Quartieri alti/1943 HD

Cinema Lumière

Un giovane, amante di una matura signora dell'alta borghesia, si invaghisce, ricambiato, di una ragazza alla quale tiene nascosto il fatto di essere già fidanzato. Per riuscire a conquistarla, il ragazzo scrittura due attori per fargli recitare la parte dei genitori ma i piani non vanno esattamente come previsto.  #commedia #drammatico

Transcript

00:00:11Thank you all

00:00:45Thank you all

00:01:14Thank you all

00:01:58Thank you all

00:01:59One moment

00:02:16Gian Domenico

00:02:19Ah, that's very nice of you.

00:02:22As?

00:02:24From the pulpit?

00:02:25Ah, he's a sweetheart

00:02:29No, listen, don't tell me

00:02:31If the other evening from there he was darting me with the little paternò

00:02:33Oh, but I won't tell you how

00:02:37Ah, you know the story about the elbow too, huh?

00:02:40So there was a plan to go from head to toe

00:02:42But in the end from another bank another bank another bank, then

00:02:45Do you want to go up?

00:02:46But look, I'm still in the bathroom and then I have to shave

00:02:48All right

00:02:49So come on up, come on up, you'll wait for the living room, eh?

00:02:54Come on up

00:03:22Then come on up, come on up, you'll be waiting for the living room

00:03:24Then come on up, come on up, you'll be waiting for the living room

00:03:54Then come on up, come on up, you'll be waiting for the living room

00:04:52Then come on up, come on up, you'll be waiting for the living room

00:04:56But couldn't you just postpone it until tomorrow morning?

00:05:00No, I told him, we need accommodation this evening, at seven sharp.

00:05:03Seven o'clock? How can you do that? It's already a quarter past six.

00:05:06How do you do what?

00:05:07For the inventory

00:05:07But what inventory?

00:05:08The furniture one, if she wants to take possession of the house this evening

00:05:13So, so number two Egyptian coat hangers in gold and decorated parchment

00:05:18One and two

00:05:20Large Egyptian parchment console with crystal shelves

00:05:24But it doesn't matter, I tell her, I'll sign the inventory, everything is there, nothing is missing, give it here

00:05:27I'm sorry sir, but I'm a precise person.

00:05:29Okay, but let's hurry up.

00:05:30Number eleven porcelain pieces, they are there

00:05:33Number two artistic bronze statuettes with a portido base

00:05:36But there are, one and one two

00:05:38Two Egyptian parchment chairs, there they are

00:05:40A decorated umbrella stand, here it is

00:05:41Cast iron stove like the American one, there it is

00:05:44Complete game of bollege and mahogany table, there it is

00:05:47The living room

00:05:49Look, you skipped a page, the antechamber isn't finished

00:05:52But we need to take inventory of all this stuff

00:05:54Then we'll go back to the antechamber, eh, via me

00:05:56So let's proceed with a bit of method

00:05:58I'll start with the walls

00:06:02Oh, walls covered with oriental tapestries with motifs of branches, leaves and birds

00:06:08Wait a minute, ma'am, little birds?

00:06:10I don't see the birds

00:06:11How come, she doesn't see the birds?

00:06:13No, no birds

00:06:14Branches, leaves, but no birds

00:06:16And yet, and yet, oriental tapestry with motifs of branches, leaves and birds

00:06:20The previous tenant must have been stolen from him.

00:06:22From the tapestry

00:06:23Ah, dear lady, our days

00:06:25But maybe this reason doesn't seem right to you

00:06:26Here, look yes, here is the head, here is the tail

00:06:28A bird with a head instead of a tail?

00:06:30But do me a favor

00:06:31Dear Madam, your inventory is not accurate.

00:06:34And then I'm waiting for someone from Rome on the seven o'clock train.

00:06:36It's five to seven, I have no time to waste

00:06:38Over here, I'll sign it.

00:06:39Not here, not here

00:06:39Here, here, here, here

00:06:44That's it, and now you listen to me.

00:06:46She looks like a very kind lady.

00:06:49No, I'm not made nice

00:06:50Yes, so kind

00:06:50And his is a very nice old house

00:06:53That she rented to me for a month

00:06:54And actually, he wanted to rent it for a year

00:06:56Oh, dear lady, life is like that too.

00:06:59We all want to rent for a year

00:07:00And we can only rent for a week.

00:07:03Or for a day

00:07:04For a day? But if you paid for a month

00:07:06Or for just one evening

00:07:07I do not understand

00:07:08No, they played, it's for me

00:07:09Would you be so kind as to come upstairs?

00:07:11And to stay locked in her room no matter what happens

00:07:13Don't doubt it, he said the phone doesn't work.

00:07:15They were cut here

00:07:16Eh, thank you, thank you

00:07:17Please come upstairs for me.

00:07:33Is this the Casina delle Palme van?

00:07:36Precisely

00:07:36Well

00:07:37We always have lunches ready like this

00:07:39In a quarter of an hour the gentleman will be able to be served.

00:07:41Nothing is heated, everything is hot

00:07:43For the Casina delle Palme there are no hours or distances

00:07:45The miracles of the Casina delle Palme

00:07:47Do you believe it?

00:07:48To what, sir?

00:07:49To miracles?

00:07:50No, sir.

00:07:51But the Casina delle Palme organization can do this and more

00:07:54Are these with you?

00:07:55Yes, gentlemen, they are my helpers.

00:07:57Well, let them pass through the kitchen.

00:07:58The kitchen?

00:07:59Over here

00:08:01And show them as little as possible

00:08:09This is the dining room

00:08:10For my guests, lunch should appear home-cooked, is that clear?

00:08:13Very clear, sir.

00:08:14But...

00:08:14But?

00:08:19There aren't any, but...

00:08:20One moment

00:08:20Gentleman?

00:08:21Have you always used the hotel method?

00:08:23Oh no, sir

00:08:24I served for 17 years as a butler

00:08:27The duke with lesser canestracci

00:08:29At that time

00:08:30Do you cook crepes in balsamic or consommé?

00:08:41I apologize to the gentleman

00:08:43It won't happen again

00:08:44Well

00:08:44What are your names?

00:08:46Buscaglione

00:08:47But no, the name is...

00:08:48Emilio

00:08:49Very good

00:08:50Imagine having me on your lap, Emilio

00:08:55Me, sir?

00:08:56You, Emilio

00:08:58I don't know if the gentleman realizes that I am a calm man.

00:09:02And that nothing in my physique lends itself to such suppositions

00:09:06But what are you thinking?

00:09:08They have already asked you several times not to say that you are a hotel method

00:09:11But the butler of the house

00:09:12Almost always human vanity

00:09:14I only ask you one little thing more.

00:09:17Emilio, old and faithful servant of my family

00:09:19You must say you saw me being born

00:09:23Are you sorry you saw me being born?

00:09:25No, on the contrary

00:09:26It would have been an honor for me

00:09:27An honor and a pleasure

00:09:28I love babies

00:09:30And then we understand each other

00:09:32You saw me born

00:09:33And you held me on your knees

00:09:35When I was this tall

00:09:36With height everything changes

00:09:38We understand each other

00:09:40So I have been serving the family for many years

00:09:42Rather my father, if you believe

00:09:44He was a butler in his house

00:09:45As a boy I was a kitchen boy

00:09:47Then I traveled the world on ocean liners

00:09:49And when my father retired due to age

00:09:52I came back to take his place here

00:09:54In 1911 during a hunting trip

00:09:57Don't overdo it

00:09:58Tonight I will introduce you to my parents

00:10:01But sir, your parents will be surprised

00:10:03But no, don't worry

00:10:05Emilio, go open the door.

00:10:07Yes, sir baron.

00:10:08What?

00:10:08Baron?

00:10:10Since we're here

00:10:11Wouldn't it be better if I gave it a title?

00:10:13Oh, for goodness sake, no aristocracy

00:10:15A simple, wealthy and honest family

00:10:18I won't hide from you that if I had had more time

00:10:20I would have preferred an old Bruttese waitress

00:10:23Oh Lord

00:10:24It's a genre that's now outdated

00:10:25And the gentleman has too much taste

00:10:27Ah, important

00:10:28Remember that we are in my parents' house

00:10:30Oh, very good.

00:10:32And you would be the mister?

00:10:33George

00:10:34Mr. George

00:10:35Mr. George

00:10:37I have to get used to saying it with a certain ease.

00:10:39Mr. George

00:10:41Mr. George

00:10:42Mr. George

00:10:43Mr. George

00:10:44Mr. George

00:10:47Mr. George

00:10:48Mr. George

00:10:49Mr. George

00:10:51Mr. George

00:10:52Mr. George

00:11:02Mr. Zanetti

00:11:04Zanetti

00:11:05Mr. Giorgio Zanetti

00:11:07Oh Giorgio

00:11:09Mr. Giorgio

00:11:11Please have a seat.

00:11:15Who should I announce?

00:11:17Febu Marcantoni

00:11:19And Maria Letizia Broneschi

00:11:20Good morning

00:11:22Thank you for coming

00:11:23Please, please

00:11:24Zanetti

00:11:25Brunetti

00:11:26Febu Marcantoni

00:11:27I see they are punctual

00:11:28They came together

00:11:28No no you know we met

00:11:30Just by chance at the station

00:11:31But think about it

00:11:32Two companions in art

00:11:33They hadn't seen each other for many years

00:11:34So here I am

00:11:35I was walking

00:11:37So above thoughts

00:11:39When I had a trait

00:11:41Oh but what do I see?

00:11:43But those Letizias

00:11:45Dear Letizia

00:11:47But how are you, dear?

00:11:48Dear Febu, how long?

00:11:50Now you remember, eh?

00:11:51Our beautiful triumphs in Egypt

00:11:53And cicici and cicici

00:11:55And where are you going?

00:11:56She says

00:11:56And you say I

00:11:58But I am

00:11:58Via della Finita 32

00:11:59But me too

00:12:00So you're signed up

00:12:01From that young man

00:12:02Yes also yes

00:12:04This one is beautiful

00:12:07And so we came

00:12:09Arm in arm so far

00:12:09Like once upon a time

00:12:10When we came out of the test

00:12:11And here we are

00:12:12Well done

00:12:13Aspects

00:12:13Are you still waiting?

00:12:14Arrive at the square

00:12:15Letizia stops in her seat

00:12:17What do you have?

00:12:17I say

00:12:18Maybe you forgot something?

00:12:19No, she says Febu

00:12:21Remember we recited

00:12:22In this country

00:12:22Something

00:12:23Who told me that?

