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FIRST LOVE Story Of An Heartbreak Full ROMANCE Movie HD - Dominique Sanda & Maximilian Schell
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00:07:38M.K.
00:08:10M.K.
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00:09:09M.K.
00:13:29İzlediğiniz için teşekkür ederim.
00:13:48Açık bir şey!
00:13:50Soruları mı?
00:13:51Sizinize Sazakina.
00:13:52Evet, Evet.
00:13:53Sazakina.
00:13:56Sonumuzun var.
00:14:01572...
00:14:02Bize şimdi.
00:14:05200...
00:14:06...4...
00:14:09Sıkın.
00:14:12Ne.
00:14:12Ne?
00:14:13Ne?
00:14:16Bu?
00:14:18Bu ne?
00:14:21Farklı, ne?
00:14:22Farklı, ne?
00:14:25Ne?
00:14:26Hemeni ki?
00:14:27No.
00:14:28Ne?
00:14:30Mağazık mı?
00:14:31Sadece bizlerle birlikte birlikte yiyizden önce.
00:14:33Of course.
00:14:35Tüm günlerle, tabii.
00:14:36Ve buraya.
00:14:38Yüküm.
00:14:3918 yaşıyorsunuz.
00:14:4016
00:14:41Ah, bu da güzel yaşlar.
00:14:44Bu ne?
00:14:46Bu ne?
00:14:47Bu ne?
00:14:49Bu ne?
00:14:51Bu ne?
00:14:51Bu ne?
00:14:51Bu ne?
00:14:52Bu ne?
00:15:03Bu ne?
00:15:04I don't like the country. I find it very boring.
00:15:06Especially in the evening, there's nothing to do.
00:15:08And all these flies.
00:15:11Still, I suppose that after all this trouble in the city,
00:15:14it's safer here.
00:15:16Ah, Sinaida. This is our neighbour, sir.
00:15:18What did you say your name was?
00:15:20Alexander.
00:15:21Ah, Alexander.
00:15:23I knew a police officer, Alexander, once.
00:15:26A charming man.
00:15:30Bonnie Fatty, I've found my keys.
00:15:32I've already seen Missy Alexander.
00:15:35May I call you that?
00:15:36Where? Where did you see him?
00:15:37Are you busy at this minute?
00:15:39No.
00:15:39Good. You can help me wind some walls.
00:15:41Go on. She won't bite you.
00:15:50Come.
00:15:56Sit down.
00:16:08What did you think of me yesterday?
00:16:10I don't think you really approved of me, did you?
00:16:13You don't know me very well yet.
00:16:16I'm strange.
00:16:17I like to be told the truth. Always.
00:16:21You're sixteen. I'm twenty-one.
00:16:24That makes me much older than you, so you must obey me.
00:16:27You must always tell the truth.
00:16:31Look at me.
00:16:33Why don't you look at me?
00:16:35Why don't you look at me?
00:16:36I like...
00:16:37I like your face.
00:16:39I have a feeling we're going to be friends.
00:16:42Do you like me?
00:16:44Princess.
00:16:45First of all, call me Zinaida.
00:16:47And secondly, I really don't understand why children...
00:16:51I mean young people.
00:16:52Never say what they feel.
00:16:54Leave that to grown-ups.
00:16:55You do like me.
00:16:57Of course, I like you very much.
00:17:00I'm not trying to hide anything.
00:17:07Are you still at school?
00:17:09Well, it's...
00:17:11sort of a school.
00:17:12It's higher.
00:17:14I'm a student.
00:17:15I'm going to university soon.
00:17:17Oh, I see. You're completely grown up.
00:17:19You're welcome.
00:17:20I'm sorry.
00:17:21I'm sorry.
00:17:24I'm sorry.
00:17:32I'm sorry.
00:17:34I'm sorry.
00:17:35I'm sorry.
00:17:37I'm sorry.
00:17:41You're welcome.
00:17:43All right.
00:18:05İzlediğiniz için teşekkür ederim.
00:18:18İzlediğiniz için teşekkür ederim.
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00:21:44İzlediğiniz için teşekkür ederim.
00:21:48İzlediğiniz için teşekkür ederim.
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00:22:12İzlediğiniz için teşekkür ederim.
00:22:15İzlediğiniz için teşekkür ederim.
00:22:46abone olmalı.
00:23:13abone olmalı.
00:23:15İzlediğiniz için teşekkür ederim.
