- 13 hours ago
Category
🎈
FunTranscript
00:00:27Hi, we're good for this.
00:05:16John...
00:05:23John...
00:05:24John...
00:05:36John...
00:05:47John...
00:06:33John...
00:06:37John...
00:07:03John...
00:07:07...
00:07:16John...
00:07:18John...
00:07:19John...
00:07:49John...
00:07:57John...
00:07:58John...
00:08:20John...
00:08:50John...
00:08:53John...
00:09:22John...
00:09:27John...
00:09:33John...
00:09:56John...
00:10:03John...
00:10:12John...
00:10:21John...
00:10:25John...
00:10:45John...
00:10:46That's when I had the misfortune of finding a completely useless husband.
00:10:53I have records right down to the last penny I've invested.
00:10:57Stop that!
00:11:01Better listen to me carefully, John Harrington.
00:11:06I will never give you a divorce.
00:11:08Never.
00:11:10Do you understand?
00:11:11Never.
00:11:12As you wish, Mildred.
00:11:15I won't insist.
00:11:16John.
00:11:18Dr. Calloway has invited me to a seance tonight.
00:11:23I want you to come with me.
00:11:27Are you trying to communicate with your first husband?
00:11:31If he was really as intelligent as you say he was, I don't think you'll be able to manage it.
00:11:36At least while he was alive, he was a man.
00:11:39But you.
00:11:41How easily one is deceived by appearances.
00:11:45I could compete with your deceased husband easily.
00:11:50If it was worth the trouble.
00:11:51I don't know.
00:11:53I don't know.
00:11:56I don't know.
00:12:08I don't know.
00:12:16I don't know.
00:12:38I don't know.
00:12:41I don't know.
00:12:59I don't know.
00:13:09I don't know.
00:13:10I don't know.
00:13:12I don't know.
00:13:31I don't know.
00:13:41I don't know.
00:13:44I don't know.
00:13:45You'll report to Miss Louise.
00:13:46All right.
00:13:47She'll show you the routine.
00:13:52Welcome to Harrington and Company.
00:13:54I hope you'll enjoy working with us.
00:13:55I hope so.
00:14:24I hope so.
00:17:56We are congregated here with our remorse, our hates, our loves, our unspeakable desires,
00:18:08and I summon ye the ones who can still feel pity for those of us alive here.
00:18:16I begin to perceive some kind of message with increasing intensity.
00:18:21This room is being filled with pity, with forgiveness, with compassion.
00:18:27Who are you?
00:18:28Whom do you seek?
00:18:49Oh, John, behave yourself.
00:18:56Oh, John.
00:19:04John, I love you, John, I love you, John.
00:19:18Ah!
00:19:20Ah!
00:19:21Ah!
00:19:22Ah!
00:19:51I loved you so much.
00:19:54Thank you so much, John.
00:19:59Stop it! Stop it!
00:20:11Good morning, Mr. Harrington.
00:20:14Good morning, Inspector Russell.
00:20:18Do you want to ask me some more questions?
00:20:21I'll do anything I can to help you.
00:20:24Only I'm afraid I've told you all I know.
00:20:26Just passing this way?
00:20:28I thought I'd drop in and pay my respects.
00:20:30This place fascinates me.
00:20:33It's only a hothouse.
00:20:36I'm attracted to everything that is an alteration of nature.
00:20:40Like the brain of a mental patient.
00:20:42Even that must be something like your hothouse.
00:20:45Don't you agree?
00:20:48A curious analogy, Inspector.
00:20:51An impressive atmosphere.
00:20:54Flowers that are strange.
00:20:56And the birds of crime fluttering about in his brain.
00:21:04A special hybrid.
00:21:09Heat.
00:21:10And watering.
00:21:14And the right fertilizer.
00:21:17We've drawn a blank regarding those murders.
00:21:19In less than a year there were three women killed.
00:21:22And on their wedding night.
00:21:24Not to mention the four missing.
00:21:25Maybe their husbands weren't too keen about marriage.
00:21:28Oh, I can accept any crime.
00:21:30If I can understand the human impulse that motivated it.
