‘अंकित मोहनसारख्या अभिनेत्याला सिनेमात घेऊ नका!’ Devghar On Rent च्या दिग्दर्शकाचा संताप | Interview
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#AnkitMohan #DevgharOnRent #MarathiCinema #MarathiMovie #MarathiFilm #DirectorInterview #AnkitMohanControversy #MarathiEntertainment #MovieInterview #FilmIndustry #MarathiActor #CinemaNews #EntertainmentNews #LokmatFilmy
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NewsTranscript
00:00If we have shot a gunshot, if we close it, we can put a gunshot.
00:05And then the gunshot is like a gunshot.
00:09That's good.
00:10I did it.
00:11I did it.
00:13How did you do the teaser for the actor?
00:17I don't think I was going to put it in my teaser.
00:19I am director.
00:20I am a genuine person.
00:22I am in the studio.
00:24I am debating about the story, the story, the story.
00:27I am debating one to one.
00:28I am debating one to one.
00:30I am debating one to one.
00:31I am debating one to one.
00:31I will not be working with the director.
00:34If you choose the director, the actor is going to be working with the actor.
00:39If you have to vote on that camera, I am afraid of legal notices.
00:44Okay, but we should just do a legal process in production house.
00:47We should do a real film.
00:50So, I am doing free to do this.
00:51I am going to have to talk to the internet.
00:53Why are we not going to be doing something wrong?
00:55Because of this story, these stories would be very hard to remember.
00:58I had a story coming in, and you would be like that.
01:00I needed coffee with my son.
01:03I'd say this, that means it's too simple.
01:05But a word is only here.
01:07It's all over to me.
01:08And this story was written in the past.
01:11I started to like the policeーツ by doing some of my stories.
01:14My call is because of what's the police said and I telling you it's because of my.
01:19So it's good.
01:20I don't know if it's true.
01:21We have two different times in this interview,
01:23and I always blame it.
01:24I don't think that's what it's called.
01:25I read two podcasts,
01:27I noticed that,
01:29you came from the past,
01:31you have to feel it.
01:33You can feel it,
01:36you have to feel it,
01:36but you will be a bit more.
01:39We have to do this.
01:41We have to try to play something.
01:42We have to do this.
01:43We can't do it.
01:44We have to do this,
01:45we can't do it.
01:47and in the group left,
01:50it doesn't make me a Shiva.
01:53In this interview,
01:55I was scheduled to tell you
01:58that the schedule will be so interesting.
02:01I don't know if you can't see it.
02:05But I was wondering,
02:07how do you feel about it?
02:09I'm getting too much to tell you
02:11in Marathi Film Industry.
02:13Please,
02:14Please, Ankit Mohan Khan, please don't forget to subscribe to our channel.
02:44So, I think it's not true.
02:46So, Dikdarshak and the producer,
02:48we have two guys here.
02:49So, welcome to the film.
02:52So, what kind of story did you know
02:53that the whole cinema process started?
02:56I was a writer, Sanjay Nuhugresar.
02:59He told us about stories and dialogue.
03:03So, I was very interested in it.
03:05So, I was very interested in it.
03:06So, we started casting in the cinema.
03:09Since I had the actors who were looking at this,
03:12I started it and didn't want to get into it.
03:15But, we started shooting through the film.
03:19There were a few actors who were out and saw.
03:22And there was this film.
03:23Alright.
03:24So, you know that the trailer and the teaser launch,
03:27everything came out and there was a growing above
03:30and it was a great interview.
03:32It was an incredible interview called the movie.
03:34So, why did you pick up the name?
03:36What did you choose from the name?
03:37It is our case, that we are talking about the same thing.
03:40We are talking about the same face value, but we are talking about the same face value.
03:47It is not the same face value because of the same face value.
03:58So, when I was in the video, I wanted to get the phone out of my mind.
04:04What is the problem? What is the problem?
04:07In that moment, I was told that I had changes in the script.
04:15The script would come and shoot.
04:18The script was written in the mail and whatsapp.
