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00:00:30— Where is he? — In the dining room.

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00:05:29God, I'm not here.

00:05:39God, I'm not here.

00:05:59I thought we were going to have finger-painting yourself.

00:06:07Get off.

00:06:09Hello.

00:06:10Hello.

00:06:11The old cow.

00:06:15Oh, bloody hell.

00:06:19Cows were here before me.

00:06:29Good morning.

00:06:36It used to be all right today.

00:06:46Here we go.

00:06:47Look at that.

00:06:59All right, loud round.

00:07:00More to the right.

00:07:02More to the right.

00:07:03Take it.

00:07:05And more to the right.

00:07:06More to the right.

00:07:07More... more to the right.

00:07:08More to the right.

00:07:09Hello, Robert.

00:07:11Okay.

00:07:16Glad you found your way.

00:07:17The instructions were perfect.

00:07:18The village couldn't raise a team, so you're the scorer.

00:07:21Why's that?

00:07:24I think they're a little frightened of our fastball.

00:07:27I'm glad I'm scoring.

00:07:29I think you'll have a very interesting time.

00:07:32You'll have a rather extraordinary companion.

00:07:36Companion?

00:07:37Yes, the other scorer.

00:07:39He's the most intelligent man in the place.

00:07:41I'll introduce you to him.

00:07:42Just give him a bit of practice.

00:07:44His name is Charles Crossley.

00:07:46He's incredibly well-read.

00:07:48He claims to have travelled all over the world.

00:07:50He's a genius of a mechanic.

00:07:52He keeps my old bike spinning on.

00:07:54Your old motorbike?

00:07:55Yes.

00:07:56Why is he here?

00:07:57He's not entirely normal.

00:08:00Oh, and what's normal?

00:08:05See that tree over there?

00:08:07Yes.

00:08:08That's normal.

00:08:09Is there any of that?

00:08:11Yes.

00:08:13That's...

00:08:14Ah.

00:08:15Get your body behind it!

00:08:18No.

00:08:19Unfortunately, he believes that his soul is shattered into four pieces.

00:08:38Charles?

00:08:39Yes, Doctor?

00:08:40I want to introduce you to Robert.

00:08:41How do you do?

00:08:42How do you do?

00:08:43How do you do?

00:08:44He's your opposite nun for this afternoon.

00:08:45Oh.

00:08:46Will you see that he's got over a pencil and over?

00:08:47Come on.

00:08:48Yes.

00:08:49Good luck.

00:08:50Come inside.

00:08:51I'd rather like the doctor.

00:08:52Without a doubt, the most intelligent man in the place.

00:08:57Right.

00:08:58Well educated, well read, traveled, etc.

00:08:59Isn't that what he said?

00:09:00More or less.

00:09:01We're fielding!

00:09:04Did he say that tree was mad?

00:09:05Yes.

00:09:06Right?

00:09:07He's very repetitive.

00:09:08How many patients have you got for playing on your team?

00:09:09I think five.

00:09:10I think five.

00:09:11I think five.

00:09:12No.

00:09:13No.

00:09:14No.

00:09:15No.

00:09:16No.

00:09:17No.

00:09:18No.

00:09:19No.

00:09:20No.

00:09:21No.

00:09:22No.

00:09:23No.

00:09:24No.

00:09:25No.

00:09:26No.

00:09:27No.

00:09:28No.

00:09:29No.

00:09:30No.

00:09:31No.

00:09:32No.

00:09:33No.

00:09:34No.

00:09:35No.

00:09:36No.

00:09:37No.

00:09:38No.

00:09:39No.

00:09:40No.

00:09:41No.

00:09:42No.

00:09:43No.

00:09:44No.

00:09:45No.

00:09:46No.

00:09:47No.

00:09:48No.

00:09:49No.

00:09:50No.

00:09:51No.

00:09:52No.

00:09:53No.

00:09:54No.

00:09:55No.

00:09:56No.

00:09:57No.

00:09:58No.

00:09:59No.

00:10:00No.

00:10:01No.

00:10:02No.

00:10:03No.

00:10:04No.

00:10:05or in the slip?

00:10:07The doctor isn't a bad player, of course.

00:10:11Where are the umpires?

00:10:14Come on, girls!

00:10:17Although he's not a startlingly innovative thinker.

00:10:25But he indulges me, for which I'm grateful,

00:10:27because you see I'm interested in his subject.

00:10:30Psyche.

00:10:31And because I can read German and French and he can't,

00:10:33I can generally stay ahead of him.

00:10:38Does he resent the competition, you studying his subject?

00:10:43No, it's not really competition, is it?

00:10:46God helps those that help themselves.

00:10:49Does he not?

00:11:01Oh, shit.