00:12:24Excuse me

00:12:24You are not interrupting

00:12:25I had to improvise

00:12:26All this evening

00:12:26We have very little time

00:12:27In fact Capere told us

00:12:28When we signed the contract

00:12:29Whether it was Tuesday or Wednesday

00:12:30Something similar

00:12:31Yes but at the last moment

00:12:32My plans have changed

00:12:34And I had to anticipate

00:12:35I need their work

00:12:36For this evening

00:12:36You must excuse us dear sir

00:12:38Ten years since we saw each other

00:12:39From the time of the Berti company

00:12:40But what ten years?

00:12:41They're not even seven

00:12:42Like seven

00:12:42It was the time of the blaze

00:12:43The Garibaldi blaze

00:12:44But that was fifteen years ago

00:12:45From the Gislanzoni Bracci period

00:12:47But no, so when did Bracci die?

00:12:48Bracci is not dead

00:12:49Gislanzoni has died

00:12:50Gislanzoni has died

00:12:50And you didn't know it

00:12:51Oh poor thing

00:12:52Ladies and gentlemen

00:12:53I called them here for an assignment

00:12:54Of a special nature

00:12:55It's not a matter of a moment

00:12:56Of cinematogra

00:12:56No no no

00:12:57No because I filmed for three days

00:12:58In a movie

00:12:59And I assure you I have enough

00:13:00They won't catch me there anymore, you know, dear.

00:13:01My guests are arriving in half an hour.

00:13:03And everyone here must know your part

00:13:11No script needed

00:13:12Don't be impressed

00:13:13It's just about having lunch tonight

00:13:15And to support with my guests

00:13:17A very brilliant conversation

00:13:18Oh

00:13:18I told my guests

00:13:19But I should have told my guest

00:13:21I understand

00:13:22I'm expecting a young lady

00:13:23Which is due any minute now

00:13:24Oh

00:13:24This young lady

00:13:25I will speak to you frankly

00:13:27I'm in love with her

00:13:29Oh

00:13:30Would be

00:13:31It's too long to explain the reasons now

00:13:33But I had to lie to this girl

00:13:35Oh nothing serious here you go

00:13:37I don't have parents anymore

00:13:38Oh

00:13:38And instead I told her that they were still alive

00:13:40And who lived in the surroundings of Rome

00:13:41Why

00:13:43To explain certain absences

00:13:45Which he forced me to do several times a week

00:13:47A relationship I couldn't confess to her

00:13:49But that's not enough

00:13:51I don't have any friends

00:13:52And they know how weak a man in love is.

00:13:54But who says that?

00:13:55And a woman then

00:13:56Since this girl

00:13:58He is a very naive creature

00:13:59Very pure

00:14:00Who believes in friendship

00:14:01One day he was amazed

00:14:02That a boy my age

00:14:03He didn't have any friends

00:14:04So what?

00:14:05I made one up from scratch

00:14:08I invented a perfect friend

00:14:09Loyal, sincere, devoted

00:14:11Oh I know these things

00:14:13Love

00:14:14Once in Montecatini

00:14:15He asks to understand a beautiful girl

00:14:16An ironer

00:14:17Of being a football champion

00:14:18But thus creating these imaginary beings

00:14:20The young lady gradually began to love them.

00:14:22He was surprised that I didn't introduce them to him.

00:14:25I put it off a thousand times with a thousand excuses

00:14:27But tomorrow she's leaving

00:14:28I couldn't find any more excuses

00:14:31He's coming here tonight

00:14:32To have lunch with my parents

00:14:34And with my friend

00:14:35He began to see clearly

00:14:36But then she wants us to play the part of those parents

00:14:39Precisely

00:14:40And what they say during the evening

00:14:41What they would have said if they had existed

00:14:43Magnificent

00:14:44Magnificent

00:14:44I find it very funny

00:14:46Very funny

00:14:46And who did he hire to be the friend?

00:14:48No, nobody

00:14:48Parenting isn't hard

00:14:50But a friend is something else

00:14:51We'll put the cover on

00:14:52We'll wait a little while

00:14:53The place will remain empty

00:14:54He won't come

00:14:55And so will be the true ideal friend

00:14:57Oh

00:14:57I love mother parts

00:14:59These are the best parts

00:15:00Especially when you're still young

00:15:01There is a kind of coquetry

00:15:02And I have a type of father in mind

00:15:05Very interesting

00:15:06We need to agree on the parts

00:15:07Because I described them to the girl

00:15:09In every little detail

00:15:10He didn't exactly cast me as a bad mother.

00:15:12And because I wouldn't be able to recite it

00:15:13But no, a very good mother

00:15:15Who adores his son

00:15:15And despite everything she remained a woman

00:15:17A modern woman

00:15:17Unscrupulous

00:15:18Dynamics

00:15:19But not at all

00:15:20She must be a quiet woman

00:15:22Restful

00:15:23A little provincial

00:15:24Call the house

00:15:26Good evening

00:15:28Good evening

00:15:28My dears

00:15:31Good evening

00:15:32But what the hell is this?

00:15:34Ah ah

00:15:34It's me by Bacchus

00:15:36Very good

00:15:36She was also kicked out

00:15:37He doesn't want to come and get that salt, does he?

00:15:39But no I'll suck myself better

00:15:41I just snuck the guy in like that

00:15:42To give you an idea

00:15:43But I don't want fake beards

00:15:44We didn't understand each other

00:15:45Oh let's explain ourselves well

00:15:46She wants a leading character

00:15:47Or a father character?

00:15:49Because if he wants as I understand

00:15:50A father character

00:15:51Here they are one

00:15:52He won't present it, will he?

00:15:53To teach me the trade now

00:15:55But here it's not about teaching the trade

00:15:56There must be no trade here

00:15:58These characters exist

00:16:00They are already half alive

00:16:01There is a person who believes in it

00:16:02Who expects certain words from them

00:16:04Certain gestures

00:16:05A certain atmosphere

00:16:06But let's go

00:16:07Let them be nice

00:16:08Help me make it live for one night

00:16:10These fictional characters

00:16:11They believe

00:16:13I'm waiting for them too

00:16:14This father

00:16:15This mother

00:16:15This friend

00:16:16I'm waiting for them

00:16:18As if returning from a long journey

00:16:20You know it my dear

00:16:21A woman is always ready

00:16:22To indulge love

00:16:23We are at your disposal

00:16:25Dear Sir

00:16:26How much

00:16:27To my words

00:16:28A little lively a little while ago

00:16:29Thank you

00:16:30But don't call me dear sir anymore

00:16:31We need to start right away

00:16:33I am their only son Giorgio

00:16:38Gentleman

00:16:39What's up?

00:16:40Gentleman

00:16:41Please

00:16:42Excuse me a moment

00:16:50I apologize sir

00:16:51What's up?

00:16:52Lunch was ordered for four

00:16:54I know

00:16:54But since my company

00:16:55He does things with generosity

00:16:57How many place settings should I put?

00:16:59Put five of them

00:16:59All right

00:17:01Ninth

00:17:01Don't be afraid

00:17:02There will only be four of us at the table

00:17:04The fifth guest will not eat

00:17:06Oh

00:17:08Then I think I understand

00:17:09It is undoubtedly

00:17:11Of the poor man's cover

00:17:13The poor man's cover?

00:17:15In the house of Duke Camestracci Menotti

00:17:17Where all traditions were respected

00:17:19The holidays

00:17:20It was always on the table

00:17:22An extra cover charge

00:17:23That of the poor

00:17:24And did the poor man come sometimes?

00:17:26No sir

00:17:27Never

00:17:27He always put the plate on

00:17:29But there was never anyone there

00:17:31That warned him

00:17:32The poor man

00:17:33And she

00:17:34Go and open it

00:17:35Right away sir

00:17:36Alright

00:17:38Alright

00:17:38You, madam

00:17:39The piano begins to play

00:17:40About dad the newspaper

00:17:41No you listen I read

00:17:42Listen to me

00:17:43I improvise with a lot of power

00:17:44And they look at me continuously

00:17:45If there is danger

00:17:46Stop

00:17:47But what about her?

00:17:48And she

00:17:48Like me?

00:17:49The young lady will certainly ask us about herself

00:17:50Yes

00:17:51He didn't tell us anything about her

00:17:52His character

00:17:53His antecedents

00:17:54My God it's true

00:17:55How can you talk about him?

00:17:56If he doesn't tell us anything

00:17:57Emilio a moment

00:17:58Sir I was about to open

00:17:59And the young lady I'm waiting for

00:18:00Don't open immediately

00:18:01Go to the meeting at the gate

00:18:02Keep her here in the antechamber

00:18:04Pull as far as you can

00:18:05Invent something

00:18:08Both of you listen to me carefully.

00:18:10So I

00:18:11Gentleman

00:18:12Gentleman

00:18:12What else is there?

00:18:13I forgot the gentleman's name

00:18:15George

00:18:16Mr. George

00:18:17Thank you Mr. Giorgio

00:18:18This time I carved it

00:18:21So my name is Giorgio

00:18:22My friend's name is Roberto

00:18:23And she Isabella

00:18:24I'm 24 years old

00:18:25I'm shy

00:18:26She starts playing

00:18:27I don't have much imagination

00:18:30Don't tell us

00:18:31But deep down I'm a good guy.

00:18:32Yes

00:18:33A little provincial

00:18:35A little naive

00:18:38But brave and good

00:18:40Brave and good

00:18:41Good good

00:18:42As a child he was a bit rambunctious and brutal

00:18:44But when I was spoken to sweetly I blushed

00:18:46And I burst into tears

00:18:47Magnificent

00:18:49I believe in love and friendship

00:18:50I would kill myself for my friend Roberto

00:18:52And he would kill himself for me

00:18:53Bravo

00:18:54Certain

00:18:54At this moment it will be kind

00:18:57Oh

00:19:00So

00:19:00So I was saying

00:19:01That

00:19:06I did my military service in Civitavecchia

00:19:08Second Infantry

00:19:09Second Infantry

00:19:10You sent me sponge cake and chocolate every week

00:19:13Sponge cake and chocolate

00:19:14Chocolate

00:19:14I studied at the University of Milan

00:19:17And I graduated in

00:19:19In

00:19:20In agriculture

00:19:21Agriculture

00:19:22Agriculture

00:19:34I had measles when I was little

00:19:36All kids do it

00:19:38Ah here it is

00:19:39I don't have time to tell you anything anymore

00:19:43They are faithful

00:19:46I can't tell lies

00:19:51Oh

00:19:51Hold on

00:19:52This is me when I was eight years old

00:20:03I really liked climbing trees.

00:20:08Gentleman

00:20:09What's up?

00:20:12What's up?

00:20:18Gentleman

00:20:19There is a hunchback

00:20:21A hunchback?

00:20:22Yes sir

00:20:23It comes from Miss Barbara

00:20:25Throw him out right now

00:20:26Oh Lord

00:20:27A disabled person

00:20:29He is the tobacconist of the village

00:20:31Who has the phone

00:20:32He says he has an errand for her.

