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- 6 days ago
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00:00:00Previously on Signora Volpe
00:00:04Welcome home.
00:00:05You sound surprised.
00:00:07You've never exactly stayed anywhere very long, have you?
00:00:12Hello, stranger.
00:00:15Missed you.
00:00:16I've missed you too.
00:00:18Sylvia's happy and settled for the first time in her life.
00:00:22Sylvia used to be a spy.
00:00:24Adam Haynes. I used to be married to him.
00:00:27You were born for the service, Sylvia.
00:00:30Why do you always look for trouble?
00:00:34Rafaela.
00:00:36So, what do you need?
00:00:38Nothing fancy.
00:00:40Someone from Sylvia's past has tracked her down and abducted her.
00:00:44No!
00:00:45Where's my money, Sylvia?
00:00:49He was going to kill me.
00:00:52Hi, Adam.
00:00:53I have to know the truth.
00:00:55I have to know the truth.
00:00:56I have to know the truth.
00:00:59I have to know the truth.
00:01:00I do the truth.
00:01:02I have to know the truth.
00:01:24I'm looking for help.
00:01:25I don't know.
00:02:16I don't know.
00:02:25It's like a my garden.
00:02:26As I may have mentioned, you need a new fence.
00:02:30Well, I'll call Cesare.
00:02:33He'll sort you out.
00:02:35Okay.
00:02:35Thanks.
00:02:37Coffee?
00:02:39Definitely.
00:02:49I've been invited to a party.
00:02:53Oh, yes.
00:02:54The wine launch at Tenuta, Celeste.
00:02:56That's great.
00:02:57We're going too.
00:02:58But it's tonight.
00:03:00So?
00:03:01You busy?
00:03:02I thought Giovanni was still away.
00:03:04Why should that make a difference?
00:03:08But I don't know who invited me or why.
00:03:10Well, who cares?
00:03:12It should be fun.
00:03:13Anyway, I've got to go.
00:03:15We'll come by around five.
00:03:17Great.
00:03:18Thanks, Isabel.
00:03:19Well, I'll go.
00:03:53So, which one is Santa Lazzarini?
00:03:55He is the one over there on the terrace.
00:04:02Doesn't look as if he's enjoying his party very much.
00:04:05No, nerves, probably.
00:04:06It's a big day for him.
00:04:07To nurture Celeste's first biodynamic vintage.
00:04:11Wasn't that basically just organic farming?
00:04:13No, it's more than that.
00:04:14It's about cultivating grapes in tune with the cosmos.
00:04:19Burying cow horns to fertilize the soil.
00:04:22And harvesting when the moon is right.
00:04:25Santa's made some big changes since he took over,
00:04:27and there are some who'd be glad to see him fail.
00:04:34Who's that woman with Mateo?
00:04:37That is Paola.
00:04:38That's Santo's aunt.
00:04:40Except she's more like his mother, really.
00:04:42What happened to his actual mother?
00:04:43Took off when he was little.
00:04:45Vile husband who made her life hell,
00:04:48and then wouldn't let her take the kids with her when she left.
00:04:51She died a few years ago.
00:04:52Hey.
00:04:53Hey, Isabel.
00:04:54Thank you so much for coming.
00:04:56Hey, this is my sister, Sylvia Fox.
00:04:59Sylvia, this is Flora Lazzarini, Santa's sister,
00:05:04and mistress of the graves.
00:05:07Great to meet you, Sylvia.
00:05:09And you.
00:05:10Paola!
00:05:11Che bello vederti!
00:05:13Mwah!
00:05:14Mwah!
00:05:31Do you know what it is, Signora?
00:05:33It's a moon dial, isn't it?
00:05:36There's one like it in Cambridge.
00:05:37Yes.
00:05:38I had it copied to celebrate the new vintage.
00:05:42Some of the paint is still wet, so be careful.
00:05:46It's beautiful.
00:05:49But don't you have to be really good at sums to make any sense of it?
00:05:53I'm a mathematician, or was.
00:05:57Santo Lazzarini.
00:06:01How does a mathematician become a winemaker?
00:06:05I tried my best not to for a long time.
00:06:08When my father died, I used to live in America.
00:06:13I wasn't expecting him to leave Tenuta Cholesa to me.
00:06:17And wasn't happy about it.
00:06:20But I've tried my best.
00:06:23And it appears you've succeeded.
00:06:28How can I help you, Santo?
00:06:31I think someone is trying to kill me.
00:06:36What makes you think that?
00:06:39Things that have happened.
00:06:41Of course, they could be accidents, but...
00:06:43You don't believe they were?
00:06:45There's been too many, and...
00:06:48I'm afraid.
00:06:51Well, then you should go to the Carabinieri.
00:06:54I think the person responsible is someone close.
00:06:58You know who it is.
00:07:00Not for sure.
00:07:02But before I confront them, I need proof.
00:07:04And I want you to find it for me.
00:07:07Santo?
00:07:09Santo!
00:07:10I've been looking all over for you!
00:07:13Sorry for interrupting Darius Jefferson.
00:07:16Santo's husband.
00:07:17Sylvia Fox. Hello.
00:07:19Glad to meet you, Sylvia.
00:07:21Santo, we need you.
00:07:23It's time to open up the first bottle, and Flora's getting antsy.
00:07:26Of course.
00:07:28Will you come back tomorrow and finish the tour?
00:07:31Okay.
00:07:32Ten o'clock?
00:07:33Perfect.
00:07:54Thanks, if you are a song.
00:07:54You're listening today.
00:07:55You're listening?
00:08:10I'm haciendo a song.
00:08:10I'll be listening.
00:08:10We'll be listening to this.
00:08:10Bye-bye.
00:08:11Bye-bye.
00:08:11Bye-bye.
00:08:11Bye-bye.
00:08:12Bye-bye.
00:08:18Bye-bye.
00:08:31Thank you all for coming here today, and a special thanks to our guest of honor, Randall
00:08:37Wilkin, wine critic of New York's Epiker magazine.
00:08:42My father used to say that we Lazzarini's don't have blood in our veins, but red wine.
00:08:49We will now see if he was right.
00:08:52Randall is going to taste our new vintage, and if he doesn't spit it out, you can all
00:08:56have some.
00:09:19Thank you, Randall.
