Perky young Nanette attempts to save the marriage of her uncle and aunt by untangling Uncle Jimmy from several innocent but ensnaring flirtations. Attempting one such unentanglement, Nanette enlists the help of theatrical producer Bill Trainor.
#B&W #comedy #drama #musical #romance #family
#B&W #comedy #drama #musical #romance #family
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FunTranscript
00:00:11Music
00:00:12The music
00:00:12That's all I hear
00:00:15I get in so old and true
00:00:18The music
00:00:19The music
00:00:20That's all I hear
00:00:22I get in so old and true
00:00:22No matter what I may love
00:00:25Sometimes I'll ask
00:00:27I'll have my way
00:00:28I know I'm old and young, but you're thinking always, no, no, no, no, no, no, no.
00:01:04THE END
00:01:30THE END
00:02:08Pauline, what's this?
00:02:09Bacon.
00:02:09Oh, I know, but...
00:02:10We've already had our allowance for the month.
00:02:12You mean...
00:02:12Not another slice the next Wednesday.
00:02:14Good morning, darling.
00:02:15Good morning, darling.
00:02:16Never seen such a man for bacon.
00:02:17Never seen such bacon for a man.
00:02:19Pauline!
00:02:20Where's Nanette?
00:02:21She's already had her breakfast, what there was of it.
00:02:23Bread, pudding, and milk.
00:02:24Not my idea of a breakfast.
00:02:32Good morning, Miss Nanette.
00:02:35Good morning, Stiles.
00:02:37Good morning.
00:02:38Say, Miss Nanette, I don't want to seem insquisite, Steph, but how are they feeding you up at the house?
00:02:47Oh, how do they feed me?
00:02:50Oh, well, uh...
00:02:51Oh, this morning I had, uh, orange juice, uh, strawberries and cream, uh, poached eggs on toast, uh...
00:02:58Poached eggs?
00:03:00Mm-hmm.
00:03:01Poached eggs.
00:03:02Do you know what they gave Pauline and Hamilton this morning for breakfast?
00:03:06Bread, pudding with milk.
00:03:09Oh, that sounds horrible.
00:03:11Sounds horrible.
00:03:13It'd be all right if you only had to listen to it, but you gotta eat it.
00:03:17Your horoscope says, beware of 1940.
00:03:22Sun and Taurus, Moon and Capricorn.
00:03:24You are externally a materialist, but this is a libel.
00:03:28In reality, an idealist with a tendency to dissipate cash.
00:03:32And that's where I come in.
00:03:33Darling, we have a million in the bank.
00:03:36My darling, always looking on the bright side.
00:03:39Even in 29, when everyone's business was crashing right and left, you were optimistic.
00:03:44Are they eating apples?
00:03:46Oh, they're delicious.
00:03:47But she don't eat them, she can't.
00:03:54Just imagine a little stalk like this holding up a great big apple like that.
00:04:01Yeah.
00:04:02She calls that one Taurus.
00:04:04Yes.
00:04:05And this one she calls Sagittarius.
00:04:07Sagittarius.
00:04:07Sagittarius.
00:04:09This one is called Plato.
00:04:11And this one is called...
00:04:12It came off in my hand.
00:04:14It came off in my hand.
00:04:16No.
00:04:16It's silly.
00:04:17She calls...
00:04:20What did you do?
00:04:23What did you do?
00:04:25Where's the paste?
00:04:26You got your sticky bag and you...
00:04:27What are we going to do?
00:04:29Keep calm, Star.
00:04:31We can't put Taurus back, can we?
00:04:34Would you like half?
00:04:35Yes.
00:04:36No, no, no, no, no, no.
00:04:38Come on, you have half.
00:04:40All right.
00:04:40No.
00:04:42I got a wife and four kids.
00:04:54It came to life.
00:04:56Send it back to life.
00:04:57Give it back to the boy.
00:04:58Oh, a mistake.
00:04:59Terrible.
00:05:00Maybe it's for me.
00:05:01No, no, no, no.
00:05:02It's my mistake.
00:05:04You...
00:05:04You got to swallow the course
00:05:06so there won't be no fingerprints.
00:05:09Oh, my little lamb.
00:05:12Some deal went wrong?
00:05:13It wasn't a deal at all.
00:05:14I mean, I never thought it was.
00:05:19Here she comes.
00:05:20Wait.
00:05:23All right.
00:05:35I don't mind measuring the macaroni.
00:05:37I don't even mind sending the paper napkins out to be dry clean.
00:05:42But when she asks me to put yellow soap instead of cheese in the mousetraps,
00:05:48I'm leaving and so are the mine.
00:05:52What is the matter, Uncle?
00:05:54Nanette, I'm in a mess.
00:05:56What?
00:05:56Business?
00:05:57No.
00:05:58Hey!
00:06:00It's not Auntie.
00:06:02No.
00:06:03What is it?
00:06:04Oh, well, don't think I mean...
00:06:06Well, I don't mean that anyway.
00:06:07You see, the poor girl has lost her pants.
00:06:11What poor girl?
00:06:12A lovely Russian girl I met on the Albany nightboat.
00:06:15Oh!
00:06:17Oh, no, no, Nanette.
00:06:18It's not what you're thinking at all.
00:06:21Don't you see, Nanette?
00:06:22She was terribly anxious to go on the stage.
00:06:24Her family, some kind of nobility, objected and cut her off.
00:06:27Without a penny.
00:06:28Without a penny.
00:06:29So I'll lend her some money for acting lessons.
00:06:31Uncle, that girl didn't need any lessons.
00:06:33So?
00:06:35Oh.
00:06:36Uncle.
00:06:51Uncle, why?
00:06:53Well, you see, I'm a very ordinary man, trying to work out life's happy plans, doing unto others that I
00:07:03like them to do unto me.
00:07:05When I find a very lonely soul, to be kind becomes my only good.
00:07:10I feel so much better when I tell them my philosophy.
00:07:17I want to be happy, but I won't be happy till I make them happy, too.
00:07:27Life's really worth living when we are not giving.
00:07:32Why can't I give love to you?
00:07:35Uncle, I've got an idea.
00:07:37Pay off this Russian bullfound.
00:07:39She'll go back to Syracuse for the right amount.
00:07:41The right amount out of my miserable allowance?
00:07:43Oh, no bonds?
00:07:45Well, no, it's all in your Aunt Susan's name.
00:07:47You know, the inheritance.
00:07:48Uh, no jewelry?
00:07:51Oh.
00:07:53No jewelry.
00:07:58A Mr. William Traynor, sir, calling from the Albee Theater.
00:08:02I'm busy, Remington.
00:08:03I can't talk to anyone.
00:08:04Very good, sir.
00:08:05And stop bothering me, Remington.
00:08:07Yes, sir.
00:08:08Remington.
00:08:09What did you say?
00:08:10A Mr. Traynor, miss.
00:08:11Uncle?
00:08:12No.
00:08:13Oh, William Traynor, the theatrical producer?
00:08:15Yes.
00:08:16Oh, well, Remington, right.
00:08:17Yes, ma'am.
00:08:19Uncle, talk to him.
00:08:20What do you think he got?
00:08:21It's a miracle.
00:08:22Is it?
00:08:23And now you can leave it all to me.
00:08:25Say, it's great to hear your voice, Bill.
00:08:27Say, it's great to hear your voice, Bill.
00:08:29Jimmy, how are you?
00:08:32Say, when can we cry into some beer together?
00:08:34I haven't seen you since.
00:08:38Say, can't you afford a paper?
00:08:40I'm breaking in a new musical comedy.
00:08:42I'm breaking in a new musical comedy.
00:08:44Opening in two weeks.
00:08:46Called So Long, Sister.
00:08:49How do you like the title?
00:08:50We'll change it to So Long, Sonia.
00:08:52We'll change it to So Long, Sonia.
00:08:54Huh?
00:08:58Hello, Bill.
00:09:00Oh, hello.
00:09:01Be with you in a minute.
00:09:03Auntie's birthday party.
00:09:04Auntie's birthday party?
00:09:06Oh, no.
00:09:07It's just my little niece, Nanette.
00:09:09Ask him to a party.
00:09:11What?
00:09:11Oh, yes.
00:09:13Look, will you come to see, you know, my wife's birthday party?
00:09:17Right.
00:09:18I'll be there.
00:09:19So long, Jimmy.
00:09:20Jimmy Smith?
00:09:22Mm-hmm.
00:09:23Of North Shore?
00:09:24Mm-hmm.
00:09:25Dave, let's have the first number.
00:09:27All right, girl.
00:09:28Well, what about me, Bill?
00:09:30If you'd been here just one day earlier, I had just the spot for you.
00:09:33When you get into the house, you'll shower him with hospitality.
00:09:36Hospitality?
00:09:37With what?
00:09:37Uh, we've got, we've got brandy in the cellar.
00:09:40That's true, yes.
00:09:41Uh, you'll reminisce while you sip your brandy.
00:09:43You'll enjoy the music and the nice breezes.
00:09:46He'll take Sonia for his new show.
00:09:48Oh, Uncle, all your troubles are over.
00:09:50Oh, honey.
00:09:50When skies are gray and you say you are blue, I'll send the sun smiling through.
00:09:59Oh, Uncle, I want to be happy, but I won't be happy till I make you happy.
00:10:16Everything ready, Uncle?
00:10:18Five.
00:10:19You might try on your fish before you catch him.
00:10:21Well, first we celebrate our reunion.
00:10:24Yes.
00:10:24Then we reminisce.
00:10:26You reminisce.
00:10:26Then I remind you that I bet you first play.
00:10:29Yes.
00:10:30Bill, the old pal, how we knew you'd succeed.
00:10:32Then we...
00:10:33You cry.
00:10:34We cry into our glasses, Bill has his dancing star, and Uncle Kitty's Sonia.
00:10:39Goodbye.
00:10:40And your digestion.
00:10:41Come on, darling.
00:10:42He may be here.