04:24The script and film doesn't change. As it is, we will shoot for the film.
04:30But there is also dubbing, dubbing, dubbing, and there is no problem with the film.
04:41For me, I don't have to say anything about the film.
04:47There is a special requirement to film a separate film.
04:51I have to say that everyone has to say this.
04:52We would have to say a separate film for the film.
04:55There is a short film because it is the same.
05:01In 2015, this is the only group we would say.
05:04I would say a short film.
05:09I would say it's a much better.
05:11I would say it's a much better.
05:15How did you do it?
05:17This is the shooting.
05:20I'm doing my own show.
05:22It's shirtless.
05:24We put it in the film.
05:28We shoot it.
05:31We have to do it in the film.
05:34I am not going to cooperate.
05:36I am not going to be in the center.
05:41I don't have any character in this film. I'm a hero-based film.
05:48I have a backstory for every character.
05:51We have a film as a character.
05:53When I was the lead, I would say,
05:55I would say,
05:57I would say,
05:57I would say,
05:58I would say,
06:00I would say,
06:06I would say,
06:07I would say,
06:07I would say,
06:07I would say,
06:10I would say,
06:12I would say,
06:15I would say,
06:18I would say,
06:19this film is a very interesting film.
06:24It's also a dubbing.
06:26It's based on the radio.
06:27It's about the show.
06:28I'd say,
06:28I'd say,
06:32I'm a very interested in the film.
06:34But the story of the film has not changed, as it is the story.
06:39But I don't know what the problem has happened.
06:41They told me that the story of the film has changed,
06:45that they don't have to centralize it,
06:48that they have the photo that I have committed.
06:50So, the reference photo of the photo,
06:53I took a picture of the poster.
06:54So, the reference photo,
06:55the reference photo,
06:56the poster is on the picture,
07:00and the reference photo of the poster,
07:04the poster is not a centralized character.
07:06It's not a middle character.
07:09So, I don't know how to do that.
07:14If the poster is not a middle character,
07:17the poster is not a single character.
07:21But the character is a single character.
07:23And if the poster is the main poster,
07:26it's not a middle character.
07:27I don't know how to do that.
07:31It's not a character.
07:31But I'm not a hero-oriented film.
07:33I'm not a character of the character.
07:35So, I think that you have the same character.
07:39You have the same character.
07:40You have the same character.
07:42But we're the same character.
07:43You sign it.
07:44You sign it.
07:44And if you're the story,
07:45you sign it.
07:46You sign it.
07:47So you sign it.
07:48As an actor,
07:49you say that I sign it.
07:52You are not a character.
07:55I don't know what it is, but it's also the leader of the film.
07:57But if I wanted to talk about it, I would like to talk about it.
08:04And the other thing is that I didn't have any contact.
08:08I didn't have any contact.
08:11I didn't have any contact.
08:12I didn't have any contact with my blog.
08:15I wanted to launch the promotion.
08:18I had a record on my mobile,
08:19and I said, please call me,
08:23I didn't have any contact.
08:25I didn't have any contact with my phone.
08:28I said, what is this?
08:29This is a little bit more.
08:31The media is a little bit more.
08:32Before the teaser released,
08:35you came back to the video.
08:37You were blocked on the video or you were blocked on the video?
08:38The teaser is blocked on the video.
08:40But I didn't have any contact with my phone.
08:43I didn't know.
08:47I didn't know.
08:48I told you that we were doing a promotion.
08:50The other person just talked about it.
08:52They were not talking about it.
08:53I was asked for the manager of London,
08:56and they put into a message and reply.
09:00I told you that the media is wrong,
09:03that you have to say something wrong.
09:06You need to say something wrong.
09:08You can't say something wrong.
09:10You have to say something wrong.
09:11You have to say something wrong.
09:12You have to say something wrong.
09:13This is the proof of the script.
09:20The first one is the script.
09:22We didn't contact the director.
09:24We had a recording of the script.
09:28We didn't have a proof of the script.
