- 2 days ago
Crime Unlimited is a 1935 British crime film directed by Ralph Ince and starring Esmond Knight and Lilli Palmer. It was written by Brock Williams and Ralph Smart based on the 1933 novel of the same title by David Hume, and produced as a quota quickie.
PLOT: An undercover policeman infiltrates a notorious ring of jewel thieves headed by a man no one has ever seen.
PLOT: An undercover policeman infiltrates a notorious ring of jewel thieves headed by a man no one has ever seen.
Category
🎈
FunTranscript
00:00:00The End
00:00:39THE END
00:01:15Well, I feel certain your daughter liked that one, madam.
00:01:19They're all so lovely.
00:01:20I get confused.
00:01:23I'm afraid.
00:01:24I'm afraid you're going to be rather impatient with me.
00:01:27Not at all, madam.
00:01:34Oh, perhaps, perhaps my daughter had better come in and select one for herself, if that's convenient.
00:01:41Of course, madam.
00:01:42Thank you so much.
00:01:57Maple Road, tube station, south side.
00:02:30Driver, driver, I'm in north side of the troop station.
00:02:34Right, your army.
00:03:08Go to the station.
00:03:32You're in north side of the troop station.
00:03:35You're in north side of the troop station.
00:03:39You're in north side of the troop station.
00:03:52All right.
00:03:58Nice culling's all right.
00:04:01What, Chef?
00:04:02Look here, there's something in his hand.
00:04:11Medic, born 1935 A.D.
00:04:24Medic, born 1935 A.D.
00:04:30That's a big help.
00:04:32Cullings wouldn't have died fighting for it if it didn't mean something.
00:04:35Of course not.
00:04:37It means medic's a baby.
00:04:39Born this year.
00:04:40You're wasting your time in Scotland, Yarnhall.
00:04:44Try writing for punch.
00:04:45That's all right.
00:04:46You can look after them.
00:04:48Hope you found the commissioner well.
00:04:50He's an unlaw then.
00:04:51Why shouldn't he be?
00:04:52The first policeman murdered in five years.
00:04:54The press are yapping their heads off at him.
00:04:56And there'll be six MPs asking in the house tonight why we haven't caught medic.
00:04:59To which we shall answer.
00:05:00We've assigned every man possible to the case.
00:05:02We'll keep on making arrests until the gang's broken up.
00:05:05Arrests?
00:05:05We've picked up a dozen men without one conviction.
00:05:08You can't hold a man for carrying a piece of paper in his pocket.
00:05:11Not one of them knows anything more about him than we do.
00:05:14The only way you'll ever find medic is by slipping a man into his gang.
00:05:18That's a brilliant idea, Hall.
00:05:20Especially after we've lost three of our best informers that way.
00:05:23And now Colin.
00:05:24Doesn't mean that it can't be done.
00:05:26Simply shows that medic or someone probably had every man of the force spotted.
00:05:29Well then what do you suggest?
00:05:31We send a troop of boy scouts after him?
00:05:33I've got an idea.
00:05:35Send those MPs who are going to ask the questions.
00:05:38Nobody'd ever recognize them.
00:05:39Look.
00:05:40There's nothing to stop us from getting one of the kids out of the police college.
00:05:43They've never been on duty and nobody knows.
00:05:45You can't send boys on a man's errand.
00:05:47I don't know.
00:05:48They're young but they've been trained.
00:05:50Anyway we'd still have the problem of how to slip a man into the gang.
00:05:53This time it might be a good idea not to try.
00:05:58Are you going in for comedy now?
00:06:00I mean maybe we could fix it this time so that Maddock goes after our man.
00:06:04By giving him a reference from the yard I suppose.
00:06:07No but if he pulled a job cleverer than anything Maddock's done,
00:06:10Maddock might invite him in.
00:06:12I wish we could think of something clever that Maddock hasn't thought of.
00:06:15It ought to be something along the jewelry line.
00:06:17That's Maddock's long suit.
00:06:19I know a trick.
00:06:20Let's see how it goes.
00:06:22The crooks find out the name of a wealthy man who's out of town.
00:06:26Then they go down to a prominent jewelers.
00:06:33How do you do?
00:06:34Morning sir.
00:06:34I'm Lord Medcraft's secretary you know.
00:06:37Yes sir.
00:06:38Something for yourself or for his lordship?
00:06:40For neither of us.
00:06:41His lordship wants a wedding present for a godchild.
00:06:43A bracelet, diamonds, you know sort of thing.
00:06:45Something quite nice.
00:06:46About?
00:06:47How nice?
00:06:48I should say about a thousand pounds worth.
00:06:50This way sir.
00:06:51Thanks.
00:07:11Yes.
00:07:13Very pretty.
00:07:14Send around two or three of these, will you, so that his lordship can make a selection?
00:07:18Yes sir, of course.
00:07:19I should fancy, I think, this one and this.
00:07:22And that.
00:07:24Very good sir.
00:07:24Should we send them round this afternoon?
00:07:26Yes.
00:07:27Any time this afternoon.
00:07:28Very good sir.
00:07:28Thanks.
00:07:31Oh by the way, let me have your card, will you, so that his lordship can get on to you
00:07:34personally
00:07:34in case he doesn't like those.
00:07:35Yes, of course.
00:07:36Thank you sir.
00:07:37Thanks.
00:07:40Old Medcraft.
00:07:41This is his house.
00:07:42Morning sir.
00:07:44Sign here please.
00:07:48Stop.
00:07:58Curious?
00:08:00What's curious?
00:08:01Something from Monnier's for his lordship.
00:08:04Probably a mistake.
00:08:06Not necessarily.
00:08:08He must have telephoned from Paris.
00:08:10Hello.
00:08:11Is that the Earl of Medcraft's residence?
00:08:13This is Monnier's.
00:08:15Oh yes, Monnier's.
00:08:17What sir?
00:08:18Oh yes.
00:08:20I suspected that might have been a mistake.
00:08:22We'll send right round for it.
00:08:23And be certain that you'll give it to nobody but our representative, Mr. Brown.
00:08:26He'll have his card to identify himself.
00:08:33I'm for Monnier's.
00:08:34You have a parcel that was delivered to Lord Medcraft by mistake.
00:08:37Oh yes sir, they were on the telephone about that.
00:08:39But they said I was not to give it to anyone.
00:08:41Right, of course.
00:08:43My card.
00:08:44Quite so sir.
00:08:45Just a moment.
00:08:49I hope everything is quite satisfactory, sir.
00:08:53Everything is not satisfactory.
00:08:55How can you prove you've given this to me, if anything happened?
00:08:59Yes, of course sir.
00:09:01Always get a receipt when you're dealing with jewellery.
00:09:05I may be maddock, for all you know.
00:09:07Yes sir.
00:09:08Thank you sir.
00:09:09Good night madam.
00:09:10Good night sir.
00:09:13Good evening sir.
00:09:16Good evening.
00:09:17From Manhattan.
00:09:18Yes sir.
00:09:21You know how to make them?
00:09:23Yes sir.
00:09:25Canadian whisky you know.
00:09:27Yes sir.
00:09:29I learned how to make them in New York.
00:09:32Yes sir.
00:09:33Just got back from New York.
00:09:35Really sir.
00:09:39I had a great time.
00:09:41You could have a great time there.
00:09:43Yes sir.
00:09:45Different from London.