00:23:18abone olmalı.
00:23:20İzlediğiniz için teşekkür ederim.
00:23:21abone olmalı.
00:23:23İzlediğiniz için teşekkür ederim.
00:23:26Eğilin için teşekkür ederim.
00:23:28İzlediğiniz için teşekkür ederim.
00:23:41abone olmalı.
00:23:42Bu ne?
00:23:43Çok güzel.
00:23:47Evet.
00:23:49Bir de de balkan ülkelerden biri.
00:23:51Bir de.
00:23:52Bu da.
00:23:53Bu da?
00:23:54Bu da.
00:23:57Bu da.
00:23:58Bu da.
00:23:59Herás edip here.
00:24:01Bu da.
00:24:03Yerlilene Çok G hattenya?igorúannenecc
00:24:08Damito. Yerlilene
00:24:10Evet hat amazing! Ve o da. Yerlilene
00:24:12Kmyeon yıl Neville, sarà.
00:24:14Cosa. Yerliliunyente
00:24:21herzlich eserveyade
00:24:23So I heard. Your family were very wealthy, weren't they?
00:24:27And then they lost everything.
00:24:30So that's why you married?
00:24:33Well, anyway, it's terrible, terrible.
00:24:36The newspaper, sir.
00:24:37Put it on the table.
00:24:39Now, I wonder if you know the officials in this district.
00:24:42I'm afraid we don't.
00:24:44I'm so glad.
00:24:45That's why I wrote to you and your dear husband.
00:24:47Such a distinguished gentleman.
00:24:49You would be doing me a great kindness if you would ask them just to leave me alone to leave
00:24:53my own life in peace.
00:24:55The police can be so difficult if you have no influence.
00:24:58I doubt there's anything much we can do.
00:25:00Then that's settled. Good.
00:25:02Such an excellent lunch.
00:25:04Fresh vegetables.
00:25:06These you just can't find in the city nowadays.
00:25:09And the cheese is so dry.
00:25:11You're very lucky here in the country to be able to entertain like this.
00:25:15We just don't have any food to give our guests.
00:25:18And the wine smells of roses.
00:25:21You can't drink it.
00:25:23Ah, well, c'est la vie.
00:25:25Thank you so very much.
00:25:27I'm really quite enjoying myself.
00:25:29Oh, you won't mind lending me your newspaper, will you?
00:25:33Uh, well...
00:25:34Does your radio still work?
00:25:36I'll see that you get it back.
00:25:38Yes?
00:25:38Yes.
00:25:39Now, I'm relying on you for your support.
00:25:41Don't forget.
00:25:42Of course, we do whatever we can.
00:25:44Oh, je vous en prie.
00:25:45Oh, is your buffer accompanying us?
00:25:47Yes.
00:25:47Oh, that's...
00:25:48Come to the party tonight at eight o'clock.
00:25:50Without fail.
00:25:52Still raining, I see.
00:25:54Well, here I am, a princess no less.
00:25:57But what's the good of a title if you can't get enough to eat?
00:26:24Well, that daughter of hers, she just seemed terribly conceited.
00:26:27Bu, çok kötü.
00:26:30Ama bu, çok güvenli.
00:26:33Dikkatlılığınız bir görüntü.
00:26:35Allah'a bekleyedik.
00:26:37Ama bu, bu kadar, ki ne?
00:26:40Um?
00:26:45Bu hat.
00:26:46İzlediğiniz için teşekkür ederim.
00:27:09Bir sonraki videoda görüşmek üzere.
00:27:12Ne?
00:27:13Bonjour, monsieur Alexandre.
00:27:14Sonu mu?
00:27:15How are you doing there?
00:27:17It's fair.
00:27:18It's fair...
00:27:19Come down, take a slip.
00:27:21Be it in jail.
00:27:22Come, come, come.
00:27:23Unfair!
00:27:24Unfair!
00:27:25It's here for the first time, Mison.
00:27:26So we can change the rules.
00:27:28I think it's unfair, too.
00:27:28Quite how to slip.
00:27:30What is this? Rebellion?
00:27:31Ah! Ah!
00:27:33Ah, monsieur Alexandre!
00:27:34May I introduce...
00:27:35This is Dr. Lüxing.
00:27:38This the poet Maybenov.
00:27:40Konstantin Maitenov.
00:27:41This is Belovzorov, my wild beast, you've already seen.
00:27:46This Malevsky...
00:27:47Count Malevsky.