00:20:38What's up?

00:20:39Mr. Zarelli?

00:20:40Yes it's good

00:20:41I'm the tobacconist down in town

00:20:43A certain Miss Barbara called

00:20:45He says he tried to call Chiara Villa

00:20:47But nobody answers

00:20:48He says so to call her immediately

00:20:50It seems like something happened though

00:20:52About what she knows well

00:20:54He says so that if she doesn't show up

00:20:55The mess will explode

00:20:57He said exactly that

00:20:58The mess

00:20:59I'll come with her one moment

00:21:00I have the car here

00:21:00Emilio the Interneable

00:21:02That young lady will be arriving soon

00:21:04She didn't arrive on the eight o'clock train.

00:21:05It will certainly arrive with the half past eight one.

00:21:07Let them receive it, please.

00:21:08We will receive it but

00:21:10If I don't come back soon it means I was forced to go to Rome

00:21:12How are we doing?

00:21:14They start having lunch with her without waiting for me

00:21:16Thanks goodbye

00:21:20Wait for me

00:21:20I hope not to be late

00:21:38The mess

00:21:40I ask myself dear

00:21:42If it wasn't better to make us pay first

00:21:43After all, we could even refuse

00:21:45To lend ourselves to this farce

00:21:47Sure sure

00:21:48But we have made a commitment

00:21:49And if we don't act

00:21:50Of a little bit

00:21:52What's upstairs?

00:21:54If we don't act he would have the right not to pay us

00:21:57And in this case legally

00:21:59We should put ourselves on the wrong side

00:22:01Of course, it's a funny situation, isn't it?

00:22:03Why then does that girl make up all this comedy?

00:22:06To seduce her

00:22:08To rob her

00:22:10Or to strangle

00:22:11And please don't say nope

00:22:13Oh my dear, you never know.

00:22:14Nowadays you have to expect anything

00:22:17Didn't you see a little while ago in Cobbo

00:22:19How it caught his eye

00:22:20Did you get a sting in the eye?

00:22:21Yes like that

00:22:22Of a little bit

00:22:24Caffiero when he signed you

00:22:25Did it seem to you that he knew that young man or not?

00:22:28But I thought it was the first time he saw it.

00:22:39And it's already night

00:22:43The isolated villa

00:22:46In fact I would say

00:22:47Almost in the middle of the countryside

00:22:50I'm not armed by any chance.

00:22:53If we need help

00:22:57We wouldn't know what to do

00:22:59Let's call

00:22:59To whom?

00:23:01In Caffiero

00:23:08Yes

00:23:08Help!

00:23:10Huh?

00:23:10But what is it?

00:23:11Nothing, the phone doesn't work

00:23:13Give me

00:23:13Ready?

00:23:15Ready?

00:23:16Ready!

00:23:17But

00:23:18You can see that the line is under repair

00:23:19Ninth

00:23:22But

00:23:25It was cut

00:23:33Where is the phone?

00:23:34It's here

00:23:38It's here

00:23:39She can dial the number of Rome

00:23:41There is a direct line

00:23:42Oh thanks

00:23:53Miss please

00:23:55421

00:23:59Barbara?

00:24:00Yes yes it's me

00:24:01But how did you know I was here?

00:24:03Very simple

00:24:04I stalked you

00:24:06But yes Giorgio

00:24:07A terrible scene

00:24:08This time there

00:24:09He decided me for everything

00:24:11Yes

00:24:11Starting with Gian Domenico

00:24:13To plant you

00:24:14Yes

00:24:15Gian Domenico is across from her now

00:24:17As

00:24:19If it's not a very important thing

00:24:20The one you're doing this evening

00:24:22Maybe it would be better if you came back

00:24:25But of course I know

00:24:26It doesn't concern me

00:24:27No

00:24:28I'll call you from the cloakroom

00:24:30Is Roberto there?

00:24:31I'm sure you told him where I am

00:24:33A national package

00:24:34There are times that

00:24:36That you lose your head and don't know what you're doing

00:24:38How silly you are, love

00:24:40In short, do as you wish.

00:24:41Here yes

00:24:42Call me soon

00:24:43I'll tell you what's happening

00:24:48What are you doing here?

00:24:49Nothing

00:24:54Any news about Giorgio?

00:24:55No

00:24:56But who were you calling?

00:24:57But I didn't call

00:24:58But you don't enchant me

00:25:02I'm going back to look for him

00:25:03Try Ambassadors

00:25:04You have to fish it out

00:25:05Miss, please.

00:25:06They interrupted

00:25:13How much is it?

00:25:15Two fifty ladies

00:25:16What is it that always makes the eye twitch so?

00:25:19Oh nothing sir

00:25:20It's a tic

00:25:21Nervous tic

00:25:22Take it easy

00:25:23Thank you

00:25:24Good evening

00:25:46Let's hope they keep her entertained until I get back.

00:25:59Child

00:26:01See you next time

00:26:01Let's hope it entertains you

00:26:05Let's hope it entertains you

00:26:30Thank you all.

00:27:13Thank you all.

00:27:37Thank you all.

00:27:40In poor Tosti.

00:27:58Miss Isabella.

00:28:01Oh, dear young lady.

00:28:05Forward, forward.

00:28:10Have you seen how cute she is?

00:28:13Giorgio told us a lot about her.

00:28:16Yes, dear, dear.

00:28:19We really wanted to meet her.

00:28:21We were beginning to fear that you might not come.

00:28:23Yes, you must excuse me, gentlemen, but I didn't make the eight o'clock train in time and...

00:28:26Oh, right.

00:28:30Giorgio, Giorgio isn't here yet, is he?

00:28:33No, not yet, but he called from Rome that he will have to stay with the factory a little longer.

00:28:39But have a seat, dear.

00:28:41Thank you.

00:28:44It's no use, that boy works too much.

00:28:48We absolutely need to make him change his life, that's it.

00:28:51You know Giorgio, huh?

00:28:52He's good, naive.

00:28:53The superiors know it, I take advantage of it and he is always the one who has to get laid.

00:28:59Have you known our Giorgio for a long time?

00:29:01Not so much, for two months, two and a half months.

00:29:03Of course, since then he's been talking about her all the time.

00:29:05Yes, yes, always.

00:29:08Isabella here, Isabella there.

00:29:10He's such a good boy.

00:29:12Good, good.

00:29:13Oh my god, he was a little rowdy sometimes as a kid.

00:29:16But all you had to do was talk to him sweetly and he would immediately get upset.

00:29:19Already.

00:29:21Eh, I was too when I was little.

00:29:24Rather, look here, look here, here, here, look, here, there.

00:29:28He was eight years old here.

00:29:30Look how cute he is, very cute.

00:29:32He really doesn't want us to see this photograph.

00:29:35Ah, those were the times.

00:29:37We were from Leggiara in Civitavecchia.

00:29:39Already.

00:29:40Where did he do his military service?

00:29:43We sent him sponge cake and chocolate every week.

00:29:48Oh, yeah.

00:29:51And so, there you have it, she finally met us.

00:29:55Yes, before leaving for Rovigo.

00:29:58Huh?

00:29:58Yes, yes, Rovigo.

00:30:00Ah, Ro-Ro-Vigo.

00:30:02Because she goes, she goes to my parents' house for the holidays.

00:30:05Ah, yes, yes, the holidays.

00:30:08I wonder how sorry she will be to leave her schoolchildren.

00:30:11Huh?

00:30:12My students?

00:30:13Yes.

00:30:13Ah, my schoolmates, I mean.

00:30:15Oh, his schoolmates, of course, of course.

00:30:18Yes, yes, of course.

00:30:19Miss Isabella isn't a teacher, is she, dear?

00:30:21Real.

00:30:22Why does she go to university?

00:30:25But of course.

00:30:27His students, my husband, what does he want?

00:30:30The age.

00:30:30What do you mean?

00:30:31The age.

00:30:32He always confuses one word with another.

00:30:33And we joke that his students.

00:30:44Giorgio's late, huh?

00:30:46How beautiful it can be here, so quiet, restful, just as I thought.

00:30:51She too, madam, is exactly what you imagined.

00:30:54Oh, yeah, huh?

00:30:55And me?

00:30:56And how do you find me, eh?

00:30:58Well, really, I really imagined it, sorry, eh?

00:31:02With a beard.

00:31:03I told you so!

00:31:05Get up, get up, quickly!

00:31:06My!

00:31:07My!

00:31:09He said the salts!

00:31:10Orestes!

00:31:11Orestes!

00:31:11The dog!

00:31:12The salts, for goodness sake!

00:31:14The salts!

00:31:15Hate!

00:31:15Barbara, over there!

00:31:17She doesn't know where the salts are!

00:31:18Yes, yes, yes, yes.

00:31:18Yeah, wait, wait, wait.

00:31:19Hey, the dog, look for the dog!

00:31:21And her?

00:31:22She can go too!

00:31:23Come on, move!

00:31:24When will my time come?

00:31:27Get on, get on!

00:31:28What's up?

00:31:28Hey, come up, for Donna Lina, over there.

00:31:30The dog!

00:31:31The dog!

00:31:32Barbara, where's the dog?

00:31:34One moment, one at a time.

00:31:35The dog under the bed and climb into the closet.

00:31:37Well, give them to me!

00:31:37Go get them!

00:31:38Go get them, go get them!

00:31:40As if I didn't know you don't want to move from here because you're guarding the phone.

00:31:43I do what I want.

00:31:44Yeah, keep going, keep helping him, you know?

00:31:46Will you only be happy when Donna Lina has married Gian Domenico?

00:31:50As far as I'm concerned, she can marry whoever she wants.

00:31:51Good!

00:31:51And all of us on the Astric, eh?

00:31:53You're not this family on Astric, are you?

00:31:54Go get the salts instead.

00:31:56Barbara, Barbara!

00:31:57But what is that wretch doing?

00:31:59These are the salts!

00:31:59Here are the salts!

00:32:00Here are the salts!

00:32:01Look, look, send that mess Gian Domenico away.

00:32:03You are planted the apiss with the aprio of the successor.

00:32:05I'm not moving from here.

00:32:06Oh yeah, the phone!

00:32:07Always this damned phone!

00:32:08And then I don't move either, that's it!

00:32:10You, come on!

00:32:10She is where Giorgio is, he doesn't want to say.

00:32:12And all of us on the Astric.

00:32:13Here, go ahead and give them a damn, otherwise there'll be tragedy.

00:32:15The dog talks to me!

00:32:16You're going where Giorgio, why don't you tell him?

00:32:18Huh?

00:32:195 minutes, 5 minutes, 5 minutes, but life has closed the 5 minutes, because we are never at peace

00:32:23us.

00:32:29Would you like to knock?

00:32:31When my time comes.

00:32:39Here's the dog.

00:32:40No dog.

