Mystery Man 1935

ReelMovies

1935 Monogram Pictures public domain release. When he runs short of money, a newspaper reporter pawns a police revolver he was given after he helped the police solve a case. Later on the gun is used in a murder, and the reporter is suspected of committing the crime. #action #adventure #crime #mystery #romance

Transcript

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00:04:00ON BEHALF OF OUR COMMISSIONER

00:04:01I'M HERE TO THANK

00:04:02MR. LAURENCE DOYLE

00:04:04FOR HIS HIGHLY COMMENDABLE WORK

00:04:06IN SOLVING THE RECENT

00:04:06UPSHORE MURDER CASE

00:04:07I ESPECIALLY EXTOL HIS

00:04:09ZEAL EFFICIENCY

00:04:10REPATORIAL SAGACITY

00:04:11AND CIVIC SPIRIT

00:04:12MR. DOYLE

00:04:13THOUGH THIS

00:04:13IS BY PROXY

00:04:14THE COMMISSIONER

00:04:15THE POLICE DEPARTMENT

00:04:16SHAKE YOUR HEAD

00:04:17IT'S NO FAIR

00:04:18YOU READ IT

00:04:19I THANK YOU VERY MUCH

00:04:20MR. WHITLEY

00:04:21NO

00:04:22WHISTLE

00:04:23SO SORRY

00:04:23THAT'S FINE

00:04:25THAT'S FINE

00:04:25WELL

00:04:26WEEKS DONE

00:04:26COME IN HERE

00:04:29NOW THEN YOU FELLOWS

00:04:30TAKE A LOOK AT A REAL

00:04:32NEWSPAPER MAN

00:04:35LARRY

00:04:36THE PAPER IS PROUD OF YOU

00:04:41TEN FOR ME CHIEF

00:04:42THAT WAS YESTERDAY

00:04:43I JUST GOT YOUR MESS

00:04:44FINE THEN GET THIS ONE

00:04:45TAKE A SHOT AT DOYLE

00:04:46THEN GET YOUR CHECK

00:04:47AND GET OUT OF THIS OFFICE

00:04:48YOU'RE THROUGH

00:04:48HERE YES CHIEF

00:04:49GET IT

00:04:50YES

00:04:51WAIT A MINUTE

00:04:52WHERE'S THE GUN

00:04:53I HAVE FOUND MY SOUL

00:04:55A GIFT

00:04:55WHERE DID I PUT IT

00:04:58THANK YOU VERY MUCH

00:05:01THE PHYSICAL TOKEN

00:05:03OF THE COMMISSIONER'S ESTEEM

00:05:06ALL RIGHT LARRY

00:05:07GET THE GUN UP A LITTLE HIGHER

00:05:09ALL RIGHT

00:05:09HOLD IT

00:05:10GET THAT BACK AS FAST AS YOU CAN

00:05:12YES CHIEF

00:05:12PUT A RUSH ON IT

00:05:13WHAT ABOUT MY JOB

00:05:14WHAT'S THE MATTER WITH IT

00:05:14NOTHING I LIKE IT

00:05:16THANKS CHIEF

00:05:17GIVE ME A HALF COLUM

00:05:18WITH THAT CUT FOR TONIGHT'S FINAL

00:05:20GET IT

00:05:21OKAY CHIEF

00:05:22WELL WHAT ARE YOU WAITING FOR

00:05:23GET OUT

00:05:28MR. WHISTLER DO YOU HAVE TO GO

00:05:29OH NO NO NO NO

00:05:30I SEE

00:05:31WELL WE WON'T FORGET YOU

00:05:32IN OUR STORY

00:05:33WE'LL STRESS THE COOPERATION

00:05:34SHOWN US

00:05:35AND THE HEALTHY CONDITIONS

00:05:36EXISTING BETWEEN THE

00:05:37NEWSPAPER DOWN

00:05:38AND POLICE OFFICIAL

00:05:39NOW

00:05:39MY BEST WISHES TO THE

00:05:41INSPECTOR

00:05:41THANK YOU

00:05:41YES INDEED

00:05:42WELL I GUESS THE

00:05:43RECREATION HOUR IS OVER WITH

00:05:44WELL

00:05:45MY PERSONAL FELICITATIONS

00:05:46UPON YOUR MARVELOUS WORK

00:05:47AS A MATTER OF FACT

00:05:48YOU'VE BEEN DOING

00:05:49SO MANY WONDERFUL THINGS

00:05:51OH THANKS

00:05:51BUT ANY OF THE BOYS

00:05:52COULD HAVE DONE IT

00:05:52I JUST GOT THE BRAKES

00:05:53THAT'S ALL

00:05:54OH I'M NOT SURPRISED

00:05:56AT YOUR MODESTY

00:05:57OH THANK YOU

00:05:57MR. WHITIER

00:06:00WHISTLER

00:06:00OF COURSE

00:06:07WELL CHIEF

00:06:08I GUESS I HAD YOU ALL

00:06:09WRONG

00:06:10I THOUGHT YOU WERE TOUGH

00:06:11YOU'RE NOT

00:06:12WHO PUT YOUR WAYS TO THAT

00:06:13YOU

00:06:14THAT CRACK YOU MADE

00:06:15ABOUT ME BEING A GOOD

00:06:16NEWSPAPER MAN

00:06:16JUST A CRACK

00:06:19OH

00:06:20YOU DIDN'T TAKE IT SERIOUSLY

00:06:22NO

00:06:23DON'T

00:06:23I WON'T

00:06:25FINE

00:06:26YOU'RE GOOD WHEN YOU'RE GOOD

00:06:28THAT'S ALL

00:06:28THIS UPSHALL CASE

00:06:29ALL RIGHT

00:06:30BUT WHAT ABOUT A COUPLE OF OTHERS

00:06:31I BROUGHT THEM IN

00:06:32DIDN'T I

00:06:32AFTER I WETNURSED YOU

00:06:33I'M GIVING YOU THE BRAKES

00:06:34I SEE

00:06:35MAYBE YOU SHOULD HAVE FIRED ME

00:06:36MAYBE I SHOULD HAVE

00:06:38AND MAYBE I WILL SOMEDAY

00:06:40MEANTIME

00:06:41I'M TRYING TO GIVE YOU A BREAK

00:06:43MR. DOYLE

00:06:46THE NIFTY GUN

00:06:48SOMEDAY I'M GONNA USE IT

00:06:49THAT YOUR MAN PICK

00:06:50YEAH

00:06:51I'M GONNA GET ME A CITY EDITOR

00:06:53WAIT A MINUTE

00:06:57NO SPEECHES WITH THIS

00:06:58THE BOSS HANDED ME THIS TO HAND TO YOU

00:07:01DON'T OPEN IT IN HERE

00:07:02A GOOD STORY MIGHT HOP OUT

00:07:04AND I'D HAVE TO GET A GOOD MAN TO WRITE IT

