00:00Waaaboo'se teere judnne laga hai
00:05Galiyeo'se teeree mudnne laga hai
00:11Ishkawai, ishkawai, tujhmein sabdi sadawai
00:19Ishkawai, ishkawai, dill kamla pirdaawai
00:25Işkavay, Işkavay, all you in me
00:31Işkavay, Işkavay, all you in me
00:34Işkavay, all you in me
00:39Işkavay, all you in me
01:09I thought that I would go away from you
01:12After
01:15Why do you think the world is so much love?
01:19Cut, cut
01:24What are you doing?
01:26What are you doing?
01:28I am so sorry
01:29What's wrong with you guys?
01:31We don't have much time to do rehearsals
01:34Please get serious
01:35I didn't do any practice
01:37Tell her to be serious, or change the heroine, or close the dramatic club.
01:42I was also being an architect here, but I didn't do it all.
01:45Now, ask her.
01:46Why are you so serious?
01:49You're saying that you won't let me do this character.
01:52If it happened, I won't let you do this drama.
01:55You'll say it.
01:56No, no. What happened? How can you talk about it?
01:59How can you be so emotional, Annie?
02:01You start laughing at romantic dialogue.
02:04I think it's romantic. It's written well.
02:08But you're doing good acting, right?
02:09You're doing such a good acting.
02:12Guys, it's not about both of you.
02:14This is my assignment.
02:15And if it's not right, the whole university will go out there.
02:18Come on!
02:20And listen to my face.
02:22If you haven't done it right,
02:24I'll show you both in life.
02:27I'm giving you both a break.
02:31Go!
02:32You only have five minutes.
02:34I'll show you the video.
02:40Annie! Annie!
02:42Annie, I'll tell you something.
02:43You're wrong and you're wrong.
02:45You don't have to tell me anything.
02:46You don't play it.
02:47Stop it.
02:48One minute.
02:49What are you saying?
02:50Stop it.
02:52You're both a friend's name.
02:54So tell me your friend.
02:56You're giving me a message.
02:58It's my friend.
02:59It's your friend.
03:00You tell me it.
03:01I don't talk about it.
03:03You tell me it.
03:04I'm ready for becoming a radio.
03:04I'm ready for becoming a radio.
03:05I'm ready for becoming a radio.
03:06I can't wait to see what I'm going to do.
03:36Do you think I'm scared?
03:38I think so.
03:39If I'm scared, then propose after the event of the event.
03:43Do you want me to challenge?
03:44Yes!
03:47Accepted.
03:49Good boy.
03:54There's no strength to say.
03:57But I can write it.
04:06I'm scared.
04:20My eyes are blown away.
04:23Some dream is yours.
04:26My dreams are gone.
04:30I dream of you
04:34I've been filled with your love
04:35In my hand, I've been filled with the eyes
04:38I've been filled with eyes
04:42I love you
04:45I'm getting to connect with your fingers
04:51I'm getting to touch with your fingers
04:54I'm getting to touch with your fingers
04:59Shikave Tujmein sab jis daale
05:03Shikave Ishikave Dil Kamla
05:09Qadshmila
05:12Shikave Tujmein sab jis daale
05:15Shikave Ishikave Dil Kamla
05:21Qadshmila
05:22Qadshmila
05:23Qadshmila
05:28Qadshmila
05:29You may not die, otherwise I'll kidnap you.
05:56Have you gone nuts?
05:58If you try to touch me, I'll call the cops on you.
06:04And they'll cut you in pieces, baby.
06:07That police officer can't do anything.
06:10Oh, maulia!
06:12Oh, maulia!
06:16If you can stop, you can stop.
06:18If you can stop, you can stop.
06:20If you can stop, you can stop.
06:22If you are the Rano, Judge Ji, Taxi Driver,
06:24If you are the Rano, then you are the Rano.
06:28You just leave, otherwise I'll fire you.
06:32Just shut up and save Rano first.
06:36Let's go!
06:38Let's go then!
06:39Let's go!
06:40So, I hope you all enjoyed that and moving on to the next act of today.
06:54Now, we will see a very beautiful musical video,
06:58which has been directed by Adil and performed by Zawiyar and Annie.
07:04And you will see you during business,
07:06which has been the right thing in the future.
07:08This is not the result many years ago.
07:10This is why.
07:13I just can't wait.
07:14Look at this.
07:15You see...
07:17I'm sorry.
07:18I wait not.
07:20It's what I feel like.
07:22I'm sorry.
