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FunTranscript
00:00:14To be continued...
00:00:38Oh, oh, oh, oh.
00:01:01Oh, oh, oh, oh.
00:01:36Oh, oh, oh.
00:01:41Oh, oh, oh, oh.
00:01:45Oh, oh, oh.
00:02:24Oh, oh.
00:02:44Oh, oh, oh, oh.
00:02:45Oh, oh, oh.
00:02:50Oh, oh, oh, oh.
00:02:52Oh, oh, oh, oh.
00:03:08Oh, oh, oh, oh, oh.
00:03:55Oh, oh, oh, oh.
00:04:11Oh, oh, oh, oh.
00:04:24Oh, oh, oh, oh.
00:04:44Oh, oh, oh, oh.
00:04:54Oh, oh, oh, oh.
00:04:55Oh, oh, oh, oh.
00:04:55Oh, oh, oh, oh.
00:04:57Oh, oh, oh, oh.
00:04:58Oh, oh, oh, oh.
00:05:37Welcome to Villa Byron, this is Maria, she is the woman, she will cook and clean.
00:05:45The child is called Christos because only God knows who is his father.
00:05:54What an odd cat, what's its name?
00:05:56Cassandra.
00:05:57Cassandra.
00:06:03Where shall I put your parrots?
00:06:04They're not parrots, they're love birds.
00:06:06You can put them on the table.
00:06:18Don't open it!
00:06:21What are you doing?
00:06:22Surely they will escape.
00:06:25The cage is their home, not their prison.
00:06:28And love birds will only sing if they're free to fly away.
00:06:31Wow, who built this ruin?
00:06:33An English lord, he was quite mad.
00:06:36He wrote poetry and loved boys, but as you can see, he was very rich.
00:06:45Even the paintings are all old masters.
00:06:50Come!
00:06:53Look, it's the ghost of the mad English lord.
00:06:58Is not the house splendid, huh?
00:07:02Your father's instructions were that only the best they would do.
00:07:07Yes, daddy is calculating his investment will yield the return of a grandson.
00:07:12Quite, of course.
00:07:17Now, I shall leave you alone.
00:07:26So, how do you like your new home, Mrs. Lovell?
00:07:31It's just fine.
00:07:34Just like my new husband.
00:07:35I'll leave you alone.
00:07:40My friends.
00:07:41I'll leave you alone.
00:07:47I'll leave you alone.
00:07:50I'll leave you alone.
00:08:00I'll leave you alone.
00:08:05What do you like?
00:08:19Do you always wake up so early?
00:08:22Uh-huh.
00:08:23Where'd you get the waistcoat?
00:08:25It was hanging in a cupboard.
00:08:26Don't you like it?
00:08:28It looks good on you, but it's what the men here wear.
00:08:31So, people like us shouldn't follow fashions.
00:08:34We should lead them.
00:08:36And here's one for you, too.
00:08:38Now we can really look like brother and sister.
00:08:41If you're my sister and not my wife, this would be incest.
00:08:44And don't call me your wife.
00:08:45It's such a bourgeois word.
00:08:48Mistress for life sounds so much better.
00:08:52Hey, I was painting that.
00:08:57How do you see all these colors?
00:09:01Must be the creative type.
00:09:04That makes us the perfect couple.
00:09:06I'm the destructive type.
00:09:08Back home, people think you struck pay dirt with me.
00:09:12But you don't know how unlucky you are.
00:09:15Hey.
00:09:17I'll annihilate you.
00:09:18And all that will be left of you is a broken cross
00:09:21to mark your unkept grave.
00:09:28I'm looking forward to the day.
00:09:29Now let's go for a swim.
00:09:31That's an order.
00:09:32That's an order.
00:10:00I want to go for a swim
00:10:02to the next morning.
00:10:04What are you waiting for? The sea is wonderful.
00:10:10What's wrong? Haven't you ever seen a grown man in swimming trunks before?
00:10:16Let's swim out as far as we can.
00:10:32Stop. I can't swim any further.
00:10:37Let's dive down so deep that we can only just make it back up.
00:10:40Okay, but I won't believe you've touched the bottom unless you bring up a pebble.
00:11:09The sea is sweet.
00:11:16The sea is sweet.
00:11:19The sea is sweet.
00:11:53Are you alright?
00:11:54What did you get?
00:11:55Nothing.
00:11:56You're too busy saving your life.
00:11:58Do you know what that is?
00:12:01Was it some kind of dove?
00:12:03It's a prayer.
00:12:04Long ago, Wim used to make offerings like these to Aphrodite, the great goddess of love.
00:12:09Well, it's a sign.
00:12:10It must mean that she approves of my plans.
00:12:14What plans?
00:12:15I don't know.
00:12:16I haven't made them yet.
00:12:18Come on, I'll race you back to the shore.
00:12:35It's alright.
00:12:36No one can see us.