00:07:07IT'S ANOTHER JOKE

00:07:08A BONUS

00:07:11AS LONG AS YOU LIVE

00:07:12DON'T EVER GIVE ANY CREDIT TO ANYBODY FOR ANYTHING

00:07:17MIGHT KEEP YOU AWAKE NIGHTS

00:07:25AND I'VE GOT THE KEYS TO 15 DIFFERENT CITIES

00:07:28AND I'VE GOT THE DAY OFF

00:07:30PRESENT FROM JOJO

00:07:31NO I'M JUST TAKING IT

00:07:33SAY LET'S SEE THAT GUN

00:07:39SPECIAL 45

00:07:40WELL YOU MIGHT AS WELL BE ARMED RIGHT

00:07:44HERE'S MY CONTRIBUTION

00:07:51AND HERE'S MINE

00:07:54SAY WHAT DO YOU THINK WE COULD GET ON THIS GUN

00:07:56WHAT DO YOU MEAN WE

00:07:58DO YOU THINK I PAUN THIS TOKEN OF ESTEEM FROM T. WHITTIER WHIFFLEFREE

00:08:02WELL WE ALWAYS SPLIT DON'T WE

00:08:05THIS TIME WE DON'T HAVE TO

00:08:06THE UPSHAU CASE GAVE US THIS

00:08:15JUST WHAT IS IT

00:08:17I WOULDN'T BE ANY AUTHORITY

00:08:21IT SAYS

00:08:25THAT THE GOVERNMENT WILL REDEEM IT

00:08:27FOR FIFTY DOLLARS

00:08:34WHEN

00:08:37NOW

00:08:43ONWARD BRAVE MUSKETEERS

00:08:46DUM DUM DUM DUM DUM DUM DUM DUM DUM DUM DUM DUM DUM

00:08:50ONWARD BRAVE MUSKETEERS

00:08:52ONWARD BRAVE MUSKETEERS

00:09:22AND THIRST IS ALL RIGHT

00:09:24OH OH OH OH

00:09:24I'LL PRESS THEM WITH IT

00:09:30ONWARD BRAVE MUSKETEERS

00:09:32ONWARD BRAVE MUSKETEERS

00:09:38ONWARD BRAVE MUSKETEERS

00:09:55THANKS

00:09:56I'M GONNA TELL THAT MISMANAGING EDITOR

00:09:58JUST WHAT I THINK OF

00:10:00IT'S EASY TO SAY BUT IT'S TOUGH TO DO

00:10:04NOT FOR ME

00:10:05I SHOULD'VE TOLD THEM TODAY

00:10:07FUNNY WE CAN ALWAYS THINK OF THE THING THAT WE SHOULD'VE SAID

00:10:11LATER

00:10:13DIPLOMACY IS THE BEST POLICY

00:10:16POLICY MY NECK

00:10:17THIS IS PRINCIPAL OF THE THING WITH ME

00:10:19AND WHAT IS MORE

00:10:20IT'S ALWAYS A MISTAKE

00:10:22TO LET A NEWSPAPERMAN GET HOLD OF FIFTY DOLLARS

00:10:24OH LISTEN CHIEF

00:10:27I MAY BE OLD FASHIONED

00:10:28BUT SOMEHOW I LIKE TO RUN A NEWSPAPER FROM A NEWSPAPER OFFICE

00:10:32MAYBE I'M WRONG

00:10:33YOU'VE BEEN WRONG FROM BIRTH

00:10:35TO RUN A NEWSPAPER YOU HAVE TO BE A NEWSPAPERMAN

00:10:37AND YOU'RE NOT

00:10:38NO?

00:10:39NO

00:10:39YOU'RE JUST NO GOOD

00:10:41WHAT DO YOU SUGGEST I DO?

00:10:43RESIGN

00:10:44YOU THREE THE OFFICE TOMORROW MORNING ON TIME AND SOBER

00:10:48OR A BAD NEWSPAPERMAN WILL SHOW YOU HOW TO RUN ONE WITHOUT YOU

00:10:51AND THAT GOES

00:10:53OKAY

00:10:53YOU GET MY POINT?

00:10:54YES

00:10:55AND YOUR RESIGNATION

00:10:56AND THIS TIME MR. DOYLE THAT GOES

00:11:00YOU'VE DONE ME A FAVOR

00:11:01WHEN YOU WANT ANOTHER

00:11:04CALL ON ME

00:11:05AND TRY AND GET IT

00:11:17WHAT'S THE DAMAGE?

00:11:18EVERYTHING'S PAID BUT THE LAST TWO ROUNDS

00:11:19OKAY

00:11:20HERE YOU ARE

00:11:21EVERYTHING'S EVEN

00:11:22THANK YOU MR. DOYLE

00:11:25GRAB A CAP

00:11:25PICK UP MY BAG

00:11:27AND I'M ON MY WAY

00:11:31ANY FOURS COMING WITH ME?

00:11:33SURE

00:11:34LET'S GO

00:11:35IF I HAD MY LIFE

00:11:38IF I HAD MY LIFE

00:11:38TO LIVE

00:11:47WHERE YOU GOING?

00:11:49ANYWHERE THIS WILL TAKE ME

00:11:51COME ON

00:11:52IF I HAD MY LIFE

00:11:56IN THE BIBLE

00:11:57I'M ON MY WAY

00:11:59I'M ON MY WAY

00:12:02I'M ON MY WAY

00:12:04I'M ON MY WAY

00:12:11I'M ON MY WAY

00:12:15Oh, boss, don't you know it's time to get up?

00:12:20Boss, we're getting into St. Louis.

00:12:22Yeah, yeah.

00:12:23Yeah, okay.

00:12:25Huh? St. Louis?

00:12:26Yes, sir. St. Louis, Missouri.

00:12:28What for?

00:12:29What for what?

00:12:31You mean my ticket to read St. Louis?

00:12:32Yes, sir.

00:12:34Where'd all this junk come from?

00:12:35Well, that come of all dirty last night in Chicago.

00:12:38I see.

00:12:39Well, look, was I alone?

00:12:42Oh, no.

00:12:43The bridal party was with you.

00:12:44I said, bridal party?

00:12:47Surely you remember.

00:12:48No.

00:12:49I drew a blank.

00:12:51Bridal party.

00:12:52Well, here we are.

00:12:53Yeah, you'll have to break a dollar.

00:12:56Oh, that's all right, boss.

00:12:57You took care of me last night.

00:12:59I give up.

00:13:00Is the little lady gonna meet you?

00:13:02I don't know.

00:13:03Little lady?

00:13:05Oh, boss, you can't fool me.

00:13:08I noticed you was coming to St. Louis to get married.

00:13:10I am, huh?

00:13:11Yes, sir.

00:13:12Well, that fixes everything up just dandy.

00:13:16Oh, no.

00:13:19Yeah, I remember.

