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Infinito amor - Capítulo 18 (4 noviembre)
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00:30What is burial?
00:31Yeah.
00:32Seal on the container lid for transport.
00:35No, no, no, no, no, no, no.
00:37Wait for me, wait for me.
00:38Before it is sealed in the container,
00:40I would like...
00:41that we take a DNA test.
00:44I need to confirm if she really is my daughter Rosario.
00:46the one that's here.
00:47Please.
00:48Your request will be recorded in the minutes, ma'am.
00:51Very good.
00:52We will take a biological sample from you,
00:54Mrs. Cristina Vidal,
00:56for genetic identification testing.
00:58Good.
00:58Once the samples are taken,
01:01They will be transferred to the accredited forensic laboratory.
01:04You will be notified when the results are obtained.
01:07Thank you.
01:16My heart never accepted that Rosario was gone.
01:20Something inside me refuses to believe it.
01:22And now...
01:23Now, that small fragment,
01:25That will tell me the truth, sir.
01:27Lord, I trust in you
01:29And a mother's heart is never wrong.
01:31And mine tells me that my daughter is alive.
01:36Somewhere,
01:38Rosario is still alive.
01:39Rosario is here.
01:48No, well, the truth is I was very excited to start living in the city.
01:51It's going to be cool, right? Should I compete?
01:53And then, how are you?
01:56Good and you?
01:57Good.
01:57Alba, I don't think I formally introduced you to my brother Marcelo.
02:01Marcelo, this is Alba, my girlfriend.
02:03Well, nice to meet you, but...
02:05Nice to meet you.
02:05Alba, right?
02:05What do you mean, your girlfriend?
02:06What, wasn't Maria your girlfriend?
02:08No, Maria is my sister.
02:09Alba is my girlfriend.
02:12So, can you give me climbing lessons?
02:15This way?
02:16Perfect.
02:19So what now? Is everything alright or what?
02:21Yes, you?
02:22Great, it's good that you came.
02:23Thank you.
02:24I wanted to see.
02:30What was Malachi doing there?
02:32Why isn't it coming out?
02:33How much has come out?
02:34Okay, calm down.
02:35Maybe he came to visit someone else, brother.
02:37I don't know, maybe some business.
02:38Look, just because I'm here doesn't mean that...
02:41No, no, no, Marco.
02:42After what happened at the publishing house,
02:44They already know who I am.
02:45And if he entered that place,
02:47It's because there it is.
02:51That's why Pablo Duarte sent me this envelope, dude.
02:53That was the clue he was giving me.
02:55to find my mom.
02:57And I'm not going to keep waiting, dude.
02:58Okay, okay, okay, calm down.
03:00You're crazy.
03:01That?
03:01You can't just walk in there like that.
03:02They're going to get you.
03:04Yes, but I can't stay here
03:05waiting around doing nothing.
03:06While he can be with my mom
03:07And if you give him something...
03:09No, no, I'm not going to forgive myself.
03:11Okay, okay, okay, calm down.
03:12We need to breathe, to think.
03:15Let's see.
03:16If you go in and see Doña Soledad
03:17It's not there,
03:18You're going to make yourself look bad, obviously.
03:20And then yes,
03:21Forget about finding your mom.
03:23Okay, I'll say
03:24Let's hope we stick to the original plan.
03:28Breathe.
03:29Breathe with me, okay?
03:31If he goes out with your mom,
03:32We followed her and rescued her.
03:34And if she goes out without it,
03:35So we went in to look for her.
03:37But what did we discover?
03:38If she's there,
03:39That's for sure.
03:42Mrs. Duarte,
03:43With this we conclude
03:44the exhumation proceedings.
03:46The container
03:47remains under sanitary protection
03:48to take him to the cemetery
03:50that you indicated to us
03:50in Mexico City.
03:52They will get in touch
03:53with you
03:53for reburial.
03:55Yeah.
03:56It is not common
03:56than a mother
03:57request a DNA test
03:59after so many years.
04:00If you have any doubts
04:01They have a basis,
04:02it is necessary
04:03initiate an investigation.
04:05Very good.
04:06I understand.
04:07Yes, yes.
04:08If the test comes back negative,
04:10I'm going to be the first.
04:11in wanting to find out
04:12what happened.
04:12On our part
04:13That's everything too, ma'am.
04:15If nothing else is offered,
04:16We're leaving.
04:17Nothing else.
04:18Thanks a lot.
04:19Excuse me.
04:20Go ahead, my friend.
04:24Excuse me,
04:25Could I ask you something?
04:26Could you tell me who,
04:29who or what is
04:30the woman
04:31who comes to leave flowers?
04:32Do you remember her?
04:33Well, how could I forget her?
04:35If it's been years
04:36visiting this tomb.
04:38She is a lady
04:39light brown hair
04:40as far as this
04:41and about this size
04:43And she always comes alone.
04:45And he told me
04:46who is a woman of the people.
04:47Do you know her?
04:49Do you know where
04:49Can I find it?
04:50Yes, I have seen it.
04:52He has a position
04:52of handicrafts
04:53opposite the pier.
04:55If you look for it there,
04:56I'm sure you'll find it.
04:57I think her name is Celia.
05:00Celia?
05:08Goodbye, little girl
05:08from my insides.
05:12Goodbye, my Maria.
05:15Bye bye.
05:16Okay, go ahead.
05:17Follow him.
05:17You're doing well, blondie.
05:18That.
05:19That.
05:20Okay, okay.
05:22Yeah.
05:23Careful, okay?
05:23Yes, yes, yes.