00:09:46Can't have any fun here.
00:09:48Everything closes.
00:09:50Now you.
00:09:51What time do you close?
00:09:52Ten minutes sir.
00:09:55Eleven o'clock.
00:09:57Disgusting.
00:09:58Can't have any fun in London.
00:10:00Depends on what you're looking for sir.
00:10:02Stay up all night if you like in New York.
00:10:04Well that's not impossible in London sir.
00:10:08Pretty silly though isn't it?
00:10:09Stay up all night by yourself.
00:10:11You wouldn't need to be by yourself sir.
00:10:14Now I uh.
00:10:15What ho have I found you?
00:10:20I've been combing London for a fellow like you.
00:10:22Now tell me what you were going to say.
00:10:24Well uh.
00:10:25I won't deny that if I knew you sir.
00:10:27I might give you a tip.
00:10:29A tip eh?
00:10:30Half a minute.
00:10:36See that?
00:10:37Do you know what that is?
00:10:39American money sir isn't it?
00:10:40Yeah.
00:10:41Worth about a guinea.
00:10:43How's that for a tip?
00:10:44Uh.
00:10:45Well sir uh.
00:10:50By your member sir?
00:10:51In perfect standing.
00:10:53Very good sir.
00:11:13Well sir.
00:11:15Will you have a bit of roulette or a chemin deferred?
00:11:17I'm going to try the wheel.
00:11:21Ten pounds please.
00:11:31You are gone.
00:11:31Send the tashier to me.
00:11:36Yes.
00:11:42Yes.
00:11:43Yes.
00:11:46I'm going to try the wheel.
00:11:51Yes.
00:11:53Usual thing, is anything suspicious?
00:11:55Yes.
00:11:59Is that necessary?
00:12:01You don't expect him to get interested in my mind, do you?
00:12:04I don't expect him to get interested in you at all,
00:12:07if you see what I mean.
00:12:08Ladies and gentlemen, please.
00:12:18Please, please.
00:12:20Please, please.
00:12:21Ladies and gentlemen, please.
00:12:22Is that chip yours?
00:12:25No, I don't think so,
00:12:26but even if it should be,
00:12:28why don't you play it for me?
00:12:29I don't seem to have any luck.
00:12:34Ladies and gentlemen, please.
00:12:36Five pounds, please.
00:12:41Tout est fait, tout est marqué.
00:12:46Tout est fait, tout est marqué.
00:12:48Rien ne va plus.
00:12:52Tout est fait, tout est marqué.
00:12:54De numéro 20, noire, terre et mange.
00:12:58Monsieur Tompé, marquera la bande.
00:13:02Sorry.
00:13:04And that doesn't seem the royal road to riches, does it?
00:13:07One can always try.
00:13:09Try again.
00:13:11I can't.
00:13:12Not if I want to be short of my taxi fare home.
00:13:16As bad as that.
00:13:18Oh, I can arrange to pay for a drink for sides.
00:13:20Won't you come over to the bar and let me prove it?
00:13:24I'd like to.
00:13:25Good.
00:13:31Brandy?
00:13:32Yes, brandy.
00:13:34Two brandies, please.
00:13:35Yes.
00:13:39Rum place, isn't it?
00:13:40Never expect to find one here.
00:13:41Why not?
00:13:42Oh, I don't know, gambling underworld.
00:13:44Doesn't seem like London somehow.
00:13:45No.
00:13:46No.
00:13:49Well, cheers.
00:13:50Cheers.
00:13:54How many runs it?
00:13:56I don't know.
00:13:57Tell me, is it fun throwing money away?
00:13:59Oh, I wasn't throwing money away.
00:14:01In fact, my dear, um...
00:14:06My name is Natasha.
00:14:08Natasha.
00:14:09Natasha.
00:14:10A nice name.
00:14:11And as Russian as ever was.
00:14:13Yes, Russian.
00:14:15Will we have to find somebody to introduce us properly?
00:14:18Are you being funny?
00:14:20Not at all, I mean it.
00:14:23Might be nice to be introduced to someone once in a while.
00:14:27Now who's being funny?
00:14:30I work here and this is part of my job.
00:14:35I'm silly enough to be pleased when it doesn't show.
00:14:39You expect me to believe that?
00:14:41Why not?
00:14:42Well, I mean, you're...
00:14:43I mean, you're just a kid, aren't you?
00:14:48What kind of job?
00:14:53Don't come here again.
00:14:54That wheel's not on the level.
00:14:55Nothing here is.
00:14:57With the exception of you.
00:15:01Wrong again.
00:15:02Then what made you warn me?
00:15:05I don't know.
00:15:07I've never done it before.
00:15:10Let's call it my maternal instinct.
00:15:14I see.
00:15:17Okay, if you feel like mothering me just a little longer, you can do me a real favor.
00:15:22Yes?
00:15:24You know where I can get rid of something?
00:15:26An object of worth and no questions asked.
00:15:31You mean, you want to sell something?
00:15:33Well, not exactly.
00:15:35I want to get some money for something.
00:15:37And no questions asked?
00:15:39And no questions asked.
00:15:42I see.
00:15:44You're very logical, aren't you?
00:15:46I work here and so naturally, you suppose, that I must know people who don't ask questions?
00:15:52No, not at all. I just meant that I thought...
00:15:53What is this object of worth?
00:15:56What is this object of worth?
00:16:02That's not by any chance for Armonius.
00:16:04I said no questions asked.
00:16:08The joke's on me.
00:16:09What's the matter?
00:16:11Oh, nothing. Nothing.
00:16:13Except that I thought...
00:16:16You were on the level.
00:16:19Well, it only proves...
00:16:22That you never can tell.
00:16:26Yes, I know somebody for you. Wait here.
00:16:43Another brandy, please.
00:16:44Yes, sir.
00:16:54Go to see me.
00:16:57Oh, I don't know, did I?
00:16:59Have a drink.
00:17:01You look carefully, you'll see I've got my hand in my pocket.
00:17:04I've got a gun in that hand.
00:17:06I want you to get your hat and coat.
00:17:11All right, let's go.
00:17:29All right, let's go.
00:17:39Let's go.
00:17:40Let's go.
00:17:44Let's go.
00:17:51Let's go.
00:17:56Let's go.
00:17:58Let's go.
00:18:00Let's go.
00:18:01Let's go.
00:18:04Let's go.
00:18:08You actually need to add to it.
00:18:21i got tired of america so i came home then i nabbed those bracelets you got one of them
00:18:27i hid the other two is anything else you're interested in over here i'm maddock i read
00:18:33the papers are you maddock no but i'm speaking for him how do you like being blamed for my money
00:18:40a job
00:18:41this is maddock borden i've heard your story i can use you i'm not interested maddock i'm perfectly
00:18:49happy working by myself you can't work alone in london who's going to stop me you'll never pull
00:18:54another job i don't like competition and i don't like being an errand boy for you or anybody else
00:18:59why argue with him maddock let's get rid of him i'll make my own decisions as usual delaney
00:19:04well look here maddock this light's absolutely ruining my eyes why don't we drop this chamber
00:19:07of horrors business and let's talk it over that's impossible nobody ever sees me well what do you
00:19:14say well if that's how it is what can i say i'm broke play straight with me and i'll make
00:19:19your fortune
00:19:21remember once you're in you never get out alive seems simple not so simple
00:19:29tomorrow morning you'll get a problem to work out all my resources will be at your disposal
00:19:34you will have to make the plan consider it a test that's all
00:19:40hey wait a minute maddock what about my bracelet that'll be taken care of all right delaney
00:19:51take your number on us
00:19:59it's
00:20:00ok
00:20:05it's
00:20:06it's
00:20:09it
00:20:38Good morning, sunshine.
