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A collection of horror movies filled with suspense, mystery, and terror. From paranormal encounters, ghosts, and monsters to demonic possessions, serial killers, and haunted places, each story takes viewers into a dark and unsettling world where fear lurks around every corner.

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Category

🎈
Fun
Transcript
00:00:00.
00:00:50Oh
00:00:52God
00:00:57Let me try the Suzuki. Yeah, I admit it. We had one hell of a ride
00:01:09I want to photograph you nude in a field of wheat
00:01:14Okay, we'll talk about it. Thanks for the chicken. Oh
00:01:17Are you drunk? Oh brother
00:01:20Valentina Roselli, she is a photographer. Ciao Anna ciao a photographer
00:01:25Only publicity fashion art politics and news haven't you ever heard of Cartier Bresson sure Cartier Bresson
00:01:32It's a pseudonym her real name is Valentina. Well, look your only cost are you're Indian ink and you can
00:01:37get that cheap enough
00:01:38But try filming a motion picture and then you'll really see what heavy costs are look at Godard
00:01:43That guy makes a good example. He proved that it is necessary. I know Godard is Godard. What do you
00:01:47think about it?
00:01:48Valentina your Google hasn't done anything of Merit since pierrot the food
00:01:51I'd much rather see Laurel and Hardy. You can expect a lot. Is that all you like to do is
00:01:55laugh
00:01:57Are you going back to Milan tonight? Yes with Guido if I can tear him away from his comic books
00:02:03Would you give me a ride downtown? Yes, but it's a sports car if you don't mind sitting on Arnold's
00:02:08knee
00:02:13No, I want to walk but why I haven't done anything have I because I feel like walking thanks for
00:02:19the offer
00:02:19Thanks for the ride Guido. Ciao. Ciao Valentina. Ciao Arnold
00:02:23Wait for me. I'll be right back
00:02:28Look be reasonable will you it'll take you a half hour to get home on foot and it's already three
00:02:32o'clock
00:02:34That's the nicest time of the day foggiest time of the night I know but fog turns me on okay
00:02:41Is that the only thing that turns you on I better go with you you shouldn't be alone at night
00:02:50Listen Arno I don't feel like making love with you tonight good night Arno
00:03:02And go straight home
00:03:06A growing boy like you need to sleep
00:03:15Hey Arno your taxis waiting
00:03:35Well, are you sure you're ready?
00:03:39And I don't know if I'll ever be ready for that chick
00:04:18Well hello there doggy what are you doing out so late you should be home in bed
00:04:25A strange mark
00:04:29Funny little thing funny ragamuffin you are
00:04:35Good night little dog
00:04:44Look out
00:05:22I'm very distressed
00:05:26It's all right
00:05:28I don't understand what happened
00:05:31Nothing
00:05:32It's my fault really
00:05:34I saw this little dog in the middle of this
00:05:35Come
00:05:36Get in the car
00:05:38I'll drive you home
00:05:40Really it isn't necessary I live nearby
00:05:42Please
00:05:45It's the least I can do after
00:05:47The shock I've given you
00:05:50I won't take no for an answer
00:05:53All right
00:06:06It wasn't the dog
00:06:10What did you say
00:06:13I was driving too fast?
00:06:16I had to
00:06:17I knew that something was about to happen
00:06:21Our meeting was pre-ordained
00:06:36How did you know this is where I live?
00:06:38There are many things that you'll want to know my dear
00:06:43But not now
00:06:45Perhaps I'll be able to explain them to you later
00:06:52But first first I must be sure
00:06:57Allow me
00:07:02I apologize
00:07:06But I need a personal object of yours
00:07:09Be assured
00:07:11And I'll return it to you tomorrow
00:07:25Good night my dear
00:07:27And don't forget my name
00:07:30My name is Baba Yaga
00:07:53I love you
00:07:57I've seen you
00:07:58That's what I'm hoping
00:07:58And I'll return it to you tomorrow
00:08:04I'm not moving
00:08:05Hey
00:08:06Hey
00:08:08Hey
00:08:09Hey
00:08:09Hey, hey!