00:11:04Extra full rate, darling.

00:11:05Why does it feel like?

00:11:06Okay, that's fine.

00:11:07You can't.

00:11:08It's all right.

00:11:10Okay, it's all right.

00:11:28Help!

00:11:38What's that umpire signaling?

00:11:50Four leg bars, I think.

00:11:54Anyway, I like to keep him happy. I make up dreams for him.

00:11:58I fill them with every significant symbol I can find.

00:12:02Fathers, snakes.

00:12:10Apple pies.

00:12:12Nothing to suspect you.

00:12:18Anyway, I find it quite amusing.

00:12:28Lovely!

00:12:32Come on, come on!

00:12:34Come on!

00:12:37Let's stop. Get it now!

00:12:40Open door!

00:12:41Open door!

00:12:42Open door!

00:12:43Open door!

00:12:44Open door!

00:12:45Open door!

00:12:46Open door!

00:12:54There you are.

00:12:56Sorry, did you say something?

00:12:58That man had a wife who loved him.

00:13:02A rare phenomenon, wouldn't you say?

00:13:04You're sure of it.

00:13:05That's it.

00:13:06That's it.

00:13:07Ryan, you keep from it.

00:13:09And...

00:13:11What happened to her?

00:13:17He lost her.

00:13:19I could tell you the rest of the story if you like.

00:13:29Do you think you can listen and score at the same time?

00:13:32I'm sure I can.

00:13:34We could make things easier for ourselves.

00:13:37You could keep both scores.

00:13:39And I could tell the story.

00:13:40And at the fall of each wicket,

00:13:43I could copy down what you've written.

00:13:46Very well organized, Mr. Crossley.

00:13:51Every word of what I'm going to tell you is true.

00:13:55Only I...

00:13:57I'm telling it in a different way.

00:13:59It's always the same story.

00:14:01It's always the same story.

00:14:03It's always the same story,

00:14:05but I...

00:14:06I change the sequence of events and I...

00:14:09I vary the climaxes a little

00:14:12because I like to keep it alive, you see?

00:14:14I like to keep it alive.

00:14:16Have you ever walked the sand even?

00:14:46What an extraordinary dream.

00:14:56A terrible dream.

00:14:57I saw a man in the sand dunes.

00:15:00Actually, it was round here.

00:15:03Running.

00:15:10He had a...

00:15:11a tail coat.

00:15:13A sort of old...

00:15:15admiral's uniform.

00:15:20Come on, girl.

00:15:21It's freezing.

00:15:26He had something in his hand.

00:15:39That's funny.

00:15:41Lost a buckle.

00:15:43No.

00:15:49Rachel, come on.

00:15:50Come in.

00:15:54Here.

00:15:55Here.

00:15:56Hand it.

00:16:02His jeans are so tight.

00:16:03Nice.

00:16:10I lost the buckle of my shoe.

00:16:11Can you match it?

00:16:12Can you match it?

00:16:22Yeah.

00:16:23Well, I'll do it like that, but...

00:16:25Not before Monday, I'm afraid.

00:16:26Oh, well.

00:16:27You've got to keep it...

00:16:28Rachel!

00:16:29Coming!

00:16:32Did I tell you I was playing the organ tomorrow?

00:16:34All right?

00:16:35Yes, you do.

00:16:38Do you want to come?

00:16:39Mm-hmm.

00:16:40Uh...

00:16:41I don't know.

00:16:42I think...

00:16:43I'll do it sometime, will we?

00:16:44Good to see you.

00:16:45All right, hold on.

00:16:48So it's...

00:16:50Yeah.

00:16:51But I took the perole

00:16:52and then we saw it.

00:16:53I would say,

00:16:54like, if you do the same thing,

00:16:55I didn't tell you what you were missing.

00:16:57I don't know.

00:16:58What's the matter?

00:16:59Let's go.

00:17:29Let's go.

00:17:59Let's go.

00:18:29Come on, Buzz.

00:18:50Come on, let it go.

00:18:59Anthony, you're going to be late, love.

00:19:08What?

00:19:11Church.

00:19:12Oh, Jesus.

00:19:17Um, you coming?

00:19:20No, you're too late.

00:19:21Hello, Harry.

00:19:32No church today.

00:19:33Oh, that's fine, Harry.

00:19:41Oh, that's fine, Harry.

00:19:45Oh, that's fine.

00:19:58Oh, that's fine.

00:19:59Chirping on the bridge of joy in the world

00:20:07Thy heart is all alone, of goodness and love

00:20:16To all thy saints I give us, to forth praise and glory

00:20:25In all life thou livest, the true life of all.

00:20:32We will sum and flourish as wheat on the tree,

00:20:41and wither and perish, but not changeth thee.

