- 2 days ago
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00:02Once upon a time, there were three little girls who went to the police academy.
00:17And they were each assigned very hazardous duties.
00:23But I took them away from all that, and now they work for me.
00:27My name is Charlie.
00:47But I hate to see a lot of people when they were for women.
01:22I'll take it, honey.
01:23Tell Pierre he can bring the car up now.
01:25Yes, ma'am.
01:27Let me look at you.
01:29Just a minute, please.
01:34Anything showing?
01:35More leg than is decent for a woman your age.
01:39What would Mr. Rodehaver say?
01:45Yes?
01:46Who is it, please?
01:50Yes.
01:54No.
01:57Yes, I understand.
02:02Very well.
02:04No.
02:06No.
02:13No.
03:30Don't get up here.
03:31I'm late and ready.
04:05I'm late and ready.
04:46I'm late and ready.
05:16Don't get up here.
05:20Don't get up here.
05:25Don't get up here.
05:29Don't get up here anymore.
05:29I've retained Mr. Townsend's cherubs.
05:32Cherubs?
05:33Angels.
05:34That's what Charlie calls them.
05:36Angels.
05:37Dynamite.
05:38That's Sabrina Duncan behind you.
05:40Oh, I'm sorry.
05:42Jill Monroe.
05:44Hello.
05:45And last but not least, Kelly Garrett.
05:47Hello.
05:49Female private detectives?
05:52Yes.
05:52I've hired them to discover who stole my jewelry.
05:56I would hope they might recover some of it.
06:00The police have already done that, you know.
06:03Yes, I do know.
06:05Well, safe hasn't been punched, peeled, drilled or blown.
06:08Oh.
06:10Really?
06:10That's right.
06:11And I gather from the police report that there were no fingerprints.
06:14Sounds like an inside job.
06:16Inside?
06:17Do you mean one of my servants?
06:20We don't really suspect your husband, Mrs. Rodehaver.
06:23That's comforting.
06:24Mr. Rodehaver passed over three years ago.
06:28Passed over?
06:29It's an expression of Madame Dorian's.
06:32Expired.
06:33Deceased.
06:34Oh.
06:35Oh, I'm sorry.
06:38This Madame Dorian is...
06:39Is my advisor.
06:41Oh.
06:41Who else is in the house?
06:43My housekeeper and the chauffeur.
06:45You check their references.
06:47Oh, yes, indeed.
06:49Twenty years ago.
06:49You might just as well suspect me as Putty or Pierre.
06:54Well, looks like the work of a regular Jimmy Valentine.
06:58You see?
06:59They've got a suspect already.
07:01If I may ask, how do you girls intend to proceed?
07:06Well, I'm going to call Charlie now and make a preliminary report.
07:09You're welcome to listen in if you'd like to.
07:11Yes, Angel.
07:12How are things of Mrs. Rodehaver?
07:13Fine, Charlie.
07:15Whoever robbed the safe evidently had the combination.
07:18Now, the client has ruled out the household staff.
07:21I think we should probably stick to friends, acquaintances, tradespeople.
07:26Probably one of us should stay in the house.
07:29Sounds like you're on the right track, Angel.
07:31Keep in touch.
07:32Will do.
07:35Charlie thinks it would be a good idea if I moved in for a few days.
07:38That is, if you didn't mind.
07:40Into my house?
07:41I would just sort of tag along and act kind of like a secretary.
07:46Whatever for?
07:47No, because someone in your circle has been stealing from you.
07:50You're going to spy on my friends?
07:52Mrs. Rodehaver, believe me, one of your friends is not a friend.
07:57Mrs. Rodehaver, this advisor you mentioned, Madame Dorian, who is she exactly?
08:04Well, if you must know, she's my spiritual advisor.
08:07Well, how does she advise you?
08:10She doesn't really advise me.
08:12I speak to Harlan through her.
08:16Sabrina?
08:17Ah, yes?
08:18Yes.
08:18You'll find it terribly dull traipsing around after an old lady.
08:21But if you must do it, let's get cracking.
08:35You want to talk about inside?
08:37I'll give you the inside.
08:39That chauffeur.