00:08:45All right, I'm coming.
00:08:54Morning, all.
00:08:55This is your local sheriff speaking.
00:08:58Very funny.
00:09:00What time is it, anyway?
00:09:02This may come as a bit of a surprise to you,
00:09:05but it's almost noon.
00:09:06Here, I'll make you some coffee.
00:09:11Donna, why sleepy?
00:09:13Come in late last night?
00:09:14Yes, but that's not it.
00:09:15What is it, then?
00:09:22I had this nightmare last night.
00:09:25What about last night?
00:09:29It's nothing.
00:09:30Did you get the paper?
00:09:36So what's new?
00:09:38Not a lot.
00:09:40Your left-wingers are continuing to blockade the schools in Milano.
00:09:43You're a fascist.
00:09:45And you're an idealist.
00:09:49Let's go.
00:10:13This is my left-wingers.
00:10:14How about you?
00:10:29I wonder if I know what you're looking at.
00:10:30You're a celebrity.
00:10:47Hey, are you still there? I can't hold this post for too much longer.
00:10:52What? Oh, I'm sorry.
00:10:55What are you waiting for? We're finished.
00:11:11Good morning, my dear.
00:11:17Am I disturbing you?
00:11:19No. We're just finished. Come in.
00:11:44Good morning, Valentina. See you. Bye. I'll see you tomorrow.
00:11:54Well, now, my dear. I've come to return this delightful little object which I took from you.
00:12:12May I put it back?
00:12:18Stop it. You can't do it.
00:12:24I'm not wearing the belt now.
00:12:28Oh, that is a pity.
00:12:30Good morning.
00:12:40Last night you said our meeting was preordained. Preordained by whom?
00:12:46There are forces which control our actions and our feelings.
00:12:51What forces?
00:12:54It is too soon, Valentina. It is too soon.
00:13:11Do you always work with this?
00:13:16Yes. Well, it just depends on the kind of shot I'm after.
00:13:32That's the eye. The eye that breezes reality.
00:13:48Well, I shall have to go now.
00:13:51You must come to my house.
00:13:55Well, I don't know. I'm really very busy these days.
00:13:59Nonsense. You must come to visit me.
00:14:03I have a very old house.
00:14:06You might find it interesting, Valentina.
00:14:09Here, I'll leave you my address.
00:14:25Then may I count on it?
00:14:30I'll come. Definitely.
00:14:37Splendid.
00:15:12Yes?
00:15:13Valentina, this is Arno.
00:15:14Yes?
00:15:15How was your walk last night?
00:15:17It was fine.
00:15:18Anything interesting happen?
00:15:19Well, honey, I got $100,000 from an old man.
00:15:22And then a pimp slapped me around and took it away.
00:15:25And while I was in jail, I was raped by a dwarf.
00:15:28Is that enough?
00:15:30Yeah, well, I'm glad you had some fun, you know.
00:15:34Hey, listen, I'm shooting a TV show not far from your place.
00:15:37What are we talking about before I go down?
00:15:39Bring your camera over and take some shots.
00:15:40You remember when he died, too.
00:15:41He used to hang.
00:15:42Where are you?
00:15:43Wait a second, I'll ask.
00:15:45Excuse me, ma'am.
00:15:46Can you tell me where we are?
00:15:47Where do you think we are?
00:15:48We're in Milan.
00:15:51Everybody's a comedian.
00:15:52Of course, it's Milano.
00:15:53But what the hell's the name of the street, huh?
00:15:55It's on Via Moncoco, number two.
00:15:57Stay right on the Naviglio and look for Alfredo's.
00:16:00Via Moncoco, number two.
00:16:01Take Porta Ticinez and follow the Naviglio.
00:16:03Okay, I ought to be there in half an hour.
00:16:23I want you to have a look for a little dinner.
00:16:25How's that, huh?
00:16:26I'm doing the night.
00:16:30Now that's the night.
00:16:31I've got to go.
00:16:32I'm going to go.
00:16:32You're going to have to see you.
00:16:33It's a good meeting.
00:16:37You're going to be there.
00:16:39You're going to see me.