00:32:41Here are the salts.

00:32:43Your child doesn't return within 10 minutes.

00:32:45It's a disaster.

00:32:49He's calming down.

00:32:49But how calm, calm.

00:32:51He needs to calm down, otherwise we won't have time for the opera, eh?

00:32:53For the work?

00:32:55Unconscious.

00:32:55It looks like it's not even your son.

00:32:59But that merchant doesn't return within 10 minutes.

00:33:02It's the end.

00:33:03You have to warn him.

00:33:03Just warn him, we don't even know where he is.

00:33:05Oh yeah.

00:33:06And this idiot here is waiting for the key to inhale.

00:33:09You think about the opera, right?

00:33:11But come on, do something too, go down to the bar, ask if he's come.

00:33:14No, an idea.

00:33:16Hate.

00:33:17A wonderful idea.

00:33:18A wonderful idea.

00:33:24And where are you going?

00:33:25A wonderful idea.

00:33:27I'm going to the bar.

00:33:28It's not very nice what he's doing to us tonight.

00:33:31Your friend Giorgio.

00:33:32Your friend Giorgio, Roberto?

00:33:34Let's say our friend Giorgio, if you like.

00:33:37Well, he didn't really tell you anything, did he?

00:33:39Giorgio loves you very much.

00:33:41You go out together often.

00:33:42It's a rebuke.

00:33:43No, dear.

00:33:44No, no, no.

00:33:44It's a simple observation.

00:33:47Listen, little one.

00:33:48We are husband and wife.

00:33:49I mean, we're not, but it's all the same.

00:33:51Everyone continues to believe it, or at least they don't believe it,

00:33:53but they keep calling us that.

00:33:54Yeah, well, we're two good friends, right?

00:33:58Well, I'm sure you know where Giorgio is this evening.

00:34:01You're wrong.

00:34:01Where are you going?

00:34:03A wonderful idea.

00:34:06Over there, behind that door,

00:34:08the future of all of us is being decided by blows of steric crises.

00:34:12If Donna Lina cries for Giorgio and throws us out,

00:34:15I have to go back to being a data grapher, my child.

00:34:17Eh, okay.

00:34:19We'll go back to being a data grapher, my child.

00:34:21Everything is back to normal.

00:34:22As?

00:34:23What are we here at the bottom?

00:34:24Of the guests, of the invited guests.

00:34:25So?

00:34:26No, no, no.

00:34:26You're hosting my ass.

00:34:28I am an employee.

00:34:28Nice employee, but give me a break.

00:34:31What's up?

00:34:31I am a childhood friend of Giorgio.

00:34:33If I had had the opportunity too

00:34:35to be engaged to the owner

00:34:37of one of the most important cheese factories in Italy,

00:34:39I would have told him,

00:34:40my dear, you are a friend, you are penniless,

00:34:43come and be my secretary.

00:34:44I'll give you so much a month.

00:34:47Roberto, leave me, leave me.

00:34:49Did you understand?

00:34:50I expect you to respond.

00:34:51Come on, how?

00:34:52Ready?

00:34:53Come on, how?

00:34:54No, no, no, it's not Cristina.

00:34:55No, it's not Esmea.

00:34:58Yes, apartment 421.

00:35:00As?

00:35:01Who's speaking?

00:35:02Bottacini.

00:35:03Precisely Bottacini,

00:35:04the famous soccer player.

00:35:06If she can tell Miss Esmea

00:35:08to call me at the bar.

00:35:10Yes, at the extra bar where she knows.

00:35:13Thank you.

00:35:13All right?

00:35:14We'll tell Miss Esmea.

00:35:17Isn't what you do nice, Barbara?

00:35:20For him too.

00:35:21If she doesn't go there and marry Gian Domenico,

00:35:23Do you think Giorgitto would be happy without her?

00:35:26And you?

00:35:27What would you be tomorrow without him?

00:35:29I'd be on the ground.

00:35:29Like him, he doesn't teach me anything at all, sweetie.

00:35:32But that's why I'm humble,

00:35:34me, and I don't say anything,

00:35:35even when it's hard not to say anything,

00:35:37even when you go out with him a little too often in the afternoon,

00:35:40because when you don't have money it's sacred,

00:35:44that's how they give them to you.

00:35:45And they have to stay quiet and not talk, like I do.

00:35:50Finish it, Roberto.

00:35:51But at least you can say that you put up with all this because you love him,

00:35:54while I instead...

00:35:55Because you're his childhood friend.

00:35:56Ah, stories.

00:35:57We must have the courage to face reality.

00:35:59Giorgio's father, for example,

00:36:01you would surprise him very much

00:36:02if I told him he lives off his son.

00:36:05Ah, right, we were just talking about you.

00:36:07Ah, the atmosphere in the bar is unbreathable.

00:36:09Everyone was looking at me, I don't understand why.

00:36:11Yet if my son doesn't sleep at home it's my fault.

00:36:14Do you think we'll still go to the opera?

00:36:16And it seems a little compromised to me.

00:36:19Well, for once we had a decent evening to spend,

00:36:22I love Lorelai.

00:36:24On Saturday.

00:36:31So, any news?

00:36:32None.

00:36:33Ah, I don't understand that boy, but how?

00:36:35He has a charming woman who adores him.

00:36:37What more do you want?

00:36:38But?

00:36:39He says he is unhappy.

00:36:40And why is he unhappy?

00:36:43I am an old failed artist.

00:36:46Eh, my life has been hard.

00:36:48Yet I am unhappy.

00:36:50Are you two unhappy?

00:36:51Not me, I'm very happy.

00:36:53Ah, there it is, see?

00:36:54Boys!

00:36:54Guys, guys, great news!

00:36:57Are you coming from the police station?

00:36:59But what about the police station?

00:37:00From the fortune teller, the Spanish one below at 305.

00:37:03I brought her Giorgio's hat.

00:37:05Huh?

00:37:06Well, Giorgio did not leave Rome.

00:37:09Unfortunately, he gave this hat to me as a gift over a month ago.

00:37:12Look, you never left Rome, that woman never makes mistakes.

00:37:19Here, Edmea, Edmea, that's good, Edmea, what happened?

00:37:24This time it's decided.

00:37:26What has been decided?

00:37:27Edmea, dear, you scare me.

00:37:29The lady leaves.

00:37:31Edmea, it's not possible.

00:37:33There's nothing to be done.

00:37:34That's right.

00:37:35He's leaving tomorrow morning for Capri, with Mr. Giandomenico.

00:37:37But it's not possible.

00:37:38But that's absurd.

00:37:38Did you see?

00:37:39Are you happy now?

00:37:40Oh no, oh no, that's too stupid.

00:37:41I am the mother, Giorgio's mother, but I am Lina's friend first and foremost.

00:37:45I'm going to do it now.

00:37:46The locked door in his room won't even answer.

00:37:47And what we'll see, Lina has always adored me.

00:37:50To love is beautiful.

00:37:52Beautiful.

00:37:52But if you don't get it back, there comes a time when you finally lose patience.

00:37:56But come on, but for God's sake, why doesn't he love her, why?

00:38:00In short, if Mr. Giorgio doesn't come home tonight, Mrs. Paglia will.

00:38:04And here we need to clear out.

00:38:06So suddenly, from one day to the next.

00:38:08Mrs. Lina said that she was leaving and no one should stay in the apartment anymore.

00:38:12And as for the car, Mr. Giorgio must take it back to the garage and hand over the keys to me.

00:38:16But it's absurd, it's senseless, but even waiters are given eight days.

00:38:20But the fact is, they are not waiters.

00:38:22A waiter works, earns his living, and is registered with the fortune house.

00:38:26It's not the same thing.

00:38:28Who do you think you're talking to this insolent girl?

00:38:30We are not gentlemen.

00:38:32Gentlemen?

00:38:34Make me laugh, in the gluttons.

00:38:36Oh, I don't know what that girl means.

00:38:49Dear Lino, how are you?

00:38:51Finally.

00:38:53How is it going?

00:38:54HI.

00:39:16My doorman, please.

00:39:18Fountain?

00:39:20Dear Fontana, would you like to call the tavern?

00:39:22All right, ma'am, I'll save you a table in the tavern.

00:39:25Of course.

00:39:26A table for how many?

00:39:27For two?

00:39:29Yes ma'am, two.

00:39:31Tavern.

00:39:32Not now, wait here.

00:39:34Don't move for five minutes.

00:39:36You'll meet me at the bar in five minutes.

00:39:38As you like.

00:39:45This is the end.

00:39:46Poverty.

00:39:48I will never have courage.

00:39:50I'm too old.

00:39:51I mean no, I'm too young to give up.

00:39:54Of the day he couldn't put on his ties more than three times.

00:39:57The gentleman was too robbed.

00:39:59I liked the change of shade.

00:40:02He'll wear his ties to the max.

00:40:04Oh okay.

00:40:05But at least this will force you to buy some.

00:40:07It's a whistle.

00:40:07I'm ready to go out and about.

00:40:09Without a collar and with patches on the bottom.

00:40:10To have the satisfaction of seeing Mr. Giorgio in trouble.

00:40:13Clepera.

00:40:13The young gentleman.

00:40:15And the seven twenty-four shirts.

00:40:16Say hello to them for me.

00:40:18Three shirts a day.

00:40:19And the triple-soled shoes.

00:40:20Made to measure.

00:40:22Office shirts.

00:40:23Gypsy shoes.

00:40:25Goodbye.

00:40:25High parties.

00:40:26afternoons of golf and culture.

00:40:28Grand Hotel.

00:40:29White flowers.

00:40:29Rosés.

00:40:30Winds.

00:40:30Just a few dolls.

00:40:32Custom-built machines.

00:40:33Lined with red morocco.

00:40:35Caracceni jackets.

00:40:36Goodbye.

00:40:38In the circular after eating.

00:40:40To breathe in the smell of collective digestions.

00:40:42And a master on his tail.

00:40:44The young gentleman will die.

00:40:45You too, dear, will die.

00:40:47Yes.

00:40:47But him first.

00:40:48In your Giorgio he accustomed me to having one as master.

00:40:51In these two years that I have been his secretary.

00:40:53And he made me sweat for the salary.

00:40:55I guarantee it.

00:40:56Now he's the one who's going to sweat.

00:40:58Stop my hysteria.

00:40:59No, I'm not stopping.

00:41:00You don't know what it means to have a friend more handsome than you.

00:41:02Nicer than you.

00:41:03That one day, to top it all, he even becomes rich.

00:41:05If only we could know where he is right now so we could go to him and explain that he's playing tonight.

00:41:09his last card.

00:41:11George.

00:41:12I know where Giorgio is.

00:41:13As?

00:41:14Do you know?

00:41:14Yes.

00:41:15What did he say?

00:41:15That she knows where Giorgio is.