07:23I'm sorry.
07:24You see...
07:25How did I feel like?
07:26What did I feel like?
07:28How did I feel like?
07:29It's different.
07:31We are the same, who don't listen to ourselves.
07:42Some of you are also dear to all our outline,
07:47some of you are also a strong answer.
08:01It's such a pleasure to see that our media department students
08:25with their studies in the extracurriculars.
08:42Zawiyar, why did you call here? We're all meeting each other.
08:47Go inside.
08:49It's for you.
08:52What's this?
08:54It's funny to me, right?
08:58I'll write everything.
09:00Let's read it.
09:01You mean letter?
09:05How old school are you?
09:06Who can write letter?
09:07You can write a voice note too.
09:09Annie, you can read it.
09:11Good, man.
09:15Annie!
09:17Come on, I'm coming.
09:19I'm coming.
09:20Come on, come on.
09:21Zawiyar, you won't have time to read it.
09:22You can write a voice note too.
09:23Come on, man.
09:24We're all calling.
09:25Come on.
09:30Come on.
09:31You cannot write a voice note.
09:34You can write a voice note too.
09:39What are you talking about?
09:41Ani, voice note from the other name?
09:52Huh?
09:55Huh?
09:56Huh?
09:57Huh?
09:58To reply to you, Nikiya?
10:05Abeditio?
10:11Mic check, one, two, one, two, three.
10:21Guys!
10:22Guys, you need attention to me.
10:26Ani, what are you doing?
10:30So, the thing is that, last night, Zawiyar sent me a voice note.
10:36And now, you need to answer that voice note.
10:43So, I think that you will help me to answer the question of Zawiyar.
10:48But the answer is that you have to give them very quickly,
10:52because he is waiting for them.
10:53Now, do it on.
10:54We are listening to Zawiyar's what is happening.
10:56Have patience, man.
10:58The reason I'm going to open the door.
10:59I'm saying, here you go.
11:02Ani, I can't stay completely empty.
11:08There is a thing...
11:11There is a regret and a patience...
11:14I wanted to say to you always.
11:22I don't know if it's a right time or not.
11:24Then, I also think that, which is the right time?
11:29If my heart was wanting, then...
11:34I am showing you.
11:39There is no doubt to you.
11:41If you want, then...
11:44you can answer it in the future.
11:46No pressure.
11:52I will wait for you.
11:54I love you, Ani.
11:57I don't know when.
12:00Maybe from childhood.
12:03Maybe from childhood.
12:04Maybe from always.
12:06Give me 200 numbers to your confidence, Zawiyar.
12:09Stop, stop, man.
12:11Stop.
12:12I'll tell you later.
12:14I'll tell you.
12:15And my love is always for you.
12:18I will tell you.
12:19Maybe anything.
12:21I'll never be able to talk to you with this thought.
12:25I've never seen you in this thought.
12:32I've seen a joke for you.
12:35I've seen a joke for both of them.
12:36What a joke has seen, brother.
12:37Yeah, baby.
13:07Yeah, baby.
13:37Yeah, baby.
14:07Yeah, baby.
14:37Yeah, baby.
15:08Yeah, baby.
15:10Yeah, baby.
15:42Yeah, baby.
15:44Yeah, baby.
15:46Yeah, baby.
15:48Yeah, baby.
15:50Yeah, baby.
15:52Yeah, baby.
15:54Yeah, baby.
15:56Yeah, baby.
15:58Yeah, baby.
16:00Yeah, baby.
16:02Yeah, baby.
16:04Yeah, baby.
16:06Yeah, baby.
16:08Yeah, baby.
16:10Yeah, baby.
16:12Yeah, baby.
16:14Yeah, baby.
16:16Yeah, baby.
16:18Yeah, baby.
16:20Yeah, baby.
16:22Yeah, baby.
16:24Yeah, baby.
16:26Yeah, baby.
16:36Yeah, baby.
16:38Yeah, baby.
16:40Dad's ten-miss calls
17:01Why are you calling me?
17:10You go.
17:17Sikander?
17:20What are you looking for?
17:23I'm okay.
17:26I'm looking for a problem.
17:29Allah has given you everything.
17:31But what is the problem?
17:34The money can be able to buy everything.
17:38It's not a problem.
17:40What is the problem of the problem of the problem?
17:44I know my problem of the problem of the problem.
17:50Zabia!
17:52Stop!
17:54How did I call my mother?
17:56You won't go back again.
17:59You won't have any rights.