00:09:22Looks like I'm here to stay.
00:09:24Congratulations.
00:09:31You did it.
00:09:36I knew you could.
00:09:46No, mamma, ti prego, non fare scenate.
00:09:48No, ti prego.
00:09:49Lascia perdere, per favore.
00:09:51Uh-oh.
00:09:52Now there'll be trouble.
00:09:56Who's that?
00:09:57Grazione Lazzarini.
00:09:59The other sister.
00:10:01Aspetta.
00:10:14Grazie.
00:10:15Please.
00:10:17Grazie.
00:10:25Grazie.
00:10:29Please.
00:10:44Your wine is piss.
00:10:47Graziana, you know it's not true.
00:10:49Go home, Graziana.
00:10:51You're making a fool of yourself.
00:10:52This was my home.
00:10:56Until it was stolen from me.
00:11:00Aurelio!
00:11:01Andiamo!
00:11:02Non è a posto per noi questo.
00:11:03Dai!
00:11:05Dai.
00:11:05Vai contornarmi, caro.
00:11:07Dai.
00:11:07Dai.
00:11:12Stai bene?
00:11:13Sì.
00:11:14Vai tu a controllare, Grazia.
00:11:16Certo.
00:11:20Will someone please tell me what all that was about?
00:11:22Graziana and Flora Lazzarini worked at Tenuta Celeste from when they were teenagers.
00:11:29Their brother, Santo, was much younger.
00:11:32He went away to the university and never came back.
00:11:35I'm sure you can guess the rest.
00:11:37When the father died, he left everything to Santo.
00:11:39Corre, more.
00:11:41Domenico was old-fashioned and stupid.
00:11:45Did he know that Santo was gay?
00:11:48Dio, no!
00:11:50Graziana's never forgiven Santo.
00:11:52Or Flora for staying at Tenuta Celeste to help him.
00:11:57They are a strong-minded family.
00:12:00Matteo should know.
00:12:02He used to go out with Flora.
00:12:04For just one year, long time ago.
00:12:06Mm-hmm.
00:12:26Mm-hmm.
00:12:28Your sister said it was urgent.
00:12:30Can you help, Cesare?
00:12:33Isabel tells me you're a miracle worker.
00:12:36She's very kind, but it won't take a miracle.
00:12:41A few hours hard work, it will be enough.
00:12:45Isabel says I need a new fence.
00:12:50Ah, I will build you one.
00:12:56I have to go, I'm afraid.
00:12:58I'll catch you later.
00:12:59Okay, bye.
00:13:00Bye.
00:13:07Maledetti cinghiali.
00:13:25Signora?
00:13:26Hello.
00:13:27My name's Sylvia.
00:13:29I was supposed to meet Santo here at ten.
00:13:33Hmm.
00:13:53He's not picking up.
00:13:56It's okay.
00:13:57I'll go and look for him.
00:14:01I saw him earlier going towards the south end of the vineyard.
00:14:07Thank you, Signora.
00:14:09Ciao.
00:14:22Oh, Santo.
00:14:22Oh, Santo.
00:14:47Oh, no, no, no.
00:14:48See you later.
00:14:49See you later.
00:14:51This is?
00:14:52No!
00:14:52Oh, no, no.
00:14:54Let's go.�를
00:14:55toyle. Stop
00:14:56it! Stop
00:14:58it!
00:15:10You didn't touch the body?
00:15:13No.
00:15:14It's in such a terrible state, it was obvious that he was dead.
00:15:18How did you come to find him?
00:15:21There was a party here last night to celebrate the new vintage.
00:15:25Santo took me aside and said that someone was trying to kill him.
00:15:41Sylvia.
00:15:44Hello. Sorry about the welcome back. How was your trip?
00:15:50Good. And, uh, I have news.
00:16:00What's that?
00:16:02Darius Jefferson. Santo's partner. He's American.
00:16:06Business partner?
00:16:08No. His husband.
00:16:12Darius. I'm so sorry.
00:16:16This is Capitano Reva.
00:16:23Senor Jefferson.
00:16:28I'm sorry for your loss.
00:16:31Where's Santo?
00:16:33I want to see him.
00:16:35No, no.
00:16:37Can we please go inside?
00:16:38Right.
00:16:40And...
00:16:44...
00:17:06It's not your heart.
00:17:09Okay.
00:17:10Yeah.
00:17:11Yeah.
00:17:15Yeah.
00:17:19What's wrong?
00:17:23Santa Lazzarini is dead.
00:17:28I think it might have been murder.
00:17:31Oh my God.
00:17:33I was the one that found the body.
00:17:41i don't understand any of this well um what were you doing there santo asked me to come
00:17:49back today because he thought he was in danger i was too late
00:18:10who was the last person to see santo lazarini is it okay if we speak in english
00:18:20why won't you let me see him for your own sake signor jefferson it looks as if he suffered
00:18:27from an animal attack probably a wild boar amore mi dispiace roberto peralta marito della signora
00:18:39flora lazarini signor peralta do you work a tenuto celeste no sono ingegnere alla fabbrica del vetro
00:18:48a città della pieve santo spent a fortune on fencing how did the board get in section of defense was
00:18:59cut deliberately if you're fucking uncle did it i'll kill him
00:19:11explain please
00:19:17in santo's father's time giuseppe peralta cuts our fences
00:19:21so the board would get in and destroy the harvest giuseppe is roberto's uncle
00:19:27once maybe twice years ago why would he do it now you're wasting your time talking about giuseppe
00:19:35ask them about graziana no no who's graziana my sister scusi
00:19:52santo lazarini was already dead when the board attacked
00:19:58he was shot through the chest
00:20:00and
00:20:00and
00:20:01and
00:20:17and
00:20:18Do you want to control all these weapons?
00:20:20No, no, it's not my job.
00:20:21I do it because someone should do it.
00:20:23It's a santo, it doesn't interest me.
00:20:25The key was in the kitchen.
00:20:27Why did you not put it in a safe place?
00:20:29Because it's always been there with all the other keys.
00:20:32Do you have any weapons?
00:20:36No, no.
00:20:43Do you know when it's the last time they were used?
00:20:46At the beginning of the season of caccia.
00:20:47Spariamo un colpo in aria tutti gli anni.
00:20:50È una tradizione, se una pistola non viene usata muore.