00:12:41Don't you want to be tan like an antelope, and not striped like a zebra?
00:12:45I'm shy.
00:12:48You're beautiful.
00:12:57Did it hurt?
00:12:58Like an antelope?
00:12:59Are you men really such numbskulls?
00:13:06It was like seeing another color in the rainbow.
00:13:08A color on my own.
00:13:11My nanny never told me it could be like that for a woman.
00:13:38Ah, there's my muse.
00:13:40You look nice.
00:13:42What's the big occasion?
00:13:44Are you bored of me yet?
00:13:46No, I'm not bored of you.
00:13:49I want to grow old with you.
00:13:51And you do love me, don't you?
00:13:53You love me just the way I am?
00:13:55Yes.
00:13:56Of course, yes.
00:13:58Why?
00:13:58Why do you ask?
00:14:01Because I'm bored of me.
00:14:02I'm bored of being this nice, decent girl that everybody else wants me to be.
00:14:06I just want you to be yourself.
00:14:07Well, that's good, because I want to be different.
00:14:10What do you mean, different?
00:14:13That's my surprise.
00:14:15Wait, I'll come with you.
00:14:16No, you stay and finish my portrait.
00:14:54Hello.
00:15:00You are welcome.
00:15:02You speak English.
00:15:04I was a sailor. I learned it in the ships.
00:15:06But I think Madame has made a mistake. I only cut gentlemen's hair.
00:15:10No, there is no mistake.
00:15:12I want you to cut my hair short. Very short.
00:15:19Like a boy's.
00:15:21But, Madame, I have read that such experiments are made in Paris or New York.
00:15:26But here, on this island? Are you sure?
00:15:30Madame is quite sure.
00:15:32She has wanted this for a very long time.
00:15:35But, Madame is married.
00:15:36I am not my husband's property.
00:15:39And I will pay very well.
00:15:49You do not mind.
00:15:54I worry how people might gossip.
00:16:04You do not mind.
00:16:34May I disturb you?
00:16:35Is it you who arrived a few weeks ago on the boat?
00:16:38You look so lovely, so changed.
00:16:40That was my caterpillar face.
00:16:42Now I'm a butterfly.
00:16:44May I sit down?
00:16:45Mm-hmm.
00:16:50I feel like we've met before.
00:16:51Never.
00:16:52At least not in this lifetime.
00:16:55Let's have a drink.
00:16:56Deuza mes trivia, parakalo.
00:17:00Helen.
00:17:01Helen Orlov.
00:17:03Saffo Olavo.
00:17:05Saffo?
00:17:06Do you know the history of your name?
00:17:09I know it was the name my mother chose for me.
00:17:11She died giving me birth.
00:17:13You have a namesake, a poetess who lived here 2,500 years ago.
00:17:18She made the silent famous.
00:17:20Let me take you to the museum.
00:17:22You can meet her there.
00:17:24Uh, isn't it a little too early for spirits?
00:17:28Why should men be allowed all the fun?
00:17:32Two new friends?
00:17:33Then the
00:18:09That's Afa.
00:18:10Or so it says.
00:18:12Actually, it was painted 50 years after her death.
00:18:15She doesn't look like me one bit.
00:18:18What's written there?
00:18:20It's a stanza of her poetry.
00:18:22Some men say nothing on the dark-sealed earth says lovely is infantry on parade.
00:18:29Other men say cavalry or swift warships.
00:18:32But I say, loveliest is whom you love.
00:18:38That's beautiful.
00:18:39We know that Afa wrote nine books of poetry and that she was so famous that her profile was minted
00:18:45on the local coins.
00:18:46But the early Christians burned her works.
00:18:49Why would the monks burn her work if she was so well-known?
00:18:52Because it was love poetry written by a woman to women, it was Safa who put the lesbian in lesbos.
00:19:01How is it that you know so much about her?
00:19:04My father is a professor of archaeology.
00:19:06He is working on an excavation here.
00:19:08Because of Lenin and the revolution, we can't go back to Russia.
00:19:13Come on.
00:19:13I'll show you what else is kept locked up in here.
00:19:27Where are we?
00:19:28This is where we hide our most interesting finds from the public.
00:19:33What on earth is that?
00:19:37It's a purpose.
00:19:38It's a remonial.
00:19:39In ancient times, they placed a statue like this in every orchard.
00:19:43To scare our thieves and to fertilize the trees.
00:19:50Hi, what have you been doing all day?
00:19:53I was making a new friend.
00:19:58Well, am I good likeness to my picture?
00:20:07You're beautiful.
00:20:12Now we really look like brothers.
00:20:14Wasn't I good to do it?
00:20:15Maybe.
00:20:16But you'll get a sunburnt neck.
00:20:17Don't lie, Philip Lovell.
00:20:19I can feel how much you like it.
00:20:22Aren't you worried what people will say?
00:20:25This isn't New York.
00:20:27There are no people here.