05:24No.
05:25Yes, I kind of know.
05:26Ah, okay.
05:28Try them from here
05:29which are easier.
05:31Yes, I think so.
05:32Let's see.
05:33Hundred.
05:35Come on.
05:36Come on.
05:42I'm careful.
05:44Ay, ay, güero, güero, güero, güero, güero.
05:46Oh, sorry, sorry.
05:47Are you OK?
05:48Are you okay, blondie?
05:49Yes, yes, yes, yes.
05:50Okay, put it here, here, here.
05:56Oh, thank you for lending us a hand, my dear.
05:59You'll see that with the little drinks
06:00You're going to do very well.
06:01Uh-huh.
06:06Well?
06:07Good morning, Miss Majo Bravo.
06:09Uh-huh.
06:10We told him about the deans' agency.
06:12We have a gala event.
06:13Is it available?
06:15Yes of course.
06:16Count on me.
06:18Okay, then.
06:19Yes, see you.
06:22Chalet.
06:23I thought they weren't going to call me,
06:24But it's great that it is.
06:26Ah, this is my chance.
06:27I don't intend to be a lady's companion.
06:29But I'm going to prove it
06:30that I can be
06:31the best hostess in history.
06:43Are you there yet?
06:44Yes, yes, yes.
06:46No, man, huh?
06:47Sorry, blondie.
06:48No no.
06:49No, it's okay.
06:50No, but you did really well, huh?
06:51Good.
06:52I have a great teacher.
07:04Hey, Ruth,
07:06Didn't you see where Majo went?
07:08No.
07:09And I'm going to tell you something
07:10With much love, Carmela.
07:12You need to be stricter with her.
07:14When I was little,
07:15Now it's his turn.
07:15But right now
07:16You can't let him do it anymore
07:17whatever he wants.
07:18He can't be around here.
07:19wherever.
07:20And without you knowing where it is,
07:22The situation isn't right for that, Carmela.
07:25I'm telling you this because I love her too.
07:26and I don't want anything bad to happen to him.
07:32He's been in there for over half an hour now.
07:34Okay, brother, have some patience.
07:36We're keeping an eye on him.
07:37But that man
07:38He's not going anywhere.
07:38without us seeing it, okay?
07:41Come.
07:42There it goes, there it goes, there it goes, there it goes.
07:44What do we do?
07:45What do we do?
07:45Shall we continue?
07:46What I do?
07:46What I do?
07:47So?
07:47So that?
07:48She's not with my mom.
07:49No?
07:50What do you think he came here for?
07:52Yeah.
07:54Did you know?
07:55I'm going in for myself, brother.
07:56Oh really?
07:56You're leaving now.
07:57My God.
08:00Security, before the colony.
08:10Dad, here you are next to Mom
08:12as you always wanted.
08:15And I'm sure you couldn't imagine
08:17elsewhere.
08:18That's why I'm not taking you with me, Dad.
08:21Here you go, Mom.
08:22so that you take good care of it.
08:24I'll be coming often.
08:26I'm going to bring you lots of flowers
08:27And I'm going to tell you how everything is going.
08:31Although I know that you
08:32They are always with me.
08:38I love you all so much, Mom.
08:40I love them very much.
09:01I already told him that here
09:02We have no record of this.
09:03to no one
09:04with the name of Soledad Sánchez.
09:06Let's see if they have it.
09:08She was brought here several years ago.
09:09I already told him no.
09:10and you cannot go in without a prior appointment.
09:12Let's see,
09:13maybe they registered it
09:14under another name.
09:15Let me speak to your superior, please.
09:17Only those who can enter here
09:18authorized persons
09:19and family
09:21and people who can pay
09:22for the service
09:23and I doubt it a lot
09:24that this is your case.
09:25So please,
09:26withdraw
09:26Or I'm going to have to call the police.
09:28Yes, yes, yes, yes.
09:29Calm down, calm down.
09:30You didn't do it anymore.
09:30We won nothing.
09:31if they call the police on us.
09:32You didn't do it anymore.
09:36José, I know what I'm going to do.
09:40Cheers!
09:45Cheers!
09:48Why are you following me, Marcelo?
09:50Who gave you permission?
09:52Okay, what do you mean, "who"?
09:52Nobody.
09:53I'm just keeping an eye on things.
09:55that...
09:55So that nobody does anything to him.
09:57to the cool queen
09:58of...
09:58well,
09:59from my beautiful heart.
10:02Oh, you're annoying me, Marcelo!
10:03Let's see, to begin with,
10:05This looks like something from kindergarten.
10:06and you don't have to
10:07follow me to my job.
10:08What do you mean, no?
10:08I already told you that, well,
10:09I'm just taking care of things.
10:10my interests.
10:11I cannot leave him at the mercy
10:12of any lout
10:13to a doll like you,
10:15Hidalgo.
10:18You and I
10:19We are nothing
10:20and we never will be.
10:21Understand that I don't like you.
10:23I know you're
10:23very mamey
10:24And you grow up very much here,
10:26but me
10:26I don't like you.
10:27Okay?
10:29Emilia, Emilia, Emilia,
10:30Wait, wait.
10:32Oh, well,
10:32You can't tell me that.
10:35And even less so when
10:35you haven't realized
10:36the opportunity
10:36to get to know me.
10:37I am a hard worker,
10:39honest, loyal,
10:39worker,
10:40I'm super,
10:41super cool.
10:42Besides,
10:43I shower every day,
10:44Hey?
10:44Look,
10:44Give yourself a tank
10:45so they don't steal my squirrel.