00:20:52E chi partecipa?
00:20:53Tutta la famiglia.
00:20:55Ma ha detto che santo non era interessato.
00:20:57Non ha detto che non sapeva sparare.
00:20:59Domenico ha insegnato a sparare a tutti i suoi figli senza piccoli.
00:21:02E devo dire che Darius non è male per essere uno di città.
00:21:09La lite tra suo zio e la famiglia di sua moglie deve averla messa in una posizione molto difficile.
00:21:13La lite è una parola grossa.
00:21:15Erano due uomini che non si sopportavano.
00:21:18Ha già detto al suo zio di santo?
00:21:19No, non l'ho fatto in tempo.
00:21:20Eh, non lo faccia.
00:21:21Andremo noi appena abbiamo finito qui.
00:21:26Ah, e dovremo sequestrare tutte queste armi per l'esame balistico.
00:21:52Buongiorno.
00:21:53Sei venuto per farmi la predica?
00:21:56Hai parlato con qualcuno della tenuta celeste oggi?
00:21:59Ma no, non ci penso proprio.
00:22:06Che è successo?
00:22:12Grazie.
00:22:13Santo è morto.
00:22:20E com'è successo?
00:22:24E' stato ucciso.
00:22:28E' stato ucciso.
00:22:40No, no, no, no, no.
00:22:41No, no, no, no.
00:22:59Darius?
00:23:06A questa cosa dici di santo
00:23:30The brakes on his car failed, he got trapped inside the fermentation room.
00:23:38I think there were other incidents, but Santos stopped telling me.
00:23:43Why?
00:23:44Because I was the one who made him come back to Italy.
00:23:51You look like you could do with a drink.
00:23:55Prego.
00:23:58My son, Aurelio.
00:24:00Salve.
00:24:01Avanti.
00:24:05Signora, devo chiederglielo, ma ha sentito la notizia?
00:24:11Sì, ma io e mia mamma eravamo insieme stamattina.
00:24:13Abbiamo fatto una passeggiata con Luna.
00:24:15Aurelio, non interrompere il capitano.
00:24:19Nessun problema.
00:24:22Signora, mi dica cosa è successo la serata della degustazione.
00:24:31Sono sicura che lo sapete già.
00:24:36Mi piacerebbe avere la sua versione.
00:24:40Prego.
00:24:50Io non sono fiera di come mi sono comportata.
00:24:57Però...
00:24:58Avevo le mie ragioni.
00:25:03Ci dica.
00:25:07Santo ha un po' di miseria.
00:25:09And the idea that we would give up our great life in California to run to Nuta Celeste seemed crazy
00:25:14to him.
00:25:15But not to you.
00:25:18Santo's father was a bully.
00:25:21Santo hated him and worshipped him at the same time.
00:25:27And when Domenico left everything to Santo, it was like a sign that he trusted him, loved him best.
00:25:36Like a test?
00:25:38Yes.
00:25:40And I was afraid if Santo didn't rise to the challenge, he'd spend the rest of his life regretting it.
00:25:50We'd agreed we'd give it a year.
00:25:53And if things didn't work out, Santo would hand everything over to his sisters and we'd go back home.
00:25:58Did you tell anyone that was the deal?
00:26:01No.
00:26:03And long before the time was up, Santo had become obsessed with T'Nuta Celeste.
00:26:09You don't work on the estate, do you?
00:26:12I'm a paralegal at a firm in Perugia.
00:26:16My American bar qualifications aren't valid here.
00:26:20How do you get on with the rest of the Lazzarinis?
00:26:23Flora and Roberto were pretty welcoming.
00:26:27I think Paola found it a bit difficult at first, but I'm a good cook and she likes that.
00:26:35Santo wanted your help.
00:26:37Now I'm asking, will you try and find out who killed him?
00:26:44Santo thought that the person trying to harm him was someone close.
00:26:49Okay, but if it were me, why would I ask you to investigate?
00:26:53To make yourself look innocent.
00:26:59Are you going to help me or not?
00:27:10I hope that Roberto didn't have told you that we were going to see him.
00:27:14I told him not to do it.
00:27:16I told him not to do it.
00:27:16I told him not to do it.
00:27:23I told him not to do it.
00:27:43Signor Peralta?
00:27:45Giuseppe Peralta, in casa?
00:27:47Continua a chiamarlo Barzini.
00:27:50Per i chiedi un mandato di perquisizione.
00:27:52Torniamo domani mattina.
00:28:05Mamma, posso chiederti una cosa?
00:28:12Ti dispiace per santo?
00:28:18Ma certo.
00:28:24L'alita è colpa di tuo nonno, non di santo.
00:28:28E comunque è mio fratello, era.
00:28:34Ora torniamo a tenuta celeste?
00:28:38Ma perché me lo chiedi?
00:28:40Non lo so.
00:28:42Tu sei la sorella più grande, no?
00:28:44Santo non aveva figli, quindi.
00:28:51Avrà lasciato tutto a Darius.
00:28:59Hai solo peggiorato la situazione.
00:29:01Mi dispiace, Roberto.
00:29:02Che cosa vuoi che faccio?
00:29:04Se vuoi vedere qualcosa, e ci sono una baccaccia.
00:29:06Devo andare.
00:29:15Hai sentito tuo zio?
00:29:18Non risponde.
00:29:19Non risponde.
00:29:23Non risponde.
00:29:53Signor Peralta!
00:30:16Signor Peralta!
00:30:25Signor Peralta!
00:30:26Signor Peralta!
00:30:29Signor Peralta!
00:30:41Signor Peralta!
00:30:44Do you think there was a fourth-fucine?
00:31:07Rest.
00:31:19Hi.
00:31:20I bought you a present.
00:31:22What is it?
00:31:24Open it and see.
00:31:35It's lovely.
00:31:36No, no, it's for a new fence, silly.
00:31:41The jingling scares the ball away.
00:31:43Ah, that's clever.
00:31:48Coffee?
00:31:49I'll just have a glass of water.
00:31:56Is Matteo okay?
00:31:58He was obviously upset about Santo.
00:32:01Ah, it was a shock for all of us.
00:32:03He didn't know Santo that well, but their families have been friends forever.
00:32:09Thanks.
00:32:10When did Matteo and Flora get together?