00:10:43Oh, there he is.
00:10:44Pardon me.
00:10:48Darling, you're going to have all this trouble just because I'm a year older.
00:10:51Oh, well...
00:10:52And such exquisite perfume.
00:10:53You like it.
00:10:54It's called extravagant night.
00:10:55Oh, it's such a lovely bottle.
00:10:56When it's empty, I can use it for a savings bank.
00:10:59Let's see the little cake Maggie made me.
00:11:01Leave him to me.
00:11:03Maggie, that Gillespie's coming to the party.
00:11:05Who's Gillespie?
00:11:06He's that Louie who draws those pictures of girls when they're nude.
00:11:10You know.
00:11:11Do you mean you need to listen to him, I?
00:11:13Don't fail.
00:11:22Hey, Smith House?
00:11:24Yes.
00:11:25I'm Mr. Gillespie.
00:11:27Why, Mr. Gillespie?
00:11:28We were just talking about you.
00:11:30Really?
00:11:31You know, speak of the devil.
00:11:34At the Osby Theater.
00:11:36There is a great man.
00:11:40Hello.
00:11:42Hello.
00:11:43I'm Nanette.
00:11:45Nanette Smith.
00:11:46Uncle asked me to meet you.
00:11:47He's with Auntie looking at the cake.
00:11:49That was kind of him.
00:11:50And charming as you, Mrs. Smith.
00:11:54Oh, you know, Uncle talks so much about you and what great pals you are.
00:11:58Really?
00:11:59I'm flattered.
00:12:00Uh, at least I hope I should be.
00:12:02Well, you certainly should.
00:12:03If you only knew what Uncle thinks about you.
00:12:06You surprised me.
00:12:07Well, he was only just saying to me.
00:12:09He said there wasn't anything that he wouldn't do for you.
00:12:12Uh, that is, if you wanted anything done.
00:12:16Uh, come on, let's find them.
00:12:20I, uh, I think the cake's in the concern.
00:12:23Nanette.
00:12:23Nanette.
00:12:24Ooh.
00:12:25Oh, hello, Tom.
00:12:27Oh, you.
00:12:28I see you've met Arnie.
00:12:30Tom.
00:12:30Uh, Gillespie.
00:12:32Oh, how do you do, Mr. Glad?
00:12:34Oh, because we've met before.
00:12:36I thought he was...
00:12:39I'm sorry.
00:12:39I thought you were someone else.
00:12:41Oh, not half so sorry as I am.
00:12:43Ah, everyone's dying to meet you.
00:12:44Just because you're the man that draws the girl without me.
00:12:47You know, I thought you...
00:12:48Bill, no.
00:12:50Well, are you sure it is?
00:12:51Yeah.
00:12:54That's him.
00:12:55Yes, Bill.
00:12:56You're late.
00:12:59Thanks for reminding me.
00:13:00You're welcome.
00:13:01He looks easy, Ty.
00:13:02Oh, happy-go-lucky Bill.
00:13:07Sonia.
00:13:08Sonia.
00:13:09From Syracuse?
00:13:10Yes.
00:13:11Oh, Uncle, you're joking.
00:13:13My own execution.
00:13:14But, but, but, but...
00:13:15Nanette, what am I going to do?
00:13:17Uncle, you hide yourself in the conservatory.
00:13:20I'll get rid of her and I'll bring him into it.
00:13:21Now, give yourself a drink as you need it.
00:13:32Call up Mr. Stillwater, Stillwater, Stillwater and Stillwater and intend to come over here right away.
00:13:36It's urgent.
00:13:37Well, what?
00:13:37This house?
00:13:38No, it is house.
00:13:39Come on, get on.
00:13:44Nice to see you.
00:13:46The same old...
00:13:47Well, you haven't changed a bit.
00:13:51Meet Sonia Sanovich.
00:13:58Auntie, did you see that?
00:14:02Why, Mr. Traynor, how do you do?
00:14:06How do you do?
00:14:08How do you do?
00:14:09Well, actually, I prefer portrait work, but my bankers prefer Gillespie girls.
00:14:16Excuse me, ma'am.
00:14:18Yeah, I think we're going to be in the way.
00:14:20May I?
00:14:23Excuse me.
00:14:24How are you, Tom?
00:14:25Hello, Bill.
00:14:26Nice seeing you.
00:14:27Yes.
00:14:28Nice seeing you.
00:14:29You know, I'm always being mistaken for someone else.
00:14:33Oh, are you?
00:14:34Yes, it used to annoy me, but now I'm rather glad.
00:14:38I'm through with the chorus.
00:14:40I have another place in the theater.
00:14:42Maybe.
00:14:42But, uh, your muscles aren't in the right place for pushing scenery.
00:14:45Very funny.
00:14:48Mr. Gillespie, would you like to do something for me?
00:14:51Well, I certainly would.
00:14:53Well, would you mind cutting in and dancing with that girl over there, the one in God's?
00:15:02Uh, may I?
00:15:04Sure.
00:15:08Bill, I've been looking for you.
00:15:10Come on, let's dance.
00:15:10Oh, yes, I've been looking for you, too.
00:15:13Now, what foot do we start with?
00:15:14Oh, just flip nature and take its course.
00:15:57Excuse me.
00:16:03Is he on his way?
00:16:05Yes, sir.
00:16:05You know, there are three Mr. Stillwaters in the firm.
00:16:07Mr. Stillwater, Jr.
00:16:08Jimmy!
00:16:09Why have you been hiding?
00:16:11Hiding?
00:16:12Well, I never gave you that idea.
00:16:13Oh, that love, I cannot resist.
00:16:16I mean, that's all.
00:16:18You may go.
00:16:20Right, sir.
00:16:22I want only you.
00:16:35Oh, excuse me.
00:16:40Auntie, may I take Mr. Traynor to see the picture of Grandpa?
00:16:44You know, one of the boys.
00:16:45What now?
00:16:47That's the holograph.
00:16:48I won't get any older.
00:16:49I was interested in your theatrical ambition, but friendship is one thing, and the other
00:16:53thing is another thing, and mentality.
00:16:56Oh, Jimmy, is this some cruel joke?
00:16:58With your own lips you said,
00:17:00Mnie gorgeous as chaste, Mnie gorgeous as chaste, till I make you happy, too.
00:17:05I say that to everybody because I want everybody to be happy.
00:17:08That doesn't mean...
00:17:08It does to me.
00:17:10Jimmy, with that twinkle in your eye, it could only mean one thing.
00:17:13There wasn't any twinkle in my eye.
00:17:15It's not the twinkle you mean.
00:17:17It was this guy.
00:17:18Oh, Jimmy, that's a nice little.
00:17:21Nice little.
00:17:25Well, where's Grandpa?
00:17:27Oh, Grandpa.
00:17:29Oh, he's in the fella where we keep the apricot brandy.
00:17:35You like apricot brandy, don't you?
00:17:39Yes, but just now, you see, I'm on the waterway.
00:17:44Oh, on the waterway.
00:17:48I've got your career all cut out for you.
00:17:50A famous producer and a big, juicy part.
00:17:53A part?
00:17:53Yes, a dancing part.
00:17:55I can't tell you all the details now, but I'm going to settle everything, you see.
00:17:58Oh, Jimmy.
00:17:59Maybe.
00:18:00Now, I'd better keep them on, you dear, because it's a drop in here.
00:18:03But we'll show those other producers.
00:18:04They think I'm no good.
00:18:05They think I stink.
00:18:07But we'll show them, darling.
00:18:08We'll show them, darling, but quietly.
00:18:10Yes, Jimmy, very quietly.
00:18:12But you make me so happy.
00:18:15My gorgeous, just until I make you happy, too.
00:18:21I hear someone singing.
00:18:23Singing, madam?
00:18:24Yes.
00:18:25Sounds as though it's coming from the conservatory.
00:18:27Conservatory?
00:18:29Oh, madam, it just reminds me.
00:18:31A little bird got in there today, and we haven't been able to catch it.
00:18:34Oh.
00:18:39Hello, Bill.
00:18:40Hi, Tom.
00:18:41You don't mind if I'm in a little hurry, do you?
00:18:42I've got something to get back to.
00:18:43Oh, since me.
00:18:45Cigarette?
00:18:45Oh, thanks.
00:18:46Which three?
00:18:47Take your pick.
00:18:48Same old curve, this was modeled.
00:18:50Mary, Sally, and Mona.
00:18:53Amusing little party last night.
00:18:54Yes, wasn't it?
00:18:56I mean, wasn't it?
00:18:57Rather attractive.
00:18:58Yes, very.
00:19:00If you like the type.
00:19:02Yes, if you like the type.
00:19:10Mr. Traynor.
00:19:11Over at the table, lady.
00:19:18Hello.
00:19:20Hello.
00:19:21I'm not late, am I?
00:19:22Late?
00:19:23Oh, no.
00:19:24It's at 11 o'clock.
00:19:25Just on time.
00:19:29Ichi wo.
00:19:31Oh, nipo.
00:19:33Me, me, me.
00:19:34Oh.
00:19:40Oh, Dave.
00:19:41Give him a break.
00:19:43The stairs are all in 10 minutes.
00:19:44Max, we'll be needing you.
00:19:47No, Mr. Traynor.
00:19:48I think you're going to have a very great surprise.
00:19:50Yes, and so are you.
00:20:01Now, my soul.
00:20:02The name's Max.
00:20:03What are you going to do?
00:20:04Allegro.
00:20:05The first part, Allegro.
00:20:06That is where I'm the dumb.
00:20:08You can put on Dante and pianissimo.
00:20:10Yeah, I know that.
00:20:11But what if...
00:20:11Watch the mood.
00:20:13He's where I'm the wind.
00:20:14Slow on the turns.
00:20:15In the third part, I'm the swan.
00:20:18The same music as in the dove.
00:20:20Oh, yeah.
00:20:20I get it.
00:20:21You want to kill two boys with one stone.