08:40Oh, really?
08:41Why?
08:42Because he's the closest thing we have to a butler, right, boss?
08:46Because he's too handsome and too French.
08:50Well, you've got to admit, that uniform's kind of cute.
08:59What are you measuring me up for?
09:05I am not thrilled.
09:07Oh, it's you, Bosley.
09:10Definitely.
09:11You're fine, Bosley.
09:12I just hope I can pull off my end of it.
09:15Oh, come on.
09:16It'll be fun and games.
09:17You'll be an heiress whose daddy was the most wonderful man who ever lived.
09:21And, uh, let's put him in oil.
09:24Alaskan oil.
09:25Can you do an Alaskan accent?
09:27Do Alaskans have accents?
09:28Don't ask me.
09:29I am just the French chauffeur.
09:32You know, we have oil in Texas, too, Jill.
09:34Okay, whatever.
09:35Anyway, the old boy just kicked off last year, passed over, and left you barrels of it.
09:41Money, not oil.
09:42And that's the problem, you see.
09:44All these big financial decisions to make, and no wonderful daddy to guide you.
09:48When daddy's gone, Madame Dorian takes over.
09:51Hey, I wonder what Sabrina's been able to find out about the good madam.
09:56Pump, Sabrina, pump.
09:59Nothing like it for firming up the thighs.
10:04Mrs. Rodehaver, we have to check out all your contacts.
10:09Now, I don't understand your reluctance to talk about Madame Dorian.
10:12I told you, she's a spiritualist, and quite extraordinary.
10:17You mean you've gotten messages from your late husband through her?
10:21Harlan continues to advise me on business affairs, as he always did.
10:26Oh.
10:28Well, that must be a great comfort to you.
11:02Oh, we shouldn't be too long, Bosley. Do try to stay awake.
11:06Yes, ma'am.
11:14That, give me love.
11:18I will death.
11:26You do your own and don't run, so I just leave your son.
11:31Buy four million dollars.
11:34May God bless you.
11:35Usebé four million dollars.
11:36May God bless you.
11:41Pay five thousand dollars.
11:42Get nego ve Grant!
11:46Yes, may I be of service?
11:48This is Miss Ostling.
11:50Ostling?
11:51Daughter of L. Burton Ostling.
11:54Ostling oil?
11:56Mrs. Rodehaver had called about a consultation with Madam Dorian.
12:00Ah, yes.
12:01Would you come this way?
12:32Students waste the time and precious strength of Madam.
12:36Oh, you don't have to sell me.
12:37Back in Detroit, I was so scrambled, even my psychiatrist gave up.
12:42But would you believe in four sittings with a medium?
12:44I got it all together.
12:47Then it's your friend here who's troubled.
12:50Oh, yes. Her father died last year.
12:58Perhaps I should interview Miss Ostling alone.
13:00Oh, great. I'll wait outside.
13:10Please relax, Miss Ostling.
13:13Feel at peace with the universe.
13:16I am Terrence. You may call me that.
13:19All right, Terrence.
13:26What is your first name, Miss Ostling?
13:28Kelly.
13:29You seem tense, Kelly.
13:32I'm going to play some music to help you relax.
13:39I want you to concentrate on the music.
13:43Listen very carefully so that you'll always recognize it.
13:48Are you concentrating?
13:50Yes.
13:53Listen to the sound of my voice and the music.
13:59Concentrate.
14:09Count back from one hundred.
14:13One hundred.
14:15Ninety-nine.
14:18Ninety-eight.
14:21Ninety-seven.
14:22When you reach ninety, you will sleep.
14:26Ninety-five.
14:27And hear only my voice.
14:29Ninety-four.
14:31And the music.
14:32Ninety-three.
14:34Ninety-two.
14:36Ninety-one.
14:39Ninety.
14:41Sleep.
14:46Can you hear me, Kelly?
14:48Yes.
14:49Good.
14:51From now on, each time you hear the music,
14:54you will answer questions about your loved ones
14:57and hear only my voice.
15:01Do you understand?
15:03I understand.
15:20Well, I can tell by looking at you it was a good interview.