10:48Oh, God,
10:48My boss has already caught me
10:50in the jungle, mother.
10:54Okay, girl,
10:54Stop dating so many people.
10:55and go inside the house
10:56Let's get to work, okay?
10:57Yes, boss,
10:58I'm coming, I swear.
10:59What, what, what,
10:59little blonde lady?
11:01Calm down, my pretty little queen.
11:02Hey?
11:02It wasn't her fault.
11:03I only came because...
11:04You filthy prick!
11:05And you'd better.
11:06I hope I never see you again.
11:07near my house
11:07because I have cameras.
11:09Next time
11:09that I see you
11:10You can call the police.
11:12Sora?
11:17Have you seen Marcelo yet?
11:18Because of you
11:18They're going to fire me.
11:19Take.
11:20I'm coming, boss!
11:21Look at everything!
11:22No, no, no!
11:22Emilia, Emilia!
11:23Look, here I come!
11:26She didn't love me, she doesn't care about me.
11:29He'll never pay attention to me!
11:31Emilia, Emilia!
11:34Emilia!
11:45That's why I came to see you.
11:47to jail.
11:48I wanted to tell you that...
11:50that we had
11:50to the most beautiful baby
11:52that you could have imagined.
11:54One of our babies.
11:57the fruit of love
11:59so big
11:59that we had
12:00between us
12:01our infinite love.
12:03I wanted you to know
12:04that I was going to wait for you
12:06with our baby
12:08because here,
12:10here,
12:11I knew you were innocent,
12:13I knew it.
12:18What's wrong, brother?
12:19What are you thinking about?
12:25I was thinking
12:26in the daughter
12:27that he had with Cristina.
12:28A daughter
12:29that he cannot know.
12:31Do you realize that, Marco?
12:32Already.
12:34To my mother
12:35Yes, I will be able to recover it.
12:38but my daughter
12:39never again
12:39nor can it be Cristina.
12:43Guys,
12:45Agent Nava
12:46has information
12:47about the expert report
12:48of the fire.
12:49Expert examinations
12:50preliminary
12:51they tell us
12:52that the fire
12:53It wasn't because
12:54of no accident.
12:56It was provoked.
12:58Provoked?
12:59You're sure?
13:05Good morning, miss.
13:06Well, they're going to be better.
13:07if you tell me
13:08What are you doing here?
13:09We don't call
13:10no plumber.
13:12I called him, girl.
13:14So step aside
13:15and let it pass
13:15to teacher Juan Perico.
13:17Happens,
13:18Master Juan Canario.
13:19Parakeet.
13:20The teacher Juan Perico.
13:22How are you doing?
13:23At last.
13:24Oh, master,
13:25I don't know what's wrong with him.
13:26to the bathroom in my room.
13:27It's well covered
13:28when I pull it,
13:28It makes a gurgling sound,
13:29So.
13:30I tell him
13:31to my patron saint
13:32that maybe
13:32with a little bit
13:33of caustic soda
13:34he escapes
13:35and it looks like new.
13:36Nobody gave you their opinion
13:37Your opinion, guys,
13:38Yeah?
13:38I called the teacher
13:39It's not because I trust
13:40in it,
13:40not in you.
13:41Come in, teacher,
13:42please.
13:43Here.
13:47Now yes
13:48the one who is going to leave
13:48down the drain
13:49it's me.
13:59Nice,
14:00Nice,
14:00what are you doing?
14:01Stop throwing everything away.
14:03Nice,
14:04please,
14:05Listen to me.
14:06Just look at that!
14:07How is your room?
14:08Mother,
14:09I don't have time
14:09to discuss,
14:10Yeah?
14:10I have to find
14:11an urgent outfit.
14:16We found remains
14:17of accelerator
14:17around the premises.
14:19Someone sprayed
14:20some liquid
14:21flammable
14:22and then
14:23set fire
14:23deliberately.
14:25Let's see,
14:26let's see,
14:26Who was going to do it?
14:27something like that?
14:28In the neighborhood
14:29we all want
14:30a lot of docino.
14:31But there's more,
14:32sirs.
14:33We are sure
14:34that his father
14:34it was found
14:35with the person in charge
14:36just before
14:37that everything would burn.
14:38The type
14:39He hit him
14:40violently
14:41in the head
14:41until leaving
14:42the unconscious.
14:43So,
14:44That coward
14:46He knocked him unconscious
14:48for later
14:48set it on fire
14:50To the bookstore?
14:51Look,
14:51We're here...
14:52My father
14:52He could have died
14:53there,
14:53ladies and gentlemen.
14:54Calm down,
14:54Calm down.
14:55We are already reviewing
14:55all nearby cameras
14:57and we are collecting
14:58some testimonies.
14:59If you know
15:00if your father
15:01did there have been any conflicts
15:02with someone,
15:03for the slightest
15:04Whatever it is,
15:05any detail
15:06It is a great help to us.
15:07Excuse me,
15:08sirs.
15:10Thank you.
15:11The only name
15:12that comes to me
15:12at the head
15:14It's my uncle's
15:15Arnoldo.
15:16Yeah.
15:17He was furious
15:19because my grandfather
15:19decided to support
15:20to all tenants.
15:22And if he did,
15:24I'll find out.
15:36Good afternoon, Celia.
15:39I need to talk to you.
15:41What are you looking for here?
15:42What do you want?
15:44Knowing why
15:45for years
15:47have you brought flowers
15:48to the grave
15:49from my father
15:49and my daughter Rosario.
15:51Why, Celia?
15:54No, I don't know.