00:20:29And anyways, why should we care what people think?
00:20:33Pleasure is good.
00:20:36Pain is bad.
00:20:37Shame is painless.
00:20:39That's my new philosophy.
00:20:47Hello.
00:20:54I'm glad we have seen people here.
00:20:57I'm glad we are here.
00:21:04I'm glad we have.
00:21:06You explained that.
00:21:10I'm glad we are here.
00:21:13I'm glad we are here.
00:21:13I'm glad we have with you.
00:21:14You and I'm glad we have here.
00:21:16Wait a minute.
00:21:17Oh, my God.
00:22:05Where are we?
00:22:06This was once the temple of Apollo, god of the sun.
00:22:13According to the legend, lovers, tormented by unrequited desire, were sacrificed to Apollo.
00:22:20And then they would leap of this cliff into the sea, down there.
00:22:25If they survived their leap of faith, they were cured of their passion.
00:22:29And if they didn't survive then, they were healed of their love all the same.
00:22:33Well, that's some way to fall out of love.
00:22:36They say Sophodite here, out of love for a fisherman.
00:22:41But I thought you said she loved women.
00:22:44Sometimes. If we are lucky enough to love somebody, who cares?
00:22:48If it's a boy or a girl, love is what is love.
00:23:04Aren't you scared? It's a long way down to fall.
00:23:08I want to know what it feels like to be a bird.
00:23:13To trust the wind.
00:23:20Why did you do that?
00:23:21I wanted to. And if you wanted it too, then it's alright.
00:23:25I've never been with a girl.
00:23:27Not when you were at school?
00:23:28Didn't you even practice kissing?
00:23:31It was forbidden.
00:23:33We were watched all the time.
00:23:34It was forbidden in my school too, but we all did it.
00:23:37If you like, I can be a girl.
00:23:41I'm not that sort.
00:23:42I'm sorry.
00:23:44I'm sorry.
00:24:15Will you still love me when I'm old and useless for making love?
00:24:19You're too young to ever be old.
00:24:22I'm not.
00:24:23I'm as ancient as beauty herself.
00:24:26This flash and blood and bone is just my latest costume.
00:24:30You never said you believed in reincarnation.
00:24:32Maybe I do.
00:24:34That moth could be me, Phil.
00:24:37She loved the light too much to fear the flame.
00:24:40Don't be so tragic.
00:24:43I've only just started out, but already it's too late to stop.
00:24:48Stop what?
00:24:50You.
00:24:51Me, the change.
00:24:57What are you trying to prove?
00:25:02That at least I'm not a coward.
00:25:06You're bold.
00:25:07You're brave.
00:25:08You're beautiful.
00:25:09There's no need to hurt yourself.
00:25:13And I thought every man dreamt of wearing a masochist.
00:25:15You know, they say they make the most emissive wives.
00:25:19Bottoms up.
00:25:40What's that for?
00:25:42I'll feel free.
00:25:44Now, promise me, whatever I do, you won't say a word.
00:25:59We did it, Phil.
00:26:01We did it.
00:26:02Yes.
00:26:03No, we really don't.
00:26:04Don't be such a coward, Phil.
00:26:06It meant it.
00:26:07You liked it.
00:26:09Yes.
00:26:10I liked it.
00:26:12So no matter what happens now,
00:26:16don't ever say it was all my fault.
00:26:24How long have you thought about becoming a boy like that?
00:26:29For years.
00:26:30It's what my father always wanted.
00:26:33A son and not a daughter.
00:26:36Don't worry.
00:26:37I'll never embarrass you in public.
00:26:40I'll be your girl by day.
00:26:42I'll only be your boy at night.
00:26:45You're a crazy girl.
00:26:46You know that?
00:26:46Then you must be crazy for loving me.
00:26:56You know that?
00:26:57That's right.
00:26:59You're a crazy girl.
00:27:05Oh, bye.
00:27:07Bye.
00:27:09Bye.
00:27:10Bye.
00:27:13Bye.
00:27:14Bye.
00:27:15Bye.
00:27:17Bye.
00:27:40Hello, Helen?
00:27:52Her mother was a violinist, do you play?
00:27:57Only the gramophone.
00:28:02I have no talent for anything, just good taste, very expensively purchased.
00:28:13Hello.
00:28:14I thought I'd never see you again.
00:28:16Hm.
00:28:17Here I am.
00:28:19How do you like me as a boy?
00:28:20Very much.
00:28:22Let's go for a bicycle ride.
00:28:25Have you finished playing?
00:28:27A bow cannot always be strong, or it will break.
00:28:31And a man cannot always work, or he will go mad.
00:28:36Those are your words, Safo!
00:28:56You must get so bored on this island.
00:28:59Sometimes, don't you?
00:29:01Honestly, I get bored of being a girl.
00:29:03It would be so wonderful to really be a boy and not have to worry about getting pregnant
00:29:08or bleeding half to death every month.