15:23Miss Ausling has a desperate need to span the void
15:26and can be reunited if only for a few moments with her father.
15:29I feel certain Madame Dorian can help.
15:32Oh, that's great.
15:33The séance will sit at eight.
15:35You will be punctual.
15:36Without a doubt.
15:40What do you wear to a séance?
15:42Oh, something simple, chic, and terribly expensive.
15:51You like this one?
15:52Hmm, how much?
15:54Uh, personally, no.
15:55I wouldn't wear that to a waiter.
15:57Well, isn't that what a séance is?
15:59Well, sort of, I guess.
16:01I don't know.
16:01I've never been to one.
16:03What about Detroit?
16:04I've never been there either.
16:05How much was that?
16:07Bosley, we don't even like it.
16:11Jill, I have a funny feeling about this.
16:13Oh, come on.
16:14You've checked out Bunko Artists before.
16:16I mean, if Dorian's just going to do the old
16:18tambourine and trumpet routine,
16:19you'll be out of there in 20 minutes.
16:21If I have to come on about dear old dad,
16:23I'm going to mess it up.
16:24I just know it.
16:25Most wonderful daddy any girl ever had.
16:29It's a tough role for an orphan girl.
16:31Wow, some orphan.
16:33Right on.
16:34How much?
16:37Right off.
16:39Oh, take it.
16:40Oh, boss.
16:40Charlie, I'll have my legs broken.
16:42Please.
16:43Well, maybe we could rent it just for the night.
16:46Parsley.
16:48Just a thought.
16:54I'll bid two spades.
16:58Pass.
17:04Four no trump.
17:15Four no trump.
17:17That's Blackwood, dear.
17:19Oh, oh, yes.
17:21And then that means that I'm, um...
17:23That you bid your aces.
17:24I bid my aces.
17:32I'll bid two aces.
17:47Good evening, my dear friends.
17:49And for those of you who have joined us for the first time tonight,
17:54a very special greeting.
17:56I am Madam Dorian.
17:59I sense conditions are very favorable for making contact with the other side.
18:06How the spirits manifest themselves, I am unable to foresee.
18:10But don't be alarmed.
18:12And no matter what happens, remember,
18:15they are our own, dearly departed,
18:18reaching back across that awful void that separates their world from ours.
18:24And now, dear friends,
18:28let us complete the circle by joining hands.
18:35Will you ease up?
18:36You're breaking my fingers.
18:38Quiet, please.
18:39Please, from this moment on,
18:43let us have absolute silence.
18:53Oh, yes.
19:05Oh, my.
19:08Oh, my.
19:12Oh, my.
19:20Let's see if we can get your lips moving.
20:00Please, please, please, don't, don't make me go in the dog closet.
20:12Please, please, Beamish, I'll be good, I promise, I promise I'll be good.
20:20Let me have Lilibet.
20:23I get so scared and they're alone.
20:27Oh, Beamish, please let me have Lilibet, Lilibet for company.
20:35Beamish, Beamish, Beamish.
20:45That was sensational.
20:47No.
20:59How'd it go?
21:00Oh, she was great.
21:02Kelly, you really were.
21:03What a great performance.
21:14Hey, Kelly, do the bit again.
21:17What?
21:18The little girl void.
21:19There wasn't any little girl.
21:21I tell you, it gave me goosebumps.
21:23Come on, do the little girl void.
21:24Hey, I don't know what you're talking about.
21:27Nothing happened at all.
21:28If you really must know, it was so dull, I think I went to sleep.
21:32Hey, Kelly, come on, calm down.
21:34We know you're tired.
21:35I'm tired, too.
21:41Boy, I'm telling you, that little old lady's about to drive me into the ground.
21:44Oh, you're kidding.
21:45No, she's either got some kind of a secret source of energy or a roaring metabolism.
21:50Hey, what about her friends?
21:51Any kinky types?
21:54Well, you know, I don't know, there's kinky and there's kinky.
21:58My money is still on that Frenchie chauffeur.
22:01Oh, come on, Boz.
22:03He dyes his hair and he leers a little bit, but that's about all.
22:24I'll walk you to the door.