00:41:16What does she know?

00:41:17Barbara.

00:41:17And where is it?

00:41:18But why didn't you say it?

00:41:19Silence.

00:41:19Where is Giorgio?

00:41:20I stalked him and fell in love with a student.

00:41:26All contacts.

00:41:27So where is it?

00:41:27He rented a house this evening.

00:41:29Did you rent a house?

00:41:30And where?

00:41:30But where?

00:41:32In Alvalo, window street.

00:41:33Why didn't you say it before?

00:41:40Alvalo you're fine.

00:41:56Oh hi Giorgio.

00:41:57I saw Lina coming out.

00:41:59Come on.

00:41:59Oh yeah?

00:42:01Pugliano lawyer.

00:42:02I see you've gone out, sir.

00:42:04Try calling.

00:42:06333 please.

00:42:08Is it true that Donalina left?

00:42:09Yes Mr. Giorgio, she left a little while ago.

00:42:11And where did she go?

00:42:11But I don't know.

00:42:12330 is not answering you, it has gone out sir.

00:42:14No, it's not possible.

00:42:14But where did Fontana go?

00:42:15If you want to leave me something to say.

00:42:17Yes, it's a load sheet.

00:42:18Here you go.

00:42:19Fontana tell me where she went.

00:42:20At the tavern, madam.

00:42:21I booked a table a little while ago.

00:42:22It was two.

00:42:24You say very little and what are you thinking about?

00:42:28With these eyes it's sweet.

00:42:32You and I look at you.

00:42:36The man has this mask.

00:42:40Tell me a little about reality.

00:42:45Good evening Mr. Giorgio.

00:42:46Welcome back.

00:42:47Carodino something strong.

00:42:48I'm out of shape.

00:42:48I think she is expected.

00:42:49I know.

00:42:50Duke Turriello asked me about her.

00:42:51He says he hasn't seen her for years.

00:42:53And that she still owes him a game of dice.

00:42:55He recently returned from Switzerland.

00:42:56Ah, together with the girl who was hanging around Biarris.

00:42:59That little, blonde, half-Spanish one.

00:43:02Dino, do you think you can calm down an angry woman in half an hour?

00:43:05Win her back?

00:43:05Getting rid of an opponent?

00:43:06Re-establish a situation that seemed fatally compromised?

00:43:09And all this while thinking that your real life would be something else?

00:43:12Oh Mr. Giorgio, I know you from Joville.

00:43:14In half an hour I saw him do much more.

00:43:15Another question will suffice.

00:43:34Bravo!

00:43:44Thank you sweetie.

00:43:46Your music did me a lot of good this evening.

00:43:49You are a great artist.

00:43:50It reminds me of Farigi, my buoy period.

00:43:53Thank you sir.

00:44:03Hello, hello dear.

00:44:05Hello little one.

00:44:07Hi darling, how beautiful are you?

00:44:08You're feeling stressed these days, huh?

00:44:09Yes, there is the face of what he did in the bourgeois-line sentiment.

00:44:12Are you going to anything?

00:44:12Ah, listen Marcello, you're a space.

00:44:14You're always...

00:44:15You haven't been to golf for a month.

00:44:16Well, what do you want?

00:44:17Ah, we want...

00:44:20Ah, you're here, thank goodness.

00:44:22I see you've calmed down.

00:44:23Don't say it's not that serious.

00:44:27Master, young lady.

00:44:39Get excited, you bad boys.

00:44:42It seems like you're doing this on purpose to ruin everything for me.

00:44:44I want you to realize that for me to come here tonight...

00:44:47Silence.

00:44:48...I had to abandon that cartomancy thing you know about.

00:44:50Yes, but I'm supposed to believe this story.

00:44:58Gentlemen, in the pale, that you were in front of me on the fifth floor.

00:45:04It hasn't been a night since I was last in Naples, and I've been away for many years.

00:45:10In my town it's snowing and the church bell tower is white.

00:45:17All the wood turns to ash.

00:45:21I'm always cold and sad and tired.

00:45:25My love, my love, don't you remember that when you said goodbye to me...

00:45:37You put a pansella in my buttonhole...

00:45:44And you told me with...

00:45:48There was no point in doing all the things you did tonight.

00:45:50And not at all, after all.

00:45:52I told you I was busy tonight.

00:45:54You always think you're dealing with the same old women of your kind.

00:45:57I am different.

00:45:58And I know, and that's the trouble.

00:46:00I taught you how to live, my dear.

00:46:06Listen.

00:46:07Leave me.

00:46:08Hippocrite.

00:46:09Come on.

00:46:12Yet it wouldn't be difficult.

00:46:14It's a question of not dramatizing.

00:46:16We're good friends, huh?

00:46:17But what friends.

00:46:18You're not happy that he doesn't make you complicit, but he's literally a little rascal.

00:46:21Yes, the very taste of suffering.

00:46:23Poor Giorgio.

00:46:24Don't tell me you've never walked me.

00:46:27Look, now you don't bring yourself to me.

00:46:28You don't bring yourself to me.

00:46:31A long and short name.

00:46:34Giuminizza.

00:46:36My neighbor.

00:46:39It's a matter of trust.

00:46:41For example, this evening I found you here with Gian Domenico.

00:46:43Well, I didn't tell you anything, did I?

00:46:44No, please.

00:46:45What does this idiot have to do with it?

00:46:46Oh, that's enough.

00:46:48If you think you're interesting, you're so petty bourgeois.

00:46:52So.

00:46:53Silence.

00:46:54Silence.

00:46:55Silence.

00:47:01Silence.

00:47:02A bacon

00:47:06Because in my eyes it trembled

00:47:12A tear

00:47:20Who knows, who knows why

00:47:51Don't mind it, sir.

00:47:52I carry a cloak

00:47:54Port in a wheel cape

00:48:22Nevita

00:48:24Nevita

00:48:25You see how

00:48:29Nevita

00:48:31But you

00:48:37Where

00:48:38It's you

00:48:57Oh no, I hate Caprigio

00:48:59Instead

00:49:00But you know I love Brioni

00:49:03Think about the afternoon's face

00:49:05When tomorrow he knows that we are flying away for a month

00:49:07And I want you not to think about anything there anymore

00:49:10No more commitments, no more business

00:49:13They make you nervous

00:49:16Joe

00:49:17But yes, you're right.

00:49:19Dad says it too

00:49:20That you and I should go away for a while

00:49:22To rest

00:49:23You won't have to worry about anything anymore

00:49:26True Joe

00:49:32One more time

00:49:33Try to be punctual

00:49:34What do you want?

00:49:35It wasn't possible for me before

00:49:36We had a storm this evening

00:49:38Eh, I understood it

00:49:39God a little

00:49:39Who is that handsome guy who always answers my phone?

00:49:42Oh, they call him Roberto

00:49:43But I think that from tomorrow neither he nor the others will answer.

00:49:45The owner does the cleaning

00:49:47Oh my God, hurry, hurry

00:49:57It's quick for me

00:50:02It's from here

00:50:08I think what happens

00:50:10And her?

00:50:11I don't understand why it's already here

00:50:12And with him then

00:50:13Because you're afraid to be seen

00:50:15And your night off, right?

00:50:17But I don't want him to see this dress

00:50:18You come

00:50:19But hadn't they argued?

00:50:21They had

00:50:21But he's taking a long time

00:50:22Eh, I know him

00:50:24And he must have told some stories, you know.

00:50:26What a thing

00:50:35Oreste

00:50:38Oh, you have no idea how happy I feel

00:50:42It's not ten o'clock yet

00:50:44Being already at home

00:50:46Oh, all those people

00:50:48Piasso, the music

00:50:54Thank you

00:50:56How do they kiss?

00:50:58They kiss

00:50:59It's already true

00:50:59It's not even ten o'clock yet

00:51:00Listen Lina

00:51:01Now you are calm

00:51:02Calm

00:51:03He's going to bed

00:51:03I'm going back to those people

00:51:04That I left to you

00:51:05Suddenly

00:51:06From rude

00:51:06Oh no, listen, who do you take me for?

00:51:09Are you coming home to put me to bed with a child?

00:51:12But no, Lina, on the contrary, look, I'll be right back.

00:51:14Oh no, stop!

00:51:15What do you think I don't understand?

00:51:17This story has been going on for two months.

00:51:19Enough now, enough!

00:51:20You stay here, or...

00:51:22Or?

00:51:23Or we'll just end it once and for all, because I'm tired of putting up with it.

00:51:26You're tired, and I'm tired!

00:51:28You may be tired of me, but not of my money!

00:51:30Finish the Lina!

00:51:31Oh, I've been too much of a lady with you so far.

00:51:34I was wrong!

00:51:35It means you have to treat yourself differently, make yourself feel the weight of it!

00:51:39And it doesn't take me long!

00:51:39Finish the Lina!

00:51:40It won't take me long to tell you to your face what you are!

00:51:42Oh, for God's sake!

00:51:44Coward!

00:51:45Coward!

00:51:45And now that's enough!

00:51:46You're not leaving!

00:51:47Let me go!

00:51:47You're not leaving!

00:51:48Leave me alone!

00:51:49I'm going, eh!

00:51:57Is the phone far away?

00:51:59Oh, in the square, at the tobacconist, it will take ten minutes.

00:52:05So, Emilio, he must have come back already.

00:52:07I'm going to see.

00:52:08You stay here.

00:52:09Dear, dear Isabella.

00:52:14He came back right away.

00:52:16She is the lady of the house, she is the manager.

00:52:18But excuse me, I wasn't there, I was upstairs, he told me not to show up.

00:52:21In short, he went to Rome, at least from what can be deduced, from the fact that the car

00:52:24took that direction.

00:52:25I'm going to Olivieri.

00:52:26So what?

00:52:26The gobetto says that the gentleman, after having telephoned, left by car for Rome.

00:52:30The phone call is all a ploy to leave us here and not pay us.

00:52:33My heart told me that this thing wasn't going to end well.

00:52:34Oh, but we'll see, I'm going to Olivieri, I'm a member of the entertainment unions, not

00:52:38it ends there.

00:52:39Excuse me, but my furniture won't be used as a guarantee.

00:52:41But what do I know, madam, what do I know?

00:52:43What I know is that before renting the house to a stranger, you should take

00:52:46of information.

00:52:47But what could you have imagined?

00:52:48That young man looked like he came from a good family.

00:52:50From a good family?

00:52:51But don't make me laugh, we were his family.

00:52:53You can't get any more foolish than that.

00:52:54She has a gut feeling, she does.

00:53:17Well, miss, there is, yes, let's put it that way, a misunderstanding here.

00:53:26Now, a sad situation, because if she was deceived, we were

00:53:32us too.

00:53:32Huh?

00:53:33So, miss, you are a little too young to remember the Gislanzoni company.