00:32:13When he first came back to Panacale to work.
00:32:16Do you know why they split up?
00:32:18Oh, I think it just sort of fizzled out.
00:32:21A couple of years later, she married Roberto, and then Matteo waited patiently for me to show up.
00:32:27Mm-hmm.
00:32:29How do you get on with them?
00:32:30The sisters, I mean.
00:32:32I like Flora, but we've never really clicked.
00:32:37Graziana and I used to be good friends.
00:32:39Oh, dear.
00:32:40Yeah.
00:32:40She was funny and clever.
00:32:44These days, she's just permanently furious.
00:32:47It's, um, it's exhausting.
00:32:49I can imagine.
00:32:50The whole inheritance thing was a real mess, no question.
00:32:55But Graziana went a bit crazy.
00:32:58Gone?
00:32:58She contested the will.
00:33:01That failed.
00:33:03And she's been trying to ruin Santo's reputation ever since.
00:33:08That bad fairy at the christening stunt wasn't the first she's pulled.
00:33:13Did she ever attempt anything more direct?
00:33:16Like sabotaging the vines?
00:33:20No, I, um, I don't think so.
00:33:26What?
00:33:28You're not suggesting that Graziana killed Santo, are you?
00:33:33She's his sister.
00:33:35Well, it's got to be a possibility.
00:33:37Yeah.
00:33:39Yeah.
00:33:45Yeah.
00:33:45Chi erediterà ora la tenuta?
00:33:48Lo scopriremo oggi.
00:33:52Alla lettura del testamento.
00:33:55E...
00:33:56Ha qualche partecipazione finanziaria nella tenuta?
00:34:00Solo il mio stipendio.
00:34:02Non pago l'affitto.
00:34:05Tengo la contabilità.
00:34:07Pago le bollette.
00:34:08È tutto.
00:34:09E...
00:34:10Da quanto tempo lavora qui?
00:34:12Una vita.
00:34:14Sono andata al nord, dopo che mio fratello ha preso le redini.
00:34:19Poi...
00:34:20La moglie se n'è andata.
00:34:21E io sono tornata a badare ai bambini.
00:34:26Ma le è sembrato giusto che suo fratello avesse lasciato tutto al figlio?
00:34:31No.
00:34:32Ma cos'è la vita?
00:34:43Ma cos'è la vita?
00:34:4530 euros 50, please, signora.
00:34:49Grazie.
00:35:00Grazie.
00:35:02Grazie.
00:35:03Grazie.
00:35:05Grazie.
00:35:08not with cow horns and the moon.
00:35:11Goodbye, ma'am.
00:35:29What's up, Barzini?
00:35:31Darius Jefferson was part of a circle of tir in America.
00:35:36Roberto Peralta non aveva detto che se la capava per essere un tipo di città?
00:35:41Sì, ma c'è di più.
00:35:43La mattina del delitto è uscito per andare a lavoro alle 7,
00:35:46ma non è arrivato in ufficio prima delle 10.
00:35:49Ha detto che aveva un appuntamento con un cliente.
00:35:51Hai controllato con la cliente?
00:35:53Ho lasciato un messaggio chiesto di richiamare.
00:35:56Bene.
00:35:58Novità super alta?
00:35:59Ancora no.
00:36:01La sua auto non è stata mossa e nessuno dei vicini l'ha più visto.
00:36:05Non promette niente di buono?
00:36:08No.
00:36:10Ma ho parlato con la banca di Santo Lazzarini
00:36:13ed aveva un appuntamento per discutere di un prestito garantito da ipoteca sulla tenuta.
00:36:19Nessuno della famiglia l'ha menzionato?
00:36:21Magari non lo sapevano?
00:36:24Magari sì.
00:36:58Magari sì.
00:37:00Senora?
00:37:15I asked Sylvia to be here as a witness.
00:37:17Why don't you just say you hired her to find Santa's murderer?
00:37:21Not hired. Nobody's paying me.
00:37:25Skip the legal language.
00:37:27Tell us who gets to Nuta Celeste.
00:37:29Under the terms of the will,
00:37:32Tenuta Celeste is to be divided in equal shares
00:37:35between Darius Jefferson, Flora Lazzarini and Aurelio Bianchi.
00:37:41Aurelio's share to be held in trust for him by Graziana Lazzarini
00:37:46until he reaches the age of 21.
00:37:55So he cheated me even in death.
00:37:59Grazia, it will be okay.
00:38:01How?
00:38:03You'll manage Aurelio's share for him.
00:38:05And what's mine is yours.
00:38:09Don't think your husband agrees.
00:38:12We can work together again.
00:38:15Please, Grazia.
00:38:17For the family's sake.
00:38:20I'm not part of this family any longer.
00:38:23Santa has made sure of that.
00:38:26Adios.
00:38:41Adios.
00:38:43Adios.
00:38:54Adios.
00:39:00Typical mathematician
00:39:02Divide equally
00:39:03Leave everybody screwed
00:39:06You'd have preferred all or nothing
00:39:08If I got everything
00:39:10I'd have had to stay and carry on
00:39:13Nothing I'd
00:39:14Know it was time to leave
00:39:16But this
00:39:22He's put you in a very difficult position
00:39:26When Santo made the will
00:39:28He wasn't expecting to die
00:39:30Anytime soon
00:39:33But he was already starting
00:39:34To care more about Tanuta Celeste
00:39:35Than he was about me
00:39:55Do you know how to read it?
00:39:58No
00:40:00Do you?
00:40:02I only know it costs a lot of money
00:40:05It seems like a fitting memorial for Santo
00:40:11You looked after him, didn't you?
00:40:13When his mother left
00:40:15Santo
00:40:17Was like a son to me
00:40:20You must have been sad when he left home
00:40:22No
00:40:23I was happy he escaped
00:40:26Is that what you wanted to do?
00:40:28I was a clever girl
00:40:30I wanted to go to university
00:40:32But my father said no
00:40:36He made you stay
00:40:37But left your brother everything
00:40:41I never expected him to do anything else
00:40:45Graziana and Flora thought it would be different for them though
00:40:48I tried to warn them
00:40:50But they wouldn't listen
00:40:52Lazzarini men are all the same
00:40:55Tanuta Celeste is everything
00:40:57The people who live here
00:41:00Nothing
00:41:25Hello
00:41:27Oh
00:41:28Sylvia
00:41:28Hi
00:41:29Don't let me stop you
00:41:31Is this a busy time of year for you?