22:25No need to.
22:26I'm quite all right, thank you.
22:27I know you're all right, Kelly.
22:28I just...
22:29Hey, you'll feel better after a good night's sleep.
22:31Will you stop big sistering me?
22:33I'm fine.
22:34Good night.
22:35Good night.
22:40What happened back there, anyway?
22:42I don't know.
22:44I mean, it started out like a simple, basic seance.
22:47Yeah.
22:47And then Kelly went into her act.
22:49At least, I thought it was an act.
22:50I mean, she was really terrific.
22:52Okay, go on.
22:54Well, she went into this little girl's voice.
22:57It was really spooky.
22:58What'd she say?
22:59Something about Beamish and Lilibet and a dark closet.
23:05And she doesn't remember?
23:06No, that's what scares me.
23:08Well, maybe a couple of good nights' sleep and she'll be fine.
23:12Thanks a lot, Dr. Bosley.
23:14You know, could be that Madame Lasanga really did get through to the spirits
23:18and then used Kelly's voice to communicate with us.
23:21I'll drive, Bosley.
23:24Just an idea.
23:40I'm having a ventilator with Michael!
23:41I love you, too, too!
23:47Eine maid!
23:48Lord, ne the confidence we all see.
23:48Tut down the door, honey,
23:54whatever.
23:54Even if it could have something wrong with them,
23:58it's the last dadurch then?
24:36Another arrival on time.
24:39Okay, I'll see you in the morning.
24:40Right.
24:42You know, I really don't think we should have left Kelly alone.
24:45Yeah, I was thinking the same thing.
24:48You know, it'll probably wake her up, but I think I'll give her a call before I go to sleep.
24:51Okay, will you call me?
24:52Sure will.
24:53Night.
25:00No.
25:03No.
25:06No.
25:07Please don't be a mission.
25:11Please.
25:12No.
25:13No.
25:18Don't make me go into her closet.
25:23No, Beemish.
25:24No.
25:26Please.
25:27Please.
25:30Don't.
25:31Don't take away, Beemish.
25:33Please.
25:34Please, Beemish.
25:36Please.
25:38Let me have Lily bed.
25:39Let me have Lily bed.
25:41Lily bed.
25:43Lily bed.
25:57Hello?
26:01Kelly.
26:03Beemish wants you.
26:05You will come here at once.
26:08Do you understand?
26:09Do you understand?
26:11Do you understand?
26:13Do you understand?
26:38Do you understand?
26:49THE END
27:41THE END
27:45Yeah, well, I think one of us ought to go over there.
27:49Okay, all right, both of us then.
27:52Right, I'll meet you in a few minutes.
27:59Miss Ostling?
28:02Miss Ostling?
28:03My name is Kelly.
28:06Well, that's what I'll call you then.
28:08Because we're going to become very good friends.
28:11I could help you with your problems, Kelly.
28:14Advise you as your father would if he were here.
28:16Hmm?
28:17Yes.
28:19Of course, I'll need to know all about your financial affairs.
28:22Who handles them?
28:25Bank?
28:26Corporation?
28:28Your lawyer?
28:29Uh, no.
28:31What do you have?
28:33A trust fund?
28:35Stocks and bonds?
28:36Jewelry?
28:38Just my savings.
28:39Your savings?
28:45All right.
28:48Let's just talk about your childhood for a while.
28:51Uh, no.
28:54I don't want to.
28:55Why not?
28:57Because of Beamish?
28:58Who was she?
29:00Your governess?
29:01No.
29:02A housekeeper?
29:03Your stepmother?
29:06Matron.
29:07Matron?
29:09In the orphanage.
29:12You were never...
29:15Your father died only last year, didn't he?
29:20Didn't he?
29:23Uh...
29:24I never knew my father.
29:26What do you mean, you never knew him?
29:30I never knew him.
29:31L. Burton Osling?
29:34Osling Oil?
29:36No.
29:38He wasn't your father?
29:41Uh...
29:42I made it up.
29:44Oh, my God, it's a setup.
29:47I've been set up.
29:49You're a plant.
29:54Oh, man.
29:56I thought I could spot one a mile away.
