A collection of horror movies filled with suspense, mystery, and terror. From paranormal encounters, ghosts, and monsters to demonic possessions, serial killers, and haunted places, each story takes viewers into a dark and unsettling world where fear lurks around every corner.
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#HorrorMovies #Horror #ScaryMovies #HorrorFilm #HorrorFilms #HorrorCinema #HorrorClassics #CultHorror #ClassicHorror #ModernHorror #VintageHorror #70sHorror #80sHorror #90sHorror #2000sHorror #AmericanHorror #ItalianHorror #JapaneseHorror #SupernaturalHorror #PsychologicalHorror #Slasher #ZombieMovies #VampireMovies #WerewolfMovies #DemonMovies #GhostMovies #ParanormalHorror #FoundFootage #ThrillerHorror #Splatter #Gore #MonsterMovies #CreatureFeature #SurvivalHorror #HauntedHouse #HauntedHouses #Possession #Exorcism #SerialKiller #ScaryFilms #CultMovies #HorrorCollection #HorrorStreaming
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FunTranscript
00:03:15Come here.
00:03:17Come here.
00:03:19Come here.
00:03:30Come here.
00:03:31Come here.
00:03:33Come here.
00:04:00Come here.
00:04:11Come here.
00:04:13Come here.
00:04:16Come here.
00:04:32Come here.
00:04:35Come here.
00:04:39Come here.
00:05:04Come here.
00:05:07Come here.
00:05:13Come here.
00:05:16Come here.
00:05:27Come here.
00:05:39Come here.
00:05:40I'm going to die!
00:05:42My dad!
00:05:44I'm buried!
00:05:45Never to return!
00:06:10I'm buried!
00:06:26Oh, no!
00:06:32No!
00:06:49No!
00:06:50No!
00:07:10No!
00:07:13No!
00:07:16No, please!
00:07:17No!
00:07:20That's not how it happened!
00:07:22Who said that?
00:07:24Cut!
00:07:24Cut it, I said!
00:07:26What the hell are you doing up there?
00:07:27You just blew my whole scene!
00:07:29What about me?
00:07:30My scene, you blew!
00:07:31I'm terribly sorry,
00:07:32but it's just not the way Mrs. Beale committed suicide.
00:07:36I know how she committed suicide,
00:07:37so don't try to tell me how to shoot my picture!
00:07:39I suggest you stay with the truth!
00:07:41The story of the Beale family is more bizarre than anything you can dream up!
00:07:46Tell me about it!
00:07:47I'll be happy to!
00:07:49Well, that's Mr. Price, huh?
00:07:51What's his first name, Vincent?
00:07:53No!
00:07:54No!
00:07:59Edgar!
00:08:01No!
00:08:16No!
00:08:19No!
00:08:21No!
00:08:26No!
00:08:27I apologize, Mr. Hartman,
00:08:29but I only act as an interest of the truth!
00:08:31An assumption apparently that does not interest you!
00:08:34Everything about the Beale's interests me!
00:08:37But I don't discuss my films with caretakers, so!
00:08:40Why is he so mean to the old man?
00:08:43You've got to keep the devil in his place!
00:08:45David, be serious!
00:08:46I am!
00:08:47I am!
00:08:47And perhaps these portraits could help you select your story points a little more accurately!
00:08:53For instance, Jonathan Anthony Beale, founding father, the first Beale to live in this house!
00:09:00The first one to die here!
00:09:02He fell off this balcony right here where we're standing!
00:09:05Fell?
00:09:05Or was pushed?
00:09:07Who knows?
00:09:07The only one here when it happened was his housekeeper!
00:09:09Just like you and Mrs. Beale, hmm?
00:09:12Suzanne!
00:09:13Drowned in her own barn!
00:09:16Here we have...
00:09:18Theodore!
00:09:20Shot again!
00:09:21Another suicide?
00:09:23He was shot five times!
00:09:25In the back!
00:09:26Determined faster, wasn't he?
00:09:28Alison!
00:09:30I know, I know!
00:09:31Alison Beale died by hanging!
00:09:32Yes!
00:09:33From the door up there!
00:09:34Don't ask me how she got there!
00:09:43Here!
00:09:48Charles!
00:09:48Stabbed to death, wasn't he?
00:09:50By his own wife!
00:09:51Russell!
00:09:52My first employer!
00:09:53Bludgeoned to death!
00:09:54Yeah, with a candle holder!
00:09:56How did you know that?
00:09:58I'm the one that found this mansion for you!
00:09:59Remember?
00:10:08What about those two?
00:10:10This room will be the portrait of the late Mrs. Beale!
00:10:14The other was placed there by her request!
00:10:18Is Ernie Beale still alive?
00:10:19None that I know of!
00:10:21And here are your rooms!
00:10:28This way, please!
00:10:41This room!
00:10:42I really like this room!
00:10:43Yeah!
00:10:44It has a nice feel to it!
00:10:46Not exactly the Beverly Hilton, is it?
00:10:49This was Suzanne's bedroom!
00:10:51Oh, yes!
00:10:52The one who drowned!
00:10:55As a matter of fact, yes!
00:10:57This way!
00:11:00Here we go!
00:11:06The back stairs!
00:11:08Another staircase!
00:11:10For the servants' ghosts, I have no doubt!
00:11:12No!
00:11:13Just for the servants!
00:11:15The bathroom!
00:11:23What a fantastic shower!
00:11:27Ah!
00:11:28Madame Salafoudra!
00:11:35Does it work?
