One Frightened Night 1935

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Relatives vie for an eccentric's (Charley Grapewin) millions earmarked for a long-lost granddaughter. #B&W #comedy #family #horror #mystery

Transcript

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00:10:09Can't wait

00:10:09Who is that with you don't

00:10:14Don't wave only

00:10:15Yes, but I found your granddaughter

00:10:26My

00:10:33So your daughter

00:10:37Why didn't you come to me before I never thought you wanted me

00:10:42Not until I saw mr. Felix's advertisement in the paper

00:10:58Ladies and gentlemen, my granddaughter

00:11:03How do you do?

00:11:04Good evening

00:11:05Come father. There's so much. I want to talk to you

00:11:11Please have you got the check?

00:11:14Yes, I have them right here. Well, turn them up. I don't need them now

00:11:18My entire fortune goes the door

00:11:21You know child. This is the happiest moment. I've spent in 20 years

00:11:27You ever see a lot of hungry wolves waiting around to feast on the court

00:11:31No

00:11:31Well, turn around and take a look

00:11:36Looks like something has spoiled their dinner

00:11:40Oh, you had yours?

00:11:42How about a nice hot cup of coffee?

00:11:46Elvira

00:11:49Yes, mr. White

00:11:49Some hot coffee on your snack and make it snappy

00:11:53Yes, yes, mr. White

00:11:59Thanks, Felix. I feel the need of one of these

00:12:02Might as well take down your stocking Laura

00:12:04Santa Claus won't be here

00:12:06You talk as though this were a joke

00:12:07It is only we're on the wrong end of it

00:12:11Well, Doc, it looks as though that heart of gold turned out to be tobacco after all

00:12:15Your levity isn't in good taste, Dean

00:12:17Don't kid me. You needed that million

00:12:19I heard you lost quite a wad on the ponies lately

00:12:21What a sucker you were Felix letting the girl find you

00:12:24If you're reflecting on my integrity as a member of the ball, why

00:12:27I'll tell it to a jury

00:12:28It's not fair

00:12:29What right is that girl got to come here after all these years?

00:12:32What right is she?

00:12:34Oh, it's just awful

00:12:35The old devil would do something like this

00:12:37I can't stand it

00:12:39I can't stand it

00:12:40I can't stand it

00:12:42Laura

00:12:43Laura

00:12:47That's the quickest million dollars I ever lost

00:12:50Well, while there's life, there's hope

00:12:52Too bad she couldn't have waited until after midnight

00:12:54Yeah

00:12:56Where are you going?

00:12:57I'm going upstairs to get acquainted with five million dollars

00:13:01Felix, are you sure that this girl is Doris Waverly?

00:13:05There can be no question of her identity

00:13:06She even had letters of her mother to prove it

00:13:08I'd like to see those letters Felix

00:13:10That'll be all right with me

00:13:12Suppose we go into the den

00:13:35Hey, how much longer you're going to keep Miss Waverly? I'd like to do a little entertaining myself

00:13:40I don't want to show you papers, little boy

00:13:42I don't want to show you papers, little boy

00:13:58This is fine

00:13:59How much easier?

00:14:00How much less it takes

00:14:03It's about us

00:14:04There is a reply

00:14:07I forget

00:14:08It's about us

00:14:08A dark

00:14:09You asleep

00:14:11Andved

00:14:11Yes, there's a yellow

00:14:32you're going to be married I'm going to make you mrs. Henry Waverly no matter what your father says

00:14:40Jasper never forgave his daughter for running off with that actor from the day he sealed up her room

00:14:45it has never been opened must have been a temptation for you to get rid of these letters Felix

00:14:56beg your pardon no offense Felix driving 40 miles with the girl who's safe arrival here would cost

00:15:05you a million dollars I don't mind saying it would have been a temptation to me sound as though you

00:15:12meant that a lot of money a million dollars these days

00:15:25you might as well know the truth there's a telegram that came while we were at dinner

00:15:34oh Arthur how could you oh sir whining won't help a girl spoiled everything

00:15:44oh what are we going to do there must be some way out that money would have saved us

00:16:03when we get this room changed around you won't know it we're going to get rid of all this heavy

00:16:08old

00:16:08stuff we're going to get things things that look like you it's almost a shame to do anything to this

00:16:15room it's beautiful just as it is like it like it I love it after some of the places I've

00:16:26lived in

00:16:26it's paradise it hasn't always been easy for you has a child not always but that doesn't matter now