00:16:57What is he doing?
00:16:59Hey, I got him!
00:17:08Hey, he's a beauty, huh?
00:17:10Hey, I got him!
00:17:12Tell me, what on earth are you going to do with it?
00:17:14You'll see.
00:17:19All right, my little friend.
00:17:23Now we go to work.
00:17:29Okay?
00:17:30A little more to the right.
00:17:32Good.
00:17:34Now let me get my fingers back. How's that?
00:17:36Great. Can I shoot it?
00:17:37Yeah, go ahead.
00:17:51Oh, shit. What's going on?
00:17:53I don't know. It's jammed.
00:18:00Did you get the shot?
00:18:03I got a little bit.
00:18:05Okay, tomorrow you come back, shoot up some more footage on it.
00:18:08Right.
00:18:09Are you going?
00:18:10You know, I only got three or four shots of you.
00:18:12Oh, that's enough.
00:18:13Hey, listen.
00:18:14Can you give me a lift to your place?
00:18:15There's a subway station right near there.
00:18:16All right, but you drive.
00:18:18Okay.
00:18:23What are you going to do with that close-up of the rat?
00:18:26No, I don't know. Maybe I won't use it.
00:18:28And then maybe I'll show it next to a photo of some big industrialist, huh?
00:18:32You think they'll let it pass through on sensor?
00:18:34Mm-mm. No.
00:18:36But I can still show it on a closed circuit, can't I?
00:18:39In other words, instead of showing it to a middle-class audience of 10 million, you'll show it to 10
00:18:45,000 intellectuals.
00:18:46And not in the service of ecology, but in the service of your own vanity.
00:18:50If you don't use the means that the system provides, what other possibilities have you got?
00:18:54Revolution.
00:18:55Revolution.
00:18:57And who starts it? The union does, right?
00:18:59Or intellectuals? Writers? Or movie directors?
00:19:04You're talking about me, aren't you? Hell, I'm only the little guy.
00:19:09Today, I shot a service on ecology. And tomorrow, I start a series of soap commercials.
00:19:14You're nothing but an old whore.
00:19:16That's true. And who isn't? We're all whores of various species.
00:19:20The only difference is that I'm a whore and admit it. While the majority are whores but play at being
00:19:24saints.
00:19:25Believe me, Val, it's all a big farce. A game. And contradiction is the number one rule.
00:19:30Look, in some cases, contradiction is the only hope for salvation.
00:19:33You're right. And who should know that better than you?
00:19:35Because to be frank, Val, you are a complete contradiction. You know that.
00:19:39How so, for instance?
00:19:40How so?
00:19:42Pretty soon, I'll be getting dropped off into your place.
00:19:44And if you were consistent with your nature, you'd invite me up for a drink.
00:19:50Oh, all right. Come on up.
00:19:57You know what you're doing.
00:20:01Bye.
00:20:23No problem.
00:20:26Yeah, I would give off a drink.
00:20:28No problem, Amy.
00:20:29No problem, Amy.
00:20:29You can wait.
00:20:29I leave a drink.
00:22:28You're not fortunate.
00:22:30Arno, meet Tony.
00:22:32Hi.
00:22:33Who's she supposed to be?
00:22:34Bell Star?
00:22:37With a blast of that, you get rid of your fat.
00:22:39Well, if it works, the girls will love you.
00:22:42You know, I really thought you'd gone mad when I saw that one yesterday.
00:22:45What do you mean?
00:22:47Didn't you notice, Val?
00:22:48Well, she's madly in love with you.
00:22:49Don't be ridiculous, for God's sake.
00:22:51What are you talking about there?
00:22:53Nothing.
00:22:54How about these blanks?
00:22:55Should I put them in now?
00:22:56Might as well.
00:22:57Come on, let's get to work.
00:22:58Okay.
00:23:07Now, shoot.
00:23:12Tony, what is it?
00:23:20What is it?
00:23:21What the hell's the matter with her?
00:23:23Here.
00:23:29Be careful.
00:23:31Oh, no.
00:23:43Tony, what's wrong?
00:23:45I don't know, Valentina.