00:29:11At least you have a man.
00:29:14But I thought you said you loved women.
00:29:16What else is a girl to do?
00:29:18All our men killed one another in the World War.
00:29:22That's me.
00:29:25That bear hanging hopelessly at the tip of that topmost branch.
00:29:31Overlooked?
00:29:32Unpicked?
00:29:33No.
00:29:34Not overlooked.
00:29:35Unreached.
00:29:36Unreached.
00:29:37Well, let's climb up and get it.
00:30:03Is it ripe?
00:30:19EatinSSs.
00:30:22How's everybody going?
00:30:24Today is a holiday .
00:30:26Every day is a holiday.
00:30:28Every day is a holiday .
00:30:28It's our honeymoon.
00:30:29Today is a holiday for everybody else, too.
00:30:32It's like the Fourth of July.
00:30:33What's everyone celebrating?
00:30:35It's the Feast of the Virgin.
00:30:37When we live, I forget the sign I was Christian.
00:30:40I know that we are, too.
00:30:41You, maybe. I never chose to be baptized.
00:30:43And Christianity has destroyed far more than it's ever created.
00:30:55The happy couple.
00:30:58Good afternoon.
00:31:03Excuse me.
00:31:08Mr. and Mrs. Philip Lovell.
00:31:13You look so handsome, Mrs. Lovell.
00:31:17How did you guess?
00:31:19I'm sorry. What did I guess?
00:31:22How did you guess that I'm a boy now?
00:31:25That was just my way of words.
00:31:27A fish cannot become a bird.
00:31:29We all are what we are.
00:31:32Why can't I become what I'd like if I'd like to be a boy?
00:31:34Why can't I become a boy?
00:31:36Darling, you promised, remember?
00:31:39Madam was pleased to joke with me, Mr. Lovell.
00:31:43Madam is more woman than any woman I know.
00:31:46Yes, I'm sure that was it.
00:31:48Yes, I'm sure that was it.
00:31:48A joke.
00:31:55Give my regards to your father, Mrs. Lovell.
00:32:07A joke.
00:32:08Oh, I don't want to ask you, Mr. Lovell.
00:32:10I'll ask you, Mr. Lovell.
00:32:10Who's going to come to say?
00:32:11The truth is that you're Gee, no one of them.
00:32:12What you're talking about.
00:32:13We're talking about them, but he's going to be a bet,
00:32:14I'm going to go with them.
00:32:14You're saying I'm the baby.
00:32:16Who's going to go with you?
00:32:17You're going to go with me.
00:32:19You're not going to go with them.
00:32:28See you?
00:32:29from home? Well, stock market hemlines are both soaring. Babe Ruth did a new home run
00:32:37record. And the mob are making millions importing moonshine from Canada, because Congress doesn't
00:32:41understand you can't forbid human nature. Cheers. I meant, what's in your letters?
00:32:51The gallery sold two canvases. Well, that's marvelous. That's twice as many paintings
00:32:58as Vincent Van Gogh ever sold in his lifetime. How's your father? He's hoping I'm a child
00:33:06already. Are you? No. And I won't be forever. You don't really want me to get fat and ugly
00:33:11and love some vile brat. Not you, do you? Maybe I would someday.
00:33:31Hello. I escaped from my father at last.
00:33:36Helen, my husband, Phil. Hello. Hello. Please. Thank you. Phil's a painter. He just sold his
00:33:45first two canvases, but he thinks he's a genius. And he's determined to make the rest of the
00:33:49world believe it, too. So what do you think? Well, I think he's very handsome. Just like
00:33:55an advertisement of a man. He's a third-right American aristocrat, too. One of his ancestors
00:34:00bought Manhattan from the drunk Indian for twenty-three silver dollars and a bottle of whiskey.
00:34:05So you're my wife's new friend. Mm-hmm.
00:34:12How did you do that? Practice. He always does that when he wants to make a new friend.
00:34:18I fell for it, too, the first time we met.
00:34:23I have a present for you. It's Safa's poetry. All that survives.
00:34:35My mind's in two. I can't decide. You came and I wanted you. You deceived my mind as it
00:34:43blazed with desire. And? What comes next? It's lost. We'll never know.
00:34:50But perhaps we should decide for ourselves.
00:34:57Look. So many people. Let's investigate.
00:35:11That's obscene. The old gods serve this island so much better than these weird Jewish imports.
00:35:16What's so weird about Christianity?
00:35:18What's so weird about a bastard child fantasizing that his mom's a virgin and his runaway dad's all-mighty and
00:35:24all-merciful Lord God?
00:35:26Maybe you're missing a point.
00:35:28Yeah? And what's the point?
00:35:32Love.
00:35:32But what kind of love?
00:35:34Love which thinks of desire something shameful and forbidden and which makes suffering its meaning?
00:35:39Or love which is open and unafraid and free?
00:35:43See? That's just it, Phil.