00:16:34you could have come to me before this mother wouldn't come calling neither would I she wouldn't

00:16:41have had to have crawler if she'd been willing to have left your father but she seemed to feel that

00:16:45her happiness was with him but dad never made her very happy your mother wasn't happy with your father

00:16:54well not exactly but really I shouldn't feel the way I do about him after all he was my father

00:17:06she'd only told me

00:17:40what are you going to do do you want everybody in the house to hear you

00:17:44do you want to be foolish before I shut it for you

00:17:57if there's anything else you want just ask for it oh you're a dear granddad oh kiddle fix I mean

00:18:03fiddlestick I'm an old grouch but who wouldn't be with a lot of mummies walking around

00:18:11thanks Elvira doesn't look much like a mother does she I take after my father get out

00:18:26never mind Elvira she she's always sour about something besides she she just had a great

00:18:33bereavement oh I'm sorry so a lot of other folks I know well they at least got a good dinner

00:18:37out of it

00:18:38I don't understand you would have you know them but if there's something wrong

00:18:41everything straighten itself out the moment that you walk into this house nothing else can happen now

00:19:10I'm

00:19:24happy

00:19:26but

00:19:27the

00:19:46Oh hello. Where did you come from? Well I tried ringing the bell but I couldn't stay out there in

00:19:53the rain all night. Do you know where you are? Are you one of the whites?

00:19:57Well would you hold that against me? No. Which one are you? Well I'm the one that's no good. That's

00:20:07a fact. Jasper always said so. I have all the weaknesses and none of the virtues. Probably do what Jasper

00:20:13always said. Wind up with a tin cup in my hand. Well you uh you don't look as though you

00:20:18were suffering. Well you don't know the half of it. I just lost a million like that. Poor boy. Tell

00:20:24me. How did it happen?

00:20:25A woman made a sap out of me. They're always making a sap out of me. Or trying to. That's

00:20:32another one of my weaknesses. I won't take advantage of you. Thanks. From now on we whites must stick together.

00:20:39Just who did you say you were? Doris. I'm Jasper White's granddaughter. You're who? Doris Waverly. Well this is going

00:20:46to be interesting. You have no idea. Well I suppose you are surprised by that. Yes I am but not

00:20:52nearly so surprised as Jasper's going to be.

00:20:55Ha ha ha ha. Listen by the way. When you put on your act for him it better be a

00:21:00good one. I don't get you. Well you see I happen to know you're not Doris Waverly. I saw you

00:21:06in Boston last week in an act at the Regent Theatre. Oh you should call us in Springfield. We'll buy

00:21:10them there too.

00:21:13Here come two gentlemen who'll enjoy meeting you. Dr. Denham and Mr. Felix. Gentlemen Miss Doris Waverly. How do you

00:21:21do?

00:21:22How do you do? Is this some more of your perverted sense of humor young man?

00:21:27Now my idea of a joke. I can think of funnier things than belonging to the Jasper White family.

00:21:32As Mr. White's attorney you'll understand my interest in your unexpected appearance. Miss Waverly. That's okay with me.

00:21:40Where do you come from? Boston. Just played a week at the Regent. Too bad you didn't catch the act.

00:21:45Do you good to relax?

00:21:47An actress, eh? What brought you here?

00:21:50The Great Lavelle. Who?

00:21:52Joe Lavelle. My partner in the Voterville Act. We ran out of gas down the road. He won't be here

00:21:57any minute.

00:21:59The Great Lavelle.

00:22:06The Great Lavelle. Joe Lavelle. My partner in the Voterville Act. We ran out of gas down the road. He

00:22:12won't be here any minute.

00:22:13The Great Lavelle.

00:22:37The Great Lavelle.

00:22:43You're catching on now if you don't mind telling Mr. White. Oh, let me do it. I can hardly wait

00:22:51Pardon me madam

00:22:52What are you made up for later? Mcbeth? What do you want in case you have to know? I'm seeking

00:22:56the whereabouts of one Doris

00:22:57Waverly who are you don't you know who I am? I am the master of ledger domain

00:23:03The great Laval the world's greatest magician press the digitator now you see it and now you don't

00:23:19I

00:23:20I'll be with you in a minute, babe

00:23:25Say what kind of a one-night stand is this we've walked into

00:23:32Who's the brother a couple of nice boys Joe they've just given me a marvelous reception

00:23:40Well always glad to meet my public

00:23:44Hmm

00:23:46Gentlemen

00:23:48Have one on me now you see it now, you know

00:23:57Death and dumb both of them

00:23:59But I'm not hungry you better have something back up this coffee. They agree it when it's hot. Thanks

00:24:16Come in

00:24:18Excuse me Jasper. Well, what do you want?