00:53:39Bracci, in fact, when poor Gislanzoni died, she perhaps hadn't even been born yet.

00:53:44Of course she hadn't been born, Gislanzoni died in '28.

00:53:47But no, so when did Bracci die?

00:53:48Bracci is not dead.

00:53:49They're actors, I know.

00:53:50You had begun to understand it even before, but if when they perform in the theatre they welcome the

00:53:54leading actress as they welcomed me, or that they won't be very successful.

00:53:58I pity you, miss, I pity you because I understand your state of mind.

00:54:03We acted badly, that is, at a certain point we didn't act it anymore, because...

00:54:08because we understood that there was something shady behind this matter, a capable guy

00:54:12of all that you have, Mr. Giorgio, dear young lady, and I assure you that if you were my daughter

00:54:15before accepting the courtship of the first comer...

00:54:16I don't forbid you to talk about him like that.

00:54:20And what about her?

00:54:21Had he entrusted her with the role of the faithful old servant?

00:54:25Yes, miss.

00:54:27It's windy this time.

00:54:29I served Duke Canestracci Menotti at the age of 17, Miss.

00:54:33Of course, if I had been warned in time I would have tried to present myself very differently,

00:54:38but I came as I was directly from the ball house.

00:54:41If everything had gone well this evening, how much would they have been paid?

00:54:45150 lira per person is the provincial rate.

00:54:47Except the daily allowances, dear, because the daily allowances are never included.

00:54:50Here you are.

00:54:50Thank you.

00:54:51Of course I find it grotesque that after all she has to pay for this show.

00:54:55And how much do I owe her?

00:54:57Right away, miss.

00:54:58Poor Giorgio.

00:54:59It was he who invented such a beautiful story.

00:55:03Oh, what time does the train to Rome leave?

00:55:04This evening I don't think there are any left.

00:55:06As?

00:55:07There are no more trains.

00:55:08Until tomorrow morning at 5.

00:55:09Don't you have a schedule?

00:55:10A timetable?

00:55:11Yep, maybe upstairs.

00:55:12Let's go and see.

00:55:13Here, miss.

00:55:15Lunch for 4?

00:55:16Why for 4?

00:55:17There were supposed to be 5 of us, Don Roberto.

00:55:19I beg the lady to excuse me, but since the lady is discovering, yes, so

00:55:24I mean, the altars, I'll add that the fifth place setting didn't have to have lunch.

00:55:28Was it the friend?

00:55:29The false close friend.

00:55:30Roberto?

00:55:31Yes, Roberto, the famous Roberto.

00:55:32Wasn't he supposed to eat?

00:55:33Is it known?

00:55:34It doesn't exist.

00:55:34How come Roberto doesn't exist?

00:55:35And perhaps we exist.

00:55:36A car.

00:55:37I told you he had to come back.

00:55:45No, miss, it's not him, it's a taxi.

00:55:48Roberto exists, I'm sure of it.

00:55:50We've been talking about him every day for two months.

00:55:53Invention!

00:55:53But I saw his photograph.

00:55:54Tricked photography!

00:55:56I make the house to be awesome!

00:55:57But then, what can be true if Roberto, if even Roberto is a bucina?

00:56:04Sorry, the door wasn't open and...

00:56:06Roberto!

00:56:07I wanted to speak to Mr. Giorgio Zanetti.

00:56:10Good evening, Roberto.

00:56:11Who saw my name?

00:56:12I guessed it.

00:56:13Oh, congratulations, you have talent.

00:56:16Is he also doing the paperwork?

00:56:18First of all.

00:56:20Tell me frankly if you are an actor.

00:56:22He can speak without fear.

00:56:23I am aware.

00:56:25Excuse me, miss, are we in Alvano, Via della Finetta, here?

00:56:29Yes.

00:56:29Number 32?

00:56:30Yes, yes.

00:56:32So, miss, I am a friend of Giorgio Zanetti.

00:56:35In fact, she is his childhood friend.

00:56:37His name is Roberto Capellini, he's 26 years old, and he comes here to have lunch with me.

00:56:40For now, I've already had lunch.

00:56:42I apologize to the young lady, but since the young lady who, so to speak, took care of it,

00:56:46Given the late hour, I ask permission to return to the office.

00:56:50At most, I could leave a small super-cold one here in the pantry for whoever stays.

00:56:54Exact.

00:56:54Yes, that's fine.

00:56:55Thank you very much.

00:56:56With permission.

00:57:03But anyway...

00:57:05Come this way.

00:57:09I am, Miss, may I know what all this means?

00:57:11What does it mean?

00:57:13I was hoping to hear that from her.

00:57:14From me?

00:57:15First of all, where is Giorgio?

00:57:16But where are we here?

00:57:17In a furnished house that Giorgio rented this evening to receive her.

00:57:20Oh, a two-story garçonniera to receive her in Albano.

00:57:24She's not a bachelor's wife, she had to insure her father's house.

00:57:27Paternal home?

00:57:28And her?

00:57:30Who is she?

00:57:32A friend of hers.

00:57:33A friend?

00:57:34Giorgio has many friends.

00:57:36A friend from where?

00:57:38A friend from nowhere.

00:57:40At least this way I'll be different from the others.

00:57:44I met him at the Villa Borghese museum.

00:57:46At the Villa Borghese museum?

00:57:48Ah, rabutto.

00:57:49We were also missing museums now.

00:57:51Why does he talk about him like that?

00:57:53Aren't you his friend?

00:57:54Oh yes.

00:57:55His only, true, intimate friend.

00:57:59Everything that is most intimate.

00:58:07But...

00:58:11Isn't it true that...

00:58:13that you once saved his life on a boat?

00:58:16By boat?

00:58:16They even make him swim.

00:58:17But one day she sold her furniture

00:58:19for him to buy himself a suit.

00:58:21My furniture?

00:58:21Did she tell him that?

00:58:22My furniture?

00:58:25Ah, the little gentleman really does have a very brilliant imagination.

00:58:30To please the girls

00:58:32invent a devoted friend, a devoted friend

00:58:34who has the courage to call me by my same name.

00:58:36But the truth...

00:58:36the truth is something else.

00:58:39Me and Giorgio...

00:58:40No, don't tell me anything.

00:58:41I don't want to know anything.

00:58:42No, no, she has to hear me instead.

00:58:44So, Giorgio told her

00:58:45that we love each other like two brothers.

00:58:48well, Giorgio hates me, dear little sir.

00:58:53And I hate him.

00:58:56We are childhood friends, yes, it's true.

00:58:58But hatred came to us with the age of reason

00:59:00and believe me that after

00:59:04we've regained time for everyone.

00:59:06But then, what is she doing this evening?

00:59:08What does she do next to him every day?

00:59:10Enough waiting, let's go up.

00:59:12Did Roberto call?

00:59:13He didn't call because it seems he found Giorgio.

00:59:15But of course he found it.

00:59:16And where do you want it to be?

00:59:17Uh, ten three four.

00:59:18And to think that at this hour at the opera

00:59:19I'm already at the onze dance.

00:59:22What I told her

00:59:23It's my specialty.

00:59:25While instead everything that Giorgio does

00:59:26it's always a lordly tone.

00:59:28Where is he, Giorgio? What are you doing?

00:59:29Just a moment, then it will be your turn.

00:59:31So...

00:59:31I understand.

00:59:32The parents, the old house, the butler,

00:59:34this whole environment...

00:59:35Eh, good, Roberto.

00:59:35We're restless, it's almost eleven o'clock.

00:59:37And where is he, Giorgio?

00:59:38It's that girl.

00:59:39This girl is...

00:59:39The Mysteries of Paris.

00:59:40It is the victim that your son

00:59:41she shook all trembling

00:59:43in the darkness of adventures.

00:59:44But here, where are we?

00:59:45In the little house where he was born.

00:59:47Yes, because Mr. Giorgio

00:59:47to conquer a student

00:59:49he invented a whole tailor-made family for himself.

00:59:51A model father and mother,

00:59:52a devoted old servant

00:59:53and a friend who adores him,

00:59:55that would be me.

00:59:56Everything is in order, just one thing is missing.

00:59:58All that's missing is him, Prince Charming.

01:00:01But maybe someone can tell us why it's missing.

01:00:03You called him here.

01:00:04Yes, are you interested?

01:00:05It's between me and him.

01:00:07Yes, it's already my fault.

01:00:08Who is that, miss?

01:00:09She's my friend.

01:00:10Excuse me, I wonder where my head was.

01:00:11when she entered.

01:00:12I present to you Miss Giuseppina Palacini.

01:00:14And this barbara because it sounds better.

01:00:16Miss, I understand very well.

01:00:17This is a sad situation,

01:00:18for us as well as for her.

01:00:20But it's a mother who talks to her.

01:00:21She is a good girl,

01:00:23he will understand, I'm sure of it.

01:00:24Our son lied to her,

01:00:26she has to give it back to us.

01:00:27And the fuck is getting dirty

01:00:28your home, miss.

01:00:30She has it in her hands

01:00:30the happiness of all of us.

01:00:32Now I will explain to you.

01:00:33No, sir, please don't.

01:00:34Why not?

01:00:34I don't want to know anything.

01:00:35But this is absurd, it's absurd.

01:00:36I'll go and wait right in the street

01:00:38if necessary.

01:00:39But I don't want to know anything.

01:00:40Your son is ruining himself

01:00:41because of you, miss.

01:00:42Because of me, no,

01:00:43Don't worry, it won't get ruined for me.

01:00:45When I arrived

01:00:46he was no longer there.

01:00:46I haven't seen him since yesterday.

01:00:47Gentlemen, gentlemen, the police.

01:00:49But what police, what police?

01:00:51At least I think it's the police.

01:00:52A car stopped

01:00:53at the street corner

01:00:54but I didn't see anyone get off.

01:00:56But don't talk nonsense.

01:00:57Well, but who is this?

01:00:58But who are they?

01:00:59Who are you?

01:00:59I am Sebbo Marcantonio,

01:01:01one of the greatest loves

01:01:01of United Italy.

01:01:03She is Giorgio's lover,

01:01:05It is not true?

01:01:06Miss, a piece of advice.

01:01:07I don't really dislike her at all.

01:01:09Do you know what I would do in your place?

01:01:10I would leave first

01:01:11that Giorgio returns.

01:01:12Truly.

01:01:13And why?

01:01:14Giorgio is in love with her,

01:01:15this is understood.

01:01:16It's a momentary thing.

01:01:18But it's not as crazy as it seems.

01:01:20It always ends up going back to sleep

01:01:22when is the time?

01:01:23At least until now,

01:01:24after many little adventures

01:01:25like his,

01:01:26he's always done it that way.

01:01:27I think this time it's different.

01:01:29But why should it be any different?

01:01:32No, honestly, miss.