29:59Phew.
30:03I'll say this for you, honey.
30:04You got a class act there.
30:07Who are you, anyway?
30:08A cop?
30:09No.
30:10No?
30:11Bunko Squad?
30:12You Bunko?
30:13No.
30:13Okay.
30:16You're not Bunko Squad.
30:17You're not a cop.
30:20Who do you work for?
30:22Charlestown's and Detective Agency.
30:25Part of detectives.
30:27Your blonde friend, too?
30:29Jill Monroe.
30:32Oh.
30:45Listen to me.
30:47Do you want me to call Beamish in?
30:49No.
30:50No, please don't.
30:51Do you know who Beamish really is?
30:53Ah.
30:54Matron.
30:55Yes, but now she calls herself Jill Monroe.
30:57No!
30:58Yes, it's her cover name, and she's disguised, too.
31:01If you look very carefully, you will see that she's really Beamish.
31:06No.
31:07No?
31:07There's no need to be frightened.
31:08I'm going to protect you.
31:09I can fix it so that Beamish will never bother you again.
31:11Would you like me to do that?
31:13Yes.
31:13All right, I will.
31:15I'm going to give you a phone number.
31:17The next time you see her, the moment you see her, you will call me.
31:23I will tell you exactly what to do.
31:25It's the only way that you'll ever be safe from Beamish.
31:30You will go home.
31:32You will remember nothing.
31:34Say what I have told you to do.
31:41Oh
32:18Kelly?
32:19Kelly?
32:40Phone's off the hook and she's gone.
32:42So's her car.
32:42Okay, all right, where could she go?
32:45Four o'clock in the morning.
32:47I don't know where.
32:48I don't know why.
32:49I mean, it must have all started a seance.
32:51I figure that's where it's got to lead back to.
32:53Let's go.
33:00Terence?
33:01What?
33:03Oh, I thought you'd gone to bed hours ago.
33:05I couldn't sleep because of very powerful vibrations.
33:10I didn't understand them, but I knew something was wrong.
33:13I listened to you and that girl.
33:15Oh?
33:16It would save me having to explain it to you.
33:19Explain what, Terence?
33:21Time to cut and run.
33:24But why?
33:25Why?
33:26Because that girl's a private detective.
33:28Because after her, the real cops come.
33:30Look, Doris, the game is over.
33:33What are you talking about?
33:35I haven't done anything against the law.
33:38I have nothing to fear from the police.
33:40Yeah, well, I've had a few things going on the side.
33:42What do you mean?
33:43What things?
33:44It doesn't matter.
33:45Listen, we had a good run.
33:47We both made a few bucks, right?
33:48Maybe we can open in a new location.
33:50But in this city, we've had it.
33:52So pack up before it's too late.
33:56But what about my people?
33:57I mean, they need me.
33:59How can they get through to their departed ones?
34:02My God, she's conned herself.
34:05Doris, come out of the fog.
34:07There are no spirits.
34:08Oh, what a dreadful thing to say.
34:12It was a fake.
34:13I did it.
34:14All of it.
34:15I was the bell ringer, the tambourine shaker,
34:17the voices and the trumpets.
34:18The whole works.
34:19That was me, remember?
34:20I'm not talking about those tricks.
34:22They're just atmosphere.
34:23But you couldn't make Miss Ostling revert to her childhood.
34:26Look, you dizzy old bag.
34:28I hypnotized her.
34:29Just like that Grace Rodehaver.
34:31I got a program to cover us while we get away.
34:33I don't know why you're doing these things, Terrence.
34:37But I've got no reason to run.
34:40Okay.
34:41Do what you want.
34:42I'm going home to pack.
34:55Operator, I want to call the police.
35:02What's up?
35:18I'll see you next time.
35:19I'm going home.
35:21I'll get off of you next time.
35:22I don't know.
35:23If it was a place to be home,
35:24I would say no, I wouldn't be able to be.
35:24I'm not going home.
35:25I'm going home.
35:27I'm going home.
35:29I'm going home.
35:31I'm going home.
35:52Go ahead.
36:06Looks like he's gone.
36:07Here's Kelly's purse.