00:23:46I feel sick.
00:23:48Would you like to go home?
00:23:49Yes.
00:23:50Do you feel up to it?
00:23:52Don't worry about it. I'll take care of her.
00:23:53I guess you better.
00:23:54I'll get a taxi.
00:24:08I'm sorry, Valentina.
00:24:10You're wasting your day.
00:24:12Don't be silly.
00:24:13I always have enough things to do.
00:24:15Just go home and take care of yourself.
00:24:17The taxi will be here in a few minutes.
00:24:19That's quick.
00:24:25Will you be here later?
00:24:26I don't know.
00:24:27I'll telephone you.
00:24:28Okay.
00:24:30Ciao.
00:24:31Ciao.
00:24:31Ciao.
00:24:31Ciao.
00:25:08Ciao.
00:25:38Ciao.
00:26:11Ciao.
00:26:13Ciao.
00:26:38Ciao.
00:27:03Ciao.
00:27:03I am so happy to see you, my dear Valentina.
00:27:09I was sure you would come.
00:27:11Yes.
00:27:12I've come to ask you a favor.
00:27:15I have to photograph some jewels, you see.
00:27:17And I wondered if you wouldn't mind if I did it here.
00:27:21Of course.
00:27:22My house is at your disposal.
00:27:26I'm rather lazy today.
00:27:29Therefore, I won't accompany you.
00:27:33But you can go where you like and take as many photos as you want.
00:28:01Oh, what beautiful necklaces.
00:28:05Please.
00:28:07May I see them?
00:28:24Oh, they're lovely to touch.
00:28:28But even lovelier to hear.
00:29:18All the other things, please.
00:29:18I would encourage you to have to move around.
00:29:18I'll take a bite.
00:29:19I'll take a bite.
00:29:19Thanks a lot.
00:29:19I'll take a bite.
00:29:19You want to take a bite.
00:29:20Good for coming.
00:29:20I'll take a bite.
00:29:21Good for coming.
00:29:28Good for coming.
00:29:47Valentina, you must not worry about that hole, my dear.
00:29:51That part of the house needs some repairs.
00:29:54You might find some interesting things to photograph upstairs.
00:30:51You might find some interesting things.
00:31:21You might find some interesting things.
00:31:24You might find some interesting things.
00:32:23You might find some interesting things.
00:32:24You might find some interesting things.
00:32:49You might find some interesting things.
00:32:54Valentina.
00:32:57Valentina.
00:33:04Aren't you feeling well, my dear?
00:33:06Is there anything I can do for you?
00:33:09No, thank you.
00:33:10I just had a dizzy spell, but I'm all right now.
00:33:13You've been too kind as a dizzy.
00:33:14Oh, nonsense.
00:33:15I'm always alone here.
00:33:17Your visit has given me great pleasure.
00:33:21In fact, I want to give you a little present.
00:33:27Here.
00:33:31This is Annette.
00:33:34You must always have her with you.
00:33:37She will protect you from any harm.
00:33:43What do you mean?
00:33:45There's nothing threatening me.
00:33:46You never know, my dear.
00:33:50You never know.
00:34:17You never know.
00:34:33Why did I accept you anyway?
00:34:42Of course, you can't answer, can you?
00:34:45You're just a little doll, aren't you?
00:35:10sir.
00:35:22No.
00:35:38Our
00:35:46And I think those kids are only doing what they think is right.
00:36:22What happened?
00:36:25Carlos! Carlos!
00:36:28What's going on?
00:36:29Please, help me!
00:36:30Somebody do something!
00:36:35Don't touch him! Don't touch him!
00:36:36He's gone, actually!
00:36:39Don't touch him!
00:36:42Is he still breathing?
00:36:44Somebody get back out!
00:36:46He's breathing!
00:37:07Help! Help! Help! Help!
00:37:44Help! Help! Help! Pfff!
00:38:07Amen.
00:39:03Hello?
00:39:05Hello?
00:39:16Hello?
00:39:37Hello?
00:39:48Hello?
00:40:01Hello?
00:40:05Hello?
00:40:12Hello?
00:40:22Hello?