00:11:36Hmm!
00:11:39Oh!
00:11:44Very well!
00:11:46Running water!
00:11:48How chic!
00:11:51Find a shot, Eric?
00:11:53Maybe.
00:11:55Might work.
00:12:05There's no light!
00:12:07There's no light!
00:12:07There hasn't been no light in this house since Mrs. Beale passed away!
00:12:10We've got generators for the film!
00:12:13No end to this kid's knowledge!
00:12:15And when we're not filming, how do we find our rooms in the dark?
00:12:18By candlelight!
00:12:20If there's a bed in it, she'll find it!
00:12:23David, look at this!
00:12:27Gail!
00:12:29As you can see, this was the master bedroom!
00:12:33I know, I know! Built by the original owner!
00:12:34Will there be anything else?
00:12:36No, Mr. Price!
00:12:37I think you've done enough for one day!
00:12:39Mr. Price!
00:12:43Thank you!
00:12:44For your tour!
00:12:50I can understand why the old lady committed suicide!
00:12:53With that vampire around!
00:12:55Well, Annie, you're safe!
00:12:56You're wearing your cross!
00:12:58Gail?
00:12:58You have your wooden stake?
00:13:01Well, well, well, look what I found!
00:13:03The proverbial hidden door!
00:13:06Well, open it, open it!
00:13:07What are you waiting for?
00:13:08A stunt check?
00:13:16This is the room we shot the scene in!
00:13:18Yeah, I know!
00:13:19That must be the secret entrance!
00:13:24What's that, Eric?
00:13:25The old evil eye!
00:13:27I'm using it in the film!
00:13:29That's supposed to be bad luck!
00:13:31Oh, come on!
00:13:31You don't believe that stuff!
00:13:34No, I guess not!
00:13:43I felt that cat's eyes on me all through the sea!
00:13:47Imagine!
00:13:48Have a cat!
00:13:59Cleon!
00:14:00How dare you hit my cat!
00:14:02But he scratched me!
00:14:03I wish he'd bitten you!
00:14:04If he did, I'd break his neck!
00:14:06You touch my cat again and I'll break your neck!
00:14:08Stop it!
00:14:09Enough!
00:14:10I've had enough too!
00:14:11I'm going to bed!
00:14:12May Morpheus take you swiftly to his arms, dear lady!
00:14:16And should he fail, I am always at your service!
00:14:20That'll be the day!
00:14:25David!
00:14:26What do you say?
00:14:27These books!
00:14:29The Art of Witchcraft!
00:14:31The Black Mass!
00:14:32The Tibetan Book of the Dead!
00:14:43It's just another one of those how-to books!
00:14:46Hey!
00:14:48Dig this!
00:14:49Prince of Sharman!
00:14:50Majesty of Phlegathon!
00:14:52Belial!
00:14:53Ellis!
00:14:54Azuzel!
00:14:55Bleed my soul!
00:14:57Apollyon!
00:14:58Lord of Amenti!
00:15:00Possess me!
00:15:01I seek your kingdom!
00:15:03I see this!
00:15:05You think we can use it, Eric?
00:15:08Well, it may be garbage, but it's better garbage than what the writer gave us.
00:15:14Here.
00:15:14See if you can find some lines for the chant in it.
00:15:17Oh, yeah.
00:15:17I'll be happy to.
00:15:20Why are you so interested?
00:15:21I love this kind of stuff.
00:15:23Like fairy tales, huh?
00:15:25Sure.
00:15:26Fairy tales can come true.
00:15:42I only got four on the field.
00:15:43That's enough.
00:15:45Joe, you gotta rack focus.
00:15:47Don't forget.
00:15:48How about the first one?
00:15:50I need a cup of coffee.
00:15:51How about a beer?
00:15:55Any kind of level.
00:15:56Can I have a boom shot?
00:15:57Come on, Grace.
00:15:59Come on, Grace.
00:16:00What about the book?
00:16:02Who's got the book?
00:16:02I got it.
00:16:06Someone brought me some power.
00:16:09Where are the candles?
00:16:11You forgot one of the laugh lines.
00:16:12Gross feet.
00:16:14Laugh lines, you clod.
00:16:15Now cover it up.
00:16:17I'm just a poor makeup man, not a magician.
00:16:19That joke went out with high button shoes.
00:16:22Who did you?
00:16:23David!
00:16:25Save your passion for the camera.
00:16:26Let's have a little restraint.
00:16:27The scenes always go better when they're under control.
00:16:30Anything for you, darling?
00:16:32Run.
00:16:33Get a little of this red off her cheeks and fix her eyes.
00:16:35She looks like a whore.
00:16:36We want the drapes open or close.
00:16:39Anything for you, darling.
00:16:41Put a double on the table, will you?
00:16:46Joe, don't forget to rack focus when you're through with that.
00:16:51Okay, pinch the doors on the junior.
00:16:53No, a little more.
00:16:56No, no, no, man.
00:16:58They give us the goddamn sandwiches again.
00:17:02I got no power!
00:17:04Put the plug in, you dummy.
00:17:09Close the doors on that junior.
00:17:13Another one in the corner.
00:17:14Give me a double on that baby, will you, Charlie?
00:17:16Eric, I found some great lines in the book.
00:17:18You want to check it over before we start?
00:17:20Okay.
00:17:23Okay, use that one.
00:17:25Danny, let's try one.
00:17:26Okay, heat that one up.
00:17:27Let's see what happens.
00:17:28Bring the girls in.
00:17:29Come on, girls.