00:20:40Did it ever occur to you to knock at doors?
00:20:42You're new, ain't you?
00:20:43Yes, I'm new.
00:20:44When you're working for Maddock, he ain't supposed to do anything what calls for knocking.
00:20:47Maddock?
00:20:49Go on, you wouldn't be here if you wasn't.
00:20:50What is this place? Headquarters?
00:20:52No, he's got a dozen houses like this for his people.
00:21:12Morning, Delaney. Did you pay my hotel, Bill?
00:21:15How do you think I got your clothes?
00:21:18Now, come on. Hurry up. I've got your orders.
00:21:21What's the plot?
00:21:22One of our men's in custody for passing counterfeit notes.
00:21:24Now, it's your job to figure out some way of getting him off.
00:21:26What?
00:21:27I admit I'm good, but I never said I was a lawyer.
00:21:30Well, that's all taken care of. Always is.
00:21:32You mean to say Maddock has a solicitor in the gang?
00:21:33Do you think he's crazy?
00:21:35No, the listeners we've got working for us are absolutely on the level.
00:21:38They've never even heard of Maddock.
00:21:39In other words, I'm supposed to manufacture evidence that'll even convince a solicitor.
00:21:42And the barrister.
00:21:44Now, look here. This fellow's name's Tommy Kane.
00:21:45There's his photograph.
00:21:47Is that his regular job, passing counterfeit?
00:21:49No. Tommy's one of the best safe crackers in the country.
00:21:51He just got landed with the stuff.
00:21:53I see.
00:21:56Well, who's the solicitor?
00:21:57A.D. Newell.
00:21:59Has Maddock got a bookmaker working for him?
00:22:01A bookmaker? Yeah. Why?
00:22:02You tell me his name, and I'll show you a trick.
00:22:04Well, Andy Purvis.
00:22:08Okay.
00:22:11Morning.
00:22:18What can I do for you?
00:22:22You can do something for Tommy Kane.
00:22:24Who?
00:22:25Tommy Kane. He's one of your best clients, isn't he?
00:22:28Never heard of him.
00:22:30Here's what he looks like.
00:22:32Never saw him before.
00:22:36Maybe Maddock was mistaken.
00:22:39Maddock?
00:22:40Yeah.
00:22:42Why didn't you say so in the first place?
00:22:44What's he want me to do?
00:22:46Well, first of all, we get our act rehearsed, and then we go round to the solicitors.
00:22:56And what is your interest in this case, Mr. Borden?
00:23:00Well, er...
00:23:01Tommy Kane is, er...
00:23:02He's one of my best friends.
00:23:04Then why didn't you bring this information to my attention before?
00:23:06Purvis only told me about it last night.
00:23:08That's right, sir.
00:23:09I only put two and two together when I was talking to Petey, eh?
00:23:11Oh.
00:23:13Well, since the case goes to trial tomorrow, this must be put before counsel at once.
00:23:16Now, Mr. Purvis, could you identify the notes you gave to the prisoner on the day of his arrest?
00:23:23Oh, I couldn't exactly do that, sir.
00:23:25But I'm sure of two things.
00:23:27One, that I took a lot of counterfeit one-pound notes that day, and the other that I paid Tommy
00:23:32Kane with 60 of them.
00:23:33Have you ever received counterfeit notes on the race course before?
00:23:36Oh, yes, sir.
00:23:37Every bookmaker gets them.
00:23:39We work so fast, we haven't got time to examine every note we take.
00:23:42Then, if the prisoner says that he received the notes from you, you're prepared to say that that is possible?
00:23:49Oh, yes, sir.
00:23:51Yes.
00:23:54I see.
00:23:55Now, um, Mr. Purvis, the prosecuting counsel is bound to ask you this question.
00:24:01When you receive these counterfeit notes in your bag, what do you do with them?
00:24:06I take them back to the course and hope the people that gave them to me get them back again.
00:24:09In other words, you utter these notes yourself, knowing them to be forged.
00:24:14The further comment is, Mr. Purvis, on such evidence that you should be in the dock instead of Kane.
00:24:18Now, look here, Mr. Addison, I haven't got time to testify at the court tomorrow, so if it's just the
00:24:23same to you, I'd sooner let this thing drop.
00:24:25And allow an innocent man to be punished, Mr. Purvis?
00:24:27This is no time for jokes, Purvis.
00:24:29If you'll excuse me, sir, may I say something?
00:24:32Yes?
00:24:33If a bookmaker finds counterfeit notes, he can write them off as bad debts, can't he?
00:24:37Yes.
00:24:38Well, that's what Purvis does.
00:24:42Someday that sense of humour of yours is going to get you into trouble, Andy.
00:24:45I thought everybody realised I was only being funny.
00:24:48I wouldn't pass a counterfeit note.
00:24:51Only by accident, of course, sir.
00:24:53I don't think I know your name.
00:24:55Peter Borden.
00:24:56Are you a friend of Kane's?
00:24:58Yes, sir.
00:24:59I think I ought to remind you there's such a thing as carrying friendship too far.
00:25:04Manufacturing evidence, for instance.
00:25:06I can assure you everything you've heard is true, sir.
00:25:09It'd better be if you want me to conduct the defence.
00:25:12Well, I think that's all, gentlemen.
00:25:14If we can rely on Mr. Purvis curbing his sense of humour when he gets in the witness box tomorrow.
00:25:18All right, sir.
00:25:19I will, sir.
00:25:20All right.
00:25:21Good morning.
00:25:30I'll see you later.
00:25:33Wait a minute.
00:25:34I've hit my orders too, Gordon.
00:25:36I've got to take you home.
00:25:37You mean to say you knew all about this?
00:25:39Yes.
00:25:39My instructions were to do as you told me.
00:25:41I'll see you get back to Mona's when it's over.
00:25:44Damn clever, these Maddox.
00:25:47Oi!
00:25:48Taxi!
00:26:17Good evening.
00:26:18Have you a double room to let?
00:26:19One that faces the street?
00:26:20Yes.
00:26:21Will you come in?
00:26:28Too easily accommodate three with an extra bed.
00:26:31That's not necessary.
00:26:31It's for these two gentlemen.
00:26:36The morning sun in at the windows.
00:26:38My friend's deaf.
00:26:39You couldn't do better than this, boys.
00:26:44All right.
00:26:44We'll take it.
00:26:48Borden's out here at work, Maddox.
00:26:49They acquitted Cain this morning.
00:26:51The boy looks promising.
00:26:53I couldn't have planned it better myself.
00:26:55Clancy, I want Borden on the need job.
00:26:58Now take these instructions.
00:27:30To meet a lady in Culver Place tonight, she will be waiting in a black Daimler.
00:27:48She has invitation to lady needs reception.
00:27:59We.
00:27:59We.
00:28:00Are.
00:28:02After.
00:28:04The need.
00:28:06Necklace.
00:28:12Be.
00:28:14Careful.
00:28:15Be careful not.
00:28:16To cause suspicion to fall on me.
00:28:23Is that the lot?