00:41:34There are always things to do
00:41:39You must have been angry
00:41:41When your father left everything to Santo
00:41:43Why did you stay on?
00:41:46Angry
00:41:46But not surprised
00:41:49And Santo needed me
00:41:51He didn't know what he was doing
00:41:54Did you hope that he'd give up
00:41:56And go back to America?
00:41:58In the beginning
00:41:59Yes, maybe
00:42:01But Santo was stubborn
00:42:02And his ideas were good
00:42:05You think so?
00:42:06You tasted the wine?
00:42:07Yes
00:42:08Sometimes change is right
00:42:13Do you think Graziana will change her mind and come back?
00:42:17My sister belongs here
00:42:19Just like I do
00:42:22Darius, I don't know
00:42:23Maybe he'll take the job in America now
00:42:26Maybe he'll take the job in America now
00:42:27What job?
00:42:30You and him are close
00:42:31I thought he would have mentioned it
00:42:34No
00:42:35Then please don't say anything
00:42:37It's just a hard
00:42:38He and my son are fighting about it
00:42:40What was that?
00:42:43A week ago
00:43:04It's good that Aurelio seems so keen to help out
00:43:08The less time his parents hear
00:43:10The better
00:43:14Until Santo's killer is caught
00:43:17We are all in danger
00:43:24Hello there
00:43:25Where's your master?
00:43:28I don't know
00:43:29What?
00:43:34What?
00:43:45No
00:43:46No
00:43:46No
00:43:46No
00:43:46No
00:43:46No
00:43:48No
00:43:48No
00:43:50No
00:43:51No
00:43:51No
00:43:51No
00:43:51No
00:43:53No
00:45:23What's the dog's name?
00:45:26Falco.
00:45:28Hello, Falco.
00:45:31Did you want something, signora?
00:45:33I was hoping to speak to your uncle.
00:45:35You and many other people, but nobody knows where he is.
00:45:40Does he live here alone?
00:45:43Yeah.
00:45:43He never married.
00:45:45So would you inherit the farm?
00:45:47My uncle rents this place.
00:45:50There's nothing to inherit.
00:45:51Do you think he cut the fence that night?
00:45:54No.
00:45:55Domenico Lazzarini was the problem.
00:45:58Since he died, everything has been okay.
00:46:01So why has Signor Peralta disappeared?
00:46:03It's the hunting season.
00:46:05It could be gone for days.
00:46:08I'll leave you to get on.
00:46:11Ciao, Falco.
00:46:12Ciao.
00:46:15Hey.
00:46:16Come on.
00:46:18Hey, hey.
00:47:11I thought you were too busy
00:47:13to come over, Capitano.
00:47:16I am.
00:47:16But one of my main suspects were missing.
00:47:20And the other one has an alibi.
00:47:25And I'm tired.
00:47:28I'm fed up.
00:47:30What alibi?
00:47:32Thank you for the sympathy, Signora Volpe.
00:47:39Graziana Lazzarini was with her son,
00:47:44walking their dog.
00:47:45Look, you don't sound convinced.
00:47:48Well, the son was too quick to tell us where they were.
00:47:52And he sounded fake.
00:47:56But there is CCTV evidence to prove it.
00:47:58So, can we forget about the murder?
00:48:04And have a nice evening.
00:48:05Please.
00:48:06Sure.
00:48:08Okay.
00:48:08But I should tell you that Darius Jefferson has asked me to try to identify the killer.
00:48:16Darius Jefferson.
00:48:18That's interesting.
00:48:19I know he could be bluffing.
00:48:21Would you let me know when you find out?
00:48:23Absolutely.
00:48:25Now, tell me about your holiday.
00:48:27How are the kids?
00:48:30Elisabeth left Erling to go to her new job at the restaurant in Napoli.
00:48:36Luca was upset because his girlfriend dumped him.
00:48:39And Alessandro was okay.
00:48:43Mostly.
00:48:44Town's par for the course.
00:48:46Poor Luca.
00:48:48It's his own fault.
00:48:49He doesn't pay much attention to a woman who wants his one or other.
00:48:53You should learn from you, then.
00:49:00And their mother has a new guy.
00:49:04It sounds pretty serious, so...
00:49:06How do you feel about that?
00:49:08It's good.
00:49:10She wants to move in with him, so...
00:49:12She agreed to finalize the divorce and sell the house.
00:49:17That's great news.
00:49:19Now you can finally move out of barracks and get a place of your own.
00:49:24Get out of your hair.
00:49:26Never.
00:49:28But you'll be much happier when you have your own kitchen.
00:49:32No, it's true.
00:49:33No, it's true.
00:50:03Will I see you tonight?
00:50:05If I can.
00:50:07But don't spend all day making dinner, hmm?
00:50:11Ciao.
00:50:34Buongiorno, Raffaella.
00:50:36How easy is it to access a CCTV system?
00:50:40Pretty easy for me.
00:50:42I hoped you'd say that.
00:50:44I'll text you the details.
00:50:45Okay.
00:51:04Capitano, ho appena parlato con la signora che aveva appuntamento con Darius Jefferson.
00:51:09Non l'ha mai incontrato.
00:51:12Dobbiamo andarla prendere.
00:51:20Hi.
00:51:21Hi.
00:51:21How are you?
00:51:22Good.
00:51:32This is the footage from the Notega CCTV.
00:51:36The timing fits with what Aurelia told the Carabinieri.
00:51:39Yeah.
00:51:40But the file has been overwritten.
00:51:42How can you tell?
00:51:43The metadata.
00:51:44If you were just checking the footage, you wouldn't see it.
00:51:47Unless you went looking.
00:51:49Exactly.
00:51:50And there's something else you should see.
00:51:55Apartment block across the road at CCTV2.
00:51:58Here's the footage from exactly the same date and time.
00:52:04No Graziana, Aurelia or dog.
00:52:08Yeah.
00:52:09So, I'll look at the footage from the day before.
00:52:18Right people, right clothes, right dog, wrong day.
00:52:22Somebody switched the footage from the morning before.
00:52:26How hard is it to change the date stamp?
00:52:29Easy.