00:21:34When you're dealing with a demented mind.
00:21:39Why do you say that?
00:21:41Is there another possibility?
00:21:42A madman can also have good reasons.
00:21:45For him.
00:21:47But I'm sure in the dark.
00:21:49That's the advantage the criminal has.
00:21:51He operates without logic, you see.
00:21:55Who knows who his next victim will be?
00:21:58More than 200 couples.
00:22:00Get married in Paris every day.
00:22:12The leaves you burn here.
00:22:15Yes.
00:22:16Only leaves.
00:22:20Have you had any word from Rosie Miller?
00:22:24No, she left without notice.
00:22:30Look at these lovely flowers, Inspector Russell.
00:22:33They're beautiful, aren't they?
00:22:36Yeah.
00:22:37Rosie was also quite beautiful.
00:22:41But Inspector.
00:22:43She wasn't planning to get married.
00:22:47At least she wasn't just before she left.
00:22:56I think I've mentioned before that girls who work in fashion are beautiful and ambitious.
00:23:01Husbands sometimes buy the garments for their wives and use the models for themselves, if you understand.
00:23:07Thanks.
00:23:08That's it.
00:23:09Y'all get the same photographs in color.
00:23:11Yeah, okay.
00:23:14Do you think Rosie is taking a secret vacation?
00:23:17Why not?
00:23:20Beautiful.
00:23:24Yeah.
00:23:33Miss Wood.
00:23:37Excuse me.
00:23:38This is Helen Wood.
00:23:39She filled the vacancy left by Rosie's departure.
00:23:44Inspector Russell, I'd like to introduce you to Miss Helen Wood.
00:23:47It's a pleasure, Miss Wood.
00:23:48There ought to be a law against pretty models going away without leaving a forwarding address.
00:23:53I'm not going anywhere.
00:23:55Miss Wood.
00:23:56I'll have to leave you.
00:24:13these husbands of your clients are a very fortunate men indeed.
00:24:21oh I may have to trouble you again just routine is that right inspector
00:24:33simply routine oh inspector don't worry about those girls I'm sure you'll find them
00:25:06Mr. Harrington
00:25:12Mr. Harrington I wanted to notify you that
00:25:17I'm going to have to quit working for you why because I'm getting married
00:25:30I want you to stay after the other girls leave tonight
00:25:46come on come on hurry up
00:25:49what are you doing tonight have an appointment
00:25:55see you in the morning good night
00:26:08is
00:26:12I
00:26:21I
00:26:23I
00:26:27I
00:27:59Choose whatever dress you like.
00:28:01It will be my wedding gift.
00:28:16Go ahead, choose one.
00:28:35This is the prettiest, isn't it?
00:28:36Put it on.
00:28:38Now?
00:28:39Yes.
00:28:41Now.
00:28:44I want to see you in your wedding dress.
00:28:48As if tonight really belonged to us.
00:29:16A woman should live only until her wedding night.
00:29:18Love once and then die.
00:29:51I want to see you in your wedding dress.
00:29:53I want to see you in your wedding dress.
00:29:53I want to see you in your wedding dress.
00:30:53Do you hear those footsteps?
00:30:57Someone is tiptoeing inside my brain.
00:31:01Who?
00:31:02Why do I hear those footsteps?
00:31:09John!
00:31:11John!
00:31:43Now you'll turn into another woman.
00:31:48And I'll find out a little bit more.
00:31:53Why that woman keeps calling my name.
00:31:57Why there's so much pain in her eyes.
00:32:01And I'll see her features more clearly.
00:32:05Each time, more clearly.
00:32:09John!
00:32:11John!
00:32:14John!
00:34:51Don't you smell something burning?
00:35:02John, what do you find so interesting in the newspaper that you forgot the toast?
00:35:10Don't do that, Mildred.
00:35:11You know what bothers me.
00:35:21I was only trying to make your toast edible.
00:35:28Did I tell you I received a letter from my cousin Gladys?
00:35:32No.
00:35:37Aren't you going to ask me what she said in it?
00:35:40You're going to tell me anyway.
00:35:43She's not feeling well and she asked me to pay her a visit to keep her company.