15:55Why are you asking me that?
15:57No, you do know.
15:59Yes, you know
16:00And I want you to explain it to me.
16:02Why are you going, Celia?
16:04As if you were
16:05part of something
16:06which I do not know
16:08And I need to understand it.
16:12The gravedigger
16:13He told me about you.
16:15He told me
16:16that it was you,
16:17that sees you go
16:18every week,
16:20that you cry
16:21every time you're there.
16:23Why, Celia?
16:25And I want you to tell me
16:26the truth.
16:29I...
16:30I don't know how to tell you this.
16:33Just say it.
16:35I need to know
16:36What does all this mean?
16:39Speak, Celia.
16:40I want you to tell me
16:41the truth.
16:42Why are you suffering?
16:43as if this story
16:44Was it yours too?
16:45Because it is.
16:46It is, Cristina.
16:48This story
16:49It's mine too.
16:50me too...
16:52I have
16:53that I ask for your forgiveness.
17:01I haven't been perfect.
17:04They gave me more
17:06of what I asked for.
17:07Everything I have
17:11starting with you.
17:13You're taking my breath away.
17:16on my chest
17:18there is no room
17:19this love.
17:22I am in debt,
17:23heart.
17:26I have a thousand reasons.
17:27to question
17:29whether there is a heaven
17:30whether there is a heaven
17:31It's not a place.
17:32Happiness
17:34It's not a destination
17:35and that only
17:37It's not the same
17:38walk.
17:39It wasn't luck.
17:42It was written.
17:45And I know
17:46that there is a God
17:47Because with you
17:48He blessed me.
17:51I am by your side
17:52And I don't believe it.
17:54You are not my eyes
17:55but with you
17:56I see.
17:57I have everything,
17:59everything I want.
18:01I don't have birthdays.
18:02But the wish comes true.
18:03every day.
18:05Every day.
18:07Because you are mine.
18:09I am by your side
18:11And I'm being honest with you.
18:13I know it can end
18:14the whole world.
18:15And if that happens
18:17start over
18:19as if it were
18:20January 1st
18:22always together
18:24to get to the point
18:27I love you, period.
18:31What are you talking about, Celia?
18:34What happened?
18:36For the love of God.
18:39Tell me the truth.
18:41Please speak.
18:44That's the story
18:47It's mine too, Cristina.
18:49Because I lived it.
18:52I was at the fire, Cristina.
18:55And even though the years may pass
18:56I can't forget that day.
18:59Can't.
18:59Peaceful.
19:01Peaceful.
19:02Look, here...
19:03Have...
19:04Have...
19:06There was an explosion.
19:08And suddenly
19:09everything was fire.
19:12Smoke!
19:14Maria was a baby
19:16and I had to get her out
19:18From there, however it might be.
19:21I don't even remember
19:23how I managed to get it out.
19:26I walked as best I could,
19:27Cristina,
19:28carrying my daughter.
19:31and suddenly
19:32in the middle of it
19:34that smoke
19:35I saw them.
19:36I saw Gaspar
19:38behind the window.
19:40Bye bye!
19:41His dad was yelling!
19:43And I had...
19:44had her baby
19:46in the hands,
19:47Cristina.
19:49I saw them,
19:51They were there,
19:52I saw them.
19:52They couldn't leave
19:55and Gaspar
19:56me,
19:57He asked me for help.
19:59And what happened?
20:02For God's sake,
20:03Tell me what happened
20:04with Rosario.
20:06Celia.
20:07It's because Gaspar
20:08He was trying to tell me something,
20:10but the fire
20:12surrounded the entire house
20:14and I couldn't,
20:15Cristina,
20:15I couldn't get close.
20:17I swear,
20:18Cristina,
20:19I couldn't.
20:20I had to leave.
20:23I had to save
20:24to my daughter,
20:25I had to get her away.
20:26from there.
20:28And I ran,
20:29I really ran
20:30to seek help.
20:32I really did run.
20:35But when we returned,
20:37already,
20:38already,
20:40already,
20:40It was already too late.
20:43The two of us.
20:46Both of them had died,
20:48Cristina,
20:49forgive me,
20:50please,
20:51please,
20:52please,
20:53forgive me.
20:55Forgive me,
20:55Forgive me, those who are saved,
20:56please.
20:57No,
20:59No,
20:59No,
21:00No,
21:01No,
21:01No,
21:01That didn't happen.
21:03That didn't happen.
21:04That didn't happen.
21:09He regained consciousness
21:10a few hours ago,
21:11but it presents confusion
21:12and memory lapses.
21:14we cannot guarantee
21:15a speedy recovery
21:16nor is it complete
21:18because the blow
21:19in the head
21:19It was strong
21:20and inhalation
21:21from the smoke
21:22It didn't help much.
21:24Well,
21:24Hey,
21:25cheer up,
21:26They already know Don Justino,
21:27He's going to recover.
21:29It's an oak tree,
21:30Or not?
21:32Yeah,
21:32Yeah.
21:33Well,
21:34ready,
21:35They can pass.
21:36Wait for me,
21:36Wait for me,
21:36Wait for me,
21:37Wait for me,
21:37Come on.
21:42Ah,
21:43Well,
21:44Oh,
21:45It was about time.
21:47that they saw
21:48to visit
21:48the dying man.
21:49Don't say that,
21:50dad,
21:51if you're even ready
21:52to scold us
21:52to everyone.
21:53And to escape
21:54if we neglect you
21:55just a little bit,
21:55We already gave it to you.
