 249.
49:23I said it's all.
49:24I said it's all.
49:25I said it's all.
49:26You are a good man, Jacob.
49:27Robert knew a soldier when he saw one.
49:28You are a good man, Jacob.
49:29Robert knew a soldier when he saw one.
49:30You are a good man, Jacob.
49:31Robert knew a soldier when he saw one.
49:32You are a good man, Jacob.
49:33I said that it's all.
49:34You are a good man, Jacob.
49:37Robert knew a soldier when he saw one.
49:39You are a good man, Jacob.
49:44You are a good man, Jacob.
49:47Robert knew a soldier when he saw one.
49:50Show me.
49:51Show me.
50:00Really?
50:10Teddy, I had no idea. I swear.
50:14Let's go.
50:21I'm almost there. You still got them?
50:25No, listen. We've lost them. We've lost the signal.
50:27They must be on to us.
50:29Clear the system and move, Roxanna.
50:31Mike, delete everything off the system.
50:33What?
50:34Delete everything off the system. Do it now.
50:38They're still not here.
50:39What is?
50:40Get out of there. Now.
50:48It's yours.
50:51Aren't you fine, Tony?
50:55Who is it?
51:15No.
51:17Green, green, green.
51:18No.
51:19No.
51:20No, no, no.
51:22Hey, Monique.
51:23Please?
51:26No, no, no.
51:28No, no, no.
51:30No, no, no, no.
51:31Hey, Monique, Monique.
51:33Wait.
51:34Hello.
51:59Hello.
52:00I am a colleague of the signor Maradona.
52:02I think they have a room in the fourth floor.
52:04I'm going to leave him there.
52:06But can I remember...
52:08Dominic, please?
52:32Who are you?
52:38No!
52:40I'm going to leave him there!
52:42I'm going to leave him there!
52:44No!
52:45No!
52:46No!
52:47No!
52:48No!
52:49No!
52:50No!
52:51No!
52:52No!
52:53Hi, this is Alex Goodwin.
53:19Please leave a message.
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