00:20:49Great Father of glory, pure Father of might,

00:20:58and angels and glory, O male in the sky.

00:21:08O Lord, we bow-wrenger, O help us to sing.

00:21:16In the name of the Father, the Son, the Holy Ghost, Amen.

00:21:36We find ourselves living in disturbing times.

00:21:40But the foundations of our society are not firm.

00:21:47We're like a rudderless ship.

00:21:50No direction.

00:21:53No one has any conviction anymore.

00:21:56You see, we don't believe anything.

00:22:00We are in a period of moral starvation.

00:22:05And it is during times such as these

00:22:14that our faith in Jesus Christ

00:22:16is the only thing that we have to hold on to.

00:22:20We must believe again.

00:22:23You see, I...

00:22:25My neck.

00:22:49Buddy, you kids.

00:22:53Did you enjoy the sermon?

00:23:20What?

00:23:22Oh, it's very good.

00:23:24Yes.

00:23:26I've always found it hard to believe

00:23:28that the soul

00:23:30is imprisoned in the body

00:23:32until death liberates it.

00:23:38Don't you think that in periods

00:23:40of spiritual starvation

00:23:41that the soul

00:23:44might take refuge in a tree?

00:23:47A stone?

00:23:47No, I'm afraid I can't

00:23:56because my wife's waiting for me at home.

00:23:57No, I'm afraid I can't

00:23:58because my wife's waiting for me at home.

00:23:59I'm afraid I can't

00:24:06because my wife's waiting for me

00:24:08because my wife is in my head

00:24:09and I'm not sure

00:24:10that she could have lived in the body

00:24:11that the soul

00:24:12does this problem.

00:24:13That should be fun for me.

00:24:14I'm afraid I can't

00:24:14because my wife's waiting for me

00:24:15because I live in the body

00:24:16and the way to live in the body

00:24:17and the way to live in the body

00:24:18and the body

00:24:20can't be done.

00:24:21Oh, my God.

00:24:51Oh, my God.

00:25:21Are you all right?

00:25:28I've been on a walking holiday for a few days.

00:25:35I see.

00:25:35I'm sorry I bothered you with that theological discussion.

00:25:44Your wife must be rather worried about you.

00:25:46Uh, yes, well, my bicycle broke down.

00:25:53Oh, yes.

00:25:58Do you mind if I invite myself to lunch?

00:26:01We can continue our discussion.

00:26:05And I haven't eaten for two days, you see.

00:26:10Really?

00:26:11Well, like a certain, yes, of course.

00:26:14I mean, uh...

00:26:16Yes, then, we'll continue our discussion over something to eat.

00:26:20You're Mr. Crossley.

00:26:27Charles Crossley.

00:26:32Right.

00:26:32Hello, love.

00:26:54What happened?

00:26:55Sorry, I'm late.

00:26:56I'm a little bit.

00:26:57Is this a bit of a...

00:26:58Uh, oh, this is, uh, Mr. Crossley.

00:27:01He's, uh, come for lunch.

00:27:03Mr. Crossley, this is my wife, Rachel.

00:27:07How nice.

00:27:09I think there should always be people there for Sunday lunch.

00:27:11I must admit, I invited myself.

00:27:13Well, you generally have to do that with Anthony.

00:27:15He just expects people to arrive,

00:27:17whether they've been invited or not.

00:27:18Oh, that's right.

00:27:23The many in church?

00:27:25Usual crew of storts.

00:27:30How was the sermon?

00:27:33Well...

00:27:34Standard Christian dogma.

00:27:36Religions all have to answer the same question.

00:27:40What?

00:27:40Has the human a soul?

00:27:43And if he has,

00:27:47where does he keep it?

00:27:49Has the vicar any idea?

00:27:51His belief is based on speculation.

00:27:56Well, you, uh,

00:27:57you can't base on anything else, really, can you?

00:28:05Anyway, we've, uh, had this discussion before.

00:28:08Anthony, why don't you ask Mr. Crossley

00:28:10if you'd like a glass of wine.

00:28:11Well, what do you think, come to me?

00:28:13No.

00:28:16I'd like a glass of water, please.

00:28:19Oh, that's very easy.

00:28:20Is there any way I can wash my hands before I wash?

00:28:28Yes, it's a bathroom.

00:28:29Upstairs, and I'm at the end of the corridor.

00:28:32Where did you find him?

00:28:33I didn't find me.

00:28:33I mean, he came out to the area of the service,

00:28:35and he started chattering about the sermon.

00:28:35when he came out to the room.

00:28:38Is there any way I can wash my hands before I wash?

00:28:40Yes.

00:28:41Yeah, uh, it's a bathroom.