21:57I just don't like it
21:58to be here,
21:59I mean,
21:59I want to leave now
22:00to my house,
22:02I have tomorrow
22:03that open
22:03the bookstore.
22:05Ah,
22:05Well,
22:05I just can't
22:06let the books
22:07They said it was light.
22:11So what now?
22:12What now?
22:13Because
22:13Those faces?
22:14Ah,
22:15because he had us
22:16with Jesus
22:17in the mouth,
22:17Don Justino,
22:18that's all.
22:19And not with eagerness
22:20He's going to leave here
22:21when the doctor
22:22authorize it.
22:23The thing is,
22:24well the blow
22:25that occurred
22:25in the head
22:25It wasn't just anything.
22:27Yeah,
22:27Well,
22:28I don't even remember
22:29how was it
22:30I cracked up
22:31the flowerpot.
22:33What can I do?
22:38Do you know?
22:38Mr. Amanda?
22:39What happened?
22:39Here's the problem.
22:42My blouse?
22:44What did you do to him?
22:45to my blouse?
22:46Give me a chance
22:47to explain it to him,
22:48patroness.
22:48Just don't get angry.
22:50It's going to wrinkle.
22:51At the moment
22:52Get out of my house.
22:54No,
22:54please
22:55Give me a chance
22:55of paying him
22:56little by little,
22:56please,
22:57But don't run away.
22:57Get out!
22:59Mister,
23:00I really need
23:00big money,
23:01please,
23:01Don't run away from me.
23:02You would have thought of that
23:03before putting
23:04my blouse in the toilet.
23:06Get out because
23:06I don't want to see you.
23:07Young gentleman,
23:07let's see,
23:08please,
23:09Leave!
23:10Get out of here!
23:11Yeah,
23:11leave.
23:14My blouse.
23:20I have to accept
23:21I'm already
23:22getting old.
23:23Don't say that,
23:24blond,
23:24please.
23:25And you, boy?
23:26Have you found it yet?
23:27To your mom?
23:27Yeah.
23:29I know
23:29which sanatorium
23:30are.
23:30That?
23:31But, well,
23:32to get in there
23:33I must appear
23:34an important man
23:34and powerful.
23:36Yes, yes,
23:36So,
23:36with those looks
23:37They're not going to let him in.
23:40Did you see that?
23:42darling?
23:42Yes, Dad,
23:42Yeah.
23:43We're going
23:44to help you,
23:45Ariel.
23:45Between Darío and me
23:47We're going to transform you
23:49like the count
23:50of Montecritte.
23:51Something like
23:52the count
23:53of all saints.
23:55Allah, brother.
23:55Well,
23:56It's going to have to be quick.
23:57Don Justino.
23:58I have an appointment tomorrow.
23:59And I can't wait.
24:01In fact,
24:01I'm going to the publisher right now
24:02to tell Ferreira
24:04I need to take the day off.
24:06I'm going to rescue my mom.
24:08Remember what he said
24:09the count.
24:10Patience
24:11It is a virtue
24:12and time
24:13your best ally.
24:15Yeah.
24:16That's very true,
24:17Ariel.
24:17You must decide
24:18calmly
24:19and wait
24:20the indicated time
24:21to act.
24:23Let's see,
24:24if you're going to become
24:26in a true aristocrat,
24:27Now you're really going to give it to him
24:28weight to your fortune,
24:29carnal.
24:31Remember,
24:32revenge
24:33It's a dish
24:33served cold
24:34and with a stylish jacket.
24:38No?
24:46Forward,
24:47please,
24:47Take a seat.
24:48Thank you.
24:50Oh, lawyer,
24:51thank you so much
24:51for letting me explain
24:53this manuscript
24:54that sincerely
24:54It's shocking.
24:57You say it's a story
24:58by Ariel Bravo,
24:59No?
25:00The waiter
25:00who works
25:01in the cafeteria.
25:01Yes, yes, yes.
25:02And here it explains
25:03how he was blamed
25:04unfairly.
25:06A trap.
25:07He says that someone
25:07very powerful
25:08I needed
25:09a quick culprit.
25:11He could be lying.
25:13Say,
25:13any
25:13that time has passed
25:14in jail
25:15tries to hide
25:15his fault
25:16and clear his name.
25:18Honestly,
25:19I don't believe it.
25:20It has many details
25:22difficult to fake.
25:23He says he did it
25:24by her mom
25:25and that the true
25:26guilty
25:27is someone
25:27who has a lot of money
25:28and much power
25:29And that's why
25:30he was able to get out
25:30with his.
25:32It's that everyone
25:33these years
25:33has pursued me
25:35the image
25:35Gaspar's
25:36and your daughter
25:37in the middle
25:38from that fire.
25:42That's why
25:44I always go
25:45and I bring them flowers
25:47because I want to
25:48I hope they will forgive me.
25:51They
25:54and you.
25:55No.
25:56Yeah.
25:58I don't believe you.
25:59I don't believe you, Celia.
26:02I don't believe you
26:03because Rosario
26:04He did not die that day.
26:06because Rosario
26:07He did not die.
26:09Rosario is not here,
26:10I know.
26:10I know that Rosario
26:11Alright.
26:12The authorities
26:13they said
26:13that the smoke
26:14He killed them.
26:15I'm sorry.
26:17They died of asphyxiation
26:18and that they did not suffer
26:20nothing.
26:21No, no, no,
26:22No, my daughter.
26:23No no.
26:24No.
26:25No.
26:25No.
26:25No.
26:26No.
26:26No.
26:26No.
26:28No.
26:28No.
26:28No.