09:30We didn't have a script.
09:31We didn't have a script.
09:32We didn't have a script.
09:36He was like, he was working on the second part.
09:40We didn't have a script.
09:44We didn't work in the second part.
09:49We didn't cut too much the script.
09:52We couldn't do it.
09:53But in this part we used different things.
09:54Coming from the other stage,
09:56it was starting to go now.
09:59We don't have a script.
10:03Go to the next position.
10:05It works right and you want to work with the poster.
10:07The character is centralised and there is also a commitment to say that I don't know what's going on in
10:17the promotion of my date or the trailer.
10:20There is no date on the social media.
10:23If you check the social media, there is no date on the date.
10:29There is no date on the date.
10:32No teaser, no trailer.
10:33There is no date on the date.
10:33Why was he posted on the date?
10:35He was an actor.
10:37He was available on the date.
10:39They all posted on social media.
10:41He was worth it, right?
10:43The actor is a great time.
10:45I've taken a bike and I couldn't do that.
10:51There is no idea about the director.
10:52There is no idea about the actor's choice.
10:54There is no idea about the actor's choice.
10:56I will choose it and I will have to say it.
10:59So, I have to do a little bit more, that's why I have to do it.
11:04If I do it, I have to do it.
11:08I have to do it separate.
11:10My car is not just my car.
11:16It's separate.
11:17I have to book it.
11:18I have to buy it.
11:19I have to buy it.
11:22I have to do it separate.
11:25It was a big agreement that I would like to do this.
11:29It was all that.
11:30When the premier came, I would not come.
11:33Pune atlea.
11:34Pune atlea, that's it.
11:35The rest of the photoshoot, poster shoot, shoot.
11:39It was all that we provided.
11:40What is it?
11:42What is it?
11:43What is it?
11:44What is it?
11:46What is it?
11:46What is it?
11:47What is it?
11:49The producer is here.
11:50If producer has money, you don't know what's your ego.
11:54You don't get money, in the Marathi industry.
11:59What's the media is.
12:00You have to prove it, and you have to prove it,
12:03that's good.
12:06I have to keep my heart in the Raja Yoga,
12:08but I have to keep my heart.
12:12I have to keep my heart as well.
12:13No, they don't make it.
12:14Nothing can do.
12:22No, no, no, not no, no, no, no.
12:29They say, I don't have to worry.
12:32They say legal, you don't have to worry and you don't have to worry about it.
12:39So we don't have to worry.
12:41Maybe we don't have to worry about it.
12:51I am scared of the legal notice, but I am scared of the legal notice, but I am scared of
12:56the legal notice.
12:56I am scared of the legal proceedings in the production house.
13:00geekka ya legal preferring karaj di karan tani promotion na keliya
13:04amta commercial law she allowed me
13:08maharadana sona bhe honu kewani qati lahat galun
13:12asa lokaan namo rkha bhano na aani khota goski promote karne
13:15Kati sechuki goshta hama jaya apan java actor la sain kar to
13:21tjala hai goshti saagde adhi santo na ki tujji bhumi ka kaya hai
13:24I said that I am going back to the story of the country.
13:30I am going to tell you, and I am going to give coffee.
13:35There is no one word.
13:38I don't have to say that.
13:39I will tell you, two months later,
13:44he will get the patchwork for two months.
13:46I go to Ram Gharod and Shravan Rajwena.
13:53foreign
14:04foreign
14:07foreign
14:17foreign
14:19foreign
14:19I think that I'm done with this business.
14:21When I joined the Premier, I contacted the map,
14:26I contacted the production house,
14:28I told you the city tour,
14:32you get a payment.
14:35I told you the P.I., I said it,
14:40I said it, no matter what.
14:42I got two people in the interview,
14:44I blame it, it's very bad.
14:47I am so proud to see you.
14:52Please, Mr. Mohan sir, don't give us something to the industry.
14:58So, what can we do?
15:01I am a teaser in Ram Garud, which is released from the group.
15:05So, you don't need to show us the shiva.