00:28:44Upstairs.

00:28:45And I'm at the end of the corridor.

00:28:47Where did you find him?

00:28:55He found me when he came out to the end of the service and started chatting about the sermon.

00:29:17I'm going to go to the end of the sermon.

00:30:18It's a bit overdone.

00:30:20So is Mr. Crossley.

00:30:25Please sit down.

00:30:28It's easier if you help yourself.

00:30:32Of course.

00:30:47Oh, please.

00:30:49You must be hungrier than that if you haven't eaten for two days.

00:30:51You must be starving.

00:30:53I've been without food for much longer than two days.

00:30:56Recently?

00:30:57No, not recently.

00:30:58But why?

00:31:01I was traveling in the Australian island.

00:31:04Food there was often in short supply.

00:31:06How long were you living out there?

00:31:07Eighteen years.

00:31:08And in all that time, I never saw a white man.

00:31:12Eighteen years?

00:31:14Well, did you have an Aboriginal wife?

00:31:25Yes, I did.

00:31:29Children?

00:31:32No.

00:31:35No children.

00:31:38None that survived anyway.

00:31:43Under their law,

00:31:45either parent has the right to kill their offspring within a few weeks of birth.

00:31:49Always I chose to exercise that right.

00:31:53I killed them because I knew that one day I would leave.

00:31:56And I knew that when I left, I would want to leave nothing behind.

00:31:59Do you think you'll go back?

00:32:07Does that shock you?

00:32:09That I admit to the killing of my children?

00:32:19Since Anthony and I have not managed to have children...

00:32:24Do you think you'll go back?

00:32:29No.

00:32:39I'm sorry if I've upset your wife.

00:32:46The killing of one's children

00:32:49is the only natural death in Aboriginal society.

00:32:53They believe that every other death is the result of either violence

00:32:56or some malevolent sorcery.

00:33:00Oh, sorcery, yes.

00:33:02Well, I've heard of the pointing bone that they used to kill with.

00:33:05Yes, that's the most common type of death magic.

00:33:14Is it effective?

00:33:16I've seen a man die within three days of learning that the bone has been pointing at him.

00:33:21And who pointed the bone?

00:33:24A magician he had wronged.

00:33:29Such a man would creep up behind you as you lay asleep.

00:33:34Dip his hands into the small of your back.

00:33:38Remove your kidneys.

00:33:40Peel off the fat that surrounds them.

00:33:44And replace them without a scar.

00:33:47Death would be sure to follow in...

00:33:50Two or three days.

00:33:56Interesting idea.

00:33:57Unless there was no rain for a whole year.

00:34:02The chief magician he'd been sent for.

00:34:07He was...

00:34:09He was a genuinely terrifying figure.

00:34:14Often parading in...

00:34:17In an old 18th century naval type officer's tailcoat.

00:34:22Here.

00:34:26He cut his body with a sharp stone.

00:34:29Where would he get hold of the tailcoat?

00:34:31Ah!

00:34:33Oh!

00:34:35Oh!

00:34:37Oh!

00:34:39Oh!

00:34:41Oh, excuse me.

00:34:43I'm sorry, I'm spoiling the lunch.

00:34:45I suffer from migraine.

00:34:47Can I lie down somewhere, please?

00:34:48There's a sofa in the sitting room.

00:34:51No, I think the spare room would be more comfortable there.

00:34:57Move the chair down.

00:34:58Move the chair down.

00:35:17On the left of the bathroom.

00:35:28There, there.

00:35:34To me.

00:35:36You must be careful.

00:35:37Know what again would you say?

00:35:38And they look over?

00:35:40I like this occasion in a advised THAT.

00:35:42Go, I'm sorry.

00:35:44Keep behind, right?

00:35:46And this is my life.

00:35:48We'll try.

00:35:51Because I'm nervous there.

00:35:53It's super close.

00:38:25It began to rain at that very moment.

00:38:29And it rained for four days.

00:38:32I presume you believe in the power of that magic.

00:38:40Oh, yes, I believe in its power.

00:38:43It's there.

00:38:45If a man is convinced he's going to die, he simply slips away and dies.

00:38:50Don't patronize me with that tone, please.

00:38:56That magician in the tailcoat gave me a terrible power over my enemies.

00:39:06He taught me the use of the terror of shot.

00:39:10It took me 18 years to perfect it.

00:39:15Now I can kill with it.

00:39:17Kill.

00:39:19Instantly.

00:39:20Yes, well, I find this all very interesting, but I think that two days without food have affected your mind very badly.

00:39:29You haven't the imagination to understand anything outside your own experience.

00:39:35I've heard your music.

00:39:43I've heard your music.