00:17:34Now, get that cable out of the way.
00:17:35It's in the shop.
00:17:39Get up.
00:17:40Give me your high priestess voice.
00:17:42Ann, get down on your knees.
00:17:45You're supposed to be going in for a trance.
00:17:46All right.
00:17:47All right, Danny, let's try one.
00:17:49Roll it.
00:17:51See?
00:17:52Mark it.
00:17:5224 take one.
00:17:59Action.
00:18:24I'm sorry.
00:18:25Let's try it again with a little more restraint this time.
00:18:27That's today's secret word.
00:18:28Restraint.
00:18:31All right, let's go.
00:18:32I'm a little hot on that book.
00:18:38Little more.
00:18:40Little more.
00:18:41That's got it.
00:18:42Okay.
00:18:43All right, roll.
00:18:43Rolling.
00:18:44And mark it.
00:18:50Roll camera.
00:18:52Slated.
00:18:5224 takes two.
00:18:55Action.
00:18:57Omnis ki, edem Adamo.
00:19:01Omnis ki, edem Adamo.
00:19:16Omnis ki, edem Adamo.
00:19:19Omnis, infrouding in duty.
00:19:22Inus.
00:19:25Radimantus.
00:19:27Erebus.
00:19:28Charon.
00:19:30Lords of death.
00:19:32Witness me in this.
00:19:34Maria.
00:19:36In God's name.
00:19:38What are you doing?
00:19:40Charles, you fool.
00:19:41You should not have come.
00:19:42Oh, in the name of Jesus, Maria, I demand...
00:19:47I say silence!
00:19:50His satanic majesty summoned this man.
00:19:55Slay him.
00:19:57Slay him?
00:19:59Maria, what are you saying?
00:20:01Maria, for God's sake, what?
00:20:04No, no, Maria, no!
00:20:07Ah, cut!
00:20:09That's good for me.
00:20:10Very good for you, too.
00:20:12Fine, that was good.
00:20:13Okay, let's move in for close-ups of the stabbing.
00:20:15Do I have to get rigged?
00:20:17You'll get rigged.
00:20:20Come on, Ron, you can do it.
00:20:22Show us how you rig it.
00:20:24Action.
00:20:36Cut!
00:20:38You're bleeding like a trooper.
00:20:39All right, let's get this corpse cleaned up and ready for the next scene.
00:20:42You were great.
00:20:43Thanks.
00:20:44How's it feel to kill somebody?
00:20:46I like it.
00:20:47Oh, yeah, you'll get used to it.
00:20:48I know you have the camera.
00:21:10I know you have the camera.
00:21:17You are running.
00:21:19You are running.
00:21:19Not strolling or walking, but running.
00:21:21And see if you can do it without falling.
00:21:24All right, all right.
00:21:25Save your sarcasm for Anne.
00:21:27She's still impressionable.
00:21:31Stand by to roll.
00:21:32You ready?
00:21:33I'm ready.
00:21:33I'm ready.
00:21:35Mark it.
00:21:36One, eight, three, apple, take five.
00:21:39Action.
00:21:41Dead.
00:21:47Cut!
00:21:49You want to see what you can do when you have talent?
00:21:51That was good for me, Danny.
00:21:53Surrimbrain.
00:21:54Print it and wrap.
00:21:55Good day's work.
00:21:58Good day's work.
00:22:00At Metro, that would have been a week's work.
00:22:05Honey, you're going up.
00:22:06I'll join you in a minute.
00:22:24Danny, there's a lot of good moonlight outside.
00:22:26Let's go shoot some of it.
00:22:27Don't you ever sleep?
00:22:28Would you sleep if it were your money?
00:22:30No way.
00:22:30Well, get on your horse and let's grab some antlers here.
00:22:33Okay.
00:22:34You fog that film.
00:22:35I'll eat your aorta.
00:22:42To the multitudes assembled at my feet,
00:22:45I regretfully bid fond adieu.
00:22:48To go and seek sleep.
00:22:50Gentle sleep that knits up the rabble sleeve of care.
00:23:09Some days later, I'll take a look.
00:23:09No way, no way.
00:23:09No way.
00:23:17God, no way.
00:23:17I'll take a look.
00:23:17Look for the unbath.
00:23:17I'm going to go a look.
00:23:18A little bit won't come,
00:23:18I'm going to get off.
00:23:18I'm going to take a look at the bend.
00:23:24I've come, I've come.
00:23:24I'm all going to go.
00:23:27I was going to go,
00:23:27I was going to go.
00:23:51We'll see you next time.
00:23:58Then, wonder on.
00:24:02Till truth make all things play.
00:24:12This man...
00:24:21This man...
00:24:55This man...
00:24:56Oh, my God.
00:24:57This mausoleum.
00:24:58Oh...
00:24:58Oh, my God.
00:24:59Oh, my God.
00:24:59Oh.
00:25:11Oh, my God.
00:25:26Oh.
00:25:26Mm-hmm.
00:25:37Prushing hair is boring.
00:25:40Honey, you should read some of this stuff.
00:25:42It's incredible.
00:25:43I don't want to read it.
00:25:45Listen to this.
00:25:46To you in blood, I give my soul, O master of the dark.
00:25:50David, please.
00:25:51That makes me uncomfortable.
00:25:53Ah, come on, honey.
00:25:57Everybody else thinks it's phony.
00:25:58Why don't you?
00:26:03Why don't you ask Mr. Price?
00:26:06What?
00:26:06What are you talking about?