00:35:45Christianity began as a religion of slaves and of women, which in those days was the same thing.
00:35:51It doesn't suit people like us.
00:35:53We should believe in desire and not in virginity and in life before death, not afterwards.
00:36:15And it's seen.
00:36:23Look. Let's have our picture taken.
00:36:25It won't feel death end of it.
00:36:26Isn't it like threatened within?
00:36:28So what if it does mine?
00:36:30Photography will soon make painting obsolete anyway.
00:36:33Never.
00:36:34The camera only sees.
00:36:35It doesn't feel.
00:36:44I think your husband's so handsome.
00:36:46Is it alright?
00:36:48Of course.
00:36:49What man could ever object to having two women?
00:36:52I mean, really, is it alright with you?
00:36:54Why not?
00:36:55We're modern people.
00:36:57Let's all be in love with one another.
00:36:59Really.
00:37:01I'd like that.
00:37:03Hakimiti?
00:37:23It's so antique, Phil.
00:37:24It's like to put in your glove.
00:37:31It's like to put in a glove.
00:37:38God, man.
00:37:39I'm not a priest.
00:37:41I'm not a priest.
00:37:43If you were a priest, I wouldn't tell you.
00:37:45Is it so bad?
00:37:49I'm in love with your wife.
00:37:53I'm in love with my wife, too.
00:37:55I could be in love with you two. Would you mind?
00:38:03How could you be in love with two people at the same time?
00:38:05Oh, that's easy. It's only fairy tales that things like bad and bad.
00:38:14We'll be good together.
00:38:18I will.
00:38:21What's up, and I?
00:38:24So far, and you.
00:38:27And you, I.
00:38:30We're all alone. We're not together.
00:38:33We're just two people standing in front.
00:38:35Then let's go of my hand.
00:38:40Roar!
00:38:41Roar!
00:38:43Roar!
00:38:44Roar!
00:38:45I'm here, too.
00:38:53We've got to go home.
00:38:54Come over!
00:38:59Come over!
00:39:01I'm here!
00:39:03Sorry.
00:39:04How do you like my friend?
00:39:07she's charming but she's in love with you she's in love with both of us if i'm not crazy
00:39:14i kissed her phil but if you kiss her too then i won't feel bad
00:39:18how do you like my present do you really want her i don't know yes as an experiment it'd be
00:39:25strange and dangerous and pagan fun it comes to each other to be faithful remember i'm being
00:39:32faithful in my own way how can i be true to you if i'm not true to myself and besides
00:39:37you don't
00:39:37want me to live a lie do you see i've been recaptured at last my father professor vladimir orlov hello
00:39:48hey what's he doing now he ignites the cannon to scare away the turks for one more year
00:39:55that is how the festival always ends
00:40:11excuse us we must go antiquity has been waiting 2500 years and it can't wait a moment longer good night
00:40:19good night good night
00:40:26come swimming tomorrow i'll do that
00:40:34come in the water's lovely
00:40:43stay still
00:40:59do
00:41:04did i scare you you look like an angel
00:41:09come on
00:41:20do
00:41:30do
00:41:32do
00:41:36do
00:41:38do
00:42:06It seems unfair.
00:42:08That we are enjoying ourselves, and that Phil is working.
00:42:12Every artist must learn to be alone, and besides, he's not really alone.
00:42:18He's surrounded by millions of imaginary admirers.
00:42:21Haven't you ever wanted to be an artist?
00:42:23Why should I share this moment with some complete stranger in a picture gallery or movie stop that's so vulgar?
00:42:29I want to keep it all for myself.
00:42:31But what about when you're dead?
00:42:34Then I'll be dead.
00:42:36If your father is right, we'll both relive this moment in different lifetimes, over and over.
00:42:43I'd like that so much.
00:43:28Hello? You're late. Would you like something to drink?
00:43:34Champagne.
00:43:40How was your work? Will you show me?
00:43:42Someday, when you're bored.
00:43:48Who wants to make a toast?
00:43:50To Aphrodite, goddess of the sea foam.
00:44:00So what are we celebrating?
00:44:01Can't you tell?
00:44:03Saffo.
00:44:05We did it.
00:44:06Now I really am a boy as well as a girl.
00:44:09I should go. My father will worry.
00:44:12He knows where you are. Stay the night. Now you can kiss Phil.
00:44:17I know you'd like that.
00:44:18Saffo, no. This is wrong. You're my wife.
00:44:22Don't be so unsophisticated.
00:44:24It's not infidelity if we don't keep secrets.
00:44:27We're just being generous with our bodies. Come on.
00:44:39Okay. All right. That's enough.
00:44:43Now that we've shared around the guilt, we can all be happy.
00:45:06Come dance with Helene, Phil. I'm dying on my feet.
00:45:19Are you still mad I kissed you?
00:45:22Why should you care how I feel? I'm nothing to you.