00:35:51So, if you have no objections, I'll go tomorrow.
00:35:54I have no objections.
00:35:57Of course you have no objection.
00:36:00For a whole week you can pretend you're divorced.
00:36:04But I promise you, I will come back, my dear.
00:36:18You can be certain of that.
00:36:41You can be certain of that.
00:36:44You can be certain of that.
00:36:55Hello, Mr. Harrington.
00:36:58Hello. What are you doing here?
00:37:02What do you think I'm doing?
00:37:04I could tell you I knew your wife was going away.
00:37:07I've come because I wanted to be alone.
00:37:10I might be a model whose sole purpose is to capture her boss.
00:37:14Or Rosie Miller's sister, for example, who wants to ask you,
00:37:18what did you do with my sister, Mr. Harrington?
00:37:22As a matter of fact, I...
00:37:25I killed her, raped her, and buried her in the hothouse.
00:37:33Must have been marvelous.
00:37:36What motive would you prefer to have brought me here?
00:37:41The real one.
00:37:44That'll be the most interesting.
00:37:48Are you really Rosie's sister?
00:37:55Would it matter to you if I were?
00:37:59No.
00:38:00How often have you been unfaithful to your wife?
00:38:03Three, four times?
00:38:06You ask a lot of questions.
00:38:10That's the only way that you're like other women.
00:38:13The only way.
00:38:16There's something different about you.
00:38:20I don't know exactly what it is.
00:38:24Perhaps your eyes.
00:38:28are your skin.
00:38:31But for me, you're different from any woman I've ever known.
00:38:35I'm just an ordinary girl.
00:38:36I adore luxury.
00:38:37I'm terribly lazy.
00:38:39And I like to amuse myself doing crazy things.
00:38:42Oh?
00:38:43What kind of things?
00:38:44Well, I just turned 23 and I've had several lovers.
00:38:49How many lovers have you had?
00:38:51How many lovers have you had?
00:38:51Oh, I never counted them.
00:38:53Not many.
00:38:57Why aren't you happily married?
00:39:02Every man needs women for different reasons.
00:39:05Apart from love.
00:39:07Apart from love?
00:39:09Why do you need them?
00:39:14Perhaps to find out something about myself.
00:39:18Well, you know, I could help you find out about yourself.
00:39:22I wouldn't want to...
00:39:25to use you in that way.
00:39:34I don't want to harm you.
00:39:36I know how to take care of myself.
00:39:39Do you live here?
00:39:42Yes, I do.
00:39:42Alone.
00:39:45Well, good night, Ellen.
00:39:50Do you mind if I ask you another question?
00:39:53No.
00:39:54Why haven't you kissed me yet?
00:40:16Do you?
00:40:17Yes, I do.
00:40:36Are you okay, let's take care of yourself.
00:40:37All right.
00:40:37I'll see you soon.
00:40:39Meet.
00:40:43Please, Mary, come away from here.
00:40:46Come with me.
00:40:47He'll be all right.
00:40:48No.
00:40:51Please.
00:40:53I beg you to come.
00:40:54I can't leave you here.
00:40:56I don't want to leave you here.
00:40:58Listen, Mary, she knows best.
00:41:01No.
00:41:03You've got to understand.
00:41:05It's for your own good.
00:41:06You must.
00:41:07I don't want to understand anything.
00:41:13All I know is that he's going to be hard.
00:41:23It was the only thing I ever loved in the world.
00:41:26Let's go.
00:41:27Let's go.
00:42:24I'm not a ghost, my dear.
00:42:27I took the first plane back.
00:42:35I wanted to surprise you, and apparently I did.
00:42:42Where have you been?
00:42:44With some woman?
00:42:47What were the two of you doing?
00:42:50Did you tell her how much you loved your mother?
00:42:53Mildred.
00:42:57Did you think I was going to leave you here alone?
00:43:06I think that he's a telegram saying I wasn't coming.
00:43:09I don't intend to leave you here alone for a week.
00:43:12Do you hear?
00:43:13Don't even bother dreaming about it.
00:43:15Are you listening?
00:43:17Not a week.