26:31No.
26:31They took photos
26:32how everything turned out.
26:35Of the rest
26:36people who died.
26:38In the offices
26:39They must have
26:40that information.
26:41Ask them.
26:43And you know what?
26:44Let me,
26:45Pass it to me.
26:47Don't look for me again.
26:59If that's true,
27:01Why hasn't he reported it?
27:02the alleged culprit?
27:03Because he doesn't know who he is.
27:05And that's the other part
27:06The book is super interesting.
27:08How are you going to do it?
27:09to demonstrate
27:10Their innocence?
27:12Constanza,
27:13let's see.
27:15That man passed
27:16many years in prison,
27:17accused of murder.
27:19I don't want to
27:19forget
27:20who you're dealing with.
27:21Look,
27:22we will be
27:23very attentive
27:24of their behavior,
27:25But I don't want to.
27:27that you lower your guard
27:28with that criminal.
27:29Please.
27:31Understand.
27:32But not all
27:33the culprits
27:34are the ones that end
27:35in jail.
27:38You have a way
27:39very special
27:39from seeing things.
27:41And I like that.
27:44I like it too much.
27:47Well,
27:48I only
27:48I do my job.
27:50I know.
27:51I know that.
27:53Except not everyone
27:55They stand out so quickly.
28:05I see that you are
28:06arranging well
28:07at the publishing house, Ariel.
28:09And you even want
28:10publish a book?
28:13But not all
28:14They are so lucky
28:15after so many years
28:17in the shadows.
28:19It's not luck,
28:20It's justice.
28:21Clear,
28:23justice.
28:25Although some will say
28:26that justice
28:27sometimes
28:28she arrives accompanied
28:29of fortune.
28:31Do you want to tell me something?
28:33Yes, I want to tell you something.
28:35You can't fool me.
28:37Others will be able to see you
28:38like a hero,
28:40But your dark past
28:41It speaks for itself.
28:43That way you can save a thousand lives.
28:46You will never leave
28:47of being a murderer.
28:49I didn't kill anyone.
28:50What do you say?
28:54Maybe I would believe you
28:55if I didn't know
28:55another story.
28:57He gave you a Vivales
28:58that accepted something
28:59that does not belong to him.
29:00What do you mean?
29:03You know that perfectly well.
29:06Do you have something?
29:06that does not belong to you.
29:08The only thing I have
29:09in this life
29:10That's my name
29:10and my dignity.
29:12So you'd better speak clearly.
29:13If he's harassing me
29:14that I stole something from him,
29:15Say it.
29:15No,
29:16I'm not talking about robberies.
29:19I'm not talking about compensation.
29:21Sometimes life
29:22It delivers
29:22what you don't deserve.
29:27Could it be him?
29:28the killer
29:29by Leandro Bermúdez
29:30will be the powerful one
29:32Johnny Duarte?
29:33It's information
29:35from a long time ago,
29:36But here it is
29:38the file
29:39of the fire.
29:40It's not very complete,
29:42but we kept
29:43the expert report
29:43and some photos.
29:49The house
29:50from my dad
29:50It was a
29:51among the most affected,
29:52But what I want to know is
29:54It's everything related
29:56with my daughter.
29:57How did they find her?
29:59Was I with my dad?
30:01Because I have doubts
30:02And I have many doubts.
30:04Here they are
30:05the photographs
30:06of the property
30:07by Gaspar Vidal.
30:08It allows.
30:08Look,
30:09according to the notes
30:10of the experts
30:11who checked the area
30:12after the tragedy,
30:14there they found
30:15to the baby.
30:18but it is
30:19outside the house.
30:20Because?
30:23Lady,
30:24Excuse me,
30:25But I don't have
30:26the answers
30:26that you are looking for.
30:28I can only tell you
30:29what is noted here.
30:31It seems that his father,
30:32Mr. Gaspar Vidal,
30:34took the baby out
30:35through the window.
30:36The experts thought
30:37that he did
30:38in an attempt
30:39desperate
30:40to save his life.
30:42They met
30:44clues
30:45that he opened the window
30:46in order to take it out.
30:48But the creature
30:49He died from asphyxiation.
30:51They found her
30:52at the foot of the window,
30:53That's why they were able to
30:54identify it.
30:59I'm sure of it.
31:01that Cristina
31:02suspect something
31:03and I cannot allow
31:05that he may discover the truth.
31:07Nobody can know
31:08what I did,
31:09daughter.
31:10Nobody.
31:11Nobody.
31:17Well, if your little sister
31:19wants to live
31:19in the city,
31:21Well, that's where we're headed.
31:21We'll see each other.
31:22Because there
31:23Nobody will find us.
31:29Let's see, you're even...
31:33How much do I owe you?
31:34Oh, well, I don't know,
31:35This is the first time
31:36that I teach.
31:41No, wait, blondie,
31:42This is a good one,
31:43What do you think?
31:43It's what you deserve.
31:44for being a great teacher.
31:46Sure?
31:47Yes, yes, yes, obviously.
31:47No, well thank you very much,
31:49whenever you want,
31:50Here we are.
31:51Thanks, babe.
31:53You're a sweetheart.
31:54Hello, Franco,
31:56It's so nice to see you
31:56back again.
32:00And now, blondie,
32:01Why so serious?
32:02That?
32:02What stung you?
32:03I?
32:03No no.
32:04Yes, go ahead,
32:05Wipe that long face off your face.
32:06that today we must celebrate
32:07Because you know what?
32:08I just got
32:09a new job
32:10And I invite you to eat
32:11to celebrate.