00:28:28Is that the lot?
00:28:30Yes.
00:28:30He's left the window.
00:28:31Let's go.
00:28:34We can't allow him to get away with the meat, Nicholas.
00:28:36I know, but we'll endanger Borden's life if we keep crabbing Maddox's plan.
00:28:39I'm perfectly aware of that.
00:28:41But since we have this information, we've got to act on it.
00:28:43We'll possibly lose our chance of catching Maddox.
00:28:46Maddox won't get suspicious if we follow the plan that I've suggested.
00:28:49But in addition, we must have someone at the reception to observe what happens.
00:28:53Well, if you insist.
00:28:54But if we send plainclothes men, we're bound to show our hand.
00:28:58All he wants is an observer, isn't he?
00:28:59Anyone can do that.
00:29:00That's it. Observer. Sybil Caden.
00:29:03What about her?
00:29:03She writes a society check column in the Gazette, the Observer.
00:29:06She's bound to be there. Knows everybody.
00:29:08Would it satisfy you if we didn't tell her too much and let her report to us?
00:29:11Well, it might.
00:29:13Give me the Gazette. Sybil Caden.
00:29:16Hello?
00:29:18Oh, hello, Inspector Codby. What fun.
00:29:21I haven't seen you for ages.
00:29:23Miss Caden, will you be going to the Meade reception tonight?
00:29:26Good.
00:29:27Now, I want to ask you to do us a favour.
00:29:29Oh, rather.
00:29:31Shall I come round?
00:29:35Rather, I'll wait for you.
00:29:47Which way is South Ordnay Street?
00:29:49All right, Borden.
00:29:57Hello. So it's you.
00:29:59So it is.
00:30:00Well, nothing would be nicer.
00:30:02I've missed you.
00:30:03Here's the invitation.
00:30:04Oh, can't this wait. I'm absolutely fed up with business.
00:30:07Do you know they've kept me on the go ever since the night we met?
00:30:10How do you like your new business connection?
00:30:12Oh, not bad. Not bad at all.
00:30:14Well, then let's get on with this part of it.
00:30:16All right.
00:30:16Count and Countess Andrea Mettri.
00:30:21Is that us?
00:30:22Naturally.
00:30:23Well, my luck's certainly in.
00:30:24Given the title and married to you.
00:30:26You know, Mettri always said he'd make my fortune.
00:30:29The lights will go out exactly at 11.
00:30:30You're to stand at the door and see that no one comes in or goes out.
00:30:33What fun. Do I use violence?
00:30:35You use your head.
00:30:37By the time they get the lights on, I'll be gone.
00:30:39From then on, you're on your own about getting out.
00:30:41And the necklace will be gone when you are?
00:30:42Yes.
00:30:43Awfully thoughtful of Maddie.
00:30:44Everything arranged.
00:30:46Except how I keep out of jail if anything goes wrong.
00:30:50Oh, don't.
00:30:52Why? What's the matter?
00:30:53Well, nothing but nothing.
00:30:56Oh, I'm sorry. I didn't mean to frighten you.
00:30:58I'm not frightened.
00:31:02Yes, I'm frightened.
00:31:03I've got the feeling as if something were going wrong.
00:31:07Oh, keep your chin up.
00:31:09Maddie's never missed yet, has he?
00:31:11No, no. I suppose it's only nurse.
00:31:13Of course it is.
00:31:14Don't let it get you.
00:31:17You know, I can't believe all this about Maddie.
00:31:20Of what?
00:31:21Well, somebody must know who he is.
00:31:24What's it to you?
00:31:26Just curiosity.
00:31:28Curiosity's killed more than cancer.
00:31:30Yes, well, that leaves us just about where we were, doesn't it?
00:31:33Well, if you've quite finished with guessing games, you might be interested to know about tonight.
00:31:37Well?
00:31:37Our hosts don't know us, but we are friends of friends of theirs.
00:31:56Well, thank you.
00:32:06Oh dear, I've forgotten the Italian for accept.
00:32:09It is hardly necessary, Lady Need. We both speak English.
00:32:11Thank heaven. My Italian's awful. And Lord Need simply doesn't exist.
00:32:15All works.
00:32:16But it's so kind of you to accept the invitation of a stranger.
00:32:19But we're all friends of the Princess Rossi.
00:32:21We're really a little angry with the Princess.
00:32:23She ought to have told us sooner that you're coming to London.
00:32:25Oh, you must forgive her. We left unexpected.
00:32:27Of course.
00:32:28You enjoy yourself. I'll try and come look after you later on.
00:32:31Thank you so much.
00:32:33I hear you.
00:32:34Like to dance?
00:32:35I'd love to.
00:32:36Can't we?
00:32:37We have time.
00:32:55Well, we got over the first hurdle nicely, didn't we?
00:32:59Didn't we?
00:33:00Well, aren't you speaking to me, Countess?
00:33:02Sorry.
00:33:03You know, I'm glad we didn't let the palace while we were away.
00:33:06Yes, why?
00:33:08We'd have had complaints from the tenants about the drafts.
00:33:12Now, it's your turn. You say it's not drafty.
00:33:15Do you ever take anything seriously?
00:33:18Oh, yes. Dancing, for instance.
00:33:20You dance well.
00:33:21Thank you, Madame.
00:33:22You're not exactly the white man's burden yourself.
00:33:25I'm beginning to feel better now.
00:33:26It's the dancing.
00:33:28Good for the nerves.
00:33:33Mr. Conway Addison.
00:33:36What's the matter?
00:33:37Dance close to me. Conway Addison's here.
00:33:41Oh, my goodness.
00:33:42Well, Marsha, how are you?
00:33:42Oh, Conway.
00:33:43Oh, my head, he hasn't breathed.
00:33:46Does he know you?
00:33:47Yes, I've been in his chambers.
00:33:48My first assignment.
00:33:49What shall we do?
00:33:50May not have to do anything.
00:33:52Let's keep our eyes open.
00:34:04Miss Sybil K. Don.
00:34:05Oh, my goodness.
00:34:07I am, but you know what the Applebee's cocktail party's like.
00:34:10You don't have to worry about me.
00:34:12I know all about it.
00:34:13What, darling?
00:34:13The fact is I'm a detective.
00:34:15I've got to keep my eyes open.
00:34:17If that's all they told me, but it was quite enough.
00:34:19I'd die for dear old Scotland Yard.
00:34:22Sybil, this is terribly important.
00:34:24Everything must look entirely natural.
00:34:25Yes, exactly what they said to me.
00:34:27Entirely natural.
00:34:28Aren't you worried about the next?
00:34:30Oh, darling, there's nothing to worry about.
00:34:32But promise you'll be careful.
00:34:33Oh, I promised Inspector Carby.
00:34:35Not a word.
00:34:35Not a word to a soul.
00:34:37That's me.
00:34:39Sybil will never.
00:34:40Well, darling, I do wish you hadn't gone to the Applebee's.
00:34:43Oh, so do I.
00:34:44The Dulles people were there.
00:34:47Awful waste of time.
00:34:52Hello, people.
00:34:53Hello, Sybil.
00:34:54Exciting party, isn't it?
00:34:55Exciting.
00:34:56Oh, really?
00:34:57Well, it's going to be exciting.
00:34:59Really?
00:34:59Has Marcia something up her sleeve?
00:35:00You will get a word out of me.
00:35:02I don't know.