00:24:21There's a surprise package waiting for you downstairs wait

00:24:26All right, I'll tell her tell who

00:24:30She calls herself Doris Waverly

00:24:33What do you mean?

00:24:35That's ridiculous

00:24:37I'll be right there

00:24:41Why should anyone want to impersonate me there's a very good reason, but don't you worry about it you wait

00:24:47here?

00:24:54I'll be right there

00:24:56You'd better come over here right away

00:24:59Yes, goodbye

00:25:08not only that even who didn't use the cop my act I suppose your magician enough mr.

00:25:13LaValle to get yourself out of anything you take the very words right out of my mouth

00:25:17ever try getting yourself out of jail

00:25:34this is the young lady you I mean this gentleman is a friend of the young woman mr.

00:25:49LaValle uh-uh the great LaValle a variety magician vaudeville artist well I want to

00:25:57speak to this young lady alone as your attorney Jasper don't you think that I

00:26:01had better I said alone get out all of you yeah yeah go on I said all of you I'll

00:26:10be

00:26:10standing right off stage in case you need me you you say that you are my

00:26:22granddaughter well that's what mother always told me well why haven't you

00:26:27visited me before this well it's the first time our booking ever took us near

00:26:31Boston hmm why did you pick out this particular night to come here if you're

00:26:36sorry I wish I hadn't I only came because mother asked me to before she died whoa

00:26:41this mother of yours she thought that I would leave you my money your money why I

00:26:49wouldn't touch a penny of it I've never had to pay for anything then why did you

00:26:53come here I don't know now I knew what you'd be like and that's just what you

00:26:57are only more so no wonder mother ran away to marry don't you say a word against my

00:27:02father he was the grandest man who ever lived and and I think you're the most

00:27:06hateful thing I've ever seen wait oh I've had enough I shouldn't have let Joe

00:27:10talk me into coming here oh it was his idea eh this money bank you needn't

00:27:15near him he's been everything to me my father would have been if he'd lived and

00:27:19what's more Joe's an artist a trickster and why should I believe any different of

00:27:24you why should I believe that you were Doris Waverly when I know the real Doris

00:27:30Waverly is upstairs I don't care what she calls herself but if he says she's

00:27:34Doris Waverly it's a lie are you willing to tell her that I'd enjoy well come on

00:27:46her

00:27:56and

00:27:59and

00:28:01and

00:28:19Well, I don't know who she thinks he is, but I know who I am.

00:28:21If she didn't hear you, you can tell it to her.

00:28:26George!

00:28:30George!

00:28:36George!

00:28:37George!

00:28:38What's the matter, Captain?

00:28:40This door wasn't locked when I left you.

00:28:42Go on, break it over.

00:29:09What's the matter with that?

00:29:10He's dead.

00:29:17Where?

00:29:22He must have died instantly.

00:29:24How?

00:29:26Poison.

00:29:27There's no doubt about it.

00:29:28One of the deadlier women.

00:29:30She has all the usual symptoms.

00:29:32But why should she kill herself?

00:29:34Because she knew the real Doris Waverly was downstairs and decided it was the only way out.

00:29:38Well, if she drank poison, why is the cup in her right hand when I know she was left handed?

00:29:43Well, if it wasn't suicide, why was the door locked on the inside?

00:29:46Nobody could come in.

00:29:48Your balcony joins the one to this room, Arthur.

00:29:50Did you or Aura hear anything?

00:29:52Not until I heard the scream.

00:29:57You needn't mind that, Elvira.

00:30:00Supposing she did poison herself.

00:30:03She wouldn't have put poison in the coffee pot.

00:30:06If the analysis shows any trace of poison, it wasn't suicide.

00:30:14It was murder.

00:30:17And the person who killed her is in this room.

00:30:54And Sheriff, you won't find any cyanide in my bag.

00:30:59How'd you know it was cyanide?

00:31:01The coroner corroborated his diagnosis.

00:31:15Then what's it castor oil

00:31:25You're lucky it wasn't you up there in that room instead of that other girl

00:31:28Meaning what?