00:27:49Excusez-moi.
00:27:50And this is our host, Yermatsky.
00:27:52Colonel Nematsky, retired. Want a drink?
00:27:55Let me explain to the young man we're playing a game of forfeits.
00:27:58Sinaida has lost. Slip, please.
00:28:02And she will pay her forfeit by giving a kiss to the winner of the raffle.
00:28:07Sinaida.
00:28:09I don't know, you as a poet should be generous and give your slip to Alexander...
00:28:13...so he can have two chances instead of one.
00:28:15Never.
00:28:16The last one is the last one.
00:28:18Kiss.
00:28:19Bravo, he's won.
00:28:20Kiss.
00:28:21I'm glad. Are you glad too?
00:28:23Sell me your slip. How much do you want for it?
00:28:25Oh, sell you my kiss. Bravo.
00:28:27Kiss me. Kiss me.
00:28:29Here.
00:28:30No. Come. Come here, ma'am.
00:28:34Oh, no. You do it properly.
00:28:36I am master of ceremonies, so let me see you do it here.
00:28:38In the glass case.
00:28:39In the glass case.
00:28:42In the glass case.
00:28:44Come on, please. Come on.
00:28:45Into the glass case.
00:28:47Oh, kiss.
00:28:50Oh, kiss.
00:28:51Oh, kiss.
00:28:51Please, sir.
00:28:52Oh, kiss her.
00:28:53Oh, yeah.
00:28:55Oh, no.
00:28:58Oh, no.
00:28:58Oh, no.
00:28:58They're cheating.
00:28:59I would have done the same, wouldn't you?
00:29:01It's unfair.
00:29:02It's unfair.
00:29:03Unfair.
00:29:03Most discreet.
00:29:05But too long.
00:29:06Enough.
00:29:06Enough.
00:29:09Enough.
00:29:10Enough.
00:29:14Well, did you kiss her?
00:29:19Splendid.
00:29:23The poem is called, The Murderer.
00:29:30Silent was the marble.
00:29:33Silently glittered the glass.
00:29:35It's in six books.
00:29:37This bit is from book three.
00:29:38I would have read you from the beginning, Pop.
00:29:40I think this is more in keeping with these circumstances of the moment present.
00:29:44So, Dr. Lushin, would you mind?
00:29:47Thank you.
00:29:49Well, I start from the beginning.
00:29:53Silent was the marble.
00:29:56Silently glittered the glass.
00:29:58Silent stood the guard in the wind.
00:30:01Frozen into bronze.
00:30:03Perhaps I should just explain.
00:30:06There is this tyrant, this appalling tyrant.
00:30:10He's dead, it seems, after so long.
00:30:13dead at long last.
00:30:15And the people can hardly dare breathe, in case it really hasn't happened.
00:30:20Suddenly he may come to life again, without warning or reason.
00:30:25And freedom and hope will be crushed all over again.
00:30:30So, Dr. Lushin, would you mind?
00:30:32Thank you.
00:30:33So, I'll start again.
00:30:36Silent was the marble.
00:30:38Silently glittered the glass.
00:30:39Silent stood the guard in the wind.
00:30:41Frozen into bronze.
00:30:43But the coffin stirred.
00:30:45Air breathed through its bolts as they shouldered him through the mausoleum door.
00:30:50Coffin was slipping gently on its way, grazing their bayonets with its sides.
00:30:55He was as silent as they.
00:30:57But threatening silent, darkly clenched the embalmed fist, so cradled himself within the man, miming his death charade, stamping the
00:31:10mocking burden of his body on those who carried him.
00:31:13Somehow to draw upon them the power of their deliverance, and filth the trick of sneaking from the grave, so
00:31:20that he might yet reach out to these, the men once named unreasonable.
00:31:25His dreams have not interred themselves.
00:31:29He crouches between then and now, and pauses in upon himself, so I say to you, our government, I call
00:31:37upon you by this tomb.
00:31:40Dumble the guard.
00:31:42No, triple it, so that he will never rise up again amongst us.
00:31:51Oh, my wise beast.
00:31:54No, perhaps not.
00:31:56Yeah.
00:31:56Oh, bravo.
00:31:57Hold it.
00:31:58Hold it.
00:32:04Give me music.
00:32:07Here's my hands.
00:32:09No.
00:32:11I got in.
00:32:15I got in.
00:32:16Music.
00:32:17Come on, children.