15:08Now, I am talking about the camera as well.
15:10We are in the cinema.
15:13I don't know what I'm going to do, but I'm not going to stop at that point.
15:21I just don't know how to promote that film in cinema,
15:24but I think the truth has happened to me that I can do something that I want to do.
15:28I have understood this story,
15:30but I don't understand anything about this film.
15:35But what do you think of that?
15:40I don't know what I'm thinking.
15:50foreign
15:52foreign
15:53foreign
15:54This is important to me, so we are only working on a client but not only this issue.
15:57The family is arry as a person who can't buy your own.
16:06The same thing is that, you know, that we have to give the personal support to you.
16:09They have to give you a check to enter your own stories.
16:10But I've said more about it, even more about it and it takes you to a follow-up, the name
16:14of the people they have.
16:18I was telling you, that the people who the children, who are the children of the language and they don't
16:22want the love of you.
16:22They just want to give you the support, don't want to give you the support.
16:23But then the money is the student, to give you the support.
16:24The people who have the support, they want to give you the support.
16:24We will debate the story and one to one debate.
16:30We will give a number of people to get the money.
16:34We will give the police a lot of money.
16:37It is a big deal.
16:39We will get legal notice to get the premier.
16:43Why do we get the premier?
16:45We will get the legal notice to get the first one.
16:48We will get the first one.
16:53First our decision is to be felt that there is a way that we have the decision to do it
16:58on the court as possible
17:08If you know why you want the reason that the person needs to be felt
17:15It must be harmful for your phone
17:17But the case in the legal process is to be thought
17:21The phone was useless.
17:22You used to be able to respond to a phone.
17:27Give a message to my door,
17:28which means you, don't call me.
17:30You said you need to give a request for two interviews.
17:33I said the answer for two interviews,
17:36and that's why you got a promotion.
17:37Why can't you listen?
17:40I didn't feel happy.
17:42I didn't understand the process of getting this.
17:46The process was so good.
17:47I don't think we'll be able to play a big role in cinema.
17:52But you just want to think about the premiere of Ponyat.
17:58I don't think it's been a premiere of the whole thing.
18:02So you just want to think of it as well.
18:16Let it be, promotion is not going to be strong.
18:19Our way is strong.
18:21If we are as a producer or as a director,
18:25we are strong.
18:26If we are willing to study,
18:28we are willing to study.
18:29We will not do anything.
18:31We will not do anything.
18:32If we are shooting for a shooting,
18:35we will be busy.
18:36We will not have a problem.
18:40We will not have a problem.
18:42We will not have a problem.
18:45You will not have a problem.
18:47But it is the agreement.
18:48The agreement is clear.
18:52We are working on the picture.
18:54The picture is short.
18:56The promotion is short.
18:57Why are we not able to support the picture?
18:59Consider the promotion despite the fact that
19:04If we visit the city,
19:06I want to go down to our website.
19:09I want to work on our website.
19:10But we can't tell us what to do
19:11We can't do it
19:14We can't do it
19:15We can't do it
19:17We can't do it
19:17We can't do it
19:18But we can't do it
19:25We can't do it
19:27We can't do it
19:27As a mother
19:29We can't do it
19:30You can't do it
19:34I don't think
19:36I'm not going to do it
19:38We can't do it
19:41You can't say it
19:43We can't speak
19:43We can't do it
19:48We can't do it
19:48Like promotion
19:49We can't get anything
19:53It's okay
19:53It doesn't make promotion
19:56We can't do it
20:00We can't do it
20:02We can't try all our post
20:03We can't do it
20:06Let's talk
20:08I don't have any force
20:10But if you don't post your film
20:15What do you think about it?
20:17You don't like it, you don't like it
20:20I mean, it's not a single post
20:21It's not a single post, but what do you think about it?
20:25You have followers, fanbase
20:28You paste followers, fanbase
20:32I'm doing it, right?