00:35:12Good evening.
00:35:14Good evening.
00:35:15I do not think I've had the pleasure.
00:35:17Isn't your name Borden?
00:35:19I'm sorry, sir.
00:35:21Count Metri, my wife.
00:35:22How do you do?
00:35:23My name's Conway Addison.
00:35:24You must forgive me, but it's a most astonishing likeness.
00:35:27It is I who I'm sorry we have not met before.
00:35:30You will excuse me, sir.
00:35:31Yes, of course.
00:35:38Well, that's the second hurdle over.
00:35:39Your Italian accent didn't sound any too convincing.
00:35:47I think it worked.
00:35:49Anyway, it's not long till 11 o'clock.
00:35:50How long?
00:35:53Three minutes.
00:35:55We'll have to separate.
00:35:57Right.
00:35:58Au revoir.
00:35:59Good luck.
00:36:12You're good.
00:36:14You're good.
00:36:15You're good.
00:36:17You're good.
00:36:18Get back.
00:36:18Don't leave the room.
00:36:19Why not?
00:36:20I'm sick.
00:36:21Steady, don't start a panic.
00:36:23What's the matter?
00:36:23Don't be good.
00:36:32I'm sorry, madam.
00:36:33I was merely trying to avert a panic.
00:36:34Why shouldn't I go out?
00:36:35But I really thought you...
00:36:36I don't care what you thought.
00:36:37Perhaps you better explain to Lady Neige, young man.
00:36:39I'm so sorry, madam.
00:36:42And then suddenly I felt a hand.
00:36:44And the necklace was jerked away.
00:36:46M'lady, the lights were fused intentionally.
00:36:48Please.
00:36:49That young man.
00:36:50He had something to do with it, I'm certain.
00:36:52Which young man?
00:36:53There.
00:37:00Madam is excited, Lady Neige.
00:37:01I was merely trying to keep the people quiet.
00:37:04You're being ridiculous, Sibyl.
00:37:07Accusing Count Maitry.
00:37:08Count Maitry.
00:37:10Count Andrea Maitry, madam.
00:37:12At your service.
00:37:13You?
00:37:13You are Count Andrea Maitry?
00:37:17Most certainly.
00:37:18Oh, but it's not true.
00:37:19I know Andrea Maitry.
00:37:20This man's lying.
00:37:21He's not Andrea.
00:37:23You thought he was someone else, too, didn't you?
00:37:25Yes, I could have sworn he was.
00:37:27Sibyl, you're excited.
00:37:28Be careful what you're saying.
00:37:29Excited?
00:37:30I'm not so excited that I can't remember my friends.
00:37:33If you're Count Maitry, where's Eleonora?
00:37:36Eleonora?
00:37:37Your wife.
00:37:37There, you see?
00:37:38He doesn't even know his wife's name.
00:37:40I'd send for the police.
00:37:41Conway.
00:37:42I'm glad you're here.
00:37:44This is terribly embarrassing.
00:37:45What shall I do?
00:37:46I wanted to tell you, Herbert.
00:37:47I mistook this gentleman for somebody else earlier in the evening.
00:37:53You'll excuse me, sir.
00:37:54But in view of the circumstances, I shall have to ask you to wait until the police arrive.
00:37:59Of course.
00:38:00I, too, am anxious to have this mistake cleared up.
00:38:04Now, just a moment, sir.
00:38:05You won't have to wait.
00:38:06You're quite right, ma'am.
00:38:07This man's somebody we've been looking for for a long time.
00:38:10Now, I'm from Scotland Yard.
00:38:12Come along.
00:38:12Scotland Yard?
00:38:13Yes.
00:38:14And don't worry about the necklace, my lord.
00:38:16We were kind of prepared for this.
00:38:18The woman he came with snatched it, and she's probably at Vine Street for now.
00:38:21I see.
00:38:23I don't believe him.
00:38:24Civil, this is carrying things too far.
00:38:26You know you've been...
00:38:27Oh, yes, but I'm sober enough now.
00:38:29If you're from Scotland Yard, where are your credentials?
00:38:31Who are you?
00:38:32I'm Detective Sergeant Jackson.
00:38:33He's not.
00:38:34He's lying.
00:38:34I happened to know they weren't sending anyone here tonight.
00:38:37Ring up Scotland Yard and see.
00:38:38We're falling, Borden.
00:38:39Let's go to the window.
00:38:42Stop it!
00:38:54We separate here.
00:38:55There's a taxi around the corner.
00:38:56It's one of ours.
00:38:57It'll take you home.
00:38:58You mean Maddox was prepared for this?
00:38:59Why not?
00:38:59And if you get caught, orders are to ring up Newell at his house.
00:39:01A.D. Newell.
00:39:02Now, don't talk to the cops.
00:39:03Let's talk to him.
00:39:04Newell as an visitor.
00:39:05Right.
00:39:05Right.
00:39:15Hello.
00:39:16Hello.
00:39:17What's wrong?
00:39:18All right.
00:39:19All right.
00:39:21All right.
00:39:21My binoculars.
00:39:22Where are they?
00:39:33Investigate.
00:39:35A.D. Newell.
00:39:40Solicitor.
00:39:41I'm sure he's mixed up with Maddox.
00:39:47Maddox.
00:39:48His initials A.D.
00:39:53May have reference to born 1935 A.D.
00:40:05Clue.
00:40:06Might.
00:40:07Might.
00:40:08Be.
00:40:09Maddox.
00:40:10Himself.
00:40:11Yourself.
00:40:12I've been trying to find myself.
00:40:32My binoculars.
00:40:41What's the idea of the gun?
00:40:43Well, I might have been followed.
00:40:45Nerds jumped yesterday?
00:40:47I don't like the way things went tonight.
00:40:48You don't like the way things went tonight.
00:40:51You ought to hear Maddox.
00:40:52Of all the messes I've ever seen.
00:40:54I thought Maddox never missed.
00:40:55Wasn't his fault the necklace turned out to be paste?
00:40:59What?
00:41:00Yeah.
00:41:02Someone must have tipped him off.
00:41:04Lucky for you, you came straight back here.
00:41:06Where else would I go?
00:41:08Who knows?
00:41:10Anyhow, the orders are for you to stay in this room
00:41:12until you hear from Maddox.
00:41:13Suits me.
00:41:14What about Natasha?
00:41:16Did you get away all right?
00:41:19Yeah.
00:41:20She got away.
00:41:26So you see, gentlemen,
00:41:28at one time or another,
00:41:30each of you has appeared as counsel
00:41:31for members of the Maddox gang.
00:41:33Without knowing it, of course.
00:41:35Certainly.
00:41:36Now, in each case,
00:41:37you received instructions from Mr. Newell.
00:41:39Many cases in which conviction seems certain
00:41:42were repeatedly upset by last-minute evidence.
00:41:45Now, what we want to know is this.
00:41:47Was there anything unprofessional
00:41:49in the cases Mr. Newell brought to you?
00:41:51Absolutely no.
00:41:52No, as far as I'm concerned.
00:41:54Nor I.
00:41:55That's all there is to say, gentlemen.
00:41:58My practice was failing.
00:42:00I needed money.
00:42:01I accepted the retainer,
00:42:03even though it came anonymously.
00:42:04You mean to tell me you never knew
00:42:05the man who sent you this money?
00:42:08Didn't even know his name?