00:13:21Well, I guess I won't need this anymore.

00:13:23St. Louis.

00:13:25Bridal party.

00:13:27Little old...

00:13:31Hey, son.

00:13:34Howdy.

00:13:45Where's the closest place a fella can go and get something for, uh, that?

00:13:50You mean that?

00:13:52Yeah.

00:13:53That.

00:14:13Thanks, pal.

00:14:15Okay, buddy.

00:14:17Thanks, pal.

00:14:43What'll it be, lady?

00:14:45Oh, uh, a cup of coffee and some donuts.

00:14:47And you?

00:14:52Uh, uh, uh, donuts and coffee.

00:15:04Check.

00:15:0620 cents?

00:15:08Yes, sir.

00:15:1010 cents for coffee.

00:15:11It's never more than a nickel.

00:15:13Well, it's ten here.

00:15:14And donuts.

00:15:16You can get them anyplace for a nickel.

00:15:17Lady, we get five cents straight.

00:15:19Three for 15.

00:15:20I serve them, you wet them, and that's the check.

00:15:24Well, look.

00:15:25All I have is a nickel and five pennies.

00:15:28Honestly, it is.

00:15:29Lady, if I let you talk me out of this, I'll have to pay the difference.

00:15:33Well, don't you believe me?

00:15:35With all the gags they play on me, I don't believe nobody.

00:15:38Hey, buddy.

00:15:40Check.

00:15:45And, uh...

00:15:50Thanks.

00:15:51Say, waiter, you got any dishes you'd like washed?

00:15:56Forget it.

00:15:56That won't be necessary.

00:15:58I can tell a lady when I see one.

00:16:00Oh, thanks.

00:16:01Here.

00:16:01No, no, no, no, no.

00:16:03This is on the house.

00:16:40that'll be 48 cents i can just meet it and two cents tax that's what i say i can just

00:16:46meet it

00:16:54is this name uh weston yes

00:17:00that'll be uh 56 cents i'd like to send a collect what's your name any identification no but it's to

00:17:09my mother i know miss but we don't know your mother and i can't accept it you can't

00:17:21do

00:17:22well that's all right thanks just the same

00:17:28so

00:17:35so

00:17:43so

00:17:44so

00:17:45so

00:17:48so

00:18:06so

00:18:07so

00:18:09so

00:18:09well now don't get me wrong i'm just not interested that's telling me

00:18:25hey where do you think you're going you see fellows like that you wish you were a judge

00:18:30and he won't hurt

00:18:32no no but how come you let that fella get away i whistle didn't i officer everything is all right

00:18:38everything isn't all right that fella that fella didn't give me an argument he went right ahead

00:18:42that's what burns me would you and the lady like to go to the station and make a complaint certainly

00:18:52don't you know that you can never win an argument with a wife

00:18:58yeah but sometimes a good smack does her good

00:19:14i'll have to carry you across the next creek you might throw yourself under another car

00:19:17i appreciate very much what you did but now i wish you'd go away and leave me alone

00:19:20you can't be trusted out alone

00:19:22you can tell that traffic officer how to handle his job but don't give me any of your advice

00:19:27i was funny that missing stuff wasn't it no i thought it was

00:19:30oh you

00:19:32you do you know you're prettier than ever when you're mad you will either go away and leave me alone

00:19:36or i'll call a policeman and tell him that you're annoying me

00:19:38would you do that

00:19:42yes

00:19:43i believe you would at that day

00:19:46well

00:19:47so long

00:19:54miss me

00:19:57i love your laugh

00:19:59is this gonna keep up all day

00:20:01why not

00:20:03i don't know what to do with you

00:20:05i don't know what to do with you

00:20:07come on

00:20:09you know you're not fooling me a bit

00:20:11you haven't any more place to go than a rabbit

00:20:13neither have i you're broke and i'm broke

00:20:15but i'm not gonna let you go till i'm sure you're all right

00:20:18oh don't worry about me

00:20:19well i have to

00:20:20i was in that car missed you and you threw yourself in my arms

00:20:23i did not

00:20:24well look that way to me

00:20:25well you grabbed me could i help that

00:20:27no i suppose not

00:20:28but you didn't have to kiss me as a reward for saving your life

00:20:31what

00:20:31well you didn't think about it it's okay it'd be nice if you had though

00:20:35but on the level

00:20:36you are up against it aren't you

00:20:39so am i

00:20:43well

00:20:43now look

00:20:44if you're willing to take a chance i can get us both out of a jam

00:20:48just what do you mean by

00:20:50taking a chance

00:20:51i figure there are some men in this world that know a decent girl when they see one

00:20:56then forget all those others and focus on me

00:20:58now

00:21:00there you are

00:21:00and here i am

00:21:02we have one bag between us

00:21:05that bag will get us into a good hotel

00:21:07now please please don't get me wrong

00:21:10i'll see that you get a good room

00:21:12good meal

00:21:13good sleep

00:21:14and incidentally i'll get a little shut-eye myself

00:21:16because i won't have to be worrying about you

00:21:21what'd he say

00:21:29well here comes an officer

00:21:32coming along with me or

00:21:34you're going to turn me in

00:21:36nice day officer

00:21:37what's nice about it

00:21:38well i think it's a lovely day

00:21:49nothing like picking the best huh

00:21:51i keep smiling keep on looking happy

00:21:53if i start getting in wrong

00:21:54you laugh

00:21:55that'll kill the clerk

00:21:56whatever i do

00:21:58you play straight for me

00:21:59we'll get all set

00:22:00i have something to eat

00:22:01and tomorrow's another day

00:22:04you'll trust me don't you

00:22:06i trust you

00:22:07that's great

00:22:11come on

00:22:11turn on that smile

00:22:13that's it

00:22:14come on

00:22:19how do you do

00:22:27how do you do

00:22:27now i can give you something very nice on the third floor with tub and shower for ten dollars

00:22:31you're not talking my language

00:22:33what did the president have last time he stopped here

00:22:37perhaps i'd better call the manager

00:22:38yes would you

00:22:39surely

00:22:44play straight place

00:22:45mr clark our manager mr and mrs doyle

00:22:47oh

00:22:48how do you do mrs doyle

00:22:49hello

00:22:50how do you do mr doyle

00:22:51mr clark

00:22:52now what can i do for you

00:22:53well what we really wanted was the honeymoon suite if it's vacant

00:22:56oh honeymooners eh

00:22:58yes indeed

00:23:02that's 35 dollars a day mr doyle

00:23:04that's all right

00:23:05that's perfectly all right

00:23:06mrs doyle insisted upon coming here

00:23:08and at least i'm starting in right

00:23:09whatever mrs doyle wants

00:23:11i want

00:23:11isn't that right dear

00:23:12my that's wonderful

00:23:15mr shaw the keys to 910

00:23:17boy

00:23:18front

00:23:19i'll conduct you to the suite personally

00:23:21oh thank you

00:23:21just a moment mr clark

00:23:23i'm expecting a very very important wire

00:23:26will you phone over to the railroad station and have them forwarded over here please

