ROBERT JOHNSON KING OF THE DELTA BLUES SINGERS

From 1932 until his death in 1938, Johnson moved frequently between large cities like Memphis, Tennessee and Helena, Arkansas and the smaller towns of the Mississippi Delta and neighboring regions of Mississippi and Arkansas.[18][19] On occasion, he traveled much farther. Fellow blues musician Johnny Shines accompanied him to Chicago, Texas, New York, Canada, Kentucky, and Indiana.[20] Henry Townsend shared a musical engagement with him in St Louis.[21] In many places he stayed with members of his large extended family, or with women friends.[22] He did not marry again but formed some long term relationships with women to whom he would return periodically. One was Estella Coleman, the mother of the blues musician Robert Lockwood, Jr. In other places he stayed with a woman seduced at his first performance.[23][24] In each location, Johnson's hosts were largely ignorant of his life elsewhere. He used different names in different places, employing at least eight distinct surnames.[25]

Biographers have looked for consistency from musicians who knew Johnson in different contexts: Shines, who traveled extensively with him; Lockwood who knew him as his mother's partner; David "Honeyboy" Edwards whose cousin Willie Mae Powell had a relationship with Johnson.[26] From a mass of partial, conflicting, and inconsistent eye-witness accounts,[27] biographers have attempted to summarize Johnson's character. "He was well mannered, he was soft spoken, he was indecipherable".[28] "As for his character, everyone seems to agree that, while he was pleasant and outgoing in public, in private he was reserved and liked to go his own way".[29] "Musicians who knew Johnson testified that he was a nice guy and fairly average—except, of course, for his musical talent, his weakness for whiskey and women, and his commitment to the road."[30]

When Johnson arrived in a new town, he would play for tips on street corners or in front of the local barbershop or a restaurant. Musical associates have said that in live performances Johnson often did not focus on his dark and complex original compositions, but instead pleased audiences by performing more well-known pop standards of the day[31] – and not necessarily blues. With an ability to pick up tunes at first hearing, Johnson had no trouble giving his audiences what they wanted, and certain of his contemporaries later remarked on Johnson's interest in jazz and country music. Johnson also had an uncanny ability to establish a rapport with his audience; in every town in which he stopped, Johnson would establish ties to the local community that would serve him well when he passed through again a month or a year later.