00:52:30A child could do it.
00:52:31A child like you were, maybe.
00:52:33Are you saying I was a freak?
00:52:35In the nicest possible way.
00:52:38My classmates would agree with you.
00:52:40Okay, maybe not a child, but for a teenager, no problem.
00:52:50How far back did the recordings go?
00:52:53From the Norteca, three days.
00:52:55But from the camera opposite, almost one month.
00:52:59Raffaella, you're a treasure.
00:53:04Where did you go to school?
00:53:06I don't think you've ever said.
00:53:07It was so boring, I forget.
00:53:13Stop, there.
00:53:15Three days before the mother, you know who is?
00:53:21Somebody I wasn't expecting to see.
00:53:24Do you want to go back further?
00:53:27Yes, please.
00:53:37Look.
00:53:39That's from ten days ago.
00:53:42I don't think so.
00:53:43Yeah.
00:54:01Do you want to go back to school?
00:54:01I don't think so.
00:54:01Come back to school.
00:54:02You want to go back further?
00:54:03I don't know.
00:54:03I don't think so.
00:54:03Yeah, I don't think so.
00:54:06So let me go.
00:54:06Yeah, I don't think so.
00:56:02Why did you lie about your movements on the morning of Santo Lazzarini's murder?
00:56:07Because I was an idiot.
00:56:13A week before the murder, you and Santo Lazzarini were heard having an argument.
00:56:19What was it about?
00:56:20Who told you that?
00:56:27Just a normal couple fight.
00:56:29We were meant to go to the movie and Santo forgot.
00:56:32Again, Senor Jefferson, why did you lie to us?
00:56:40Because I had no alibi.
00:56:42And the spouse is always the first suspect.
00:56:45Like I said, I was an idiot.
00:56:51We have the results of the post-mortem.
00:56:54Santo Lazzarini died from a gunshot wound to his left lung.
00:56:58And now the autopsy is complete.
00:57:01The body can be released for burial.
00:57:15The body can be released for him.
00:57:19The dog can be released for now.
00:57:26The baby can be revealed.
00:57:29The other one may say,
00:57:30the husband can be revealed.
00:57:30The dad is a priest that is a priest that is on the ground.
00:57:31The baby can be reunited with his left gun.
00:57:38A lot of people are looking for you, Sr. Peralta.
00:57:47Not a good idea.
00:57:49Go.
00:57:51Leave, or I'll shoot you.
00:57:54Please.
00:57:56Drop the gun.
00:58:02Sorry.
00:58:04We need to talk.
00:58:06Are you police?
00:58:08No.
00:58:10My name's Sylvia.
00:58:12Why don't you sit down?
00:58:18Did you cut the fence at Tenuta Celeste the night before Santo died?
00:58:23Yes.
00:58:25In the hope the boar would get in and damage the vines?
00:58:28Yes.
00:58:30Did you shoot Santo Lazzarini?
00:58:32No.
00:58:34But who will believe me?
00:58:36I do.
00:58:39I think.
00:58:46You and Santo's father fought over a water source, didn't you?
00:58:52There was no rain.
00:58:54My crops were dying.
00:58:57So I cut a canale from the river.
00:59:01Then Domenico Lazzarini found it and blocked it and stole all the water.
00:59:09Why didn't he just make his own canale?
00:59:13He liked it to make people angry.
00:59:16So yes.
00:59:18Sometimes I cut his fence.
00:59:21And when Domenico died and Santo took over?
00:59:25The same, to begin with.
00:59:29Then Roberto explained it to Santo and he unblocked everything.
00:59:36When did this happen?
00:59:39Two years ago.
00:59:41But three nights ago you cut his fence again.
00:59:44Why?
00:59:46Did someone come to see you that night?
00:59:50I'm an old man who knows why I do things.
00:59:54But I didn't kill Santo Lazzarini.
01:00:03You told me you weren't the police.
01:00:06I'm not.
01:00:08I'm sorry.
01:00:09But you need to talk to them.
01:00:12Giuseppe Peralta,
01:00:13lei è in arresto per il sospetto omicidio di Santo Lazzarini.
01:00:17Venga con me.
01:00:23Thank you, Silvia.
01:00:25He cut the fence,
01:00:26but I don't think he killed Santo.
01:00:30Well, according to the ballistics guys,
01:00:32the bullet came in from one of Peralta's guns.
01:00:40One of his guns,
01:00:41or a gun that you found at his house?
01:01:00Who says I'm investigating anything?
01:01:03Who says these plants need water?
01:01:06Do you want a drink?
01:01:08No, thanks.
01:01:09I can't stay long.
01:01:10But you just wanted to ask.
01:01:15How well do you know Graziana's son, Aurelia?
01:01:19Oh, I haven't seen him for quite a while.
01:01:23But?
01:01:24A couple of years ago,
01:01:26he went through a bad patch.
01:01:27There was an incident at school
01:01:29and a fire broke out in the gym.
01:01:33Nobody got hurt.
01:01:34It was a joke that went too far.
01:01:36A joke?
01:01:38It was a difficult time for Aurelia
01:01:40after his parents split.
01:01:42He's settled down now.
01:01:50What's the worst thing Alice ever did as a teenager?
01:01:54Called school,
01:01:55pretending to be me,
01:01:57saying she was too sick
01:01:58to go on a geography field trip.
01:02:00That doesn't sound too bad.
01:02:03She went to a music festival
01:02:05in Holland,
01:02:06on her own.
01:02:07How did you find out?
01:02:08There was a ferry strike
01:02:10and she got stranded in Rotterdam
01:02:13without any money.
01:02:14Whoops.
01:02:17Remember when I was 16
01:02:19and went on holiday to Portugal
01:02:21with my friend Phoebe and her parents?
01:02:23Yeah, of course.
01:02:26Well, I didn't.
01:02:55Well, I didn't.
01:02:59Why didn't you tell me
01:03:00about the job offer from the States?
01:03:02And your fight with Santa?
01:03:05Because I needed you on my side.
01:03:08What other lies have you told me?
01:03:12Un café, por favor.
01:03:14Gents, ma'am.
01:03:17I haven't told you any lies exactly,
01:03:19but there's a bunch of stuff I left out.
01:03:24How do you cope, Sylvia?
01:03:26With being an outsider, I mean.