00:23:29yeah

00:23:30certainly

00:23:34thanks

00:23:35now children

00:23:37come with me

00:23:38listen mr clark nice dear

00:23:39yeah

00:23:44these bridegrooms get on my nerves

00:23:47maybe when you get one he won't

00:23:49hmm

00:23:51wise guy huh

00:24:01like this

00:24:02oh it's fine

00:24:03you ought to

00:24:04the president did

00:24:06oh we do

00:24:06don't we dear

00:24:08she's a little tired

00:24:09a good kid but moody

00:24:10now don't you hesitate to ask me for anything you desire

00:24:14i won't

00:24:17goodbye mr doyle

00:24:18goodbye sir

00:24:18goodbye mrs doyle

00:24:21here you are sir

00:24:22oh yes oh yeah

00:24:23is there anything else sir

00:24:25hmm

00:24:25oh

00:24:25boy

00:24:27hurry

00:24:31well did i or did i not put that one over

00:24:33you did

00:24:34i told you i would

00:24:35you told me i could trust you and i believed you

00:24:37oh kid this is the way to do it

00:24:39make them think we're important people

00:24:41well i prefer nice people

00:24:42we are

00:24:43i kept my bargain i played straight

00:24:46and now i'll go quietly and you can explain your wife's going as glibly as you did her coming here

00:24:52oh now look kid you can't do this

00:24:54i wasn't fooling you i meant everything i said

00:24:57i thought you understood

00:24:59i told you there'd be no

00:25:01oh now look there's your room and there's mine and here's your key

00:25:05well you couldn't be as safe anywhere in the world as you are right here

00:25:24miss me

00:25:27which key is mine

00:25:37hello

00:25:38mr clark in the office

00:25:42hello mr clark

00:25:43mr doyle

00:25:45oh no no no everything is fine yes

00:25:47no i wanted to order some lunch

00:25:49oh uh some pheasant i think

00:25:53oh mr clark that's too bad

00:25:56no pheasant dear

00:25:58now she says grouse then

00:25:59yes grouse

00:26:00uh-huh

00:26:01and some wine

00:26:02oh i should say two bottles

00:26:05oh it really doesn't matter mr clark i'll leave the vintage to you

00:26:11thank you

00:26:15i don't think i've ever been so hungry in all my life

00:26:19i got that at the station

00:26:20you looked all in

00:26:21i was

00:26:23do you know i couldn't even pay my check

00:26:26no

00:26:27if it hadn't been for that waiter

00:26:29i don't know what i'd have done

00:26:31he trusted me for 20 cents

00:26:33he did say that fellow's all right

00:26:35you'd never know it by looking at him

00:26:37i'm gonna see that he gets that 20 cents

00:26:40no i'll take care of that

00:26:41no no no i'll do it

00:26:43i'm your business manager

00:26:45all right

00:26:46now here's the idea

00:26:48we haven't a thing to worry about

00:26:49i've wired my old paper for 200 dollars

00:26:51that's the wire sent from the station

00:26:53that ought to be here tomorrow at the latest

00:26:55i really ought to get it tonight

00:26:56and we pay our bill here and we're all set

00:26:58how's that ann

00:27:00say

00:27:01how'd you know my name was ann

00:27:04did i hit it

00:27:06well what are you

00:27:07now how do you suppose

00:27:09oh i know

00:27:10you look like an ann

00:27:12well

00:27:13just what do ann's look like

00:27:17just like you

00:27:20mr clark

00:27:23just came in for mr joy

00:27:37you know

00:27:37that millionaire bridegroom up in 910

00:27:41shall i send it up to him

00:27:45i'll deliver it myself

00:27:54mr doyle eh

00:27:58why it's easy

00:28:00of course larry doyle doesn't mean anything to you

00:28:02but any good newspaper knows me

00:28:04i'll buy tomorrow

00:28:06there you are

00:28:07something happening already

00:28:10oh hello mr clark

00:28:11come right in

00:28:12it's mr clark dear

00:28:13how do you do mr clark

00:28:14telegram mr doyle

00:28:15oh thank you

00:28:16well well what do you think of that

00:28:17a wire for us

00:28:19the telegram was for you

00:28:21oh was it

00:28:22oh i'm sorry

00:28:27good news

00:28:28good news

00:28:29good news

00:28:30oh yes marvelous

00:28:31just a joke

00:28:32another comedy wire for the honeymoon couple

00:28:34i don't know how they ever knew we were stopping here

00:28:37could i see you in the hall for just a minute

00:28:40good news

00:28:41oh yes certainly

00:28:43excuse us dear

00:28:43i want to see mr clark

00:28:52that line of talk you gave me was good

00:28:54i don't know what your game is

00:28:56and i don't care

00:28:57but you've involved me

00:28:59now i could put you out

00:29:01but that won't do me any good

00:29:04so i'll take a gamble

00:29:05i'll give you just 24 hours to settle up your bill

00:29:09or i'll call the police

00:29:16oh thanks very much mr clark

00:29:19goodbye mr clark

00:29:23he killed me

00:29:24what'd he want

00:29:26oh just another joke

00:29:27he wanted me to invest money in a new chain of hotels

00:29:30what was in that wire

00:29:33oh the wire

00:29:34oh just decay

00:29:36it's kind of funny though

00:29:37but it's uh

00:29:38well you know you can't read it to a girl

00:29:40it's kind of uh

00:29:41you know

00:29:55here's a laugh from larry doyle st louis

00:29:57he's flat and in a jam and wires me for 200

00:30:00what are you going to do

00:30:00i've done it

00:30:01i've wired him nothing doing that i don't even know him

00:30:03but he's in a jam

00:30:05he didn't yell to me

00:30:07i'm through with him

00:30:09i just thought you boys might be interested that's all

00:30:20how much money you fellas got

00:30:32i haven't got any money but i got an idea

00:30:36there

00:30:36what is it

00:30:37oh babies be hot for me tonight

00:30:42can you use them

00:30:45i made them

00:30:47well come on

00:30:51well the grouse was delicious and i noticed that you enjoyed the wine

00:30:55what do we do next mr business manager

00:31:00say you're not even listening to me

00:31:04i've got it

00:31:05i've got it

00:31:06he always works the same way

00:31:07he pulls off a job and then calls up the district attorney in the newspapers and laughs at him

00:31:11he's just pulled his most sensational job and he's laughing at them all right now

00:31:14who in the world are you talking about

00:31:17me

00:31:17oh boy is this up my alley

00:31:20here's where i go to work

00:31:21i'm on my way to the news office

00:31:22keep you bright till i get back

00:31:27hello

00:31:29listen i just told the district attorney where he stands now i'll tell you