00:31:30Don't you know that whoever killed that girl thought she was Doris Waverly?

00:31:33Well, that sort of puts me on the spot doesn't it?

00:31:37Every minute you spend under this roof that clock may be ticking your life away

00:31:41You're not trying to tell me it means anything to you, are you?

00:31:45You might be surprised if I were to tell you how much it could mean to me

00:31:48I know how much it means to you

00:31:52To be one million dollars richer

00:31:54Why don't you do your disappearing act?

00:31:56I had an idea at that

00:31:57Come on, we're bowing out of this show right now

00:32:00Well, I'll drive you wherever you want to go save your gas buddy

00:32:05That guy gets in my head

00:32:06What kind of a song and dances have they been giving you now?

00:32:09He's nice Joe

00:32:10Who wouldn't be with a girl waiting for five million dollars to be dropped in her lap?

00:32:13You don't think I'm waiting for that?

00:32:15I'll say you're not

00:32:16I've sought a lot of women in half in my time

00:32:18But that dame upstairs was no faith

00:32:20Where are they getting?

00:32:21Without saying goodbye

00:32:22Stick around this morgue long enough to them to say goodbye to you with flowers

00:32:25Come on

00:32:29So long hop shop sorry I have to walk out on you

00:32:31You're not going anywhere

00:32:33Yeah, that's what you think

00:32:34Nobody leaves this house

00:32:35Sheriff's orders

00:32:36See if that small town sheriff thinks he's booking us on this bill here

00:32:39Don't get tough LaVelle

00:32:40The great LaVelle for you

00:32:42Now look here officer

00:32:43Tell it to the sheriff

00:32:44Ain't how I'll tell him

00:32:47You can't keep me here

00:32:49Don't it ain't I?

00:32:50I told you I'd send for you when I wanted you

00:32:52If anybody else is going to get carried out of this morgue

00:32:54It's not going to be Doris

00:32:55I'm walking around here right now

00:32:57Running out eh?

00:32:58I said walking constable

00:33:00Never run to exit

00:33:01Another crack out of you and I'll jail you for contempt

00:33:03If you do I'll have you arrested for impersonating an officer

00:33:07Now look here LaVelle

00:33:08The great LaVelle

00:33:10The great LaVelle

00:33:10Listen Jasper you can't expect this girl to risk staying here after what's happened

00:33:13It's such a hard to get away now

00:33:15I was coming to that

00:33:16This girl's not Doris Waverly

00:33:18Though she knows why Doris Waverly was killed

00:33:21Why you nasty little mouthpiece

00:33:24I'll knock you fatter than a fresh shake

00:33:27Easy you or I'll slap the bracelets on you

00:33:29Keep your cuffs in your pocket Dr. Watson

00:33:31I only do my escape act when I get paid for it

00:33:34You won't get yourself out of this so easily

00:33:39Still claiming you're Doris Waverly eh?

00:33:42I won't be talking to you like this by you or anybody else

00:33:45You've got a pretty sharp tongue young woman

00:33:47And where do you suppose she gets it you nitwitch?

00:33:53She's her mother all over again

00:33:56Give me a child

00:34:02I knew that you were my granddaughter from the merry moment you said I was the most hateful old thing

00:34:09you had ever met

00:34:11I wouldn't have said that about it

00:34:13I wanted to see how far you really would go

00:34:16You went a little farther

00:34:18I'm sorry

00:34:19I suppose I had it coming to me but

00:34:23No one else ever had the spunk to do it before

00:34:26If this is your granddaughter then who's the other girl?

00:34:29An imposter

00:34:30Brought here by someone who knew she would get my entire state

00:34:35That doesn't explain those letters that proved that she was Doris Waverly

00:34:39They're very convincing Jasper

00:34:40No

00:34:45They're not here

00:34:46Top of my stuff huh?

00:34:48Now let's see you pull them out of your hat

00:34:50You saw me put them back?

00:34:52I was showing them to the doctor while you were upstairs

00:34:54That's right

00:34:56I suppose those letters just put on their hats and coats and went out for a walk

00:35:00They might even have been cremated

00:35:04Are you sure those letters weren't forgeries Helix?

00:35:08Are you, are you accusing me?

00:35:11No, I was just thinking that someone might have tried to substitute an imposter

00:35:17So they could get five million instead of one

00:35:20Mr. Felix, how did you meet the dead girl?