00:45:26I told you. I'm in love with you.
00:45:37You shouldn't say that. Love is someone you die for.
00:45:40Not this jazz of lust and egoism before two or three or whatever number this is.
00:45:44All right then. I'm in lust with you.
00:45:49And I'm dancing in your arms. Tell me. Isn't it so bad?
00:46:11What are the stakes?
00:46:12We're playing for the rat to show your bed.
00:46:14I'm trying to win Phil, but she keeps rolling doubles.
00:46:18Don't even get to choose who I sleep with?
00:46:19Uh-uh. You're our stud stallion.
00:46:22We've planned out your diary. We'll take turns at being your girl. One day at a time.
00:46:27Sunday will be a day of rest. This game is just to decide who goes first tonight.
00:46:31Very funny. Let's discuss something more serious.
00:46:35I know Helen. Let's think of a way to end all wars.
00:46:38Oh, that's easy. We just need to invent a way from men to give birth to children.
00:46:43I want you to love Helen. You can marry her if she likes.
00:46:48I'm not a Turk. I can only have one wife, not two. It's in the rules.
00:46:52Don't be so boring, Phil. There are no rules. There's nothing that we can imagine that's not allowed. Love is
00:46:59what is love.
00:47:00Well, love is loyalty, too. Don't you even care if I sleep with other women now?
00:47:04You can sleep with other boys, too, if you'd like.
00:47:08Will you marry my husband?
00:47:10Yes.
00:47:11That's perfect. It makes it all so simple. We can all be married to one another.
00:47:20Would you really marry me?
00:47:21Yes. Are you really asking me?
00:47:27Well, Phil, have you got the balls?
00:47:30Don't you understand? No good will come of this game.
00:47:33Theory might sound fine, but people aren't like that.
00:47:36We'll take sides, get jealous, and start to hate one another.
00:47:39Just like what happens when two normal people get married?
00:47:43Maybe that's how it is most times, for most couples.
00:47:46But it's the way nature meant it to be.
00:47:49You see how, Len? That's what makes Phil such a bad painter.
00:47:53He wants to be liked too much.
00:47:54So he just paints ordinary pictures that ordinary people will buy.
00:48:00Phil, come back!
00:48:01I'm going for a walk!
00:48:07Don't worry. He'll be back sooner or later.
00:48:14Go away!
00:48:15Go away!
00:48:31Oh sweet.
00:48:40You see him!
00:48:42He is a Zuha is so good.
00:49:01Good evening. We waited for you until sunset. Where were you?
00:49:06Where's Sappho?
00:49:07She's dreaming that she is Sappho, come back to life. She said she loves me.
00:49:12Oh no. Why don't you leave? There's no future in all of this.
00:49:21Because just now, I'm happy.
00:49:24You're crazy too.
00:49:38Let's ask the girl to leave. We could go home to America, begin over.
00:49:43Home? This island's my home, Phil. I can't go back to America no more than I can become a virgin
00:49:48again.
00:49:50Their doors once opened can never be closed.
00:49:52But all I want is for you to be the girl I married.
00:49:59Take a look at me as a girl, Phil. Are you happy?
00:50:03Yes.
00:50:04Then I'm happy for you.
00:50:09Because I hate it.
00:50:12Don't be it then.
00:50:13Didn't you just say you wanted me as a girl? Make up your mind, Phil, and stop making me tear
00:50:17myself in two.
00:50:19Don't you understand?
00:50:22I love you.
00:50:23I just want you to be yourself.
00:50:31Then here I am.
00:50:32Then here I am.
00:50:32Then here I am.
00:50:43Then here.
00:50:45Then here I am.