36:09You sure?
36:10Yeah, I'm positive.
36:11All right, we better search the whole house.
36:23Hey, I can't get the lights on out here.
36:27Wait just a second.
36:50Hey, I can't get the lights on.
37:01She's dead.
37:04We've got to find Kelly.
37:07Let's go.
37:16Sabrina, if Kelly threw the car here, why would she leave without her purse and her car?
37:23Maybe she didn't have any choice.
37:25I'll follow you to Kelly's.
37:39Who is it?
37:41Kelly?
37:41Oh, Sabrina.
37:43Wait just a minute.
37:46Hey.
37:47You okay?
37:48Sure.
37:49Where have you been?
37:51Right here.
37:52I just got up.
37:53Why?
37:54Um, well, I've, uh, I just tried to call, that's all.
38:01About what?
38:02Well, we've got a case to solve, you know.
38:06Um, could you make some coffee?
38:09Sure.
38:09Wait just a minute.
38:11Thanks.
38:14Um, that'll be Jill.
38:15I'll let her in.
38:16Okay.
38:20Come on.
38:21Come here.
38:24She's here.
38:25But, um...
38:26But what?
38:27I don't know.
38:28She, she doesn't remember she was gone.
38:30Oh, come on.
38:31I'm not kidding.
38:32It's like she's been brainwashed or, uh, I don't know, hypnotized or something.
38:37Oh, Brie, wait.
38:38You don't think she could be made to do anything bad, do you?
38:42No, no, no, no, no, no.
38:44Not as long as she understood that it was bad.
38:46Listen, I tell you what.
38:48Why don't you stay here with her?
38:51I'm gonna get back to Mrs. Rhoda Haver's house.
38:53I got a feeling this whole thing's about to explode.
38:56Hey, wait.
38:56What?
38:57She doesn't even remember leaving this.
39:00Remember leaving?
39:01She doesn't remember anything.
39:02Are you kidding?
39:03I'll see you later, okay?
39:05Okay.
39:09Kelly, I'm here.
39:13Hi.
39:14Hi.
39:26Watch the coffee.
39:27I'll be back in a minute.
39:28spot for a moment.
39:29Sure.
39:31Oh, boy.
39:33I'll be back.
39:35I'll be back.
39:51I'll be back.
39:51I'll be back.
39:54I'll be back.
39:54I'll be back.
39:57I'll be back.
40:02hello
40:05oh yes kelly
40:10yes i knew you'd see through beamish's disguise
40:15yes i'll tell you what to do so that she'll never bother you again
40:22yes yes i know where it is then don't wait do it right now do it quickly very quickly
40:37hey what's for breakfast i got a big hole in my stomach
40:47there's no food we'll have to go out i know a place come on what's the matter with you
40:57i'm fine come on
41:05mrs roly havers something very strange just happened to kelly and i'm
41:16i'm downstairs now
41:22yes
41:25i understand
41:31very well if that's what i must do
41:40oh
41:43oh
41:44oh
41:47oh
42:11Hey, Cal, I'm hungry, but not that hungry.
42:20Kelly!
42:34Kelly, please!
42:36Kelly!
42:40Are you afraid, Beemish?
42:44Beemish?
42:46Hey, listen, Kelly, will you listen to me?
42:49Hey, look at me.
42:50No, don't look at me.
42:52Just keep your eyes on the road and slow down.
42:55Listen to what I'm gonna say.
42:57I'm not Beemish.
42:59I'm Jill.
43:01Remember your best friend, Jill.
43:04Beemish.
43:17Kelly!
43:20Kelly, try to understand this.
43:23The bridge is out.
43:24We're gonna crack up.
43:26You can't wipe out Beemish without destroying yourself.
43:30Kelly, you're gonna kill us both!
43:33And that's what Beemish wants.
43:35She wants us both dead!
43:43Okay, however it is.
43:45I just want you to know I love you.
43:47And Sabrina loves you.
43:49And Lilibet loves you.
43:53Lilibet?
43:54Where is Lilibet?
43:56That's right, Lilibet!
43:57You forgot her.
43:59You left her at home.