18:06Neither my mother's picture,
18:10nor any of them.
18:13Neither of them.
18:15Neither of them.
18:21Zabia! Zabia!
18:23Zabia!
18:36Zabia!
18:37Zabia!
18:38You were saying something, do you want to go full?
18:44A father's cause of a bad son has a bad son.
18:52He went to US for high studies and he went to Islam.
18:57If he's in Islam, what's the problem?
19:00He's watching business there.
19:02He's watching himself because we can't do anything else.
19:06People say something and do something.
19:09And that's why he doesn't come here, there's something else.
19:15What did he say?
19:17He didn't say that I had to go to his mother's house.
19:21He didn't keep it in his house.
19:24He didn't keep it in a different apartment.
19:27So I've already solved this issue.
19:30He didn't come here.
19:34He had a relationship with him alone.
19:37And he's very necessary to come to his house.
19:41He came to his house and to his office.
19:43He came to his house and to his office.
19:47Adil is the same as his son.
19:50He doesn't have any difference between Adil and Adil.
19:53He can take the responsibility of Adil.
19:55He can take his house.
19:56You're the son of Adil, he gives me my support.
19:58He shows all the laws of office.
20:00He looks like you.
20:01And even when he is the man,
20:02He keeps his son's son's soul.
20:04He's the man who lives in his heart.
20:06Really?
20:07Really?
20:08Really?
20:12Yes girls.
20:13Where'd she come from?
20:14It's been done.
20:15How long did I have made it?
20:17It's been one hour, it's been one hour.
20:20Okay, listen, I told you that
20:22you don't have less lessons,
20:24but you don't have to lose the client.
20:30Can you taste this, ma'am?
20:32Yes, do it.
20:34One second.
20:40Good, stay better tomorrow.
20:42Now, keep this one.
20:44You don't have such an age,
20:47but then you can make such a good food.
20:50Everything is perfect.
20:52When we were eating,
20:54we would have to sit together.
20:56But the idea was that
20:58that's the same thing.
21:00It's the same thing that comes from the hand.
21:02It's the same thing that comes from the hand.
21:04It's the same thing that comes from our home and work.
21:06You have to keep our mind.
21:08You have to keep our mind.
21:10You have to keep your mind.
21:11You have to keep your mind.
21:13If you know the time,
21:15if you know the time you get to know the time,
21:17then you will take the sun to the sun.
21:19You don't have to keep your mind.
21:21It's not the same thing.
21:22It's the same thing.
21:24It's my mother's place.
21:26You have to keep my mind.
21:28Go ahead and see.
21:29Three orders are gone.
21:31I need all the things in 15 minutes.
21:33I need to keep my mind.
21:34Okay, okay.
21:35Keep it.
21:36You have to keep my mind.
21:37You have to keep my mind.
21:38You have to keep my mind.
21:39Yes, sir.
21:40Look, check it out.
21:41You haven't left anything.
21:42Yes, everything is gone.
21:43Nothing is gone.
21:44Okay, okay.
21:45Go ahead.
21:46Go ahead.
21:47Go ahead.
21:48Go ahead.
21:49Go ahead.
21:50Go ahead.
21:51Go ahead.
21:52Go ahead.
21:53Go ahead.
21:55Go ahead.
21:56Here is your house.
21:57You are late.
21:58You are late.
21:59I am late.
22:00No?
22:02The last one was uploaded.
22:03The last one was filmed.
22:04Let me back up the apartment.
22:05You will go to the house.
22:07Go ahead.
22:08Go ahead.
22:09Go ahead.
22:10I will get it out.
22:12Who does that say,
22:14why are you capable of doing that?
22:17Where there is so much needed.
22:18This work,
22:19I will manage myself.
22:20। ।
22:50No, it's not just me.
22:52I think every person has a bad person.
22:54It's a bad person.
22:56Yes, the bad person is in our ignorance.
22:59But what I'm saying is that I'm saying in the mouth.
23:02That's it.
23:04Oh!
23:06Brother!
23:22I'll pick the car in the morning.
23:24Until they call it good.
23:26Better, buddy.
23:36The people were watching this.
23:38I know I didn't have to cry.
23:40But I'm scared.
23:42I was afraid to cry over here.
23:44I lived on a kid.
23:46I was afraid to cry over here.
23:48I was scared.
23:50I thought I was scared.
23:52I have no idea.
23:54I'm scared.
23:56I'm scared.
23:58I'm scared.
24:00I'm scared.
24:02I'm scared.