00:39:45It's nothing.

00:39:48It's empty.

00:39:50Yes, well, if there's anything you need before you leave, it'll be downstairs.

00:40:07Yes, well, if there's anything you need before you leave, it'll be downstairs.

00:40:37webinars.

00:40:38Faster.

00:40:40Faster!

00:40:41Faster!

00:41:05Faster!

00:41:06Faster!

00:41:07Kubo!

00:41:07Faster!

00:41:07Very much like to hear your shout, Mr. Crossley.

00:41:14I'm on my way now.

00:41:16Perhaps you'd like to walk with me for a bit.

00:41:30Come on. Come here, boy.

00:41:33Come here, boy.

00:41:38If I shouted for you now, you would die.

00:41:42As would your wife.

00:41:45And anyone else around here.

00:41:48I don't believe in that shout of yours, Mr. Crossley.

00:41:52I'll stay tonight.

00:41:56In the morning, if you walk on the dunes.

00:42:02There'll be no one about.

00:42:05Well, it's fine with me.

00:42:08You'd be wise to bring some wax or cotton wool to stop up your ears.

00:42:13I want to be able to hear it.

00:42:16I have heard some sounds in my time, you know.

00:42:22It will kill you, then.

00:42:23I'll kill you, then.

00:42:24I'll kill you, then.

00:42:25I'll kill you, then.

00:42:26To be continued.

00:42:27What's won't you do?

00:42:28It will kill you, then.

00:42:29It will kill you too.

00:42:31It will kill you.

00:42:32To be continued...

00:42:36It will kill you again.

00:42:37I want to do it.

00:42:39It will kill you too.

00:42:41It will kill you.

00:42:43It will kill you permanently.

00:44:16I'll wait to have fun.

00:44:18Fine.

00:45:30Hang on up here.

00:45:52I've got a stage.

00:46:00Hang on.

00:46:30Hang on.

00:47:00Hang on.

00:47:30Hang on.

00:48:00Hang on.

00:48:02Hang on.

00:48:07Hang on.

00:48:13Put your fingers to your ears when you want me to stop!

00:48:16Not before I begin!

00:48:42Let's go!

00:49:42These could do with some good new welts.

00:50:02Make sure that I get some beeswax on the hand bin.

00:50:12I'm not a shoemaker.

00:50:16I'm a musician.

00:50:42I'm a musician.

00:51:12I'm a musician.

00:51:14I'm a musician.

00:51:16I'm a musician.

00:51:20I'm a musician.

00:51:24I'm a musician.

00:51:34I'm a musician.

00:51:36I'm a musician.

00:51:46I'm a musician.

00:51:48I'm a musician.

00:51:50I'm a musician.

00:51:52I'm a musician.

00:51:53I'm sorry Anthony left you this morning.

00:51:54Oh, he got back all night, didn't he?

00:51:56Yes.

00:51:57He just wasn't feeling very well.

00:51:59Are these cooked enough for you?

00:52:01Oh, I'd like mine a little more, please.

00:52:04Could you wash them?

00:52:06I think I'll go and see how Anthony is.

00:52:08I think he may be asleep.

00:52:10Well, I shall wake him if he is.

00:52:14Well, having fun.

00:52:15I'm a musician.

00:52:16I'll give him a word.

00:52:18I'll give him a moment.

00:52:20And then, with some practice.

00:52:22I'm ready to wake him up.

00:52:23I know you're ready to wake up.

00:52:27Let me soak it up.

00:52:29So you took my advice.

00:52:56The lies on you.

00:52:59The lies on you.

00:53:29I thought perhaps I might help you in the garden or with whatever tasks you feel you can't escape.

00:53:50Are you feeling any better?

00:53:54What's the crap you're doing down there?

00:53:56Mending the bag.

00:53:58I'm going to the village.

00:53:59Let you leave it.

00:54:01I don't think he is.

00:54:02God.

00:54:03I'd have to get rid of him somehow.

00:54:05He's perfectly harmless.

00:54:07I don't give a damn how harmless you think he is.

00:54:10I just want him to go.

00:54:11Let me just tell him that his overstate is welcome.

00:54:34I'm no master mechanic.

00:54:37Did she get you home all right?

00:54:38It's very sweet of you to take so much trouble.

00:54:42How long will you be?

00:54:44A couple of hours. Hour and a half, maybe.

00:54:51Thanks.

00:54:59Go carefully.

00:55:00Go away.

00:55:03Oh, yeah.

00:55:04That was a splendid night.

00:55:33Delivery

00:56:03Oh

00:56:27Ah, what was that?

00:56:33Oh

00:56:35How was that?