00:43:18Not a day.
00:43:19Not even a minute.
00:43:19I'll always be here at your side, whether you like it or not.
00:43:23Always.
00:43:24Always.
00:43:25Always.
00:44:00Why do we torture each other?
00:44:04Who's torturing whom?
00:44:07There was a time when we were, we were happy.
00:44:13Before we got married, to be exact.
00:44:16We laughed together.
00:44:19Made plans.
00:44:22Had dreams.
00:44:25But you were never my husband.
00:44:28I know, but I wanted you so much.
00:44:33John.
00:44:39Something happened.
00:44:41Right on a wedding night, I, I heard those footsteps.
00:44:47What footsteps?
00:44:49Mildred, I know I should have done something that night.
00:44:54But, I was afraid.
00:44:57John.
00:44:58John, don't leave me like this.
00:45:01Have pity, darling.
00:45:03Don't leave me.
00:45:04I'll be back in a minute.
00:45:07I promise.
00:45:09I promise.
00:45:47John.
00:45:49John.
00:46:09Mildred, you don't want to separate from me, and I don't want you around my neck.
00:46:18What other solution is there? I hated these last years with you, and now, finally, it'll be all over.
00:46:29But why? Why?
00:46:31I think it's necessary. It's inescapable. I'm sure of it.
00:46:48No! No!
00:47:06John! John!
00:47:10John!
00:47:48John!
00:47:50John!
00:47:51Ah!
00:47:51Ah!
00:47:53Ah!
00:48:27All right, where is she where is she where's who Alice Norton I know she's in this house with you
00:48:34Alice Norton is mr. Kane's fiancee we heard a woman screaming screaming yes we certainly heard
00:48:43Oh inspector you're allowing yourself to be influenced by a very impressionable young man
00:48:48I'm surprised at you it's not worthy of you you know
00:48:57no no don't touch me leave me alone
00:49:20were these the screams you heard very interesting you like horror films do you
00:49:27I don't find them very entertaining I keep thinking that reality is more terrifying than fiction
00:49:35wouldn't you agree another strange disappearance of one of your models mr. Harrington Alice Norton
00:49:43who hasn't been seen in a week since she works at your fashion house and no one saw her leave
00:49:49well
00:49:49I thought you might be able to help me logical no it's hard to believe she wouldn't leave word with
00:49:58someone Alice Norton and Jimmy Kane were to be married before long did you know that mr. Harrington
00:50:07your visits are becoming too frequent inspector they begin to annoy me if you wish to continue
00:50:14this investigation you'll have to make a formal charge against mr. Harrington so you don't know
00:50:19anything about her no I must apologize it was a misunderstanding isn't that so mr. Kane I think so
00:50:39it's very cold tonight isn't it yes quite cold hmm it's curious you seem to be sweating very curious
00:51:08about you
00:51:24I'd like to say
00:51:24my定義
00:51:24but
00:51:24I'm
00:51:37Oh, my God.
00:52:15Oh, my God.
00:52:42Oh, my God.
00:53:08Oh, my God.
00:53:13Why did they kill Mommy?
00:53:19Who did it?
00:53:21I want to know who did it.
00:53:30John...
00:53:31John...
00:53:33John...
00:53:47John...
00:53:49John...
00:53:49John...
00:53:57John...
00:54:18John...
00:54:28John...
00:54:29John...
00:54:48John...
00:54:49John...
00:54:53John...
00:55:04John...
00:55:05John...
00:55:14John...
00:55:18John...
00:55:28John...
00:55:29John...
00:55:31John...
00:55:44John...
00:55:45John...
00:55:46John...
00:55:57John...
00:55:59John...
00:56:14John...
00:56:15John...
00:56:16John...
00:56:43John...
00:56:54John...
00:56:58John...
00:56:59John...
00:57:01John...
00:57:01John...
00:57:13John...
00:57:16Model 15. Awakening. This one is a nightgown of fine Dutch tool, worn with slippers trimmed in swan style.
00:57:25Excuse me for a moment, won't you ladies?
00:57:28Model 18. Orange flowers. An enchanting ensemble in natural silk and delustered satin.