01:01:33She believes that Giorgio

01:01:34they have enough

01:01:35to become a boy

01:01:37from a good family?

01:01:37Yes, I believe that with all my strength.

01:01:41Miss,

01:01:42I know Giorgio thoroughly.

01:01:45He's not exactly his type.

01:01:47His way of life

01:01:48it seems clear, defined to me.

01:01:51You're from Rovigo, aren't you?

01:01:52Yes, it is with this.

01:01:53And tomorrow she has to go home

01:01:55for the holidays.

01:01:56Well, you go back.

01:01:57So his little novel will end well,

01:01:59the years will pass

01:02:00and will remain in his heart

01:02:01the naive little provincial girl.

01:02:03She thinks she impresses me

01:02:04with his words?

01:02:05You're wrong.

01:02:06I'm sure of one thing.

01:02:08I will teach him to be happy.

01:02:10As if happiness

01:02:11it was a thing

01:02:11that can be taught.

01:02:12But more is needed,

01:02:13my dear young lady.

01:02:16George.

01:02:18George.

01:02:20George.

01:02:21George.

01:02:22My Giorgiono,

01:02:23We've been looking for you everywhere.

01:02:25It is absolutely necessary

01:02:26that you come back home

01:02:27before midnight.

01:02:28Absolutely.

01:02:29Did you understand?

01:02:29Calm down, Dad.

01:02:31I'm coming back from home.

01:02:32Everything is fine,

01:02:33everything is right.

01:02:34And this time forever.

01:02:37But I see it was useless.

01:02:40But now the presentations

01:02:41they are superfluous.

01:02:41Why did Giorgio lie to me?

01:02:43Are you asking me?

01:02:45Didn't they tell him?

01:02:47No Giorgio.

01:02:48Know that your parents

01:02:49they have all that rate

01:02:50and that delicacy

01:02:50that you miss my boy.

01:02:52No, we didn't say anything.

01:02:53I was,

01:02:54yes let's say boyfriend.

01:02:56What was I like?

01:02:56Hey, boyfriend, huh?

01:02:58I had been engaged for more than three years

01:02:59with a very rich woman

01:03:00that I didn't love

01:03:01and that I had to marry.

01:03:02A very rich woman.

01:03:03You explain, dad,

01:03:04you always explain so well.

01:03:05I explain so well,

01:03:06I explain so well.

01:03:07Of course I'm proud

01:03:08of your future wedding

01:03:09and who wouldn't be.

01:03:10Miss,

01:03:11have you ever heard of it?

01:03:12of the famous national Rigotti cheeses?

01:03:14From the country you are leaving,

01:03:15stracchino rigotti,

01:03:16roviola rigotti,

01:03:17Gruyere Rigotti,

01:03:19Alpine Rigotti.

01:03:20You know,

01:03:20those round little streets

01:03:21where there are cows

01:03:22that graze in the mountains,

01:03:23but try to remember it.

01:03:25Oh but how,

01:03:26there, there,

01:03:26rigotti,

01:03:27rigotti.

01:03:28There are the affixes

01:03:29on trains,

01:03:29in the trams,

01:03:30on street corners,

01:03:31but it's not possible

01:03:32that he doesn't remember it.

01:03:33But yes, maybe,

01:03:33I don't know.

01:03:34Well,

01:03:34I had to marry

01:03:35Rigotti national cheeses.

01:03:36It is one of the most important

01:03:40ca-ca-ca-teahouse

01:03:41it means a big one,

01:03:42very large cheese factory.

01:03:44Is that all, George?

01:03:46No, that's not enough.

01:03:47In our walks

01:03:48I told her

01:03:49on my life,

01:03:49about my family,

01:03:50some very nice things,

01:03:52but reality surpasses fantasy.

01:03:55Here we all,

01:03:56including Roberto and Barbara,

01:03:57we lived for my future marriage

01:03:58and if she sees them so worried,

01:04:01so anxious,

01:04:03and if they came tonight

01:04:04here looking for me,

01:04:06it's because...

01:04:10it's because she had decided

01:04:11to throw us all out of the house

01:04:13if I didn't come back for lunch this evening.

01:04:15What's wrong?

01:04:16Are you sick?

01:04:17George!

01:04:18Ninth,

01:04:19it's nothing.

01:04:22It's late.

01:04:25We have to leave immediately.

01:04:27I can't wait any longer.

01:04:28Isabella,

01:04:29I have to talk to you right away.

01:04:31Before...

01:04:31before it's too late.

01:04:33I'm just asking for five minutes.

01:04:36All right.

01:04:37I think I can't hold back any longer.

01:04:38you're going back to Rome right away by taxi, eh?

01:04:40Yes, but you...

01:04:41Only five minutes on the clock

01:04:43and now you can rest assured.

01:04:45It's all over.

01:04:46Go.

01:04:47And whatever happens

01:04:48don't be scared.

01:04:50Oh, please remember.

01:05:04What a shoulder strap, isn't it?

01:05:05A boy from such a good family.

01:05:07a young man who had all the qualities.

01:05:09Why did you lie to me, doctor?

01:05:11He knows it too.

01:05:11To seduce her, maybe.

01:05:13After many appointments.

01:05:15After all the tea she made me drink,

01:05:16tea in the little cafes in the meadows,

01:05:18tea in the separate rooms in Piazza di Spagna.

01:05:20To think that I hate tea,

01:05:21I hate tea.

01:05:22What could I do?

01:05:24Do you think they would be enough for me?

01:05:25the furtive kisses in the badgers?

01:05:27Or our hands that touched

01:05:28between one meringue and another?

01:05:30By now she knows who I am.

01:05:33They told you, right?

01:05:35And so I thought I'd seduce her.

01:05:37That's all.

01:05:38And I invented the paternal home,

01:05:40the model parent,

01:05:42the old faithful servant.

01:05:44Why did he lie to me, Giorgio?

01:05:45Well, the first day I lied to her because...

01:05:48because I lied to her.

01:05:49And after that?

01:05:50And after that I continued to lie

01:05:52for not lying too much on the first day.

01:05:56Because that good boy

01:05:58towards whom she felt so much sympathy

01:06:00if only... if only it were a little true.

01:06:02But tonight's comedy, why?

01:06:04Tonight's comedy is something else.

01:06:07I gave in to a temptation,

01:06:08to the pleasure of finally living

01:06:10a real family evening with her.

01:06:12She thinks it's so funny

01:06:14a real family evening?

01:06:15I don't know.

01:06:18How does he not know?

01:06:19But so it is, I guess.

01:06:21But wasn't she trained by her parents?

01:06:23Oh, yes, yes.

01:06:24And maybe his parents

01:06:27they didn't get along very well.

01:06:29And maybe that's it.

01:06:30Ah, yes, maybe that's it.

01:06:34Mom came home very late every night.

01:06:37She was coming back from tea parties, from parties with friends.

01:06:39She had many female friends.

01:06:41We were waiting for it for a long time

01:06:42before sitting down at the table.

01:06:44Then, when it was really too late,

01:06:47I fell asleep on the table

01:06:49the waitress made me eat very angrily.

01:06:52And then dad

01:06:53he went to lock himself in his room

01:06:55with his lead soldiers.

01:06:57His lead soldiers?

01:06:59Yes, in our house he was dad

01:07:00who had a collection of lead soldiers.

01:07:02He has a strange house, you know?

01:07:04A messy family,

01:07:06full of arguments.

01:07:08City to city trips,

01:07:10from hotel to hotel.

01:07:14And his father and his mother

01:07:16were they serious, instead?

01:07:18Yes, George.

01:07:19And at your house everyone sat down to the table on time,

01:07:22then established.

01:07:23But of course, always.

01:07:26How beautiful was it supposed to be?

01:07:28In the midst of so many lies, Giorgio.

01:07:30Maybe it's true that he loved me a little.

01:07:33Yes, Isabella, it's true.

01:07:34So I'm happy anyway.

01:07:36He's right.

01:07:37Let's try to be happy.

01:07:41Ah, how demanding we always are.

01:07:43In the beginning we want a lifetime of happiness.

01:07:46Then we understand that a few years is already a lot.

01:07:49In the end we come to terms with it.

01:07:51We are satisfied with just one evening.

01:07:54And then, suddenly,

01:07:56you only have five minutes left.

01:07:59Do you really love me anyway, now that you know?

01:08:01Even more.

01:08:04Sin.

01:08:04Why?

01:08:06Why...

01:08:08Because it's too late.

01:08:10Excuse me, I have the jailer's area

01:08:11in old tragedies.

01:08:13But the five minutes have already passed and...

01:08:17No, Giorgio, no.

01:08:19I don't want you to go away, you don't have to.

01:08:21You think I didn't understand.

01:08:22I had understood it before too

01:08:23that there was something in your life.

01:08:25Something you didn't tell me.

01:08:27But now you have to stay with me.

01:08:28Always.

01:08:29Don't worry.

01:08:30Don't leave me, Giorgio.

01:08:31Don't leave me, Giorgio.

01:08:32George.

01:08:35Don't be afraid, Isabella.

01:08:36It's not all over.

01:08:37Leave me alone with them for a moment.

01:08:39I'll fix everything.

01:08:41Stay here, good.

01:08:42I'll be right back.

01:08:48Excuse me.

01:08:50Roberto and I are going to Rome right away.

01:08:51You will come later.

01:08:53I would stay here and tell Isabella

01:08:54that I lied to her again

01:08:55Why...

01:08:56because I didn't have the courage

01:08:57to make her suffer.

01:08:59I would tell her that I don't love her,

01:09:00that I never loved her.

01:09:02It's better if he goes back to his house.

01:09:04and forget once and for all

01:09:06this poor story.

01:09:07But why are you being a hypocrite?

01:09:09Why do you want to give me

01:09:10to understand what is not?

01:09:11Do you think I don't understand?

01:09:13You've lost your mind

01:09:14for that little girl.

01:09:15Confess it.

01:09:17Speak clearly.

01:09:18What do you want me to care?

01:09:20Or maybe...

01:09:22are you afraid of making me suffer too?

01:09:24Come on, calm down.

01:09:26This is nothing new to me.

01:09:28I noticed it right away.

01:09:29I followed you.

01:09:32At university.

01:09:34At Villa Borghese.

01:09:35In the small cafes.

01:09:36Every afternoon at five.

01:09:38It's been two months

01:09:39how long this thing is going on.

01:09:42Why aren't you honest?

01:09:44The truth is painful, huh?

01:09:45You don't want to know anything about me anymore.

01:09:47Here's the truth.

01:09:49You've changed, Giorgio.

01:09:52You have changed.

01:09:54And now you can't leave her anymore

01:09:56that little girl.

01:09:57Now you have to continue

01:09:58until the end.

01:09:59And you have to go.

01:10:01Go away, far away.

01:10:03Far away from us.