00:56:43Hi

00:57:03Oh

00:57:05Oh

00:57:11Oh

00:57:13Oh

00:57:15Oh

00:57:17Oh

00:57:19Oh

00:57:21Oh

00:57:23Oh

00:57:25Oh

00:57:27Oh

00:57:29Oh

00:57:31Oh

00:57:33Oh

00:57:35Oh

00:57:37Oh

00:57:39Oh

00:57:41Oh

00:57:43Oh

00:57:45Oh

00:57:47Oh

00:57:49Oh

00:57:51Oh

00:57:53Oh

00:57:55Oh

00:57:57Oh

00:57:59Oh

00:58:01Oh

00:58:03Oh

00:58:05Oh

00:58:07Oh

00:58:09Oh

00:58:11Oh

00:58:13Oh

00:58:15Oh

00:58:17Oh

00:58:19Oh

00:58:21Oh

00:58:23Oh

00:58:25Oh

00:58:27Oh

00:58:29Oh

00:58:31Oh

00:58:33Oh

00:58:35Oh

00:58:37Oh

00:58:39Oh

00:58:41Oh

00:58:43Oh

00:58:45Oh

00:58:47Oh

00:58:49Oh

00:58:51Oh

00:58:53Oh

00:58:55Your garden is wild

00:58:57A virgin forest

00:58:59I

00:59:01I like it this way

00:59:03Shall I change it?

00:59:05I didn't mean that you should

00:59:07I

00:59:09I think that Anthony is jealous of you

00:59:11I think that Anthony is jealous of you

00:59:17Are you happily married?

00:59:19Possibly

00:59:21Possibly

00:59:27What about you?

00:59:31Could I have some sugar please?

00:59:35Marriage in an aboriginal society

00:59:37Is different to what it is here

00:59:41Oh yes it's true

00:59:43If a young man wants a girl for his wife

00:59:47He steals some trivial possession from her

00:59:51Cast a spell over it

00:59:53Cast a spell over it

00:59:55And then she finds him irresistible

01:00:03And does it last?

01:00:05Until death

01:00:07Until death

01:00:09Or until the husband leaves

01:00:11Or until he deliberately relaxes the magic

01:00:21I'm so glad you felt well enough to come down

01:00:39I thought I'd go for a short walk

01:00:41In the direction of the village

01:00:43Why?

01:00:45My sandal needs mending

01:00:51Why didn't you take it in this morning?

01:00:53Because I had other things to do

01:00:59Well I'm

01:01:01I'm not sure that I'm going to be going that far

01:01:03If I get it for you

01:01:05You might just make the effort

01:01:07I'm not sure that I have to go

01:01:09If I get it for you

01:01:11Let's go

01:01:13I'm not sure that I'm not sure

01:01:15I'm not sure

01:01:17You're not sure

01:01:19You'll never know

01:01:21I'm not sure

01:01:22I've been here

01:01:23I've been here

01:01:24I've been here

01:01:25I've been here

01:01:26I've been here

01:01:27when's he leaving oh then a month for all i care well he's got your buckle i've seen him playing

01:01:37with it why don't you ask him for it why because i'm just about to go and buy another one that's

01:01:47why look if he's got the buckle he probably wants to keep it don't be ridiculous rachel oh go on

01:01:55with you

01:02:25go upstairs to my room

01:02:27oh

01:02:29oh

01:02:34oh

01:02:35oh

01:02:36oh

01:02:37oh

01:02:43oh

01:02:45oh

01:02:47oh

01:02:51Let's go.

01:03:21Let's go.

01:03:51Let's go.

01:04:21And that noise, like a terrible music.

01:04:23I was in bed, do you know?

01:04:27I had this feeling all over me.

01:04:33First, like ripples under my skin.

01:04:37As though someone was skinning me from the inside.

01:04:41It was like he'd got his hand inside me and was pulling at my kidneys or my soul.

01:04:48And then as sudden as it come, it stopped.

01:04:50You know where I was?

01:04:55You know where I was?

01:04:58You know where I was?

01:05:00In the corner.

01:05:03And that music had stopped.

01:05:04Look, do you think you could, uh, you could fix some, uh, steel tips?

01:05:11Not, not the blakies, but the leather heel tight with the leather filler.

01:05:15Well, look, why don't I do it?

01:05:16And then, well, then you can go home in them.

01:05:18And then, well, then, well, then you can go home in them.

01:05:20What do you think?

01:05:22Love?

01:05:22Rachel!

01:05:23Rachel!

01:05:24Rachel!

01:05:43Stealed it, please.

01:05:45Yeah, look.

01:05:47Rachel.

01:05:48Rachel.

01:05:49Where are you?

01:05:51Rachel.

01:05:52Rachel, come on.

01:05:53Speak here.