00:57:36The shoes are buckles. And what brings you here?
00:57:40Used to be when marriage for a woman was a simple problem of finding success or failure.
00:57:45Now she also has a simple problem of keeping alive.
00:57:48Now which of those wedding gowns will the next victim be wearing?
00:57:52This one? That one? I wouldn't know.
00:57:57I made a routine call to the television station.
00:58:00I asked them to show me the film that was playing that night that we showed up and invited at
00:58:04your house.
00:58:06Strange. But nobody screamed before that scene we saw when you turned on the TV in front of us.
00:58:12Interesting, huh?
00:58:14That's very interesting.
00:58:17Yeah. Oh, would you like me to tell you my plan for trapping the murderer?
00:58:24If you want to.
00:58:25Just patience. Only that. Just patience.
00:58:30Right now all I can do is wait. But it won't be very long until I'll be able to burst
00:58:34this bubble.
00:58:35Good day. Good day, Inspector.
00:58:39A short dress whose top is completely ruffled in handmade lint.
00:58:45The ruffles are repeated at the head.
00:58:52A bore, wouldn't you say? My mother still thinks these things are important.
00:58:57And you don't think so?
00:58:59If only girls who deserve these dresses wore them, you would go bankrupt.
00:59:03Do you deserve one?
00:59:04Certainly not.
00:59:05You don't really think that I'm a lily white virgin, do you? I'm my own boss.
00:59:11I hope you're going to be present at my wedding. You are?
00:59:13Sure, why not?
00:59:17He must like you and that's something. He's very nervous.
00:59:21And very lucky.
00:59:31What's wrong with your mother? She's talking to herself.
00:59:36Are you blind? She's with your wife.
00:59:49Mildred?
00:59:56Mildred?
01:00:01Mildred, where have you gone to?
01:00:11Mildred?
01:02:33I'll never leave you, John.
01:02:36Never.
01:02:38Everyone will see me except you.
01:02:41By your side as always.
01:02:46Always, John.
01:02:51Always by your side.
01:02:56They'll say we're a perfect couple.
01:03:10Always together.
01:03:13Always together.
01:03:15Always.
01:03:45Oh, we're here.
01:03:45We're here.
01:03:45Have a good day.
01:03:45Oh, my God.
01:04:15Oh, my God.
01:04:46My incinerator is too much.
01:04:50Even too much for you, Mildred.
01:04:55I think now you'll leave me in peace.
01:05:03Won't you, Mildred?
01:05:17I hope that finally you're happy.
01:05:21See, you wanted to be with me, dear.
01:05:25Always.
01:05:28You said so yourself.
01:05:57Yes, sir?
01:05:58A whiskey, please.
01:06:03Would you like something, dear?
01:06:06A whiskey for you, monsieur, and a sherry for madame.
01:06:08Oh, my God.
01:06:59Here's to us, Mildred.
01:07:12Would you like to come home with me?
01:07:14You have company.
01:07:18She won't disturb us.
01:07:22We'll go to my house.
01:07:24The three of us.
01:07:26My wife will see something she won't ever forget.
01:07:29Not even in hell.
01:07:32You rotten pervert!
01:07:34Who do you think you are?
01:07:35Falling out of here is something.
01:07:37Nothing but a pervert.
01:07:40Okay, let's take this one.
01:07:50Here's your bag.
01:08:05Let's go.
01:08:10Let's go.
01:08:20Come?
01:08:21Come here.
01:08:27Come here!
01:08:28Come here!
01:08:46Oh, my God.
01:09:04Oh, my God.
01:09:42Oh, my God.
01:10:00Oh, my God.
01:10:56Oh, my God.
01:10:59Oh, my God.
01:11:37Oh, my God.
01:12:01I was in the fitting room and I saw you come up here.
01:12:04May I come in?
01:12:05Yes, of course.
01:12:17Come closer, Helen.
01:12:23When I was a little boy, this was my room.
01:12:26We've all had a room like this, and then it gets lost, this room of memories.
01:12:34But you've kept yours beautifully.
01:12:36Yes, the memories do float about somewhere.
01:12:44You managed to preserve them very well.