00:26:09He's in the graveyard.
00:26:13David, come here.
00:26:14Look.
00:26:29What's he doing?
00:26:32Stopping at headstones as though he's looking for something.
00:26:39Easy, honey.
00:26:40Easy.
00:26:40I can't help.
00:26:42This place.
00:26:43He gives me the willies.
00:26:46Annie.
00:26:48You're imagining things.
00:26:49I'm not imagining it.
00:26:51I feel it.
00:26:53I feel something's going to happen.
00:26:56Something terrible.
00:27:00I'm sorry, David.
00:27:01I'm just scared.
00:27:03But just look at him.
00:27:08Okay, so he's a creep.
00:27:10Maybe looking at headstones is his thing.
00:27:13Come on.
00:27:15We've got our own thing.
00:27:30David!
00:27:53My darling, don't you see?
00:27:55I can bring you pleasure as you've only dreamed of until now.
00:28:03You needn't fear.
00:28:17You needn't fear.
00:28:19Touch me.
00:28:21You're the power you can share.
00:28:35You're the power you can share.
00:28:49You're the power you can share.
00:28:51Who is it?
00:28:52Who is it?
00:28:53Is anyone there?
00:28:55Is anyone there?
00:29:06Cleo.
00:29:08Deb.
00:29:09Deb.
00:29:10Deb.
00:29:11Deb.
00:29:11Deb.
00:29:12Deb.
00:29:13Deb.
00:29:14Deb.
00:29:25Deb.
00:29:26Deb.
00:29:26Deb.
00:29:44Leon?
00:29:45Leon?
00:29:50Leon?
00:30:02Leon?
00:30:15Kitty, kitty.
00:30:20Kitty, kitty.
00:30:32Kitty, kitty.
00:30:34Kitty!
00:30:55Kitty, kitty, kitty.
00:31:02Kitty, kitty.
00:31:06Kitty, kitty, kitty.
00:31:15Leon?
00:31:25Leon?
00:31:27Leon?
00:31:49Leon?
00:31:51Not be of arm, my child.
00:31:54It's I, your prince charming.
00:31:57You're drunk.
00:31:59Perhaps.
00:32:00But most assuredly, not enough to forget how to treat a lady like yourself.
00:32:07Look out for the lamp, I'll drop it.
00:32:12Let me go.
00:32:15Let me go.
00:32:17We must seize this moment.
00:32:20Let me go.
00:32:25Don't you ever touch me, you drunken bum.
00:32:29Mr. Mellon?
00:32:33Tonight is your business.
00:32:35Tomorrow morning is mine at 8 a.m. if you haven't already been told.
00:32:39Eric, I'm sorry.
00:32:39I'm so glad you came.
00:32:40I'll bet you are.
00:32:42Well, what do you mean by that crack?
00:32:44You don't think for one minute I'm...
00:32:45Ladies and gentlemen, I bid you good evening.
00:32:50As he exits, laughing.
00:32:58If you didn't come by, that maniac would have raped me.
00:33:02You're sure dressed for it.
00:33:04Well, I was looking for Cleon.
00:33:06He got out of my room, he's down here someplace.
00:33:08He's a big kitty now, he can take care of himself.
00:33:10Eric, please.
00:33:13Listen, baby.
00:33:15We're gonna be shooting early in the morning.
00:33:17And you've got to get some sleep.
00:33:20Or there'll be bags under our bags.
00:33:23And there isn't enough makeup in the world to cover that up.
00:33:27You still want me to be beautiful, don't you?
00:33:30I always want you to be beautiful.
00:33:34Was I beautiful in the first movie you put me in?
00:33:37Breathtaking.
00:33:39Do you still think I'm beautiful?
00:33:42To me, you'll always be beautiful.
00:33:49Thank you, darling.
00:34:06I'll take you to your room.
00:34:08You'll never ask.
00:34:12Wait a minute.
00:34:14What about Cleon?
00:34:18Oh, Fritz the cat!
00:34:20Eric?
00:34:23Eric, we can look for him in the morning.
00:34:25Eric!
00:34:34David, please, don't leave me alone.
00:34:36I'm too nervous.
00:34:37Don't worry, Annie.
00:34:38I'll only be gone a second.
00:34:39I just want to check something out with Eric.
00:34:40Check what?
00:34:45Eric, we...
00:34:46Well, we...
00:34:47Well, what is it?
00:34:49Eric, David's trying to tell you that...
00:34:52We saw Mr. Price in the graveyard.
00:34:55Yeah, I know.
00:34:56You know?
00:34:57You saw it too?
00:34:58Saw it. I directed it.
00:35:00What?
00:35:01I was filming some of the graveyard stuff when old Prince Lee Price arrived.
00:35:05I asked him if he'd move through the tombstones for one of the shots and...
00:35:09Surprisingly enough, he agreed.
00:35:11Do you mean you staged it?
00:35:14That's right.
00:35:16What about when he went into the grave?
00:35:18What?
00:35:18He lifted a tombstone and disappeared.
00:35:21Did you stage that too?
00:35:26No.
00:35:29Good night.
00:35:34Come on.
00:35:54Well, I need a C-Stamp.
00:35:56You got it.
00:35:58Good, August.
00:36:00Clear.
00:36:04Good.
00:36:13Charlie, give me a huff and a half.
00:36:15You got it, you got it.
00:36:20How about a couple of sandbags?
00:36:25It's a brook!
00:36:27Eric, it's the six tape.
00:36:29Can I please put on my double wardrobe now?