44:00We have to go back and get her.
44:06That's right.
44:07Slow down.
44:08A little more.
44:10Kelly, get the brakes!
44:19Oh, Jill.
44:23Jill, I nearly killed you.
44:25Oh.
44:26Hey, us!
44:27Kelly, you were here too.
44:30It's okay.
44:31Kelly.
44:32It's okay.
44:33It's okay.
44:34I'm sorry.
44:37I'm sorry.
44:39Your timing is not too hot.
44:42Jill, listen.
44:43Tell me all about it when you get here.
44:44Just get here fast.
44:4635.
44:46I'll never go faster than 35 as long as I live.
44:50Just hurry, okay?
44:52We'll hurry.
44:53Okay.
44:54Kelly, that's Sabrina.
44:56We've gotta go.
44:56I'm gonna drive.
44:59Okay.
45:26I'm really very tired, Sabrina.
45:28Why can't I go back to bed?
45:29Because I think you're gonna have a visitor very soon.
45:32A visitor?
45:33I can't receive anyone like this.
45:35Oh, he won't mind.
45:36I will.
45:38He?
45:39Who?
45:40Your burglar.
45:42Who?
45:42At least that's what he is technically.
45:44Even if he uses gullible ladies to do his work for it.
45:48Gullible?
45:49If you're referring to me, I resent that.
45:52You have no right to say such things.
45:54Mrs.
45:54R-
45:56Listen.
46:10Could you come over here for a minute, please?
46:13What do you want?
46:17Do you recognize that man?
46:20Why, it's Terrence.
46:22Madam Dorian's assistant.
46:24Yes.
46:50Get out of the way.
46:50Back up.
46:51You've got no place to go.
46:52The cops are on their way.
47:04Leave her alone.
47:08Haven't you done enough harm, Beamish?
47:11What?
47:12You're evil, Beamish.
47:14Wait.
47:15Kelly, this isn't what I told you to do.
47:18I have to destroy you.
47:21That's the only way I'll ever be rid of you, Beamish.
47:24Wake up, Kelly.
47:25When I count to three, you will wake up.
47:27One.
47:28Two.
47:35You ain't here.
47:37She's out of control.
47:39Do something.
47:40She'll kill me.
47:41Kelly?
47:42I have to destroy Beamish.
47:45I have to do it.
47:47Kelly.
47:48If he confesses to everything, will you put the gun down?
47:53I'll confess.
47:54What do you want me to say?
47:55Where's the jewelry you sold to Mrs. Rodehaver?
47:58In my van.
48:00All right.
48:02How many other people did you rob with this hypnosis trick?
48:06Two.
48:06Just two.
48:07You want their names?
48:07I'll give you their names.
48:08Did you kill Madam Dorian?
48:10I didn't mean to.
48:12It was an accident.
48:12Look, will you take that gun away from her?
48:14Kelly!
48:15Kelly?
48:17Kelly, will you give Jill the gun?
48:20Sure thing, kiddo.
48:23Now that was a performance.
48:25You get my vote.
48:26It's the best performance in a situation trance I've ever seen.
48:32Kelly.
48:46How are you feeling, Kelly?
48:50Kelly?
48:52Oh.
48:53It's all a matter of information, Charlie.
48:56You figure out what's happening, it can't scare you.
48:59We've been doing some research on the intricacies of the human psyche.
49:04Fascinating place, the psyche.
49:05Okay to visit once in a while, but you wouldn't want to live there.
49:09Well put, Charlie.
49:11By the way, Charlie, the case against Terence the Terrible is proceeding nicely.
49:15Looks like there won't be any problem getting a conviction.
49:17Mrs. Rodehever called me.
49:19She was very pleased.
49:20Oh, by the way, Sabrina, she wants you to join her yoga class.
49:24Pass.
49:25I cannot keep up with her action.
49:27I'm not old enough.
49:29Pity.
49:30Personally, I like grown-up games.
49:32Bye, Angel.
49:48Bye, Angel.
49:51Bye, Angel.
49:52Bye, Angel.
50:07Bye.
50:17Bye, Angel.
50:18Bye, Angel.
50:19Bye.