00:20:23Oh.
00:20:30So did you check music of Menderson?
00:20:58You want to kill two boys with one stone?
00:21:10Oh, what an artist.
00:21:13Yes.
00:21:14What an artist.
00:21:23You realize, don't you, that there's only a sideline with Miss Soniavich.
00:21:28You should see her act.
00:21:29Thanks.
00:21:31I ask.
00:21:37It's the yell.
00:21:39Yes.
00:21:40You're marvelous.
00:21:41Terrible.
00:21:42Oh, my bag.
00:21:44I'm sorry.
00:21:44I dropped my bag.
00:21:45Allow me.
00:21:47Oh, my comb is still missing.
00:22:07You can fix it while we're going for lunch.
00:22:10Lunch?
00:22:10Yes.
00:22:11You know that little thing between breakfast and dinner?
00:22:14Oh, yes.
00:22:15Lunch.
00:22:17Oh, I'd just love to.
00:22:19Well, that's great.
00:22:20Well, of course she's great.
00:22:22What did I tell you?
00:22:23She'll simply make your show.
00:22:24Oh, she'd be a riot.
00:22:26She gets the part.
00:22:28Oh, Bill!
00:22:31That's enough, girl.
00:22:33That's from Uncle.
00:22:37I get the part.
00:22:39You get the bird.
00:22:40Hey!
00:22:42Oh.
00:22:42I don't know.
00:22:45Yeah.
00:23:09I don't know.
00:23:10Oh, my God.
00:23:43Oh, I'll take it.
00:23:51Say, this must be the wrong house.
00:23:53You sure this is the Smith house?
00:23:55Mm-hmm.
00:23:57Isn't this a mistake?
00:23:58No.
00:23:59Well, she died or something wrong with her?
00:24:02Good evening, miss.
00:24:04Hello, Remington.
00:24:05Where's that?
00:24:06She's in the library, miss.
00:24:07And I'm afraid, bathed in gloom.
00:24:10Not dissimilar in character is the case of Hovermeyer, plaintiff,
00:24:13and Crenshaw, defendant in the Utah District Court, 1917.
00:24:17Plaintiff, charge, defendant.
00:24:19Annette!
00:24:20Thank goodness, you're safe.
00:24:21Where have you been, why?
00:24:22It's all gone.
00:24:22Oh, never mind that, Uncle.
00:24:23Thank goodness, you're safe.
00:24:26She didn't get the part.
00:24:28She got the part.
00:24:30She got the part.
00:24:32What part?
00:24:33What part?
00:24:33She got the part.
00:24:35Still water is all settled.
00:24:36Settled?
00:24:37Annette!
00:24:39How did you ever do it?
00:24:41Oh, it's a long story, Uncle.
00:24:43My feet.
00:24:44Yeah, I was just on the point of sending out an overdose of sleeping classes.
00:24:47And now everything settles.
00:24:49My slate is wiped clean and never again.
00:24:52Oh, Uncle, I forgot.
00:24:53All right.
00:25:00Annette.
00:25:02Uncle.
00:25:07What on earth is it now?
00:25:10My father insists I marry Elmer tomorrow.
00:25:15Don't forget you promised you'd help me.
00:25:18I'm in Boston.
00:25:19Love.
00:25:20Betty.
00:25:23Uncle.
00:25:24From Bridgeport.
00:25:25Not another.
00:25:26No, no, no, it's not another.
00:25:28No, this one.
00:25:29I just wanted to try to make both ends meet, that's all.
00:25:33See, she was waiting on the table, and we got in a conversation.
00:25:36And, uh, she was very unhappy about her father.
00:25:39She wanted to be an interior decorator, and he wanted to marry a man three times her age.
00:25:44So naturally...
00:25:44Oh, is that you, senior?
00:25:46Hmm.
00:25:47The Smith affair.
00:25:49It's broken out in another place.
00:25:52Pauline, did you get everything of Mr. Smith?
00:25:54Sure, what?
00:25:55Shirt, silk, woolen underwear, woolen socks.
00:25:58Don't wear them in New York.
00:25:59It's too hot.
00:26:00Do you mind if Mr. Smith has cold feet?
00:26:01Not if you don't.
00:26:04Jimmy, you do pick the office times for your business trip.
00:26:08Auntie, there's the taxi.
00:26:10All right.
00:26:12Oh, I'm not dancing.
00:26:13Perfect.
00:26:13Look, let me think about it.
00:26:15Oh, yes.
00:26:15The needy.
00:26:16I'm running off.
00:26:17I'm running off.
00:26:17Who's that, madam?
00:26:18Who's that, Jim?
00:26:19We've put it in.
00:26:20Dean, I say you, son.
00:26:21That means we're damed enough.
00:26:22Oh, it doesn't mean we've lost.
00:26:23Oh, it's not lost now.
00:26:24You're free.
00:26:25There's another one.
00:26:31Mr. Smith home.
00:26:33Yes, ma'am.
00:26:35From Bridgeport.
00:26:37Mr. Smith has lived.
00:26:38He's going around the world twice, and he won't be back for five years.
00:26:43No, madam.
00:26:44He's going around the world.
00:26:46I really don't care where you're from.
00:26:52Madam, you are no lady.
00:27:11Here we are, practically, at the door.
00:27:14Yes, there's the door.
00:27:15Pauline, isn't you?
00:27:16You're wonderful.
00:27:17The best mall looks much bigger in the movies.
00:27:20The man ever wanted to lose himself, but there's just the seven million souls in one city.
00:27:25Yes, and goodness knows how many heels.
00:27:27Oh, Pauline.
00:27:28Allow me, madam.
00:27:29No, thank you.
00:27:30We can manage you.
00:27:31Thank you very much.
00:27:40You know, Jimmy, this looks awfully expensive.
00:27:43Do you think we should use our right name, Smith?
00:27:45Oh, why not, darling?
00:27:46Well, you know, a big publisher like you, they might recognize you and charge us extra.
00:27:50How about adding another age, hmm?
00:27:52Adieu.
00:27:57You're quite safe here.
00:27:58You'll never find you in New York.
00:28:00No.
00:28:03Oh, pardon.
00:28:04Pardon.
00:28:05Oh, pardon.
00:28:05Come back on you, darling.
00:28:07Betty from Bridgeport.
00:28:09Kitty from Kansas.
00:28:12Kitty from Kansas?
00:28:14She's an artist.
00:28:16Paints, you know.
00:28:20We pay for Catherine Revere?
00:28:24No, madame.
00:28:25Merci.
00:28:26Come back on you, Betty.
00:28:27Come back.
00:28:29Jimmy?
00:28:31Jimmy?
00:28:32What?
00:28:33Huh?
00:28:34You're always just as caring as if you were trying to hide from someone or something.
00:28:38Hide?
00:28:39Me?
00:28:39Oh, this is not a laughing matter.
00:28:42You know, this is a very bad day for tourist people.
00:28:44Have you just a no-gatroyd arrived?
00:28:46Not that matter.
00:28:47Oh.
00:28:49My dear, I don't think we ought to stay here.
00:28:52Oh, I like it.
00:28:53They've given us a special aid.
00:28:54Uncle thinks it isn't safe.
00:28:58Termites.
00:28:59They're in California.
00:29:01Someone might have brought them in a suitcase.
00:29:03Oh, nonsense.
00:29:04How could anyone make a living doing that?
00:29:06Come on, let's look at the room.
00:29:13When he does arrive, will you kindly tell him that Mr. Revere is not in the habit of being kept
00:29:17waiting?
00:29:18No, no.
00:29:19What's that?
00:29:19Oh, come to Betty.
00:29:22Woo-hoo!
00:29:23Woo-hoo!
00:29:26Woo-hoo!
00:29:32Woo-hoo!
00:29:34Floors, please.
00:29:35Ten.
00:29:36Thirteen.
00:29:38Thirteen.
00:29:39Candace.
00:29:40How nice.
00:29:41We'll be neighbors.
00:29:43Oh, pressure, ma'am.
00:29:44Why, Mr. Fiddlewirtle.
00:29:53Why, Miss Revere.
00:29:55Mr. Fiddlewirtle.
00:29:57The charming Miss Revere.
00:30:00Thirteen, please.
00:30:01What a lovely surprise.
00:30:03Oh, how terribly, terribly good to see you.
00:30:05Are you exhibiting?
00:30:07Oh, me, no.
00:30:08I don't feel I'm ready.
00:30:09Ah, technique.
00:30:11Ah, if the soul is ready, the hand is ready.
00:30:14You need only turns for truth.
00:30:16The fingers will respond.
00:30:18Oh, true.
00:30:20And, my dear, stick to bright colors.
00:30:23Don't you ever develop a taste for pastels?
00:30:25I know.
00:30:26I took a whole bottle last week, and my cough was just as bad.
00:30:29Oh, rest a minute, ma'am.
00:30:31Rest a minute, ma'am.
00:30:33Oh, dearie.
00:30:36Pauline.
00:30:42Pauline, how'd you know Mr. Fiddlewirtle's friend was from Kansas?
00:30:45The accent.
00:30:48I'm free of them.
00:30:50Yes.
00:30:50And the former.
00:30:51Oh, but Kitty isn't here.
00:30:53Oh, you'd rather think so.
00:30:54You're right.
00:30:55I certainly would not.
00:30:57I suppose she lost her purse, too.
00:30:59No, she was wasting her time with the manicurist,
00:31:02when all the time she had the making of a great portrait painting.
00:31:06I see.
00:31:07Well, I felt the hatchery.
00:31:09Wouldn't you have done the same if Rembrandt had come to you?
00:31:12And not if he moved his hips like Kansas Kitty.
00:31:19Jimmy, you look faint.
00:31:20Darling, you're working too hard.
00:31:22Anything's at once.
00:31:24Auntie, I was just telling Uncle exactly the same thing.
00:31:28Oh, it makes me dizzy.
00:31:29In our head, there's been a lot of suicide here.