00:31:33you're editing the paper

00:31:34we're doing everything we can sir

00:31:36i've got everybody out covering the case

00:31:38as usual he left no clues

00:31:41you get the eel

00:31:42or i'll get another managing editor

00:31:46what a piece of luck i am for you

00:31:48who are you

00:31:48Larry Doyle

00:31:49the best newspaper man either side of the rocky

00:31:51get out of here

00:31:52don't you want to catch the eel

00:31:53yeah

00:31:54all right you're looking at the original eel catcher

00:31:57Larry Doyle the one and only

00:31:58why you know me

00:31:59Larry Doyle Chicago record

00:32:00oh i know what you're thinking

00:32:01you think i'm a lot of

00:32:03i do

00:32:03you think i'm a bluff a fake

00:32:04right

00:32:05all right i'll prove it here

00:32:06i got my press card right here

00:32:07anybody knows me

00:32:08you're a managing editor you ought to

00:32:11oh i'm afraid i haven't got it

00:32:12you see a bunch of the fellow we

00:32:13uh

00:32:15that last night in chicago

00:32:16get out of here or i'll

00:32:18you'll try and kick me out or you wouldn't do that

00:32:20you'd kick out the best little newspaper man you ever took a boot at

00:32:22besides you'd lose the boot and the opportunity of your life

00:32:24i'm not going to let you do it

00:32:25i'm going to call up a boss and be identified

00:32:27charges reversed

00:32:28certainly

00:32:30get jordan for me

00:32:31i want to talk to jonas chicago record

00:32:33i don't care where you've looked get him

00:32:34why of course charges reversed

00:32:37you arrow

00:32:37look in every gin mill pool hall dance hall the river anywhere

00:32:41and when you find him tell him to go down to trocadero and see if he can pick up anything

00:32:44on the eel

00:32:45you know what

00:32:46hello

00:32:47hello jonas

00:32:48it's larry doyle

00:32:50yeah i'm talking to marvin st louis news

00:32:52yeah big stories popped and i'm telling him i'm the boy to handle it

00:32:55he doesn't believe i'm larry doyle

00:32:57can you imagine that

00:32:59yeah will you put him straight

00:33:00sure i'll fix it for you put marvin on

00:33:03thanks

00:33:04there you are

00:33:05that's my boss

00:33:07this is marvin give me the low down

00:33:09sure

00:33:11he's a fake

00:33:12if i were you i'd turn him over to the police

00:33:14he's lying

00:33:15because the real larry is sitting here in my office right now

00:33:20hey

00:33:22well he told you didn't he

00:33:23he sure did

00:33:25that was my boss

00:33:26your boss says you're a fake and a liar

00:33:29the real larry doyle is sitting in his office right now

00:33:32quit kidding

00:33:35why it must be a rib

00:33:37i'm larry doyle honest

00:33:38get out of here before you tell me you're dame in runyon

00:33:41and here's one city editor you can't put anything over on

00:33:45all right

00:33:46you don't believe i'm larry doyle

00:33:48well the next time i come in i'll have the story

00:33:50maybe you'll believe that mr editor

00:33:57the charges on that call were six dollars and sixty cents

00:34:22let's see

00:34:23everything all right is everything all right listen i talked to marvin the managing editor of the news for about

00:34:28fifteen minutes told him i was larry doyle he put me on the payroll

00:34:31oh

00:34:31i'm riding on top of the world again

00:34:33oh i'm so glad larry

00:34:36riding on top of the world again

00:34:39larry

00:34:40come here

00:34:42look me straight in the eye

00:34:45are you lying to me

00:34:50me

00:34:51yeah

00:34:54i lost out

00:34:56you see and my old boss let me down

00:34:58i called him told him they didn't believe i was larry doyle he said he'd fix it he did

00:35:01he told him i was a fake

00:35:03it's kind of funny

00:35:05it's a shame

00:35:07it's just a shame

00:35:09it's all in the brakes

00:35:10but i'm not licked yet

00:35:12i'll show him

00:35:13and i'll show that jonas too

00:35:15wait a minute

00:35:16i'll go

00:35:17it might be mr clark

00:35:21i'll go ahead

00:35:22thank you

00:35:23another wire for you larry

00:35:25yeah i know it's from jonas and i don't want it

00:35:30well look here's fifty dollars

00:35:32yeah sure

00:35:33what

00:35:36what

00:35:37well what does this mean

00:35:39sorry couldn't do better

00:35:41the bones went cold at fifty

00:35:44regards

00:35:44weyland

00:35:46weeks

00:35:46and done

00:35:48now can you imagine pals like that

00:35:54hello

00:35:55hello

00:35:56hello

00:35:57if this hotel can scrape up fifty dollars get it together because i'm coming right down

00:36:01it's always a mistake to let a newspaper man get his hand on fifty dollars i told you something to

00:36:06break

00:36:07where are you going

00:36:08out to spend my inheritance money drives me crazy

00:36:16what's all this

00:36:19larry they're beautiful

00:36:21put those things down boys

00:36:22you shouldn't have done it

00:36:24rather i hadn't

00:36:25no

00:36:28oh boy

00:36:30thank you sir

00:36:33the bill has paid the managers apologizing we've got two days credit you're a sweet kid

00:36:37and we're broke again

00:36:38that's it money

00:36:39money

00:36:40money

00:36:40now where can we get a hold of some money

00:36:44i got it

00:36:54and you know where there's a good pawn shop

00:36:56i should

00:36:57everything i own is there

00:37:00what time's it close

00:37:02larry

00:37:12how much do you think they'll give you on them

00:37:14as little as possible

00:37:21i do

00:37:23how much

00:37:26what do you want

00:37:26fifty bucks

00:37:29fifty

00:37:30forty

00:37:31twenty

00:37:31best i can do

00:37:32i wouldn't sell it for less than thirty-five

00:37:34well i wouldn't pay more than twenty-five

00:37:36it's yours

00:37:52you

00:37:53sign there

00:38:02there's your money

00:38:03thank you

00:38:04your ticket

00:38:05thank you

00:38:06we're rich again

00:38:07come on

00:38:20Hello?

00:38:22This is Nate.

00:38:23Yes?

00:38:23I just got a special police 45.

00:38:25Exactly what you're looking for.

00:38:27Thanks.

00:38:27I'll be right down for it.

00:38:29$25.

00:38:30A good gambler place, I'll make it 100.

00:38:32Well, there's a trocadero.

00:38:33I hear they gamble there.

00:38:35Trocadero?

00:38:36Trocadero.

00:38:37That's the place Marvin spoke of.

00:38:39That's where we'll go.

00:38:40Larry, do you think we should?

00:38:43Listen, where they gamble, they drink.

00:38:45Where they drink, I can gamble.

00:38:47All right.

00:38:48But don't you drink.

00:38:50Certainly not.

00:38:52Maybe one or two.