00:36:32Double wardrobe on my budget?
00:36:33You've got to be kidding.
00:36:34But I'm so free, we've been out here for hours.
00:36:36We'd be inside if you get the damn scene right.
00:36:38All you have to do is walk away from cameras if you're in a hurry.
00:36:41You don't care about the rain.
00:36:42That's what you think.
00:36:43Because you're going to meet your lover.
00:36:45Now, if you can manage to convey that and walk at the same time,
00:36:48we'll all go inside.
00:36:50Slated, take seven.
00:36:52Let's make one.
00:36:54Hit the range.
00:37:00Page, market, 232 apple, take seven.
00:37:04Go.
00:37:06Action.
00:37:10Price, can't you walk any faster?
00:37:21Now go to the left.
00:37:34Hey, that's for real!
00:37:36Cut!
00:37:36Hooray!
00:37:56One of you bastards did this!
00:37:58One of you!
00:38:02That's all I need, another day's work shot.
00:38:04Why would anyone do anything that awful?
00:38:07Eric.
00:38:17Where do you think that came from?
00:38:19Piece of a headstone.
00:38:23Price.
00:38:25Yeah.
00:38:27Price!
00:38:29Price!
00:38:51I agree.
00:39:03It's very quiet!
00:39:15I don't know.
00:41:25If you're looking for the silver, it's in the main house.
00:41:31Mr. Price, this is the last time you'll interfere with my filming.
00:41:34Are you mad I haven't been near your filming?
00:41:36Stop playing games. Why did you kill that cat?
00:41:39What?
00:41:40Sometime last night, half of Miss Dorian's cat was neatly deposited on the lawn.
00:41:44Are you accusing me of this vulgarity?
00:41:46Part of a headstone was found nearby. I took it to be your calling card.
00:41:50A headstone? Was there a name?
00:41:52No.
00:41:52Sure? No name on the headstone?
00:41:54None. I didn't expect you'd sign it.
00:41:56You're insane.
00:41:58Am I?
00:41:59What are you doing with that chisel? Baking a cake?
00:42:08Obviously, you'll give me no peace until you've ransacked my entire house.
00:42:21Close the door.
00:42:23Close the door.
00:42:37What's there to know later on, Price?
00:42:38They just wear and tear on the old back.
00:42:40Don't scruff at things you know nothing about.
00:42:42What's there to know about headstones except death?
00:42:46That's only part of it. The other part is graves, Mr. Harkman. Graves.
00:42:50Now what are you talking about?
00:42:52There are eight graves in the Beale family plot, Mr. Harkman. Only seven headstones.
00:42:57Well, make another one.
00:42:57I would, but I haven't been able to find out whose grave it is.
00:43:02Now that is one momentous problem.
00:43:12This way.
00:43:24Nice place you have here.
00:43:27Your family room?
00:43:29Strange things have happened here, Mr. Harkman.
00:43:32Unimaginable things.
00:43:34That's why I'm making my picture here, Price.
00:43:39Other than that, I don't give a damn.
00:43:41Mr. Harkman, Mrs. Beale was experimenting with the occult when she died.
00:43:45Her death was no ordinary suicide, I assure you.
00:43:50What you're doing here, the subject matter of your film, whatever...
00:43:54I believe you to be in great danger yourself.
00:43:57Price, I've made a lot of films, mostly about witchcraft.
00:44:00And you and I...
00:44:03We both know that it's all a lot of crap.
00:44:05Perhaps, perhaps not.
00:44:07But there are signs, Mr. Harkman.
00:44:10I've seen them.
00:44:11This cat that was killed.
00:44:13What is it, Price?
00:44:13Price, the devil.
00:44:16Did the devil kill the cat?
00:44:18Or maybe a ghost or a vampire?
00:44:20Well, what about you?
00:44:23I should have realized it would do no good to try to talk to you.
00:44:29I'm glad we both understand each other.
00:44:33Since you found your own way in, I'm sure you can manage to find your own way out.
00:44:39I'll do that.
00:44:40Good day, sir.
00:44:41And you stay off my set.
00:45:08What is this?
00:45:09What the hell's going on here?
00:45:10What is this, a tea break?
00:45:12No actress, no lights, no suit.
00:45:15What?
00:45:16Madam has played her final farewell performance.
00:45:19Where is she?
00:45:20In her room, packing.
00:45:22Finish setting up in here.
00:45:23We'll shoot in ten minutes.
00:45:54We'll shoot in ten minutes.
00:45:57No need for a scene, Eric.
00:45:59I just can't take this place anymore.
00:46:03This house, this movie.
00:46:05I just can't stand it another minute.
00:46:08I'm going back to Hollywood if I have to hitchhike.
00:46:13Okay, baby.
00:46:14I understand.
00:46:17In the meantime, what am I supposed to do with my movie?
00:46:20Well, get a new ending.
00:46:21Do it on a set.
00:46:22I don't care, Eric.
00:46:23I just want to go home.
00:46:25Don't do it on the set.
00:46:27Baby, we've got to finish this picture tonight.
00:46:29Here.
00:46:30Do you know what it would cost me to move into the studio and build a set?
00:46:33I've got to bring this in for a price.
00:46:35No money, money.
00:46:36Is that all you can think about?
00:46:37What about me?
00:46:38I tell you I feel threatened and I can't stand it another minute.
00:46:43Same old ego, still working, huh?
00:46:45Aye, aye, aye.
00:46:46Everything for Gail, to hell with everyone else.