00:31:32Really?
00:31:33Open the window wide, darling, will you?
00:31:36Just open one.
00:31:37Good.
00:31:40Uncle, we've got to think this out.
00:31:42I should have jumped with the other boys in 29.
00:31:47I've got an idea.
00:31:49Just how badly does your little friend want to paint?
00:31:51Well, she'd rather paint than eat.
00:31:56She would?
00:31:57Good.
00:32:00See, I've been a sort of fairy godmother to her.
00:32:03Information, please.
00:32:06Uncle, you can leave it all to me.
00:32:13I suppose you thought it was pretty mean of me to go off and leave you flat as I did.
00:32:17Well, it was a long walk.
00:32:18And yet you asked me to show you the town.
00:32:20That was very forgiving.
00:32:22Well, I'm glad you think that.
00:32:24Can I do anything to square accounts?
00:32:26Oh, yes, you can.
00:32:28Oh, that is, if I can think of anything.
00:32:31Please try.
00:32:33Oh, strangely enough.
00:32:35An idea is just coming into my mind.
00:32:38Good, good.
00:32:39Oh, it isn't quite there yet.
00:32:40Well, maybe a whiz of the Hudson would help it along.
00:32:43Come on.
00:32:43Yes, maybe a whiz.
00:32:47Oh, all this makes me wish I were an artist.
00:32:50Have you ever tried your hand?
00:32:51Uh, no, I haven't.
00:32:53You should.
00:32:54You'd find it fun.
00:32:56Oh, yes, I suppose if the soul is ready, one only needs to search the truth and the fingers will
00:33:02respond.
00:33:03Yes, I see what you mean.
00:33:04Well, I have a friend who's...
00:33:06Would you like to see where I painted my first picture and sold it?
00:33:10I'd love to.
00:33:13Well...
00:33:14John.
00:33:15Good afternoon.
00:33:16Good afternoon.
00:33:17What's that?
00:33:18Oh, I like this.
00:33:20It's great.
00:33:21Oh, John, may we have some tea?
00:33:24Hmm, I'm cozy.
00:33:26Oh, and...
00:33:29And...
00:33:32A view.
00:33:33Uh, yes, quite a view.
00:33:35Oh, you mean my masterpiece.
00:33:38Well, they're a little, um...
00:33:40Shocking.
00:33:41Uh, no, just a little softening when you see them all together.
00:33:44Let's just say they're, uh, commercial.
00:33:48Oh, Nanette.
00:33:48Tom, I really must have used.
00:33:51I know someone who's a...
00:33:52That view with the sunlight just sold.
00:33:54For eight years I've been trying to paint that, and I've never gotten it just the way I wanted.
00:33:58You can almost feel that glow.
00:34:02Oh, but...
00:34:03I'm sorry.
00:34:04You were saying...
00:34:05Oh, no.
00:34:06Oh, what was I saying?
00:34:07I'm afraid I put it out of your mind.
00:34:09Yes, I'm afraid you have.
00:34:12Oh.
00:34:14Washington Square.
00:34:15Oh, yes.
00:34:16Oh, who did that?
00:34:18Gillespie.
00:34:19No, not you.
00:34:20Mm-hmm.
00:34:21You're surprised?
00:34:22Well, what I mean is it's, um, not much like your usual style.
00:34:26It, uh, has no legs in it.
00:34:27Throws everyone.
00:34:29You like it?
00:34:29Oh, I love it.
00:34:31It's yours.
00:34:33For me?
00:34:34For you.
00:34:35Oh, Tom, that's wonderful.
00:34:37Oh, come, come now.
00:34:38It's not that good.
00:34:39Uh, John, that's exactly what we need.
00:34:42A nice cup of tea.
00:34:43Shall I brew it, sir?
00:34:44No, no, I'll do it.
00:34:45I'll do it.
00:34:45Oh, I'll do it.
00:34:48Oh, you'd be surprised what a good cup of tea I can make.
00:34:51Oh.
00:34:53I think you'd better let me do it.
00:34:56Maybe I am a little out of practice.
00:34:58Well, this helps.
00:35:00Mr. Gillespie, I don't believe you ever made a cup of tea.
00:35:03Miss Smith, you're very difficult to deceive.
00:35:05Oh, you're not so easy.
00:35:09Now, go sit down.
00:35:10The kettle isn't boiling yet.
00:35:35I really must be going.
00:35:36I just have to talk to you about someone who'd rather paint than eat.
00:35:40Oh, hold it.
00:35:45Tom, I must go.
00:35:56I have to get back to Uncle.
00:35:58Oh?
00:35:59Well, he'll probably be napping.
00:36:01Yes, that's what I'm afraid of.
00:36:03Goodbye.
00:36:07There are two million Smiths in the telephone book.
00:36:10But if anyone calls me, I'm not here.
00:36:12Remember, my name is Smith with two H's.
00:36:15Smith.
00:36:16Very good, sir.
00:36:19You must meet Mr. Smith.
00:36:20You know he loves dogs.
00:36:21Yes, I'm sure Mr. Smith and I will get along.
00:36:24Thankfully.
00:36:29Pauline, let those dogs go.
00:36:30Don't worry.
00:36:31They're going.
00:36:35Guess who?
00:36:37Jimmy.
00:36:38How do you do?
00:36:39You meant to surprise me.
00:36:41Oh, how sweet.
00:36:42How terribly sweet.
00:36:44Jimmy Monard.
00:36:46My wife handles all my financial affairs now.
00:36:50Jimmy.
00:36:53Remember the old kitty, Revere?
00:36:57Just a simple, naive girl clipping your cuticles.
00:37:02Oh, but that's all behind us.
00:37:04To the future, Jimmy.
00:37:06And then, when the Metropolitan Museum is asking for a thirst
00:37:11from the brush of Catherine Revere,
00:37:13you, Jimmy, will be the happiest man at the hanging.
00:37:18I certainly will.
00:37:20Hello.
00:37:21Pauline, hello.
00:37:23Uncle Lynn, he's in there with Kansas.
00:37:26Kansas?
00:37:26Oh, Cherie, that twinkle in your eye.
00:37:29No, no, no.
00:37:29I haven't got a twinkle in my eye.
00:37:30Not the twinkle you mean.
00:37:32It's this one.
00:37:33Oh, that twinkle, Jimmy.
00:37:35Je vends to be held, mais je vends to be held.
00:37:41That's all right, Pauline.
00:37:42All right.
00:37:42Sounds sour to me.
00:37:54Miss Revere, my niece, Miss Smith.
00:37:57Oh, little man.
00:37:58Jimmy told me so many things about you.
00:38:02Mr. James Smith.
00:38:03Mr. James Smith is not staying at this hotel, madam.
00:38:05Oh, yes, I know.
00:38:06I'm Mrs. James Smith.
00:38:08Will you wait?
00:38:08But Mr. James Smith is not staying at this hotel.
00:38:10Those were his instructions, madam.
00:38:12Well, when Mr. James Smith does stay at this hotel,
00:38:14will you tell him that Mrs. James Smith will be back in a few minutes?
00:38:17Mr. Annette Smith, please.
00:38:18What's the name, please?
00:38:19Miss Nanette Smith is staying with Mr. James Smith.
00:38:21Hello, Tom.
00:38:22Oh, Susan.
00:38:23Slight case of amnesia.
00:38:24Jimmy doesn't know he's staying here.
00:38:26Oh, well, it must run in the family.
00:38:27I gave this to Nanette, and she left it in my studio.
00:38:32It's been so nice meeting little Nan.
00:38:33I think I'll stay and meet Mr. Smith, too.
00:38:36Oh, Jimmy, what a divine picture of you.
00:38:41And very nicely framed.
00:38:44Nanette was born in April.
00:38:46Her planetary influences were excellent.
00:38:48April 19th.
00:38:49I don't know whether it was the planets or not,
00:38:51but someone deserves a lot of credit.
00:38:53Of course it was the planets.
00:38:54Your parents have nothing to do with it.
00:38:56But nothing.
00:38:58Really?
00:38:58Now, look here.
00:38:59Will you get out here?
00:39:00Don't you don't me, darling.
00:39:01Oh, poor Jimmy.
00:39:08Oh, you, you wolf and chicken feathers.
00:39:11Oh, don't, Nanette.
00:39:12You just make her desperate.
00:39:13Nanette, this is the end.
00:39:16Oh.
00:39:19This is what comes of lying awake at night worrying about your career and seeing that you can be taken
00:39:24under the wing of an artist, a great artist.
00:39:27What great artist?
00:39:30Gillespie.
00:39:31Gillespie.
00:39:32Not the Gillespie.
00:39:35Oh, Jimmy, you darling, you darling.
00:39:39Why didn't you tell me you were putting me under the wing of Gillespie?
00:39:43Gillespie.
00:39:44At last I will pay.
00:39:47Astrologically, Ares and Leo are mad about each other.
00:39:51But a special effort must be made to like each other's friends.
00:39:54Then everything will run smoothly.
00:39:56Oh, remember that.
00:39:57Self-hold, you very new hero.
00:39:59We shall pay you for darling.
00:40:01You darling.
00:40:03Oh.
00:40:07Oh, Pauline.
00:40:08Oh, Mr. Gillespie.
00:40:10Mrs. Smith said I might deliver this personally to Miss Nanette.
00:40:12Oh, did you do that?
00:40:14Hmm.
00:40:15Nice.
00:40:16Well, you'll find her in there.
00:40:17Oh, thank you.
00:40:25Oh, hello.
00:40:27Hello.
00:40:28You left this.
00:40:30I thought I'd bring it down.
00:40:32I'm sorry.
00:40:33Am I intruding?
00:40:35Oh, no.
00:40:36Not at all.
00:40:37Mr. Gillespie.
00:40:39Mr. Gillespie?
00:40:40Mr. Gillespie.
00:40:46Oh, Tom.
00:40:47Tom, this is a very old friend of mine.