00:40:24Hello?
00:40:36Hello?
00:40:38Hello?
00:40:49Hello?
00:40:53Hello?
00:41:00Hello?
00:41:05Hello?
00:41:29Hello?
00:41:31Hello?
00:41:56Hello?
00:41:58Hello?
00:42:00Hello?
00:42:01What are we doing today, Val?
00:42:03Sex and civil rights, honey.
00:42:05No bras and black power. Fascinating day.
00:42:07How sexy.
00:42:08With brand X undergarments, folks.
00:42:10No more hypocrisy.
00:42:12No more false modesty.
00:42:14And no more racial prejudice.
00:42:17Take off your shirt, Abu Dupi.
00:42:19You can leave your pants on.
00:42:20And I want you to forget that you have an education
00:42:23and live in a civilized world.
00:42:25You're overrating your university a little.
00:42:28Very funny.
00:42:30And now, let me see some nice primitive drive.
00:42:35Okay?
00:42:35Like your ancestors.
00:42:37You know, the ones in the jungle that ate up the missionaries.
00:42:40Oh, how lovely. What a pretty doll.
00:42:42Don't touch it.
00:42:45But what's the matter?
00:42:49I don't know.
00:42:51There's something strange about that doll.
00:42:54Where did she come from, Valentina?
00:42:58I don't know. Someone gave her to me.
00:43:06I think I'll use another camera instead.
00:43:15If you're ready, let's start.
00:43:17Our Juby's in a hurry.
00:43:24Okay, move to order.
00:43:26Okay.
00:43:28Power to order.
00:43:29Sensually.
00:43:30Slowly.
00:43:34Okay.
00:43:36Just hold it.
00:43:47Okay.
00:43:48That's lovely.
00:43:50Beautiful.
00:43:51That's right.
00:43:53Touch it, right?
00:43:54That's perfect.
00:43:56He really turns you on.
00:44:03That's it, kid.
00:44:06You know what, oh, would you be?
00:44:08I think the next time we do this,
00:44:10we ought to make love for real.
00:44:11It's okay with me, Rubina.
00:44:12How about right now?
00:44:14No, thank you.
00:44:15How would you be?
00:44:16The future of the third world is in your hand.
00:44:18Right on.
00:44:22Ciao, Valentina.
00:44:24Ciao.
00:44:24Ciao, Rubina.
00:44:25See you around, eh?
00:44:26More than likely.
00:44:43Oh, damn.
00:44:44A short circuit.
00:44:45That's all we needed.
00:44:52There.
00:44:53I guess it wasn't a short circuit, Rubina.
00:45:20What's happened to you, Rubina?
00:45:23Oh, I'm all right.
00:45:24Oh, I'm all right.
00:45:24I just got a little dizzy.
00:45:26Isn't this weird?
00:45:28I pricked myself with something.
00:45:30Look.
00:45:38It's not even bleeding.
00:45:41I wonder what it was.
00:45:45Does it still hurt?
00:45:47No, not really.
00:45:48Just burns a little.
00:45:50Well, I better go.
00:45:52I still feel a little dizzy.
00:45:53Give me a call, will you, when the photos are done?
00:45:55Okay.
00:45:56I should have them tonight or tomorrow at the latest.
00:45:59Great.
00:45:59Ciao.
00:46:32Oh, no, I have to talk to you right away.
00:46:36I'm waiting for you, Valentina.
00:47:10No!
00:47:12No!
00:47:13No!
00:47:14No!
00:47:26Oh, it's utterly fantastic.
00:47:29How did you do it, Captain White?
00:47:31All right, Fred, now zoom in.
00:47:35You see, all it takes is nettle,
00:47:38the wonderful detergent with the extraordinary action.
00:47:41Get some in the morning.
00:47:42Your dirty clothes will like its touch.
00:47:45Stop.
00:47:47How was it for you?
00:47:48All right, I'd like another one not so tight.
00:47:50Yeah, we'll make one more.
00:47:51Okay, set it up.
00:47:52I know, you want to know which ones were the good ones?
00:47:55You were the good ones.
00:47:56What number do I use?