20:34I don't think it's physical
20:36You should go ahead and you should make some updates
20:38You should do a single post
20:39But you should do a single post
20:42At least post
20:43But if we don't like it
20:46You shouldn't be there
20:48We should pay for it
20:50I don't want to do pictures
20:53Just like this
20:54It won't be a promotion for the artists
20:55We don't want this
20:56But it's important for artists
21:00You should boycott
21:01Because we don't think it's any truth
21:03I don't want to get into the comments.
21:05I don't want to get into the comments.
21:07But if you have a question in the interview,
21:10what are you going to ask?
21:12You are going to get legal notice, right?
21:15Yes.
21:15If you are going to get into the comments,
21:17you are very emotional.
21:19Even if you are a madam,
21:21you are also going to get into the comments.
21:24You are going to get into the comments.
21:28When I was talking about this,
21:30I was talking about the comments.
21:31Myлуics said to him that theホurchas program
21:34came from the comments.
21:35She wanted flashcards because know me,
21:39we need blockchain students.
21:44You don't want to get interested in the comments
21:48You will be supportive of them.
21:55Well, that's our biggest question
21:56in the comments.
21:57Now, if you are amakist'sav least
21:57do you want to get into these messages?
21:58One day he has read a podcast and you can't explain a problem.
22:02A producer is being aware of the way you should be aware of it.
22:05If you have noticed that you will not be aware of the way you necessarily have noticed.
22:07There is no reply to the audience.
22:10I was a child of Chhatrabarti Shiva Ji.
22:14I am the young man of Chhatrabarti Shiva Ji.
22:18Why are there feelings between the people and the people of Chhatrabarti Shiva Ji?
22:22That's true.
22:23There are people who are responsible for you.
22:24I'm not saying that how many people are dealing with this film.
22:25I'm not saying that in the interview, I'm not saying that we're being in a movie.
22:31I'm not saying that we're being in a profession.
22:45But I'm not saying that we're being in a movie.
22:48And that's why we're being in a movie.
22:50That means that our producers are emotionally connected and spiritually connected.
22:55So, if you get your emotions, you get your promotion.
22:58If you get your money, you get your money.
23:01Today, I was thinking about a teaser.
23:04Okay, I had a lot of time.
23:07What did the teaser mean to the actor's issue?
23:09What do you think about the teaser?
23:12What do you think about the director?
23:14What do you think about the teaser?
23:15What do you think about the teaser?
23:16What do you think about the teaser?
23:16I have a phone message talking to my teaser.
23:19I have a message sharing which I want to give you the teaser.
23:26What do you think about the genre and how these teaser are made?
23:29Who does the director have made the teaser?
23:30And who does that?
23:30The actor has no idea about the director saying,
23:33what are the actions of the edit?
23:34Number one, I can recognize the messages.
23:35Even in One-To-One conversations.
23:38And I can also recognize the messages on voice recording.
23:41I can show you the same.
23:43If we have shot some gunshot, and if it's close to the camera,
23:48we can also put a shot.
23:49If you take a gunshot, then it's okay.
23:52We've got a gunshot.
23:53It's also good.
23:55Even on the radar that I've ever seen.
23:58There's a lot of important things.
24:02There's a lot of people who have seen the film.
24:06There's a lot of interest in the film.
24:08But you can see it.
24:10If you have a single poster, then you have to make a single poster.
24:16Plus, if you have a song shoot, then the teaser will be shot tucked away.
24:20So, what do we do with this?
24:23There are relations between these two.
24:26Why?
24:28Separate teaser.
24:29This is a separate teaser.
24:31This is a separate teaser.
24:32This is a separate teaser.
24:33This is a separate teaser.
24:35This is a separate teaser.
24:37So, when we edit the teaser,
24:41we have to call the loop.
24:45We have to call the loop.
24:48We have to call the bonus.
24:49We have to call the 2011 period.
24:52So, we have to launch the teaser to Garuda.
24:58We have to launch the teaser.
25:00This is a separate film.
25:02This is a separate film.
25:08This is a separate film.
25:11It is not a trailer, but it is written for the film.
