00:00Anne, I thought your scenes where you were just like one-on-one with Matt or Tom or Rob were
00:04some of the most powerful in the movie.
00:06And then I read that you're holding these moments while they're reloading the IMAX cameras.
00:11Yes.
00:11Can you like walk me through that? What is that like?
00:14Thank you, by the way. Those are, that's an amazing thing to hear.
00:17I don't know how to, it's this crew.
00:19Like it's so nice of you to say like how do I hold it, but it was everybody.
00:23And I remember turning to you at one point, maybe I have it on my mind,
00:27but I remember we were doing a really emotionally intricate scene and we were kind of getting more and more
00:32open with every take.
00:33And I remember thinking, gosh, these rooms can, when you're acting in them, they can often feel like a birthing
00:38suite.
00:39Like, you know, like just a room where something is being born.
00:42And so you don't want to speak too loudly.
00:45And where else would you ever want to be? It's a joy to be present in that.
00:49It's not going to last forever.
00:50So I just kind of went with it and fought, suppressed every instinct I had to crack a joke.
00:55I was going to say, how do you not break?
00:56Chris is a good reason not to break.
00:58If he does, if he breaks, you can break, but not before him.