00:47:57The same one, just add an A to it.
00:47:59Okay.
00:48:00You know how to do them.
00:48:14Well, well, you guys take a break.
00:48:27Valentina, what brings you here?
00:48:29I must talk to you.
00:48:31Has something gone wrong?
00:48:32Everything's gone wrong.
00:48:35Hey, Arno, we're all set to shoot.
00:48:37Are you coming, huh?
00:48:38You go ahead and shoot it.
00:48:39You know what to do, huh?
00:48:40Okay, you're the boss.
00:48:42Let's get moving.
00:48:45And all boils down to this mysterious lady who'd like to introduce you to the delights of sapphic love.
00:48:50So what?
00:48:51You give her a lovely curtsy and you say, many thanks, but I'd much rather make love with my friend
00:48:56Arno.
00:48:57Yeah, yeah, I like that.
00:48:58You don't understand anything.
00:49:00There's something different about Baba Yaga.
00:49:02It's as if she came from some other world.
00:49:04A world subject to other forces.
00:49:06Her eyes are so strange.
00:49:08The big world is full of people with strange eyes.
00:49:11No.
00:49:13Not like this.
00:49:18There's something else.
00:49:20I don't know what it is.
00:49:21I can't even imagine it.
00:49:23And that's what scares me.
00:49:25For example, that hole in her living room doesn't just lead down to her basement.
00:49:31There's no end to it.
00:49:32Don't you see?
00:49:34Soon you'll be telling me that it's the pearly gates of hell.
00:49:37And your Baba Yaga is the custodian witch of it.
00:49:39How do you know she isn't?
00:49:44Because it's mad, that's all.
00:49:46Because we're living in the 20th century.
00:49:49We're putting men on the moon, transplanting organs.
00:49:52Witches don't exist.
00:49:54Listen, you're being a bit too naive.
00:49:58Hell, Val, if it's anything, it's the world we're living in.
00:50:04And if it did exist, I'll bet you, with all those souls, you can be certain that by now, why,
00:50:09it certainly would have been turned into some kind of supermarket.
00:50:19If only I could, but something happened today, when the lights went out.
00:50:26I don't know what, but there's something, some detail that I can't pin down that would help me understand.
00:50:36Even if the idea scares me to death, understand what, Val, now, look, you meet an old lesbian, huh, and
00:50:44a friend of yours gets a headache, all of a sudden, it's sorcery and witches.
00:50:49She's pale.
00:50:51Her hands are icy.
00:50:53Listen, I have an old Anthony Trevisia who has two teeth like that, huh?
00:50:56But that doesn't make her Dracula.
00:50:58Oh, I don't know.
00:51:01Maybe you could use the night out.
00:51:03I have an idea that might help.
00:51:05How about coming over to the chinny club, huh?
00:51:08Really?
00:51:09Uh-huh.
00:51:10What's playing?
00:51:11It's a series on German expressionism.
00:51:13All right.
00:51:15Anything's better than going home.
00:51:46What's the matter?
00:51:47Are you all right?
00:51:49It's interesting, isn't it?
00:51:53It's nothing.
00:51:54Sorry.
00:51:56It's nothing.
00:52:45Come on, let's go.
00:52:47Come on, Harry.
00:53:02Kyle, will you please tell me what the hell is going on?
00:53:06I just thought of it.
00:53:07I remember.
00:53:07The camera was on the table.
00:53:08The shutter was closed.
00:53:10And then the lights went out.
00:53:11And when they came on, it was near the dowel.
00:53:14And the shutter was released.
00:53:16So what?
00:53:17Don't you see?
00:53:18Someone used it.
00:53:19Someone took pictures with it when all the lights were out.
00:53:25But that's impossible.
00:53:28They couldn't.
00:53:31I know.
00:53:45Oh, you see the film's used up.
00:53:47Are you certain you didn't use it off?
00:53:49Positive.
00:53:50I loaded new film while I was talking to Awa Jube.
00:53:52And then I remembered all those coincidences.
00:53:55Tony's illness, your camera jamming, the death of that hippie kid.
00:53:57And I thought this camera had a curse on it.