00:35:23I, I advertised for her naturally

00:35:27So you advertised for her

00:35:29You didn't by any chance kill that girl

00:35:31This is intolerable

00:35:33I who stand before you with an unsullied record

00:35:36A man whose whole career exemplifies the highest ideals of his profession

00:35:41Don't forget to bring in Lincoln in Gettysburg

00:35:46Surely Jasper, you do not doubt my integrity

00:35:48I don't trust you anymore than I do Denham

00:35:50No?

00:35:51No, you look too innocent

00:35:52Dr. Denham did not look so innocent when he was alone with me

00:35:55He admitted it would be a temptation to have kept that girl from arriving here

00:36:00Very interesting, Mr. Felix

00:36:02But it wasn't I who took that cup of poisoned coffee to the girl's room

00:36:07Hmm, I was coming to that

00:36:09What about this Elvira?

00:36:12I'll get her

00:36:21You're hearing can't be as good as it used to be Elvira

00:36:24Come in

00:36:32The rest of you can go

00:36:33I'll call when I want you

00:36:35Go on, get out, get out, scratch all of you

00:36:38You won't run away

00:36:39I'm not afraid

00:36:40And don't press this young scoundrel too far

00:36:43Don't you let her out of your sight

00:36:44I won't

00:36:45You're a dick

00:36:47Stop that

00:36:48Go, get her out of here

00:36:52I thought I was a magician, but she's got too much on the ball for me

00:36:56What's that?

00:36:56Making a human being out of an old buzzard like you

00:36:59Easy now, Pop

00:37:00I'm gonna solve this murder for you

00:37:02Pull it out of your head, eh?

00:37:03Wrong again, Oscar

00:37:05That's where the little Easter bunnies come from

00:37:07Okay, Elmer, it's your witness

00:37:14Sit down

00:37:21You needn't be afraid

00:37:23If you have nothing to conceal

00:37:30Or it's you

00:37:31Give me another piece of paper, will you?

00:37:35Thank you very much

00:37:37Just one

00:37:39Some tobacco

00:37:40Watch very closely

00:37:45There you are

00:37:46You see them?

00:38:03I told you the truth

00:38:05I believe you, Elvira

00:38:07Sure

00:38:07But why did you poison the coffee?

00:38:09I didn't do it

00:38:10Who did?

00:38:12I...

00:38:14I don't know

00:38:16You took the coffee to the girls' room?

00:38:18You hated her, didn't you?

00:38:21Didn't you?

00:38:22Yes, yes, I hated her

00:38:23Why shouldn't I?

00:38:25Oh, I knew I'd get it out of her

00:38:27Do you want to write your own confession?

00:38:29I'm not confessing anything

00:38:30She can't confess to something she didn't do

00:38:33Oh, protecting her, is that it, Mr. White?

00:38:35Oh, don't be any more of an idiot than you can help, Sheriff

00:38:38Even if Elvira did poison the coffee

00:38:41She never choked that girl until she was insensible

00:38:44And then forced that coffee down her throat to make it look like suicide

00:38:47Oh, it took a man to do that

00:38:50How do you know all about this?

00:38:52I don't

00:38:52But whoever committed the murder made the mistake of placing the cup in her right hand

00:38:56When I know she was left-handed

00:38:58You know more about this than you're telling

00:39:01Elvira knows more than she's telling

00:39:03Who did it?

00:39:05You're shielding him, Elvira

00:39:07Why should I?

00:39:09Because you hated the girl

00:39:10And whoever did it was accommodating you

00:39:12And you're protecting it

00:39:13I know

00:39:14No

00:39:14You made the mistake a moment ago

00:39:16When the sheriff asked you who did it

00:39:17And you hesitated and thought twice before you said you didn't know

00:39:22Well, that makes her an accessory after the fact

00:39:25Come on

00:39:26You're going with me

00:39:27No, no, I'll tell you

00:39:28I heard them talking in their room

00:39:30Heard who?

00:39:31The proctors

00:39:32She was excited

00:39:33She told them she was afraid of something he was going to do

00:39:35Then he told her to shut them out

00:39:37Before anyone heard it

00:39:40She's lying

00:39:41No

00:39:41That's a lie

00:39:42Maybe you'd like to kill her the way you killed that other girl

00:39:45I had nothing to do with it

00:39:46I never left my room

00:39:47What was it your wife was afraid you'd do?