00:40:50Old friend?
00:40:51This is the biggest moment of my life.
00:40:53Absolutely.
00:40:54Well, any friend of Nanette's is a friend of mine.
00:40:56When do we begin?
00:40:58I'm ready.
00:40:59Do with me what you will.
00:41:02Tom, you don't know what this means to me.
00:41:05What?
00:41:05What means?
00:41:06Huh?
00:41:06Oh, Uncle means that this is the girl that I...
00:41:09That is, that we were telling you so interested in art.
00:41:12Mr. Gillespie, I want to paint horribly.
00:41:16That's easy.
00:41:17Particularly if you're a friend of Nanette's.
00:41:19Oh, a very dear friend of little Nan.
00:41:23I'm sorry you have to leave so soon.
00:41:25Oh, yes.
00:41:26Goodbye.
00:41:27What a day this has been.
00:41:29And you made it all come true.
00:41:31Oh, Jimmy, dear me.
00:41:33Oh, you better.
00:41:34Oh, here you are.
00:41:37Allow me.
00:41:38If you hurry, you can catch the next elevator.
00:41:40Oh, don't you worry.
00:41:41I'll take good care of it.
00:41:42And don't be surprised if the teacher should learn something from the pupil.
00:41:46I won't be a bit surprised.
00:41:49Mr. Gillespie, if only I had a successful attack.
00:41:52Oh, but then you can mold me.
00:41:54I promise you one thing.
00:41:55I'll work hard for you.
00:41:57Oh, I'll be glad to look over anything you've got.
00:41:59I'll even make sure paint.
00:42:01I may not look it, but I can do the messiest thing.
00:42:05I say to his wife, Dean, once more and never again.
00:42:09That's right, Uncle.
00:42:10Never again.
00:42:12Excuse me, sir.
00:42:13But would you like me to fix the flowers in Mrs. Smith's bedroom?
00:42:16Yes.
00:42:17Wish you would.
00:42:22Uncle.
00:42:23Oh, yes.
00:42:25Never again.
00:42:32I can't seem to get the right expression on the fish.
00:42:36Uh, this is the fish.
00:42:38Oh, but still, I feel I'm blooming under the touch of the master.
00:42:43Morning, Mrs.
00:42:43Good morning, John.
00:42:46Hello.
00:42:47Oh, hello.
00:42:49Oh, all right, all right.
00:42:50I know.
00:42:51That's all for today.
00:42:52Little man, the pattern should be.
00:42:55Oh, Tom.
00:42:57Don't ruin my fish.
00:42:59I think you'll need a little pressing today.
00:43:01All right, miss.
00:43:02I'll see you, too.
00:43:02You're welcome.
00:43:07Here, little man.
00:43:09You know, I should be very happy to paint you when I finish my fish.
00:43:12That will be nice.
00:43:14Tom is such a great master.
00:43:16I feel I should be able to tackle anything by then.
00:43:19Or of all the astro.
00:43:21Or of all the man.
00:43:23Things I do for Uncle.
00:43:27Oh, Tom, you don't know how much I appreciate what you've done for Uncle.
00:43:31I mean for Kitty and me.
00:43:33Not at all.
00:43:34Not at all.
00:43:34But she is a bit of a strain on Leo for Aries.
00:43:38Leo for Aries?
00:43:39Yes, I'm the Leo.
00:43:41I'm a bit of an astrologer.
00:43:42Oh, that's funny.
00:43:44So is Auntie.
00:43:45Is she?
00:43:46Mm-hmm.
00:43:46Well, Kitty could have been worse.
00:43:49Could she?
00:43:49Oh, yes.
00:43:50You remember that Sonia something or other that was auditioning for Bill Traynor up in Boston?
00:43:55Yes, I believe I do recollect.
00:43:58Didn't she do something with a bubble?
00:43:59That's the one.
00:44:00That's the one.
00:44:01Well, she got the job, bubble and all.
00:44:03Someone landed him with her.
00:44:04No.
00:44:05Yes.
00:44:06She's sure to kill the show.
00:44:07She's simply awful.
00:44:08To find Bill Traynor around rehearsals, now you have to look in dark corners.
00:44:44Marvelous, Traynor.
00:44:45Wonderful.
00:44:46Where did you find her?
00:44:47Yes, Bill.
00:44:48Where did you dig around?
00:44:49That's a long story.
00:44:50Oh, can I hear all about it after the show?
00:44:52Sorry.
00:44:52Can you make it tomorrow?
00:44:53I have a supper for you, please.
00:45:13Top goes the prophet.
00:45:16Bill, you look like Diamond Jim Brady, didn't I?
00:45:18Thanks.
00:45:18I feel just like you.
00:45:20And, Jimmy, you look like the mouse that ate the cat.
00:45:24A bubble dancer.
00:45:25You know, frankly, I didn't think she had a thing.
00:45:27Nobody else did, either.
00:45:28Oh, but I...
00:45:33And here's to the girl who made it all possible.
00:45:36Yes, here's to...
00:45:39Sonia.
00:45:40Oh, oh, yes.
00:45:42Nichivo.
00:45:44Nichivo.
00:45:47Two minutes.
00:45:53Dad?
00:45:54Oh, well, truth is stranger than fiction.
00:45:57Oh, Uncle, you promised me this, Don.
00:46:01Oh, did I?
00:46:04Your favorite tune.
00:46:05Don't you remember?
00:46:11When did I ever promise you a dance?
00:46:13Well, you didn't, but I had to get you away.
00:46:16Why?
00:46:16Did I say something?
00:46:17Oh, just about enough to hang yourself.
00:46:20I'll see you right there.
00:46:21Oh, don't you worry about Andre.
00:46:23Andre and I understand each other perfectly.
00:46:26Bill, what is all this Sonia mystery?
00:46:29I suppose she was a Romano.
00:46:30Oh, of course.
00:46:32Of course.
00:46:40Well, Mr. Stillwater.
00:46:42Oh, my dear, Mrs. Smith.
00:46:45Oh, this is Mr. Gillespie, Mr. Traynor.
00:46:47This is Mr. Stillwater, Senior.
00:46:49How are you doing?
00:46:50Well, Junior proved himself a chip off the old block, eh?
00:46:53Really?
00:46:54Oh, particularly when it comes to getting a Smith out of a jam.
00:46:58Jam?
00:47:04Mr. Stillwaters have been getting Smiths out of jams ever since the Boston Tea Party.
00:47:08Is that so?
00:47:10Why, Mr. Smith's great-grandfather threw the first case overboard, if you remember.
00:47:14If I remember.
00:47:21You know, Jimmy, it looks as if Nanette will be able to take a choice.
00:47:25Well, they both seem very interesting, ma'am.
00:47:27Yeah.
00:47:28I think it'll be Bill.
00:47:30Mm-hmm.
00:47:30Why?
00:47:32Can you see with a light like that?
00:47:35Well, it's much better, though, I think.
00:47:37Because didn't you hear Bill say that Nanette was responsible for Sonia's Sonia bitches?
00:47:42Oh, there was a lamp.
00:47:44Happened to it.
00:47:45Oh.
00:47:46Right in your eye, darling?
00:47:48I thought it was right in my eye.
00:47:54Did you know that Mr. Fertil-Wertle's friend was studying with Tom Gillespie?
00:47:59I'm just kidding.
00:48:00Oh, darling, can I have a glass of water?
00:48:02She seems to know where quite a lot of bodies are buried.
00:48:05Isn't that awfully bright, do you mind?
00:48:07Oh, I'm sorry, darling.
00:48:09One would think I was giving you the third degree.
00:48:15Oh, I'm sorry, darling.
00:48:16Good night, please.
00:48:19You think tired?
00:48:20Oh, no, it's a little numb.
00:48:23Ah, that's perfect.
00:48:24That's perfect.
00:48:25Well, just that position.
00:48:30Good night.
00:48:31Good night.
00:48:34Good night.
00:48:45Good night.
00:48:47Good night.
00:48:48Good night.
00:48:51Good night.
00:49:19Good night.
00:49:19Good night.
00:49:49Good night.
00:49:49Good night.
00:49:59Good night.
00:50:03THE END
00:50:32THE END
00:51:08THE END
00:51:39THE END
00:51:48THE END
00:51:57THE END
00:52:05THE END
00:52:13THE END
00:52:17THE END
00:52:23THE END
00:52:25THE END
00:52:26THE END
00:52:34THE END
00:52:35THE END
00:52:41THE END
00:52:43THE END
00:52:44THE END
00:52:57THE END
00:53:00THE END
00:53:00THE END
00:53:07THE END
00:53:10THE END
00:53:12THE END
00:53:17THE END
00:53:19THE END
00:53:21improving. Now, now, now, don't encourage him. Pardon me just a minute. How about a
00:53:27special piece of work from Mary Winkles? No, not today, Hutch, and if I'm in the same
00:53:30mood tomorrow, nothing then either. You dropped your apple, Hutch. You didn't do that. She
00:53:38did. Oh, Tom, it's wonderful. Why, it's just the thing. Mary Winkles will give five grand
00:53:47for that. Why, it'll sell a billion cigarettes. Sorry, I don't smoke. Now, we'll change the
00:53:51background and the color, please. Dangle a cigarette from those ruby lips. It, uh, it might interest
00:53:55you to know that it's not mine to sell. No, no. Especially commissioned by Miss Nanette
00:54:01Smith. Miss Smith, it's almost lunchtime. Will you do me the honor of... Pick up your apple,
00:54:08Hutch. Look here, Tom. Your clients have been yelling for something new. And now when you've
00:54:13turned out a beauty like this, it's not for sale. Too bad. Do you mind if I kick
00:54:19something on my way out? No. Make it yourself. I will. You weren't serious? Mm-hmm. That
00:54:29spoiled a little. It was to have been a surprise. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh.
00:54:52Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh.
00:55:03Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh.
00:55:14Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh.
00:55:19Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh.
00:55:19Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh.
00:55:20Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh.