01:05:54It must be.

01:05:55It must be.

01:05:56You are about to be children.

01:05:59Rachel.

01:06:00I refuse.

01:06:19It must be what they Best do.

01:06:27See your son.

01:06:28This time in place now is Tamar, and I have to die from the rest.

01:06:30What fantasy a true story with?

01:06:33helping him?

01:06:34How can I exist?

01:06:35This time in place.

01:06:36I have got things Curry...

01:06:37who is around?

01:06:38How can I exist?

01:06:39Watch out of camera.

01:06:40Hey!

01:06:41Yeah!

01:08:42Let's get home with the game, shall we?

01:08:52Out!

01:08:54Out!

01:08:56Out!

01:08:58Out!

01:09:00Out!

01:09:02Out!

01:09:04Out!

01:09:09Ow, ow, ow! Brave candle!

01:09:24The umpire's decision is final.

01:09:34It's the...

01:09:36weather, thunderstorm weather.

01:09:41It makes everyone here behave more irregularly than usual.

01:10:06I also want this one to be a good friend.

01:10:08I'm a child, but I want to be a good friend.

01:10:11I want to be a good friend.

01:10:13I want to be a good friend.

01:10:14I'm not sure how toют you.

01:10:15I'm sorry.

01:10:16I'm sorry.

01:10:17I'm a good friend.

01:10:18I'm not sure how to go.

01:10:19I sit alone and it's okay.

01:10:20It's okay.

01:10:21I know I'm fine.

01:10:22It's okay.

01:10:23I know it doesn't matter.

01:10:25I don't know.

01:10:55I don't know.

01:11:25Darling, will you run me a bath?

01:11:29Here.

01:11:39Here, up here.

01:11:41I don't know.

01:11:41It's gone.

01:12:01It's gone.

01:12:07What?

01:12:12Where's he come to?

01:12:15I didn't know.

01:12:16I don't know.

01:12:36Hello? Anybody there?

01:12:53Oh, Jesus.

01:12:59Morning, Vicar.

01:13:03Hello, Mr. Building.

01:13:04Morning. I'm here to ask you a small favor.

01:13:08Yes, what's that?

01:13:10Harry, the shepherd, he died suddenly.

01:13:13And the organist is still away.

01:13:15Harry died?

01:13:17We need someone to pay at the funeral service at four.

01:13:20When did he die?

01:13:22Yesterday morning.

01:13:26They found him on the dunes.

01:13:29Yes, well, yes, in that case, yes.

01:13:33I'm sorry to talk to you like this.

01:13:37It's all right.

01:13:38Goodbye.

01:13:40Bye.

01:13:45It's probably cross, Liz.

01:13:47I don't know why you're letting bother you so much.

01:13:57Thank you so much.

01:14:27I don't know why you're feeling here.

01:14:33Okay.

01:14:35Hey, go.

01:14:37Hey, go.

01:14:39Hey.

01:14:41Hey, go.

01:14:43Hey.

01:14:44Hey, go.

01:14:47Hey.

01:14:48Hey, go.

01:14:49Hey, go.

01:14:51THE END

01:15:21THE END

01:15:51THE END

01:15:53THE END

01:15:55THE END

01:15:57THE END

01:15:59THE END

01:16:01THE END

01:16:03THE END

01:16:05THE END

01:16:07THE END

01:16:09THE END

01:16:11THE END

01:16:13THE END

01:16:15THE END

01:16:17THE END

01:16:19THE END

01:16:21THE END

01:16:23THE END

01:16:25THE END

01:16:27THE END

01:16:29THE END

01:16:31THE END

01:16:33THE END

01:16:35THE END

01:16:37THE END

01:16:39THE END

01:16:41THE END

01:16:43THE END

01:16:45THE END

01:16:47THE END

01:16:49THE END

01:16:51THE END

01:16:53THE END

01:16:55THE END

01:16:57THE END

01:16:59THE END

01:17:01THE END

01:17:03THE END

01:17:05THE END

01:17:07THE END

01:17:09THE END

01:17:11THE END

01:17:13THE END

01:17:15THE END

01:17:17THE END

01:17:19THE END

01:17:21THE END

01:17:23THE END

01:17:25THE END

01:17:27THE END

01:17:28THE END

01:17:29THE END

01:17:30THE END

01:17:31THE END

01:17:32THE END

01:17:33THE END

01:17:34THE END

01:17:35How long do you think you'll be able to stay?

01:17:41Months

01:17:43rather than days.

01:17:49And when I've finished eating, Anthony

01:17:51Rachel and I are going to bed.

01:17:55So you'd better make yourself scarce.

01:18:05You heard me.

01:18:12Rachel, what's he talking about?