32:12What are you saying?
32:14No, no, forgive me,
32:15I can't,
32:16because I have
32:16lots of things to do.
32:18Well, I can.
32:19Come on, come here.
32:21Come on.
32:23No, I'll take my loose one.
32:25Come on, come on.
32:30Can I help you?
32:31Thank you.
32:33No reason.
32:34Hey, and I want to interview
32:36to Ariel Bravo,
32:36the hero of the fire.
32:39I think it can inspire
32:40to many people,
32:41Do you know where I can
32:42find it?
32:43Well, this is where they work
32:44her sisters,
32:45I can ask them.
32:47Or if you prefer,
32:48I'll get you her cell phone number
32:49and you call him directly.
32:50What do you think?
32:51Yes, really?
32:51Yes, yes, yes, please.
32:53Please, thank you very much.
33:03Sorry.
33:04No, no, it can't happen.
33:05Arsenio, Esq.
33:07He's very busy
33:07at the moment.
33:08He's in a meeting
33:09with the new editor.
33:11The new editor.
33:13That Constanza, right?
33:15Uh-huh.
33:16Well, I'm not surprised.
33:17that she's so interested
33:18in meeting with him.
33:19Constanza knows very well
33:20how to accelerate your rise.
33:22You understand me, right?
33:24A pretty face,
33:25a little initiative
33:26and bam!
33:27to the boss's office.
33:29Well, no,
33:30I hadn't noticed it that way.
33:32You have to learn
33:33to observe more closely
33:34to the people.
33:38Well, well,
33:38the new star editor.
33:41Good afternoon,
33:41Mrs. Amanda.
33:43So, private meetings
33:44with the boss.
33:45What efficiency.
33:47We were talking about work.
33:49Yes, I work.
33:50You can be a little
33:51more discreet, my dear,
33:52Because here, everyone knows everything.
33:53And people watch.
33:55There is nothing.
33:55That's misinterpreting, ma'am.
33:58Excuse me.
34:03Oh, that's how they all are.
34:04They act dignified
34:05so that no one suspects
34:06of their intentions.
34:07And they don't even care.
34:09that the boss is married.
34:10Oh, how awful.
34:16And no matter how much I begged him,
34:18He kicked me out.
34:19And what was I going out of my way to do?
34:20to keep her happy?
34:22Oh no,
34:22They do exist, that's for sure.
34:24No, well Emilia
34:25He was cheating on her
34:26from the beginning,
34:27since you started
34:27to work with her.
34:28There are your consequences
34:29for being a liar.
34:31Don't scold me anymore, Rutilia.
34:32Nor do you have to be.
34:34Okay, Emilia,
34:35are you looking for another job?
34:36And they're taking them out.
34:37That?
34:37Sisters?
34:38Already.
34:40Oh, what a boo.
34:41What happened to my mom?
34:42Was he there or not?
34:43in the sanatorium of terror?
34:46No, judging by the look on your face,
34:47They probably didn't let you.
34:48Not even to go in, right?
34:49No.
34:50Oh well,
34:51I made an appointment for tomorrow.
34:53And once I'm in there,
34:56I'm not going out without my mom.
35:05when Father Belisario comes
35:06I'm going to tell him
35:07what is happening.
35:09Because I trust in Him alone,
35:10my soul,
35:12He will find
35:13the way to help you.
35:17Ariel.
35:20Ariel,
35:22my son.
35:24Your son's name is Ariel.
35:30Ariel.
35:38Tomorrow, whatever it takes,
35:39But we're going to be with Mom.
35:41Yes, yes, yes.
35:41Oh.
35:42Look, who is the light?
35:43Look who's here.
35:46Maria, Jose, Bravo,
35:47come here.
35:48Oh, I hate
35:49when he yells at me like that
35:50in front of everyone.
35:51Excuse my mom, Maria.
35:52He doesn't know what it means to speak softly.
35:58Because?
35:58Because?
35:59It's time to talk
36:00about your future.
36:02Not right now, Mom.
36:03Please.
36:03Can't you see I'm
36:04with my new friend?
36:05Look,
36:06I present to you Maria.
36:07She just moved in
36:08to the city.
36:10Hello.
36:10Nice to meet you.
36:12Hello.
36:13Hello.
36:13Hello, Emilia.
36:14Maria.
36:15Hello, I'm Majo's mom.
36:17Nice to meet you.
36:19Hi, I'm Ruth.
36:20Hi, Ruth.
36:24Nice to meet you.
36:28Nice to meet you.
36:29Nice to meet you.
36:40Did he tell you that?
36:41Mrs. Amanda?
36:42I think she
36:43She's got her eye on you
36:44with saguas.
36:46Yes, that's true
36:47that people
36:47It looks perfect.
36:48I observed you closely.
36:49And what do you plan to do?
36:51That woman is not going to crush me
36:52with his cheap insinuations.
36:55I'm going to shut her big mouth.
36:56as best I know how.
36:57With facts.
37:00For that I need
37:01to Ariel Bravo.
37:02I'm going to the cafeteria
37:03to look for it.
37:03No, no, no, don't even go.
37:04Just now that I went for the coffees
37:05I realized
37:06that he didn't come to work.
37:07I think it's his day off.
37:09I can't wait until tomorrow.
37:11I'm going to go pick him up at his house.
37:13To your house, Constanza?
37:15Are you sure?
37:16It's almost nightfall.
37:17So what?
37:19I'm going to investigate
37:19where he lives.
37:20I'll call you right now
37:21to tell you what happened.
37:29Good afternoon, Julia.