00:55:22Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh
00:55:23lately in Boston?
00:55:24No see weather, Miss Smith.
00:55:26Hmm.
00:55:28Another storm.
00:55:29Time of faith.
00:55:31That reminds me, did you boys ever settle that trouble with, uh, Syracuse?
00:55:35Oh, yes.
00:55:36A very satisfactory and unexpected settlement.
00:55:39Oh, yes.
00:55:43She, uh, looks as though she's out of shock, huh?
00:55:47Get a glass of water, put that.
00:55:48I'll show you where it is.
00:55:49I'll get it, dear.
00:55:50Well, wouldn't you?
00:55:50Yes, well, you idiot, she doesn't know anything about it.
00:55:55About what?
00:55:55About what you've come to see me about.
00:55:57About me?
00:55:59Have you finished with my curling on?
00:56:01What's up?
00:56:02Go get some headache, Bill.
00:56:03Headache?
00:56:03Yes.
00:56:04Senior thought it best for me to bring Betty here and settle the matter once and for all.
00:56:08How much can they do for?
00:56:10200,000.
00:56:12200,000?
00:56:14Turns cash for 48 hours.
00:56:16I've got a suggestion.
00:56:17It always helps me.
00:56:18Try it, darling.
00:56:19Oh, oh.
00:56:21Here on page 72, it says, elevate the lane.
00:56:24Elevate the lane.
00:56:28Very cute, isn't she?
00:56:30The trees will be high.
00:56:31Get some pillows.
00:56:32Pillows?
00:56:33Yes, pillow.
00:56:36But they'd settle out of court for 5,250.
00:56:395,250?
00:56:40I haven't even got the 50.
00:56:445,250.
00:56:485,005 grand.
00:56:50Uncle, you can leave it to me.
00:56:52Your troubles have all gone up in smoke.
00:56:54Come along, darling.
00:57:02Gillespie, it's a fine piece of work.
00:57:04Thank you very much.
00:57:04You don't think there's too much...
00:57:06Oh, no, no, no.
00:57:06This is something you don't have to be modest about.
00:57:08Do you think the owner will allow us to show it in London?
00:57:11I'll underwrite a great reception.
00:57:12New York, Philadelphia, Boston.
00:57:17Oh, John, Mr. Gillespie not in.
00:57:19He'll be back for tea.
00:57:21All right, I'll wait.
00:57:22He'll be staying for tea?
00:57:23Mm-hmm.
00:57:24Yes, thank you.
00:57:26Oh, Betty from Bridgeport.
00:57:35I'm discontented with homes that are rented
00:57:39So I have invented my own
00:57:42Somewhere secluded
00:57:45Our troubles deluded
00:57:47And life's weary chases unknown
00:57:50Far from the cry of the city
00:57:59Call me to hide in
00:58:01To live side by side
00:58:04Don't let it abide in my dreams
00:58:10Kiss your knees
00:58:12Up on your knees
00:58:14Just pee for two
00:58:16And two for tea
00:58:18Just me for you
00:58:21And you for me
00:58:27Nobody near
00:58:29To see us or hear
00:58:31No friends or relations
00:58:33On weekend vacations
00:58:35We won't have it known, dear
00:58:37We own a terror
00:58:39For fear
00:58:41They will break
00:58:45And I'll awake
00:58:46Not to make
00:58:48A sugar cake
00:58:50For you to take
00:58:53For all the boys to see
00:58:58We will raise a family
00:59:02A girl for you
00:59:05A girl for you
00:59:32A boy for me
00:59:33Oh, well, you are
00:59:35Get out
00:59:37You've heard of Galt, Beaver, and Leiden
00:59:39Well, anyway, they're big art dealers
00:59:40Connoisseurs
00:59:41They're crazy about it
00:59:42They want to exhibit it everywhere
00:59:43New York, London, Boston, Philadelphia
00:59:46What?
00:59:48Your portrait, of course
00:59:49Don't you see, darling?
00:59:50It means the Gillespie girl is dead
00:59:52In all her world of
00:59:53Legs, lingerie, mouthwash
00:59:55Now I can paint what I want
00:59:59Annette, you did it
01:00:09Be very careful
01:00:13What's going on here, Hutch?
01:00:15Madam, your check
01:00:165,250
01:00:18Congratulations
01:00:19What is this, Hutch?
01:00:20One of your impractical jokes?
01:00:22Put that back
01:00:22Oh, Tom
01:00:24Tom, I sold it
01:00:26I didn't know
01:00:26There's been a mistake
01:00:28You can't have it
01:00:30Sold it?
01:00:31Yes
01:00:32Here, take it back
01:00:33Oh, I couldn't take it back
01:00:35I've already started to build up
01:00:37The whole campaign around it
01:00:39It was hers to sell
01:00:41Oh, yes
01:00:43Yes, the portrait belonged to Miss Smith
01:00:46Who bought it?
01:00:47Mary Wiggles
01:00:48Perfect
01:00:49I'll sketch in a cigarette
01:00:51Dangling from her lips for nothing
01:00:52Oh, Tom
01:00:54You better leave it alone
01:00:55All right, Borge
01:00:56Take it away
01:00:59Don't worry
01:00:59It won't be lost to posterity
01:01:01You'll see it next month
01:01:02On the back cover of College Humor
01:01:03Yes, but I really didn't want to
01:01:05I just
01:01:26I'll tell her you're here
01:01:34I don't like the looks of it
01:01:36She's all worked up
01:01:37And the other fellow's here
01:01:38Pauline, will you tend to your own business?
01:01:40I will, but don't say I didn't warn you
01:01:42Hello
01:01:43Hello
01:01:44These are beautiful, Bill
01:01:45They should be settled with diamonds
01:01:47It looks as if so long
01:01:48Sister's good for a year's ride
01:01:49You don't mean it
01:01:51I mean, after all
01:01:53What did I tell you?
01:01:54And so you did
01:01:56So this evening we're going to celebrate
01:01:57Oh, not this evening, Bill
01:01:59I don't feel much like celebrating
01:02:01Say, what's happened to that laugh?
01:02:03Well, I guess I used it all up on Michivo
01:02:05Well, what do you say we'd go out
01:02:07And try to find it again, huh?
01:02:08All right, Bill
01:02:09I'll see you in ten minutes
01:02:11Where do we go?
01:02:13Oriental Cafe on 66th Street
01:02:14Oh, that one's just about right
01:02:22She jumped at a dinner engagement from Bill
01:02:24As if she hadn't had anything to eat in a month
01:02:25Yeah, who did?
01:02:26Nanette
01:02:28What of it?
01:02:28Well, my guess is she's been trying to help someone out of a jam
01:02:31And gotten a jam herself
01:02:33Oh, you're going to spoil me
01:02:36Purple Passion
01:02:37Yeah
01:02:38Excuse me, darling
01:02:39I just remembered something
01:02:43Purple Passion
01:02:45In that kind of a mood
01:02:47In that kind of a mood
01:02:49Oh, that's the wrong
01:02:50Let's go out someplace wicked tonight
01:02:52What about the pirates then?
01:02:53Oh, sublime
01:02:54I feel like dancing tonight
01:02:56In the worst way
01:02:58Well, you get yourself a start there while I say
01:03:00Yes, I think I'll have a little slug
01:03:02Have something mild
01:03:04We'll find the gin on the table
01:03:06Make mine whiskey and soda
01:03:07Double whiskey and soda
01:03:10Jim!
01:03:10Jim?
01:03:11I thought you said whiskey and soda
01:03:12Yes, whiskey and soda
01:03:14Well, make up your mind, Jerry
01:03:15Never mind
01:03:16What happened between you and Nanette?
01:03:18She knew I'd put everything I felt about her into that painting
01:03:21What painting?
01:03:22Her portrait
01:03:23She sold it
01:03:24How much?
01:03:25Does it matter?
01:03:26Yes, yes, it does matter
01:03:28Five thousand two hundred and fifty
01:03:30Mediwino
01:03:31You knew?
01:03:32Shall I bring it in?
01:03:33Oh, no, no
01:03:34I, uh
01:03:35I haven't any pants
01:03:36Cherie, la, la
01:03:38Would you say
01:03:39If I were to tell you
01:03:40That I've been leading a double life
01:03:42Good heavens
01:03:43I don't even be so surprised
01:03:45I've just been trying
01:03:46To spit a little
01:03:47Sunshine
01:03:48Does Sue know?
01:03:50Yes
01:03:50The slightest suspicion
01:03:52I want to be happy
01:03:54But I won't be happy
01:03:56Till I make you happy too
01:03:59Well, that's understandable
01:04:00My husband likes to spread a little happiness
01:04:02Well, he promised me the moon
01:04:04He lured me on
01:04:06Are you sure you're talking about my husband?
01:04:08Yeah, Jimmy
01:04:09I'm the only steady one on the back
01:04:11You don't mean it
01:04:12I don't mean it
01:04:12Precious pie
01:04:13Your drink is getting slapped
01:04:18Thank you
01:04:20Where's Nanette now?
01:04:21They're starting with Oriental dinner
01:04:22Some place on 46th Street
01:04:23Oh, you mean that restaurant
01:04:25Where you sit in boots?
01:04:26Private
01:04:26Oh, that's where Bill always starts
01:04:28You mustn't let her out of your sight
01:04:29For a minute
01:04:30Don't worry
01:04:30Good luck
01:04:34Darling, do you like Oriental food?
01:04:36I thought we were going to the Pirates, Dan
01:04:38Be an Oriental Pirate
01:04:39Oh
01:04:41Ah, Mr. Traynor
01:04:42Evening, son
01:04:43Your usual dinner, sir?
01:04:45Right
01:04:46And your usual boot?
01:04:48Right
01:04:49You're a regular customer
01:04:51Oh, yes
01:04:52Very regular
01:04:55What's this?
01:04:57No Balinese customs
01:04:58Do I have to do it?