00:46:48Oh, Eric, you don't have to...
00:46:49Listen, baby.
00:46:51What you're pulling might have worked in the studios ten years ago, but not here and not now.
00:46:54And sure as hell, not on my picture.
00:46:56Eric, you're hurting me.
00:47:02Okay.
00:47:05Go on, leave.
00:47:08But you're walking, all right.
00:47:11And when you get there, you're going to find out just how tough it is for a middle-aged beauty
00:47:15queen to get a job in the acting profession.
00:47:18Or even in the profession I first found you in.
00:47:28I'll expect you on the set in ten minutes.
00:47:31In your wardrobe.
00:47:44You'll forget, sister.
00:47:45You have taken vows.
00:47:48Well, to the devil.
00:47:51I'll go to the priest.
00:47:53Beg for forgiveness.
00:47:55There is no forgiveness.
00:47:57They will burn you at the stake for your sins.
00:48:00Then we will run.
00:48:02They'll hunt you like an animal.
00:48:04Running away is not an answer.
00:48:07It's my answer.
00:48:09Don't you see, Maria?
00:48:10I love him.
00:48:12That means nothing.
00:48:14Angela, I forbid it.
00:48:16You will ruin everything that I've worked for.
00:48:17I absolutely forbid it.
00:48:19There's nothing you can do about it.
00:48:22We're going to leave today.
00:48:25And I say, you are not.
00:48:29Maria, what are you doing?
00:48:31My God, Maria, I'm your sister.
00:48:33Maria, you've gone crazy.
00:48:34What's happening?
00:48:35Roll over, come on.
00:48:36All right, get her on the floor.
00:48:38Look out for the knife now.
00:48:40Good, good.
00:48:40All right, David.
00:48:41Come on in.
00:48:42Maria.
00:48:43Angela.
00:48:45Cut.
00:48:46Good for me.
00:48:47How is it for you?
00:48:48We're here.
00:48:49Print it.
00:48:51Ron, set up for the stabbing.
00:48:55Where is it?
00:48:57Okay, put it on him.
00:48:58Come on, let's go.
00:49:03Gail, stay under him when you stab him.
00:49:04I want to see plenty of blood on you.
00:49:12All right, come on, get on your marks.
00:49:14All right, girls, never mind your hair.
00:49:16You're supposed to be in a fight, not a beauty contest.
00:49:19Come on, Ron, get out of there.
00:49:21Come on.
00:49:23That's fine, let's go.
00:49:25Places.
00:49:26Right where you are, right there.
00:49:28Camera ready?
00:49:30Ready.
00:49:31Okay, roll camera.
00:49:33Rolling.
00:49:35End slate.
00:49:36Fall into it, that's right.
00:49:38Ready.
00:49:40Action.
00:49:45Come on.
00:49:46Okay.
00:49:49Stop it, do you hear me?
00:49:51Stop it.
00:49:51Maria.
00:49:52Angela.
00:49:58Maria.
00:49:59Oh, my God.
00:50:01Maria.
00:50:08Matthew.
00:50:15Now you have no reason to leave.
00:50:18Ever.
00:50:26Oh, my God.
00:50:37Cut it.
00:50:38That's good for me.
00:50:39How was it for camera?
00:50:40Beauty.
00:50:40Okay for sound?
00:50:41Okay for sound.
00:50:42Print it.
00:50:43Oh, you look awful.
00:50:46For a dead man, I don't feel too bad.
00:50:48Don't get it on me, okay?
00:50:51Very good.
00:50:52Cut off for the last shot.
00:50:53We'll shoot in an hour and a half.
00:50:55An hour and a half?
00:50:57You mean I have an hour and a half to change my clothes, redo my wardrobe, and be ready?
00:51:02You heard the man.
00:51:26You know, that's just what the movies need.
00:51:28Honey, another pretty face.
00:51:31How do I look?
00:51:32Great.
00:51:33You look awful.
00:51:34Let's make a move.
00:51:36Now you know what you look like when you're dead.
00:51:39That's rather handsome, actually.
00:51:56Honey?
00:51:59Honey?
00:52:00Honey?
00:52:02David?
00:52:03Sit me up.
00:52:05Oh.
00:52:07Just what is so interesting about that book?
00:52:10I don't know.
00:52:11Well, why do you keep reading it?
00:52:13I think we can use it in the film.
00:52:16We already have.
00:52:18I think we can use it again.
00:52:23And I've got it.
00:52:24Listen to this.
00:52:25David, it's not good for you to read things like that.
00:52:27Exurgent.
00:52:29Exurgent.
00:52:30More to I.
00:52:32And odme variant.
00:52:33The dead rise and come to me.
00:52:40Exurgent.
00:52:41More to I.
00:52:44And odme variant.
00:53:00The dead rise and come to me.
00:53:05Stop it.
00:53:06Stop it.
00:53:08What's the matter?
00:53:09That.
00:53:10That book.
00:53:11That awful book.
00:53:12Honey, it was written a thousand years ago.
00:53:14Well, it sounds like it was just written yesterday.
00:53:17It's so official, so real.
00:53:21I don't like it.
00:53:22It's just so...
00:53:24Scary.
00:53:24Yes.
00:53:25I know.
00:53:26It's scary as hell, and that's why we should use it in the film.
00:53:29Why?
00:53:30Authenticity.
00:53:31It'll give the picture a feeling of authenticity.
00:54:02It'll give the picture a feeling of authenticity.
00:54:21Try.
00:54:22Try.
00:54:25Try.