00:54:00So I used another just to be on the safe side.
00:54:03Well, we'd better develop it then, huh?
00:54:07But if they were taken in the dark, there won't be anything to see.
00:54:12Are you sure?
00:54:16Hmm?
00:54:17No.
00:54:21Let's try it.
00:54:29Hey, is that the doll named Annette?
00:54:31Yeah.
00:54:34Not bad.
00:54:36If she ever becomes flesh and blood, call me.
00:54:38I'll talk to her myself.
00:55:06Oh, my God.
00:55:09It's impossible.
00:55:32What's Rowena's number?
00:55:36Hmm?
00:56:19Hello?
00:56:20This is Arno Trevi.
00:56:22May I please speak to Rowena?
00:56:27A friend of Valentina's.
00:56:29It's Mosterjit.
00:56:32What?
00:56:35I'm sorry.
00:56:42Arno?
00:56:45Is she dead?
00:56:49Two hours ago.
00:57:01The...飛ite!
00:57:08What's the
00:57:09matter? Things released.
00:57:14Something didn't
00:57:14do. immerse.裏
00:57:15America. It's
00:57:15have all
00:57:16this?
00:57:17Nobody!
00:57:18Let's go.
00:57:53Let's go.
00:58:18Let's go.
00:59:15Let's go.
00:59:17Let's go.
00:59:22Let's go.
00:59:24Let's go.
00:59:24Let's go.
00:59:43Let's go.
00:59:52Let's go.
00:59:54Let's go.
00:59:55Let's go.
01:00:07Let's go.
01:00:07Let's go.
01:00:08Let's go.
01:00:13Let's go.
01:00:14Let's go.
01:00:26Valentina.
01:00:28Let's go.
01:00:29Let's go.
01:00:33Let's go.
01:00:35Let's go.
01:00:36Let's go.
01:00:42Let's go.
01:00:53Let's go.
01:00:55Let's go.
01:00:57Let's go.
01:01:04Let's go.
01:01:18Let's go.
01:01:25Let's go.
01:01:28Let's go.
01:01:45Let's go.
01:01:50Let's go.
01:01:55Let's go.
01:02:25Let's go.
01:02:25Let's go.
01:02:26Let's go.
01:02:26Let's go.
01:02:29Let's go.
01:02:40Let's go.
01:02:44Let's go.
01:02:45Now go upstairs to the bedroom and wait till you're summoned.
01:03:13Valentina.
01:03:18Valentina.
01:03:26Valentina.
01:03:27Valentina, where the hell are you?
01:03:43Shit.
01:04:17Let's go.
01:04:42You'retenivo.
01:04:51Let's go.
01:05:13Let's go.
01:05:43Let's go.
01:06:18Let's go.
01:06:20Let's go.
01:06:33Let's go.
01:06:33Let's go.
01:06:34Let's go.
01:06:35Let's go.
01:07:05Let's go.
01:07:11Let's go.
01:07:11Let's go.
01:07:11Let's go.
01:07:11Let's go.
01:07:12Let's go.
01:07:12Let's go.
01:07:12Let's go.
01:07:43Let's go.
01:07:43Let's go.
01:07:44Let's go.
01:07:45Let's go.
01:07:50Let's go.
01:07:56Let's go.
01:08:21Let's go.
01:08:21Let's go.
01:08:22Let's go.
01:08:22Let's go.
01:08:22Let's go.
01:08:22Let's go.
01:08:52Let's go.
01:09:28Let's go.
01:09:37Let's go.
01:09:47Let's go.
01:09:53Let's go.
01:09:56Let's go.
01:10:00Let's go.
01:10:08Let's go.
01:10:10Let's go.
01:11:22Let's go.
01:11:27Let's go.
01:11:30Let's go.
01:11:41Let's go.
01:11:50Let's go.
01:11:51Let's go.
01:12:41Let's go.
01:13:08Let's go.
01:13:31Let's go.
01:14:01Let's go.
01:14:04Let's go.
01:14:23Let's go.
01:14:40Let's go.
01:14:44Let's go.
01:15:15Let's go.