01:04:59Of course
01:05:00Life is going to be fun
01:05:11Oh, this is nice
01:05:13Just as you described it
01:05:15You'll take tea, Mr. Traynor?
01:05:17You like tea in there?
01:05:18Mm-hmm
01:05:18Tea for two
01:05:20And song
01:05:21Have them prepare some of that duck
01:05:22You know
01:05:22Your special dish
01:05:24With pleasure
01:05:26Say, say
01:05:27Will you please come back to Bali?
01:05:28Oh, I'm sorry, Bill
01:05:30Well, where do we sit?
01:05:32Right there
01:05:32With your feet tucked under
01:05:35Oh
01:05:37Right
01:05:38Right
01:05:43Oh, yes
01:05:44Can we have that boot?
01:05:45You're the boss, sir
01:05:48Oh
01:05:48What's your shoes, sir?
01:05:50Hmm?
01:05:50Oh
01:05:51Oh, very amusing
01:05:55And some tea
01:05:56Nice and private
01:06:01What do I do?
01:06:02Eat it?
01:06:02No, just take it
01:06:04And crack it like that
01:06:06Tea for two, sir?
01:06:07Oh, no, no
01:06:07Anything but tea
01:06:08Make mine vodka
01:06:09With a dash of gin
01:06:10With pleasure
01:06:11Oh, nice
01:06:13He admires you
01:06:17I think I'd better crack mine
01:06:21Uh, I think we'd better change places
01:06:24You're in the draft
01:06:25Oh, you do make the silliest excuses
01:06:32Well, we've got company
01:06:34I'm sorry, I...
01:06:35Why, little man
01:06:36What an unexpected pleasure
01:06:37Well, unexpected
01:06:39That's what comes of not watching what you're doing
01:06:42Why, Bill
01:06:43How are you?
01:06:44Nice seeing you
01:06:45Yes
01:06:46Nice seeing you
01:06:47You must think we're perfectly awful
01:06:49No, just preoccupy
01:06:51I'm sorry
01:06:52I really don't know how it happened
01:06:53You do too, sweetie
01:06:55You were leaning over much too far
01:06:56Uh-huh
01:06:57Well, uh
01:06:57See you again
01:06:59Yeah
01:06:59Glad you dropped in
01:07:00Uh-huh
01:07:01Isn't it silly?
01:07:02Come on
01:07:04What do you say we, uh
01:07:05Go somewhere else where the traffic's a bit thinner, huh?
01:07:07Oh, let's make them fresh air
01:07:09Oh, well, it's the unexpected things that make life such fun
01:07:16Come on, Kitty
01:07:17I just got set
01:07:18Darling, you're so restless tonight
01:07:22Little man was so surprised when we dropped in
01:07:27Mr. Fertlewell
01:07:29Mr. Fertlewell
01:07:36Miss Reveal
01:07:37My fish
01:07:38My dear, you have arrived
01:07:40I have?
01:07:41Where?
01:07:42Le Grand Prix de l'Exposition des Artsistes Surréalistes
01:07:45Here, no brown bear
01:07:48Hey, hey, snap out of it
01:07:51Hurry up, Kitty
01:07:53What?
01:07:54Mary
01:07:55My no
01:07:55My Jesus
01:07:56My no
01:07:57My cat
01:07:58My cat
01:07:59My cat
01:08:00My cat
01:08:01My cat
01:08:01My cat
01:08:02My cat
01:08:03My cat
01:08:05My cat
01:08:06Is that part?
01:08:07Yes, sir
01:08:11Get up
01:08:12Of course, there's only 5,000 restaurants in New York City
01:08:17And they had to pick the Oriental
01:08:19I, uh, think it's a conspiracy
01:08:22Well, of course it's a conspiracy
01:08:29Thank you
01:08:35Amy, Paulie
01:08:37Mrs. Smith in?
01:08:38Yes, and she's expecting you
01:08:39Good
01:08:43Oh, hello, dearie
01:08:44Come in, darling
01:08:45Have a nice walk
01:08:46You know, you didn't tell me about little Betty
01:08:49She's not up to your usual standards
01:08:51Darling, you mustn't lose your touch
01:08:54Oh, Susan, I...
01:08:55You mean, you know about him all the time?
01:08:57But of course
01:08:58Oh, why, it isn't nice
01:08:59It's disgusting
01:09:01You, you twerp, you...
01:09:06She's sweet
01:09:07You should have told me
01:09:10Oh, to think I have such a dear, understanding wife
01:09:16Yes, just to think
01:09:17I've never meant any harm
01:09:19I just want to spread a little sunshine
01:09:21Yes, that's what I told her
01:09:23It was all so innocent
01:09:25You know I'm as pure as a lily
01:09:27Yes, a harem lily
01:09:29Sonia, Sonia, that
01:09:31You can't as many from Bridgeport
01:09:33You casanova
01:09:34Right under my nose
01:09:35You thought I was blind
01:09:37You best pocket Romeo
01:09:39But darling, it was never on an emotional basis
01:09:41It was purely intellectual
01:09:42I suppose you discussed the classic
01:09:44If that trio ever curled up in bed with a good book
01:09:47The book would curl up first
01:09:49Darling, couldn't we discuss this in the morning when we've cooled off?
01:09:52By then I'll be sizzling at the Grand Hotel Reno
01:10:12Driver, see that handsome?
01:10:15Yeah
01:10:16Follow it
01:10:17Follow it
01:10:18Follow it
01:10:21Who does he think I am?
01:10:22Barney Oldfield?
01:10:30I believe they're still following us
01:10:32Oh, no, no, no
01:10:34They're not
01:10:34Come on
01:10:35Manette, why don't you forget him?
01:10:40You know
01:10:41It was nice of you to give me such a grand evening
01:10:44Oh, thank you
01:10:57You know the nest is
01:10:59In Nevada
01:10:59You can get married just like that
01:11:02Married?
01:11:03Uh-huh, married
01:11:04You don't have to wait for the license
01:11:05And in the 45 minutes
01:11:07You're in California on your honeymoon
01:11:09Oh, that's convenient, isn't it?
01:11:12Yes, I think so
01:11:15Did you hear anything?
01:11:17Brother, in my profession, it's unethical to eavesdrop
01:11:19Thank you
01:11:21You're welcome
01:11:29When skies are gray and you say you are blue
01:11:35I'll send the sun shining through
01:11:43I can't get a wink of sleep
01:11:45What's all the noise?
01:11:46Quiet, Pauline
01:11:47Hello, Mrs. Stillwater
01:11:48I want a divorce
01:11:50A divorce?
01:11:51Yes, a divorce
01:11:51Quiet, Pauline
01:11:52A divorce?
01:11:53Yes, madam
01:11:54Who is speaking?
01:11:58Mrs. Smith
01:11:58Is this Senior Junior speaking?
01:12:02Oh, no, no
01:12:02You better have Senior
01:12:03Handle this
01:12:05Unfortunately, Senior's out with an important client
01:12:07And we are unable to locate him
01:12:08Oh, but you must find him
01:12:10I'm leaving for Reno tonight
01:12:12And Senior must make that plane
01:12:14Oh
01:12:16Oh, what is it?
01:12:18Just the Smith family cracking up
01:12:20Cracking up
01:12:20Blow me down
01:12:22Long distance, please
01:12:26Mr. Smith, if I could be of service
01:12:33Some writing paper
01:12:36Hello, Remington
01:12:37Order 12 cases of champagne
01:12:39Lots of caviar and absence
01:12:42And double the service wages
01:12:43Yes, that's right
01:12:45I said double the service wages
01:12:48Pauline, you know
01:12:49Everything
01:12:51Very sad
01:12:52Very sad
01:12:54Oh, Mr. Smith, is it too late?
01:12:56I've got everything worked out
01:12:58I'm going to a little island in the Pacific
01:13:01Yes
01:13:02And forget it all
01:13:05Very sad
01:13:06No, no
01:13:08Mr. Smith will not be returning
01:13:09Never
01:13:13Very sad
01:13:22Thank you
01:13:24You hurry and get back
01:13:29And I'll pick you up in 15 minutes
01:13:30All right
01:13:31I'll be ready
01:13:33Taxi
01:13:35Say, we seem to be following each other around
01:13:38Yes, we do, don't we?
01:13:39Say, that reminds me
01:13:51What is this, a hold-up?
01:13:52No, it's a kidnapping
01:13:53Oh, now look here
01:13:54Now you look here
01:13:56Pauline, don't tell Nanette
01:13:58Yes
01:13:59No
01:14:13Pauline, I'm a little bit
01:14:15How long?
01:14:17Look, not a word to Uncle and Auntie
01:14:19It's too late
01:14:20No, I won't
01:14:21They've got plenty in their own platters
01:14:23Pauline, will you help me back up?
01:14:24I've only got a few minutes
01:14:25Can I get through there?
01:14:26I'll be seeing
01:14:28All the crazy nights
01:14:31Well, what do we have?
01:14:40Oh, summery things
01:14:41California
01:14:42California, that's better
01:14:43Niagara Falls
01:14:44Oh, Pauline
01:14:46I'm so glad you didn't pick that fellow with the curls
01:14:48My father said that curls were always a sign of weakness
01:14:51But then he was as bald as a coot
01:15:00Did you get it?
01:15:01Yes
01:15:01He didn't see you?
01:15:02No, I got it out in the nest bedroom
01:15:08Pauline, get in there
01:15:10Oh, Mrs. Smith
01:15:11No, no, not now
01:15:12Not till I've gone
01:15:13But it's too late
01:15:20Pauline
01:15:27Is that the Mrs. Smith?
01:15:29Not now
01:15:30Wait till I've gone
01:15:31Till it's too late
01:15:33Oh, Mr. Smith
01:15:46Hello
01:15:47Yes, she's here
01:15:48Do you wish to speak to her?
01:15:51All right
01:15:52I got it
01:15:53Hey
01:15:54Just a minute
01:15:56What did you say your name was?