00:54:25...
00:54:33...
00:54:33Try.
00:54:34Try.
00:54:34Try.
00:55:16Hit all the lights.
00:55:17Get the actors down here.
00:55:18Let's make a movie.
00:55:43Gail, hold the book up.
00:55:44I haven't got the book.
00:55:46Where's the book?
00:55:47I got it.
00:55:48Sorry, Eric.
00:55:49Okay, okay.
00:55:52Now, hold it up, Gail.
00:55:53I want to zoom in on it.
00:55:55How do you want me to read it?
00:55:57The way we rehearsed it.
00:55:59Chris?
00:56:02Where the hell is Chris?
00:56:04You called.
00:56:07Yeah, yeah.
00:56:09Look, when you come up, come up slowly.
00:56:10And don't stop once we start rolling, okay?
00:56:13Got you.
00:56:14Eric.
00:56:15Yeah?
00:56:17How do you want me to die?
00:56:19What?
00:56:20Well, I've never died before and I don't know how to.
00:56:23Maybe we've been through all this before.
00:56:25Well, we didn't rehearse the actual dying.
00:56:27You back away.
00:56:28He grabs you and hits you with a candelabra.
00:56:31You just fall down and be dead.
00:56:33Okay, okay.
00:56:34Trust me.
00:56:36Dying's easy.
00:56:39Living's hard.
00:56:40Let's try one.
00:56:46Fix their hoods.
00:56:50Chris, will you hold this a minute?
00:56:54Come on, come on.
00:56:55Hurry it up.
00:56:58Camera ready?
00:56:59Ready.
00:57:00Roll it.
00:57:01Rolling.
00:57:02Slate it.
00:57:032.27, take one.
00:57:07Action.
00:57:12Cut!
00:57:13Somebody light the damn candles.
00:57:21Come on, come on.
00:57:22Hurry up.
00:57:23Get them lit.
00:57:25All right, let's go again.
00:57:27Camera ready?
00:57:28Ready.
00:57:29Stand by.
00:57:30Roll camera.
00:57:31Rolling.
00:57:32Slate it.
00:57:332.27, take two.
00:57:36Action.
00:57:39Exurgent, mortuary.
00:57:41Et odme purient.
00:57:47To be ready.
00:58:15Et odme purient.
00:58:26It's the same damn line read three times.
00:58:32What's so difficult?
00:58:33I'm sorry.
00:58:37Okay, let's go again. Please.
00:58:43Camera ready?
00:58:44Roll camera. Slate it.
00:58:462.27, take...
00:58:473.
00:58:49Action.
00:58:51Exurgent, mortuary.
00:59:21Exurgent, mortuary.
00:59:25Exurgent, mortuary.
00:59:25An admai burrient.
00:59:49Exurgent, mortuary.
00:59:52Exurgent, mortuary.
00:59:53An admai burrient.
01:00:13Café.
01:00:17Non cafela, in publia filii, omnibus suis.
01:01:02Come, my darling.
01:01:05I have been awaiting your return from the debt.
01:01:14You see, my sister?
01:01:17You see the power?
01:01:23Yes, my love.
01:01:27Drive.
01:01:29Yes.
01:01:32Rise.
01:01:38Rise.
01:01:40Rise.
01:01:54Rise.
01:01:56Rise.
01:01:57Rise.
01:01:57Rise.
01:02:02Rise.
01:02:02Let go of me.
01:02:03I command you.
01:02:05Will you?
01:02:06Let go of me.
01:02:14Angela.
01:02:15Angela, help me.
01:02:21Angela, help me.
01:02:22Maria.
01:02:26Maria.
01:02:28Maria.
01:02:31Maria.
01:02:41No!
01:02:44No!
01:02:46No!
01:02:50No!
01:02:52No!
01:02:52No!
01:02:54Oh my God!
01:02:58I'm sorry.
01:02:59I'm sorry.
01:03:04I'm sorry.
01:03:53I'm sorry.
01:03:57Hang with him.
01:03:59Change your pace.
01:04:01Don't change.
01:04:01Now, straight ahead.
01:04:02Now, go to the left.
01:04:09Keep going.
01:04:10Don't change your pace.
01:04:12That's it.
01:04:13Go on.
01:04:19Good. Keep going.
01:04:24Cut. Printed.
01:04:26That was great.
01:04:29I don't know how it was for you, but it was great for me.
01:04:31You all right, baby?
01:04:38See, baby?
01:04:39I told you dying was easy.
01:04:40Yeah, it was fun.
01:04:43Eric, do you think we could do that again?
01:04:45You are funny.
01:04:46You ought to play comedy.
01:04:48Where'd you get hurt?
01:04:48Stop it.
01:04:50Did you see all of it?
01:04:51Everything.
01:04:51How was it?
01:04:52You're a very groovy corpse.
01:04:54But messy.
01:04:55Beautiful, baby.
01:04:57Just beautiful.
01:04:58Beautiful.
01:04:58Look at me.
01:04:59I am, and you are beautiful.
01:05:01Now, get yourself cleaned up.
01:05:02I'll see you first thing in the morning.
01:05:04In the morning?
01:05:05Yeah.
01:05:05When we leave.
01:05:06Eric.
01:05:08Eric, can't we leave tonight?
01:05:10I still have some exterior stuff to shoot.
01:05:13What is that gonna take the whole night?
01:05:15Half.
01:05:16Well, what about the other half?
01:05:19Who knows?
01:05:23We gonna get some graveyard stuff tonight, Eric?