00:42:09The money was sent to me in cash.
00:42:12Instructions to defend men
00:42:13who came to me from time to time.
00:42:15And you never suspected
00:42:16that all these criminals you defended
00:42:17were members of the Maddox gang?
00:42:19I've told you that apart from seeing
00:42:20Maddox's name in the newspapers,
00:42:21I know nothing about him.
00:42:24I hate repeating myself, Inspector.
00:42:26If you doubt my word,
00:42:27you know what steps to take.
00:42:28I take it you stand willing
00:42:30to turn over to us
00:42:31all your records and papers?
00:42:33Every record in the office, if you like.
00:42:35Oh, there.
00:42:36Just show these gentlemen to the waiting room,
00:42:38then come back.
00:42:38I want you to get some papers from the files.
00:42:40It's all the same to you.
00:42:41I think we'd better stay in here.
00:42:43I find my position quite humiliating enough
00:42:45without having to make good my word
00:42:47under police supervision.
00:42:49clever, if you wish to stay.
00:42:51We'll wait outside.
00:43:02I want the records of every criminal case
00:43:04we've handled this year.
00:43:05Yes, sir.
00:43:22You don't think he might be the old boy himself?
00:43:26Not likely.
00:43:27But he knows more than he's told us.
00:43:35Is that all?
00:43:37Not quite, sir.
00:43:40Well, I wonder how much long he's going to be.
00:43:43We'll give him a few minutes more.
00:43:57Seems a fair amount of stuff there.
00:44:00More paperwork.
00:44:01Oh, he's shot.
00:44:04Mr. Newell's shot himself.
00:44:10He used a silencer.
00:44:14Dead.
00:44:15Now, watch that quickle of the fire.
00:44:22Stay right where you are.
00:44:23Nobody must leave.
00:44:28One hundred.
00:44:29That's more than I've ever seen in my life at one time.
00:44:32Maddox never lets you down here yet, did he?
00:44:36Just a minute.
00:44:42Go on, get out.
00:44:48That's it.
00:44:49Yes, mother?
00:44:50The verdict on Newell is suicide.
00:44:53We just paid off, Baird.
00:44:54I'm going to lay a trap for Borden.
00:44:56Why waste time?
00:44:57Nothing ever went wrong.
00:44:58We took him on.
00:44:59I want to be certain.
00:45:00And I want to find out how he does it.
00:45:03Now, take these instructions.
00:45:21No problem.
00:45:22Do you know how he does it?
00:45:22Come on?
00:45:23What?
00:45:25No.
00:45:27No.
00:45:28No.
00:45:36No.
00:45:39Sorry about that Newell tip, Maddox still functioning, have orders for a hold up.
00:46:08Oh, the Countess come in. I've never been so pleased to see anyone in my life.
00:46:12That sounds genuine. It is. Partly because I'm bored, but chiefly because it's you.
00:46:18Don't say you came on business. No. Good.
00:46:20As a matter of fact, I'm taking a chance coming here. Really? Well, that makes it all the better.
00:46:25Have a chair. And a drink, maybe.
00:46:32I might. Good.
00:46:38What's going on?
00:46:43Well, cheers.
00:46:44Yes, sirs.
00:46:51Gordon, why did you get into this?
00:46:55Into what?
00:46:57Into the gang.
00:46:58Why is any man a crook?
00:46:59You're not.
00:47:01I've seen enough of you now to know that my first impression was the right one.
00:47:05Before you showed me that bracelet.
00:47:07Oh, yeah?
00:47:08There's something wrong about real crooks.
00:47:11You get a feeling about them.
00:47:13Like the feeling you have about snakes.
00:47:15Oh, more feelings?
00:47:17You're not a real criminal.
00:47:21Of course not.
00:47:21I made a work for Maddox because I'm bored with my mother, the Duchess.
00:47:26Some people get in because of circumstances.
00:47:30And regret it.
00:47:32I may be an author in search of material.
00:47:34And incidentally, there's nothing snaky about you, my girl.
00:47:38Circumstances?
00:47:39My father.
00:47:40Refugee.
00:47:41Stranded in London after the revolution.
00:47:44He taught me to live by my wits.
00:47:46I was very young.
00:47:47When I got old enough to protest, it was too late.
00:47:50We got in with Maddox.
00:47:52Nice man, your father.
00:47:54A weak man.
00:47:55Is he still with Maddox?
00:47:57He's dead.
00:47:58I see.
00:48:01May I ask where all this conversation is leading?
00:48:05Pete, I want to quit this.
00:48:07I wanted to get away from Maddox for a long time.
00:48:10I couldn't.
00:48:11I was afraid.
00:48:12You're the first person I've ever met that I can count on.
00:48:15Come away before it's too late.
00:48:17We'll help each other.
00:48:18We can make a go of it somewhere.
00:48:20Not so fast.
00:48:21Hadn't you better be careful?
00:48:22That sort of talk might be fatal if it got to Maddox.
00:48:24I know what I'm doing.
00:48:25It won't come to Maddox through you.
00:48:27My heart is an open book, I suppose.
00:48:29And you can trust me unto death and all that.
00:48:32Yes.
00:48:33If that means anything to you.
00:48:36Well, maybe I have a better nature.
00:48:38But how do you propose to bring it out?
00:48:40I love my work.
00:48:53What were you doing out there?
00:48:59You know, Maddox is going to be interested to hear the way you feel about snakes.
00:49:06Don't be a fool, Delaney.
00:49:08I shouldn't tell Maddox something you already know.
00:49:12What's that?
00:49:12That was a trap boarding on Maddox's instructions.
00:49:16As far as I'm concerned, you stood it.
00:49:19Delaney, I'm tired of having you follow me around.
00:49:22And if I report that you've interfered with this assignment, you'll hear from Maddox.
00:49:32Well, that seems to be that, doesn't it?
00:49:34Not quite.
00:49:36You know, I should stay away from that girl if I was you.
00:49:39Seems to be a sensible bit of advice, thanks.
00:49:41Now you can do something with me, Delaney.
00:49:42Yeah?
00:49:43I'm likely to.
00:49:44Any little favor.
00:49:45You'll do this.
00:49:46Get word to Maddox I've got to see him at once.
00:49:48It's important, understand?
00:49:49What do you want to see him about?
00:49:50That's between Maddox and me.
00:49:51Well, it should be easy.
00:49:53I think Maddox will want to see you when I tell him about this.
00:49:55Yes, sir.
00:49:56Yes, sir.
00:50:00I don't know.
00:50:08He takes care of him, sir.
00:50:11Yes, sir.
00:50:16You should have seen him about this.
00:50:16can see him that this time. I'm
00:50:17sorry. I can
00:50:17see you about it. I can
00:50:24see you.
00:50:27William Hicks, Hatton Garden, three o'clock.
00:50:33Mr. Hicks?
00:50:34Yes?
00:50:35You've taken Inspector Hall from New Scotland Yard.
00:50:37Scotland Yard?
00:50:38Yes.
00:50:38Mr. Hicks, I trust we can rely on your discretion?
00:50:40Of course, Inspector.
00:50:41Good.
00:50:42We've had information there's going to be a hold up here this afternoon.
00:50:44What?
00:50:45In this case, we've got to protect you without having any police here.
00:50:47But, Inspector, what will I do?
00:50:49Put your valuables in a safe.
00:50:50Just before three o'clock, two drunk men will start a fight on the street.