37:30Is my husband busy?
37:32Oh, good afternoon,
37:33Mrs. Cristina.
37:34He's not here.
37:35He left and didn't say
37:36if he returns
37:37and he didn't say either
37:37where was I going?
37:38Do you want me to tell him?
37:42Cristina,
37:42What a surprise
37:43Seeing you here at this hour.
37:45I need to talk
37:46of an important matter
37:47with Arsenio.
37:47What a pity
37:48because the lawyer
37:49It's not there.
37:51Cristina,
37:52you are not only
37:53my boss's wife,
37:53We're also friends.
37:56That's why I must
37:57to tell you what Julia
37:59he told me
37:59a moment ago.
38:00Right, Julia?
38:03It seems that at the publishing house
38:04A strong rumor is circulating.
38:05about what
38:07that Arsenio
38:08She has a lover.
38:25Thank God
38:26I already got it
38:26job
38:27in the gym
38:27Marcelo's.
38:28Yeah,
38:29Maria decided
38:30move to the neighborhood
38:31for love
38:32to fight
38:33through the heart
38:34of the boy
38:35that you know
38:35as a little girl.
38:37Wow,
38:38Do you know that I used to live
38:39Something similar?
38:39Really?
38:41The woman I love
38:42He left his town
38:43to find me
38:44here in the city.
38:45And did they end up together?
38:47Were they happy?
38:48What happened?
38:49No,
38:50She is married.
38:52See?
38:53That's why you shouldn't leave
38:54to fight
38:54For the love of Leo,
38:55Hey?
38:56No, man,
38:56Don't worry, friend.
38:58I'm super determined
38:59of staying here.
39:00Hey,
39:01And why don't you stay?
39:02with us?
39:03Oh,
39:03No,
39:03No,
39:04sorry,
39:04sorry,
39:04sorry,
39:05It's just that barely
39:06if we fit in the house
39:07And you remember
39:07that we give you
39:08with your mom.
39:09No,
39:09man,
39:09No,
39:09No,
39:10No,
39:10No,
39:10No,
39:10Don't worry,
39:11really,
39:11The last thing I want
39:12It is therefore annoying,
39:13clear,
39:14I'll get something,
39:15Don't worry,
39:15Okay?
39:15No,
39:16No,
39:16No,
39:16by no means,
39:17We're not going to let you.
39:18on the street,
39:19You're going to stay
39:20in the house of the brave,
39:22I'll let you have my room
39:22and I'm going to the living room.
39:24Really
39:25Would you do that for me?
39:26Clear.
39:34My daughter could have
39:35Maria's age
39:36if she were alive.
39:45Hey!
39:47What's wrong, Ariel?
39:49What's wrong, Ariel?
39:50I almost ran you over,
39:51that?
39:51Sorry,
39:52the thing is
39:53you told me
39:54that I was the exhumation
39:56And all I needed was
39:56talk to you,
39:57to know how it went
39:58And how were you?
40:01What's happening?
40:02Why are you like this?
40:03Let's see,
40:04move around,
40:05We need to talk.
40:08What's happening?
40:09No,
40:10No,
40:10I want to talk
40:11with you, Ariel.
40:11Please,
40:12Damn, damn,
40:13We need to talk.
40:14You're not okay.
40:15goes.
40:24Forward,
40:25Arsenio.
40:30Uncle,
40:31You can't imagine
40:31what ends
40:32discover
40:32by Ariel Bravo.
40:33That?
40:35Ariel has no idea
40:36who paid
40:36to send it
40:37to jail.
40:38Obvious,
40:38much less
40:39knows who
40:39He killed the policeman.
40:42I don't trust it,
40:43He is unhappy.
40:44We cannot
40:45be sure
40:46of what he knows.
40:48All
40:48that I need
40:49is that he gives me back
40:50my money.
40:51What if we've been
40:52wrong?
40:53What if Ariel never
40:54Did he have the diamonds?
40:55No,
40:55that guy
40:56has been
40:56deceiving,
40:57Arsenio.
40:59Think about it.
41:00There are too many.
41:01coincidences.
41:02It appears out of nowhere,
41:03He steals my diamonds,
41:05start working
41:05to the publisher
41:06and now
41:07her mother disappears.
41:10It had to be
41:11he
41:11who took her away.
41:14So,
41:14we cannot
41:14keep waiting
41:15Let's see who else does it.
41:16No.
41:17We need to
41:18get rid of it.
41:21We need to
41:21kill him
41:22once.
41:27Let's see,
41:28Cristina,
41:28please,
41:29Tell me what's wrong.
41:32I knew
41:33that the
41:33exhumation
41:34It was going to be very difficult.
41:35See how he treated you.
41:38Please,
41:39forgive me,
41:39I should have told you
41:40accompanied,
41:40But please,
41:42Tell me what's wrong.
41:49What is this?
41:53I was in
41:54in the tomb
41:55among the remains.
42:00Is
42:01the little clothes
42:01of our daughter?
42:05Ariel,
42:08that dress
42:09He wasn't from Rosario.
42:11It's not our daughter's.
42:15Sorry,
42:16I don't understand
42:16What are you saying?
42:17meaning.
42:20That our daughter
42:23She could be alive.
42:27Viva?
42:30God.
42:47I don't have birthdays,
42:48But the wish comes true.
42:50every day
42:53Because you are mine.
42:56I am by your side
42:58And I'm being honest with you.
43:00I know you can
43:01end of the world
43:02whole
43:02And if that happens...
43:04please,
43:05that nothing.
43:05Thank you.