01:10:04And you have to get to work.

01:10:06Because you've changed.

01:10:08What you say is perhaps true.

01:10:09I have changed.

01:10:10And sure, I would continue like this

01:10:12until the end.

01:10:13I would work, I would marry her.

01:10:15Love, now.

01:10:16It's useless now.

01:10:17Why is it useless?

01:10:18What's wrong?

01:10:19Are you hurt?

01:10:20It's not in vain he hurt him.

01:10:21I slept for myself.

01:10:22But you're full of blood, Giorgio.

01:10:23Don't touch it, it's stuck to me.

01:10:25But why didn't you say it right away?

01:10:27You need to call a doctor.

01:10:27But it's nothing, I tell you.

01:10:29It's just a shoe.

01:10:30She was there.

01:10:31You know, the revolver

01:10:33that brings out every moment.

01:10:35Well,

01:10:36this time he operated on her for real.

01:10:38Ah, that was a terrible scene.

01:10:39I tried to disarm her.

01:10:41At the time he was

01:10:42I gave her a push

01:10:43and she fell suddenly.

01:10:45He hit the marble of the van.

01:10:48They all started screaming.

01:10:49I ran away to come back here.

01:10:52I believe,

01:10:54I think I killed her.

01:10:56George.

01:10:57Where is he, Giorgio?

01:11:00George!

01:11:01George!

01:11:02Lina!

01:11:03Lina!

01:11:03Lina, let this fear take over us.

01:11:05A similar scare.

01:11:07But why did it happen the way it did?

01:11:08We only found out now.

01:11:09George,

01:11:10where is he, Giorgio?

01:11:11Where is he, Giorgio?

01:11:12Feel it, feel it.

01:11:13He still calls him Giorgio.

01:11:14Oh, it's for a moment.

01:11:15Giorgetto is coming right away, you know.

01:11:16He was so upset too.

01:11:18Poor dear ones,

01:11:18poor dear ones.

01:11:19I knew it,

01:11:20you must never be left alone.

01:11:21Never, never.

01:11:23Oh, that was terrible.

01:11:25It's all because of me,

01:11:27it happened, you understand?

01:11:28It's all because of me.

01:11:30He didn't hesitate for a moment.

01:11:32He leaped forward without fear.

01:11:34He took the gun out of my hands.

01:11:36It gave me a boost.

01:11:38George,

01:11:38thinks.

01:11:39Thinks,

01:11:40Giorgio could have died, huh?

01:11:42Yes.

01:11:42So he risked his life for you.

01:11:44Yes.

01:11:45And then he loves you.

01:11:47The chicken loves you.

01:11:48You are right.

01:11:50You are right.

01:11:52You are right.

01:12:04No,

01:12:04he doesn't have a fever.

01:12:06Let it rest.

01:12:07The doctor said it's better.

01:12:09And then Roberto could come back

01:12:10any moment now.

01:12:11Come over there.

01:12:23It's tiredness that makes him sleep.

01:12:25No,

01:12:25he who always falls asleep

01:12:26when he is unhappy.

01:12:28To suffer no more

01:12:29It's a little trick of Giorgio's.

01:12:30A trick?

01:12:31Yes,

01:12:32she doesn't know Giorgio.

01:12:34Or at least he doesn't know my Giorgio.

01:12:38At that time.

01:12:39Where is Giorgio?

01:12:39He sleeps over there,

01:12:40At that time.

01:12:41Figure of a bump,

01:12:42just a bump here.

01:12:43She's more in love than ever.

01:12:44She's waiting for him with open arms

01:12:45and it awaits us all.

01:12:46They have already set the date

01:12:47for the wedding.

01:12:48No,

01:12:49don't go.

01:12:50The doctor said

01:12:51who needs rest.

01:12:52But true boy,

01:12:53when he knows that everything ended well

01:12:54you will feel much better right away.

01:12:55Are you absolutely sure of that?

01:12:57And he will rush to Rome.

01:13:01George.

01:13:02George.

01:13:03George.

01:13:04Good news.

01:13:05You know,

01:13:05good news.

01:13:06So,

01:13:06nothing happened.

01:13:07He's doing great.

01:13:08It's waiting for you.

01:13:08He's calling you.

01:13:09Are you happy?

01:13:10Give me a cigarette.

01:13:11Yes,

01:13:12Yes,

01:13:12Here you are,

01:13:12cigarette.

01:13:13Dad and Mom are with her.

01:13:14They all agree,

01:13:14you know?

01:13:15Dad had a wonderful idea.

01:13:16He convinced her that you must love her very much.

01:13:17if you could risk your life for her.

01:13:19Are you happy?

01:13:20Huh?

01:13:21Are you happy?

01:13:22Aren't you happy?

01:13:24You are not happy.

01:13:25You should go and talk to him too.

01:13:27She's also sure she can convince him.

01:13:28No,

01:13:29I have nothing more to say to Giorgio.

01:13:30Tia,

01:13:31Calm.

01:13:32Giorgio will change his life and come away with her.

01:13:34She enjoys appearing to give it to me,

01:13:35No,

01:13:36the saint is not my type.

01:13:37It's not about that.

01:13:39What does he want?

01:13:39They changed the cards in my hand.

01:13:41That Giorgio who is mine,

01:13:43all mine,

01:13:43she wouldn't have wanted it.

01:13:46Do you think so?

01:13:46I'm sure of it.

01:13:48He wasn't a good boy,

01:13:49you know my Giorgio.

01:13:50It was something she should hate.

01:13:52He was frivolous,

01:13:53bad,

01:13:54selfish.

01:13:54She's lying.

01:13:55Oh,

01:13:55he was lying too.

01:13:56He made appointments and forgot to go,

01:13:58he never kept his promises.

01:14:00But what use is it to you?

01:14:01Tell me bad things about him.

01:14:02Oh,

01:14:02but it's not bad.

01:14:03I loved him like that.

01:14:20the end of the month will be very difficult for us.

01:14:22do you have two thousand lire to lend us?

01:14:26They think I'm rich too.

01:14:27I'm almost poor.

01:14:28Thousand?

01:14:29Yes, maybe.

01:14:32Since I have to leave tomorrow morning to go back home,

01:14:34so I have some money.

01:14:36Robertino,

01:14:36I'm sorry, I'm doing you a favor.

01:14:38But what is it?

01:14:39What?

01:14:39Have you gone crazy?

01:14:40Ah,

01:14:40I wait.

01:14:42Ah,

01:14:43the gesture is chic.

01:14:45I'll tell the owners of the fixed-price restaurants where we'll be eating starting tomorrow.

01:14:49I'm sure they'll give us a discount in return.

01:14:52But did you want to make a nice gesture?

01:14:53The beautiful gesture is now done and,

01:14:54Miss...

01:14:54No, Roberto.

01:14:56But the young lady only wanted to help us in a particularly difficult moment.

01:15:00I don't want her to help us.

01:15:01But if we all start acting like nobles,

01:15:03we'll never get out of this again.

01:15:05You have to be noble, yes, but only up to a certain point.

01:15:10You're right, dear.

01:15:12I'm an idiot.

01:15:13If we all try to be noble,

01:15:15we will never get out of this.

01:15:17Above all, he won't get out of it.

01:15:19Attention.

01:15:22Giorgio, Giorgio, did you have to rest?

01:15:24Why did you get attached?

01:15:25I'm fine, let's go.

01:15:27Let's get out of here right now.

01:15:28I don't even want to go back to the hotel,

01:15:30I don't want any of what I have there.

01:15:32I'm leaving today.

01:15:32Are you leaving?

01:15:33And where are you going?

01:15:34You will tell Dad and Mom that I will be back in Rome in a few days

01:15:36to better study their placement.

01:15:39That I will get to work,

01:15:40that I will help them.

01:15:42But maybe Dad will have to find something to do.

01:15:45He won't search, he'll search, don't worry.

01:15:47He's been searching for thirty years.

01:15:48And get the Excelsior, the Grand Hotel, and the ambassadors out of your heads.

01:15:52Let them find a decent pension for the first few months.

01:15:55In short, to try to make them understand that it cannot continue like this,

01:15:58that they must be reasonable.

01:16:04Here you are.

01:16:06Here you are.

01:16:07What will you two do now?

01:16:10I'll answer you with a joke from your father.

01:16:12We'll cast our nets, dear.

01:16:14Barbara, will she be forced to work?

01:16:17It doesn't concern you.

01:16:18But, there's one thing I'd like to know.

01:16:22Why did you tell him I saved your life on the boat?

01:16:25Have you forgotten about that day in Viareggio?

01:16:28When I thought I wouldn't be able to reach the ground anymore.

01:16:31Ah, you were green with fear.

01:16:32But you had the courage to put the boat out to sea.

01:16:35We were 15, love.

01:16:37Memories?

01:16:39As long as time is enough.

01:16:43Look, it's not about the little things anymore.

01:16:45If I bother you saying goodbye to Barbara...

01:16:49I can also...

01:16:50No, Roberto, don't go.

01:16:52That girl needs to get dressed, Giorgio.

01:16:56I wanted to say goodbye to you first.

01:17:00When you break up with a woman, you promise her friendship to make the separation a little easier.

01:17:05I don't even promise you my friendship.

01:17:08Not even your friendship.

01:17:10We all lived a ignoble life on Lina's expense.

01:17:13But above all, the two of us.

01:17:14Back then they were only thinking about money.

01:17:16But we...

01:17:17We, in the midst of those small combinations, in the midst of those complicities, have done

01:17:23the comedy of love.

01:17:24Comedy, yes.

01:17:26Forgive me, Barbara.

01:17:27About what?

01:17:29Of the life I made you live.

01:17:31You know, you don't have to.

01:17:33Rather, it is I who thank you for that life.

01:17:39Come on, Roberto, let's go.

01:17:40Barbara.

01:17:41What's up?

01:17:42What else do you want me to tell you?

01:17:42That I was comfortable in that situation?

01:17:45Just because I was in love with you.

01:17:46But give me a break.

01:17:58Here, Roberto, this is the car key.

01:18:00Why not come to Rome with us?

01:18:01No, we're going back by train.

01:18:02A third character.

01:18:02You will return the car to the garage and give the key to Lina.

01:18:04Come on, calm down.

01:18:06Can you count on an executor?

01:18:09Very mythical.

01:18:14Goodbye, Roberto.

01:18:15Goodbye, Barbara.

01:18:18Goodbye, Giorgio.

01:18:24Goodbye, Giorgio.

01:18:25Goodbye, Barbara.

01:18:32Goodbye, Combination.

01:18:36Goodbye, Porto.

01:18:39Goodbye, vaccine eisteria on height.

01:18:48Axe, chat, chat, chat.

01:19:03Thank you all.

01:19:33Thank you all.

01:20:01Thank you all.

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