00:39:10I don't know where this place got a reputation for being a live one.

00:39:14It is dead tonight.

00:39:15But it's all right with me.

00:39:20Good night.

00:39:21Hmm?

00:39:22Oh.

00:39:33Wait here.

00:39:34I'll get a cab.

00:39:45What's the matter?

00:39:46A story hop right in my lap.

00:39:47Beat it back to the hotel and wait for me.

00:40:36Keep this stuff overnight.

00:40:38Meet me tomorrow at 5.30 and be sure and be there.

00:40:45All right, get going.

00:40:53All right, let's go.

00:40:54Attention all cars.

00:40:55A holdup at the Trocadero.

00:40:57Two men killed.

00:40:58Bandit got away and opened a touring car.

00:41:00Headed west for the Trocadero.

00:41:02Bring him in.

00:41:04That is all.

00:41:05Bronson.

00:41:10Don't fly.

00:41:15Good tale.

00:41:16Tickle.

00:41:37Man and murder car seen turning south on 8th Street.

00:41:41Oh, Larry, are you all right?

00:41:42Lady, lady, have I got a story.

00:41:44Police car 17 reports.

00:41:46This bandit car did not go beyond Elm Avenue on 8th Street.

00:41:50Keep your eyes open.

00:41:52Bronson.

00:41:52What a crazy thing to do, Larry.

00:41:54They might have killed you.

00:41:55But they didn't.

00:41:59Look at that stuff.

00:42:01Boy, with a story like this, I'll make Marvin on the news do back handsprings.

00:42:05You stay here, and this time, keep your fingers crossed for luck.

00:42:07I'm going with you.

00:42:07No, you stay here.

00:42:08I'll be right back.

00:42:09You'll do nothing of the sort.

00:42:10You're not going to get away again.

00:42:11Where you go, I go.

00:42:12I'm not going to stay up in this room all by myself.

00:42:13I'm going with you.

00:42:14What did I say?

00:42:14You're going.

00:42:15Come on.

00:42:16Come on.

00:42:21Come on.

00:42:21Marvin talking.

00:42:22This is your friend the eel talking.

00:42:24I knocked over the trocadero.

00:42:26What?

00:42:31See if you can trace that call on the other wire.

00:42:34Hurry.

00:42:34It's the eel.

00:42:36Can't you hurry?

00:42:37Can't you hear me?

00:42:38That was the eel.

00:42:39It won't do you any good because you can't.

00:42:45Hello.

00:42:46Hello.

00:42:47Hello.

00:42:48Hello.

00:42:49How would you like to eel this time?

00:42:51I haven't enough on my hands.

00:42:53You're going into your dance again.

00:42:55And now you've got a partner.

00:42:56Oh, I'm not a dancer.

00:42:57I'm his wife.

00:42:58Don't bring any of your children in here.

00:43:00I'm bringing the greatest story of the year in here if you've got sense enough to grab it.

00:43:03He's a much better newspaper man than any you've got on this paper.

00:43:06He's out of his mind.

00:43:07Now get out of here, both of you.

00:43:08All right.

00:43:08I'm going over to the dispatch.

00:43:10They'll know a great story when they hear one.

00:43:11And you'll lose your job.

00:43:12Well, a feature story signed by Larry Doyle will bust this town wide open.

00:43:16But you're not Doyle.

00:43:17All right.

00:43:17Supposing I'm not, but I can turn up the eel.

00:43:19Lots of people have fallen down trying to do that.

00:43:21But they haven't seen him.

00:43:22I have.

00:43:23I'd believe anything if I could believe that.

00:43:24I'd tell you I've seen him.

00:43:25I could pick him out of a hundred men.

00:43:26Prove it.

00:43:27I will.

00:43:27But first I've got to be on the payroll.

00:43:29All right.

00:43:30I'll take a chance.

00:43:31How much?

00:43:32Never mind, Dan.

00:43:32Oh, no.

00:43:33We're not giving things away.

00:43:34All right.

00:43:35All right.

00:43:35A hundred a week.

00:43:36Get the eel and you'll get a bonus.

00:43:37It's a bet.

00:43:39Now, call up the district attorney.

00:43:40Tell him to get his men over to the Trocadero.

00:43:42We'll be there before they are.

00:43:43Get me Johnson, the district attorney, right away.

00:43:45If you're kidding me, your wife will take you home in a basket.

00:43:48Get the district attorney and make a reputation for yourself.

00:43:50Come on, Dan.

00:43:51Hello, Johnson.

00:43:52The news.

00:43:52Marvin talking.

00:43:53I've got a hot tip on the eel.

00:43:55One of my best men is on his way down to the Trocadero with the dope.

00:43:57This is hot.

00:43:59You will?

00:44:00Right away?

00:44:00Good.

00:44:01His name?

00:44:02Doyle.

00:44:04That's it.

00:44:04Larry Doyle.

00:44:07I hope.

00:44:11Now, this is what we know.

00:44:13Officer O'Brien was killed by the gunman in the car and the gunman was killed by O'Brien.

00:44:17The bullets found in their respective bodies make us certain of that, right?

00:44:21Right.

00:44:21Now, which officer found the body of Detective Riley?

00:44:24I did.

00:44:25Good.

00:44:26Was the bullet found in the body?

00:44:28Yes.

00:44:28The .45.

00:44:31Good.

00:44:32Now, how did you find it?

00:44:33I mean, which way was it lying?

00:44:35The head that way?

00:44:36The feet this.

00:44:38Now, if the body felt like that, he must have been killed by someone who stood about here.

00:44:44Sure.

00:44:45The man in the car.

00:44:46No.

00:44:47The man in the car had a shotgun.

00:44:48Now, just let us suppose that the eel comes out of this door.

00:44:53He has the money.

00:44:55He stops.

00:44:56He hears Riley.

00:44:56He turns and fires and kills him.

00:44:59He steps over to the car.

00:45:00He hands someone in the car the money and they beat it.

00:45:03Now, let us suppose that just to cover up, the eel starts back into the club.

00:45:08He still has the gun.

00:45:09It's hot.

00:45:10What does he do?

00:45:11He throws it away.

00:45:12Right.

00:45:12He throws it away.

00:45:14Now, where would he throw it?

00:45:18Here it is.

00:45:19What did I tell you?

00:45:20Give it to me.

00:45:24No doubt about it.

00:45:25It's a .45.

00:45:27I tell you, no matter how clever they are, they always leave a clue.

00:45:30Now, gentlemen, you have the gun, you have the bullet.

00:45:34And the fingerprints.

00:45:35Right.

00:45:36Now, all you have to do is find the owner of the gun and you've found the murderer and the

00:45:40eel.

00:45:42Come on, men.

00:45:43We have no time to lose.

00:45:49Larry, it's your gun.

00:45:56$26,000 in cash.

00:45:58Me left holding the bag.

00:46:01I find the killer's gun and it turns out to be my own.