24:04Oh, I mean, I told you to take my clothes from the dealer and you can't reach me until now.
24:23Yes, I want to take the dealer today's evening.
24:26You are the one who keeps my thoughts. You also forgot?
24:29No, take it. Then what are you doing with me?
24:33Yes, my child. Okay, child. Okay.
24:38Mom, how many times have I told you that my designer is very good? Why don't you stretch your clothes?
24:45Shabiyul Fatima, how many times have I told you that I don't know about designers?
24:50Mom, what do you need to take Shabiyu and Fatima so long?
24:55It's necessary. You're doing the same. And where are you going?
24:58I'm going shopping with my friends and where else?
25:01How many friends have you made thousands of friends in this city? And you're shopping every time.
25:06Okay. Bye. I'm getting late. Bye-bye.
25:07I'm getting late. Bye-bye.
25:08Mom, you're hurting my mind.
25:09You're hurting my mind.
25:10Okay.
25:11How much money?
25:12I'm getting tired.
25:13I'm getting tired.
25:14What happened?
25:15Why are you getting tired in the morning?
25:16I'm getting tired.
25:17I'm getting tired.
25:18I'm getting tired.
25:19You're getting tired.
25:20You're hurting my mind.
25:21You're running early..
25:22You do not keep old friends.
25:23What other things have you mentioned by your home?
25:26either, you're in stores.
25:27You're the only thing being involved with all your jobs.
25:28And you're hanging off.
25:30How many times are you saying?
25:31I'm busy all the time in business and by the way, I'm doing my job sincerely.
25:36I don't have any meaning to my sincerity.
25:40I want to see you as CEO of this company.
25:45And you, you're making a lot of work every time.
25:49Don't say anything to my parents.
25:52After my father's death, we are so indebted to him.
25:57He's so nice to us.
26:03This is a good thing.
26:06But if you change the day, it doesn't look like you.
26:08If you've arrived, you won't look like you.
26:13There's nothing going on.
26:16The amount of business you want, the amount of Zawiyar is going on.
26:19And trust me, Zawiyar is going on, nothing will change.
26:22Why won't you change?
26:24He's his own son.
26:26You don't look like him.
26:28Don't trust me.
26:29But you don't trust me.
26:30Where are you from?
26:31It's my fault.
26:32How much love I've been with you both.
26:34It's hard to get hurt from childhood.
26:35It's all right.
26:36Just relax.
26:38Just relax.
26:43After the facial, we changed the car.
26:48Let's go.
26:49Listen to this music.
26:50Let's play the music.
26:51You are the one.
26:53I am the one.
26:55I am the one.
26:56I am the one.
26:57My heart tells me.
26:58Tell me.
26:59Tell me in this rain.
27:01Yes, why will you light this rain?
27:03We listened to this song.
27:04The song is Ramiasir Lekhbidhar.
27:06The friend who is a friend of the family.
27:08It was the one in this meeting.
27:10Our caller, Mr. Zawiyar Sikander.
27:12So, students, last week we had three light techniques in Cameron techniques.
27:24Anyone of you who can tell me, like, what was the topic?
27:27Ma'am.
27:28Yes, you?
27:31Ma'am, key light, fill light and back light.
27:34Amazing.
27:35So, how do we use these key lights?
27:43That we can shoot the subject in front of the camera, okay?
28:05Zaviyad, are you even listening?
28:17Yes, ma'am.
28:18Focus, please.
28:34Annie!
28:35I'm going to drop you.
28:49Oh!
28:50What's going on?
28:51No, I'm going to go with these ahohs.
28:56Ahoh?
28:57You're going to go with the ahohs?
29:00Ahohs?
29:01You're going to go with the ahohs?
29:04I mean, what will happen?
29:04What happened? Today I have a driver with my car too.
29:08Let's go, I'm coming.
29:17Sit in your car and go here.
29:19And when I'm telling you one thing, do you understand?
29:22Do you have to make my own language?
29:24But my nanny, I'm just trying to...
29:26You told me, understand your story.
29:34Now, let's go, Zab.
29:39You've gone through the years.
29:41You've gone through the years.
29:48My son, you've finished the contract with your supplies.
29:53Now, check in.
29:58Good.
29:59You've got a good job.
30:01Your duties are clear.
30:03But before, you've talked about new supplies.
30:05There are two supplies in my eyes.
30:07They have to deliver time and work.
30:10So, you'll see the meeting.
30:12I'll see you.
30:13I'm very happy.
30:16You're only telling me about it.