01:18:14You heard him.

01:18:24Oh, God's sake, Rachel!

01:18:39Get out of here, Anthony.

01:18:41Or I'll shout your bloody ears off.

01:18:54What's the matter?

01:18:55I've done something wrong.

01:18:57What's the matter?

01:18:58I've done something wrong?

01:18:59Sure.

01:19:00What's the matter?

01:19:01I've done something wrong.

01:19:02Sure.

01:19:03What's the matter?

01:19:16I've done something wrong.

01:19:20Sure.

01:19:33I may need you, I may need you, I may need you.

01:19:37Quickly.

01:19:39Who's there?

01:19:41Someone.

01:19:51Someone.

01:19:53Someone's threatening me.

01:19:55Someone, someone is trying to, trying to kill me.

01:19:59There's not a soul about me, you big bitch.

01:20:03Kill them, I'll kill them, I'll kill them.

01:20:05Come on.

01:20:06I'll kill them, I'll kill them.

01:20:07They're dead.

01:20:08Unless they leave.

01:20:09They're dead.

01:20:10Dead.

01:20:11Dead.

01:20:12Dead.

01:20:13Dead.

01:20:14I'll have to shout.

01:20:16I'll have to shout them.

01:20:18Dead.

01:20:19Dead.

01:20:20Dead.

01:20:21Dead.

01:20:22Dead.

01:20:23Dead.

01:20:24Dead.

01:20:25Dead.

01:20:26Dead.

01:20:27Dead.

01:20:28I got you, you bastard.

01:20:30Dead.

01:20:31Dead.

01:20:32My head.

01:20:33Dead.

01:20:35Oh, my God.

01:21:05Charles Crossley, I have a warrant for your arrest for the murder of your children.

01:21:26No, bloody fools! I'll shut you dead!

01:21:35That's what a sham is like! Only a thousand times worse!

01:21:55It's true. I had a word. I'm telling you this. It's true.

01:21:58I was, Chris, yeah. I was.

01:22:00Hold your position and give me a shower!

01:22:22Ah! Ah! Ah! Ah! Ah! Ah!

01:22:26Send somebody out to take care of this!

01:22:29Oh, mother! Ah!

01:22:31Ah! Ah!

01:22:32Ah! Ah!

01:22:34Ah!

01:22:35Ah!

01:22:36Ah!

01:22:37Ah!

01:22:38Ah!

01:22:39Ah!

01:22:40Ah!

01:22:41Ah!

01:22:42Ah!

01:22:43Ah!

01:22:44Ah!

01:22:45Ah!

01:22:46Ah!

01:22:47Ah!

01:22:48Ah!

01:22:49Ah!

01:22:50Ah!

01:22:51Ah!

01:22:52Ah!

01:22:53Ah!

01:22:54Ah!

01:22:55Ah!

01:22:56Ah!

01:22:57Ah!

01:22:58Ah!

01:22:59Ah!

01:23:00Ah!

01:23:01Ah!

01:23:02Ah!

01:23:03Ah!

01:23:04Ah!

01:23:05Ah!

01:23:06I am!

01:23:13I was drossling!

01:23:14The fountain has shattered my soul!

01:23:18I'm alive and I'm mad! I'm mad!

01:23:21You're still drossling!

01:23:27A sharp pony! You have it!

01:23:30You have it!

01:23:33A poor player who struts and breaks his lies upon the stage!

01:23:37Go back to your room at once!

01:23:41No!

01:23:43To my room!

01:23:45You bloody little tyrant!

01:23:47Get back to the house!

01:23:49All of you!

01:23:51It's a tale told by an idiot, full of sound and fury and signifying nothing!

01:23:56Leave me alone, I shout you dead!

01:23:58I shout you dead!

01:23:59Trust me!

01:24:01Trust me!

01:24:05If you don't leave me alone, I shout!

01:24:26I'm sorry!

01:24:28Oh, Rachel!

01:24:29Where is he?

01:24:30He's in the dining room!

01:24:32Oh, Rachel!

01:24:33Where is he?

01:24:34He's in the dining room!

01:24:36Oh, Rachel!

01:24:37Where is he?

01:24:38He's in the dining room!

01:24:40Go on!

01:24:56Go on!

01:24:58Go on!

01:25:00Go on!

01:25:04Go!

01:25:06Yeah!

01:25:08Go on!

01:25:10Go on!

01:25:14Choose a light speaker and head бывает!

01:25:17Go on!

01:25:20Go on!

01:25:22Go on!

01:25:24Where is he?

The Shout (1978) Full Movie | Alan Bates, Susannah York, John Hurt | Psychological Drama/ Mystical Horror

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Transcript

Horror - Full Movies

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