00:46:04What a story.

00:46:05What a spot.

00:46:07All right.

00:46:07We're the only ones that know about the money.

00:46:09And after the gun, that would have the fingerprints of the killer, not yours.

00:46:13That's right.

00:46:15Larry, there's nothing more we can do about it tonight, is there?

00:46:18There certainly is.

00:46:19We can go down to that pawn shop and find out who got the gun.

00:46:22I've got some clothes for hours, you know that.

00:46:25Oh, that's right, too.

00:46:27Look, you're all tired out.

00:46:29Why don't you go in and get some sleep?

00:46:31Lie down and get your nerves all straightened out.

00:46:33What about you?

00:46:34You're all in yourself.

00:46:35Oh, I'm all right.

00:46:37Well, I guess you're the business manager now.

00:46:40Here.

00:46:46This is one time you need it.

00:46:47Thanks.

00:46:52You know, I nearly died when you told Marvin you were my wife.

00:46:55Nobody can call me a dancer.

00:46:58Yes, do you.

00:47:01You better get some sleep yourself.

00:47:03I will.

00:47:07Hey.

00:47:09You're cute, you know that.

00:47:12Good night.

00:47:24Well, what is it?

00:47:26It's about that eel case.

00:47:28Oh.

00:47:29Sit down.

00:47:35I'm a pawnbroker.

00:47:37Near that gambling joint where the policemen were killed.

00:47:41Go on.

00:47:42Well, I see by the paper about the gun that killed him.

00:47:45The number and so on.

00:47:48Anyhow, just before the murder, a young fellow come in to sell me that same gun.

00:47:53Well, that is interesting.

00:47:56What happened?

00:47:57I wouldn't buy it.

00:47:59Why not?

00:48:00He ain't got no identification.

00:48:03I get suspicious.

00:48:05Take his number, the gun, and his name.

00:48:10Here it is.

00:48:11Here it is.

00:48:17Larry Doyle.

00:48:19Yeah.

00:48:23Did he have a girl with him?

00:48:26Sure.

00:48:35Send in Jackson and Kelly right away.

00:48:39There's no doubt about it.

00:48:40We've got a real job on our hands.

00:48:43Right.

00:48:44Come on.

00:48:47Think the money's safe?

00:48:48Oh, sure. It's locked in the cabinet.

00:49:01Larry Doyle?

00:49:02Yes, what is it?

00:49:03The district attorney would like to see you.

00:49:05Okay.

00:49:06I've got to run over the newspaper office first, and I'll be right over.

00:49:09No.

00:49:11You better come along now.

00:49:14All right, Larry.

00:49:15You run ahead and I'll wait for you right here.

00:49:17Mm-mm.

00:49:18The district attorney said he'd like to see you, too.

00:49:24You didn't think I was really going to stay here, did you?

00:49:31Sit down, please.

00:49:33Won't you sit down, Mrs. Doyle?

00:49:41Now, convinced as I am of your analysis of the crime last night,

00:49:45I would like to make sure of some minor details.

00:49:48Which may not seem important to you, but I would like to check up on my deduction.

00:49:54Now, as I remember, your deductions were that Officer O'Brien was killed by the gunman in the car, and

00:50:02that he was killed by O'Brien.

00:50:05Now, the bullets found in the respective bodies make that positively certain.

00:50:10Right?

00:50:11Right.

00:50:12Now, there was one thing you overlooked yesterday.

00:50:16Something that we now know.

00:50:19Another man drove that murder car away.

00:50:23Find that man, and you'll find the eel.

00:50:26Well, isn't that a reasonable supposition?

00:50:28I suppose so.

00:50:29Now, check me if you see me going wrong.

00:50:33But now, Doyle, it isn't possible, is it, that for the sake of a good story, you might be withholding

00:50:40something that could be construed as, well, not as deductions, but as evidence.

00:50:45A good newspaper man never reveals the source of his information.

00:50:49Right.

00:50:50Now, for the sake of my deductions, before you tell us something about your movements yesterday, where were you from

00:51:001 to, say, 1.30 a.m.?

00:51:04Why, I was, uh...

00:51:05You interviewed Marvin at 1.20, right?

00:51:09About that.

00:51:10Where had you been just before you interviewed Marvin?

00:51:14I was, uh...

00:51:15You went to the Commodore Hotel at 1 o'clock and left there at 1.05.

00:51:20Now, that we know.

00:51:22Of course, this all may seem irrelevant to you, but it has its merits.

00:51:27At least, I think so.

00:51:30Now, where were you between the hours of 9 and 12.20?

00:51:34Oh, we went several places.

00:51:38Happened to drop in at the Trocadero?

00:51:43Yes.

00:51:44What time was this?

00:51:45Oh, cut this out.

00:51:46I'm not...

00:51:46Well, you have charge of the cloakroom, the Trocadero?

00:51:49Yes.

00:51:50Recognize this lady and gentleman?

00:51:52Mm-hmm.

00:51:53Where did you see them last?

00:51:54At the Trocadero.

00:51:55I gave this gentleman his hat and coat.

00:51:57Lady with him?

00:51:58Mm-hmm.

00:51:59Gentleman say anything?

00:52:00He remarked to the lady that our joint was a dead one.

00:52:03Lady say anything?

00:52:04She agreed with him.

00:52:06About what time was that?

00:52:07About 12.20.

00:52:09That's all.

00:52:15Boss, the district attorney has Doyle down in his office.

00:52:18All right.

00:52:18He knows how to get out.

00:52:19Not today.

00:52:20The DA's putting the screws on him.

00:52:22What for?

00:52:23Oh, I suppose to crab our story.

00:52:25Oh.

00:52:31I see.

00:52:35That hold-up occurred about the same time.

00:52:37I suppose it did.

00:52:39Are you accusing me?

00:52:40Yes, a minute, please.

00:52:46The fingerprints on the wheel and those of Mr. Doyle found in the hotel room are the same.

00:52:51That's all.

00:52:57I repeat.

00:52:59Find the man who drove that car and you'll have the eagle.

00:53:04You mean you're charging me with murder?

00:53:05I do.

00:53:07You're going to talk?

00:53:08Go on, Larry.

00:53:09Tell him what happened.

00:53:11All right.

00:53:12All this evidence you have is right.

00:53:14But I only did what any good newspaper man would do in the same spot.

00:53:17We don't even know that you are a newspaper man.

00:53:19But we do know that you are not Larry Doyle.

00:53:25What are you trying to do, Johnson?

00:53:27Run my office.

00:53:28Then lay off my paper.

00:53:29What's the deal, Larry?

00:53:31I'm charged with a trocadero murder.

00:53:33Have you gone insane?

00:53:35No.

00:53:35I'm getting smart.

00:53:37First, who is he?

00:53:38What do you mean, who is he?

00:53:39He's not Larry Doyle.

00:53:40Who said so?