30:18You'll have a right hand.
30:21Thank you so much, my son.
30:23I don't care about your guidance.
30:26If you are working with your performance,
30:28it's a good performance.
30:30Don't worry about it.
30:33Adil, you'll have to do my job.
30:38Who's the job?
30:40You have to do something with your friends?
30:43Yes.
30:44It's a good job.
30:45It's a good job.
30:47It's a good job.
30:49It's a good job.
30:50It's a good job.
30:51It's a good job.
30:52It's a good job.
30:53It's a good job.
30:54But if you try to do something,
30:57it's a good job.
30:58It's a good job.
30:59It's a good job.
31:00You'll have to love it.
31:01You'll have to play on it.
31:02It's a good job.
31:03If you go,
31:04you'll get to them.
31:05It's a good job.
31:06I'm talking.
31:07Your time is so much that you are going to...
31:08You'll have to listen to it.
31:10You'll hear it.
31:11Your time is listening.
31:12Go back home,
31:13I'm going home.
31:17Miss Kura Dolain,
31:18you'll make your payment.
31:20Oh...
31:25You've done the whole payment.
31:29When we give you all the time,
31:33we also give the payment too.
31:36If you are kind-hearted and personal people,
31:40where will you go?
31:42I agree with you.
31:45If you agree with me,
31:49you can't really help me.
31:52You know what I mean,
31:54so that we must be able to handle this.
31:58So why will you be the supplier?
32:01So you need to understand the other side?
32:04Yes, I am not.
32:06But I don't know how to get back home.
32:11The whole person of you is married,
32:13are you like,
32:15and I?
32:16And I? I don't know.
32:20Hopefully, this will be clear.
32:23It should be done.
32:29I can't see my auntie tomorrow.
32:32I'll tell her to have it.
32:34No matter what, if it's late, what happened?
32:37You are the one who cares about my work.
32:39It's a good thing.
32:41God, it's not a good thing.
32:44It's all the day.
32:46What happened now?
32:47What happened now?
32:48What happened now?
32:49It's always like that.
32:50I don't have to worry about my work at home.
32:52Sometimes I want to think about it.
32:54If you talk about it, it's hard to fight.
32:56Don't be angry.
32:58I'll explain it to you.
33:00You don't have to explain it.
33:02You want to say that it's a human?
33:03It's a human being.
33:04You don't have to think about it.
33:05You'll understand it.
33:06And I can't take it yesterday.
33:12You have to check your clothes.
33:14What is the problem that I can tell you?
33:19Subhai Yadra,
33:20you're the only thing you do.
33:23You're very good.
33:24I understood that you've forgotten.
33:26How can I forget your work?
33:28I don't want you to understand yourself.
33:33You're very good.
33:34You are very good.
33:35Excuse me.
33:36Excuse me.
33:37Excuse me.
33:50Excuse me.
33:50Excuse me.
33:51Excuse me.
33:53Excuse me.
33:53Excuse me.
33:54Excuse me.
33:55I'm actually new.
33:56Do you become my trainer?
33:58No, I'm not...
34:03Now, do you think that you should do this from them?
34:13Yeah, he is the owner and a personal trainer.
34:18But there is a small problem.
34:20This is why I don't train anyone else.
34:25What was that?
34:26I'm sorry to see you all.
34:29It's okay.
34:30Like a girl, you are the owner of a gym, a personal trainer,
34:33then it will happen.
34:35But it's fine. I trust you.
34:37And so, you can't cheat on any time.
34:41Are we going to start a workout?
34:42Maybe after a coffee?
34:44Let's go.
34:44Okay.
34:51Yes, Dad.
34:53Now come on, man.
34:54Dad, I have already told you that my friends are going to be in the middle of the house.
35:00I don't know why there is no reason for me.
35:04Is that your father?
35:06No.
35:07Dad, what happened to you?
35:09We closed this topic.
35:10Are you going to repeat this?
35:13That's why I got a apartment in my house.
35:19Is that your father?
35:23No, I'm just going to tell you this.
35:25That's why I'm going to get rid of it.
35:27I'm going to clear this one, Dad.
35:30I'm not going to get rid of it in my mother's house.
35:36If you don't understand such a thing,
35:40then I'm not going to get rid of it.
35:44But the story is...
35:57the story...
36:01And that's why I live here.
36:06That's why you may have no time for the city.
36:08Because there is no only your wife.
36:09They live here at the same time.
36:12I love you
36:19I love you
36:21I love you
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