25:19Everything is announced to be released.
25:21This film is going to be done in the production.
25:23It is a saleable point, right?
25:25The show is going to be sent in the film.
25:25It is not seen in the film.
25:26It is not seen in the film.
25:26While it is filmed in the film, it is shot in the film.
25:29So, when he was talking about his phone, he didn't say that he was shooting, and he said,
25:36Hey, there's an exit in the scene of Garuda.
25:42So, when he was shooting, he didn't say that he was dead.
25:48So, he was the actor who was the actor.
25:52He was the main sequence of Garuda and Shravan.
25:56So, he went to the UK for a month.
26:03So, he released the movie.
26:06He didn't have a match.
26:08He didn't have a fight sequence.
26:11He didn't have a fight sequence.
26:13So, there was an exit and an entry.
26:16So, the entry and exit was cheated.
26:19There was no change in the cinema.
26:22There was an entry and exit.
26:24So, the story changed.
26:26There was no story, but there was an exit and an entry in the fight sequence.
26:32So, there was an exit and an entry.
26:45So, there was an exit in the cinema.
26:47So, you have to have a fight sequence.
26:49You didn't have a fight singer.
26:53You didn't have a fight anymore.
26:55We didn't have the reason.
27:03We didn't have a fight fight.
27:04My story is the character of Sathya Namath.
27:08I will never fight against each other.
27:11I am a police officer, I am not a man, I am not a man.
27:17I am fighting against each other.
27:20I am fighting against each other.
27:23I am fighting against each other.
27:25I am fighting against each other.
27:28I am fighting against each other.
27:31We shoot like superheroes and we get halfway back to killed each other.
27:35I decided to make a lot of epic, you had no idea.
27:39So, I won't be shooting.
27:44This is another thing, I felt my body's reduced.
27:47I was Premium Game.
27:51One extrahit, you would not beамен in the cinema.
27:53I didn t write a film.
27:55I was in a book called the Film Show, and I was in a film with the film, and I
28:01was in a film, and I was in a film with the film, which was the date for this film.
28:04And I was in a film and I was in a film, but I was in a film, but physically,
28:06I would.
28:07How did you schedule that schedule?
28:10In the interview, I heard that I was a schedule.
28:14I was asking that you had schedule for the consumer and the medium, but it was a schedule for the
28:21duration.
28:23So there are films, movies, movies and movies.
28:28They are not the only ones that we can do.
28:31But our industry is very small.
28:33We want to make it a difference.
28:39We want to make it a cost.
28:41We have to do the job.
28:45We have to figure out what we are doing.
28:50The film is a dream of a dream
28:55There is no doubt about it
29:00The film is a dream of a dream
29:04It is a dream of 1,000,000,000,000,000,000
29:10So, when we get a dream of a dream
29:13Then we get a dream of a dream
29:15How much money can you produce in the world or in the old world or in the cinema?
29:22I would say that, sir, I would like to sell the product and sell the amount of interest in the
29:30production.
29:33I would like to have a business.
29:35I would like to have an adjustment.
29:38And I would like to have a dream.
29:39I would like to have a director of work.
29:43And when we work with our team, we are very sad to see what we are doing, and we are
29:51very sad to see what we are doing.
29:52And there is a lot of impact on our commercial work.
29:57And I think we have solved it in the beginning.
30:03So we have not done any of this.
30:05Given the fact that the situation in this situation is increased in that situation within the person who asked the
30:12question of the situation was not be affected by the person who is the person who has only been affected
30:14the situation.
30:17We have thought about this when we asked legal notice.
30:20This is where I think it is.
30:21Because we saw the situation on the situation on the situation in 2023 or 2024, but when we saw it,
30:26when we saw the situation on the situation and again the incident the situation was invited.
30:28It was not a case that we agreed.
30:31But in a week, we have to approach this and continue to call.
30:38The context of the interview is that if we have a right, we have to answer your question.
30:44If you have a right, please stand as much.
30:46It doesn't have much more than it.