01:05:25Yeah, Dave and I'll handle it.
01:05:27You stay here and pack up the equipment.
01:05:33Come on, David. Let's go.
01:05:35Ron, would you help I get cleaned up?
01:05:39How do you take this stuff off?
01:05:40Securing castle.
01:05:57And so to sleep.
01:06:00The chance to dream.
01:06:03The arms, the hands that dispatched a thousand souls.
01:06:08Bid you good night.
01:06:30Let's go.
01:06:30My son.
01:06:47The door.
01:06:51The door.
01:06:51The door.
01:06:52He's the door.
01:06:53Oh dear.
01:06:57No need.
01:06:58In the door.
01:06:58Just behind.
01:07:18We're on that goes in the truck.
01:07:22You know Eric was right.
01:07:24About what?
01:07:26There's no end to this kid's knowledge.
01:07:29Okay, I'll take it to the truck itself.
01:07:31No, it's okay, Tom. I'll get it.
01:07:32Ron, I'd sort of like the smoke. Let me do it.
01:07:34Here.
01:08:07Oh, my God.
01:08:15Let's go.
01:08:40What?
01:08:42No!
01:08:44Ah!
01:09:20Ah!
01:09:23Ah!
01:09:38Ah!
01:09:40Ah!
01:10:06I don't want to get too much light on this, so keep your camera high.
01:10:09Okay.
01:10:10What lens do you want?
01:10:11I'll tell you when we get there.
01:10:12Here we go.
01:10:13Ah!
01:10:19Ah!
01:10:33Ah!
01:10:35Ah!
01:10:38Ah!
01:10:39Ah!
01:10:40Ah!
01:12:05Eric?
01:12:07Eric, is that you?
01:12:14Eric?
01:12:18Eric?
01:12:23Eric?
01:12:27Eric?
01:12:43Eric?
01:12:45Eric?
01:12:48Eric?
01:12:55Eric?
01:12:58Eric?
01:13:00Eric?
01:13:00Eric?
01:13:03Eric?
01:13:04Eric?
01:13:13Eric?
01:13:15Eric?
01:13:16Eric?
01:13:17Eric?
01:13:42Eric?
01:13:49Eric?
01:13:50Eric?
01:14:03Eric?
01:14:09Eric?
01:14:09Eric?
01:14:09Eric?
01:14:10Eric?
01:14:21Eric?
01:14:23Eric?
01:14:24Eric?
01:14:25Eric?
01:14:27Eric?
01:14:30Eric?
01:14:36Eric?
01:14:38Eric?
01:14:48Eric?
01:14:48Eric?
01:14:48Eric?
01:14:48Eric?
01:14:49Eric?
01:14:51Eric?
01:14:58Eric?
01:15:00Eric?
01:15:01Eric?
01:15:02Eric?
01:15:04Eric?
01:15:05Eric?
01:15:10Eric?
01:15:12Eric?
01:15:14Eric?
01:15:15Eric?
01:15:25Eric?
01:15:26Eric?
01:15:27Eric?
01:15:28Eric?
01:15:39Eric?
01:15:39Eric?
01:15:41Eric?
01:15:41Eric?
01:15:43Eric?
01:15:45Eric?
01:15:46Eric?
01:15:47Eric?
01:15:48Eric?
01:15:48Eric?
01:15:48Eric?
01:15:49Eric?
01:15:50Eric?
01:15:51Eric?
01:15:52Eric?
01:15:53Eric?
01:15:53Eric?
01:15:54Eric?
01:15:57Eric?
01:16:18I'm sorry, I'm sorry, I'm sorry.
01:16:56I'm sorry, I'm sorry.
01:16:59I'm sorry, I'm sorry.
01:17:46I'm sorry, I'm sorry.
01:18:27I'm sorry, I'm sorry.
01:18:27I'm sorry.
01:18:40I'm sorry.
01:19:10I'm sorry.
01:19:11I'm sorry.
01:19:21I'm sorry.
01:19:43I'm sorry.
01:19:44I'm sorry.
01:19:44I'm sorry.
01:19:44I'm sorry.
01:19:44I'm sorry.
01:19:44I'm sorry.
01:19:44I'm sorry.
01:19:44I'm sorry.
01:19:44I'm sorry.
01:19:44I'm sorry.
01:20:18I'm sorry.
01:20:39I'm sorry.
01:20:47I'm sorry.
01:20:48I'm sorry.
01:21:27I'm sorry.
01:21:56I'm sorry.
01:22:25I'm sorry.
01:22:39I'm sorry.
01:22:43I'm sorry.
01:22:46I'm sorry.
01:22:46I'm sorry.
01:22:49I'm sorry.
01:22:53I'm sorry.
01:23:08I'm sorry.
01:23:37I'm sorry.
01:24:01I'm sorry.
01:24:31I'm sorry.
01:24:41I'm sorry.
01:24:47I'm sorry.
01:24:50I'm sorry.
01:24:53I'm sorry.
01:24:53I'm sorry.
01:25:36I'm sorry.
01:25:39I'm sorry.
01:25:39I'm sorry.
01:25:41I'm sorry.
01:25:42I'm sorry.
01:25:43I'm sorry.
01:26:11I'm sorry.
01:26:14I'm sorry.
01:26:25I'm sorry.
01:26:28I'm sorry.
01:26:29I'm sorry.
01:26:29I'm sorry.
01:27:01I'm sorry.
01:27:04I'm sorry.
01:27:40I'm sorry.
01:27:43I'm sorry.