00:50:53That'll attract several of our constables.
00:50:55They've got orders to protect you without appearing to.
00:50:57But why don't you just put a policeman in here?
00:51:00That'll tip the gang off.
00:51:01We've got secret information.
00:51:02I understand, but...
00:51:03There's nothing to worry about, Mr. Hicks.
00:51:05Carry on just as usual.
00:51:21Hello.
00:51:22Clancy?
00:51:23This is Williams.
00:51:25A Scotland Yard man was just here.
00:51:27All right, Williams.
00:51:28Stay there till he blows over.
00:51:31Maddox?
00:51:33Borden squealed.
00:51:38All right, Borden.
00:51:39What is it?
00:51:41Well, do we have to go through all this light business again, Maddox?
00:51:43Can't I see you now?
00:51:44No.
00:51:45Come to the point.
00:51:46Well, if you insist.
00:51:48I'm tired of the way things have been going wrong lately.
00:51:50What do you mean to do about it?
00:51:52Well, I've got an idea for a big killing.
00:51:54But after what's happened, I'll trust nobody but you.
00:51:56Well, what is it?
00:51:57I'll tell it to you in person, Maddox.
00:51:59I don't see people in person.
00:52:01What is it?
00:52:02It's the Camden Loan Society.
00:52:05They've got 100,000 in cold cash in a safe a baby could open.
00:52:08How do you know about this?
00:52:09I found it before I joined up with you.
00:52:12There's enough to retire on there if we keep it between ourselves.
00:52:15It sounds interesting, Borden.
00:52:17I'll look it up.
00:52:18If it's what you say, I'll see you.
00:52:20After the job.
00:52:22That's all.
00:52:35That's our man, boys.
00:52:36He is the one who's been tipping the police.
00:52:38Medic.
00:52:39What?
00:52:40Did you ever send Natasha to test Borden?
00:52:42No.
00:52:43Why?
00:52:43She's with him.
00:52:44I caught her yesterday, making him a proposition to run out on us.
00:52:48She said it was on your orders.
00:52:49It wasn't.
00:52:51Well, we can take care of her, too.
00:52:53First of all, I want to tell you that Borden's not to be touched.
00:52:56He's the best protection we've ever had.
00:52:59I'm going to make him think I'm taking up this job of his,
00:53:02so he can tip the yard on it.
00:53:04That'll keep them busy while we pull the biggest stroke we've ever undertaken,
00:53:07and we can't miss.
00:53:09The instructions are as follows.
00:53:11I've persuaded Maddox to attempt Camden Loan Society job as planned.
00:53:23Job to take place at four o'clock this afternoon.
00:53:37Maddox promises to see me if it is successful.
00:53:43Maddox promises to see me if it is successful, so there must be no interference.
00:53:48I am to be at the Loan Society's office at four o'clock with the girl.
00:53:52After the job, man will pick me up in green car,
00:53:54take me to unnamed place to meet Maddox.
00:53:56Well, now, that's what I call getting results.
00:53:59I'll wait until I see Maddox behind bars.
00:54:01That's very promising, really.
00:54:03We must have Borden followed at any cost,
00:54:05both to protect him and to make sure of Maddox.
00:54:08Cardi, you'll take charge of the arrangements at the Loan Society's office.
00:54:11Right.
00:54:24So, come in.
00:54:31This is Clancy.
00:54:33You've met before, but you don't know it.
00:54:35Hard old Borden.
00:54:37Oh, of course, the voice and the dog.
00:54:39Come on. Sit down.
00:54:41Thanks. We've got to get started.
00:54:43Oh, now.
00:54:44Maddox said Natasha would call for me.
00:54:46I haven't changed.
00:54:47You and I are going together now.
00:54:49Delaney will wait for Natasha.
00:54:51All right.
00:54:54Well, I hate to leave this.
00:54:55I think I would have won.
00:54:57Thank you, Wally. I'll finish your game for you.
00:55:00Oh, I wouldn't trouble.
00:55:01No trouble. Pleasure, I assure you.
00:55:28Well, why do we stop here?
00:55:30Ever hear of the Maradra of Batula?
00:55:32I've seen his name in the papers. Why?
00:55:34Well, his highness arrived in London this morning.
00:55:37Complete with half a million pounds in dust.
00:55:41Maddox wants them.
00:55:43Yes, but what about the Loan Society job?
00:55:45That?
00:55:47That's all right.
00:55:48We'll pick that up tomorrow.
00:55:52I see.
00:55:55Well, what do we do?
00:55:57Practically nothing.
00:55:58We're only atmosphere.
00:56:00Webb does it all.
00:56:02The hell with the boys over there.
00:56:11What time is it?
00:56:14Four.
00:56:29You know, Borden,
00:56:30the old man's taking quite an interest in you.
00:56:33He liked that Loan Society idea so much.
00:56:37He wants to talk to you after we pull this one.
00:56:41What a day?
00:56:42So he said.
00:56:44If everything goes off, all right.
00:56:49Here they come.
00:56:50Take it easy.
00:56:56Come on, Gally.
00:57:13I don't mind.
00:57:21Come on.
00:57:21Take it easy.
00:57:22Come on.
00:57:22Come on.
00:57:22Move on.
00:57:23Good on.
00:57:27Move on.
00:57:28Hurry on.
00:57:28Try it.
00:57:28Try it easy.
00:57:29Try it.
00:57:32Come on, come on.
00:57:33view!
00:57:33Two, come on.
00:57:35Where do we go from here?
00:57:37We're going to meet Maddox.
00:57:51Where's Pete?
00:57:52He got his way to the Withers.
00:57:54That's why I'm taking you.
00:57:55To the Withers? Why?
00:57:57We're going to meet Maddox there.
00:57:58They're going to meet Maddox at the Withers.
00:58:04What's the Withers?
00:58:08Why should Maddox be meeting us?
00:58:10I don't know.
00:58:12Probably to celebrate catching a policeman in the gang.
00:58:15A policeman? Who?
00:58:16My Borden, of course.
00:58:19Rather good you're trying to make him give up a life of crime.
00:58:22That's not true.
00:58:24It can't be.
00:58:25All right.
00:58:27See for yourself. Come on.
00:58:30But if Borden is a policeman,
00:58:31why does Maddox...
00:58:34What live?
00:58:36That will all be attended to.
00:58:39Don't worry.
00:58:40I expect you'll see him in time to kiss him goodbye.
00:58:44Funny, isn't it?
00:58:46Yeah, very.
00:58:47Especially when you remember you had to finally lie to him
00:58:49after that heavy sob story of yours.
00:58:53Awfully funny.
00:58:57Taking him to the Withers?
00:58:59Watch the Withers.
00:59:00Gee.
00:59:02Yes, yes, all right.
00:59:03Keep your eye on that room and report anything further that happens.
00:59:05Yeah.
00:59:06Something went wrong.
00:59:07Borden didn't turn up at the Lone Society nor did the girls.
00:59:09What?
00:59:10Nobody did.
00:59:11Oh.
00:59:12Yeah.
00:59:13What?
00:59:14They did?
00:59:16All right.
00:59:17I'll call you back.
00:59:18The mirage of Petula's jewels.
00:59:20They held up the van and got away with it.
00:59:21That's the answer.
00:59:23They used the Lone Society idea to trick us.
00:59:24Yeah.