30:50They have to answer your question.
30:53Why do we not ask that we should go?
30:56We should ask some questions.
31:06If you take some attention in your interview, and you have proven to make a notice is that you're wrong.
31:12Do you buy all your activities?
31:15You need to do your classes?
31:17If you take some attention...
31:19You can be given to me like this.
31:21When you talk to me, when the judge says, you get the challenge.
31:23You snore that message then.
31:25How much do your team reply?
31:27We have replied, in front of you, we can reply to the team.
31:36Then you answer it and you're going to get it.
31:39You'll need to reply two years.
31:42But we've got a decision.
31:44We've got a product of LSE because we can't.
31:46We can't.
31:47We'll talk about LSE.
31:50There is a case that you have to do one-to-one one-to-one conversations.
31:55One-to-one conversations.
31:57One-to-one conversations.
31:59We'll talk more about a couple of conversations.
32:01We'll talk more about a couple of conversations.
32:02It's good. We are good.
32:04But it is good.
32:06We decided that we are not going to have a lot of money.
32:11We will not have a lot of money.
32:12I will have a lot of money.
32:13But what happened?
32:15We need to have a lot of money.
32:19There are no big highlights.
32:24No big highlights.
32:25No big highlights.
32:26No big highlights.
32:28No, we should.
32:28But that is why we are not able to make it a very important job.
32:33The funding is a huge part of our clients.
32:37There is also a nice job in the Karate Film industry.
32:42We are not able to make the job of the film industry.
32:47If we are not able to make it a big part of the film industry,
32:54we are not able to make it a big part of it.
32:58There was a call in front of me.
33:00There was a lot of words in the interview.
33:06I don't want to counter it.
33:08I don't want to know the evidence.
33:13I don't want to know the evidence.
33:13I don't want to know how to do it.
33:18I don't want to know how to do it.
33:19I don't want to know it.
33:21I don't want to know how to do it.
33:23I don't want to know it.
33:25It's a lot of commercial points.
33:29If you have a post or a promotion in the cinema,
33:34it's not a cinema.
33:37I don't know how to do it.
33:40I don't want to know it.
33:42I don't want to know it.
33:43We don't want to know it.
33:45But what is your post?
33:48You have a social account, a promotion, a promotion.
33:57What is your post?
33:59You don't want to know it.
34:01You don't want to know it.
34:01You don't want to know it.
34:02You don't want to know it.
34:16You don't want to know the post?
34:18You don't want to know it because you have all the posts.
34:19In other words, you have to know it,
34:22you really want to know the post or post.
34:23You don't want to know it.
34:26You want to know, nothing.
34:27So, what are they trying to say?
34:30After that, there is a fanbase
34:33Everyone has an Ankit Mohan,
34:35who has a fanbase
34:36because he doesn't even have cinema
34:39He doesn't have a fanbase,
34:40but it doesn't have cinema bycots
34:42If the fan follows,
34:43it's an Ankit Mohan teaser
34:44and I don't post it
34:46What else does it do?
34:50We have to contest it
34:50That's what we lugar a sec
34:52to get counter
34:53It's not a big deal.
34:55It's a negative comment.
34:59If you go to the same place,
35:04the film story will be the same.
35:07And there are social media.
35:08There are social media.
35:10There are social media.
35:11The social media is a problem.
35:13There are established actors.
35:15If you have a fan base,
35:19if you don't have a fan base,
35:20you don't have to worry about it.
35:21I don't know about social media, it was about 2100, and now it was about 10 years since we started
35:28in 2027.
35:29There are many changes in social media.
35:32Today, I've heard that marketing based banner, TV,
35:38there is no conversion ratio, there is no satellite.
35:41There is a lot of competition.
35:43There is a conversion ratio to social media.
35:46There is a lot of competition, satellite, serials,
35:50so the conversion ratio is not the point of view.
35:52The marketing is very strong in social media,
35:55so many of the audience is converted.
35:57And if we do this,
35:59you don't have to worry about this.