00:39:49I never said a thing

00:39:50Oh, yes, you did, Laura Proctor

00:39:52You were talking there as fast as you could

00:39:53You're making it up, every word of it

00:39:55Have you forgotten that that room was locked from the inside?

00:39:58Have you forgotten that the balcony outside of your room leads to that room?

00:40:02Oh, you would like to pin it on me, wouldn't you?

00:40:04You've always hated me ever since I married into your family

00:40:06That's Laura's misfortune

00:40:08Not mine

00:40:09That's all for you

00:40:11Don't you think it might be?

00:40:12Accused of murder

00:40:13No knowing what will happen next

00:40:14If I had anything to say about it, there'd be plenty happening

00:40:17Threatening, eh?

00:40:19Arthur dear, I told you to be careful

00:40:21Oh, so he did do something that you didn't want him to do

00:40:25That's all for you, Mr. Proctor

00:40:27I'll talk to you later

00:40:28But Mrs. Proctor is going to answer a few questions right now

00:40:33You're not going to bulldoze my wife?

00:40:34She doesn't know any more about this than I do

00:40:36Well, that ought to be plenty

00:40:38Now, that's right, Proctor

00:40:47Now, you're going to make it a lot easier for yourself if you tell the truth now

00:40:53You'll never make me talk

00:40:55A remarkable woman

00:40:56She won't talk

00:41:11Just the same, I don't understand how you happened to come here on this particular night

00:41:15That's what he said, but I didn't know what he meant

00:41:19Are you sorry, too?

00:41:23What are you talking about?

00:41:24Grandfather

00:41:25You know, he's a strange thought, isn't he?

00:41:27I really think he'd be a swell person if you could get to know him

00:41:29Well, don't I rate any attention?

00:41:31You know, I'm not such a bad sort either when you get to know me

00:41:34He said not to trust you too far

00:41:37Now, listen, Doris

00:41:38Ah, that's far enough

00:41:41You seem to be more afraid of me than anything else in this house

00:41:44I'm not afraid

00:41:45I want to take you out of here

00:41:48But I promised him I'd stay

00:41:50Besides, the show isn't over yet

00:41:52That's just what I mean

00:41:53You're in danger here, Doris

00:41:54I'd never forgive myself if anything happened to you

00:41:56Really?

00:41:57Well, there's nothing small-time about the way you work

00:42:00Listen, if you think this is an act I'm putting on

00:42:02Remember your weakness

00:42:03You'll get over it in the morning

00:42:05All right

00:42:05If that's the way you feel about it, I won't bore you any longer

00:42:13Tom!

00:42:16You're not afraid, are you?

00:42:20Well, I guess I'll play tougher houses than this

00:42:23Just the same, I'll be back

00:42:52I think I'll be right over it

00:45:30Hey, stop!

00:45:31Oh!

00:45:33Oh!

00:45:38Oh!

00:45:39Oh!

00:45:42Oh!

00:45:43Oh!

00:45:45Oh!

00:45:54Oh!

00:45:59Oh!

00:46:00Oh!

00:46:01Oh!

00:46:02Oh!

00:46:06Oh!

00:46:25Oh!

00:46:30Oh!

00:46:31Oh!

00:46:32Oh!

00:46:34Oh!

00:46:42Oh!

00:46:51Oh!

00:46:53Oh!

00:46:54Oh!

00:46:56Oh!

00:46:57Oh!

00:47:00Oh!

00:47:03Oh!

00:47:17Oh!

00:47:23Oh!

00:47:24Oh!

00:47:26Oh!

00:47:30Oh!

00:47:38Oh!

00:47:41Oh!

00:47:42Oh!

00:47:48Oh!

00:47:49pull that one out of your hat Mr. Lavelle. The great Lavelle. Maybe someone else in this room

00:48:01has a bag of tricks. Someone who took that poison dart from Mr. Lavelle to conceal the

00:48:08evidence of another attempted murder. How did you know it was poison? An Amazon blowgun has no

00:48:13other effectiveness. You'll find that blowgun was stolen from my trophy room. I didn't see it

00:48:18when I left Doris there. Where did you go when you left her? To my room. When I heard

00:48:23the shot I ran back to the trophy room and Doris wasn't there. I'd gone into the

00:48:28hall. Something frightened me. It must have been your shadow that startled me. That dart

00:48:34was meant for you Doris but somebody mucked their cue this time and we're not

00:48:37waiting for another rehearsal. Come on. You stay right here. I thought I told you not

00:48:41to leave her out of your sight. And just where were you during all this Proctor? In

00:48:45his room. Yes. Arthur never leaves his room. I'm going outside and look around. I want

00:48:52everybody right here when I come back. Abner. Yes Chief. See if that blowgun is

00:48:58missing from the trophy room. Find it if you have to search every room in the house.