00:51:05Let's suffer
00:51:48I can see you both have had a good day what have you done to your hair hmm nothing
00:51:56ah it's so stuffy in here do you mind helping me with my jacket darling
00:52:06oh my god what have you done I had myself painted too ink on skin that's real art it hurts
00:52:16it shocks and it changes you forever but only sailors and I mean how can we ever be
00:52:22seen a decent society again well that's just it we can't I've burned our boats
00:52:44who's those a wonderful drink it tastes as bittersweet as jealousy
00:52:52and yet it erases its effects you shouldn't drink it like that
00:52:57why not or do you want me to be jealous we only kissed and you said it was all right
00:53:04as lucky as a god I think that man who sits beside you hearing all for him your whispered small
00:53:12talk
00:53:12in your laugh of love not knowing how it rips and tears my heart in two
00:53:18one glance from you and I'm half dead with fear my voice is broken terror blinds my eyes my ears
00:53:27go deaf and flames snake through my veins a trembling haunts my limbs sweat pours from me my skin is
00:53:37scorched
00:53:37as white as white as withered grass and I know if I can't have you I'll die
00:53:50what was that
00:53:55poetry I wrote it long ago in another lifetime you really don't think you're Sappho reincarnated do you
00:54:03of course I'm Sappho I always was but all we know for sure about the historical Sappho could
00:54:09be written on a bus ticket her story is just a myth well you know what a wise man once
00:54:13called a myth
00:54:15a story that never happened and yet always is so who fucks whom tonight Sappho don't be vulgar
00:54:22since I'm paying I think I should decide didn't Phil tell you see economically I'm the boy you're not the
00:54:32girl my husband is penniless
00:54:35of course he comes from one of the rat families but his father was a gambler who swindled his mother
00:54:43out of every penny she had then he shot his brains out in a Paris hotel room don't be so
00:54:50offended Phil a girl has
00:54:52the right to know these things before she sleeps with you don't you think you've had enough to drink
00:54:57alright I have had enough you can screw Helen tonight because I can recommend her as a good lover I
00:55:03think
00:55:03I should stop no suffering why I'm rich I'm beautiful whatever I say you'll forgive me ain't that so painter
00:55:11boy
00:55:13come on let's go to bed
00:55:36good night try and get some sleep I'm sorry Phil
00:55:44let's go home there are people there that could help you who Phil I can't even help myself
00:55:53it's not me it's just my nature I am who I am I know
00:56:38I could not sleep
00:56:40I could not sleep
00:56:44I'm moonbathing on the island they say that's how you go Matt
00:56:50you live in this house that's how
00:56:51oh Phil
00:56:53Safa was rich young charming beautiful
00:56:56you must have thought you'd won the lottery of life
00:56:59I don't think they print a winning ticket for that racket
00:57:03and we all get what we deserve in the end
00:57:08and why what you deserve
00:57:23good morning how is your head
00:57:29is that a psychological question or a physiological question
00:57:34just a polite one
00:57:37then politely it's fine
00:57:43did you make love with Phil
00:57:46yes
00:57:48how was it
00:57:51fine
00:57:53that's fine now we can all be happy
00:57:57you are jealous
00:57:59okay I'm jealous
00:58:02but you said it was all right
00:58:05I know how to make it all right
00:58:13I'm sorry don't be annoyed
00:58:15I'm not annoyed but
00:58:17a few days ago you corrupted me
00:58:20and now you act like I'm a pervert when I try to kiss you
00:58:22please let's not quarrel
00:58:24we're not quarreling
00:58:26don't you understand
00:58:28for you I'd take opium
00:58:32don't say that
00:58:35is it because Phil's a man
00:58:37I didn't even know what a lesbian was until I met you
00:58:41I'm sorry Safa
00:58:44I can't be your girl
00:58:50never?
00:58:53never
00:58:56but
00:59:00you promised me
00:59:03you never did mean a word you said to me did you?
00:59:05I did
00:59:06I did
00:59:07only then I didn't too
00:59:10sometimes we must have something to learn that we don't need it
00:59:12and sometimes we must lose something to learn that we must have it
00:59:15I'd better go
00:59:18yeah and never go back you
00:59:21what you seduced the wives just so you can steal the husband
00:59:25and I thought you were my friend
00:59:27goodbye Safa
00:59:28oh my God
00:59:30alright
00:59:32oh my God
00:59:49my God
00:59:51my God
00:59:52no
00:59:53oh
00:59:53you
00:59:55you
00:59:55no
00:59:56you
00:59:56you
00:59:57you
00:59:58oh
01:00:00oh
01:00:00oh
01:00:29Hello, Phil.
01:00:30What's wrong?
01:00:32I don't know. I... I...
01:00:39Where's Helene?
01:00:40She went home.
01:00:46I don't love you. There. I've said it.
01:00:50I feel so much better now.
01:00:53Oh, I'm so happy for you.
01:00:55I never did love you.
01:00:56That just makes me even a bigger fool.
01:01:00Now that's said, we can go on loving the same girl.
01:01:03Tell me,
01:01:04if I buy you a pretty little slave boy to suck your ass,
01:01:06will you leave the girl to me?
01:01:09Or can you only be unfaithful
01:01:10to me with a woman?
01:01:12Slave a what? Slave boys?
01:01:15Oh, yes.
01:01:16Abe Lincoln. Emancipation.
01:01:19Where are my paintings?
01:01:21What have you done?
01:01:24I had to do it.
01:01:26They were so ordinary.
01:01:29No, you're just trying to scare me, aren't you?
01:01:32Tell me you haven't touched them.
01:01:36Why make such a fuss about a few worthless scraps of the walk?
01:02:08Well?
01:02:10Didn't I tell you?
01:02:13Don't you understand?
01:02:15That was my work.
01:02:16My soul.
01:02:18It was a cheap and common soul.
01:02:21You need a head doctor.
01:02:22You're crazy.
01:02:23No, I'm not.
01:02:23I'm just different.
01:02:24And don't you think for one second that you can ship me back to America and lock me up
01:02:27in a summer asylum and strap an electrolyte, stir my head in front of my brains and fat
01:02:30in their pan?