36:01If you don't have to worry about actors,
36:03then you will be worried about it.
36:06But I think that
36:08if you have a clear story,
36:12what's the right answer is.
36:15What's the right answer is.
36:15If we don't have to worry about actors,
36:16then we will always ensure that they are going to take care of actors.
36:19We didn't get a lot to do that.
36:22We didn't get the right answer to that.
36:23Well, in this interview,
36:24we were asked the feedback on whether we should get a promotion.
36:29We didn't get the notification.
36:31Then we said it's not,
36:32we didn't get the notification.
36:34I didn't get it.
36:34I'm asked the notification that the notification for it,
36:38so I asked the notification for the people that
36:39I asked the notification.
36:41I noticed that the notice was revert
36:45I didn't know what the notice was
36:48What's up?
36:49What's up?
36:50P.I.
36:51If the P.I. was on WhatsApp, I didn't know what the notice was
36:55Then the notice was revert
36:56It was nice, right?
36:59We had a notice
37:00We had a film in Maharashtra Epstein
37:03Yes
37:05We had a notice
37:08We had a notice
37:08We had a notice
37:12We had a notice
37:13P.I.
37:16P.I.
37:16This is not how we get back
37:18A notice
37:20I don't know how the notice was
37:22P.I.
37:23You don't know how the notice was
37:29The P.I.
37:29It didn't reply
37:30The number of 9 people would notice
37:3450ak
37:36It's a very nice thing to say that if you wanted to stop the group, you would have to stop
37:40the group.
37:43So, if you want to stop the group, you have to stop the group.
37:47Let's stop the group of people.
37:48We have to stop the group.
37:51You are making a film, you are making a film.
37:58It is a great place to see the story of Maharashtra.
38:02It is a great place to see the story of Maharashtra.
38:06I am very proud of that it is a release of the film.
38:13But you have to be surprised to see what Maharashtra was doing.
38:18I don't think it's a good place to see the film.
38:21In my film, Madam, there was a social board in the social media, and it was entertainment.
38:29It was entertainment.
38:31It was entertainment for the audience.
38:35It was a social board.
38:37It was a social board.
38:39There was a film in Fosco 307.
38:43There was a comedy film.
38:46But there was a social board.
38:49There was a social board.
38:50The film was a social board and the person who was to do it.
38:59And the person who was telling me that they were telling me that they were a social board of times.
39:08It was a social board.
39:09You did a lot of stuff that came to me.
39:15And I think I'm going to give you a chance to get to the stage of the stage.
39:23I was like, I'm not a Greek man.
39:26What's your goal?
39:29Do you understand what I'm saying?
39:33I'm speaking a lot of people in the same way.
39:37I'm speaking a lot of cinema.
39:39I'm speaking a lot of people in the same way.
39:44We have entertainment plus the discussion.
39:48We have a lot of the content that we have to do with the discussion.
39:52How do we have the concept of entertainment?
39:54Entertainment is also a social message.
39:57We have a lot of the information that we have in our own cinema.
40:01Thank you so much.
40:03I want to make a lot of noise.
40:06I want to make a lot of noise.
40:08I want to make a lot of noise.
40:10I want to make a lot of noise.
40:12I don't know how to clear it.
40:14This is not a big part of the show.
40:15It's a small part of the show.
40:17People play the same thing.
40:19And then we have to play.
40:21We have to talk about the conversation
40:23and we have to talk about the show.
40:27We are all about it.
40:28We are all about a character.
40:31I am not a producer.
40:33I am also a producer.
40:33You are also a presenter with Baharashtra.
40:35Yes.
40:37You are watching the show.
40:40It took us to the next couple of photos
40:43There is a couple of photos.
40:45The third picture is that we might not know.
40:47We are sorry.
40:50This is the case.
40:52The other picture was fixed as Hindi and Marathi.
40:57And that is where our diary is from.
41:00It's like the whole story.
41:01I believe that Harry is the fan of the movie and doing films.
41:04Right.
41:05So much of this.
41:07Thank you so much sir.