00:49:03But it can't be one of them. That face. Well go on. Don't anybody leave this room. Wait a minute

00:49:10to follow. Vance I'm going with you. I don't need your help. Yeah but if anything

00:49:15happens to you this time I want a front row seat. Who lifted my gun? Try your back pocket

00:49:25Sheriff. Not here. Well isn't that funny. Well I uh. I. That is funny. I got a feeling

00:49:34something else unpleasant is going to happen to you. Not while you're alone to protect me

00:49:38Sheriff. Oh you're just a time to go with us Dean. What's the matter? Are you afraid

00:49:42of the dark? That's why you're where I can keep my eye on you. Thanks but I'm busy keeping

00:49:46an eye on Doris if you don't mind. See I'm worried about that too. Now look here LaValle. Say

00:49:51listen. Where were your eyes on somebody who's playing with that bean blower upstairs? If you're

00:49:54inferring that I know anything about that. I'm not accusing anybody. I'm only saying that making

00:49:58a play for five million dollars is just another way of getting away with murder. Listen I know

00:50:02why you're doing this brother act for Doris. You knew Jasper's granddaughter would commit a part

00:50:06of this fortune you've had your eye on it ever since you met her. Why you. Go on scat scat

00:50:13get

00:50:13out. Get out. Get out. The hand is quicker than the eye. Mr. LaValle. The great LaValle.

00:50:20Come Doris. There's something that you and I have got to do.

00:50:37This door hasn't been unlocked in twenty years. My mother.

00:50:49It took a stubborn old man a long time to realize he was wrong.

00:51:16there's a candle in here somewhere. There's one. There's a candle in here somewhere. There's one. Oh yeah.

00:51:36you're like that. Just like her. I almost wish you hadn't let me see the room. Like this.

00:51:46You're always going to be as it used to be now that you're here.

00:51:57Yes, sir.

00:52:07Just as I thought.

00:52:11Yes, sir.

00:52:17Someone stole those letters.

00:52:21How do you know they weren't forgery?

00:52:23They disappeared from Mr. Felix's briefcase before you saw them.

00:52:27That's why I made them disappear.

00:52:29You?

00:52:30Yes, to find out if they were genuine.

00:52:32This convinces it.

00:52:33And I blamed it on your attorney.

00:52:35He's possibly blaming it on Dr. Denham.

00:52:37They keep on accusing one another.

00:52:39Someone is bound to make a slip.

00:52:41You should change jobs at the sheriff.

00:52:44But if you're the only one that has the keys to this room for all those...

00:52:47What's that?

00:52:52Hmm...

00:52:53Looks like the broken end of a scissor.

00:52:57Elvira?

00:53:01Hmm...

00:53:02Where are you going?

00:53:03I'm going to find the one piece that's missing from our fellow.

00:53:07Oh, Elvira!

00:53:09You weren't by any chance looking for a scissor.

00:53:11I was passing the door when I noticed the lock had been opened.

00:53:15I thought...

00:53:16Of course you thought it hadn't been opened in 20 years.

00:53:19Come on, scat, scat, scat!

00:53:20Yes!

00:53:26Hmm...

00:53:28Ooh!

00:53:29That face!

00:53:30Why don't you wear a cowbell?

00:53:32No wonder that face if you're a scared Abner.

00:53:33What are you doing here?

00:53:35All right, I'll bite.

00:53:36What am I doing here?

00:53:38Shh!

00:53:40Fight!

00:53:42Bye-bye!

00:53:49Uh...

00:53:51Uh...

00:54:10What?

00:54:11Oh, I can't hear you.

00:54:13There's no use looking out here any further we can't find anything. How do you know? How do I know

00:54:18anything? I give up sheriff

00:54:20How do you know anything?

00:54:25Give me that

00:54:27Why I gotta know

00:54:31Hmm when you think so

00:54:35Well sure

00:54:39I'll be hearing from you

00:54:43Oh

00:55:17Oh

00:55:20Now do you understand there? Yes, I think I do

00:55:26These belong to you

00:55:28Might like the mobile for a while

00:55:32I'll be back shortly

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