01:16:06Which one did you pick?
01:16:07Oh, the right one, Pauline
01:16:09Well, the right one said he can't come back
01:16:11And that you're to go to the airport
01:16:12Straight in the plane
01:16:13And then he'll bring the tickets
01:16:15And he's using the name of Brown to avoid publicity
01:16:17Oh, thank you, Pauline
01:16:19Oh, don't thank me
01:16:20I think you're making a mistake
01:16:22Oh, yes
01:16:22Well, will you see that there's no reach of Mr. Gillespie
01:16:25But not until I'm gone
01:16:27I know
01:16:28Until it's too late
01:16:35All aboard
01:16:36Flight 7
01:16:37Westbound Super Sky Chief Stratline
01:16:40As you board the plane
01:16:41Please give your name and your host
01:16:43All aboard, please
01:16:45Mrs. Susan Smith
01:16:47Oh, good evening
01:16:47You're going to Reno
01:16:49Oh, is Mr. Stillwater senior booked on the plane?
01:16:51Yes, he is
01:16:51He's aboard
01:16:52Good
01:17:04Miss Millett Smith
01:17:06Oh, yes
01:17:06Nevada and then Los Angeles
01:17:08Mr. Brown handed a ticket
01:17:09Is he
01:17:10Yes, he's aboard
01:17:11Oh, thank you
01:17:21You don't wish to retire at once
01:17:23We'll take any
01:17:23Thank you
01:17:27James, come in
01:17:29Where to, sir?
01:17:30The 39th
01:17:31Change planes of Los Angeles
01:17:33Thank you
01:18:00All right
01:18:00I'll be here for you
01:18:27Oh, are you sure Mr. Brown is aboard?
01:18:30Yes, he's in his berth
01:18:31In his berth?
01:18:32Well, I think he's a little afraid of being airsick
01:18:35Oh
01:18:35Quite calm
01:18:36I'm just anticipation
01:18:37Nothing ever really happens
01:18:45Now, Miss Smith
01:18:45If you take your seat
01:18:46I'll help you fasten your safety belt
01:19:01Mr. Smith
01:19:01Would you care for some gum?
01:19:21What are you doing here?
01:19:23What are you doing?
01:19:25I'm loping
01:19:26Good
01:19:27I'm getting divorced
01:19:30Devorced?
01:19:31Yes
01:19:31Your uncle turned out to be quite a blue beard
01:19:34No
01:19:35I've already combed three out of his beard
01:19:37So I'm going to Reno and get him shaved
01:19:42Oh, never mind about me
01:19:45You're going in and I'm going out
01:19:46Come and out
01:19:49Congratulations
01:19:50Where's the groom?
01:19:52Oh, he's in bed
01:19:53He's not feeling very well
01:19:55I'll be probably a little nervous
01:19:57This is for you, Miss Smith
01:19:59Thank you
01:19:59And you, Mrs. Smith
01:20:02Jimmy
01:20:04Tom
01:20:11For you, Mr. Smith
01:20:12Huh?
01:20:13Oh
01:20:14It's you
01:20:34How is this?
01:20:36Yes, ma'am
01:20:36Is there anything leaking?
01:20:39I don't think so
01:20:42Miss Smith
01:20:43Mr. Brown would like to see you
01:20:44Oh, thank you
01:20:47Brown
01:20:49Phil
01:20:50Phil
01:20:52Where is he?
01:20:53Oh, he's in his bed
01:20:53He's still scared of being airsick
01:20:57Airsick?
01:20:58It's as if you picked a lemon, too
01:21:01Miss Smith will be in in just a moment
01:21:05Oh, Phil
01:21:06What's the matter?
01:21:08I don't know
01:21:08I feel hot and cold all at the same time
01:21:11And my feet are like ice
01:21:13Well, what can I do?
01:21:15Well, a hot water bottle, my dear
01:21:17Hot water bottle?
01:21:19Oh, I see
01:21:23I have you a hot water bottle
01:21:25Hot water?
01:21:27Oh, he's got cold feet
01:21:29How romantic
01:21:30Oh, the way he thinks there may be complications
01:21:32Well, try the holster
01:21:34Bill, I'll see the husband
01:21:40Well, hello
01:21:41Tom
01:21:42What are you doing here?
01:21:43Well, it's a rather long story
01:21:45You see, it's a complication
01:21:47Bill, we're practically married or something
01:21:49Yes, I know
01:21:50But I couldn't leave Tom behind
01:21:51You see, he loves you, too
01:21:52And I made him admit it
01:21:54Oh, you made him admit it
01:21:56Oh, but it was easy
01:21:59Oh, well, let me tell you something
01:22:00I'm getting right out of this plane
01:22:02In this very minute
01:22:02Well, you can't do that
01:22:05Nanette
01:22:06Oh, don't worry, aunt
01:22:07You can leave it to me
01:22:08Everything will be settled
01:22:09Settled
01:22:10And I've lost my Jim
01:22:13Oh, don't cry like that, auntie
01:22:16It's the only way I know how
01:22:18Uncle
01:22:19He's divorcing him
01:22:20Divorcing him?
01:22:21Of course
01:22:21Oh, Sue, you can't do that
01:22:22Of course you can't
01:22:23You've got to forgive him
01:22:24Forgive him
01:22:25And he's hundreds of miles away
01:22:28After all, it was all my fault
01:22:30I just didn't understand
01:22:32He just wanted to spread
01:22:33A little happiness
01:22:34Oh, that's right, auntie
01:22:36You must forgive him
01:22:37If he were here right now
01:22:38I'd throw my arms around his neck
01:22:40And ask him to forgive me
01:22:46Susan
01:22:48You weasel
01:22:49Following me, eh?
01:22:51But darling
01:22:51Don't darling me
01:22:53Mr. Stillwater
01:22:54Hey, you
01:22:55Mr. Stillwater
01:22:55I've been counting sheep
01:22:57And you've scared away
01:22:57Over 300 with your racket
01:22:59Oh, I'm sorry
01:23:00Mr. Stillwater
01:23:01Mr. Stillwater
01:23:02Mrs. Smith
01:23:02I'm afraid you're disturbing
01:23:03The other passengers
01:23:04Oh, I'm sorry, darling
01:23:05I'm looking for Mr. Stillwater
01:23:07Oh, darling
01:23:07We must save Uncle
01:23:09What again?
01:23:13Oh, auntie
01:23:14You must forgive him
01:23:15I wouldn't forgive him
01:23:16If he came crawling to me
01:23:17On his hands and knees
01:23:18But Sue, think of his purchase
01:23:19Oh, he doesn't smoke
01:23:21He doesn't drink
01:23:21No, he saves himself
01:23:23For the big things
01:23:25Bill, I was only
01:23:26Trying to spread
01:23:26A little sunshine
01:23:27Yes, I know, Jimmy
01:23:28But you laid it on
01:23:29A bit too thick
01:23:29Get back in your teepee
01:23:30Mr. Stillwater
01:23:31Will you serve the papers?
01:23:33My dear Mrs. Smith
01:23:34You have no grounds
01:23:34For divorce
01:23:36No grounds?
01:23:37No?
01:23:38Through marrying you
01:23:39Your husband had
01:23:40A surplus of happiness
01:23:41So he disposed
01:23:42Of his surplus happiness
01:23:42To less happy children
01:23:44Children?
01:23:45Did you ever meet Sonia?
01:23:46Yes, the sweet child
01:23:47Who tonight abdicated
01:23:48As comedy queen of Broadway
01:23:50To wed the eminent
01:23:51Greek professor
01:23:51Examinis
01:23:52And what about Kitty
01:23:53From Kansas?
01:23:54At this moment
01:23:55Being joined in
01:23:56Holy matrimony
01:23:57To the curator
01:23:57Of many museums
01:23:58Mr. Fertelwerfel
01:23:59And tomorrow
01:24:00She will be hung
01:24:01At the Metropolitan Museum
01:24:03Good
01:24:04974, 975, 976, 977
01:24:07And I suppose
01:24:08Betty from Bridgeport
01:24:09Is a sweet little foe
01:24:10Who long
01:24:10Mrs. Smith
01:24:11I must ask you
01:24:12To speak with respect
01:24:13Of the wife
01:24:13Of one of the most
01:24:14Eminent members
01:24:14Of the legal profession
01:24:15My foot
01:24:16No, my wife
01:24:19Your wife?
01:24:20Hello
01:24:21Betty?
01:24:23Bridgeport
01:24:40Why don't you
01:24:41Go to bed?
01:24:48Good night
01:24:49Good night
01:24:50Good night
01:24:56Good night
01:24:58Good night
01:24:59Oh, no
01:25:00Uncle
01:25:01Is this
01:25:01You've been wonderful
01:25:03Those of you
01:25:03Thank you, Tom
01:25:04And you
01:25:04And particularly Bill
01:25:06You know
01:25:06He
01:25:06Oh, why
01:25:07Of course
01:25:08I knew it
01:25:09All the time
01:25:11Radio for Mr. Smith
01:25:12I'll tell you
01:25:12Thank you
01:25:13Radio for you, darling
01:25:18Slossie from Frisco
01:25:21Mrs. Stillwater
01:25:22Mrs. Stillwater
01:25:24Mrs. Stillwater
01:25:26I want to be happy
01:25:28But I can't be happy
01:25:30Till I make you happy too
01:25:34Life's really worth living
01:25:37When we are not giving
01:25:39Why can't I give some
01:25:42When skies are gray
01:25:45And you say you are blue
01:25:47You send the sun
01:25:49Smiling through
01:25:51I want to be happy
01:25:54But I can't be happy
01:25:56Till I make you happy too
01:25:58And you say you are blue
01:26:08Come on
01:26:09You told her
01:26:09When you are blue
01:26:09Oh, no
01:26:09And any
01:26:27You sent the sun
01:26:28Can I give you happy
01:26:28Can I give kety
01:26:28Closing your
01:26:28Splems
01:26:28The End