01:03:29I'm a nomad.
01:03:31I'm used to fitting in anywhere.
01:03:33I hate it.
01:03:35I tried to make it work for Santo's sake,
01:03:37but I've been miserable here from the start.
01:03:40Why?
01:03:42My job is boring.
01:03:44I still struggle with the language,
01:03:46so it's hard to get a better one
01:03:48or to make friends.
01:03:50An Italian family life
01:03:51isn't all it's cracked up to be.
01:03:55Did you say all this to Santo?
01:03:58He was sweet.
01:04:00Concerned.
01:04:01Said that he was planning to buy land
01:04:02and to expand the business,
01:04:04so maybe I could work with him.
01:04:05As if that would make everything okay.
01:04:07Isu caffè?
01:04:09Grazie.
01:04:17Who else knew about Santo's plans
01:04:19to expand the business?
01:04:21No one, as far as I know.
01:04:25Did you tell Graziana?
01:04:28I know you went to see her.
01:04:31Several times.
01:04:32She told you that?
01:04:34No.
01:04:39I've been trying to persuade her
01:04:40to make up with Santo and Flora.
01:04:43I was going to meet her
01:04:44at a cafe in Magione
01:04:45the morning Santo was killed,
01:04:46but after the way she acted at the party,
01:04:49I didn't want to see her.
01:04:52One more question.
01:04:55Who painted the Moondial?
01:04:57A local artist called Loretta Fabro,
01:05:00why do you ask?
01:05:03I think it might be important.
01:05:09Fate vedere il primo oggetto
01:05:11al suo spettacolo, per favore.
01:05:18Lo guardi con attenzione.
01:05:21È il suo fucile?
01:05:23Potete toglierlo dalla plastica.
01:05:38Non lo tocchi?
01:05:48No.
01:05:50Non è mio.
01:05:55Fate vedere gli altri fucili, grazie.
01:06:06Ma lui sta che quello è l'arma del delitto.
01:06:09È ovvio che dica che non è sua.
01:06:11Perché stiamo facendo questo gioco?
01:06:14Un po' di pazienza, Barzini.
01:06:22Sì, questi sono miei,
01:06:24ma questo no.
01:06:28Quindi lei sta dicendo
01:06:30che possiede tre fucili.
01:06:32Questi due,
01:06:33è quello alla baracca.
01:06:35No, ce n'è anche un altro,
01:06:37ma non è fra questi.
01:06:40Ed era custodito lì?
01:06:42Sì.
01:06:44Barzini,
01:06:46faccio vedere gli altri fucili
01:06:47che abbiamo trovato
01:06:47all'alternata celeste.
01:07:02Ciao, Raffaella.
01:07:04È stato veloce.
01:07:04Ho il contatto per il porto di Peralta.
01:07:07Mi ha messo i dettagli.
01:07:09Grazie.
01:07:10Ciao.
01:07:12Come?
01:07:17Ciao.
01:07:17Come wow.
01:07:25Come know what?
01:07:27That somebody switched the guns.
01:07:30Put the murder weapons
01:07:31into Peralta's house
01:07:33and took one
01:07:33of Peralta's guns
01:07:34and placed it
01:07:36with the other
01:07:36at chance
01:07:37to make up the numbers.
01:07:44you haven't let him go have you no he admitted cutting defenses so we charged him with criminal
01:07:52damage and kept him in custody i don't want him disappearing again Peralta doesn't own his farm
01:08:01and he was having difficulty paying the rent the owner was considering an offer to buy the land
01:08:07and you know this because i just spoke with the owner's lawyer she wouldn't tell me who the
01:08:12offer was from oh how annoying of her what she'll have to tell you but i'm pretty sure that i
01:08:17know
01:08:17the answer santo lazzarini don't you think Peralta is the killer after all no i think someone told
01:08:30Peralta what santo was planning in the hope that he would get up to his old tricks and cut the
01:08:35fence
01:08:37so they could be sure to find santo the next morning alone on the remote part of the property
01:08:43and that we would suspect Peralta exactly the wild boar were a bonus
01:08:52so
01:09:12ah
01:09:13ah
01:09:15ah
01:09:15ah
01:09:16ah
01:09:16ah
01:09:17ah
01:09:25ah
01:09:26ah
01:09:29ah
01:09:29ah
01:09:30ah
01:09:31ah
01:09:33ah
01:09:50graziana it's sylvia fox could i come and talk to aurelia please
01:09:57all right
01:09:58all right come up
01:09:59all right come up
01:10:00all right come up
01:10:03all right come up
01:10:07all right come up
01:10:11all right come up
01:10:11all right come up
01:10:11all right come up
01:10:13all right come up
01:10:15all right come up
01:10:15all right come up
01:10:15all right come up
01:10:16all right come up
01:10:27Cosa fai col mio telep?
01:11:00Cosa fai con tu?
01:11:02Nothing serious.
01:11:04Aurelia got his foot cut in a trap in the vineyard.
01:11:07Nothing broken, thank God.
01:11:09So if you didn't know why you're here.
01:11:20Aurelia, why did you alter the CCTV footage?
01:11:25Did you think your mother needed an alibi?
01:11:32I didn't care your uncle, I'm not that crazy.
01:11:36So, where were you?
01:11:41Did you go to meet Darius?
01:11:47Yeah, he didn't show.
01:11:51Why did you tell me?
01:11:54I can't believe it.
01:11:55Yeah, but it's okay for you to think your mother is a murderer, right?
01:12:00You said Aurelia got his foot caught in a trap.
01:12:03Yeah, a snare.
01:12:05The ones to catch deer and they were made illegal a long time ago.
01:12:14Oh my...
01:12:18This wasn't an accident, right?
01:12:21Somebody meant to kill him?
01:12:23Not kill him.
01:12:25Scare him.
01:12:28Have you been trying to find out who killed Santa?
01:12:33Aurelia, please.
01:12:35Who do you suspect?
01:12:37Tell her.
01:12:39Tell her.
01:12:42Sia Paola.
01:12:45No.
01:12:46She's been acting weird for weeks.
01:12:48Spying on people and I saw her coming out of the girl room.
01:12:53When?
01:12:55Just a couple of days before Santa died.
01:12:58Why didn't you say anything to the carabinieri?
01:13:00Or your mother even?
