00:00We'll be right back to you next time.
00:30I'm not sure what you're doing.
00:31I'm not sure what you're doing.
00:36I'm not sure what you're doing.
00:44I'm just like I'm.
00:44It's the same thing, but...
00:57Dinner will start.
01:01All of you, prepare!
01:14It's important to show it here.
01:17It's not to show it here.
01:18Why?
01:20It's so important to show it here.
01:22Why?
01:23Why?
01:23Why?
01:24After saying that, the sides are tied up with the fingers and the sides of the G-A-N-G
01:30-H.
01:31I want to show it.
01:33What?
01:35How do you think that's a gang-like?
01:37Is there any other of a way to do the K-N-G-H?
01:46I don't have a sign-like.
01:51But it's not this way, we might see that we are not going out of our first house, but we're
01:55not going to the next house.
01:59I'll show you and see if we had a party.
02:01I'm going to make the party in the 90th century.
02:11What?
02:13Yes.
02:14Oh, then I'd like to use the Indian Alchal.
02:18Alchal?
02:20Yes, it's easy to use.
02:22It's better than the difference in the difference.
02:24Alchal?
02:30I recommend.
02:35You're a good person.
02:40Alchal is about...
02:42It's an Indian Picasso-Piclet cara.
02:46Regardless, it's as good as a flavor.
02:49Alchal?
03:06The first time I've done is a place to prepare for 1-4-9-4.
03:24Wait!
03:26Come on! You should go ahead and pay me for now.
03:28Yes, sir!
03:29The guests and the guests were talking about a conversation with the present!
03:33Well, let's do it.
03:34....
03:35...
03:37...
03:37...
03:38...
03:39...
03:40...
03:41кого?
03:42He's gonna be here.
03:42He's gonna be here.
03:43To go.
03:44He's gonna be in the room to give you a favor,
03:47and you're gonna ask me this.
03:49What do you do?
03:53Let's go.
03:55I'll tell you something else.
03:56So, what's he gonna say?
03:57He's gonna be in the room.
03:59How is he gonna be?
04:02He's gonna be stuck.
04:03I can't believe it.
04:10But it's amazing.
04:11I'm calling you a guy.
04:13But I'm not a guy.
04:16You're a guy.
04:18I'm a guy.
04:19He's a big deal for the food.
04:23He's a big deal with a good taste.
04:25He's a big deal with the客.
04:26He's a big deal with the客.
04:27You need to move on to the world of the course.
04:30The movement of the course is to move on to the world of the course.
04:40I'll change the course.
04:45Wait!
04:52But why did you get this?
04:54It's been a month ago.
04:58I've got a date.
05:01I've got a date.
05:03I've got a date.
05:03What's that?
05:06It's a restaurant reviewer.
05:11Well, it's a restaurant reviewer.
05:15I've got a date.
05:17I've got a date.
05:22I've got a date.
05:32I've got a date.
05:47I've got a date.
06:16日本トップレベルの名店大絶賛じゃないですかでもこれは綿抜きにとっての最高評価ではない綿抜きは最高評価の店には通いたいって言葉を使う今まで綿抜きに通いたいと評価されたレストランは日本ではまだ1軒しかない通いたい今回は?
06:40最高評価を取りにくそのためにポジションを変更するが評価さえされればそのまま担当してもらうわかるか?選ばれたものは大きなチャンスを得るということだそれではポジションを発表する
06:55まずはスープワン今まで通りだはい
07:08続いてサカナホテイホテイさんがサカナ?
07:22分かった次はメインに行くうちのコースの花形だ担当はランナー
07:33どうした?うん、了解そして最後、うちのコースのスターター、前菜は?
07:43ガクやってみろえ
07:45?ガクはまだ入って2週間ですよ
07:49?コースの一皿を任されるなんてありえないそうです
07:50!前回の武蔵銀とは訳が違う!ガクに指名でもいたですか?
07:56今回、店の評価がかかったら大事なポジションを決めるはずでは?その通りだなら、どうして
08:12?だからだ綿抜きに酷評され潰れた店は山ほどあるうちの未来はお前たちにかかってるからな
08:33でもカイさんがレビュアーの評価を気にするなんて珍しいよ
08:56そしたら、あなたがお前に何を期待してるか分かるか?えっと…お前の他にはないアイディア、可能性、才能、それはもう十分上がった
09:23でもな、ガクお前はまだプロじゃないプロじゃない料理人は俺には必要のない人間だプロになれ、ガク
09:56会ってみたいなあ。
09:57その脇役の彼に…その脇役の彼に…
09:59その脇役の彼に…その脇役の彼に…その脇役の彼に…