00:32:19No, no, no, no.
00:32:26Music.
00:32:56İzlediğiniz için teşekkür ederim.
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00:39:02Hayır, ne?
00:39:04Bu, bir sıyrıcıca.
00:39:08Bir siyemizi announce,
00:39:10yabgı alır.
00:39:12Bilin isimli,
00:39:14You will be free.
00:39:16You will be in command.
00:39:45İzlediğiniz için teşekkür ederim.
00:39:45Sade me a horse.
00:39:47Can I come with you?
00:39:48No, not this time.
00:39:52Ride by yourself if you want to.
00:39:55And tell the coachman I'm not going.
00:39:58I've got to go somewhere else.
00:40:48İzlediğiniz için teşekkür ederim.
00:41:02İzlediğiniz için teşekkür ederim.
00:41:05İzlediğiniz için teşekkür ederim.
00:41:08Teşekkürler.
00:41:10Teşekkürler.
00:41:12Teşekkürler.
00:41:13İlk başlayalım.
00:41:15İlk başlayalım.
00:41:16İlk başlayalım.
00:41:18Şimdi bu işler için çok zor.
00:41:20İlk başlayalım.
00:41:22Gelecek bir şey.
00:41:25Bu çok önemli bir şey.
00:41:27Gelecek.
00:41:35Fena.
00:41:37Fena.
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00:46:45ederim.
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00:50:48Burcu, Every...
00:50:49bakma bakma her zaman.
00:50:53It hurts.
00:50:54It hurts.
00:50:55That hurts.
00:50:57Doesn't it hurt?
00:50:58It doesn't.
00:51:00Ah!
00:51:01Oh!
00:51:03Poor Alexander.
00:51:05What have I done?
00:51:07Well,
00:51:09I'll wear your hair in my locket.
00:51:12I will perhaps comfort you a little.
00:51:15And now goodbye.
00:57:41I'd kill her.
00:57:42Ama if she ran away.
00:57:44I'd catch her and still kill her.
00:57:47Now let's suppose I were your wife.
00:57:49What would you do then?
00:57:55I'd kill myself.
00:57:59Ah, Monsieur Alexandre.
00:58:02We haven't seen you for a long time.
00:58:05You've deserted us.
00:58:06Come, sit down.
00:58:08Come.
00:58:10We're making up stories.
00:58:12Everyone has to tell something he's never told before.
00:58:16Ah, yeah.
00:58:19It's my turn now.
00:58:24Imagine.
00:58:26A splendid chamber.
00:58:28A summer night.
00:58:29And a wonderful ball.
00:58:32A young queen is giving this ball.
00:58:37Everywhere is...
00:58:38gold.
00:58:40Gold.
00:58:40Marble.
00:58:41Crystals, lights, diamonds, flowers, all the delights of luxury.
00:58:45A question.
00:58:47Does the queen have a husband?
00:58:50No.
00:58:51Why a husband?
00:58:53Indeed.
00:58:55Why a husband?
00:58:57Silence.
00:58:58Merci.
00:58:59The queen listens to the music, but doesn't look at a single one of the guests.
00:59:03Six windows are open from top to bottom, and beyond them a dark sky with huge stars, and a dark
00:59:10garden with huge trees.
00:59:12The queen looks out into the garden.
00:59:16There, among the trees, stands a man in the darkness, and the queen looks and thinks, all of you gentlemen
00:59:25are noble, clever, rich.
00:59:27You surround me.
00:59:29Every one of my words is precious to you.
00:59:31You are all ready to die at my feet.
00:59:33I possess you, but there, in the garden, there stands and waits for me the one I love.
00:59:39He is not rich.
00:59:41He has no rich clothing, no precious stones.
00:59:44Nobody knows him, but he's waiting for me.
00:59:46He's certain I'm coming, and I am.
00:59:49And there is no power in the world that can stop me once when I want to go with him,
00:59:52and be with him, and lose myself with him, there, in the garden's darkness amid the rustling of the trees.
01:00:03That is made up.
01:00:05And what about us, gentlemen?
01:00:08If we were among those guests, and you were of that happy man in the garden, what would we do?
01:00:14Well, I'd tell you exactly what I'd...
01:00:15I'll tell you myself what each of you would do.
01:00:18You would challenge him to a durable officer-off.
01:00:22And you, Maidenoff, you would write some very cutting, some very scathing article about him.
01:00:29Oh, no, you wouldn't.