01:13:04Because she's Zia Paola.
01:13:31Come?
01:13:38Come?
01:13:38Amore, devo uscire per un po', va bene?
01:13:41Mhm.
01:13:42Dove vai?
01:13:43Tenuta celeste.
01:13:44Ciao, Luna.
01:13:46Mi raccomando, eh.
01:13:48Flora, bisogna del mio aiuto.
01:14:03Let's go.
01:14:48Paula?
01:15:02Paula?
01:15:02Paula?
01:15:12I'll be back.
01:15:13I'll be back now!
01:15:14I'll be back now!
01:15:15Oh my god!
01:15:20I'll be back now!
01:15:20Did you see anyone?
01:15:21No!
01:15:22I was looking for Paula and somebody fired at me from behind.
01:15:25I got a text from her saying it was urgent. She needed to talk.
01:15:30Think it was a trap?
01:15:32We need to find her. I think she's in danger.
01:15:35You're both in danger. You need to get away from here.
01:15:38Not till I know that Paolo's safe.
01:15:40Okay, then think. Are there any spaces that aren't used anymore?
01:15:44Underground, maybe.
01:15:51Giovanni.
01:15:52What's up?
01:15:52I'm much new to Celeste. Paolo Lazzarini is missing. Someone's on the loose with a firearm.
01:15:58Stay out of sight. I'm on my way.
01:16:00Sylvia, the old seller.
01:16:02Down here.
01:16:06Here, use this.
01:16:08What are you doing?
01:16:15Looking for Paolo. She's disappeared.
01:16:20So, she's probably just gone to the supermarket.
01:16:25Didn't you hear the shots?
01:16:29No.
01:16:32I just got back.
01:16:39Wait here.
01:16:40I get the key.
01:16:47Carry on.
01:16:49If Paolo's in there alive,
01:16:51get her out.
01:17:04Paolo.
01:17:06Paolo.
01:17:08Oh, God, no.
01:17:11No.
01:17:12No.
01:17:15No.
01:17:16No.
01:17:20No.
01:17:23No.
01:17:35No.
01:17:59Flora?
01:18:06Flora?
01:18:09Flora?
01:18:13Flora?
01:18:18Flora?
01:18:21Flora?
01:18:22Flora?
01:18:22Flora?
01:18:22Flora?
01:18:23Flora?
01:18:35Flora?
01:18:36Flora?
01:18:36Flora?
01:18:37Flora?
01:18:45Flora?
01:19:09Flora?
01:19:11Flora?
01:19:12Flora?
01:19:13Flora?
01:19:25Flora!
01:19:37Flora?
01:19:39Flora?
01:19:40Flora?
01:19:41Flora?
01:19:43Flora?
01:19:44Flora?
01:19:45The tank room.
01:19:57Drop the gun, Flora.
01:20:23Silvia! Silvia!
01:20:28Silvia!
01:20:40Silvanzarini!
01:20:41Cosa fate qua?
01:20:41La porta della cisterna è chiusa.
01:20:43Devo entrarci immediatamente.
01:20:45C'è un altro accesso.
01:20:46Certo che sì, però da questa parte, venga.
01:20:50Kill me!
01:20:51I don't care!
01:20:54But I do.
01:20:58There's been enough death and suffering, Flora.
01:21:01I didn't start it.
01:21:04Grazia and I worked here our whole lives.
01:21:11And then Papa died.
01:21:14And we were thrown out like old rubbish.
01:21:17But that's not true, is it?
01:21:20Graziana chose to go and you're still here.
01:21:24Because I wasn't brave like her.
01:21:26And because you were planning to kill Santo right from the beginning?
01:21:29No!
01:21:30No!
01:21:31You were right.
01:21:34I hoped he'd fade, but he didn't.
01:21:37And I couldn't bear it any longer.
01:21:41No!
01:21:47Paola guessed it was you, didn't she?
01:21:50She told me I had to leave the Luta Celeste as if I could.
01:22:02Oh my God!
01:22:04Oh my God!
01:22:06Giovanni!
01:22:12Are you hurt?
01:22:13Oh.
01:22:13Are you okay?
01:22:15Yeah.
01:22:19You?
01:22:21Uh huh.
01:22:30Don't care.
01:22:36Don't care.
01:22:47Don't care.
01:22:49Don't care.
01:22:50that I'm coming. Why did you call me? What did you do? I wanted to help you to liberate
01:23:01from Darius. So this place would be finally our place. Poor Flora, this place would have
01:23:19been with us.
01:23:20I'm going to go.
01:23:35Fiji, is it going?
01:23:40Attenzione.
01:23:58How is Paula?
01:24:00I think she's been drugged, but she should be fine.
01:24:05Flora killed Santo, didn't she?
01:24:08Yes.
01:24:10Did he suspect?
01:24:12Oh, no.
01:24:14And yet, deep down, I'm not surprised.
01:24:44I don't get it.
01:24:46Santo guessed.
01:24:49He left a clue.
01:24:51Come.
01:24:55This is an exact copy of the one in Cambridge, except for one detail.
01:25:01Look.
01:25:02That's Virgo, right?
01:25:05Yes.
01:25:06But she doesn't look like this in the original version.
01:25:09I spoke to the artist.
01:25:11Last week, Santo asked her to make an alteration.
01:25:15What kind of alteration?
01:25:17To paint in Botticelli's Primavera.
01:25:21Flora.
01:25:22The goddess of spring.
01:25:31Darius.
01:25:32It's not my business.
01:25:36But you're alive.
01:25:38Santo's dead.
01:25:40So please, make the decision that's right for you.
01:25:45Not for him.
01:26:12Are you okay?
01:26:12Are you okay?
01:26:17I will be.
01:26:22Can I see you later?
01:26:24I hoped you'd say that.
01:26:27But, uh, it might be late.
01:26:30I'll be home.
01:26:33But first, I need to see my sister.
01:26:38I'll see you later.
01:26:39Well, I'll see you later.
01:26:45I'll see you later.
01:26:51I'll see you later.
01:26:52I'll be home.
01:26:53I'll see you later.
01:26:54Let's go.
01:27:10Let's go.
01:27:15I don't know.
01:27:41I don't know.
01:28:11I don't know.
01:28:50I don't know.
01:29:20I don't know.
01:29:47I don't know.