01:12:53Get out of here, Helen.
01:12:55John, are you ill?
01:12:58Hmm, I'm coming to the end of a long road.
01:13:04Our minds get so tired of suffering, of suffering so, I've got to find out.
01:13:17There's only a little way to go, only one step more, and I'll have found out everything.
01:13:29Only one step more, the last Helen.
01:13:50You're dead, you're dead.
01:13:54Yeah.
01:13:56I'm coming to the end of a long road.
01:14:01I'm coming to the end of a long road.
01:14:19Oh, my God.
01:14:32Oh, my God.
01:15:10Oh, my God.
01:15:40Oh, my God.
01:15:56Oh, my God.
01:16:00Oh, my God.
01:16:03Oh, my God.
01:16:04Oh, my God.
01:16:06Oh, my God.
01:16:07Oh, my God.
01:16:09Oh, my God.
01:16:37Oh, my God.
01:17:07Oh, my God.
01:17:49Oh, my God.
01:18:02Oh, my God.
01:18:04Oh, my God.
01:18:22Oh, my God.
01:18:59Oh, my God.
01:19:04Oh, my God.
01:19:31Oh, my God.
01:19:31Oh, my God.
01:19:35Oh, my God.
01:19:37Oh, my God.
01:19:43Oh, my God.
01:19:48Oh, my God.
01:19:48Oh, my God.
01:19:48Oh, my God.
01:19:54Oh, my God.
01:20:00Oh, my God.
01:20:04Oh, my God.
01:20:05Oh, my God.
01:20:07Oh, my God.
01:20:10Oh, my God.
01:20:22The End
01:20:52The End
01:21:18The End
01:22:02John
01:22:19That's dead
01:22:49John
01:23:07I never wanted to harm you, Helen. No, I didn't. But I must fit that last piece into
01:23:15the place. I must know who did it.
01:23:35John! John! John!
01:23:40John!
01:23:41John!
01:23:41John!
01:23:41John!
01:23:46John!
01:23:47John!
01:23:48John!
01:23:49John!
01:23:55John!
01:23:55John!
01:23:55John!
01:23:55John!
01:23:56John!
01:24:04John!
01:24:07John!
01:24:09John!
01:24:09John!
01:24:12John!
01:24:14John!
01:24:20John!
01:24:28John!
01:24:30John!
01:24:32John!
01:24:32John!
01:24:36John!
01:24:37John!
01:24:38John!
01:24:38John!
01:24:41John!
01:24:42John!
01:24:43John!
01:24:43John!
01:24:43John!
01:24:43John!
01:24:43John!
01:24:43John!
01:24:43John!
01:24:43John!
01:24:43John!
01:24:44John!
01:24:44John!
01:24:44John!
01:24:44John!
01:25:01John!
01:25:03John!
01:25:07John!
01:25:09John!
01:25:12John!
01:25:14John!
01:25:16John!
01:25:16John!
01:25:18John!
01:25:20John!
01:25:21John!
01:25:23John!
01:25:28John!
01:25:29Let's go, Inspector.
01:26:24Let's go, Inspector.
01:26:53Good evening, John.
01:26:55At first, you couldn't see me.
01:26:57And now nobody will see me except you.
01:27:02And we'll always be together.
01:27:05At first, in the insane asylum,
01:27:08and then in hell for eternity.
01:27:12No.
01:27:14Go away.
01:27:17I don't want you with me.
01:27:20No.
01:27:22No!
01:27:23Let me go!
01:27:25No, no! Make her go!
01:27:27Make her go!
01:27:30I'm back here.
01:27:31I killed her once.
01:27:32I don't want to have to kill her again.
01:27:35No.
01:27:36No!
01:27:36No!
01:27:37No!
01:27:38No!
01:27:48No!
01:27:49No!
01:27:51No!
01:27:53No!
01:27:56No!
01:28:00No!
01:28:02No!
01:28:06No!
01:28:07No!
01:28:08No!
01:28:09No!
01:28:10No!
01:28:12No!
01:28:12No!
01:28:14No!
01:28:15No!
01:28:16No!
01:28:16You