00:53:41You did.

00:53:42You kicked him out once when Chicago said he was a fake.

00:53:45What do you want to do, Larry?

00:53:48Get Chicago.

00:53:49Get Jonas again.

00:53:50That's an idea.

00:53:52Get Jonas the Chicago record.

00:53:54Quick.

00:53:55And remember, it was your own idea.

00:53:59Get it.

00:54:00You're not thinking very fast today.

00:54:03Cut out the jokes, Johnson.

00:54:04They're not funny.

00:54:05Well, this call will be the...

00:54:09Hello?

00:54:11What do you want?

00:54:12Jonas, Chicago record?

00:54:14Yeah.

00:54:14This is Johnson, District Attorney of St. Louis.

00:54:18An identification.

00:54:20Hello, Jonas.

00:54:21This is Marvin again.

00:54:22The news.

00:54:23About Larry Doyle.

00:54:24Let me talk to him.

00:54:25Hello, Chief.

00:54:26I'm in a spot.

00:54:27If you fall down, I'm at this time, it's my finish.

00:54:29I got a great story, but it's backed up on me.

00:54:32My only order is to prove that I'm...

00:54:33Put that District Attorney on.

00:54:35Right.

00:54:37Johnson talking.

00:54:38Hello, Johnson.

00:54:40That's Doyle.

00:54:42Larry Doyle.

00:54:43He's a good boy.

00:54:45And you fellas stop kidding him out there.

00:54:48Well, he says you're him.

00:54:50Thanks, Chief.

00:54:52Now, are you satisfied?

00:54:54Well, I'm sure he's Doyle all right.

00:54:56And I'm also sure I'm holding him for murder.

00:54:59Come on.

00:55:00Let me in on this.

00:55:01Well, here it is.

00:55:02Besides all this evidence, Doyle was the driver of the murder car.

00:55:06Part of the story.

00:55:08Are you right, Larry?

00:55:09If you'll stick with me.

00:55:10That's good enough for me.

00:55:11We'll crack this story wide open.

00:55:13Come on, kid.

00:55:14No, no.

00:55:15He's going to stay right here.

00:55:17You'd hold up my paper?

00:55:19Well, I've got to handle my end, too, you know.

00:55:21I'm guaranteeing him.

00:55:22If you give me 24 hours, I'll produce Eel.

00:55:24No.

00:55:25You won't take my guarantee.

00:55:26No.

00:55:27I see.

00:55:28Well, maybe I don't pack the wallet.

00:55:30Give me Forrest, 6370.

00:55:32If the managing editor can't talk sense to you, maybe the owner can.

00:55:35Now, wait a minute.

00:55:35Wait a minute.

00:55:36That's all, men.

00:55:37Hello.

00:55:38Hold it a minute.

00:55:39There's no need of calling him in.

00:55:41Oh, yes.

00:55:42He'll tell you things I haven't a heart to.

00:55:44Oh, now, gentlemen.

00:55:45We can be reasonable.

00:55:47Do I get 24 hours for Doyle?

00:55:50I'll play with you.

00:55:52Cancel the call.

00:55:53Now, keep your men out of this.

00:55:54Doyle gets a free hand.

00:55:55Are we set?

00:55:56I guess so.

00:55:57What?

00:55:58Yes.

00:55:59Come on, kids.

00:56:03Larry, what was it that man said to you last night when he handed you the bag?

00:56:07We said, keep this and meet me tomorrow at 5.30.

00:56:09But that doesn't make sense.

00:56:11No, but this does.

00:56:12Let's get to that pawn shop.

00:56:13No cops will stop us this time.

00:56:16Larry, look.

00:56:20There's your 5.30.

00:56:35I'll redeem this.

00:56:46What's the matter?

00:56:47Can't you read your own handwriting?

00:56:48Everything's blurred.

00:56:50Just get me the gun.

00:56:53Jake handles this.

00:56:55Come back in half an hour.

00:56:56Yeah?

00:56:56Do I get the gun or do I come over the counter after you?

00:57:06And don't reach under there.

00:57:13Maybe it's in the safe.

00:57:14I'll see.

00:57:15So will I.

00:57:24Oh, I forgot.

00:57:26Jake's got the combination.

00:57:27Quit stalling.

00:57:27I'm not.

00:57:28No?

00:57:29No.

00:57:29No getting tough.

00:57:30I tell you, I haven't got it.

00:57:32Of course you haven't.

00:57:34Who'd you sell it to?

00:57:35I can't remember.

00:57:37What?

00:57:39Three.

00:57:41What'd you do with that gun?

00:57:42Come on, tell me.

00:57:43You.

00:57:51He's out.

00:57:55You hear me?

00:57:56Wake up.

00:57:57There's somebody outside.

00:57:58Quick.

00:57:58Give me something to get them with.

00:58:07Open that door.

00:58:11Get that gun.

00:58:23You guard him.

00:58:25I'll get rid of the customer.

00:58:36It's the eel.

00:58:42What can I do for you?

00:58:45Well, I'd like to see something in revolvers.

00:58:48Anything special?

00:58:50Yes.

00:58:51A police special .45.

00:58:56I'm afraid we haven't any of those in stock.

00:58:59Well, the district attorney has.

00:59:02Really?

00:59:02So the papers say.

00:59:05What have you got in bags?

00:59:08Bags?

00:59:09Yes.

00:59:10With money and jewelry in them.

00:59:13Come on.

00:59:14Get wise, Doyle.

00:59:15Maybe the district attorney has that too.

00:59:17Oh, that's just too bad.

00:59:20Get over there.

00:59:24We're going in and call on Nate.

00:59:29I'm giving you another headline story, Doyle.

00:59:32But you won't write it.

00:59:35Nate!

00:59:36Nate!

00:59:40All right, Doyle.

00:59:42I'm giving you three to tell me where that bag is.

00:59:46Where is it?

00:59:48One.

00:59:50Where is it?

00:59:52Two.

00:59:55Where is it?

00:59:58Good morning.

01:00:05Where is it?

01:00:06Two.

01:00:14Two.

01:00:15Two.

01:00:16One.

01:00:17Three.

01:00:17Two.

01:00:19Three.

01:00:51Well, it's Larry Doyle, the boss and old man.

01:00:56Larry, what's the matter?

01:01:01Well, tell me, what is it?

01:01:05Oh, Larry, what's happened?

01:01:09After all the nice things that have happened, now comes the earthquake.

01:01:13Oh, goodness, Larry, what's happened?

01:01:16Didn't you read it? In all the write-ups, they call you Mrs. Doyle.

01:01:21Is that all that's worrying?

01:01:23Is that all?

01:01:26Well, we're not married.

01:01:28So?

01:01:29But don't you understand?

01:01:31Now you'll have to marry me.

01:01:35Wouldn't that be awful?

01:01:37What?

01:01:47Myков

01:01:48Myav

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