01:00:30I don't think you know how to be cutting.
01:00:34I think you would write a fierce, romantic poem, denouncing his politics.
01:00:39And you, Nelmatsky, you would borrow money from him.
01:00:42Oh, no, you wouldn't.
01:00:43You'd lend at exorbitant interest.
01:00:44Yes.
01:00:45As for you, Doctor, I don't know what you would do.
01:00:48As your doctor, I'd advise you not to give parties if you don't want to have guests.
01:00:54Perhaps you're right.
01:00:56And you, Kantmanevsky.
01:00:58Yes, what about me?
01:00:59I think you'd send him poison chocolate.
01:01:04As for you, Alexander.
01:01:06Oh, no.
01:01:07That's enough.
01:01:08Let's do something else.
01:01:10You would follow her like a dog.
01:01:12That's her page, of course.
01:01:13I never gave you the right to be insulting.
01:01:15I must ask you to leave.
01:01:16Well, I think it's a naïe disright.
01:01:17But you're doing a game.
01:01:19I assure you, I had no intention of offending anyone.
01:01:23Very well.
01:01:24You may stay.
01:01:25Perhaps we became angry for nothing.
01:01:27After all, you find it amusing to hurt people.
01:01:39You're not still angry, are you?
01:01:41It's silly.
01:01:43After all, it wasn't I who called you a page.
01:01:45She gave it that title.
01:01:48Not that you perform your duties very well.
01:01:52Why not?
01:01:54Well, you should never leave your mistress's side.
01:01:56You should know everything she does.
01:01:59In fact, you should watch her.
01:02:01Day and night.
01:02:02What do you mean?
01:02:05Day and night.
01:02:06By day it's light and there are lots of people around.
01:02:08But at night?
01:02:09Well, anything could happen at night.
01:02:13Why don't you take my advice?
01:02:16Don't sleep.
01:02:17Watch.
01:02:18Keep your eyes open and watch.
01:02:21Particularly in the garden at night.
01:02:38Don't go away, my beautiful tipsy.
01:02:42Stay where you are.
01:02:45You're covered in blood.
01:02:47What have you done?
01:02:49Nothing.
01:02:51Nothing.
01:02:53Nothing.
01:02:57Nothing.
01:02:58Nothing.
01:03:00Nothing.
01:03:01Nothing, nothing, nothing, nothing.
01:03:03Nothing, nothing, nothing.
01:03:07Nothing, nothing, nothing.
01:03:08Nothing, nothing, nothing.
01:03:14Nothing.
01:03:16Alexander, where are you going?
01:03:20Ben de iyiydi.
01:03:21Ben de yukarıda.
01:03:23Ben de yukarıda.
01:03:25Gelecekler.
01:03:26Bir de yukarı.
01:03:27Bir de yukarı.
01:03:32Ben de yukarıda.
01:03:35Ben de yukarıda.
01:03:44Tamam, ben de yukarıya.
01:03:46İzlediğiniz için teşekkür ederim.
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01:20:25Bu ne?
01:20:28Ne?
01:20:31Ne?
01:20:32Bu ne?
01:20:33Bu ne?
01:20:34Bu ne?
01:20:38Bu ne?
01:20:58Bu ne?
01:21:26Bu ne?
01:22:10Bu ne?
01:22:14Bu ne?
01:22:15Bu ne?
01:22:20Bu ne?
01:22:20Bu ne?
01:22:20Bu ne?
01:22:21Bu ne?
01:22:22Bu ne?
01:22:22Bu ne?
01:22:23Bu ne?
01:22:24Bu ne?
01:22:25Bu ne?
01:22:25Bu ne?
01:22:25Bu ne?
01:22:25Bu ne?
01:22:25Bu ne?
01:22:25Bu ne?
01:26:35Şe'de not known joy.
01:26:38Şe'de not tasted the cup of happiness.
01:26:40Şe'de not ifade yettype sınırlığı ileği Przybylade ve özelliklerleği bir свобод ve ygidişi?
01:26:45Anadılmaz her çay suçun yanından,
01:26:47still ki içe naught kat �losunda,
01:26:51until her last strengi ha SCLT'di her yeri,
01:26:54old woman kaptan tekrar a seclik ve her weiß birbirle bağla지�an,
01:26:57''İyi şereçlik bence.''
01:27:01İzlediğiniz için teşekkür ederim.
01:27:41İzlediğiniz için teşekkür ederim.