00:59:25And now they're taking Borden to somewhere called the Withers to meet America.
00:59:28What's the Withers?
00:59:28Withers?
00:59:29Withers are willows.
00:59:30Particularly the Osier willows.
00:59:31Might be the name of some country house.
00:59:33Well, whatever it is, we've got to find it.
00:59:35Don't you see what this means?
00:59:36If they're on to Borden, they'll kill him.
00:59:49Stop them.
00:59:50Don't let them get away.
00:59:52Here, now.
00:59:52What's going on here?
00:59:53Oh, never mind, now.
00:59:54Notify Scotland here that Borden's at the Withers is a country house near Ausley-Tussek.
00:59:58Oh, be quick.
01:00:19Take it away.
01:00:20Take it away.
01:00:46Take them into the room on the right.
01:01:02Clancy, see if Borden's got a gun.
01:01:12Borden, open the door, go into the corridor, open the first door on your right.
01:01:17The rest of you stay where you are.
01:01:20Go ahead.
01:01:24Clancy, when Natasha comes, let me know.
01:01:57Medic?
01:02:16Addison.
01:02:20Or Maddox.
01:02:23Whichever you prefer.
01:02:25I congratulate you, Borden.
01:02:28You're the only person who knows my identity.
01:02:31And certainly the only policeman.
01:02:34Policeman?
01:02:35Yes.
01:02:37Tell me, how did you communicate with the yard?
01:02:42You don't expect me to tell you that, do you?
01:02:45Yes, I do, rather.
01:02:47You see, I'm going to kill you, Borden.
01:02:50But I'll wait till my curiosity is satisfied.
01:02:56Of course, if you choose...
01:03:00Well, I don't seem to have much choice, do I?
01:03:05Sit down.
01:03:15Know the withers?
01:03:16That old house there, was it?
01:03:17Yes, how far?
01:03:18We ought a good eight miles, sir.
01:03:20It's hard to find.
01:03:20Hop in.
01:03:30And the deaf man simply read my lips.
01:03:34Very ingenious.
01:03:36Very ingenious indeed.
01:03:39If you're Maddox,
01:03:41why did you help trip me up at the Mead reception?
01:03:44Well, that was simple.
01:03:45Oh, I wasn't Maddox then.
01:03:47I was Conway Addison.
01:03:48I had to act the part.
01:03:51Very thorough, weren't you?
01:03:55I owe my success to it.
01:03:59Well, tell me what Maddox, born 1935 A.D., means.
01:04:04Don't you know?
01:04:05I was going to ask you that.
01:04:08That's the cleverest clue I've ever left.
01:04:13And I don't understand it myself.
01:04:18Well, I'm out of any more questions,
01:04:20unless you tell me why you came into this.
01:04:24I was bored, my dear fellow.
01:04:26I grew so tired of defending dull people
01:04:30accused of crimes which were always the same.
01:04:34So I decided, quite logically,
01:04:36to make life more interesting
01:04:38by committing exciting crimes in an exciting way.
01:04:44It was fascinating.
01:04:46Like playing chess with life and death.
01:04:55Of course, you think I'm mad, don't you?
01:04:58What else can I think?
01:05:00I prefer to call it genius.
01:05:04After all, the dividing line is very thin, isn't it?
01:05:08If it weren't genius,
01:05:10I couldn't kill you and
01:05:13all the others in there
01:05:16with as little compunction
01:05:18as I'm going to feel.
01:05:22So you're going to kill the others, too?
01:05:25Yes.
01:05:25It suits my plans.
01:05:27I want to retire
01:05:29and I wish to leave no possible trace.
01:05:35Yes?
01:05:35Maddox, Delaney's here.
01:05:38Natasha's gone to the police.
01:05:39They might be here in a minute.
01:05:41Keep calm and stay where you are.
01:05:55Natasha.
01:05:56Where's Borden?
01:05:57Is he here?
01:05:58Please?
01:05:58No, I'm alone.
01:06:00Where's Pete?
01:06:01Where is he?
01:06:03I wouldn't dream of spoiling
01:06:05the last few moments
01:06:06of your little romance, old chap.
01:06:08Go and join her.
01:06:09Huh?
01:06:10Yes.
01:06:11Go ahead.
01:06:24Oh, Pete, I'm so glad.
01:06:25Let go, you fools.
01:06:26He's going to kill a lot of you.
01:06:27You're lying.
01:06:28I'm trying to get out of it.
01:06:29It's locked.
01:06:31Borden's right.
01:06:32It's very deplorable, gentlemen.
01:06:34But it's the only way out for me.
01:06:36However, you'll find death painless.
01:06:43All over in a few minutes.
01:06:45We'll be safe.
01:06:46The police on the way.
01:06:48Did you hear that, Edison?
01:06:49You can't get away with it.
01:06:50Oh, yes, I can.
01:06:52I'm in a safe place.
01:06:54There's a chap with me
01:06:56who's been here
01:06:57since Cromwell was hunting royalists.
01:07:00Nobody ever found him
01:07:02and nobody will ever find me.
01:07:13Gats!
01:07:14It is Gats!
01:07:15Why not to take a chance at your medic?
01:07:16Just once!
01:07:17Of course you would.
01:07:19But you won't.
01:07:21And it's absolutely no use
01:07:23you drawing that gun, Clancy.
01:07:25Drawing a gun?
01:07:27Clancy, he can see us!
01:07:29What do you mean?
01:07:29Well, don't you understand?
01:07:30He can't see through walls!
01:07:31It must be...
01:07:42It's walled in!
01:07:44Come on!
01:07:53Here's a trick mirror!
01:07:56Look!
01:07:58Look!
01:07:59Look!
01:08:00Look!
01:08:01Look!
01:08:01Look!
01:08:01Look!
01:08:05Natasha!
01:08:07Natasha!
01:08:09Natasha!
01:08:28Anderson, now get him out of home quick!
01:08:30Take it out of the air!
01:08:31It's gas, it's gas, it's gas, boys!
01:08:32Come on, get him out!
01:08:33Here, here, here.
01:08:34Here, here, here.
01:08:37Good young bunch in there,
01:08:38will you in that car?
01:08:43Borden.
01:08:45Borden.
01:08:46Pete.
01:08:52I've just thought...
01:08:55Hoban...
01:08:55one, nine,
01:08:57three,
01:08:58five.
01:09:00my telephone number.
01:09:05Perhaps that was the clue.
01:09:16So that's what A.D. meant.
01:09:18Addison.
01:09:20All right, boys.
01:09:22Take it away.
01:09:33Natasha.
01:09:35Oh, Pete, I want to say goodbye to you, and tell you I'm glad I was right about you, whatever
01:09:43happens to me.
01:09:44But nothing's going to happen to you.
01:09:46Why, it was you who made all this possible.
01:09:48I'm sorry, Borden, but she'll have to go with the rest.
01:09:52Go on.
01:10:00I'm going with her.
01:10:01And I'll get her off if it takes the rest of my life.
01:10:03It probably won't.
01:10:04Well, what are you waiting for?
01:10:07Get up.
01:10:08What are you waiting for?
01:10:10Get up.
01:10:11Well, everyone will get back.
01:10:15You ready.
01:10:15Oh, boy.
01:10:15Hey, let's get up.
01:10:15Hey, let's get up.
01:10:15Hey.
01:10:23Hey, let's get it.
01:10:24Hey, let's get up.