01:02:31Because I won't let you have my money so easily.
01:02:35I want a divorce.
01:02:37Don't you think it's a bit late to act the real man, Phil?
01:02:39I am what you let me become.
01:02:46I'm so sorry.
01:02:52If you only knew how much I loved you.
01:03:21Oh, Aphrodite on your rainbow throne.
01:03:23Don't let the sorrow tear my heart in two.
01:03:26But come to me as once you came before and make me whole.
01:03:30Come as you came that day you left the clouds.
01:03:33And in your chariot drawn by white daps and gliding.
01:03:36With the ever swirling air down to dark earth and smiling your immortal smile, you ask me.
01:03:42So, Sappho, now what's wrong?
01:03:45Are you in love or out again?
01:03:48Which girl is it this time?
01:03:49What must I do?
01:03:50For let her turn and run, soon she'll be back, and let her taunt and tease.
01:03:56Soon you'll see tears, because like it or not, I'll make her yours, to love or loathe.
01:04:02Oh, deathless God has come to me again, and ease my pain.
01:04:07All that my hurt heart hopes may happen, make happen, and be in love, always my friend.
01:04:15Oh, deathless God has come to me again, and be in love, always my friend.
01:04:57Come on, I want to show you where I go when I want to be alone.
01:05:15So, we are all done.
01:05:17We are all done.
01:05:24Callimera, see, I'm learning Greek.
01:05:27I brought Phil's paints and brushes.
01:05:30I haven't seen your husband.
01:05:33Have you come to say goodbye?
01:05:35Goodbye.
01:05:40Aren't you going home, to America?
01:05:45I am home this is Lesbos this is my home it's so boring you are welcome to it
01:06:03it's like always and never the sea breaking against the rocks the one always wanting the
01:06:11other always denying it's the hardest thing loving someone who doesn't love you I'm sorry
01:06:20it's not my fault come and be my girl to hear your footsteps to see your face I'd give the
01:06:25world
01:06:27I'm a woman now I want a husband children a home of my own you can't give me what I
01:06:33want
01:06:44but it's you how it could be
01:06:54yes I'm Savo I really am you're my girl you really are you made me dream that I could fly
01:07:12no we can't relieve the bus but that's just what we do I and I and you you and you
01:07:18over and over
01:07:23now I understand you had this coin made I'm not a fool you can't trick me with a fake
01:07:30and I'm not a lesbian I don't love you why don't you understand I never want to see you again
01:07:47this I don't know
01:07:47the legend of the love the rent of the magic of it desire and they will leave the sleep
01:07:53into the sea down there
01:07:56well that's a way to call out loud
01:07:58I don't know what I'm saying.
01:08:23Indeed, it was an easy mistake.
01:08:26The esteemed professor says the coin is very old, from Sappho's own time.
01:08:32We will place it in the town museum.
01:08:35No, it's hers. She'll need it to pay the ferryman to the other side.
01:08:57We should have buried her here. She wanted to stay.
01:09:03They will keep your own eyes till America, and her father was most insistent.
01:09:09Of course, legally, you were still her husband, Mr. Lover.
01:09:14Your wife was rich in her own right.
01:09:19It was my fault she killed herself. There must be rules about things like that.
01:09:23You should not be yourself. It was a tragedy. Her money is yours.
01:09:53Oh my god.
01:09:55Maybe I could go.
01:10:01Perhaps it was me.
01:10:03Only the police reversed, himself in town.
01:10:16He was 300 people.
01:10:17All right?
01:10:18No consent of the public, says he has one to do.
01:10:21Is he true for you to read the proper hours?
01:10:40Phil, Safa left this for you.
01:10:43I don't need them anymore.
01:10:45Why paint a picture if it would just be destroyed?
01:10:49Or why write a poem if it will only be burned?
01:10:54You are an artist.
01:10:56You should know that what matters is what you give and not what you get back.
01:11:09You'd better go.
01:11:12You'll miss the boat.
01:11:21Do you think we have the right?
01:11:24What's right?
01:11:26To be happy.
01:11:29We?
01:11:30Yes.
01:11:32We.
01:11:57We'll be.
01:12:00I don't know.
01:12:38I don't know.
01:13:05Love, honey bitter, wild, overwhelming, shattered my limbs.
01:13:33I don't know.
01:13:39I don't know.
01:13:55I don't know.
01:13:57I don't know.
01:13:59I don't know.
01:14:05I don't know.
01:14:35I don't know.
01:14:45I don't know.
01:14:55I don't know.
01:14:59I don't know.
01:15:00I don't know.
01:15:03I don't know.
01:15:06I don't know.
01:15:10I don't know.
01:15:14I don't know.
01:15:17I don't know.
01:15:19I don't know.
01:15:30I don't know.
01:15:34I don't know.
01:15:35I don't know.
01:15:36I don't know.
01:15:38I don't know.
01:15:39I don't know.